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More Things To Do in York & beyond when art goes wall to wall and opera takes a love potion. Hutch’s List No. 27, from The Press

One of James Jessop’s works on show in Rise Of The Vandals in the disused office block at 2, Low Ousegate, York

GRAFFITI writ large, an American rock musical, G&S and afternoon tea, a theatre festival and a football play find Charles Hutchinson in tune with the joys of June.

Exhibition/installation of the week: Bombsquad, Rise Of The Vandals, 2, Low Ousegate, York, today, tomorrow, then July 5 to 7, 11am to 6pm.

SPREAD over four floors in a disused Low Ousegate office block, York art collective Bombsquad showcases retrospective and contemporary spray paint culture, graffiti, street art and public art in three galleries, a cinema room, a Wendy house and art shop, in aid of SASH (Safe and Sound Homes).

Taking part in Rise Of The Vandals are York graffiti archivist Keith Hopewell, James Jessop, Bristol legend Inkie, Chu, Rowdy, Kid Acne, Remi Rough, Prefab77, SODA, Replete, Jo Peel, Sharon McDonagh, Lincoln Lightfoot, Anonymouse, Boxxhead and live DJs in SODA’s booth. Free entry; donations are encouraged. Dog friendly.

Johnny Marr: Playing songs from The Smiths to Electronic to his solo career (compiled on his Spirit Power collection) at Scarborough Open Air Theatre

Coastal gigs of the week: Johnny Marr and The Charlatans, tonight; Gregory Porter, Monday, Scarborough Open Air Theatre, gates 6pm

JOHNNY Marr, The Smiths and Electronic guitarist, superstar collaborator and solo artist, cherry-picks from all eras of his career, right up to his November 2023 compilation Spirit Power in his headline set. First up on this north-western double bill on the East Coast will be The Charlatans, as full of indie rock swagger as ever after 22 Top 40 hits.

Grammy Award-winning Californian jazz vocalist and songwriter Gregory Porter performs songs from Liquid Spirit, Take To The Alley, Nat King Cole & Me, All Rise and more besides on Monday night. Box office: scarboroughopenairtheatre.com.

Hamish Brown’s Alexis, left, Alexandra Mather’s Miss Aline Sangazure and Anthony Gardner’s John Wellington Wells in York Opera’s The Sorcerer. Picture: John Saunders

Everything stops for tea:  York Opera in The Sorcerer, York Theatre Royal, July 3 to 6, 7.30pm and 2.30pm Saturday matinee

JOHN Soper directs York Opera in The Sorcerer, Gilbert and Sullivan’s first full-length comic opera, wherein Sir Marmaduke Pointdextre (Ian Thomson-Smith) hosts a tea party in the Ploverleigh Hall gardens to celebrate the betrothal of his only son, Alexis (Hamish Brown) to Miss Aline Sangazure (Alexandra Mather), daughter of Lady Annabella Sangazure (Rebecca Smith).

When a love-at-first-sight elixir is mixed into the celebration tea by a sorcerer, John Wellington Wells (Anthony Gardner, in the role played by Soper for York Opera in 2001), mayhem follows as the assembled guests fall under his magic spell. What could possibly go wrong? Box office: 01904 623568 or yorktheatreroyal.co.uk.

Julia Bullock’s Geraldine Granger, Oliver Clive’s Hugo Horton and Grahame Sammons’s David Horton in 1812 Theatre Company’s The Vicar Of Dibley

Religious conversion of the week: 1812 Theatre Company in The Vicar Of Dibley, Helmsley Arts Centre, July 3 to 6, 7.30pm plus 2.30pm Saturday matinee

JULIE Lomas directs Helmsley Arts Centre’s resident company in a stage play adapted from the original BBC television series by Richard Curtis and Paul Mayhew-Archer. When Reverend Pottle dies, much to the surprise of the Dibley Parish Council, his replacement is Geraldine Granger, a vicar who is also a chocoholic sex kitten.

Follow the antics of David Horton, his son Hugo, Jim, Owen, Frank and Mrs Cropley as they adjust to working with the witty and wonderful Geraldine, assisted by her verger, Alice Tinker. Box office: 01439 771700 or helmsleyarts.co.uk.

Bright Light Musical Productions in Green Day’s American Idiot: York premiere at Joseph Rowntree Theatre. Picture: Dan Crawfurd-Porter

Musical of the week: Bright Light Musical Productions in Green Day’s American Idiot, Joseph Rowntree Theatre, York, July 4 to 6, 7.30pm and 2.30pm Saturday matinee

NORTH Yorkshire company Bright Light Musical Productions make their JoRo debut in the York premiere of punk rock opera Green Day’s American Idiot with a cast of 14 directed by Dan Crawfurd-Porter and a seven-piece band under Matthew Peter Clare’s musical direction.  

Inspired by the Californian band’s 2004 album, American Idiot tells the story of Johnny (Iain Harvey), “Jesus of Suburbia”, and his friends Will (William Thirlaway) and Tunny (Dan Poppitt) as they attempt to break out of their mind-numbing, aimless suburban existence. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

The bootiful game: Long Lane Theatre Club in The Giant Killers at the Milton Rooms, Malton

Football alternative to England at the Euros: Long Lane Theatre Club in The Giant Killers, Milton Rooms, Malton, July 4, kick-off at 7.30pm

THE Giant Killers tells the story of how Darwen FC came to the public’s attention in 1870s’ Lancashire to proclaim Association Football as the people’s game and not only the preserve of the upper classes.

Andrew Pearson-Wright & Eve Pearson-Wright’s play recounts how a ragtag bunch of mill workers in Darwen took on the amateur gentlemen’s club of the Old Etonians in the FA Cup quarter-final in 1879, rising up against prevailing social prejudice and the might of the Football Association to earn a place in history as the first real ‘‘giant killers’’ in English football. Box office: 01653 696240 or themiltonrooms.com.

For those about to rock: Live/Wire take the highway to hell with AC/DC classics at The Crescent

Tribute show of the week: Live/Wire, The AC/DC Show, The Crescent, York, July 5 and 6 (sold out), doors 7.30pm

LIVE/WIRE, The AC/DC Show pays tribute to the Aussie heavy rock band, replete with a wall of Marshall amps for two hours of high voltage rock’n’roll. Podge Blacksmith, a double take for frontman Brian Johnson, revels in a set taking in everything from Highway To Hell and Whole Lotta Rosie to Back In Black and latest album Rock Or Bust. Box office for July 5 only: thecrescentyork.com.

In Focus: Shepherd Group Brass Bands, Best Of Brass, York Theatre Royal, tonight, 7.30pm

The poster for Shepherd Group Brass Bands’ Best Of Brass at York Theatre Royal

TONIGHT’S Shepherd Group Brass Bands concert features all of the Shepherd bands playing individually and then a mighty ensemble piece, when all 170 players perform a specially composed piece by Liz Lane to mark 20 years of the bands’ sponsorship by the Shepherd Group.

Liz’s celebratory work represents the bands – Brass Roots, Academy Brass, Youth Band, Concert Band and Shepherd Group Brass Band – and the company support that provides first-class rehearsal facilities and has enabled the band organisation to grow.

Liz has led  several workshops, where she has worked with each band, “ storyboarding players’ feelings about the band, what we get from it as players and as a band family as a whole”.

She has been allowed to visit the Portakabin production site too, where she drew inspiration from the machinery used in the production of product lines.

On May 21, players from each band gathered in the band room for the first full run-through in Liz’s presence.  Afterwards she went away with a couple of ideas for final tweaks. Now comes the premiere performance with “a few real surprises in store for the audience”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

In Focus too: Festival of the week: Ripon Theatre Festival, July 2 to 7

Barrie Rutter: Presenting Shakespeare’s Royals in Ripon Cathedral on July 4 at 7.30pm

PUPPETS, stories, dance, drama, circus and street entertainment pop up in new and surprising places alongside more familiar venues, such as Newby Hall, The Old Deanery, Ripon Cathedral, Ripon Arts Hub and Fountains Abbey, as Ripon Theatre Festival returns.

In all, 109 events and activities will be crammed into five days and six nights. Among the highlights will be Barrie Rutter’s Shakespeare’s Royals, The Adventures Of Doctor Dolittle, Red Ladder’s Miners’ Strike musical comedy We’re Not Going Back, the Family Day on July 7 and Folksy Theatre’s open-air As You Like It.

Opening the festival on Tuesday at 11am and 2pm, Andrew Bates’s Brother Aidan brings heritage crafts, history and storytelling to his new home at Fountains Abbey. In Hazelsong Theatre’s interactive event for adults, he creates an Anglo-Saxon book, interwoven with stories of his life as a monk, with his demonstration including parchment and ink making, bookbinding and calligraphy.

On the first night, the Hilarity Bites Festival Special comedy bill will be hosted by Ripon favourite Lee Kyle at Ripon Arts Club on Tuesday at 8pm. Taking part will be sketch supergroup Tarot, musical comedy duo Black Liver and 2023 BBC New Comedian of the Year Joe Kent-Walters in the guise of his outrageous comic creation, Frankie Monroe, the MC of a working men’s club that provides a portal to hell.

York company Pilot Theatre and One To One Development Trust present daily screenings of Monoliths, an immersive, digital theatre experience that interweaves three northern landscapes – a moor, a city and a coast – with sweeping soundscapes and poetic monologues at Ripon Cathedral.

Written by Hannah Davies, from York, Carmen Marcus, from Saltburn-by-the-Sea, and Asma Elbadawi, from Leeds, the stories are an arresting testament to the inextricable link between person and place. Directed by Lucy Hammond, each performance lasts 11 minutes and can be experienced by three visitors at a time, wearing XR headsets. Times: 1.30pm to 3.30pm, July 2 to 5; 10.30am to 3.30pm, July 6.

Nicola Mills is joined by pianist Maria King for A Spoonful Of Julie, an hour-long tribute to Julie Andrews, full of charming stories of her life, songs, singalongs, medleys and favourite things, at Holy Trinity Church on Wednesday from 1pm to 2pm.

In Look After Your Eyes, at Ripon Arts Club at 8pm that night, Yorkshire theatre-maker, performer and physical comedian Natalie Bellingham reflects on the pain and beauty of love: what it is to both connect and unravel.  

Performed by a clown “delving into the space inside us left behind by loss”, her show celebrates being human in all its banality, sprinkled with joy and ridiculousness.

Natalie Bellingham in Look After Your Eyes

Thursday opens with Stand Up Stories, presented by Ripon Theatre Festival storyteller in residence Ilaria Passeri at the Storehouse Bar. Describing herself as the product of a bold Scottish mother, an errant Italian father and a little sister with the vocabulary of a truck driver, Ilaria has found herself in more than a few scrapes, situations and silly scenes.

In a whistlestop twilight tour through the confusing comedy of errors of her life, her tales introduce her family, friends, pets and one very peculiar clown.

From 7.15pm, Ripon Museum Trust guides lead the Ripon Heritage Ghost Walk from the Market Place. At 7.30pm, Northern Broadsides founder Barrie Rutter OBE celebrates the Bard’s Kings and Queens, their achievements, conquests and foibles, in Shakespeare’s Royals at Ripon Cathedral. Cue anecdotes and memories from a globe-spanning career of playing and directing Shakespeare.

