DOES Paul Thomas Anderson’s Licorice Pizza top Quentin Tarantino’s Once Upon A Time In Hollywood?
Arts podcasters Graham Chalmers and Charles Hutchinson mull over two Tinsel Town fables.
Plus re-discovering Bruce Springsteen on scorching form at No Nukes in 1979, on its belated CD and DVD release, and welcoming news of new music venues for York and Edinburgh.
FROM The Missing Peace to Shed Seven at the races, Charles Hutchinson finds the missing pieces to fill your diary
Premiere of the week: Rowntree Players in The Missing Peace, Joseph Rowntree Theatre, York, January 27 to 29, 7.30pm and 2.30pm Saturday matinee
ROWNTREE Players director Gemma McDonald has adapted York author, singer, motivational conference speaker and charity champion Big Ian Donaghy’s book The Missing Peace, now billed as “One play…15 endings”.
On stage, Donaghy’s exploration of life after death takes the form of 15 Talking Heads-style monologues, many drawn from interviews he conducted in York. “It’s not a play about death, it’s a play about life,” he says. “There will be moments of laughter, sadness and reflection throughout.”
Look out for Mark Addy, who has recorded the narrator’s role as the Station Announcer. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Country gig of the week: The Shires – Acoustic, Pocklington Arts Centre, January 26, 8pm
THE Shires, Britain’s best-selling country music act, bring their 2022 intimate acoustic tour to Pocklington on the back of working on their upcoming fifth album.
Award-winning duo Ben Earle and Crissie Rhodes have made a habit of playing Pocklington since their Studio debut in 2014, appearing regularly at PAC and playing the Platform Festival at The Old Station in 2016 and 2019. To check ticket availability, go to pocklingtonartscentre.co.uk or call 01759 301547.
Comedy gig of the week: Ross Noble: Humournoid, Grand Opera House, York, January 29, 8pm
WHAT happens when a creature is created and bred to do stand up, asks Geordie comic Ross Noble in his Covid-delayed but finally here new tour show, Humournoid?
“Nobody knows because that isn’t a thing,” says his tour blurb. “What is a thing is Ross Noble doing a show. You can come and see it. This is it.”
As ever with this improviser supreme, it turns out Humournoid has no theme, says Noble, who promises a typically freewheeling performance on his return to one of his five favourite venues in the world. Box office: atgtickets.com/York.
If you discover one band this month, make it: Porridge Radio, The Crescent, York, January 31, 7.30pm
EVERY Bad, their 2020 album released by the super-cool Secretly Canadian label, has propelled Porridge Radio from a word-of-mouth gem of Brighton’s DIY scene to one of the country’s most exciting upcoming bands.
“Last here opening for BC Camplight, we’re very pleased to see them return,” say promoters Please Please You and Brudenell Presents. Pet Shimmers, a new supercharged seven-piece from Bristol, support. Box office: thecrescentyork.com.
Word wars: Say Owt Slam with guest poet Malaika Kegode, The Crescent, York, February 5, 7.30pm
BRISTOL writer, performer and producer Malaika Kegode will be the special guest at York spoken-word hub Say Owt’s first Slam night for more than two years.
Kegode has appeared at WOMAD and Edinburgh Book Festival, published two poetry collections with Burning Eye Books and created Outlier, an autobiographical gig-theatre with prog-rock band Jakabol. Passionate about cinema, culture and race, her lyrical work journeys through lives and loves, exploring genre, form and the power of the written word made visual.
In the raucous poetry Slam, performers will have three minutes each to wow the audience. Box office: thecrescentyork.com.
Moral dilemmas: Alfie Brown: Sensitive Man, Theatre@41, Monkgate, York, February 10, 8pm
DOES emotion help us make moral judgments? In his new show, contrarian comedian Alfie Moore will address this question, using jokes.
These jokes will weave together to create something greater than the sum of their parts, answering a question about emotion and its complicated relationship with morality.
