AS album number three arrives so soon, why are the Irish band being as prolific as the early Beatles? Two Big Egos In A Small Car culture podcasters Graham Chalmers and Charles Hutchinson discuss Skinty Fia in Episode 89.
Plus: what happens to the BBC when the licence fee ends? Anything else? Sheffield Leadmill update; The Divine Comedy at York Barbican review; Gary Barlow’s show with a difference, and why Mischief and Penn &Teller’s Magic Goes Wrong is wand-erful.
AS not only tourists and stag and hen parties invade York, but so do UFOs, dinosaurs, even King Kong, Charles Hutchinson plots an escape route to other delights.
Exhibition launch of the week: Lincoln Lightfoot’s Revelation, Micklegate Social and Fossgate Social, York, today until July 7
SOUTH Bank surrealist Lincoln Lightfoot is letting his gloriously ridiculous B-movie nightmares loose on unsuspecting York at the Micklegate Social and Fossgate Social cafe bars from this weekend.
For two months, past meets present and a forewarned future both in retro art style and subject matter in Revelation, his humorously absurdist depictions of surreal encounters with beasts and creatures as they take over landmark locations.
On show in Micklegate Social from this evening’s 6pm to 10pm launch will be the first release of Lincoln’s larger, compelling paintings, 150 by 100cm in size, complemented by giclee prints of those new works at Fossgate Social. All works are for sale.
Here comes the science bit: Morgan & West in Unbelievable Science, York Theatre Royal, today, 2pm
GREAT Yorkshire Fringe festival favourites Morgan & West return to York to present their new show Unbelievable Science, full of captivating chemistry, phenomenal physics and bonkers biology.
Spiffing chaps Rhys Morgan and Robert West combine their trademark showmanship and silliness from their decade of magic shows with genuine scientific knowledge and a lifelong love of learning to create a fun science extravaganza for all ages.
Fires, explosions, lightning on stage, optical illusions, mass audience experiments and 3D shadow puppets await all those “wily enough to come along to be intrigued by science”. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Not just cricket: Test Match Special Live with Agnew & Tuffers, York Barbican, tonight, 7.30pm
PHIL Tufnell and BBC cricket correspondent Jonathan Agnew take you inside the Beeb’s famous TMS commentary box to share memories from their playing careers and beyond the boundary.
What was it like facing Shane Warne in his prime? Which member of the TMS team never buys dinner? What really happened the night after the 2005 Ashes triumph? Enjoy never-before-seen footage of iconic commentary moments and discover what life is really like watching England from the finest seat in the house. Special guest will be TMS statistics guru and BBC Radio 4 comedy presenter Andy Zaltzman. Box office: yorkbarbican.co.uk.
Festival of the week: TakeOver, York Theatre Royal, Tuesday to Saturday
THIS week-long arts festival is organised and run entirely by final-year York St John University students. Unveiling hidden worlds of the unspoken to curious minds of any age, the event combines local and personal stories with an exploration of the wider world through a combination of theatre, memory and art.
Among those taking part will be Green Hammerton company Badapple Theatre performing artistic director Kate Bramley’s Elephant Rock on Tuesday at 7.30pm in their first Theatre Royal visit in a decade. For the full programme, go to yorktheatreroyal.co.uk.
Film event of the week: Yorkshire Silent Film Festival presents A Throw Of Dice (PG), National Centre for Early Music, York, Tuesday, 7.30pm
A THROW Of Dice, an Indian box-office hit from 1929, rivals Cecil B De Mille for screen spectacle in its lavishly romantic story of rival Indian kings – one good, one bad – who fall in love with the same woman.
Based on an episode from The Mahabarata and filmed in India with 10,000 extras, 1,000 horses, 50 elephants and an all-Indian cast, this silent classic will be accompanied by a live score, improvised by Indian pianist Utsav Lal. Box office: 01904 658338 or ncem.co.uk.
Play of the week: The Stockton Foresters in A Bunch Of Amateurs, Stockton on the Forest Village Hall, near York, May 12 to 14, 7.30pm
THE Stockton Foresters’ first full-scale production post-lockdown is Ian Hislop and Nick Newman’s A Bunch Of Amateurs, the story of an amateur dramatic group’s determination to overcome all odds to stave off closure.
Written by two of the original Spitting Image writers, this fast-paced, sharp-edged comedy is performed frequently on the amateur circuit, on this occasion by Louisa Littler’s cast of Stuart Leeming, Karen Ilsley, Holly Smith, Russell Dowson, Jane Palmer, Peter Keen and Lynne Edwards. Box office: 01904 400583.
Outdoor gig of the week: Shed Seven, Doncaster Racecourse Live After Racing, May 14
SHED Seven’s live-after-racing gig at Doncaster Racecourse will come under starter’s orders for a third time next Saturday after two false starts.
The York band’s outdoor Donny debut had to be scrapped twice, first booked for August 15 2020, then May 15 last spring, but each show was declared a non-runner under the Government’s pandemic lockdown restrictions.
To book, go to: doncaster-racecourse.co.uk/whats-on/music-live-featuring-shed-seven.
Tour announcement of the week: Sara Pascoe, Success Story, York Barbican, November 24; Harrogate Royal Hall, April 21 2023
AFTER contemplating the positive aspects of self-imposed celibacy in LadsLadsLads, Success Story finds comedian Sara Pascoe, a few years later, happily married with a beautiful baby son.
