More Things To Do in York and beyond when everything stops for tea. Hutch’s List No. 35 for 2023, from The Press, York

Night glow: Yorkshire Balloon Fiesta to light up Castle Howard grounds

EVERYTHING is up in the air for Charles Hutchinson in his search for cultural entertainment and enlightenment as balloons take to the Yorkshire skies. Tea is on the menu too.

Festival of the week: Yorkshire Balloon Fiesta, Castle Howard, near York, today until Bank Holiday Monday

THE Yorkshire Balloon Fiesta has left the green expanse of York’s Knavesmire for the country air of Castle Howard, its new (stately) home. The family-friendly extended weekend features mass balloon launches, tethered balloons and night-glow displays that light up the evenings against the backdrop of Castle Howard’s grounds and architecture.

Look out for headline 9pm live sets from Sister Sledge tonight, Eurovision star Sam Ryder tomorrow and Joel Corry on Monday. For family entertainment, here come The Raver Tots Big Top each afternoon, Andy And The Odd Socks (tomorrow, 2.30pm); CBeebies’ Justin Fletcher (Monday, 1.30pm); Dick & Dom DJ Battle (Monday, 3pm) and street-dancers Diversity (Monday, 4.30pm).

Activities include a fun fair, TV character meet-and-greets and the world’s largest inflatable assault course, culminating in a spectacular finale on Monday evening. Box office: yorkshireballoonfiesta.co.uk.

Teddy at teatime: Joseph Rowntree Theatre fundraiser takes over a country garden tomorrow afternoon

Tea time part one: Joseph Rowntree Theatre Summer Garden Party, Trinity House, Stockton on the Forest, near York, tomorrow, 3pm

FIRST held in 2021, the Joseph Rowntree Theatre Summer Garden Party returns this weekend, taking over the private garden of Trinity House. A choice of teas with home-made plain or cheese scones will be on the menu, complemented by a raffle and cake stall. 

Special guests The Notebook, an acoustic duo, will be performing two sets spanning soul, ambient jazz and “live lounge-type” pop. Proceeds will go to the JoRo’s fundraising appeal. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Janet Bruce and Cassie Vallance of Story Craft Theatre: Summer fun in the Stillington Mill garden

Children’s activity of the week: Story Craft Theatre’s Summer Fun Garden Party, At The Mill, Stillington, near York, Monday, 10am to 12 noon

STORY Craft Theatre and At The Mill join forces on Bank Holiday Monday for a magical event celebrating the joys of being in the garden. 

Suitable for two to eight-year-olds, York duo Janet Bruce and Cassie Vallance’s morning party fun includes craft making, a scavenger hunt, a word search, lawn games and an enchanting interactive theatre show. Box office: athemill.org.

Sam Thorpe-Spinks’ Jack Barak, left, and Fergus Rattigan’s Matthew Shardlake in a legal pickle in Sovereign, York Theatre Royal’s community play at King’s Manor

Film screening of the week: Sovereign, York Theatre Royal, Wednesday, 7pm, and Thursday, 2pm and 7pm

CAMERAS recorded the July 23 evening performance of York Theatre Royal’s 2023 community play, York playwright Mike Kenny’s adaptation of C J Sansom’s Tudor-set political thriller, Sovereign, at King’s Manor, Exhibition Square. This film can be viewed at three free screenings in the Theatre Royal’s main house with a booking limit of four tickets per person.

In 1541, lawyer Matthew Shardlake (Fergus Rattigan) and his assistant Jack Barak (Sam Thorpe-Spinks) are sent to York to await the arrival of Henry VIII on his mission to sort out northern rebels. Cue intrigue, mystery, murder and North v South shenanigans. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Sleeper: Reviving Britpop hits at The Crescent on Wednesday

Britpop memories of the week: Sleeper, The Crescent, York, Wednesday, 7.30pm

THE Crescent has teamed up with the National Lottery and Music Venue Trust for a United By Music summer show with Britpop legends Sleeper.

Louise Wener’s reawakened band are back on the road, where fellow founder members Jon Stewart (guitar) and Andy Maclure (drums) are joined by bassist Kieron Pepper, previously of The Prodigy, to reactivate Inbetweener, What Do I Do Now?, Sale Of The Century, Nice Guy Eddie, Statuesque et al. Honey Moon support. Tickets update: Sold out; for returns only, check the crescentyork.com.

The Rocket Man: Jimmy Love at the piano for his band’s tribute show to Sir Elton John

Tribute show of the week: The Rocket Man, A Tribute To Sir Elton John, Grand Opera House, York, Thursday, 7.30pm

MISSING Sir Elton after that Glastonbury finale? Step forward Jimmy Love and his band, ready to head down the Yellow Brick Road for two hours of Elton John hits, from Saturday Night’s Alright For Fighting and Crocodile Rock to Philadelphia Freedom and I’m Still Standing, plus many, many more.

Love’s tribute show takes a journey through Elton’s life and career, the highs and the lows, with many a laugh too. Box office: atgtickets.com/york.

How do you do: Millie Robins’ Sophie meets Benjamin Stone’sTiger in The Tiger Who Came To Tea, on tour at York Theatre Royal

Tea time part two: The Tiger Who Came To Tea, York Theatre Royal, September 1, 2pm and 4.30pm, and September 2, 11am, 2pm and 4.30pm

COMMEMORATING the centenary of author Judith Kerr’s birth, The Tiger Who Came To Tea is back on the road in a 55-minute musical production adapted and directed by David Wood.