Ilaria Passeri returns on Friday morning from 10.30am to 11am for Storytime for pre-schoolers at Ripon Library, featuring Derek the Dragon, Rita the skateboarding Mouse and Brian the Chicken’s messy bedroom. A short-story writing workshop for adults follows from 11.30am to 1pm; bring a pen and notepad.

At 2pm at Ripon Cathedral, Redheart Theatre presents Rupert Mason in Mr Owen’s Notebook, an exploration of Wilfred Owen’s experience of war through his poetry and the works of his contemporaries.

Written and directed by Justin Butcher, Mason’s one-man performance recalls how Owen lived his last summer in Ripon, where he spent his last birthday in the cathedral, now the backdrop to this sold-out show.

Mason charts how an officer travels from the Allied HQ to the Western Front one week before the Armistice and discovers the pocketbook of a young lieutenant killed that day: Wilfred Owen.

In a marquee at The Ripon Inn, in Park Street, Tell Tale Hearts serve up the teatime entertainment Trunk Tales, wherein a well-travelled lady arrives with her trunk of tales that tell of boastful toads, magical fish and fearsome beasts.

Using only the contents of her magical luggage, she creates Arabic seas, epic mountains, fields of turnips and the tallest trees in her interactive stories from around the world for four-year-olds and upwards.

Paulus the Cabaret Geek in Looking For Me Friend

Paulus the Cabaret Geek’s tour of Looking For Me Friend, The Music Of Victoria Wood arrives at Ripon Arts Hub on Friday at 8pm, accompanied by Fascinating Aida pianist Michael Roulston for an hour of songs and stories.

In telling Wood’s story, Paulus unfolds his own in a relatable account of a 1970s’ childhood and what it really means to find your tribe.

Saturday keeps festivalgoers on the move in a day of Pop-Up Events at various locations from 9.30am to 6pm. Ilaria Passeri hosts a morning of adventures for four-year-olds and upwards in Tales From Honeypot Village, featuring Rita the Mouse and the Tidy Trolls in the front room of The Unicorn Hotel at 9.30am and the back room of The Little Ripon Bookshop at 11.30am.

Puppeteers Eye Of Newt open their magical miniature suitcase for Ayla’s Dream, a captivating tale of night skies, light and counting sheep for three to ten-year-olds at Ripon Library at 10.30am (accompanied by a puppet workshop) and Ripon Cathedral from 12 noon to 12.30pm (performance every ten minutes).

York performer Tempest Wisdom takes a journey down the rabbit hole in the family-friendly Curiouser & Curiouser, a show for age five + packed with Lewis Carroll’s whimsical writings, inspired by Ripon Cathedral’s nooks and crannies. Free performances take place at Ripon Cathedral at 11am, 12.30pm and The Little Ripon Bookshop at 2.30pm.

Join the Master and Matron on the front lawn for an interactive game of giant Snakes And Ladders At The Workhouse Museum. Learn how life then, as now, is as precarious as a shake of the dice; slither down the snake to a shaven head and defumigation or ascent to a life out of the ashes from 11am to 12.30pm or 1pm to 3pm.

Festival favourites Lempen Puppet Theatre return with the free show Theatre For One in Ripon Cathedral from 10.45am to 11.30pm and Kirkgate from 1.30pm to 2.30pm and 3pm to 4pm. In a micro-theatre experience for one at a time, plus curious onlookers, a mini-performance of The Belly Bug or Dr Frankenstein will be staged every five minutes.

Members of the Workhouse Theatre Group invite you to experience justice 1871 style in The Trial Of John Sinkler in a case of poaching and threatening behaviour from 2pm to 3pm at The Courthouse Museum.

Ensure justice is seen to be done or perhaps take a more active role in a lively scripted re-enactment led by Mark Cronfield, formerly of Nobby Dimon’s North Country Theatre company.

The festival fun continues in Kirkgate with buskers, bands and more from 3pm to 6pm.

For full festival details and tickets, head to: ripontheatrefestival.org. A preview of further events at Ripon Theatre Festival on July 6 and 7 will follow.

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York Early Music Festival launches cultural partnership with Flanders, led off by Utopia and Cappella Pratensis concerts

Utopia: Making their York Early Music Festival debut at the NCEM, at St Margaret’s Church, Walmgate, York

YORK Early Music Festival is launching a cultural partnership celebrating the musical heritage of Flanders at next month’s event.

Two world-class ensembles from northern Belgium, Utopia and Cappella Pratensis, will be performing in York as part of the new collaboration, organised in association with the Alamire Foundation, in Leuven, and AMUZ, a thriving arts centre in a disused baroque church and former Augustine monastery in Antwerp, with support from the Flanders government.

“The partnership celebrates the historic ties between York and Flanders from the medieval period, built on the trading of wool by enterprising merchants, through to the present day,” says festival director Dr Delma Tomlin, the first woman governor in the 660-year history of the Merchant Adventurers’ Hall.

“The York Early Music Festival has worked with our partners in Flanders for 25 years and we have a similar mind-set to supporting and developing Early Music ensembles, with a willingness to provide opportunities.

“We are particularly delighted to be part of this exciting new partnership, the beginning of a new collaboration with artists and colleagues based in Flanders in what is a considerable investment on their part. I would like to say a huge thank-you to the Almire Foundation, AMUZ and the Flanders Government for their support.

“This marks a very important moment in this city’s musical history and highlights York’s historical relationship with Flanders, giving us the opportunity to celebrate our cultural heritages. We look forward to building on this partnership in the future with the embassy to fly the flag for York and Flanders.”

Both concerts will take place on July 12, firstly Flemish vocal ensemble Utopia – “hot favourites in Antwerp,” according to Delma – making their York debut at the festival’s home, the National Centre for Early Music, in a 6pm programme entitled Salve Susato: Treasures from Antwerp’s Golden Age.

Cappella Pratensis: Returning to York for July 12 concert in the Quire of York Minster

“Utopia invite you to meet Tielman Susato, a composer known today mostly for his instrumental works but who flourished in 16th-century Antwerp as a publisher of vocal music by Josquin, Lassus, Gombert, Crecqillon, Clemens non Papa and Susato himself,” says Delma.  “His Missa [mass] In Illo Tempore and motet Salve Quae Roseo will sit at the heart of this programme.”

At 9pm, in the Quire of York Minster, Cappella Pratensis and I Fideli will be directed by Stratton Bull in a hour-long programme of Jacob Obrecht and Jacobus Barbireau works.

“Obrecht and Barbireau were two prominent representatives of Franco-Flemish polyphony with connections to the Church of Our Lady – today’s Antwerp Cathedral – around 1500,” says Delma.

“In his masses and motets Obrecht was an innovative user of the cantus firmus technique in which polyphonic fabric weaves around an existing melody, as in his celebratory Missa, Sub Tuum Praesidium. Osculetur Me, Barbireau’s only surviving motet, will complete the programme.”

Delegates from Flanders will host a reception in York Mansion House to welcome the artists and celebrate this new partnership on July 11 – aptly Flanders National Day – in the presence of York’s Civic Party and representatives of York industries with links to Flanders.

Bart Brosius, General Representative of Flanders in the United Kingdom and Ireland, says: “Flanders and York share historical connections through several key aspects of their heritage and centuries of cultural and economic exchanges. We share bustling medieval markets, elegant Gothic architecture, entrepreneurship and academic excellence.

“We are celebrating this connection in York in July through Early Music. We are delighted to work with the local authorities, the University of York and the renowned York Early Music Festival. We also look forward to welcoming our friends from York later in the summer for the Flanders Festival Antwerp.”

“This marks a very important moment in this city’s musical history and highlights York’s historical relationship with Flanders,” says York Early Music Festival director Delma Tomlin

Established in 1977, York Early Music Festival celebrates music from the medieval to the baroque within an array of historic venues across the city, attracting an array of world-class artists and audiences from all over the world.

Among the 2024 highlights will be the festival climax on July 13, the York International Young Artists Competition, a groundbreaking event held every two years where young ensembles compete for a professional recording contract with Linn Records, a £1,000 cheque and opportunities to work with BBC Radio 3 and the National Centre for Early Music.

The competition also offers prizes supported by the Cambridge Early Music Festival, the European Union Baroque Orchestra Development Trust and Friends of York Early Music Festival.

Presented by keyboard musician Steven Devine at the NCEM from 10am to 5pm, the 2024 competition final will feature Rubens Rosa, Ensemble Bastion, (Hanse) Pfeyfferey; Ayres Extemporae; Apollo’s Cabinet; Pseudonum; Trio Altizans and Friedrichs Nebelmeer Ensemble.

Swiss-based ensemble Brezza also were selected for the final but have since had to withdraw from the competition. 

The finalists will spend time in York performing informal concerts and learning from experts before the July 13 final, when festivalgoers will discover who will follow in the footsteps of such past winners as Protean Quartet, L’Apothéose, Barroco Toutand Sollazzo Ensemble.

The 2024 festival has the theme of Metamorfosi for eight days of concerts and illustrated talks focusing on the human voice and song, with The Gesualdo Six, Concerto Soave, Vox Luminis and The Sixteen among the vocal specialists taking part.

Among the sell-outs are Florilegium on July 7  and Orchestra of the Age of Enlightenment on July 8, both at the NCEM. BBC Radio 3 will be recording Florilegium, Cubaroque (July 7, NCEM), The Gesualdo Six (Chapter House, York Minster, July 9), Apotropaik (Holy Trinity, Micklegate, July 10) and the International Young Artists Competition for later broadcast. The competition final will be streamed live too.

For the full programme and ticket details, head to: ncem.co.uk.

Copyright of The Press, York

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Two bards, one songbird, a loop pedal and a nod to Taylor Swift add up to Jessa Liversidge’s Shakespeare and Burns show

Jessa Liversidge: Two bards, one songbird; two performances, two workshops. Picture: David K Newton

EASINGWOLD singer and choir leader Jessa Liversidge presents her celebration of song inspired by two bards, William Shakespeare and Robert Burns, from her native Scotland, in York tomorrow and Helmsley next Saturday.

Her heartfelt performance spans traditional folk, pop and musical theatre, sung to her piano accompaniment with judicious use of a loop pedal to layer melodies and sounds.

At each concert, at Theatre@41 and Helmsley Arts Centre, audience suggestions are invited to enable Jessa to improvise a new song around a Shakespeare/Burns quotation.

At both venues, from 4pm to 6pm, she will be hosting a harmony-singing workshop for participants to sing in the evening show. Box office: York, tickets.41monkgate.co.uk; Helmsley, helmsleyarts.co.uk.

The poster for Two Bards And A Songbird

Here, Jessa discusses Shakespeare, Burns, songs, poems and her next show with CharlesHutchPress

What part did Robert Burns and Shakespeare play in your education, being brought up in Scotland?

“I was brought up and went to school in Dundee, and in my younger years we all had to learn a Burns song to take part in a competition called the Leng Medal. This was my first experience of Burns’s songs, and of course we learned several of the poems in school too.

“At this young age, I didn’t really appreciate the poetry and power of his words, and certainly didn’t fully appreciate the speeches from Macbeth and Hamlet as I crammed them the night before my Higher English exam! I wouldn’t have predicted that years later I’d be improvising songs around those same words.”

How did you first come to participate in the Durham Fringe Festival?