In her new show, she will examine what it is to be successful, how we define it and how it feels when what we want eludes us. Expect jokes about status, celebrities, plus Sara’s new fancy lifestyle versus infertility, her multiple therapists and career failures. Box office: York, yorkbarbican.co.uk; Harrogate, 01423 502116 or harrogatetheatre.co.uk.
SEEKING Divine inspiration? Here comes Charles Hutchinson with his guide to what’s hot, from topical comedy to charming songwriters, a steamy thriller to intense jazz.
Charmer of the week: The Divine Comedy, York Barbican, tonight, 7.45pm
THE Divine Comedy’s Neil Hannon plays York this weekend for the first time since the Irish chamber-pop leprechaun’s Minster concert in May 2011.
Hannon will be showcasing his 2022 compilation, Charmed Life – The Best Of The Divine Comedy, marking the completion of the 51-year-old songwriter, musical score composer and cricket enthusiast’s third decade as a recording artist
“I’ve been luckier than most,” Hannon says. “I get to sing songs to people for a living and they almost always applaud.” Hence that Charmed Life title. Box office: yorkbarbican.co.uk.
Outdoor dance vibes of the long weekend: Dance Dance Dance, A Damn Big Dance Party, At The Mill, Stillington, near York, Sunday, 6pm to 11pm
HEADPHONES on as At The Mill plays host to a three-channel Silent Disco with a bunch of very cool guest DJs, a live set from Flatcap Carnival and the pizza oven fired up for orders.
Organiser Alexander Flanagan Wright says: “We got Joshua Pulleyn coming. We got Bolshee taking over a channel. We got Sarah Rorke blasting out some Northern Soul vibes. Tom Figgins is metaphorically spinning a track or two.
“Paul Smith has some new punk and old-school hip hop heading your way. Abbi Ollive has a solid hour of girl power. And I’m lining up a lot of Chemical Brothers, Prodigy and Beyoncé as I can. Come dance. It’s gotta be mega. There’s a handful of tickets left at atthemill.org.”
Homecoming of the week: Beth McCarthy, The Crescent, York, Monday, doors 7.30pm
BETH McCarthy, now living in London, heads home to play her first York gig since March 2019.
Singer-songwriter Beth has been buoyed by the online response to her singles and videos, drawing 4.8 million likes and 300,000 followers on TikTok and attracting 465,000 monthly listeners and nine million plays of her She Gets The Flowers on Spotify. Box office: myticket.co.uk/artists/beth-mccarthy.
Comedy gigs of the week: Stewart Lee, Snowflake/Tornado, York Theatre Royal, Tuesday to Thursday, 7.30pm
DELAYED by lockdowns, Stewart Lee finally brings Snowflake/Tornado – a double bill of two 60-minute sets, back-to-back nightly – to York with new material for 2022.
Heavily rewritten in the light of two pandemic-enforced dormant years, Snowflake looks at how the Covid/Brexit era has influenced the culture war between lovely snowflakes and horrible people.
Tornadoquestions Lee’s position in the comedy marketplace after Netflix mistakenly listed his show as “reports of sharks falling from the skies are on the rise again. Nobody on the Eastern Seaboard is safe.” Good luck trying to acquire a ticket on 01904 623568 or at yorktheatreroyal.co.uk.
Psychological thriller of the week: Fatal Attraction, Grand Opera House, York, Tuesday to Saturday, 7.30pm and 2.30pm matinees, Wednesday and Saturday
JAMES Dearden, screenwriter for Adrian Lyne’s 1987 “bunny boiler” American psycho thriller, has written a new stage version of Fatal Attraction for 21st century audiences, mobile phones et al.
The plot remains the same: happily married New York attorney Dan Gallagher (Oliver Farnworth) has a night on the town with editor Alex Forrest (Susie Amy) that boils up into passion.
Dan returns home to wife Beth (Louise Redknapp), trying to forget what happened, but Alex has only one rule: you play fair with her and she’ll play fair with you. If not…! Box office: 0844 871 7615 or atgtickets.com/York.
Smile of the week: Marti Pellow, Greatest Hits Tour, York Barbican, Tuesday, 7.30pm
LET Marti Pellow introduce his Greatest Hits Tour show. “It’s about finally being able to come together to celebrate love, life, and remember those we may have lost along the way. Most of all, it’s about enjoyment and celebrating the here and now. Get your dancing shoes on: it’s time to party with Marti.”
Expect songs from his Wet Wet Wet and solo catalogues up to 2021’s Stargazer album, cover versions too, plus reflective chat as he sits on the edge of the stage. Box office: yorkbarbican.co.uk.
Jazz gig of the week: Trish Clowes: My Iris, National Centre for Early Music, York, Tuesday, 7.30pm
SAXOPHONIST Trish Clowes leads her jazz band My Iris in their York debut, providing pianist Ross Stanley, guitarist Chris Montague and drummer James Maddren with a high-intensity platform for individual expression and improvisation.
Driving grooves and lingering melodic lines combine as they “seamlessly morph between earthy restlessness and futuristic dreamscapes”. Box office: 01904 658338 or ncem.co.uk.
Indoor dance show of the week: Terpsichoring Dance Company in Me, Myself And Misha, York Theatre Royal Studio, Friday, 7.45pm
TERPSICHORING Dance Company’s Me, Myself & Misha is a heartfelt, autobiographical 40-minute show devised and performed by award-winning dance artist Ana Silverio, who explores the physical and emotional journey, full of challenges and joys, that one woman undertakes to become a mother.