“I refute that I am saying things to plainly and wilfully disrupt social progress,” he says. “I am not. I might seem smug, I know, apologies, and I am often misunderstood. So, at this particular point in the unfolding history of meaning, intention, signs and signifiers, I am sometimes going to tell you what I mean.” Box office: tickets.41monkgate.co.uk.
Nina’s blues: Black Is The Color Of My Voice, Stephen Joseph Theatre, Scarborough, March 12, 7.30pm
FLORENCE Odumosu plays Nina Simone in Apphia Campbell’s story of the North Carolina-born jazz and blues singer and activist seeking redemption after the untimely death of her father.
Simone reflects on the journey that took her from a young piano prodigy, destined for a life in the service of the church, to a renowned vocalist and pianist at the forefront of the civil rights movement. Box office: 01723 370541 or at sjt.uk.com.
Racing certainty…hopefully: Shed Seven, Live After Racing @Doncaster Racecourse, May 14, from 11.15am
YORK band Shed Seven’s day at the races should have taken place on May 15 2021, but Covid made it a non-runner. Now they are under starter’s orders at Doncaster Racecourse for a hit-laden live set after the May 15 race card this spring.
Among the Sheds’ runners and riders will be Going For Gold, Chasing Rainbows, She Left Me On Friday, Disco Down, Dolphin, Where Have You Been Tonight? and fan favourites from 2017’s comeback album Instant Pleasures, Room In My House and Better Days. For tickets for the race-day and concert package, go to: doncaster-racecourse.co.uk/whats-on.
HOW did a York theatre cope with Covid crocking its legendary dame? Find out in Episode 73 of Graham Chalmers and Charles Hutchinson‘s Two Big Egos In A Small Car podcast. Under discussion too are Peter Jackson’s fab, formidable Beatles documentary Get Back; Mike Leigh’s Naked foreseeing Britpop and The Tourist going down better than Novax in Australia.
A YORKSHIRE or Humber artist or company could receive up to £2,000 and a guaranteed place in the 2022 Pleasance Edinburgh Fringe programme in a York Theatre Royal scheme.
The partnership with the Pleasance Theatre’s Edinburgh National Partnerships programme will provide support both financially and artistically.
York Theatre Royal is “delighted to be working with the Pleasance Theatre once again as part of their programme to identify and support exceptional local artists and companies who want to take work to the Fringe.”
Each partner is a leading national producing house with a commitment to supporting and developing new artists.
Fellow partner organisations in the scheme are: Bristol Old Vic, Leicester Curve, HOME Manchester, Theatre Royal Plymouth, Pitlochry Festival Theatre, Scotland, and Sherman Theatre, Cardiff.
The Theatre Royal statement adds: “Working with the Pleasance, we will identify dynamic artists at different stages in their careers, with the primary aim of the scheme being to uncover and support the best companies and artists from Yorkshire and Humber, and across the UK, to present work at the Fringe.”
The successful applicant will receive:
* Up to £2,000 financing from the Pleasance towards the costs of presenting their show at the Edinburgh Fringe.
* Guaranteed inclusion within the Pleasance Edinburgh Festival Fringe programme.
* Edinburgh Fringe registration covered by York Theatre Royal.
* A minimum of one week’s in-kind rehearsal and development space at York Theatre Royal.
* A programming option in the Pleasance London transfer run post-Edinburgh Fringe.
* Support to deliver accessible performances as part of the Fringe run.
* Mentorship, support and advice from both York Theatre Royal and the Pleasance leading up to and during the Fringe.
* Support to build new touring relationships with other National Partnership venues.
To apply, artists and companies should send a pitch to admin@yorktheatreroyal.co.uk, detailing the piece of work to be presented (synopsis, design ideas etc), the creatives involved and information on past productions (reviews, footage, etc).
DIRECTOR Janet Farmer is to leave Pocklington Arts Centre this spring, ending a 25-year association with the East Yorkshire venue.