“Durham is quite a young Fringe, and I’ve been involved since it started in 2021. Mick [actor husband Mick Liversidge] and I had put a show together inspired by our outdoor lockdown singing and poetry reciting called Fields and Lanes, and this was featured in an afternoon showcase the Fringe put on, alongside aerial artistes and dancers! A great experience and a friendly bunch of volunteers running the festival.

“It has grown since then, and I performed my Songbirds show there in 2022, then Two Bards And A Songbird in 2023. My inspiration to put this show together was a callout by Durham Fringe for Shakespeare-inspired shows, to celebrate the 400th anniversary of the First Folio.”

Sum up the show in a nutshell…

“It’s a musical exploration of work inspired by the two bards. Just me, a piano and my loop pedal. Very different, very eclectic!

“I could be singing a beautiful Robert Burns song one moment, improvising around a Shakespeare sonnet the next, looping around with a Taylor Swift song, then throwing in a musical theatre number, such as Sondheim’s Fear No More The Heat O’ The Sun or So In Love from Kiss me Kate.

Mick and Jessa Liversidge on one of their walks in lockdown in 2020 for Fields and Lanes

“I even combine the two bards in two of the pieces. There’s also a fun, but scary element of the show, where audience members pick a quotation from their table for me to improvise around.”

Shakespeare’s plays feature songs; Burns’s poetry has a long tradition of being turned into folk songs, alongside his own songwriting. How has that shaped the content of your show?

“Several of Burns’s original songs feature in the show – Red, Red Rose, Ae Fond Kiss, A’ The Airts – as well as the most famous song Burns actually didn’t write! (Auld Lang Syne, which he heard someone singing, then wrote down!)

“In the early stages of developing the show, I looked at some of the original songs used in Shakespeare plays, but I ended up using a more contemporary mix of songs for the Shakespeare element. His work features such universal themes that just about anything can be said to be inspired by Shakespeare!

“What I’ve chosen is a mixture of pop and musical theatre inspired by his words and stories, songs from musical adaptations of his plays (including some from a fairly recent adaptation of As You Like It, performed in Central Park, New York, featuring hundreds of community performers and music by Shaina Taub.)

“Plus of course the more improvised sections, where I develop my own musical interpretations of Shakespeare’s words, such as Come Away Death and Shall I Compare Thee To A Summer’s Day.”

How do you use the loop pedal?

“I love looping! It’s so addictive and fun, and a great, if sometimes baffling, experience for the audience, some of whom have never heard anything quite like it!

“I basically layer up keyboard chords, vocal harmonies, melodies, sometimes even recited poetry, together. Everything is done live, nothing pre-recorded.

The poster for Jessa Liversidge’s new show, A Tapestry Of Life, at the 2024 Durham Fringe Festival

“So, with the Taylor Swift song in the show, I build up harmonies in a chorus first, as part of the performance, then use that within the song.

Here it is: https://youtu.be/38GwLrzmbeU?si=YK8Rl1icPaoCiCX4

“It’s great for the improvised sections too, and where I mash Shakespeare and Burns together – so at one point I sing a Burns song (John Anderson My Jo) and layer a suitable sonnet over the top – as a great way of creating harmony and different effects as a solo performer.” https://youtu.be/_Gsvwqzt6Bw?si=PFAUtyRsZE169dLM

Explain your choice of Burns and Shakespeare works to intertwine.

“The Burns song, John Anderson My Jo, speaks in a light-hearted way of the longevity of love, how it changes over time. Quite ironic as Burns never reached old age sadly. (N.B. I am doing one of the more polite versions of this song!).

“I then layer Shakespeare’s sonnet 104 over the top, which speaks, “to me, fair friend, you never can be old”.

“Another features a short segment from the Royal Shakespeare Company production of Julius Caesar that I was lucky enough to be involved with this time last year: Ghosts, used with permission of the composer, Jasmin Kent Rodgman.

“This haunting, repetitive piece is used in one of the battle scenes – and as a nod to the more pacifist leanings of Burns, I recite his Logan Braes over the top.” 

Jessa Liversidge leading one of her choir workshops

What will the workshops involve? Who can attend? Is there a charge?

“The workshops are open to all voices – anyone who enjoys singing and wants to get more involved with the show. We’ll work on some vocal technique and fun warm-ups, then learn some of the material from the show – which the group can then get up and perform alongside me in the evening, in between enjoying the rest of the show as an audience member.

“I will tailor each workshop to whoever comes along. I am used to working with all ages and abilities and just love bringing people together to sing! It’s such a joyous way to connect with others. 

“Both venues are offering a combined ticket for the workshop and show, only £5 extra for the two-hour workshop.”

Have your performed Two Bards And A Songbird in Scotland?

“I’ve been up to my native land for a couple of weekends performing the show in Dundee and Fife. Quite a moment, having not performed there since I was at school! And even then, I was never a singing soloist in those days, only really finding my voice in my mid-twenties.

“One old school friend who came to the Dundee performance said, ‘you were a violinist at school’! Lovely, though, to be able to have some family members come and support who don’t usually get to witness my antics in real life.”

How did you find your voice in your mid-20s, and was that part of the inspiration for encouraging others to do likewise in your choirs?

“My vocal journey has been a long and winding one! I’ve always enjoyed singing, but as I reached my 20s, I found I was limited in what I could do as a soloist, so decided to have some proper vocal training.

“I could be singing a beautiful Robert Burns song one moment, improvising around a Shakespeare sonnet the next,” says Jessa of her Two Bards And A Songbird show. Picture: Andrea Denniss

“I spent ten years training with York’s Jacqueline Edwards, finding my full range and surprising myself with what I could do. Then since having my own children in my 30s, I have built up my freelance work around singing, and sharing the joy of singing with others.

“I’ve undertaken so much more training in the past ten years or so, from vocal health first aid to vocal cross-training (all the different techniques and characteristics of singing in different genres), and now I feel so lucky to spend my week singing with, and for, such a wide range of people of all ages and abilities.”

Describe your new Carole King show, A Tapestry Of Life, premiering at next month’s Durham Fringe Festival?

“Like many, I’m a huge fan of Carole King. Her songs (a bit like the bard himself!) focus on those universal themes everyone can identify with: life, love, loss. My sister, Andrea Brown, has recently written a book of poetry with that very title.

“As we were born in the 1970s, when Tapestry was released, I came up with the idea of A Tapestry Of Life. It will be the classic Carole King songs, interspersed with songs I’m writing from Andrea’s poetry. Lots of them about pretty moving and emotional family events, and situations and journeys that will resonate with a lot of people, I’m sure. Quite scary for me as I am quite new to songwriting!

“But the words are so beautiful, I am very excited about performing this combination of old and new.”

What drew you to the music of Carole King?

“I first got to know some of the best-known songs, such as You’ve Got A Friend and Will You Still Love Me Tomorrow, then decided to explore further. I love the messages behind her songs, the catchy and moving melodies, and how the songs mean so much to people. These songs were released over 50 years ago but the themes and messages are eternally relevant.”

How have you found the experience of writing songs? 

“It’s a whole new world for me. I really only started writing songs in 2020, and even then, that was only short rounds and partner songs to teach to my choirs. I’ve dabbled a little but not often had the confidence to share much of my own writing.

“My sister Andrea has always been the poet in our family. She’s written poems for events at work and home, and even wrote and recited beautiful poems for our parents’ funerals.

“I am used to improvising short melodies, and layering up harmonies, like I do in Two Bards, but this is a different ball game! I’m loving the process of putting these moving words to music and linking the themes of the Carole King classics to the themes of these beautiful poems.”

Jessa Liversidge, Two Bards And A Songbird, Theatre@41, Monkgate, York, tomorrow (16/6/2024), 7.30pm, and Helmsley Arts Centre, June 22, 7.30pm. Box office: York, tickets.41monkgate.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk

Jessa Liversidge, A Tapestry Of Life, Durham Fringe Festival, The Pemberton Rooms, Durham University, just off Palace Green, July 25 to 28, 4.30pm. Box office: durhamfringe.co.uk.

Preview show at Easingwold Library on July 17 at 7.30pm (doors 7pm). Suggested entry donation of £8; all profits in aid of community library funds. Bookings: email willowtreevent@gmail.com or ring 07526 107448 and leave a message with contact details.

Jessa Liversidge: the back story

SINGER and positive and encouraging singing leader, experienced in working with singers of all ages and abilities.

Runs several choirs, including HAC Singers, Easingwold Community Singers, Singing For All and York Military Wives Choir, as well as teaching singing privately and teaching music to young people, lifting the spirits of hundreds through song each week.

For more information, head to: jessaliversidge.com.

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Northern Aldborough Festival marks 30th anniversary with music, comedy and a talk. Here’s the full programme, June 13 to 22

Sir Tony Robinson: Guest speaker at Northern Aldborough Festival. Picture: Paul Marc Mitchell

THE 30th anniversary Northern Aldborough Festival, in Aldborough, near Boroughbridge, opens tonight.

Sir Tony Robinson, Leeds Piano Competition winner Alim Beisembayev and one of the world’s great violin virtuosos, Viktoria Mullova, will be among the headline acts

Half an hour’s journey from York or Harrogate, opera singers, pianists and jazz ensembles will mingle among the village’s Roman history.

Festival director Robert Ogden says: “Each year we invite a headline speaker. It’s fitting Sir Tony Robinson is this year’s guest, given the setting of our festival and its rich historic and archaeological significance. It promises to be a very special evening.”

Run as a charity, the annual festival’s mission is to bring high-end live music to its rural location, making the “sleepy village” that was once a prosperous Roman capital an unlikely epicentre for classical music.

Mikeleiz-Zucchi Duo: Playing The Chapel, Rudding Park, Harrogate, on June 20

This year, its music programme has a focus on championing young classical talent. The opening night sees 25-year-old Tom Fetherstonehaugh conducting the young musicians of the Fantasia Orchestra, performing Tchaikovsky and Chopin alongside pianist Alim Beisembayev, who at 23 won the last Leeds International Piano Competition.

Further highlights include Armonico Consort with a semi-staged production of Purcell’s The Fairy Queen and the rising star of classical guitar, Jack Hancher.

The festival also welcomes an award-winning comedian with an opera degree, Amy Webber, as heard on BBC Radio 4, and the British jazz pianist Julian Joseph, who performs with his trio.

Pan-flute player Adriana Babin, already a bona-fide star at 22 in her home country of Moldova, will head for Aldborough, as will the Mikeleiz-Zucchi Duo, featuring Canadia saxophonist David Zucchi and Spanish accordionist Iñigo Mikeleiz-Berrade.

The festival’s nationwide hunt for the best vocal talent returns in the annual New Voices Singing Competition, with cash prizes of £7,000 and a live semi-final and grand final.

Adriana Babin: Pan flute concert at St Andrew’s Church, Aldborough, on June 15

The competition was launched in 2023 by festival director Robert Ogden, supported by longstanding sponsors, in response to the funding cuts faced by the classical music sector, to provide a platform for emerging vocal talent.

Robert, who began his career as a countertenor, adds: “We’ll have some world-class musicians once more in Aldborough. It doesn’t matter if you are an aficionado of classical music, or you’re a complete novice, we hope audiences will come and experience these very special performances. 

