The Stephen Joseph Theatre’s artwork for the Christmas Selection Box film season
THE Stephen Joseph Theatre, Scarborough, will unwrap a Christmas Selection Box of festive screen favourites from December 15 to 24.
The mini-festival of films and show recordings for all ages will feature the Royal Opera House’s The Nutcracker; It’s A Wonderful Life; Die Hard; Love Actually; Home Alone and The Muppet Christmas Carol.
Presented on the McCarthy screen at the former Odeon cinema, the screenings will be OC (open captioned), where stated.
The Christmas Selection Box comprises:
The Royal Opera House’s 2016 production of The Nutcracker
The Nutcracker, Royal Opera House, recorded in 2016, December 15, 6.30pm; December 17, 1.30pm
PETER Wright’s interpretation of The Nutcracker has been enchanting children and adults alike since its first performance by the Royal Ballet in 1984.
Filmed in 2016, this charming and magical production of Lev Ivanov’s 1892 ballet, combined with Tchaikovsky’s sumptuous, iconic score, are presented in a festive period setting with vivid designs.
James Stewart and Donna Reed in It’s A Wonderful Life
It’s A Wonderful Life (1946), December 16, 6.30pm, and December 18, 1.30pm
JAMES Stewart, Donna Reed, Lionel Barrymore and Henry Travers, as Clarence the angel, star in Frank Capra’s classic festive fantasy, considered by many to be the greatest Christmas film ever.
Bruce Willis lighting up Die Hard
Die Hard (1988), December 17 at 6.30pm; December 18 at 6.30pm; December 19 at 1.30pm (OC)
JOHN McTiernan’s action thriller is the ultimate “Is it or isn’t it a Christmas movie?”. Definitely it transformed Alan Rickman from a British stage actor into a top-notch international screen villain, starring alongside Bruce Willis, Alexander Godunov and Bonnie Bedelia in a wild romp around Los Angeles’s Nakatomi Plaza on Christmas Eve.
Bill Nighy in Love Actually
Love Actually (2003), December 19, 6.30pm; December 21, 6.30pm
THERE are stellar casts…and there are stellar casts. Love Actually finds room for Bill Nighy; Colin Firth; Liam Neeson; Emma Thompson; Martin Freeman; Joanna Page; Chiwetel Ejiofor…
…Hugh Grant; Martine McCutcheon; Andrew Lincoln; Nina Sosanya; Julia Davis, Alan Rickman and Adam Godley. Even Ant and Dec sneak in there.
Then accommodate cameos from Billy Bob Thornton, January Jones and Jeanne Moreau, and it must be one of the starriest movies ever.
Macaulay Culkin in Home Alone
Home Alone (1990), 30th anniversary screenings, December 21, 1.30pm; December 22, 6.30pm; December 23, 1.30pm
SCHITT’S Creek fans will enjoy seeing a young Catherine O’Hara as Kate, trying desperately to return home to her eight-year-old son Kevin (Macaulay Culkin), who has been left – yes – home alone and apparently at the mercy of two ruthless burglars, played by Joe Pesci and Daniel Stern. Guess who comes out on top!
Michael Caine as Scrooge with Kermit and co in The Muppet Christmas Carol
The Muppet Christmas Carol (1992), December 22, 1.30pm; December 23, 6.30pm; December 24, 1.30pm
IT should not work, but it does: the Muppets’ take on the Dickens Christmas story sees Michael Caine’s Scrooge meet his match in Kermit and Robin the Frogs’ Bob Cratchit and Tiny Tim, alongside all the familiar Muppet characters. It all adds up to the perfect introduction to a perennial favourite for younger members of the family.
Tickets can be booked at sjt.uk.com/whatson or on 01723 370541 (Tuesday to Saturday, 12 noon to 5pm, or to 8pm on days with live performances, for both phone calls and in-person bookings).
SCARBOROUGH Museums Trust’s lockdown-launched series of New Digital Commissions from leading British artists is complete and available online.
The project was introduced by the trust in response to the first lockdown in March as a “dynamic new approach to its collections, learning and exhibition programming during the Coronavirus crisis”.