This slice of teatime mayhem serves up singalong songs, oodles of magic and interactive fun suitable for children aged three upwards when the doorbell rings just as Sophie (Millie Robins) and her mum (Katie Tripp) sit down to tea. Who could it possibly be? Enter a big, furry, stripy, tea-guzzling Tiger (Benjamin Stone). Scott Penrose, former president of the Magic Circle, provides the magical illusion designs. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York jewellery designer Mo Burrows: Demonstrating the Japanese technique of kumihimo braiding at Fangfest next weekend

Art event of the week: Fangfest, Fangfoss, near Pocklington, September 2 and 3, 10am to 4pm each day

NEXT weekend’s Fangfest, the Fangfoss Festival of Practical Arts, features 30 artists and craft makers demonstrating and exhibiting their work, from woodworking, rocking horse-making, felting and painting to wire sculpture, medieval tile techniques, jewellery and peg loom-weaving.  

A mixed-media pattern design workshop and drop-in craft activities, such as children’s card marking, pot-throwing on the wheel, pottery painting and a collaborative mixed-media mural, will be taking place too. A charity sunflower trail, classic car collection, pantomime-themed flower festival in St Martin’s Church, fairground rides, archery sessions and busking spots for ukuleles, a shanty crew, young celloists and a pop choir are further attractions. Entry is free.

Jo Whiley: Revelling in 1990s’ anthems at York Barbican next month

Nostalgia afoot: Jo Whiley’s 90s Anthems, York Barbican, September 9, 7.30pm

BBC Radio 2 presenter, DJ and producer Jo Whiley, the voice of a Brit generation, is heading for York after rummaging through her record bag to dig out the very best of 1990s’ anthems.

Whiley was on the cutting-edge, leading the charge as Britpop blew up, dance music exploded and indie went wild. Now comes the chance to re-live those magical memories on a dancefloor, from Oasis to Blur, The Chemical Brothers to The Prodigy. Box office: yorkbarbican.co.uk.

Thirty artists and makers to demonstrate skills at Fangfest practical arts weekend. Sunflowers to bloom for charity too

Lyn Grant creating ceramic sunflowers for Fangfest at her Fangfoss Pottery studio

SUNSHINE, sunflowers but no showers! Such are the hopes of villagers, artists, creative businesses and stall holders at Fangfoss, near Pocklington, as their annual Fangfest arts festival approaches.

Held over the weekend of September 2 and 3, from 10am to 4pm each day, the plans for Fangfest have been finalised with the promise of new attractions aplenty to complement the regulars.

Making its festival debut will be the charity sunflower trail. Residents have been asked to grow sunflowers or to be creative and make some. A winner will be chosen for the best-grown sunflower and another for the most creative sunflower, culminating in the public being asked to judge their favourite overall winner.

“A sunflower is the symbol of the Hidden Disabilities charity and any money raised will be donated to Hearing Dogs for the Deaf, a hidden disability that needs support,” says Fangfest stalwart Lyn Grant, of Fangfoss Pottery.

Shirley Davis Dew’s acrylic painting of sunflowers, for sale by silent auction for charity at Fangfest

Fangfoss artist Shirley Davis Dew has produced an acrylic painting of sunflowers for a silent auction to raise funds. Bids of £20 plus are welcome in person to Sally Murray at the Carpenters Arms pub or via DM (direct message) on their Instagram page, @carpenters_arms_fangfoss.

Fangfest Festival of Practical Arts 2023 will play host to a mixed-media pattern design workshop, run by York textile artist Rosanna Johnson. Workshops will be held at 11.30am and 2pm each day and participants will produce a piece of art to take home. Workshop tickets must be booked in advance at eventbright.com; search for Ros Johnson Fangfest or visit the festival’s social media pages for links.

Drop-in craft activities will take place throughout the weekend, ranging from children’s card marking and throwing a pot on the wheel to pottery painting and a collaborative mixed-media mural to name but a few.

More than 30 artists and craft workers will be demonstrating and exhibiting their work across the weekend, including woodworking, rocking horse-making, felting, painting, wire sculpture, medieval tile techniques, jewellery, peg loom-weaving and much more.

Angela Cole, from Yorkshire Willow Baskets, who will demonstrate her weaving skills by the Fangfoss village green on September 3

The York Guild of Spinners, Weavers and Dyers will hold weaving and spinning demonstrations. Look out for Shan Williams, working on her loom to create a rug over the weekend; Orsi, from FaTuz Personal Wooden Gifts, demonstrating pyrography techniques, and Angela Cole, from Yorkshire Willow Baskets, showing her weaving skills by the village green on the Sunday.

Emma, Eve and Lily, from the Handmade In Fangfoss family of crafters, will show how they create jewellery, cards, gifts and artwork inspired by nature, birds and flowers through their polymer clay, lino printing and mixed-media techniques.

Dave Atkin, from Woodwyrm, will use an axe and a selection of knives to demonstrate spoon and bowl carving and will discuss his techniques and inspirations.

Richard Gibson, from Wolds Wire Sculpture, in Thixendale, will bring a range of his open wire sculptures for display, while also working on a piece. He will share his love of nature, wildlife and the Wolds in his work, noted for its focus on movement.

Jewellery designer Mo Burrows: Demonstrating Japanese technique of kumihimo braiding

Richard Moore, from Tanglebank Tiles, will demonstrate various stages in decorating tiles and the tools used to create designs using the Sgraffito technique. In his work, he hand-makes glazed terracotta tiles in a medieval traditional style, featuring replicas of Old English floor tiles and illustrations from 13th and 14th century manuscripts.

Contemporary jewellery designer Mo Burrows will demonstrate the Japanese technique of kumihimo braiding. In her designs, Mo uses a variety of techniques and materials, including copper work, intricate beading, kumihimo and wirework, to produce both delicate and bold pieces, and she also restyles and remodels clothing into fashion pieces.