Universal themes of pregnancy and labour are presented, using a mix of physical theatre and dance alongside an original and moving musical score. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Fundraiser alert: Yorkraine, for DEC Ukraine Appeal, Grand Opera House, York, May 24, 7.30pm
YORKRAINE’s benefit concert combines four of York’s finest cover bands, The Supermodels, The Mothers, The Y Street Band and Sister Madly, plus acoustic slots from Alex Victoria and Mal Fry and guest speakers.
The evening of pop and rock classics from the past six decades will raise funds for the British Red Cross DEC appeal to aid Ukrainian refugees who find themselves in dire circumstances. All artists, hosts, sound tech and crew have donated their time free of charge. Box office: atgtickets.com/York.
Gig announcement of the week: Gary Barlow, A Different Stage, Grand Opera House, York, June 10 and 11
TAKE That legend, singer, songwriter, composer, producer, talent show judge and author Gary Barlow is adding a theatrical one-man show to his repertoire.
“I’ve done shows where it has just been me and a keyboard,” says Barlow. “I’ve done shows where I sit and talk to people. I’ve done shows where I’ve performed as part of a group.
“But this one, well, it’s like all of those, but none of them. When I walk out this time, well, it’s going to be a very different stage altogether.” Now the bad news: tickets went on sale at 9.30am yesterday and sold out by 10am, but Pray there could yet be a silver lining…
AESTHETICA Film Festival is teaming up with York Theatre Festival for a season of independent film to highlight how the big screen helps us to make sense of the world.
“Film is transformative, powerful and resonating,” says Cherie Federico, director of the BAFTA Qualifying festival held in York very autumn. “It can change the world in a matter of seconds.
“In this season, we bring you films that look at the LGBTQ+ experience and the climate crisis; an interrogation ofhumans and technology; the best ofBlack British cinema, alongside our comedy club screening and a slate of BAFTA and Oscar-winning short films.
“Here is your chance to step away from the ordinary to immerse yourself in the power of narrative through independent film.”
The season opened on Friday (22/4/2022) to mark Earth Day with a series of short films looking at mass consumption and the global community under the theme of Fragile Existence: Witness to the Climate Crisis. “There’s no doubt that the climate crisis is moving towards the tipping point. Filmmakers are key witnesses to these changes.
“The impact of population growth, globalisation, urbanisation, industrialisation and the exhaustion of natural resources has finally taken its toll.”
On April 29, the 80-minute Comedy Club:Join Us For A Laugh programme will be shown. “Comedy offers something for everyone, following unwitting characters through their day-to-day lives as they descend into surreal, unexpected moments,” says Cherie.
“These short films are sure to surprise and connect viewers through universal emotions and shared experiences – the everyday turned absurd. Be surprised by your reactions to our mind-bending, humorous selection.”
At 2.15pm on April 30, the spotlight falls Animation: Imagination & Discovery. “This 60-minute collection of films introduces children to the wonderful world of animation. The range of styles depicts all the fantastic possibilities for this enthralling genre,” says Cherie.
“Stories are highly emotive and cover a range of topics that are relevant in a child’s emotional education. Beyond that, some of the films are simply good fun.”
On May 7, the subject matter will be To Be Human:Global Stories. “The human condition comprises all of the characteristics and key events that define the essence of human existence, from birth and growth to desire and aspiration, conflict to mortality,” says Cherie.
“This 105-minute selection of screenings examines what it means to live on such an extraordinary planet, offering global perspectives into who we are and how we live, alone and together.
Technology, Humans and Machines will be theme of May 27’s 95-minute film selection. “Our relationship with – and dependency on – technology grows every day,” says Cherie.
“It connects us, teaches us and assists with our day-to-day lives. We have immense power at our fingertips. In the age of the selfie, immersive technologies and AI, these films from visionary ASFF alumni consider humanity’s reliance on innovation.”
June 17’s programme, shown in partnership with Iris Prize, will be LGBTQ+ Shorts:Defining Gay Cinema. “The four films are easy to label as ‘brutal,” says Cherie of this 90-minute screening . “They are, at times, difficult, but they unfold into a truly rewarding cinematic experience.
“The stories deal with the broader themes of mental health and the search for love. Specifically, these projects ask questions about love, and where it can be found.”
We Are Parable brings Black British cinema and will do so at York Theatre Royal on June 24 in the 75-minute Raised Voices: Black British Cinema.
Their nationwide season Who We Are is a celebration of Black cinema from around the world, dedicated to ensuring the work of past, present and emerging Black storytellers is amplified and given every possible platform available.
The season will conclude on July 8 with the 105-minute showcase of BAFTA & Oscar RecognisedShort Films. “Every year, Aesthetica Film Festival screens some of the most engaging films by rising stars from the film industry,” says Cherie.
“Many of these people will go onto become household names in future years. We are delighted to present a selection of films from the festival that have either been nominated or won a BAFTA or an Oscar.”
All screenings will start at 7.15pm unless stated otherwise. Tickets can be booked on 01904 623568 or at yorktheatreroyal.co.uk.
MAGIC is on the cards in the week ahead, and you can’t wrong if you follow Charles Hutchinson’s tips for what else to do and see.
Mayhem in April: Mischief in Magic Goes Wrong, York Theatre Royal, Tuesday to Sunday, 7.30pm (except Sunday); 2pm, Thursday and Sunday, 2.30pm, Saturday
MASTERS of catastrophic comedy Mischief team up with deconstructionist American magicians Penn & Teller for Magic Goes Wrong, their most daring calamitous show yet.