Key to the series was a commitment to diversity, inclusion and equality of access and innovative ways to promote this message. A diverse range of artists – Lucy Carruthers, Estabrak, Kirsty Harris, Wanja Kimani, Jade Montserrat, Jane Poulton and Feral Practice’s Fiona MacDonald – created digital artworks for release online over the spring and summer across social-media platforms.
Trust chief executive Andrew Clay says: “It’s been so important this year for people to have access to the arts and culture: for many people, they’re a thought-provoking lifeline and have a proven positive effect on our mental health.”
Curator Dorcas Taylor says: “Museums and galleries have a social responsibility to support communities, now more than ever before. We can provide a platform for creative expression that enables artists to share their messages to communities in lockdown. Their artworks can support personal wellbeing or become an opportunity to consider some of these wider issues.”
Scarborough Museums Trust has provided a range of access tools to accompany the digital content to support as many people as possible to connect. Among them have been visual guides, in the form of “social stories”, by Scarborough illustrator Savannah Storm that give audiences downloadable information on what to expect before accessing digital content. Subtitles and audio descriptions have been used wherever possible.
Kirsty Harris’s Whispers From The Museum. Copyright: Scarborough Museums Trust
Lucy Carruthers’ film, Animal Archives: Rewilding The Museum explores how we forge connections at a time of distancing. Interested in the relationship between inside and outside, all the more pertinent during lockdown, she asks how social isolation affects museum objects.
Estabrak’s Homecoming: A Placeless Place is a multi-layered touring and participatory project that uses community engagement, film, sound and paint for cross-cultural exchanges around home, identity, and displacement.
Jade Montserrat made a film with filmmakers Webb-Ellis for the New Digital Commissions project
It started in 2019 in Brighton and Hull and saw the social experiment, which invites honest expression and participation through ultraviolet light, invisible ink and dark spaces, introduced digitally to communities in Scarborough.
Kirsty Harris created Whispers From The Museum, a six-part online and immersive adventure for children and families, inviting them to read George’s logbook, discover amazing museum objects and take part in art and craft activities.
Wanja Kimani made a film, Butterfly, that follows a walk from a child’s eye view as she spent more time noticing the world around her and sensory experiences became amplified.
A still from Wanja Kimani’s film Butterfly
Jade Montserrat produced a film with filmmakers Webb-Ellis that explores the impact of lockdown and chronicles the process of making, and new ways of being, that encourage mutual support and acts of care.
Jane Poulton produced a series of photographs and text called From Stardust To Stardust, focusing on personal objects she owns as she considers whether those that mean the most to us are often acquired at times of crisis and what comfort they may bring.
Feral Practice’s film, The Unseesables, explores themes of extinction by focusing on three “unseeable” birds: the great bustard, the corncrake and the great auk. Examples of all three can be found in the trust’s taxidermy collection.
A still from Feral Practice’s film The Unseeables
What next?
Some of the New Digital Commissions artists will be participating in What If? at Scarborough Art Gallery and the Rotunda from April 24 to August 30 2021.
Next year’s exhibition will explore “the civic responsibility of museums and their collections and how we could introduce wider narratives into our spaces to make our institutions relevant to both the world and our local community”.
Here comes the flood: Rowntree Park viewed from the Reading Cafe balcony in sodden November. Now we wait for the vaccine dove but meanwhile the arts will not be beaten into retreat
LOCKDOWN 2 wears the mask of uncertainty for another fortnight until the next Government proclamation on when and how it will all end in tiers.
Leaving predictions to the betting shops, this column will state the facts as they stand now on what – definitely or hopefully – will be happening in the weeks and months ahead as we wait for a prick to make a difference.
Charles Hutchinson consults his diary, written in pencil just in case, to help to fill yours.
Look who’s taking part in the first #yramathome on November 22
Virtual shopping goes arty for Christmas: York River Art Market online
AFTER summer stalls by the Ouse were Covid-cancelled, York River Art Market will host a series of online markets in the lead-up to Christmas.
The #yramathome Virtual Winter Art Markets will run from 10am to 5pm each Sunday from November 22 to December 20, plus the last Saturday before Christmas Day, December 19.