She will retire in mid-April after 22 years in post, preceded by three years of fundraising to transform the market town’s former cinema into a theatre, concert venue, cinema and studio gallery. The recruitment process to appoint her successor will start later this month.
From a standing start in 2000, Janet has led Pocklington Arts Centre (PAC) into becoming a leading small-scale arts venue, recognised nationally as a beacon of good practice with a significant cultural reputation.
Janet has drawn more than £1million in public funding to support the venue’s presentation of 3,500 film screenings and staging of 900 live events, numerous festivals, from Pocktoberfest to the Platform Festival at the Old Station, plus hundreds of community events, workshops, exhibitions and private hires.
She has programmed a diverse range of acts over the past 22 years, naming her personal favourites as Joan Armatrading, Lesley Garrett, Shed Seven, John Bishop, The Shires, Rhod Gilbert, Sarah Millican, Lucinda Williams, Baroness Shirley Williams, KT Tunstall, The Unthanks, Mary Chapin Carpenter, David Ford and Josh Ritter.
When informing PAC staff and volunteers of her decision, Janet said: “I am sure this will be said on many occasions over the next few months, but I want to thank all of the staff and volunteers for their tireless support, hard work, dedication and friendship. This has been vital to making PAC the success it is today.
“It has been an absolute pleasure and honour to lead PAC over two decades and it fills me with immense pride knowing what has been achieved during this time. I look forward to returning as a customer and perhaps a volunteer in years to come.”
In reply, “all at Team PAC” responded on social media: “Janet, you moulded our identity, you are part of the building’s DNA and the legacy and success of your tenure will be seen for decades to come. Pour yourself a large drink and enjoy your well-deserved retirement.”
CharlesHutchPress will be interviewing Janet Farmer and venue manager James Duffy to reflect on her tenure at Pocklington Arts Centre. Watch this space.
PODCASTING culture vultures Graham Chalmers & Charles Hutchinson pick their way through what lies ahead in their 2022 arts diary, from formulaic films to pioneering theatre in Episode 72 of Two Big Egos In A Small Car.
FEEL the heat, despite the chill, as Charles Hutchinson’s calendar starts to hot up like a burst of tango.
Return of the week: Kevin Clifton in Burn The Floor, Grand Opera House, York, January 21, 7.30pm
STRICTLY champ Kevin Clifton returns to York to lead an international ballroom dance company in the fiery, rebellious tango, waltz and rhumba show Burn The Floor.
“Kevin from Grimsby”, who left BBC1’s Strictly Come Dancing professional roster after seven seasons at the end of 2019, last scorched the Grand Opera House boards in May 2019.
“Burn The Floor is the show that ignited a spark in me and changed me forever as a performer,” he says. “Through Broadway, West End and touring all over the world, this show has ripped apart the rule book, revolutionised our genre and inspired and shaped me as the dancer I am today.” Box office: 0844 871 3024 or at atgtickets.com/york.
Offbeat police procedural: Alfie Moore, Fair Cop Unleashed, Helmsley Arts Centre, today, 7.30pm
FAIR Cop Unleashed, Alfie Moore’s latest stand-up tour show, is based on a dramatic real-life incident from the cop-turned-comic’s police casebook.
Re-live the thrilling ups and downs of the night when a mysterious clown came to town and more than one life ended up in the balance, as recalled with insightful humour by the BBC Radio 4 presenter. Box office: 01439 771700 or helmsleyarts.co.uk.
Heartbreaker of the week: Teddy Thompson, supported by Roseanne Reid, Pocklington Arts Centre, January 22, 8pm; Leeds Brudenell Social Club, January 23, 8pm
TEDDY Thompson, an Englishman in New York since his 20s, heads home to play his tour rearranged from last year, showcasing his 2020 album Heartbreaker Please.