“The rewards of a live concert are so huge, there’s nothing like it; it’s an emotional, visceral experience that you can’t replicate on a screen. It’s a chance to hear remarkable sounds in an intimate and gorgeous countryside setting.”

Aldborough’s late-night venue The Shed also returns for concert-goers who want to continue festivities in a relaxed environment with a variety of live entertainment and refreshments.

The ever-popular Last Night Outdoor Concert will see Queen tribute band Majesty perform to circa 1,000 festival-goers in the grounds of Aldborough Manor. Those attending are invited to bring a picnic and dance the night away, ending with an orchestrated firework display.

Pianist Alim Beisembayev: Performing with Fantasia Orchestra at St Andrew’s Church, Aldborough, on June 13. Picture: Nabin Maharjan

Northern Aldborough Festival 2024 programme

June 13, 6.30pm

Alim Beisembayev (piano) with Fantasia Orchestra, conducted by Tom Fetherstonehaugh, St Andrew’s Church, Aldborough

Winner of the Leeds International Piano Competition at 23, Kazakstan-born Alim Beisembayev performs the opening concert with the young musicians of Fantasia Orchestra, conducted by Tom Fetherstonehaugh, 25. Programme includes Tchaikovsky’s Serenade for Strings and Chopin’s 1st Piano Concerto.

June 13, 9pm

After the Show in The Shed

Light musical entertainment and something to eat and drink.

Guitarist Jack Hancher: Morning concert at Brockfield Hall, Warthil, on June 14. Picture: Manny Sowicz

June 14, 11am

Jack Hancher, guitar, Brockfield Hall, Warthill, York

ELEGANT, expressive, fiery and passionate, Jack Hancher is a rising star of the classical guitar, whose debut album will be released this year on the Deux-Elles label.

Last year he became one of only three guitarists to win the Gold Medal of the Royal Overseas League Competition.

June 14, 8pm

Amy Webber, The Old Hall, North Deighton     

Wry comedian Amy Webber performs her job-hunting one-woman show, No Previous Experience, equipped with a mini electric piano and an opera degree that has never been useful. Winner of Audience Choice Award at Musical Comedy Awards.

June 15, 11am

Adriana Babin, St Andrew’s Church, Aldborough             

At the age of 22, Moldovan musician Adriana Babin already has won major prizes and performed all over the world. The warm, rich, and haunting pan flute is rarely heard in classical music, but she has collaborated with European orchestras, starred on German television and received an award from Moldova’s Minister of Culture.

Comedian Amy Webber: No Previous Experience gig at The Old Hall, North Deighton, on June 14

June 15, 7pm

Julian Joseph Trio, St Andrew’s Church, Aldborough

Bandleader, pianist, composer, educator and broadcaster Julian Joseph OBE has championed jazz home and abroad for 35 years. He presents originals and classics with his hard-swinging trio.

June 15, 9pm

After the Show in The Shed

Light musical entertainment and something to eat and drink.

June 16, 3pm

Young Artist Showcase, St Andrew’s Church, Aldborough            

Chance to catch upcoming stars as four of Yorkshire’s most talented young musicians perform.

June 17, 12 noon

The New Voices Singing Competition: Semi-final 1, St Andrew’s Church, Aldborough

After launching national New Voices competition in 2023, the hunt for the year’s best classical vocal talent returns. The first group of semi-finalists battles for a place in the Grand Final. Judging panel includes conductor Edward Gardner OBE and English bass Sir John Tomlinson CBE.

Jazz pianist Julian Joseph: Playing with his trio on June 15 at St Andrew’s Church, Aldborough

June 17, 3.30pm

The New Voices Singing Competition: Semi-final 2, St Andrew’s Church, Aldborough

Second group of semi-finalists.

June 18, 11am

Lea Shaw, mezzo soprano, with Kristina Yorgova, piano

Before the Grand Final of 2024’s New Voices Singing Competition, last year’s victors, Lea Shaw and Kristina Yorgova, return to perform their winners’ recital. 

Shaw is a Scottish Opera Emerging Artist and Scottish Opera’s Associate Artist; Bulgarian pianist Kristina Yorgova is a master’s student at Royal Conservatoire of Scotland.

June 18, 7pm

Grand Final of the New Voices Singing Competition, St Andrew’s Church, Aldborough            

Hundreds of young singers graduate each year with aspirations to become professionals. This competition is a nationwide hunt with four finalists chasing cash prizes of £7,000 in a springboard for UK classical vocal talent.

June 18, 10pm

After the Show in the Shed

Musical entertainment and something to eat and drink.

Violinist Viktoria Mullova: Playing with pianist Alasdair Beatson at St Andrew’s Church, Aldborough, on June 19. Picture: Benjamin Ealovega

June 19, 7.30pm

Viktoria Mullova, violin, with Alasdair Beatson, piano, St Andrew’s Church, Aldborough

Moscow Conservatoire graduate Viktoria Mullova’s extraordinary violin talent captured the world in the 1980s before her much-publicised defection to the West. She will perform Beethoven and Schubert works with Scotsman Alasdair Beatson, her piano accompanist in a three-year collaboration of concerts and recordings.

June 20, 11am

Mikeleiz-Zucchi Duo, The Chapel, Rudding Park, Harrogate 

Forging a partnership in the spirit of curiosity and open-mindedness, Canadia saxophonist David Zucchi and Spanish accordionist Iñigo Mikeleiz-Berrade sound like an unusual pairing, but this dynamic duo won the Royal Overseas League Annual Music Competition’s Mixed Ensemble Prize. Rooted in jazz and folk, both instruments occupy the fringes of classical music in a dance-themed programme of Praetorius, Ravel and Piazzolla works.

June 20, 7.30pm 

An Evening with Sir Tony Robinson, St Andrew’s Church, Aldborough

ACTOR, author, broadcaster, comedian, presenter and political activist Sir Tony Robinson promises a behind-the-scenes insight into his life and career, from playing Baldrick in the BBC comedy Blackadder (1983-1989) to hosting Channel 4’s Time Team, presenting history and archaeology series and writing books on the subject and being active on many charity and political campaigns.

Festival director Robert Ogden by the Aldborough maypole

June 20, 9.30pm

After the Show in the Shed

Light musical entertainment and something to eat and drink.

June 21, 7.30pm

Armonico Consort presents Henry Purcell’s The Fairy Queen, directed by Christopher Monks, St Andrew’s Church, Aldborough. Grounds of Aldborough Manor open for picnics at 5pm.

The Fairy Queen is a musical adaption of Shakespeare’s A Midsummer Night’s Dream, given an inventive, magical  performance on a beautiful midsummer evening.

June 22, gates open at 5.30pm

Majesty – A Tribute to Queen, grounds of Aldborough Manor

Majesty close the festival with their latest Queen show, The Break Free Tour. Bring a picnic; let the orchestrated fireworks begin.  

Robert Ogden: the back story

Artistic director of Northern Aldborough Festival.

Runs his family’s flagship jewellery store in James Street, Harrogate, founded by James Robert (JR) Ogden in 1893.

Before taking on Ogden of Harrogate, operatic countertenor Robert sang all over the world. As a boy, he was a chorister at Westminster Cathedral, before training at King’s College, Cambridge, the Royal Northern College of Music, Manchester, and  Netherlands Opera Studio.

Box office: 01423 900979 or aldboroughfestival.co.uk

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More Things To Do in York and beyond, whether Unfortunate or fortunate to be here. Hutch’s List No. 24, from The Press

Swing when you’re singing: Ryedale Primary Choir schoochildren doing their vocal exercises for Across The Whinny Moor

MUSICAL moorland mermaids and a villainous sea witch, motion in art and a Mozart mass, vintage Pink Floyd and a Louise Brooks silent movie set up Charles Hutchinson’s week ahead.

Ryedale Festival community event of the week: Across The Whinny Moor, St Peter’s Church, Norton, today, 4pm

THE world premiere of the Community Song Cycle: Across The Whinny Moor follows the trail of North Yorkshire’s Lyke Wake Walk, meeting cheeky hobs, angry mermaids, resourceful giants and wise witches along the way. 

The all-age cast for a walk through stories and songs by John Barber and Hazel Gould includes the schoolchildren of the Ryedale Primary Choir, the Ryedale Voices, Harmonia and The RyeLarks choirs, Kirkbymoorside Town Junior Brass Band, storyteller Rosie Barrett and mezzo-soprano soloist Victoria Simmonds, conducted by Caius Lee. Box office: ryedalefestival.ticketsolve.com/ticketbooth/shows/1173652657. 

Tim Pearce’s poster artwork for Life Forms In Motion at Blossom Street Gallery

Six of the best: Life Forms In Motion, Blossom Street Gallery, Blossom Street, York, until June 30

SIX Yorkshire artists give individual responses to the challenge of interpreting the motion of life forms in a range of static media. In a nutshell, time and space condensed into single, dynamic images.

Taking part are Tim Pearce, painting and sculpture; Cathy Denford, painting; Jo Ruth, printmaking; Adrienne French, painting; Mandy Long, ceramic sculpture, and Lesley Peatfield, photography. Opening hours: Thursday to Saturday, 10am to 4pm; Sundays, 10am to 3pm.

Robert Hollingworth: On baton duty at the University of York Choir and Symphony Orchestra’s concert at York Minster tonight

Classical concert of the week: University of York Choir and Symphony Orchestra, York Minster, tonight, 7.30pm

UNDER the direction of Robert Hollingworth and John Stringer, the University of York Choir and Symphony Orchestra perform Mozart’s ‘Great’ Mass in C minor, widely considered to be among his supreme choral works.

This will be complemented by a selection of works by Anton Bruckner, celebrating the 200th anniversary of the Austrian composer’s birth, including the Te Deum, “the pride of his life”. Box office: 01904 322439 or yorkconcerts.co.uk.

Across The Fields To The Sea, by John Thornton, from his Kentmere House Gallery exhibition

“Favourite artist” of the week: John Thornton, Across The Fields To The Sea, Kentmere House, Gallery, Scarcroft Hill, York

BORN in York and now living in Selby, seascape and landscape artist John Thornton has opened his latest show, Across The Fields To The Sea, at his regular York gallery.

“John is everyone’s favourite painter,” says gallery owner and curator Ann Petherick. “I’m delighted he has produced a new and exciting collection of paintings of Askham Bog and Skipwith Common woodlands and meadows and the occasional seascape, inspired by his travels in Yorkshire since the end of Covid.” Opening hours: First weekend of each month, 11am to 5pm; every Thursday, 6pm to 9pm; any other time by appointment on 01904 656507 or 07801 810825.

Louise Brooks in Diary Of A Lost Girl, showing at the NCEM on Tuesday

Film event of the week: Diary Of A Lost Girl (PG), with pianist Utsav Lal, National Centre for Early Music, Walmgate, York, June 11, 7.30pm

TRAILBLAZING New York raga pianist Utsav Lal improvises his live score to accompany Diary Of A Lost Girl, a rarely shown gem of German silent cinema starring American icon Louise Brooks.

Presented by Northern Silents, G W Pabst’s 1929 film traces the journey of a young woman from the pit of despair to the moment of personal awakening. Box office: 01904 658338 and at ncem.co.uk.