When a hapless gang of magicians strive to stage an evening of grand illusion to raise cash for charity, magic turns to mayhem, accidents spiral out of control and so does their fundraising target. Penn & Teller will not be appearing on stage. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Cult gig of the week: Kristin Hersh Electric Trio, The Crescent, York, tomorrow, 7.30pm
BOSTON songwriter, multi-instrumentalist and author Kristin Hersh, leader of indie rock band Throwing Muses and noise rock power trio 50 Foot Wave, is on the road with her hard-hitting super-group.
Joining Hersh, 55, will be 50 Foot Wave drummer Rob Ahlers and Throwing Muses bassist Fred Abong, who opens the night playing solo, promoting his Yellow Throat album. Expect Throwing Muses’s 2020 album, Sun Racket, to feature alongside material spanning Hersh’s 30-year career. Box office: thecrescentyork.com.
Anything could happen: Showstopper! The Improvised Musical, York Theatre Royal, tonight, 7.30pm
OLIVIER Award winners Showstopper! return to York with…well, you decide! At each show, a new musical comedy is created from scratch as audience suggestions are transformed on the spot into an all-singing, all-dancing production.
From Hamilton in a hospital to Sondheim in the Sahara, you suggest it and The Showstoppers will sing it. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Blues gig of the week: Joanne Shaw Taylor, York Barbican, Sunday, 7.30pm
WEST Midlands blues guitarist and singer-songwriter Joanne Shaw Taylor plays York as one of five British dates this month, performing songs from 2021’s The Blues Album.
That album showcased covers of 11 rare blues classics first recorded by Albert King, Peter Green, Little Richard, Magic Sam, Aretha Franklin and Little Milton. Expect selections from her albums Reckless Heart, Wild, The Dirty Truth, Almost Always Never, Diamonds In The Dirt and White Sugar too. Box office: yorkbarbican.co.uk.
Celebration of the week: York Guildhall Orchestra’s St George’s Day Concert, Joseph Rowntree Theatre, York, Sunday, 7.30pm
YORK Guildhall Orchestra make their JoRo debut under the baton of conductor Simon Wright, who turns the spotlight on English composers in an Anglophile programme of light music to mark St George’s Day.
“Come down for a springtime evening of joyful music and not a dragon in sight,” says Wright, who will be combining favourite pieces with lesser-known gems. Sullivan, Elgar and Handel feature; so do Strachy’s Party Mood (from Housewives’ Choice), Wood’s Barwick Green (The Archers) and Coates’s By The Sleepy Lagoon (Desert Island Discs). Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Family musical of the week: NE Musicals York in The Wind In The Willows The Musical, Joseph Rowntree Theatre, York, April 27 to May 1, 7.30pm; 2.30pm matinees, Saturday, Sunday
NE Musicals York transform the JoRo theatre into a riverbank and wildwood for director and designer Steve Tearle’s York premiere of Julian Fellowes’ stage adaptation of Kenneth Grahame’s story with a score by George Stiles and Anthony Drewe.
Join Ratty (Finlay Butler), Mole (Jack Hambleton), Badger (Tom Henshaw) and the impulsive Mr Toad (Lee Harris), whose insatiable need for speed lands him in serious bother. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Exhibition launch of the week: Lynda Heaton, Expressions In Watercolour, Village Gallery, Colliergate, York, Tuesday to June 4
SINCE retiring, Selby artist Lynda Heaton has spent much of her time painting in her home studio. “I’m passionate about watercolour painting and love the way the colours mingle and move across the paper, sometimes giving surprising effects,” she says.
“My works come from my imagination or from memories of somewhere I’ve been and the mood of that place.” Other pieces are inspired by the natural world, the colours, textures and rhythms found in nature.
Quick return of the week: Diversity: Connected, York Barbican, Wednesday, 7.45pm
HOT on the heels of their April 4 visit, London street dancers Diversity return to York Barbican due to public demand as part of their 79-show 2022 tour.
In a show created by choreographer Ashley Banjo, the 2009 Britain’s Got Talent winners will be building their routines around the internet, social media, the digital era and how it connects us all. Their Black Lives Matter-inspired dance, premiered on Britain’s Got Talent to a flood of complaints to Ofcom in September 2020, definitely features. Box office: yorkbarbican.co.uk.
An Evening Without Kate Bush but with Sarah-Louise Young, Theatre@41, Monkgate, York, Thursday, 7.30pm
THE “chaotic cabaret cult”, An Evening Without Kate Bush”, finds Cabaret Whore, The Showstoppers, La Soiree performer Sarah-Louise Young teaming up theatre maker Russell Lucas to explore the music and mythology of one of the most influential voices in British music.
Kate’s not there, but you are, for a show that is as much about fandom as Bush’s songs and wider cultural impact. Box office: tickets.41monkgate.co.uk.
WHAT’S in the chocolate box of Eastertide delights? Charles Hutchinson unwraps the goodies in store, from a sweet-flavoured festival to a musical premiere, a Led Zeppelin legend to two Big shows.
Festival of the week: York Chocolate Festival, oozing chocolate in Parliament Street, York, until Easter Monday, 10am to 5pm
RUN by York Food Festival and Make It York, York Chocolate Festival returns over the Easter weekend for the first time since 2019 in celebration of York’s heritage as the Chocolate City.
More than 40 stalls are complemented by workshops, demonstrations by chocolatiers, a chocolate sampling trail and chocolate pairing sessions with wine and whisky for adults. Look out for stands selling specialist origin chocolates, eggs, cakes, truffles, brownies, macarons, chocolate-flavoured drinks and liqueurs, even savoury outliers such as chilli jams, artisan pizzas and pies. Entry is free; some events are ticketed.