Fangfoss designer and illustrator Laura Thompson will demonstrate watercolour techniques for beginners, encouraging you to have a go yourself, as well as leading the card-making collage workshop for children.

Rosie Glow will be working with jesmonite to show how she makes her terrazzo coasters and answer any questions on the process. She creates colourful terrazzo homewares, such as trays, candle holders and soap dishes, and also makes vegan soap bars for face and body.

Spinning at Fangfest

Pete Thompson, of Spirit Of The Wood, will display tools and raw materials to explain his process and techniques for hand-crafting sculptural turned wooden pieces, created from sections of unprocessed wood. His designs incorporate natural faults, such as knots and cracks, as part of the finished piece.

Liz Riley, of Everything Felt, will demonstrate traditional felt-making techniques, including use of colour and texture in flat felting and 3D sculpture. She creates wearable and usable artworks, defined by strong colour combinations, using hand-dyed wool, silks and yarn to make felt scarves, bags, hats, wall hangings, homewares and 3D vessels.

Anna Byelova, who creates detailed handmade bags, Motanka dolls and textile landscapes, will discuss her techniques, the history of Motanka dolls and from where she draws her creativity.

Beyond crafts, further festival attractions will be a classic car collection on the village green; a flower festival in St Martin’s Church on the theme of pantomimes; traditional fairground rides, the Stamford Bridge History Society and archery sessions, run by Erik Aaron Shooting in the Rocking House Garden.

Taking a bow: Archery at Fangfest

The Busking Spots will provide a full programme of live music featuring ukuleles, a shanty crew, young celloists and a pop choir.

Refreshments will be available all weekend, provided by Jubilee Park in Rocking House Yard and at the Carpenters Arms, where landlady Sally Murray will have a full bar as well as hosting Ainsty Ales in the car park.

“Fangfest is a fun day out for all the family, run as a village enterprise with everyone helping out in one way another,” says Lyn Grant. “Entry to the festival is free and there’s something to interest everyone, no matter their age. By supporting the festival, visitors will be helping the village celebrate everything great about creative crafts in Fangfoss and its surrounding area.”

For more information and the full line-up of exhibitors, visit Fangfest’s Instagram pages at Fangfestfestival or Facebook pages at @Fangfest.

Fangfoss designer and illustrator Laura Thompson: Hosting the card-making collage workshop for children

More Things To Do in York and beyond from festive folk to hot Chilean rhythms. Hutch’s List No. 33 for 2023, from The Press

The Magpies: Hosting their folk festival at Sutton Park today

ART and cinema outdoors, folk and classical festivals, nostalgic gigs and ant adventures on a theatre terrace prompt Charles Hutchinson into arts action.

Heading to the park: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, today. Gates open at 10am; live music from 12 noon

TRANSATLANTIC folk trio The Magpies head into the final day of their open-air festival of music, activities, stalls and food and drink. They will be among today’s main stage acts (at 8pm), along with Liz Stringer, Honey & The Bear, Blair Dunlop, Rachel Sermanni and Edward II.

The Brass Castle Stage plays host to Jack Harris, Megan Henwood, Tom Moore & Archie Moss, Gilmore & Roberts and Bonfire Radicals, concluding with a Ceilidh with Archie Moss. Box office: themagpiesfestival.co.uk.

York River Art Market: Up to 30 artists and makers per day down by the riverside

Art in the open air: York River Art Market, Dame Judi Dench Walk by Lendal Bridge, York, today and tomorrow, then August 19 and 20, 10am to 5.30pm

YORK River Art Market returns for its eighth summer as York’s answer to the Left Bank in Paris. Organised by founder, director and artist Charlotte Dawson, the weekend event showcases a different variety of more than 30 independent artists and makers from all over Yorkshire and beyond each day.

Boom, by Evie Measor, from New Visuality’s exhibition project, Colour, at Bar Convent Living Heritage Centre

Easels at the ready: Sketching in the Garden, Bar Convent Living Heritage Centre, Blossom Street, York, until September 23, 10am to 5pm daily

THE Bar Convent invites artists and those who would like to give it a go to use its easels free of charge in the garden, where art and heritage combine to create an outdoor sketch space.

This opportunity coincides with the Bar Convent’s exhibition run of Colour, featuring works by young York artists, who have used photography skills and innovative AI technology to reinterpret York’s heritage buildings and landmarks. Why not draw inspiration from the exhibition to create your own artistic interpretations?

The Greatest Showman Sing-A-Long: Part of the Outdoor Cinema season at Castle Howard

Screen on the green: Outdoor Cinema at Castle Howard, near York today and tomorrow

THIS outdoor cinema experience in the grounds of Castle Howard presents Matilda The Musical (PG) today at 2pm, Grease (PG) tonight at 8pm, The Greatest Showman (PG) Sing-A-Long tomorrow at 2pm and Top Gun: Maverick tomorrow at 7pm.

Gates open at 12 noon for the afternoon screenings; 6pm for The Greatest Showman; 5pm for Top Gun: Maverick. Picnics and drinks are welcome at all screenings but no glassware. Blankets and camping chairs are allowed. Under-16s must be accompanied by an adult. Box office: castlehoward.co.uk.

Pianist Katya Apekisheva: One of 30 international musicians playing at North York Moors Chamber Music Festival

Classical festival of the week: North York Moors Chamber Music Festival, Welburn Manor marquee, near Kirkbymoorside, and assorted churches, Sunday to August 26

THE 15th North York Moors Chamber Music Festival ventures Into The Looking Glass for a fantastical fortnight with 30 international musicians, including pianist Katya Apekisheva, French horn virtuoso Ben Goldscheider and violinists Charlotte Scott and Benjamin Baker.