Online shoppers can browse and buy artworks from a selection of 20-plus different “indie makers” at each market day via Instagram. Information on each weekend’s makers, along with instructions on how to shop, will be shared via the York River Art Market (YRAM) Facebook page.
Snowfall In The Woods, mixed media on board, by Sharon Winter at Blue Tree Gallery, York
Exhibition of the week: The Christmas Show, Blue Tree Gallery, York, online initially
ORIGINAL paintings by Colin Cook, Giuliana Lazzerini, Nikki Monaghan and Sharon Winter feature in The Christmas Show, the latest Blue Tree Gallery exhibition in York until January 16 2021.
Lockdown 2 means the show is starting online only at bluetreegallery.co.uk/christmas-show-2020, but the Bootham gallery will re-open in December, subject to the new Government rules and regulations.
Driftwood sculptures by Natalie Parr, Christmas-themed ceramics by Kath Cooper and oxidised steel hanging decorations by David Mayne will be tempting Christmas buyers too.
Say Owt alumni Stu Freestone, left, Henry Raby, Hannah Davies and Dave Jarman in pre-Covid days. Now they head online for a live-stream tomorrow
Live-stream of the Week: Say Owt’s Lovely Lockdown Lyricism, Friday (20/11/20200), 7pm to 7.45pm
SAY Owt, York’s battleground for warring wordsmiths in slam clashes and regular host to spoken-word artists du jour, switches to online transmission for a night of alliteratively entitled Lovely Lockdown Lyricism.
Whirling wisps of wordy wonder in Livestream 2: In Owt/Shake It All About, will be Say Owt’s A-team of anarchic administrator Henry Raby, co-founder Stu Freestone, associate artist Dave Jarman and playwright, tutor, theatre director and slam champ Hannah Davies.
Tune in for “good Friday vibes” at facebook.com/events/283791622875447. Looking ahead, Say Owt hopes to re-convene in socially distanced mode at The Crescent, York, on December 11.
Danny Mellor and Anastasia Benham in Badapple Theatre Company’s The Snow Dancer
Let it snow in York: Badapple Theatre Company, The Snow Dancer, Joseph Rowntree Theatre, York, December 5, 2.30pm, 7.30pm; December 6, 1pm, 6pm
GREEN Hammerton’s Badapple Theatre are to revive their 2019 Christmas show, The Snow Dancer, for two days only at the Covid-secure JoRo Theatre, newly equipped with chair wraps to denote the socially distanced seating plan.
Last year’s cast of Anastasia Benham and Danny Mellor will re-assemble to perform writer-director Kate Bramley’s cautionary global-warming tale, set in the Great Wood, where something is awry.
The animals are desperate for sleep, but with the onset of climate change, the weather is just too warm. Step in Mellor and Benham’s intrepid heroes, who decide they must seek out the mysterious Snow Dancer if there is to be any chance of ever making it snow for Christmas.
Kate Rusby wishes you a Happy Holly Day in her streamed Carol concert after having to cancel her Christmas tour
Christmas concert at home: Kate Rusby’s Happy Holly Day, December 12, 7.30pm
THE 2020 Kate Rusby At Christmas tour will not be happening, ruling out her South Yorkshire pub carol concert at York Barbican on December 20.
However, in response to the Covid restrictions, the Barnsley folk nightingale has decided to go online instead, presenting Kate Rusby’s Happy Holly Day on December 12.
At this special concert, streamed worldwide, expect all the usual Rusby Christmas ingredients: familiar Carols but set to unfamiliar tunes; wintry Rusby songs; sparkly dress, twinkling lights; her regular folk band and brass quintet; Ruby Reindeer and a fancy-dress finale. For tickets, go to: katerusby.com/happy-holly-day/
Elf and safety measures: Christmas films lined up for Covid-secure Daisy Dukes Drive-in Cinema: Winter Wonderland at Elvington Airfield
Drive-in home for Christmas: Daisy Dukes Winter Wonderland, Elvington Airfield, near York, December 18 to 20
AFTER Knavesmire in July and Rufforth Airfield for Halloween, the apostrophe-shy Daisy Dukes Drive-in Cinema finds a new Covid-secure home for Christmas: Elvington Airfield. Father Christmas, elves and screen characters will be driving by too.