Famously the son of songwriters Richard and Linda Thompson, he was influenced heavily by Buddy Holly, Chuck Berry, Elvis Presley and the Everly Brothers, rather than his family folk roots, claiming he listened only to early rock’n’roll and country until he was 16. Box office: Pocklington, 01759 301547 or pocklingtonartscentre.co.uk; Leeds, brudenellsocialclub.seetickets.com.
Nostalgia on tap: Pasadena Roof Orchestra, York Theatre Royal, January 28, 7.30pm
LED by suave singer and band leader Duncan Galloway, the Pasadena Roof Orchestra invite you to “pack up your troubles, come on get happy, and experience an evening of superlative live music with more than a dash of wit and humour”.
For more than 50 years, they have put on top hat and tails to re-create the golden era of the 1920s and 1930s, performing the songs of Irving Berlin, Ray Noble, Cole Porter and their contemporaries, complemented by the hot jazz of Fletcher Henderson and Duke Ellington. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Never too late to start: Ian Cameron exhibition, Helmsley Arts Centre, until February 25
IAN Cameron became interested in art “quite late in life”, aged 50 in 2003, when he enrolled for an GCSE evening class. Art and design foundation course studies at York Art College ensued, since when he has taken part eight times in York Open Studios.
In his garden studio, he starts his paintings by doing a wax crayon rubbing on a manhole cover, then covering the rubbing with a vibrant watercolour wash called Brusho that causes a wax-resist result. “On to that I draw my image with a dip pen and Indian ink,” he says. “I embellish the artwork with collage and watercolours.”
The horror, the horror: Theatre Of The Macabre in Frankenstein, Theatre@41, Monkgate, York, February 2 to 5, 7.30pm plus 2.30pm Saturday matinee
“IF you think you know everything about this story then come along and be pleasantly surprised about how little you really know,” say Theatre Of The Macabre, introducing the twisted fantasies and grotesque dreamscapes of their adaptation of Mary Shelley’s Frankenstein.
“Join us as we discover his innermost fears and misgivings which haunt his troubled mind and how his ungodly experiments defied the Laws of Nature.”
What dreadful secret does he keep hidden? Who is the mysterious stranger he can only refer to as “It”. All will be revealed in this disturbing premiere. Box office: tickets.41monkgate.co.uk.
Off to the country: My Darling Clementine, Selby Town Hall, February 3, 8pm
MY Darling Clementine, a labour of love for spouses Michael Weston King and Lou Dalgleish, began as a homage to the Sixties and Seventies’ country duets of George Jones & Tammy Wynette and Johnny Cash & June Carter Cash.
Their latest album, 2020’s Country Darkness, reinterpreted Elvis Costello’s country songs in a collaboration with Steve Nieve, Costello’s stalwart keyboardist in The Attractions and The Imposters. Box office for their first gig of 2022: 01757 708449 or selbytownhall.co.uk.
Bird song: Buzzard Buzzard Buzzard, Leeds Brudenell Social Club, April 23
BUZZARD Buzzard Buzzard, “the most exciting new band to break out of Wales”, promote their February 25 debut album in Leeds on the closing night of their 18-date spring tour.
The Cardiff indie glam rockers’ front man, Tom Rees, says: “Backhand Deals is a practice in subverting the ideology of rock music as something that needs to be ‘brought back from the dead’.
“Rock should be about enjoying yourself honestly, whether that’s washing the dishes, sweeping the yard, or complaining about whoever got elected.” Box office: brudenellsocialclub.co.uk.
AS the pantomime season draws to a close, Charles Hutchinson turns his focus to new seasons and new reasons to venture out.
The skittish play: The HandleBards in Macbeth, York Theatre Royal, January 25, 7.30pm; January 26, 2pm and 7.30pm
THE HandleBards were the first professional company to play York Theatre Royal after Lockdown 3, lifting the long gloom with a ridiculously funny Romeo And Juliet. Now the three-pronged troupe opens the Spring! Season with an all-female, bewitching, unhinged, bicycle-powered, dead funny take on Macbeth, starring Kathryn Perkins, Natalie Simone and Jenny Smith.