York gig of the week: Saving Grace with Robert Plant and Suzy Dian, supported by Scott Matthews, Grand Opera House, York, tonight, 7pm
SAVING Grace, the folk-blues co-operative led by Led Zeppelin’s Robert Plant, play York tonight, followed by a further Yorkshire gig at Halifax Victoria Theatre on April 26.
Singer and lyricist Plant, now 73, will be joined on the April and May tour by Suzi Dian (vocals), Oli Jefferson (percussion), Tony Kelsey (mandolin, baritone, acoustic guitar) and Matt Worley (banjo, acoustic, baritone guitars, cuatro). Box office: 0844 871 7615 or atgtickets.com/York.
Irish jig of the week: Seven Drunken Nights – The Story of The Dubliners, Grand Opera House, York, tomorrow, 7.30pm
FROM their roots in O’Donoghue’s Pub in Dublin, Seven Drunken Nights raises a toast to the 50-year career of The Dubliners, telling the story of the Irish folk band that took the world by storm.
Irish musicians, singers and storytellers will evoke the atmosphere, theatre and cultural history of Ireland while invoking the spirit of Ronnie Drew, Luke Kelly, Barney McKenna, John Sheahan, Ciaran Bourke and Jim McCann on a tour that will take in 20 countries in 2022 and 2023. Box office: 0844 871 7615 or atgtickets.com/York.
Bond and band in harmony: The BBC Big Band, The Music Of James Bond…and Beyond, York Theatre Royal, Tuesday, 7.30pm
THE BBC Big Band are joined by guest vocalists Emer McPartlamd and Iain Mackenzie for a celebratory concert inspired by the music of James Bond film franchise.
Theme songs by York composer John Barry feature prominently in a set list sure to include Diamonds Are Forever, Thunderball and Goldfinger, alongside Monty Norman’s James Bond theme.
Expect a selection of more contemporary songs from the 007 musical library too, performed in the BBC Big Band’s inimitable style. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Children’s show of the week: Justin Fletcher in Justin Live, The BIG Tour, York Theatre Royal, Thursday and Friday, 11am and 2.30pm
CBEEBIES superstar and children’s favourite Justin Fletcher presents an all-singing, all-dancing spectacular extravaganza on The BIG Tour.
Justin is a TV institution, piling up BAFTA award-winning appearances on Something Special, Justin’s House, Jollywobbles, Gigglebiz and Gigglequiz, as well as providing character voices for Tweenies, Boo, Toddworld and Shaun The Sheep, latterly voicing Shaun in the Aardman movie Farmageddon. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Who-knows-what-to-expect arty gig of the week: Grayson Perry in A Show For Normal People, Harrogate Convention Centre, Friday, 7.30pm
IN his own words, despite being an award-winning artist, Bafta-winning TV presenter, Reith lecturer and best-selling author, Grayson Perry is a normal person – and just like other normal people, he is “marginally aware that we’re all going to die”.
Cue A Show For Normal People, Grayson’s enlightening, eye-watering evening where existentialism descends from worthiness to silliness. “You’ll leave safe and warm in the knowledge that nothing really matters anyway,” he promises.
At a show rearranged from last autumn, Grayson asks, and possibly answers, the big questions on a night “sure to distract you from the very meaninglessness of life in the way only a man in a dress can.” Box office: harrogateconventioncentre.co.uk.
Musical of the week: York Stage Musicals in Calendar Girls, Grand Opera House, York, Friday to April 30
THE true story of the Calendar Girls from Rylstone Women’s Institute has been turned into a beautifully poignant musical by writer Tim Firth and composer Gary Barlow.
Join York Stage Musicals as they bring the show to York for the first time. “Be prepared to laugh and cry throughout a truly memorable evening filled with unforgettable songs that prove there is no such thing as an ordinary woman,” says producer Nik Briggs. Box office: 0844 871 7615 or at atgtickets.com/York.
Rave of the North Yorkshire summer: The Chemical Brothers at Castle Howard, near Malton, June 26
HEY boy, hey girl, electronic pioneers The Chemical Brothers will take to the grass at Castle Howard this summer.
Manchester big beat duo Tom Rowlands and Ed Simons, both 51, will galvanize rave diggers in the North Yorkshire stately home’s grounds where gates will open at 5pm for the night ahead of Setting Sun, Block Rockin’ Beats, Hey Boy, Hey Girl, Let Forever Be, Galvanize, Go et al. Box office: castlehoward.co.uk.
DIRECTOR Janet Farmer hosts her leaving party at Pocklington Arts Centre tonight as she ends her 25-year association with the East Yorkshire venue.
Earlier this week, on Tuesday, she oversaw her last concert: a strikingly strong double bill of Devonian folk musician John Smith and Eastern Pennsylvanian husband-and-wife duo Native Harrow, who reviewer Paul Rhodes observed “would have been worthy headliners in their own right”.
Janet will retire in mid-April after 22 years in post, preceded by three years of fundraising to transform the market town’s former cinema into a theatre, concert venue, cinema and studio gallery. The recruitment process to appoint her successor is under way.
From a standing start in 2000, Janet has led Pocklington Arts Centre (PAC) into becoming a leading small-scale arts venue, recognised nationally as a beacon of good practice with a significant cultural reputation.
Janet has drawn more than £1million in public funding to support the venue’s presentation of 3,500 film screenings and staging of 900 live events, numerous festivals, from Pocktoberfest to the Platform Festival at the Old Station, plus hundreds of community events, workshops, exhibitions and private hires.
“When I started here, we borrowed an artists’ contact file; there were no agents online!” recalls Janet. “You had to buy a book with agents’ contact details and then contact them by fax.