Sex, sorcery and suckers: Shawna Hamic’s filthy-humoured Ursula in Unfortunate: The Untold Story Of Ursula The Sea Witch. Picture: Pamela Raith

Musical discovery of the week: Unfortunate: The Untold Story Of Ursula The Sea Witch, Grand Opera House, York, June 11 to 15, 7.30pm plus 2.30pm Saturday matinee

AFTER a hit London season, Yorkshire writer-director Robyn Grant heads north with her raucously rude, wickedly camp parody musical Unfortunate, wherein Disney diva Ursula, the villainous sea witch, rules the waves and waves the rules.

New York actress Shawna Hamic’s Ursula gives her filthy-humoured take on what really happened all those years ago under the sea in a bawdy tale of sex, sorcery and suckers. Age recommendation: 16+, on account of strong language, partial nudity and scenes of a sexual nature. Box office: atgtickets.com/york.

Courtney Broan as Ado Annie in Pickering Musical Society’s Oklahoma!

American classic of the week: Pickering Musical Society in Oklahoma!, Kirk Theatre, Pickering, June 11 to 15, 7.30pm and 2.30pm Saturday matinee

LUKE Arnold directs Pickering Musical Society in Rodgers and Hammerstein’s 1943 love story of Curly (Marcus Burnside) and Laurie (Rachel Anderson), set in the sweeping landscapes of the American heartland. 

Further roles go to Courtney Broan as Ado Annie, Stephen Temple as Will Parker, Michael O’Brien as Mr Carnes and Rick Switzer-Green as AliHakim, joined by dancers from the Sarah Louise Ashworth School of Dance. Box office: 01751 474833 or kirktheatre.co.uk.

Nick Mason’s Saucerful Of Secrets: Re-visiting Pink Floyd at York Barbican

Rock gig of the week: Nick Mason’s Saucerful Of Secrets, York Barbican, June 12, 7.45pm

NICK Mason’s Saucerful Of Secrets follow up their April 2022 appearance at York Barbican with Wednesday’s date on their Set The Controls Tour.

Once more, Pink Floyd drummer Nick Mason will be joined by Spandau Ballet guitarist Gary Kemp, bassist Guy Pratt, guitarist Lee Harris and keyboardist Dom Beken to perform vintage Pink Floyd material. Box office: yorkbarbican.co.uk.   

The poster artwork for Calamity Jane, starring Carrie Hope Fletcher, on tour at Grand Opera House next spring

Show announcement of the week: Carrie Hope Fletcher in Calamity Jane, Grand Opera House, York, April 29 to May 3 2025

IN the week when Nikolai Foster’s production of An Officer And A Gentleman The Musical is on tour at the Grand Opera House, the York theatre announces the booking of another show with the North Yorkshire director at the helm, this one bound for the West End.

Three-time WhatsOnStage Best Actress in a Musical winner Carrie Hope Fletcher will star in the whip-crackin’ musical as fearless Dakota gun-slinger Calamity Jane. “She is one of those roles that doesn’t come around all too often,” she says. “She’s action, romance and comedy all packed into one character, and I can’t wait to take on the challenge of filling her shoes.” Box office: atgtickets.com/york.

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What’s On in Ryedale, York and beyond, whether whales, walks or water. Here’s Hutch’s List No. 19, from Gazette & Herald

Guy Rhys’s Captain Ahab, centre, leads the whale hunt in Simple 8’s Moby Dick, on tour at York Theatre Royal

SEEKING a whale of a time? Head off to Moby Dick, open studios and musicals full of physical exercise, suggests Charles Hutchinson.

Touring play of the week: Simple8 in Moby Dick, York Theatre Royal, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

SEBASTIAN Armesto’s stage adaptation captures the romantic, ambiguous, richly allegorical spirit of Herman Melville’s novel for Simple8, specialists in creating worlds out of nothing in bold new plays that tackle big ideas with large casts.

Armed with sea shanties played live on stage, planks of wood, tattered sheets and a battered assortment of musical instruments, the ensemble of actors and actor-musicians, led by Guy Rhys’s whale-seeking Captain Ahab, brings Moby Dick ingeniously to life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Wildlife and landscape artist Jonathan Pomroy: Opening his studio at 4
Pottergate, Gilling East, for North Yorkshire Open Studios

Art event of the week: North Yorkshire Open Studios 2024, Saturday and Sunday, 10am to 5pm

STRETCHING from the coast to the moors, dales and beyond, 169 artists and makers from North Yorkshire’s artistic community invite you to look inside their studios this weekend.

Among them will be Steve Page (Sheriff Hutton); Russell Hughes (Easingwold); Richard Gray (Easingwold); Justine Warner (Sheriff Hutton); Patrick Smith (Sheriff Hutton); Calum Balding (Thornton le Clay); Sue Walsh (Cawton); Jonathan Pomroy (Gilling East); Stephen Bird (Ampleforth); Mary Raynar (Helmsley); Ruth King (Boltby) and Marcus Jacka (Boltby). For full details, go to: nyos.org.uk. A full brochure is available.

Tim Pearce’s poster artwork for Life Forms In Motion at Blossom Street Gallery, York

York exhibition of the week: Life Forms In Motion, Blossom Street Gallery, Blossom Street, York, until June 30

SIX Yorkshire artists give individual responses to the challenge of interpreting the motion of life forms in a range of static media. In a nutshell, time and space condensed into single, dynamic images.

Taking part are Tim Pearce, painting and sculpture; Cathy Denford, painting; Jo Ruth, printmaking; Adrienne French, painting; Mandy Long, ceramic sculpture, and Lesley Peatfield, photography. Opening hours: Thursday to Saturday, 10am to 4pm; Sundays, 10am to 3pm.

Save our lido: Drip Drop Theatre in All Those On Board at Helmsley Arts Centre

Making a splash: Drip Drop Theatre in All Those On Board, Helmsley Arts Centre, tomorrow, 7.30pm

NORTH Yorkshire company Drip Drop Theatre presents the premiere of E C R Roberts’s new musical All Those On Board, wherein Bingham-by-the-Sea’s Save The Lido group members are determined to save the town’s long-closed 1930s’ swimming pool from demolition.

They need to come up with the funding before the deadline, no matter to what lengths they must go. Fifteen original songs, live instruments, leg-kicking choreography and colourful swimming hats combine in this lido-themed show for fans of upbeat musical theatre and outdoor swimming in whatever form. Box office: 01439 771700 or helmsleyarts.co.uk.

Gary Stewart: Playing the Paul Simon songbook at Helmsley Arts Centre

Ryedale gig of the week: Gary Stewart, The Only Living Boy In (New) York: The Songs of Paul Simon, Helmsley Arts Centre, Friday, 7.30pm

PERTHSHIRE-BORN singer, songwriter, folk musician and Hope & Social drummer Gary Stewart’s compositions are influenced by Sixties and Seventies’ folk artists. Chief among them is New Jersey’s Paul Simon, whose songs Easingwold-based Stewart grew up learning and performing.  

Here he interprets such Simon standouts as The Boxer, Mrs Robinson, Me And Julio Down By The Schoolyard, Kodachrome and Graceland. Box office: 01439 771700 or helmsleyarts.co.uk.

Ryedale Primary Choir: Taking part in Across The Whinny Moor at St Peter’s Church, Norton, on Saturday

Ryedale Festival community event of the week: Across The Whinny Moor, St Peter’s Church, Norton, Saturday, 4pm

THE world premiere of the Community Song Cycle: Across The Whinny Moor follows the trail of North Yorkshire’s Lyke Wake Walk, meeting cheeky hobs, angry mermaids, resourceful giants and wise witches along the way. 

The all-age cast for a walk through stories and songs by John Barber and Hazel Gould includes the schoolchildren of the Ryedale Primary Choir, the Ryedale Voices, Harmonia and The RyeLarks choirs, Kirkbymoorside Town Junior Brass Band, storyteller Rosie Barrett and mezzo-soprano soloist Victoria Simmonds, conducted by Caius Lee. Box office: ryedalefestival.ticketsolve.com/ticketbooth/shows/1173652657.

Mezzo-soprano Victoria Simmonds: Singing in Across The Whinny Moor

Tribute gig of the month: The Belgrave House Band presents Amy Winehouse’s Back To Black, Milton Rooms, Malton, June 16, 8pm

THE Belgrave House Band, specialists in reimagining classic albums, have visited Malton previously with their interpretations of Fleetwood Mac’s Rumours and David Bowie’s Ziggy Stardust And The Spiders From Mars.

Now they return with their take on Amy Winehouse’s second album, 2006’s Back To Black, joined by London vocalist Lydia Kotsirea and a full horn section, backing vocalists and rhythm section from the burgeoning Leeds jazz scene. York singer-songwriter Maggie Wakeling supports. Box office: 01653 696240 or themiltonrooms.com.

The poster artwork for Calamity Jane, whip crackin’ its way to the Grand Opera House, York, next spring

Show announcement of the week: Carrie Hope Fletcher in Calamity Jane, Grand Opera House, York, April 29 to May 3 2025

IN the week when Nikolai Foster’s production of An Officer And A Gentleman The Musical is on tour at the Grand Opera House, the York theatre announces the booking of another show with the North Yorkshire director at the helm, this one bound for the West End.

Three-time WhatsOnStage Best Actress in a Musical winner Carrie Hope Fletcher will star in the whip-crackin’ musical as fearless Dakota gun-slinger Calamity Jane. “She is one of those roles that doesn’t come around all too often,” she says. “She’s action, romance and comedy all packed into one character, and I can’t wait to take on the challenge of filling her shoes.” Box office: atgtickets.com/york.

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Ryedale Festival’s magical community song cycle Across The Whinny Moor celebrates the Lyke Wake Walk at St Peter’s Church

Ryedale Primary Choir: Ready to take part in Across The Whinny Moor, the Ryedale Festival community song cycle

DO you believe in magic? Mezzo-soprano Victoria Simmonds, storyteller Rosie Barrett and an all-age Ryedale cast bring cheeky hobs, angry mermaids, resourceful giants and wise witches to life in Ryedale Festival’s community song cycle Across The Whinny Moor on Saturday afternoon at St Peter’s Church, Norton.

Inspired by the Lyke Wake Walk, this evocative and mysterious tapestry of magical thinking, Yorkshire superstitions and the power of imagination is packed full of local folk legends.

The song cycle gently follows the route of the 42-mile walk across the highest and widest part of the North York Moors National Park, dwelling in spots of interest to explore stories such as The Ballad of Wade and Bell, where, at Wade’s Causeway, the songs tell of mermaids as the first glimpses of the sea come into sight.

Saturday’s 4pm world premiere will feature a cast of more than 100 schoolchildren and amateur singers, who have co-created Across The Whinny Moor with composer John Barber and writer Hazel Gould.

Mezzo-soprano Victoria Simmonds

Developed through sessions in Ryedale schools, a one-off event for young people and online workshops with choir members, together they have explored local folklore and ideas, creating new segments of text and music that Barber and Gould have worked into the new song cycle.

Conducted by Caius Lee, the Ryedale Primary Choir schoolchildren and the Ryedale Voices, Harmonia and The RyeLarks choirs will be joined by Kirkbymoorside Town Junior Brass Band, Simmonds and Barrett.

Alison Davis, who runs the three adult choirs, says: “We are thrilled to be part of this community song cycle and have enjoyed working with John and Hazel since January. It was great to see them at choir rehearsals and they’ve taken away a good idea of our level and style and have written some incredible original material for us, quite different from our usual music.”