Directed by cellist Jamie Walton, the festival takes inspiration from Lewis Carroll’s 1872 novel to “explore the psychology of the mind through the prism of music, conveying its various chapters with carefully curated music that takes the audience on an adventurous journey through many twists and turns”. For the programme and tickets, head to: northyorkmoorsfestival.com. Box office: 07722 038990.

The Searchers & Hollies Experience: Sixties’ nostalgia at the double at the JoRo

Tribute show of the week: The Searchers And Hollies Experience, Joseph Rowntree Theatre, York, Sunday, 7.30pm

IN The Searchers & Hollies Experience: The Best Of Both Worlds, The FOD Band celebrate the magical, haunting hits of these legendary Sixties’ harmony bands from Liverpool and Manchester respectively. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Newen Afrobeat: Chile meets Fela Kuti at The Crescent

Chilean gig of the week…in York: Newen Afrobeat, The Crescent, York, Thursday, 7.30pm

NEWEN Afrobeat, a 13-piece Chilean orchestra, make music inspired by the legacy of Nigerian musician Fela Kuti. Applying a Latin stamp, they unify the African rhythms with a colourful and energetic staging, embedded in a deep social message that talks about their roots and cultural awareness.

In a ten-year career of four albums and eight international tours, Newen Afrobeat have performed at Montreal International Jazz Festival, WOMEX, Africa Oyé and Felabration Lagos. Box office: thecrescentyork.com.

Janet Bruce, left, and Cassie Vallance: Hosting Story Craft Theatre’s The Secret Life Of The Garden

Children’s event of the week: Story Craft Theatre in The Secret Life Of The Garden, Friday, 11am and 1pm

HAVE you ever imagined shrinking down to the size of an ant to go on an awesome adventure through a garden? York company Story Craft Theatre’s Janet Bruce and Cassie Vallance provide that opportunity in their magical new show, packed full of fun and wonder on the Theatre Royal patio.

This interactive production for two to eight-year-old children combines visual storytelling tools, such as puppets and Makaton signs and symbols, with games and dancing, plus crafting and colouring sheets beforehand. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Herman’s Hermits: Hits, hits, hits at Pocklington Arts Centre

Retro gig of the week: Herman’s Hermits, Pocklington Arts Centre, August 19, 8pm

FORMED in 1964, Manchester band Herman’s Hermits chalked up 23 hits, hitting the peak straightaway with the chart-topping I’m Into Something Good.

Producer Mickie Most oversaw their glory days with such smashes as No Milk Today, There’s A Kind Of Hush, Silhouettes, Mrs Brown, You’ve Got A Lovely Daughter, Wonderful World, I’m Henry VIII, I Am, Just A Little Bit Better, A Must To Avoid, Sleepy Joe, Sunshine Girl, Something’s Happening, My Sentimental Friend and Years May Come, Years May Go. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

More Things To Do in York & beyond, from musical mischief to hen night shenanigans. Here’s Hutch’s List No.32, from The Press

Bull: Headlining The Boatyard Festival at Bishopthorpe Marina today

SHAKESPEARE in gardens, music and magic by the riverside, an LGBTQ musical premiere and a riotous hen party on stage are among Charles Hutchinson’s eye-catchers for upcoming entertainment.

Festival of the week: The Boatyard Festival, The Boatyard, Bishopthorpe Marina, Ferry Lane, Bishopthorpe, York, today, 10am until late

THIS family-friendly music festival will be headlined by ebullient York band Bull. Look out too for Bonneville, Tymisha, London DJ Zee Hammer, Yorky Pud Street Band, The Plumber Drummer, City Snakes, Rum Doodle and Hutch.

Further attractions will be stilt walkers, a hula-hoop workshop, a giant bubble show, magic, face painting, fayre games, stalls, food and drink, with free admission for accompanied children. Box office: head to the-boatyard.co.uk/events/ for the QR code to book.

Four Wheel Drive director Alfie Howle and cast member Alison Gammon park up at the National Centre of Early Music for a garden of delights in A Midsummer Day’s Dream

Crazy chaos of the week: Four Wheel Drive presents A Midsummer Day’s Dream, National Centre for Early Music, York, today at 11am, 12.30pm and 2.30pm

FOUR Wheel Drive, producers of “off-road theatrical experiences” in York, invite children aged seven to 11 and their families to a musical, magical and mystical diurnal reimagining of William Shakespeare’s romcom in the NCEM gardens (or indoors if wet).

Four Athenians run away to the forest, only for the sylvan sprite Puck to make both the boys fall in love with the same girl while also helping his master play a trick on the fairy queen. Will all this crazy chaos have a happy ending? Anna Gallon and Alfie Howle’s interactive 45-minute adaptation will allow children to engage in the mischief-making Midsummer action, performed by Gallon, Katja Schiebeck and Esther Irving. Grab a boom-wacker and book tickets on 01904 658338 or necem.co.uk.

Three in one: Esk Valley Theatre writer, director and actor Mark Stratton

Debut of the week: Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale, Whitby, until August 26

IN artistic director Mark Stratton’s first play for Esk Valley Theatre, Danny and Jen leave London and head to an isolated cottage in the North York Moors. City clashes with country, dark forces are at work and humorous situations arise.

“We may think we know the person we are married to, but do we?” asks Stratton, who is joined in the cast by Clare Darcy and Dominic Rye. “What someone chooses to show the world is not always who they are. If they trade in deals and deceptions, then a day of reckoning will surely come.” Box office: 01947 897587 or eskvalleytheatre.co.uk.