“All the deals were down over the phone or by fax, whereas now it’s mostly by email, which can be seen as sad progress as you don’t always have that verbal contact any more.”
Over the past 22 years, Janet has programmed a diverse range of acts, naming her personal favourites as Joan Armatrading and Shed Seven, who both rehearsed at PAC for upcoming tours, Lesley Garrett, John Bishop, The Shires, Rhod Gilbert, Sarah Millican, Lucinda Williams, Baroness Shirley Williams, KT Tunstall, The Unthanks, Mary Chapin Carpenter, David Ford and Josh Ritter.
When informing PAC staff and volunteers of her decision in January, Janet said: “I am sure this will be said on many occasions over the next few months, but I want to thank all of the staff and volunteers for their tireless support, hard work, dedication and friendship. This has been vital to making PAC the success it is today.
“It has been an absolute pleasure and honour to lead PAC over two decades and it fills me with immense pride knowing what has been achieved during this time. I look forward to returning as a customer and perhaps a volunteer in years to come.”
Twenty-five years, Janet, can you believe it? “People keep saying they’re surprised, but, yes, it really has been that long. I did think I would finish in 2020, and but for the pandemic, I would have done, but I felt I had to see out the time when we were closed,” she says.
“A big part of that was to apply for the Government’s Culture Recovery Funding, and only one application was necessary, what with the support we received from East Riding of Yorkshire Council, and the furlough scheme, which meant we could continue to pay even part-time staff.”
Amid the ebb and flow of three pandemic lockdowns from March 2020, PAC continued to function by mounting 50-plus online events and workshops, staging a series of outdoor exhibitions by Sue Clayton and Karen Winship and launching Primrose Wood Acoustics concerts in June 2021 before reopening with two socially distanced performances by comedian Sarah Millican last July.
“We took Sue and Karen’s exhibitions into Askham Bar Vaccination Centre’s Tent of Hope in York and we took part in the online Your Place Comedy double bills, streamed from comedians’ living rooms and organised by Chris Jones of Selby Town Hall, with a host of independent Yorkshire venues involved,” says Janet.
“We did online shows with our beloved Lip Service too, and online has proved a really good way for people to discover acts like [York singer-songwriter] Rachel Croft and (Leeds band] The Dunwells, who were doing nightly streams at one point in lockdown.”
Janet wanted PAC to regain momentum before leaving this spring. “We’re doing all we can to make people feel safe as they return to coming here, such as having medical-grade air purifiers,” she says.
“I wanted us to get back into the swing of what we do, so we could show we could still do concerts, films, theatre, comedy and exhibitions well with good attendances again, and we have.”
She will continue to live in Pocklington while undertaking plenty of travel too. “This summer I can start the gap year I never had, going round the festivals, such as Cambridge Folk Festival; Kilkenny Arts Festival in August; Telluride Bluegrass Festival, in the Colorado mountains, where it’s a ski resort in the winter. Sitting in the mountains, watching a bluegrass festival, I’ll be in my element.”
Born and bred in York, trained in theatre, film and social sciences at York St John and later in theatre programming and policy through Leeds Playhouse, Janet first became the focal point of fundraising to establish Pocklington Arts Centre.
She then took on the role of running PAC once it opened. “I had to learn very quickly on the job, but I always had a handle on what people liked, like booking Johnny Vegas before he was well known,” recalls Janet.
“There were financial constraints, so I couldn’t be too adventurous at the start, and then there was always a bit of a problem of people not knowing where Pocklington was. But once we started getting bigger names, we could quote that to agents, and we became the little place that big acts wanted to play.”
That will be Janet’s legacy. “I’ve done my bit and it’s time to retire from here, though no doubt I’ll do some volunteering,” she says.
Janet Farmer’s Pocklington Arts Centre timeline
2000: First live event, French-Algerian guitarist Pierre Bensusan, February 2.
2000: First film, The Last September, directed by Deborah Warner, February 24.
2000: First outdoor festival, staged in April.
2001: First arts festival to be staged across the market town by PAC, continuing for four more years.
2001: James Duffy employed as box office assistant in October. Now general manager.
2002: Janet directs Fiddler On The Roof for Pocklington Dramatic Society.
2003: First film festival, including An Audience With Barry Norman.
2004: Second film festival, including Q&A with BAFTA chair Duncan Kenworthy and film journalist Quentin Falk.
2010: Forgotten Voices Community Choir launched.
2011: First full-colour A5 live events brochure launched.
2011: PAC cinema projection converted from 35mm to digital.
2011: PAC joins forces with Pocklington’s Roundtable to launch large-scale festival of beer and music
2016: Platform Festival of music and comedy launched.
2016: £600,000 refurbishment.
2018: Arts Council England National Portfolio Organisation status awarded with annual funding.
2018: Sara Morton appointed as PAC’s first marketing and administrative officer.
2019: Dementia Choir launched.
2020: PAC closes under Covid pandemic restrictions in March.
2020/2021: PAC stages 50-plus online events and workshops during lockdown.
2021: PAC stages series of outdoor exhibitions by Sue Clayton and Karen Winship during lockdown.
2021: Primrose Wood Acoustics launched in June.
2021: PAC reopens in July with two socially distanced performances by comedian Sarah Millican after 17 months of closure.
2022: Director Janet Farmer to leave in April after 25 years’ involvement.
Pocklington Arts Centre’s statistics under Janet Farmer
£1 million raised in public funding for PAC.
3,500 film screenings programmed since 2000.
900 live events programmed.
100s of community events, workshops, exhibitions and private hires staged.