In amongst the new music, Simmonds will sing works by Schubert (The Erl King), Handel and Rebecca Clarke. Shining Brass will play Mendelssohn’s Baba Yaga and traditional folk tunes, such as The Lyke Wake Dirge and The Lark In The Morning, arranged by Barber.

Ryedale Voices: One of the choirs performing at St Peter’s Church, Norton

Rosie Barrett creates original stories that bring heritage to life, often commissioned by museums, including Ryedale Folk Museum, Hutton-le-Hole, where she has worked on its latest exhibition, Believe It Or Not?

Running until November 17 (closed on Fridays), the exhibition showcases more than 200 objects connected with magical thinking and folk beliefs, many of them being explored in Across The Whinny Moor.

Rosie says: “I’ve always had a particular fondness for folklore, which I believe connects us deeply with our ancestors. When we hear the stories that the people of the past heard, we are sharing in the emotions and experiences that they shared, and, by reinventing folk tales, we ensure that they stay relevant for each generation. “

Writer Hazel Gould says: “I love to go walking and often use walking time as a way to clear my head. If I can resist the temptation to listen to a podcast or music, the time I spend walking can often be incredibly helpful if I have an idea that I’m struggling with or need to develop.

Harmonia: On song for Across The Whinny Moor

“There’s something about the rhythm of walking that allows my thoughts a bit of free range, away from the distractions of a busy life, and it becomes a place where the imagination can blossom. 

“Walking and stories seem to be perfect partners, so we were delighted to discover more about the Lyke Wake Walk and wanted to use this map across the moors as a way to bring together some of the stories from the rich folklore of the region.”

Hazel continues: “It has been a huge pleasure to learn more. I have loved working alongside our primary school groups and adult choirs to talk about these tales and create songs together, from angry hobs to misunderstood women, sometimes called witches. We hope you like it too.”

Festival artistic director Christopher Glynn says: “Enabling and celebrating local music making is very important to the festival. Presented in association with the Richard Shephard Music Foundation and Ryedale Folk Museum, Across The Whinny Moor brings together the Ryedale Primary Choir, storyteller Rosie Barrett, local choirs run by Alison Davis, the Kirkbymoorside Town Junior Brass Band, star mezzo-soprano Victoria Simmonds and conductor Caius Lee.

Sing when you’re swinging: Ryedale Primary Choir

“John and Hazel have harnessed the rich and wild ideas of all these performers, and we are very excited to hear the result on June 8. Join us!’’

Music foundation chief executive officer Cathy Grant says: “The young people involved in the community song cycle have been brought together by the Richard Shephard Music Foundation, the charity helping to increase musical opportunities for children in our region.

“They come from the Ryedale Primary Choir and local primary schools and are aged between seven and 13. Overall, around 120 children have taken part in songwriting workshops, in-school singing workshops or choir rehearsals, and a group of these will be in the final performance on Saturday, singing alongside the adult choir and other musicians.”

Ryedale Festival presents Community Song Cycle: Across The Whinny Moor, a walk through stories and songs by John Barber and Hazel Gould, world premiere, St Peter’s Church, Norton, June 8, 4pm. Box office: ryedalefestival.ticketsolve.com/ticketbooth/shows/1173652657.

Victoria Simmonds performing at the world premiere at St Peter’s Church on June 8
Ryedale schoolchildren singing at the Across The Whinny Moor premiere
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Navigators Art & Performance teams up with York Festival of Ideas for Micklegate Art Trail and Auden night of words & music

The locations on Navigators Art & Performance’s Micklegate Art Trail for the York Festival of Ideas

YORK arts collective Navigators Art & Performance is making a double contribution to the York Festival of Ideas fortnight.

This morning marks the official launch of the Micklegate Art Trail, an innovative community engagement project, highlighted today by activities in participating venues from 11 am.

Running until June 23 at 10am to 4pm each day, the trail is a collaboration between shops, restaurants, artists, makers and community groups.

Artists taking part will be: Adele Karmazyn; Ala Jazayeri; Angela Scott; April Gibson; Brenda Christison; Caroline Lewis; Chalky the Yorkie; Chrissy Buse; Desmond Clarke; Donna Maria Taylor; Eliiot Harrison; Em Goldie; Emma Parker; Fiona Kemp; George Willmore; Hellboreia; Isabel Bullon Benito; Jude Redpath; Katie Fleming; Katie Lewis; Lara Aitken; Larrissa Guida Lock; Leon Francois Dumont; Lincoln Lightfoot and Linda Harrison.

So too are: Lisa Power; Lu Mason; Lucy Churchill; Mark Kesteven; Matthew Fawcett; Melissa Hill; Naomi Wells Smith; Nicholas ESRJ King; Nick Kobyluch; Nick Walters; Nicola Glover; Nicola Harper; Pete (The Plasterer) Baker; Phil Bixby; Poppy Burr; Richard Mackness; Rizak; Schiewe Ceramics; Simon Pagan; Sola; Steve Beadle; Susan Bradley; Tom Bennett; Tom Maynard and Zoe Phillips.

Twenty locations will be putting artists’ work in the window: The Punch Bowl, Plaskitt & Plaskitt Interior Design and Blossom Street Gallery, all Blossom Street; Bridal Relived; Brewdog; Old School Barber Shop; Holy Trinity Church; Cads of Micklegate; Skosh; The Falcon; 84 Sandwich Bar; Dannie Lea Hair & Beauty; Divine Coffee Roasters; Eliza Lamb; Hudson Moody; Oxfam Bookshop; Cafe Fleur; Fancy Dance Shop and Amnesty Bookshop, all Micklegate, and The Hooting Owl, Rougier Street.

The Micklegate Art Trail brochure

Tonight, Navigators Art & Performance turns the focus on York-poet  W H Auden at Museum Street Tavern, where York musicians, poets and performers will be gathering for An Exploration of W H Auden’s Poetry in Words, Music and Performance from 7.30pm to 9.30pm.

“Wystan Hugh Auden was born in Bootham, York, in 1907. Informed by science and engineering, his fascination with the world and its workings was expressed in a myriad of poetic forms, earning him the title the Picasso of modern poetry,” says Navigators Art & Performance.

“As well as over 400 poems of both profundity and great wit, he wrote drama, es-says, libretti, travel writing and works of criticism: a range that reflects the multi-faceted nature of human life and his own aliveness to all of it.

“Openly gay and defiantly anti-establishment, he was controversial and influential in his views on politics, morals, love, and religion, and widely recognised as a leader of the British avant-garde at a time of cultural and creative flux in Europe.

“His editor recognised him as ‘the first poet writing in English who felt at home in the 20th century. Auden died in Vienna in 1973. We hope you will make him feel at home in the 21st century too.”

In the words of W H Auden in 1927: “All genuine poetry is in a sense the formation of private spheres out of a public chaos.”

Tonight’s programme:

Introduction About York Trailblazers.

Hugh Bernays talk; Jealous Love (Auden, unpublished)

Auden’s Face (original)

Charlotte Shevchenko Knight: Night Mail (Auden)

Musée des Beaux Arts (Auden)

Ukrainian as In (original)

Richard Kitchen: O What Is That Sound (Auden)

Look, Stranger (Auden)

StreetLines:  extract 2 (original)

Anthony Vahni Capildeo (recorded material) Letters from Iceland (Auden)

Letters from Jorvik (original)

Janet Dean: 1st September 1939 (Auden)

England 2020 (original)

Three Dresses: My Mother Wonders

How I Felt About Her Death (original)

JT Welsch: Lullabye – duet with Janet Dean (Auden; guitar)

As I Walked Out One Evening (Auden; guitar).

Part Two, after 20-minute interval

Alan Gillott talk; Influence (original)

Carrieanne Vivianette: This Thing (original)

Performative interpretation of a poem by Auden (title to be revealed!)

JT Welsch: The Fall Of Rome (Auden; guitar)

Funeral Blues (Auden; guitar)

Elizabeth Chadwick Pywell: Poem XVII Auden)

If I Could Tell You (Auden)

Behold the Body Of The Moon (original)

Lower On Your Arms Reversed (original)

Richard Kitchen: Clerihews (various)

Jane Stockdale: Silent Lands (original; acapella)

If I Could Tell You (Auden; guitar)

As I Walked Out One Evening (Auden; Shruti box).

The poster artwork for The Basement Sessions #4

“The Festival of Ideas has a different theme every year and the great thing about it is that if you’re organising an event that might fit, you just contact the organisers and propose it,” says Navigators Art co-founder Richard Kitchen.

“If they like your proposal, you’re in! We did that for the first time last year and it was an amazing success, particularly our sold-out performance event, which we hope will happen again this year.

“By demand, we’re hoping to repeat the Auden event in October, when the associated York Trailblazers sculpture project will be in place at various locations in York.” Watch this space for updates.

In addition, on June 8,Navigators Art & Performance’s The Basement Sessions #4 offers a night of music, spoken word and comedy at The Basement, City Screen Picturehouse at 7pm with Percy, Amy Albright, Cai Moriarty, Danae, Suzy Bradley, Kane Bruce, Rose Drew and John Pease. 

For tickets and full festival details, visit: yorkfestivalofideas.com.

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More Things To Do in York and beyond as Pride comes out to play. Here’s Hutch’s List No. 23 for 2024, from The Press, York

Angels Of The North: Headlline drag act at York Pride today

PRIDE pageantry and wartime memoirs, open studios and open-air Status Quo lead off Charles Hutchinson’s recommendations.

Celebration of the week: York Pride, Knavesmire, York, today

NORTH Yorkshire’s biggest LGBT+ celebration opens with the Parade March for equality and human rights from Duncombe Place, outside York Minster, at 12 noon, processing through the city-centre streets, up Bishopthorpe Road to the festival’s Knavesmire site.

Pride events will be spread between the main stage, Queer Arts’ cabaret tent, Polymath’s dance tent and a funfair, complemented by a licensed bar and marketplace. Among the main stage acts will be headliners Angels Of The North, alias winner Ginger Johnson, Tomara Thomas and Michael Marouli, from RuPaul’s Drag Race UK Season 5, plus Max George, Big Brovaz & Booty Luv, Jaymi Hensley, Janice D and Eric Spike.  Full details: yorkpride.org.uk.

Into the woods: George Stagnell as Dennis “Hank” Haydock in the short film In The Footsteps of Hank Haydock, premiered at Helmsley Arts Centre tonight

D-Day landmark of the week: Everwitch Theatre, Bomb Happy D-Day 80, In The Footsteps Of Hank Haydock (film premiere) and Sleep/Re-live/Wake Repeat (live performance), Helmsley Arts Centre, tonight, 7.30pm

TO commemorate the 80th anniversary of D-Day, Bomb Happy playwright Helena Fox has created two poignant, lyrical new works telling the stories of two Yorkshire Normandy veterans from conversations and interviews she held with them in 2016.

Featuring York actor George Stagnell, the short film In the Footsteps of Hank Haydock: A Walk In The Park was shot on location in the Duncombe Park woodland with its lyrical account of Coldstream Guardsman Dennis “Hank” Haydock’s experiences in his own words. In Sleep/Re-Live/Wake/Repeat, playwright Helena Fox and vocalist Natasha Jones bring to life the first-hand experiences of D-Day veteran Ken “Smudger” Smith and the lifelong impact of PTSD and sleep trauma through spoken word and a cappella vocals. Box office: 01439 771700 or helmsleyarts.co.uk.