December 18 will offer Frozen 2, Home Alone, Edward Scissorhands and Die Hard; December 19, Elf, How The Grinch Stole Christmas, Gremlins and Bad Santa; December 20, The Polar Express, Home Alone 2, Batman Returns and Love Actually.
The Friday and Saturday programmes will start at 12 noon; the Sunday shows at 11am. Audio will be transmitted via a specially assigned FM frequency direct to vehicles’ radios and food can be delivered to customers’ cars.
Come Home, Tim: Yorkshireman Tim Booth will lead James to Leeds First Direct Arena next autumn
Looking ahead to 2021: Red Rose stalwarts James and Happy Mondays to invade the White Rose
JAMES have had to forego their traditional winter tour in 2020. Moving on, however, they will play Leeds First Direct Arena on November 25 2021, supported by fellow Manchester mavericks Happy Mondays.
“Feels like a new dawn to trumpet a celebratory tour, a week after the first news of hope,” said Clifford-raised frontman Tim Booth on Twitter. ”So looking forward to seeing you.”
Tickets will go on general sale from 9.30am tomorrow with more details on the Live page at wearejames.com. Look out for a new James live double album and DVD, Live In An Extraordinary World, on December 11.
York Theatre Royal Travelling Pantomime cast members Anna Soden, left, Faye Campbell, Josh Benson, Robin Simpson and Reuben Johnson in rehearsal on Tuesday
And what about?
As trailered previously, York has two upcoming pantomimes. York Theatre Royal’s Travelling Pantomime will be making its way around all 21 wards from early December with a choice of three shows, Jack And The Beanstalk, Dick Whittington and Snow White.
York Stage will be full of beans from December 11 to January 3 at Theatre @41 Monkgate with writer-director Nik Briggs’s production of Jack And The Beanstalk, choreographed by West End hotshot Gary Lloyd.
At home, TV is in the crowning season: The Crown season four and The Queen’s Gambit on Netflix and the crowning of The Great British Bake Off champion on Channel 4 on Tuesday night.
Albums to discover: Elvis Costello’s Hey Clockface; Fleet Foxes’ Shore, This Is The Kit’s Off Off On and, what joy, Songhoy Blues’ Optimisme.
May Tether as Jill in York Stage’s pantomime Jack And The Beanstalk
Double winner: Maija Blåfield’s The Fantastic won both the Best Of Fest and Best Documentary awards on Sunday at the 2020 Aesthetica Short Film Festival
MAIJA Blåfield’s aptly named The Fantastic has won the Best of Fest at the 2020 tenth anniversary online edition of the Aesthetica Short Film Festival.
More than 300 films competed for the awards in the BAFTA Recognised festival in York, ranging from poignant documentaries that tap into the climate crisis to touching dramas about loss and forgiveness.
At Sunday evening’s close of the six-day festival, the live-streamed awards ceremony was hosted by regular master of ceremonies Greg McGee, following the judging by experts from Film4, BFI Network, ICA London and Nowness.
Winning awards at ASFF can bolster the success of the stand-out films, as shown by past winners going to receive Oscars, such as Chris Overton’s sweet-natured The Silent Child and Benjamin Cleary’s Stutterer.
The Conversation: Winner of the Best Dance award
Keep an eye out for The Fantastic after Maija Blåfield’s film garnered both the Best of Fest and Best Documentary awards. In this short, eight former North Koreans discuss illegal foreign movies they watched in their homeland. How did they imagine the reality based on fictional films? The Fantastic is not about North Korea, Blåfield says.
Further awards went to:
Hijack Visionary Filmmaker Award
Thinking About The Weather, directed by Gardar Thor Thorkelsson
DESPERATE to resolve his anxieties about the looming climate apocalypse, the filmmaker embarks on an odyssey around Britain, speaking to coastal inhabitants resting on a rising coastline, as well as Extinction Rebellion protestors.
Safe Water: Winner of the Best Advertising Award
Best Advertising
Safe Water, directed by Mario Dahl
A GIRLl walks right to the edge of the board, breathing deeply, ready to make the biggest jump of her life, but what awaits her down there? Safe water is more important than ever.