20-plus arts, music and film festivals mounted.
Music acts brought to Pocklington by Janet Farmer since 2000:
Joan Armatrading; Richard Hawley; Lucinda Williams; Mary Chapin Carpenter; Rosanne Cash; The Unthanks; Edwyn Collins; The Staves; Josh Ritter; Hothouse Flowers; Kate Rusby; The Shires; Adam Cohen; Amy Macdonald; KT Tunstall; Lesley Garrett.
The Searchers; Barbara Dickson; Beth Orton; Eric Bibb; Nick Mulvey; Roger McGuinn; Elkie Brooks; Eddi Reader; The Magic Numbers; Gretchen Peters; Levellers; Ron Sexsmith; Ruby Turner; Kathryn Williams; Ukulele Orchestra of Great Britain.
Echo & The Bunnymen; Fairport Convention; Teddy Thompson; Mary Coughlan; David Ford; Clare Teal; Ward Thomas; The Blockheads; Raul Malo; Lissie; Dr Feelgood; Newton Faulkner; Georgie Fame; Lau; Fishermen’s Friends; Seth Lakeman; Alvin Stardust.
Ralph McTell; Bellowhead; Benjamin Francis Leftwich; The Coal Porters; Martyn Joseph; Irish Mythen; Courtney Marie Andrews; The Manfreds; Otis Gibbs; London Community Gospel Choir; Hugh Cornwell; Thea Gilmore.
Shed Seven; Benjamin Francis Leftwich; Curtis Stigers; Graham Coxon; Greg Lake; Glenn Tilbrook; Badly Drawn Boy; Courtney Pine; Joe Brown; Grace Petrie; Martin Simpson; Marty Wilde; Vonda Shepherd; Martha Wainwright and The Young’Uns.
Regional music:
The Howl & The Hum; Beth McCarthy; Dan Webster; Gina Dootson; Boss Caine; Amy May Ellis; Joshua Bunell; Edwina Hayes; The Dunwells; Rachel Croft; Charlie Daykin; Katie Spencer; Jessica Simpson; Gary Stewart; Josh Savage; The Grand Old Uke Of York; Mambo Jambo; Miles Salter; Nick Hall.
Spoken word:
Kae Tempest; Simon Armitage; Bob Harris; Pam Ayres; John Cooper Clarke; Sandi Toksvig; Keith Floyd; Jay Rayner; Baroness Shirley Williams; Michael Portillo; John Hegley; Tony Benn; Simon Callow; Jeremy Vine.
Robert Powell; Michael Dobbs; Andrew Motion; Paddy Ashdown; Ian McMillan; Barry Norman; Chris Packham; Amanda Owen; Clive James; Matt Abbott; George Melly; John Sergeant; Martin Bell; Gyles Brandreth and Julian Norton.
Theatre:
Trestle Theatre; Opera North; Northern Broadsides; Red Ladder Theatre Company; Reduced Shakespeare Company; Idle Motion; Reform Theatre; Talegate Theatre; Magic Carpet Theatre; North Country Theatre; Hull Truck Theatre; BlackEyed Theatre; Lempen Puppet Theatre; MultiStory Theatre; NTC; Vamos Theatre; ShowStoppers! and Badapple Theatre Company.
Comedy:
John Bishop; Sarah Millican; Dylan Moran; Jenny Éclair; Al Murray; Ross Noble; Fascinating Aida; Andrew Maxwell; Chris Ramsey; Jason Manford; Omid Djalili; Sue Perkins; Rob Beckett; Lucy Beaumont; Jon Richardson; Stewart Lee; John Shuttleworth; Rhod Gilbert.
Arthur Smith; Luisa Omielan; Phill Jupitus; David Baddiel; Greg Davies; Paul Merton’s Impro Chums; Henning Wehn; Stephen K Amos; Patrick Monahan; Dave Gorman; Russell Kane; Jeremy Hardy; Mark Steel; Rich Hall; Gary Delaney and Barry Cryer.
THE sun is out for weekend two of the biggest ever York Open Studios but Staithes Festival of Arts and Heritage “can’t continue”.
Dormant in the Covid years of 2020 and 2021, now a shortage of locations and manpower has brought down the festival curtain, perhaps permanently, after the scrapping of the 2022 event in the North Yorkshire fishing village.
Blame the “staycation effect” that fills the cottages all year round, squeezing out artists, say the organisers of this volunteer-run event. “We feel that the model we based the SFAH on is no longer workable and that if the festival were to come back in any form it would need a radical re-think,” reads the official announcement. “We regret we must cancel SFAH 2022 and for the foreseeable future.”
Two Bigs Egos In A Small Car arts podcasters Graham Chalmers and Charles Hutchinson discuss the contrasting fortunes of these two long-running celebrations of northern art and crafts in Episode 85.
What else is bothering the chatty art duo? Under discussion are: Oscars 2022, the fallout; Sheffield Leadmill’s future; Michael Bay’s hyper-action movie Ambulance; writer Harry Sword versus Public Service Broadcasting; Magritte, the back story. Oh, and what is Clifford’s Tower?
TWO Big Egos In A Small Car podcasters Graham Chalmers and Charles Hutchinson debate the future of the Academy Awards in Episode 84.
Under discussion too are Live At Leeds going outdoors; pop plagiarism; Taylor Hawkins RIP; McCartney’s popularity at 80; Bono the poet and Edinburgh International Film Festival’s August return.
FROM Holding Out For A Hero to Search For The Hero, Charles Hutchinson is on a quest to find heroic deeds and much else to entertain you.