York artist Adele Karmazyn: Taking part in North Yorkshire Open Studios

Art event of the week: North Yorkshire Open Studios 2024, today and tomorrow, June 8 and 9, 10am to 5pm

STRETCHING from the coast to the moors, dales and beyond, 169 artists and makers from North Yorkshire’s artistic community invite you to look inside their studios over the next two weekends.

Taking part in and around York will be Robin Grover-Jacques, Adele Karmazyn, Anna Cook, Boxxhead, Simon Palmour, Duncan McEvoy, Evie Leach, Jane Atkin, Jane Dignum, Jen Dring, Parkington Hatter, Jo Walton, Kitty Pennybacker, Lu Mason, Robert Burton, Lincoln Lightfoot, Sharon McDonagh, Claire Castle, Rosie Bramley, Emma Welsh, Lesley Peatfield, Gonzalo Blanco and Freya Horsley. For full details, go to: nyos.org.uk. A full brochure is available.

Isobel Staton: Directing Cain and Abel for A Creation For York, today’s York Mystery Plays Supporters Trust promenade production

York community play of the week: York Mystery Plays Supporters Trust in A Creation For York, around Micklegate, York, today, from 2pm and 3.30pm

YORK Mystery Plays Supporters Trust stages a trilogy of 20-minute plays from the Creation cycle, directed by Katie Smith, Dan Norman and Isobel Staton under Dr Tom Straszewski’s mentorship.

The promenade procession starts with Smith’s The Creation Of Man at St Columba’s, Priory Street, at 2pm and 3.30pm, and progresses to Holy Trinity, Micklegate, for Norman’s The Fall Of Man at 3pm and 4.30pm, then onwards to St Martin’s Stained Glass Centre, Micklegate, for Staton’s Cain And Abel at 4pm and 5.30pm. Tickets: ympst.co.uk/creation.

The poster artwork for Navigators Art & Performance’s night of live music, spoken word and comedy, The Basement Sessions #4, at City Screen Picturehouse

Navigators Art & Performance at York Festival of Ideas (festival running from today until June 14)

YORK arts collective Navigators Art & Performance presents the Micklegate Art Trail, a collaboration between shops, restaurants, artists, makers and community groups, from today until June 23, 10am to 4pm, including a special exhibition at Blossom Street Gallery. Tomorrow is the “official” launch day with activities in participating venues from 11 am.

Tomorrow comes As I Walked Out One Evening, An Exploration of W H Auden’s Poetry in Words, Music and Performance with York musicians, poets and performers at Museum Street Tavern, York, from 7.30pm to 9.30pm. On June 8, The Basement Sessions #4 offers a night of music, spoken word and comedy at The Basement, City Screen Picturehouse at 7pm with Percy, Amy Albright, Cai Moriarty, Danae, Suzy Bradley, Kane Bruce, Rose Drew and John Pease. Tickets and full festival details: yorkfestivalofideas.com.

Rain or shine: Francis Rossi, left, leads veteran band Status Quo at Scarborough Open Air Theatre tomorrow

Coastal gig of the week: Status Quo, Scarborough Open Air Theatre, Sunday, gates 6pm

DENIM rock legends Status Quo open the 2024 season at Scarborough Open Air Theatre, where they played previously in 2013, 2014 and 2016. Led as ever by founder Francis Rossi, who turned 75 on Wednesday, they must pick their set from 64 British hit singles, more than any other band. The support act will be The Alarm. Box office: scarboroughopenairtheatre.com/statusquo.

Georgia Lennon, as Paula Pofriki and Luke Baker as Zack Mayo in An Officer And A Gentleman, on tour at Grand Opera House, York

Musical of the week: An Officer And A Gentleman The Musical, Grand Opera House, York, June 4 to 8, 8pm, Tuesday, 7.30pm, Wednesday to Saturday, plus 2.30pm, Wednesday and Saturday matinees

NORTH Yorkshireman Nikolai Foster directs Leeds-born actor Luke Baker as fearless young officer candidate Zack Mayor in the Curve, Leicester touring production of An Officer And A Gentleman.

Once an award-winning 1982 Taylor Hackford film, now Douglas Day Stewart’s story of love, courage and redemption comes re-booted with George Dyer’s musical theatre arrangements and orchestrations of pop bangers by Bon Jovi, Madonna, Cyndi Lauper, Blondie and the signature song (Love Lift Us) Up Where We Belong. Box office: atgtickets.com/york.

Guy Rhys, centre, as Captain Ahab in Simple8’s Moby Dick, setting sail at York Theatre Royal next week

Touring play of the week: Simple8 in Moby Dick, York Theatre Royal, June 6 to 8, 7.30pm plus 2.30pm Saturday matinee

SEBASTIAN Armesto’s stage adaptation captures the spirit of Herman Melville’s novel – romantic, ambiguous and rich with allegory – for Simple8, specialists in creating worlds out of nothing in bold new plays that tackle big ideas with large casts.

Armed with sea shanties played live on stage, planks of wood, tattered sheets and a battered assortment of musical instruments, the ensemble of actors and actor-musicians, led by Guy Rhys’s whale-seeking Captain Ahab, brings Moby Dick ingeniously to life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

In Focus: Northern Silents presents G W Pabst’s film Diary Of A Lost Girl, starring Louise Brooks, at NCEM, York, June 11

“From the pit of despair to the moment of personal awakening”: Louise Brooks’s

TRAILBLAZING New York raga pianist Utsav Lal will provide the live score for Diary Of A Lost Girl, a rarely shown gem of German silent cinema starring Louise Brooks, at the National Centre for Early Music, York, on June 11 at 7.30pm.

Premiered in Vienna, Austria, on September 12 1929, and now screened by Northern Silents, G W Pabst’s film traces the journey of a young woman from the pit of despair to the moment of personal awakening.

Directed with virtuoso flair by Pabst, Diary Of A Lost Girl (PG, 104 minutes) represents the final pairing of the Czechia-born Austrian filmmaker with American silent screen icon Louise Brooks, mere months after their first collaboration in the now-legendary Pandora’s Box, for which Brooks had arrived in Berlin on October 14 1928 to play alluring temptress Lulu.

In Diary Of A Lost Girl, she is pharmacist Robert Henning’s innocent daughter Thymian, who is traumatised by the suicide of housekeeper Elisabeth after her father expels her from the house.

Even more so when Henning’s assistant rapes Thymian. Pregnant, she refuses to marry her assailant, prompting her outraged father to sendher to a reformatory for “wayward women”, where a cruel regime prevails. Henning, meanwhile, makes advances towards new housekeeper, Meta, who insists Thymian should not be allowed to return home.

Thymian escapes with her friend Erika but discovers that her child has passed away. She joins Erika in working at a brothel, then marries a count, but can she ever escape her past?

Pianist Utsav Lal, noted for his innovative performances at Carnegie Hall, Southbank Centre and around the world, will improvise a unique live score at the 7.30pm screening.

Huddersfield-based Northern Silents will return to the NCEM with another fusion of new music and vintage film on October 15. Watch this space for more details.

Tickets for Diary Of A Lost Girl are on sale on 01904 658338 and at ncem.co.uk.

In Focus too: Anita Klein, 30 Years In York, exhibition launch at Pyramid Gallery, York, today at 12 noon

Poster artwork for Anita Klein’s 30 Years In York exhibition at Pyramid Gallery, York

ARTIST Anita Klein will attend today’s opening of her Thirty Years In York exhibition of paintings, linocuts and etchings at Pyramid Gallery, York.

“Anita was one of the first artist printmakers to be shown here and has shown her work in York constantly since June 1994,” says Terry Brett, owner and curator of the gallery in Stonegate.

That first exhibition marked a dramatic change in both the look of the gallery and its fortunes under the new ownership of Terry, who took the keys to Pyramid Gallery on May 31 1994 with his then partner and wife Elaine.

“As soon as Elaine and I had taken over the gallery, I contacted the Greenwich Printmaking co-operative who ran a shop in Greenwich market,” Terry recalls. “They agreed to do a show and I collected work by 15 artists in my car.

“Several of those artists have supplied Pyramid Gallery regularly for 30 years. The first print that sold was a small drypoint print by Anita Klein, which I had put in the window one evening, before the show had opened.”

Terry continues: “Anita was not a big name in the art world in 1994, but she certainly had a following and has since had a very successful career as an artist with features on BBC Radio and national newspapers and magazines.

Pyramid Gallery curator Terry Brett with Anita Klein works and a copy of her 2022 book Out Of The Ordinary, charting her career since 1982

“‘From working with Anita and other former Greenwich artists, such as Mychael Barratt, Trevor Price and Louise Davies, I have come to realise that the relationship between artist and gallery is something that is really worth nurturing. I place great importance on visiting the South East London-based artists, personally collecting the work for each show.”

To mark the start of Terry Brett’s 30th year as a gallerist, Anita Klein is travelling up from London to attend today’s opening from 12 noon to 2pm, when she will sign copies of her 2022 book, Out Of The Ordinary, too.

Australian-born Anita began her career by studying painting on degree and post-graduate courses at the Slade School of Art, where she was influenced by Paula Rego, who encouraged her to “draw what she wanted to draw”.

In response, she started to capture scenes depicting ordinary moments of her own life. Given expert guidance at the school, she learnt to reproduce those sketches using the various techniques of printmaking.

She met her future husband and artist Nigel Swift at the Slade. From the outset, Anita’s artistic diary of her life has often featured amusing or romantic scenes of the two of them or sometimes only  ‘Nige’ in the throes of some activity that Anita has observed and captured in a sketch.

In 1984 she was awarded the Joseph Webb Memorial prize by the Royal Society of Painter Printmakers to spend the summer drawing from the Italian masters. Anita and Nigel stayed in a flat in Arezzo, Tuscany, and filled sketch books with sketches of Italian frescoes.

Casserole, linocut, by Anita Klein

Soon after, they married and had two children, Maia and Leia, Anita recording it all in many small prints using techniques that included woodcuts, etching, lithograph, aquatint and drypoint. When their daughters were small, she made small sketches while they were asleep and developed them into drypoint prints at a printmaking evening class.

For her first solo show in 1986, she had a year to prepare enough images to fill a gallery in London, which led her to simplify the way she worked. Fortunately for all her followers and collectors, the first show was successful and led to another solo show elsewhere.

Many years later, after she supplied her work to as many as 60 galleries, the Royal Society of Painter-Printmakers elected Anita to the prestigious position as president. During those 38 years, her work and life has been profiled in national newspapers and magazines and on BBC Radio 4’s Home Truths, presented by John Peel.

In 2007, Anita and Nigel bought a flat in a medieval hilltop town in Tuscany. After painting large oils from her studio in London for many years, she started to paint in acrylics on canvas when staying in Italy.

By using acrylics, she was able to roll up the paintings and carry them back to London, which in turn enabled Pyramid Gallery to show a few of her paintings, along with a larger exhibition of the prints.