Is this the hen party from hell? Will best friends fall out in Bridesmaids Of Britain? Find out tomorrow night

Hen party comedy heads to hen party haven: Bridesmaids Of Britain, Grand Opera House, York, tomorrow, 7pm

BILLED as “the girls’ night out to remember”, welcome to Diana Doherty’s Bridesmaids Of Britain. Becky is the overly loyal maid-of-honour whose life unravels as she leads best friend Sarah on a wild ride down the road to matrimony.

Things go awry, however, as competition between Becky and Tiffany – Sarah new BFF (best friend forever, obvs) – over who is the bride’s bestie threatens to upend the wedding planning that has been in the making since primary school. Be prepared for dance-offs, sing-offs and eventually shout-offs at the “hen do of the year”, held in a caravan. Will this wedding story have a happy ending, or will these best friends rip each other apart? Box office: atgtickets.com/york.

Dan Crawfurd-Porter’s Whizzer and Chris Mooney’s Marvin in rehearsal for Black Sheep Theatre Productions’ Falsettos, opening at the JoRo on Wednesday

York premiere of the week: Black Sheep Theatre Productions in Falsettos, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee.

YORK company Black Sheep Theatre Productions has been granted an exclusive British licence by Concord Theatricals and composer/lyricist William Finn to stage Finn and James Lapine’s “very gay, very Jewish” musical Falsettos, thanks to the persistence of director Matthew Clare.

In its late-Seventies, early-Eighties American story, set against the backdrop of the rise of Aids, Marvin has left his wife Trina and son Jason to be with his male lover Whizzer, whereupon he struggles to keep his Jewish family together in the way he has idealised. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Pennine Suite: Topping Friday’s bill of York bands at The Crescent

York music bill of the week: Northern Radar presents Pennine Suite, Sun King, Everything After Midnight and The Rosemaries, The Crescent, York, Friday, 7.30pm to 11pm

PENNINE Suite play their biggest headline gig to date in an all-York line-up on a rare 2023 appearance in their home city. The five-piece draws inspiration from the alternative rock movements of the 1980s and 1990s, interlaced with shoegaze and pop melodies, typified by the singles Far and Scottish Snow. Box office: thecrescentyork.com.

Garden secrets: Which character will York Shakespeare Project veteran Frank Brogan play in Sonnets At The Bar? It’s all hush-hush until August 11

Bard convention: York Shakespeare Project in Sonnets At The Bar, Bar Convent Living Heritage Centre, Friday to August 19 (except August 14), 6pm and 7.30pm plus 4.30pm Saturday performances

YORK Shakespeare Project returns to the secret garden at Bar Convent for another season of Shakespeare sonnets, this time directed by Tony Froud. Reprising the familiar format, the show features a series of larger-than-life modern characters, each with a secret to reveal through a sonnet.

Inside writer Helen Wilson’s framework of the comings and goings of hotel staff and guests, the characters will be played by Diana Wyatt, Judith Ireland, Sarah Dixon, Frank Brogan, Maurice Crichton, Nigel Evans, Harold Mozley, Froud and Wilson. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ceridwen Smith in Next Door But One’s The Firework-Maker’s Daughter . Picture: James Drury

Talking elephants of the week: Next Door But One in The Firework-Maker’s Daughter, York Theatre Royal patio, August 12, 11am and 2pm

YORK theatre-makers Next Door But One’s adventurous storyteller travels to Lila’s Firework Festival in this intimate, inclusive, accessible and fun stage adaptation of Philip Pullman’s novel, replete with talking elephants, silly kings and magical creatures.

As Lila voyages across lakes and over mountains, she faces her biggest fears and learns everything she needs to know to become the person she has always wanted to be. Makaton signs and symbols, puppetry and audience participation play their part in Ceridwen Smith’s performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Grace Petrie: Switching from folk musician to stand-up comedy act on tour in York, Leeds and Sheffield

Change of tack: Burning Duck Comedy Club presents Grace Petrie: Butch Ado About Nothing, The Crescent, York, September 17, 7.30pm

FOLK singer, lesbian and checked-shirt-collector Grace Petrie has been incorrectly called “Sir” every day of her adult life. Now, after finally running out of subject matter for her “whiny songs”, she is putting down the guitar to work out why in her debut stand-up show, Butch Ado About Nothing, on her return to The Crescent.

Finding herself mired in an age of incessantly and increasingly fraught gender politics, the Norwich-based Leicester native explores what butch identity means in a world moving beyond labels, pondering where both that identity and she belong in the new frontline of queer liberation. Petrie also plays Old Woollen, Leeds, on August 31 (8pm) and The Leadmill, Sheffield, on September 10 (7.30pm). Box office: gracepetrie.com; York, thecrescentyork.com; Leeds, oldwoollen.co.uk; Sheffield, leadmill.co.uk.

Why doesn’t York have a good arts festival, asks Miles Salter. Here comes York Alive, full of music, comedy and the spoken word

Miles Salter: Director of the new York Alive festival

THE inaugural York Alive festival of comedy, spoken word and music will be held in late-September and October in the city’s theatres, music venues and pubs.

Director Miles Salter and his team are working with venues throughout York to deliver an “exciting and dynamic” programme of events this autumn.

Ending a seven-year itch, York Alive marks Miles’s return to co-ordinating festivals in York, where he programmed York Literature Festival from 2008 to 2016.

“I learned a huge amount running York Literature Festival: how to put on engaging events, how to make sure people heard about it, and I’m still driven by the same desire, wanting to see York have an exciting, inspiring, great arts festival,” says the York published poet, storyteller, York Calling podcaster, broadcaster and songwriting frontman of Miles And The Chain Gang.

“We have so much to offer. Badging things together helps to raise awareness of the fantastic arts scene in York.”  