Expect music, mayhem, murders, unusual applications of cycling paraphernalia and more costume changes “than you can Shake a spear at” in this irreverent, skittish romp through Shakespeare’s tragic “Scottish play”. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Oh, Vienna: International Gilbert and Sullivan Festival’s New Year celebration, Harrogate Royal Hall, today and tomorrow, 7.30pm.
ENCHANTMENT awaits in the Magic Of Vienna New Year Gala Concert today when the National Festival Orchestra, conducted by Aidan Faughey, presents works by Johann Strauss, Mozart and Lehar. International opera stars James Cleverton and Rebecca Bottone will be the soloists.
Charles Court Opera’s London production of G&S’s The Mikado will be performed on Sunday night, accompanied by the National Festival Orchestra. Box office: 01422 323352 or at gsfestivals.co.uk.
York album launch of the month:One Iota, supported by Odin Dragonfly, Joseph Rowntree Theatre, York, January 21, 7.15pm
YORK band One Iota are launching their debut album, More Than You Take, recorded at the venerable Abbey Road studios, in London, and Fairview Studios, Willerby.
Adam Dawson, James Brown, Andy Bowen and Phil Everard’s alt-pop group grew out of their three-piece tribute to The Beatles – The Threetles, of course – when they acquired a taste for writing their own songs in lockdown.
One Iota’s debut live show promises a full line-up, featuring live string arrangements for the Fab Four-influenced songs marked by rich vocal harmonies, innovative melodies and “more hooks than a cloakroom”. Box office: josephrowntreetheatre.co.uk.
By George, he’s back: Academy of St Olave’s Winter Concert, St Olave’s Church, Marygate, York, January 22, 8pm
THE Academy of St Olave’s Winter Concert features Jacob George, son of musical director Alan George, as soloist for Schumann’s Violin Concerto. He returns to solo duty for the York chamber orchestra after performing the Sibelius Violin Concerto in 2019.
The ASO’s first concert since last September’s sold-out resumption also includes two works inspired by Italy: Schubert’s Overture in the Italian Style, and Mendelssohn’s “Italian” Symphony No. 4. Box office: academyofstolaves.org.uk.
Ghosts at play: Nunkie Theatre Company in M R James’s A Warning To The Curious, Theatre@41 Monkgate, York, January 28, 7.30pm
NUNKIE Theatre Company bring two of M R James’s eeriest and most entertaining ghost stories back to life in Robert Lloyd Parry’s candlelit one-man show. Lost Hearts, an early work, is constructed around one of his most memorable villains, the predatory scholar Mr Abney.
Lloyd Parry pairs it with perhaps James’s most poignant and personal story, inspired by his holidays in Aldeburgh: A Warning To The Curious’s account of a young archaeologist being haunted and hunted by the guardian of an ancient treasure. Has the English seaside ever looked so menacing? Box office: tickets.41monkgate.co.uk.
Monster smash: Blackeyed Theatre in Frankenstein, Stephen Joseph Theatre, Scarborough, February 9 to 12
NICK Lane has reinterpreted John Ginman’s original 2016 script for Blackeyed Theatre, built around Mary Shelley’s Gothic novel, wherein nothing can prepare Victor Frankenstein for what he creates in pursuit of the elixir of life.
Eliot Giuralarocca’s highly theatrical production combines live music and ensemble storytelling with Bunraku-style puppetry to portray The Creature, in the life-size form of Yvonne Stone’s 6ft 4inch puppet, operated by up to three actors at once. Box office: 01723 370541 or at sjt.uk.com.
Never tire of satire: Fascinating Aida, York Barbican, February 12, 7.30pm
DILLIE Keane, Adèle Anderson and Liza Pulman’s latest Fascinating Aida tour show features old favourites, songs you haven’t heard before and some you wish you’d never heard in the first place.