For Terry, the choice of Anita Klein to begin a year of anniversary celebratory shows, is apt. “My own family life corresponds quite closely with Anita’s in that I got married about the same time and had two daughters, Elinor and Suzy, just two years prior to the births of Maia and Leia,” he says.

Artist Anita Klein: 30 years of exhibiting at Pyramid Gallery, York

“I could relate to almost every image that Anita created about her family life. When I was helping my two daughters learn to drive, Anita produced a print that could easily have been about us. We even had a similar car. ‘Picking Maia and Leia up from School’ or ‘Driving to Ballet’ could also easily have been about my own family.”

When asked how she came to start documenting her own life, Anita says: “There was no plan to start with. Drawing my everyday life was at first a continuation of the kind of drawings I did as a child. And as I spent the first 20 or so years of my career bringing up my two children with no extra childcare help, it was really the only subject matter I knew.

“Looking back, I can see that I have always wanted to hold onto and celebrate the ordinary. The small repetitive joys that can so easily go unnoticed and unappreciated.”

 Knowing how fortunate he is still to be able to represent an eminent London artist with such a large following, Terry asked Anita: “What does Pyramid Gallery and York mean to you?”.

“Pyramid Gallery has been very good to me over the years, showing and selling my work from the very early days of my career while other galleries have come and gone,” she says. “At one point I had prints in over 60 galleries worldwide.

“These days I have cut this down substantially – the Internet and social media enables me to reach a wide audience, and Pyramid is one of only a small handful of galleries that has a large selection of my work.” 

Eating Pizza, linocut, by Anita Klein

Mounting this exhibition has enabled Terry to pause a while and “take a long look at the gallery more as a pleasurable activity than as a business”.

“Sometimes I can become a bit too focused on the sales figures and the marketing, but in recent weeks I’ve been looking forward to celebrating the landmark of having been nurturing the gallery for three decades, as if it were a part of me that I have to ease through challenges and crises,” he says.

“Pyramid Gallery has become a meeting point for those that need to create and those that need the joy of feeling moved or inspired. It really is more about people than it is about art.

“It gives me a glowing feeling of warmth that I am able to connect a great artist like Anita, who is a storyteller and recorder of social history and of human emotions, with those who visit the gallery for exactly the same experience that inspired the creation of the images.”

For Terry’s 30th anniversary show, Anita will be showing two or three acrylic paintings alongside coloured linocut prints and many black-and-white images of various sizes with a price range from £96 for a small etching up to £7,000 for a large painting.

Here Terry Brett puts questions to Anita Klein

Pyramid Gallery owner Terry Brett with works by Anita Klein

You first supplied Pyramid Gallery as part of a show by Greenwich Printmakers in 1994. How important was that co-operative to you and was it an easy decision to be part of that show?

“Greenwich Printmakers was a vital first step to exhibiting and selling my work, both through their gallery in Greenwich Market and through their ‘outside exhibitions’. Those exhibitions introduced my work to a number of regional galleries, including Pyramid.

“In the days before social media it was crucial to get your work seen as much as possible in galleries, so that first show was a great opportunity for me. 

In those days you were bringing up two small daughters and doing your art on the floor when they were napping. Many of your drypoints were quite small – was this by choice or a necessity?

“I did some painting when my children were small, but without a studio in the early days I was limited to small-scale work. I drew my drypoints while the children slept and printed them once a week at a printmaking evening class.” 

Do you enjoy being ‘dragged out’ of London to open a show in York?

“It’s wonderful to have exposure of my work in York, and it’s always a pleasure to visit such a fascinating and vibrant city.” 

When did you realise that other people would very quickly find parallels in their own lives and connect so easily with your work?

“It came as a surprise at first that other people saw themselves in my work. I thought my life was unique! Now I know that we are all much more alike than we think, especially in the most private parts of our lives.” 

Cold water wild swimming has become an important activity to you. Does the need for a new image in your art ever drive you to do find new places to swim?

“Not really. I can always make up the backgrounds! But I’m always on the lookout for beautiful places to swim, so just as with all other parts of my life this feeds into my work.”

June Flowers, linocut, by Anita Klein
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What’s On in Ryedale, York and beyond when artists open studios. Here’s Hutch’s List No 18, from Gazette & Herald

Into the woods: George Stagnell as Dennis “Hank” Haydock in In The Footsteps of Hank Haydock, premiered at Helmsley Arts Centre on Saturday

WARTIME memoirs and Catholic women trailblazers, open studios and open-air Status Quo lead off Charles Hutchinson’s recommendations.

Double bill of the week: Everwitch Theatre, Bomb Happy D-Day 80, In The Footsteps Of Hank Haydock (film premiere) and Sleep/Re-live/Wake/Repeat (theatre), Helmsley Arts Centre, June 1, 7.30pm

TO commemorate the 80th anniversary of D-Day, Bomb Happy playwright Helena Fox has created two poignant, lyrical new works telling the stories of two Yorkshire Normandy veterans from conversations and interviews she held with them in 2016.

Featuring York actor George Stagnell, the short film In the Footsteps of Hank Haydock: A Walk In The Park was shot on location in the Duncombe Park woodland with its lyrical account of Coldstream Guardsman Dennis “Hank” Haydock’s experiences in his own words. In Sleep/Re-Live/Wake/Repeat, playwright Helena Fox and vocalist Natasha Jones bring to life the first-hand experiences of D-Day veteran Ken “Smudger” Smith and the lifelong impact of PTSD and sleep trauma through spoken word and a cappella vocals. Box office: 01439 771700 or helmsleyarts.co.uk.

Mary Ward (Augsberg portrait): Foundress of the Bar Convent, as featured in the Trailblazers audio trail

York exhibition of the week; Trailblazers of the Bar Convent, Bar Convent Living Heritage Centre, Blossom Street, York, until September 30, 10am to 5pm; last entry 4pm

AS part of the citywide York Trailblazers sculpture trail, the Trailblazers of the Bar Convent audio trail uncovers tories behind key characters down the years at the oldest surviving Catholic convent in Great Britain.

Using QR codes, visitors will discover more about the trailblazing women whose bravery and determination made history locally, nationally and around the world. Among them are foundress Mary Ward, who believed that girls deserved an equal education to boys; Mother Superior Ann Aspinal, who determined to build a secret chapel totally hidden from the outside world, and Sister Gregory Kirkus, who set up the convent’s first ever museum. Tickets: barconvent.co.uk.

Kathyrn Williams & Withered Hand: Heading to Selby Town Hall tonight

Duo of the week: Kathryn Williams & Withered Hand, Selby Town Hall, tonight, 8pm

KATHRYN Williams is the Liverpool-born, Newcastle-based, Mercury Music Prize-nominated singer-songwriter with 16 albums to her name. Withered Hand is singer-songwriter Dan Willson (CORRECT), from the Scottish underground scene.

They first met in 2019 in an Edinburgh Book Festival spiegeltent, prompting Williams to tweet Willson: “What kind of songs would we write together and what would they sound like?” The results can be heard on the album Willson Williams, released on One Little Independent Records, and in concert in Selby. Box office: selbytownhall.co.uk.

The poster for the three-day Drawsome! 2024 festival in York

York festival of the week: Drawsome! 2024, Young Thugs Studio, May 31; The Crescent, June 1; Arts Barge, Foss Basin, York, June 2

DRAWSOME! combines exhibitions and workshops with live music each evening. Things Found and Made is exhibiting at The Golden Ball, Cromwell Road, from May 31 and Greek-Australian graphic novel artist Con Chrisoulis for one night only at Young Thugs Studio, Ovington Terrace, on May 31 from 7pm, when Ichigo Evil, Plantfood, Mickey Nomimono and Drooligan will be performing.

On June 1, Bonneville, Lou Terry, Captain Starlet and Leafcutter John play at The Crescent community venue, where workshops run from 1 to 4pm, featuring Bits and Bots Recycled Robot, with Tom Brader, and Creative Visible Mending, with Anna Pownall, complemented by Zine Stalls hosted by Things Found and Made, Adam Keay and Teresa Stenson. 

On June 2, the Arts Barge presents Dana Gavanski, Kindelan, Moongate and We Are Hannah, after three 11am to 2pm workshops: Poem Fishing with Becca Drake and Jessie Summerhayes, Adana Letterpress and lino printing, and Screenprinting with Kai West. 

Sarah Sharpe: Opening her studio at Viriditas Nook, Mill Beck House, 2 Pinewood, Norton, Malton, for North Yorkshire Open Studios

North Yorkshire Open Studios 2024, June 1 and 2, 8 and 9, 10am to 5pm

STRETCHING from the coast to the moors, dales and beyond, 169 artists and makers from North Yorkshire’s artistic community invite you to look inside their studios over the next two weekends.

The event is organised by the artist-run collective North Yorkshire Open Studios, which supports painters, sculptors, printmakers, jewellers, ceramicists and photographers. Taking part in the Malton area will be Angela Cole (Westow), Catriona Stewart (Norton), Sandra Oakins (Norton), Jo Naden (Scagglethorpe), Sarah Sharpe (Norton) and Jonathan Moss (Malton). For full details, go to: nyos.org.uk. A full brochure is available.

Status Quo: Francis Rossi, left, leads his legendary band at Scarborough Open Air Theatre

Coastal gig of the week: Status Quo, Scarborough Open Air Theatre, June 2, gates 6pm

DENIM rock legends Status Quo open the 2024 season at Scarborough Open Air Theatre, where they played previously in 2013, 2014 and 2016. Led as ever by founder Francis Rossi, who turns 75 today, they must pick their set from 64 British hit singles, more than an any other band. The support act will be The Alarm. Box office: scarboroughopenairtheatre.com/statusquo.

Georgia Lennon as Paula Pokrifki and Luke Baker as Zack Mayo in An Officer And A Gentleman The Musical. Picture: Marc Brenner

Musical of the week: An Officer And A Gentleman The Musical, Grand Opera House, York, June 4 to 8, 8pm, Tuesday, 7.30pm, Wednesday to Saturday, plus 2.30pm Wednesday and Saturday matinees

NORTH Yorkshireman Nikolai Foster directs Leeds-born actor Luke Baker as fearless young officer candidate Zack Mayor in the Curve, Leicester touring production of An Officer And A Gentleman.

Once an award-winning 1982 Taylor Hackford film, now Douglas Day Stewart’s story of love, courage and redemption comes re-booted with George Dyer’s musical theatre arrangements and orchestrations of pop bangers by Bon Jovi, Madonna, Cyndi Lauper, Blondie and the signature song (Love Lift Us) Up Where We Belong. Box office: atgtickets.com/york.

Graffiti Classics!: “Making classical music wickedly funny and fantastically exhilarating” at Milton Rooms, Malton

Breaking boundaries: Graffiti Classics!, Milton Rooms, Malton, June 14, 8pm

GRAFFITI Classics! is not only a classical concert but also a gypsy-folk romp, an opera, a stand-up comedy set and dance show rolled into one uplifting, virtuosic experience.

Bursting the “elitist boundaries of the traditional string quartet”, Graffiti Classics! embraces Beethoven to bluegrass, baroque to pop, Mozart to Elvis, Strauss to Saturday Night Fever, as 16 strings, eight dancing feet and four voices combine with one aim: “to make classical music wickedly funny and fantastically exhilarating for everyone, young and old”. Box office: 01653 696240 or themiltonrooms.com.