Musical of the week: Footloose at York Theatre Royal, Tuesday to Saturday
DANCING On Ice champ Jake Quickenden rides into York as cowboy Willard and musicals stalwart Darren Day plays Reverend Moore in Racky Plews’s touring production of Footloose The Musical.
Reprising the 1984 film’s storyline, teenage city boy Ren is forced to move to the rural American backwater of Bomont, where dancing and rock music are banned. Taking matters into his own hands, soon he has all hell breaking loose around him and the whole town on its feet.
The set design, by the way, is by Sara Perks, who designed York Theatre Royal’s open-air show Around The World In 80 Days last summer and Shakespeare’s Rose Theatre productions in York. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Thriller of the week: Looking Good Dead, Grand Opera House, York, Tuesday to Saturday
AFTER playing bickering husband and wife Ian and Jane Beale in EastEnders for years and years, Adam Woodyatt and Laurie Brett are re-uniting, this time on stage in Shaun McKenna’s stage adaptation of Peter James’s thriller Looking Good Dead.
No good deed goes unpunished in this story of Woodyatt’s Tom Bryce inadvertently witnessing a vicious murder, only hours after finding a discarded USB memory stick.
Reporting the crime to the police has disastrous consequences, placing him and his family in grave danger. When Detective Superintendent Roy Grace becomes involved, he has his own demons to face while he tries to crack the case in time to save the Bryces’ lives. Box office: 0844 871 7615 or atgtickets.com/York.
Festival event of the week: York Literature Festival presents Europe’s 100 Best Cathedrals with Simon Jenkins, St Peter’s School, Clifton, York, tonight, 7pm
FOR Europe’s 100 Best Cathedrals, former editor of the Evening Standard and The Times Simon Jenkins has travelled the continent, from Chartres to York, Cologne to Florence, Toledo to Moscow, to illuminate old favourites and highlight new discoveries.
Tonight he discusses the book’s exploration of Europe’s history, the central role of cathedrals in the European imagination and the stories behind these wonders. Box office: yorkliteraturefestival.co.uk.
Exhibition of the week: Navigators Art in Moving Pictures, City Screen Picturehouse café and first-floor gallery, until April 15
FROM December’s ashes of the Piccadilly Pop Up Collective studios and gallery in the old York tax office, Navigators Art have re-emerged for a spring exhibition at City Screen.
For their first post-lockdown project, founder Navigators Steve Beadle and Richard Kitchen have invited fellow artist and teacher Timothy Morrison to join them for Moving Pictures: From Fan Art To Fine Art.
“The title is deliberately ambiguous, and we’ve responded to it accordingly,” says Richard. “There are works that relate to cinema and other media but also many of which interpret ‘Moving’ in other ways.”
Rearranged York gig of the week: BC Camplight, supported by Wesley Gonzales, The Crescent, York, Thursday, 7.30pm
MOVED from March 10, BC Camplight’s gig in York highlights the final chapter of his “Manchester trilogy”, Shortly After Takeoff.
“This is an examination of madness and loss,” says BC, full name Brian Christinzio. “I hope it starts a long overdue conversation.”
Fired by his ongoing battle with mental illness, Shortly After Takeoff follows 2018’s Deportation Blues and 2015’s How To Die In The North in responding to BC’s move from his native Philadelphian to Manchester. Cue singer-songwriter classicism, gnarly synth-pop and Fifties’ rock’n’roll. Box office: thecrescentyork.com.
York premiere of the week: Pick Me Up Theatre in Shakespeare In Love, Theatre@41, Monkgate, York, April 1 to 9
LEE Hall’s 2014 stage adaptation of Shakespeare In Love, the Oscar-winning film written by Tom Stoppard and Marc Norman, celebrates the joys of theatre in Pick Me Up’s first show of 2022.
Directed by Mark Hird, it recounts the love story of struggling young playwright Will Shakespeare (George Stagnell) and feisty, free-thinking noblewoman Viola de Lesseps (Sanna Jeppsson), who helps him overcome writer’s block and becomes his muse.
Against a bustling background of mistaken identity, ruthless scheming and backstage theatrics, Will’s love for Viola blossoms, inspiring him to write Romeo And Juliet. Box office: tickets.41monkgate.co.uk.
Voice of the week: Heather Small, York Barbican, April 2, 7.30pm
BILLED as “The voice of M People”, soul singer Heather Small will be combining songs from her Nineties’ Manchester band with selections from her two solo albums.
As part of M People, she chalked up hits and awards with Moving On Up, One Night In Heaven and Search For The Hero and the albums Elegant Slumming, Bizarre Fruit and Fresco. The title track of her Proud album has since become a staple at multiple ceremonies.
At 57, she will never be one to rest on her laurels: “If you got the feeling I do when I sing, you’d understand,” she reasons. Box office: yorkbarbican.co.uk.
Book early for: York Musical Theatre Company in Jekyll & Hyde The Musical, Joseph Rowntree Theatre, York, May 25 to 28
FLOOR rehearsals are well under way for York Musical Theatre Company’s spring production under the direction of Matthew Clare, who is delighted by how the cast is responding and supporting each other.
The epic struggle between good and evil in Jekyll & Hyde, Robert Louis Stevenson’s tale of myth and mystery on London’s fog-bound streets, comes to stage life in Frank Wildhorn and Leslie Bricusse’s pop-rock musical, where love, betrayal and murder lurk at every chilling twist and turn.
YMTC are running an early bird discount ticket offer with the promo code of JEKYLL22HYDE when booking at josephrowntreetheatre.co.uk by April 10.