“But the songs are mostly topical and the glamour remains unstoppable,” say the satirists, who have been capturing the political and social fixations of our times for nigh on 40 years, from 1984’s Sweet FA to 2012’s Cheap Flights and beyond. All tickets remain valid from the postponed May 5 2021 date. Box office: yorkbarbican.co.uk.
Looking ahead to Halloween: Marc Almond’s The Loveless, headlining the Saturday bill at Tomorrow’s Ghosts Festival 2022, Whitby Pavilion, October 29
THE Loveless make their Tomorrow’s Ghosts debut with a headline set of their devilishly dark arts at Whitby Pavilion next Halloween.
In a project designed to take its constituent parts back to where they all began, Soft Cell singer Almond, Sigue Sigue Sputnik axeman Neal X, Iggy Pop’s touring rhythm section of Mat Hector and Ben Ellis and haunting Hammond organist James Beaumont “pledge themselves to the pulp appeal of garage rock in its rawest, most gripping guise”.
The Loveless draw material from Almond’s expansive back catalogue, Lou Reed and David Bowie’s canons, warped 1960s’ R&B staples and lost garage-rock gems. Box office: ticketweb.uk/event/tomorrows-ghosts-festival.
Weekend opening: Kentmere House Gallery,Scarcroft Hill, York, today and tomorrow
NEW year, New Beginnings and a website “going live again at last” adds up to the start of 2022 for Ann Petherick’s gallery in her home at Kentmere House, York.
Among the works on show today and tomorrow from 11am to 5pm are Allotments In Autumn paintings by featured artist Stephen Todd, from Sheffield.
Kentmere House Gallery also will be open for the York Residents Residents’ Weekend on January 29 and 30, 11am to 6pm each day.
NO time like the present to discover no-nonsense arts podcasters Graham Chalmers and Charles Hutchinson’s look back to the year of No Time To Die, Ralph Fiennes in York, Grayson Perry’s Pre-Therapy Years and Emma Rice’s Wuthering Heights.
AS U2 once sang, all is quiet on New Year’s Day, but Charles Hutchinson has his diary out to note down events for the months ahead.
Drive-in pantomime: Car Park Panto’s Horrible Christmas, Elvington Airfield, near York, tomorrow (Sunday,) 11am, 2pm and 5pm
BIRMINGHAM Stage Company’s Horrible Histories franchise teams up with Coalition Presents for Car Park Panto’s Horrible Christmas.
In writer-director Neal Foster’s adaptation of Terry Deary’s story, when Christmas comes under threat from a jolly man dressed in red, one young boy must save the day as a cast of eight sets off on a hair-raising adventure through the history of Christmas.
At this Covid-secure experience, children and adults can jump up and down in their car seats and make as much noise as they like, tuning in to the live show on stage and screen. Box office: carparkparty.com.
Looking back, but not nostalgically: Shaparak Khorsandi, It Was The 90s!, Selby Town Hall, January 22, 8pm
SHAPARAK Khorsandi, the Iranian-born British stand-up comedian and author formerly known as Shappi, tackles the celebrated but maligned 1990s in her new show, It Was The 90s!.
Back then, she flew around London with hope in her heart, a tenner in her pocket and spare knickers in her handbag. “But how does the decade of binge drinking and walks of shame look now without snakebite and black-tinted specs?” asks Shaparak, 48.
“This is a show about how we ’90s kids are looking to young people to learn how to take care of ourselves, because if you survived the car crash of being a ’90s kid, then surely Things Can Only Get Better.” Box office: 01757 708449 or selbytownhall.co.uk.
Looking back, nostalgically: Round The Horne, Grand Opera House, York, January 27, 7.30pm
FROM the producers of The Goon Show and Hancock’s Half Hour tours comes another radio comedy classic, re-created live on stage by Apollo Stage Company.