Helen Mort: Poet and novelist, performing at York Alive on October 10 at the Victoria Vaults, York

Under the York Alive banner, the festival acts will perform at venues across York, including York Barbican, the Grand Opera House, National Centre for Early Music and Victoria Vaults pub. 

Among the contributing acts will be musicians Howard Jones, Paul Carrack and Gabrielle; comedian, author and presenter Ruby Wax; poet Helen Mort, spoken word performer Luke Wright and Miles himself in myriad guises.

For blues lovers, York band DC Blues, American guitar wizard Toby Walker and fast-emerging Belfast guitarist Dom Martin will be in action at the Victoria Vaults, in Nunnery Lane, where Miles is the gig programmer. 

“The team behind this new festival live and work in the city,” says Miles. “Friendly and intimate, York is one of the best places to live and work in the UK. Visitors love coming to our historic city, but York is more than Romans and Vikings.

“Today, it’s home to so many talented writers, artists, actors, comedians, filmmakers, musicians and dancers. That’s why we want York Alive to celebrate this talent, as well as our great venues and fantastic city, by showcasing some of the best art and culture that’s happening in York this October.

Paul Winn of York band DC Blues: Booked for York Alive on October 6

“There’ll be a brilliant mixture of music, comedy and spoken word, and we’re delighted to include some events run by other venues and promoters in York.” 

Miles has one regret. “Stopping my involvement in York Literature Festival in 2016 was a mistake really,” he says. “It was a bit like when Berwick Kaler said he was retiring from the Theatre Royal pantomime, but then wanted to go back to playing the dame again.

“I wish I hadn’t made the decision but I was in a bad place at the time, but my ambition was always to broaden it out to include other things: some theatre, comedy and music, some cross-artform combinations, like when we put on folk musician Martin Carthy with crime writer Peter Robinson at the NCEM. Now we can do that with York Alive.”

Miles has not sought any funding. “My passion is just to see a really good arts festival running in York. Why haven’t we got one already?” he says. “I thought what happened when Martin Witts’s Great Yorkshire Fringe came to an end in 2019 was an awful loss to the city.

“I must be crazy to try, but I hope that York Alive can become a regular yearly event.”

Ruby Wax: Opening show under the York Alive banner, presenting I’m Not As Well As I Thought I Was at Grand Opera House, York, on September 28

York Alive: Calendar of Events

September 28, 7.30pm, Ruby Wax: I’m Not As Well As I Thought I Was, Grand Opera House. October 2, 7pm, Toby Walker, guitar virtuoso, Victoria Vaults. October 4, 8pm Luke Wright, spoken word, Victoria Vaults. October 6, 7pm DC Blues, Victoria Vaults. October 8, 7.30pm, neo-classical Gifts From Crows Trio, National Centre for Early Music.

October 10, 8pm, Helen Mort and Miles Salter, poetry, Victoria Vaults. October 11, 7pm, Howard Jones: Celebrating 40 Years 1983 – 2023, York Barbican. October 12, 7.30pm, The Waterboys, York Barbican. October 14, 10.30am, Stories with Miles (Salter), children’s show for ages 6 to 10, The White Horse, The Green, Upper Poppleton, York.

October 15, 4pm, Miles And The Chain Gang, Victoria Vaults, free entry. October 19, 6pm to 7:30pm Dylan Thomas: 70 Years On, York Stanza’s Professor John Goodby in conversation with Miles Salter, Marriott Room. October 19, 7.30pm, Paul Carrack, York Barbican.

October 21, 7pm, Gabrielle: 30 Years Of Dreaming Tour, York Barbican. October 21, 7pm, The Very Grimm Brothers (poet Adrian Mealing and guitarist John Denton), plus Miles Salter, Victoria Vaults. October 24, 7pm, Samantha Fish & Jesse Drayton, American blues and rock, York Barbican. October 27, 8pm, Dom Martin, Buried In The Hail Tour, Victoria Vaults.

30 characters, one Star Stone show, asking questions with gender violence on the agenda in #MeToo at Theatre@41

Star Stone in the guises of Rosey Colored-Glasses, Young Star and Rebel-Punzel in #MeToo. Picture: Abby Ballin

AHEAD of her Edinburgh Fringe run, American artist Star Stone previews her groundbreaking one-woman show #MeToo at Theatre@41, Monkgate, York, tomorrow night.

In a true story centred on her real-life experiences with sexual assault and gender-based violence on her journey from childhood to adulthood, Star flips the script for survivor-led narratives in her hour-long “edu-tainment comedy”.

“This is not a show focused on a single perpetrator, it’s a show focused on organisations and systems that function to uphold rape culture,” says Star. “From pretend shamans and sex cults to Tinder **** boys and Burning Man, I find humour in otherwise challenging situations, investigating how we can learn from these types of experiences and explore why these events all happened in the first place.”

In witnessing Star’s journey, tomorrow’s York audience will see “how culture raises female-identified youth to have body insecurities and lack of information regarding sex”.

“It further implies that our first glimpse of sexual violations can begin as children, that our boundaries begin their tests in primary school, and how all of this only intensifies as an adult,” says Star, who also will address the need for urgency in the fight for safe access to women’s health care in the United States since the historic overturning of Roe v Wade,” she says.

“We in the United States have a tendency to exploit people’s pain and experiences. We have a term for it: it’s called ‘trauma porn’. So when you watch the news in the USA, a lot of it is about the violence that’s happened that day, especially on the local TV stations.  Often that violence is at the expense of a minority group.”

Star grew up loving comedy, first doing improv and sketches and now progressing into using comedy in a solo show. “But #MeToo is not a stand-up show. It’s a solo show that uses solo theatre techniques. It’s a natural progression for me,” she says.