Best Animation
The Passerby, directed by Pieter Coudyzer
ON a summer’s day, the paths of two boys cross unexpectedly. The Passerby considers what happens when two lives become intertwined and the possibilities emerge of a new journey together.
The Passerby: Winner of the Best Animation award
Best Artists’ Film
Factory Talk, directed by Lucie Rachel and Chrissie Hyde
FACTORY Talk is an intergenerational conversation about identity, sexuality and masculinity. Through the clanging of metal, they make small talk, but the dialogue turns away from mere nostalgia.
Best Comedy
Maradona’s Legs, directed by Firas Khoury
DURING the 1990 World Cup, two Palestinian boys are looking for Maradona’s Legs: the last missing sticker they need to complete their World Cup album and win a free Atari.
Maradona’s Legs: Winner of the Best Comedy award
Best Dance
The Conversation, directed by Lanre Malaolu
THROUGH a dynamic fusion of movement and dialogue, The Conversation explores the challenges black people experience when communicating their racial experience to white partners.
Best Drama
The Present, directed by Farah Nabulsi
ON his wedding anniversary, Yusef and his daughter Yasmine set out to the West Bank to buy a gift. Between the soldiers, roads and checkpoints, how easy is it really to go shopping?
Softer: Winner of the Best Experimental award
Best Experimental
Softer, directed by Ayanna Dozier
DOZIER examines the demands that black women’s bodies be made “softer” – be that in their voice, manners, or, critically, their hair. This experimental short plays on grooming rituals.
Best Fashion
Baba, directed by Sarah Blok and Lisa Konno
A COMBINATION of design and documentary, blending elements of truth, fiction and constructed narrative. Baba provides a surreal but nonetheless light-hearted portrait of a Turkish immigrant.
Night Bus: Winner of the Best Thriller award
Best Music Video
Adventure, directed by Zak Marx
ADVENTURE explores the world of competitive moto-racing in finely textured, surreal miniature. It follows the #2 rider as he ruminates in the shadows of world champion Jammin’ Jackie Hudson.
Best Thriller
Night Bus, directed by Jessica Ashworth and Henrietta Ashworth
DRIVING through the nocturnal streets of London on the eve of her 30th birthday, a night-bus driver discovers a supernatural entity who has boarded her vehicle and threatens to stay.
VR Free: Winner of the Best 360 Film award
Best 360 Film
VR Free, directed by Milad Tangshir
VR Free explores the nature of incarceration while capturing the intimate reactions of inmates as they encounter virtual reality and immersive videos of life outside of prison.
Best Feature – Documentary
Neighbors, directed by Tomislav Zaja
AN observational documentary about people who experience mental illness but are leaving their institution after decades spent in isolation. Zaja’s film follows the individuals as they venture out into the big unknown.
Neighbors: Winner of the Best Feature – Documentary award
Best Feature – Narrative
How To Stop A Recurring Dream, directed by Edward Morris
FACED with a split custody break up, a family’s older daughter kidnaps her hostile sister in order to embark on a journey and reconnect before they are forced to part. Shot in and around locations pertinent to the director’s childhood.
York Youth Award
Talia, directed by Cara Bamford
TALIA loves nature. She’s always looking for new ways to slip out of the house, exploring the world beyond her front garden. But after being caught, her father forbids her to leave without permission.
One award is yet to decided: Festival Pass Holders can vote for the People’s Choice Award until November 30. To do so, they must choose their favourite film by clicking the “Vote Now” button within each ASFF programme.
“So pleased with the films this year”: Aesthetica Short Film Festival director Cherie Federico
In her closing speech on Sunday, ASFF director Cherie Federico said: “I am so pleased with the films this year: they are talking about topics that are so important to me, as a person, a mother, a friend…a festival director.
“Equality. It’s just one word but, for me, it is the most important word in all languages. It means that the world has equilibrium and that we are joined rather than divided.
“There is only one future and one way out of this pandemic and that is it: we just break down all barriers and remember we are one. This is our time, right now on Planet Earth. It’s incredibly powerful when you digest it.”