Compiled and directed by Tim Astley from Barry Took and Marty Feldman’s scripts, this meticulous show takes a step back in time to the BBC’s Paris studios to re-play the recordings of the Sunday afternoon broadcasts of Kenneth Horne and his merry crew in mischievous mood.
Expect wordplay, camp caricatures and risqué innuendos, film spoofs and such favourite characters as Rambling Sid Rumpo, Charles and Fiona, J. Peasemold Gruntfuttock and Julia and Sandy. Box office: atgtickets.com/York.
Heart or head choice: Joseph Rowntree Theatre Company in Kipps, The New Half A Sixpence Musical, Joseph Rowntree Theatre Company, York, February 9 to 12, 7.30pm and 2.30pm Saturday matinee
IN the coastal town of Folkestone, Arthur Kipps knows there is more to life than his demanding but unrewarding job as an apprentice draper.
When he suddenly inherits a fortune, Kipps is thrown into a world of upper-class soirées and strict rules of etiquette that he barely understands. Torn between the affections of the kind but proper Helen and childhood sweetheart Ann, Kipps must determine whether such a simple soul can find a place in high society.
Tickets for this fundraising show for the JoRo are on sale on 01904 501935 or at josephrowntreetheatre.co.uk.
Strictly winner comes dancing: Giovanni Pernice: This Is Me, York Barbican, March 9, 7.30pm
GLITTER ball still gleaming, Giovanni Pernice will take to the road on his rescheduled tour after winning Strictly Come Dancing as the professional partner to ground-breaking deaf EastEnders actress Rose Ayling-Ellis.
The Italian dance stallion will be joined by his cast of professional dancers for This Is Me, his homage to the music and dances that have inspired Pernice’s career, from a competition dancer to being a mainstay of the gushing BBC show.
“Expect all of your favourite Ballroom and Latin dances and more,” says Giovanni. Tickets remain valid from the original date of June 11 2020. Box office: yorkbarbican.co.uk.
Off to the East Coast part one: The Script, Scarborough Open Air Theatre, July 14
IRISH rock band The Script topped the album charts for a sixth time in October with their greatest hits collection Tales From The Script, matching the feats of Arctic Monkeys, Pink Floyd and Radiohead.
Those songs can be heard live next summer when lead vocalist and keyboardist Danny O’Donoghue, guitarist Mark Sheehan and drummer Glen Power return to Scarborough Open Air Theatre for the first time since June 2018.
Formed in Dublin in 2007, The Script have sold more than 30 million records, chalking up hits with We Cry, The Man Who Can’t Be Moved, For The First Time, Hall Of Fame and Superheroes. Box office: scarboroughopenairtheatre.com.
Off to the East Coast part two: Jane McDonald and special guests, Yorkshire’s Platinum Jubilee Concert, Scarborough Open Air Theatre, June 4
WAKEFIELD singing star Jane McDonald will top the bill at next summer’s Scarborough celebration of Her Majesty The Queen’s Platinum Jubilee. A host of special guests will be added.
“I’m absolutely thrilled to be headlining this very special concert, and where better to be holding such a brilliant event than in Yorkshire,” she says. “Everyone knows I’m a proud Yorkshire lass, so it will be so thrilling to walk on to stage in Scarborough for these celebrations.” Box office: scarboroughopenairtheatre.com.
The Great British Baker gets cooking: Paul Hollywood Live, Harrogate Convention Centre, October 23
GREAT British Bake Off judge, celebrity chef and cookbook author Paul Hollywood promises live demonstrations, baking tasks, sugar-coated secrets and special surprises in next autumn’s tour.
Visiting 18 cities and towns, including Harrogate (October 23) and Sheffield City Hall (November 1), Wallasey-born baker’s son Hollywood, 55, will work from a fully equipped on-stage kitchen, sharing his tricks of the trade. Tickets for a slice of Hollywood action are on sale at cuffeandtaylor.com.