“It’s not a monologue. It’s a show with 30 different characters, and I take those characters into scenes with each other, with a narrator character introducing it and breaking the show into character scenes. Some are real-life characters; others are personifications.”

Post Los Angeles beginnings in 2018-2019, Star had intended to take the show to New York City but Covid sent it into hibernation until now. “York will be the first performance since 2019,” she says.

Why York, not New York, Star? “I do everything for myself and I was hunting down where I could do a preview for Edinburgh, reaching out to a lot of theatres. I got in touch with Alan [Park] at Theatre@41 and luckily he had a space for it. It’ll be my first time in York.”

Tomorrow, York, then the Edinburgh Fringe, are important steps for Star as she seeks to spread her wings internationally. “The topic of gendered violence is universal, and I’m interested in sharing this work with audiences across Europe and engaging in discussions with other survivors in the audience through a talk-back at future shows,” she says.

“It’s a crucial part of this journey. To only share my show with USA audiences wouldn’t make sense. It’s a global issue, regardless of where you live, so it’s important to hear responses in the UK and hopefully in Europe as an indicator of why this subject needs discussing.”

Star Stone in #MeToo: A One-Woman Show, Theatre@41, Monkgate, York, August 3, 7.30pm. Box office: tickets.41monkgate.co.uk/events. Edinburgh Fringe: Venue 21, C Arts, C Venues, C Aquila, August 14 to 20 at 3.55pm; tickets.edfringe.com/whats-on/metoo-a-one-woman-show. Age suitability: 16 plus. Show directed by Jessica Lynn Johnson.

“My work aims to share the humanity in the unreasonable, the gross, the unthinkable, and the wild,” says Star Stone. Picture: Abby Ballin

Star Stone: the back story

WRITER, creator and performer of #MeToo; actress, producer, playwright and poet with background in yoga teaching for ten years.

Graduate of New York University’s Tisch School of the Arts and UCB LA’s Improv School.

Graduate of Community Word Project’s Teaching Artist Project, New York City-based social justice-orientated programme. Worked within New York City school system and in Zoom classrooms as theatre educator.  

Teaching artist for Marquis Studios in Coney Island and Wingspan Arts in Brooklyn.

Worked with New York City Mayor’s Office in 2022 to end gender-based violence. Hosted Voices: Survivor’s Speak, an evening of healing and transforming through the arts in collaboration with ArtTransforms.

Worked with Neo-Political Cowgirls for Girl Gaze programmme, supporting teenage girls to develop stories for film.

Former member of Oakland Slam Poetry team, creating poems as act of resistance to rape culture.

Former host of League of Professional Theatre Women’s online open-mic series, focusing on works in progress by New York City female-identified theatre creatives.

Performed #MeToo at Hollywood Fringe Festival and SoloFest, Los Angeles. Next up: York and Edinburgh.

Star Stone: “Particularly interested in the intersection of education and entertainment”. Picture: Abby Ballin

Artist statement, from starstonespeaks.com website

“I AM particularly interested in the intersection of education and entertainment, where the theatre is a classroom and an audience is left with a desire for self-inquiry and to engage in public discourse.

“My work aims to uplift survivors and normalise conversations around subjects like body image and mental health. I use comedy as a tool to tackle challenging subjects. 

“I create as a reminder that we cannot shy away from vulnerability, from honesty, and from revealing our humanity. If anything, my work aims to share the humanity in the unreasonable, the gross, the unthinkable, and the wild, because my life has been each of these things. It has also been full of magic and joy. 

“With each new play or poem, my approach is always to find the ‘Lila’ – the divine play of it all.” 

REVIEW: Martin Dreyer’s verdict on Mishka Rushdie Momen at Ryedale Festival, St Peter & St Paul’s Church, Pickering, July 24

Mishka Rushdie Momen: “Is there no end to this young lady’s versatility?

ON her first visit to Ryedale two years ago, Mishka Rushdie Momen delivered a knockout piano recital.

No-one present will have dared miss this return – part of her contribution as an artist in residence at this year’s festival – which included an early Beethoven sonata and a late Schubert one, not to mention some important Mendelssohn with a little Byrd and Prokofiev thrown in. Pretty good value for an afternoon recital without an interval.

The way her career is soaring, we can safely dispense with her surnames and simply call her Mishka. Everyone will know exactly who is meant. She announced herself – especially her wit and intelligence – with Beethoven’s Op 10 No 2 in F major, the “sunny” key of his Pastoral symphony.

After a bold opening, strongly accented, she brought humour into her left-hand figures in the scherzo’s trio, before a crisp, staccato finale with virtually no use of the pedal in its pseudo-fugue.

Thirty years after the Beethoven, Schubert wrote his miraculous last three sonatas, two months before his death in 1828. The first of these, D.958 in C minor, is the least played of the three, so it was especially satisfying to hear it here.

There were no pastel shades in Mishka’s opening, as she established the whole work’s sombre atmosphere. But she was alive to the rapidly shifting moods of the development section and once her again her left hand figured prominently, this time as a trombone.

She brought an intimate, pianissimo opening to the slow movement, so heightening the contrast with the agitated mystery of remote minor keys further down the line. The minuet flowed gently and its Ländler-style trio was particularly mellow, both a nice contrast with the drama elsewhere.

The key-changes, especially major versus minor, in the finale were magical and after the various caesuras – complete breaks in the action – she resumed with the utmost delicacy. It was utterly spellbinding, as if she were sharing secrets.  Mishka has a profound knack for Schubert, as we heard last time.

Mendelssohn’s Variations Sérieuses in D minor, one of the fruits of his love-affair with Bach’s music, revealed her contrapuntal dexterity, not least in the virtuoso later variations which move away from Baroque influence. There were moments that suggested a slightly steadier tempo would have lent clarity. But the solemn tone of the work led naturally – with no applause between – into a moving account of Byrd’s pavane on Flow My Tears, Dowland’s famous tune.