American Cherie, a New Yorker who crossed the Big Pond to study at York St John University and never left York, turned her thoughts to the fractious US election. “I didn’t realise how much Trump’s presidency affected me until Biden won. I cried. It was an overwhelming sense of relief that we could turn a corner, we could end a fascist regime masquerading as a democracy.
The Present: Winner of the Best Drama award
“We could overcome all the injustices, racism and prejudice. I am be proud of who I am and where I come from again.”
Cherie continued: “I cannot even begin to explain how this makes me feel. We were heading somewhere that mirrored 1930s’ Europe and I found it terrifying. It would keep me awake at night.
“I am so very grateful that the hate will now end. I know it’s just the beginning because you can’t undo some of that which has been done, but we can try and that gives me hope.”
Returning to matters ASFF, Cherie had wanted to host a street party in York to mark the tenth anniversary. “Instead, it’s me in my office by myself, but I know that you are there and have been enjoying our masterclasses, film programmes and everything that is on offer,” she said after Covid-19 enforced the online edition. All of those session are On Demand until the end of the month.”
Thinking About The Weather: Winner of the Hijack Visionary Filmmaker Award
Looking ahead to ASFF 11, Cherie signed off: “Until 2021, when we can hug, kiss, dance and laugh in the streets! We must all come together in person and celebrate equality, creativity and diversity.”
Greg McGee, ever lyrical co-owner of According To McGee, hosted the live-streamed awards ceremony from his Tower Street gallery.
Introducing the event, he said: “This year, the pandemic has subordinated everything in its path. Most of the consequences have been dreadful. Some have been tentatively positive and conversely more human.
“Nowhere else has that been more explicit than cinema. It’s your creativity and new narratives that are making life in Lockdown bearable. In terms of quality, this has been the best ASFF yet, and never has it been more crucial or vital.”
Greg McGee: Hosting the live-streamed Aesthetica Short Film Festival awards ceremony from his gallery, According To McGee on Sunday evening
Greg continued: “The tenth-year anniversary is not the Great Gatsby party we would have liked, but the films themselves vindicate what has been a decade of evolving, striving quality. “One of the most sensitive litmus tests of any genre is how well it exports. There are approximately 50 countries represented in this year’s ASFF, such as USA, Canada, Australia, Israel, Lebanon, France, Spain, Denmark, China.
“Every one of the films have connected and have lost none of their power through the intimacy of being watched at home. This year’s festival has really shown us the power of modern film, and how it can sensitise us, change us, enhance us, or quicken the beat of your heart, and I have to say nowhere is that more elegantly distilled than in Aesthetica Short Film Festival. Here’s to the next 10 years.”
Addressing the online audience of film-makers and film industry personnel, Greg concluded: “If anyone is going to successfully bequeath a multi-faceted celebration of culture, cinema and, ultimately, optimism, it’s ASFF, and it’s you, of course, with your hard work and your vision that provides the building blocks upon which this global event can continue to thrive.
“Here’s to ASFF21. The 11th one will be the biggest one. Slainte! Salute! And ba-da-bing.”
We face the second wave…but somewhere on the horizon….
AFTER the tiers of a clown, now comes the even greater frustration of Lockdown 2 from today, knocking the growing revival of arts, culture and life in general back into hibernation.
Nevertheless, in one chink of light, Culture Secretary Oliver Dowden has decreed that theatre companies can continue rehearsing shows in Covid-secure workspaces, behind closed doors, with a view to lockdown being lifted in early December.
Whether that turns out to be a mere fairytale, only time will tell, so please forgive the unpredictability of what may or may not be happening.
Charles Hutchinson picks through the debris of Lockdown 2 to find signs of artistic life for now and the months ahead.
Films, films and yet more films: Aesthetica Short Film Festival has a feast of film to enjoy while being stuck at home in lockdown
It’s started and it won’t finish until November 30: Aesthetica Short Film Festival online
YORK’S tenth anniversary Aesthetica Short Film Festival opened on Tuesday, switching from a spread of historic and modern locations to a digital and live-streamed festival for home entertainment, enlightenment and education on phones, TV sets, tablets and computers.