Earlier we had heard Byrd’s The Bells, one of his over 150 keyboard works, which deserve wider currency. Its nine variations over a two-note, tolling bass easily conjured the sound-world of the bell tower. She left us in no doubt that this is one work that sounds much better on the piano than the harpsichord. There had even been fleeting glimpses of five of Prokofiev’s Vision Fugitives.

Is there no end to this young lady’s versatility? Mishka is already a star, and on this showing destined to remain so for a long time. May she return to us soon and often.

Review by Martin Dreyer

REVIEW: Martin Dreyer’s verdict on Dudok Quartet at Ryedale Festival, All Saints’ Church, Hovingham, July 19

Dudok Quartet, from Amsterdam to Hovingham. Picture: Yuri Andries

IN the first of four concerts, which were to include all three of Tchaikovsky’s string quartets, the Dudok Quartet of Amsterdam gave the first of them alongside other Russian works by Glinka and Shostakovich.

Tchaikovsky wrote all his quartets in his thirties. He had produced a successful Allegro for string quartet as a graduation exercise, based on a Ukrainian folk tune, so he knew his onions by the time he embarked on No 1 in D, Op 11. It was the making of him outside Russia, largely because of its fetching Andante. But the Dudoks proved it has much more to offer.

They opened dead-pan, non-vibrato, reflecting the second half of the composer’s Moderato e semplice instruction. The movement remained restrained, traces of warmth only really detectable in the first violin.

The slow movement’s famous melody was equally intimate, almost bleak, the ensemble resisting the temptation to make too much of it. One admired that: the music was allowed to speak for itself. When Tolstoy heard it, he was moved to tears; we could understand why.

The sprightly scherzo bordered on the skittish, its strong accents spilling over into its trio. But it was in the finale that the Dudoks showed their true mettle. Their ensemble remained remarkably taut right through to the vivacious coda. We might have heard more from the viola and later the cello in their presentation of the second theme, but teamwork remained the name of the game. We could not complain.

We encountered Tchaikovsky briefly again after the interval, in two months of The Seasons arranged from the piano original: March (The lark’s song) and July (The reaper’s song), tastefully done.

They were but a prelude to Shostakovich’s Quartet No 5 in B flat minor, which was premiered in late 1953 only after the post-Stalin “thaw” had set in (although written the previous year): the composer had considered its searing personal diary too incendiary before then.

The Dudoks treated it as a Russian novel, piling incident upon incident over a marvellous motor- rhythm generated by the cellist. Its climax – the three upper voices in unison – was approached with gradually increasing tension, after some brief rays of sunshine from the leader.

The jaunty little dance that followed changed imperceptibly into something much more vicious, ending in recitatives from all the players, an angry cello last. The group’s focus was intense throughout. This was Shostakovich with his heart on his sleeve – and all the more telling for that.

The evening had opened with an arrangement of Glinka’s overture to Ruslan and Lyudmila, frothy enough but hardly a substitute for the orchestral version. But keep an eye out for the quartet’s forthcoming recording of Tchaikovsky’s quartets. On this evidence it could be something special.

Review by Martin Dreyer

REVIEW: Martin Dreyer’s verdict on Rachel Podger and Daniele Caminiti at York Early Music Festival

Rachel Podger: “Her violin and Baroque music are made for each other”. Picture: Theresa Pewal

York Early Music Festival: Rachel Podger and Daniele Caminiti, National Centre for Early Music, York, July 13

RACHEL Podger’s violin and Baroque music are made for each other. The two halves of her outgoing personality, both personal and musical, are closely intertwined and enhance one another most intimately in her approach to the Baroque. In this wide-ranging tour of the period, her accomplice was the deft Sicilian theorbist Daniele Caminiti.

Although she naturally included several of the great names – Bach, Vivaldi, Biber – her surprises lay with lesser lights and with an unusual transcription. She opened with a rhapsodic sonata (Seconda) from the early Baroque by Giovanni Battista Fontana, whose simple melodies she embellished with delightful decorations, especially at cadences.

She immediately followed that with the last of 12 instrumental sonatas – believed to be the first by a woman ever to be published – by Isabella Leonarda, an Ursuline nun who composed prolifically right into her eighties.

It opened with a soulful Adagio, and continued as if telling a story, including a lyrical Aria and a brisk Veloce in jig time with a throwaway ending; its use of harmony was astounding. Podger gave its twists and turns typically stylish enthusiasm.

Bach’s Third Cello Suite, BWV1009 in C, is not what you expect in a violin recital, but it transcribes well for the higher instrument. Its Prélude was at once a tour de force, threatening to overshadow what followed.

Yet the jagged Allemande was equally engaging and Podger kept Bach’s different voices clearly apparent. The multiple-stopping of the stately Sarabande was followed by Bourrées, in which she played with the time, but tastefully, before delivering considerable fireworks in the volatile Gigue.

Biber’s Fourth Mystery Sonata, the Presentation of Christ in the Temple, which calls for scordatura (re-tuning of the strings), emerged as a brilliant set of variations, coolly navigated. Predictably, Podger offered some dazzling virtuosity along the way, notably in the outer movements of a Vivaldi sonata and in the concluding race for the tape of a Schmelzer sonata.

Caminiti shadowed her, if often understatedly, throughout but provided a good rhythmic foundation wherever possible. He also contributed several solos, especially a Piccininni toccata that made bold use of his bass strings and an intricate and delicate Toccata Arpeggiata by Kapsberger. He and Podger make a useful duo but not yet a great one.

Review by Martin Dreyer