Films in competition at ASFF 2020 will span animation, documentary, drama, dance, fashion and thriller. This year they will be released in six strands this week, with no fewer than ten programmes per day under the strand titles of Just Another Day On Earth; Humans And Their Environment; Connections: People, Places and Identity; Breaking Down Barriers; Reclaiming Space: Universal And Personal and Keep On The Sunny Side Of Life.
Masterclasses, guest speakers, panel discussions, guest film programmes and an industry market are further highlights of an online festival unimpeded by the new lockdown. Go to asff.co.uk for tickets and to download the full programme.
Kate Bramley’s latest podcast: “Some strange and wonderful goings on at the allotment”
Fighting off the new lockdown blues: Badapple Theatre’s Theatre On Your Desktop podcast
GREEN Hammerton’s Badapple Theatre Company has added a new Kate Bramley play to its Theatre On Your Desktop series as it extends its lockdown season of free podcasts.
Click on https://badappletheatreonyourdesktop.podbean.com/ for The World Is Still Next Door, artistic director Bramley’s account of some strange and wonderful goings on at the allotment as Mo and her young son search for a place to fight off the lockdown blues.
Set during four sunny days in May in deep lockdown, Bramley’s play seeks to capture the power of soundscapes to inspire imagination. “I got really interested in the idea of creating a new short piece with many voices of varying ages and accents, as well as delving into sound montages that evoke settings from our local Yorkshire all the way to Watamu Beach in Kenya,” says Kate. “With a bit of Badapple signature magic-realism thrown in for good measure.”
All roads lead to…21 York wards for York magician and entertainer Josh Benson in York Theatre Royal’s Travelling Pantomime next month
Travelling Pantomime, not travailing pantomime, as the show must go on…hopefully: York Theatre Royal’s alternative neighbourhood watch
YORK Theatre Royal began rehearsals in the billiards room on Tuesday for associate director Juliet Forster’s Travelling Pantomime production.
It could still be pot luck whether the first collaboration between Evolution Pantomimes and the Theatre Royal will go ahead, everything hanging on Lockdown 2’s fate, but plans are taking rapid shape to cement the itinerary for a tour of 21 York wards from December 3, plus York Theatre Royal performances too.
Just Josh magician and entertainer Josh Benson, Robin Simpson’s Dame Dolly, Anna Soden’s Fairy/Singing Captain, Faye Campbell’s Jack/Dick and Reuben Johnson’s villainous Fleshcreep/Ratticus Flinch will rehearse three pantomimes, Jack And The Beanstalk, Dick Whittington and Snow White, all scripted by Evolution’s Paul Hendy, for each show’s audience to vote for which panto they want to see.
Bean team: top row, from left, Jordan Fox, May Tether, Ian Stroughair and Livvy Evans; bottom row, Alex Weatherhill, Emily Taylor, Matthew Ives and Danielle Mullan
The other Jack And The Beanstalk in York this Christmas: York Stage at Theatre @41 Monkgate, York, December 11 to 30
YORK Stage are going full team ahead with their inaugural pantomime, to be staged in the Covid-secure John Cooper Studio, where Perspex screens will be in place for the first time for the traverse staging.
Writer-director Nik Briggs has added West End choreographer Gary Lloyd to his production team, proclaiming: We’re taking our West End-worthy panto to the next level with the addition of Gary to our company.”
Jordan Fox, May Tether, Livvy Evans, Alex Weatherhill, Ian Stroughair, Danielle Mullan, Emily Taylor and Matthew Ives will be the cast bringing life to Briggs’s debut panto script.
Yorkshire Pudding Song: Martin Barrass will lead the Song Sheet singing at Bev Jones Music Company’s Strictly Xmas In The Park concert
Barrass is back: Bev Jones Music Company in Strictly Xmas In The Park, Rowntree Park, Amphitheatre, York, December 13, 2pm
MARTIN Barrass will be starring in a York pantomime after all this winter. Dame Berwick’s perennial comic stooge may be missing out on the Covid-cancelled Kaler comeback in Dick Turpin Rides Again at the Grand Opera House, but now he will lead the pantomime section of Strictly Xmas Live In The Park.
As part of Bev Jones Music Company’s Covid-secure, socially distanced, open-air performance, Barrass will tell a few jokes and orchestrate the song-sheet rendition of You Can’t Put A Better Bit Of Batter On Your Platter Than A Good Old Yorkshire Pud.
Barrass will wear black and pink to honour the late Bev’s favourite colour combination.
Helen Charlston: Performing at the York Early Music Christmas Festival
Early notice: York Early Music Christmas Festival, National Centre for Early Music, York, December 4 to 13
AS the NCEM website states: “We are planning for these concerts to go ahead and are still selling tickets. If the situation changes, we will of course be in touch.”
Fingers crossed, then, for a socially distanced festival in St Margaret’s Church, Walmgate, featuring Palisander, The Marian Consort, Illyria Consort, Joglaresa, The York Waits and Bethany Seymour, Helen Charlston, Frederick Long and Peter Seymour.
Among the highlights, on December 9, festival favourites The York Waits will present The Waits’ Wassail: Music for Advent and Christmas: Carols, songs and dance from across medieval and renaissance England and Europe, played on shawms and sackbuts by York’s Renaissance town band.
Duran Duran: Making their Scarborough Open Air Theatre debut next summer
A hat-trick of new shows on the East Coast: Duran Duran, Lewis Capaldi and Snow Patrol at Scarborough Open Air Theatre
IN quick succession, Duran Duran, Lewis Capaldi and Snow Patrol have been confirmed for Cuffe and Taylor’s ever-expanding programme at Britain’s biggest purpose-built outdoor concert arena.
Booked in for July 7, Birmingham glam pop band Duran Duran will introduce their first new material since 2015, alongside such favourites as Save A Prayer, Rio, Girls On Film and The Reflex.
Lewis Capaldi: “Buzzing” to be back at Scarborough Open Air Theatre in 2021
Glaswegian singer-songwriter Lewis Capaldi sold out two nights at Scarborough OAT in 2019 and says he is “buzzing” to be returning on July 25 next summer. “It’s a great venue, the crowds there are always unreal and so here’s to another unforgettable night,” he says.
Snow Patrol’s sold-out 2020 Scarborough show had to be scrapped under Covid restrictions but Gary Lightbody’s band are now booked in for July 3 2021. Tickets for all three shows go on sale tomorrow morning at 9am via scarboroughopenairtheatre.com.
Kate Rusby at Christmas…now online
And what about?
THE Kate Rusby At Christmas tour will not be happening, ruling out her South Yorkshire pub carol concert at York Barbican on December 20.
However, in response to the Covid restrictions, the Barnsley folk nightingale has decided to go online instead, presenting Kate Rusby’s Happy Holly Days on December 12 at 7.30pm (GMT). Expect all the usual Rusby Christmas ingredients: sparkly dress, twinkling lights, her regular folk band, her “brass boys”, Ruby the reindeer and a fancy-dress finale.
Tickets go on sale on Friday (6/11/2020) via https://katerusby.com/happy-holly-day/
LOCKDOWN 2: The Sequel will not affect the tenth anniversary edition of the Aesthetica Short Film Festival in York.
ASFF already had decided to go virtual in Covid-19 2020 for its history-making online run from tomorrow (3/11/2020) to November 30, inviting you to “Discover New Cinema At Home”.
“The online programme brings a wealth of new opportunities for digital visitors, though returning patrons can enjoy the same diverse and forward-thinking identity that ASFF has defined over its ten-year lifespan,” says director Cherie Federico.
“With this ground-breaking blend of virtual developments and steadfast programme of short films, masterclasses, guest programmes and development opportunities, ASFF promises a festival this year like no other.”
The film programme features 300 works in the Official Selection across 12 short film genres, released in six daily curated strands from November 3 to 8, entitled Just Another Day On Earth; Humans And Their Environment; Connections: People, Places And Identity;Breaking Down Barriers; Reclaiming Space: Universal And Personal Narratives and Keep On The Sunny Side Of Life.
Cherie Federico: Ten years at the helm of the Aesthetica Short Film Festival
This year’s extensive Guest Programmes presents specially curated screenings from 13 organisations. Key topics and themes include Defining Gay Cinema, Tales From Isolation, Documenting Modern Britain, Indigenous Cinema, I Still Can’t Breathe and The Future Of AI.
Showcase Screenings offer films from London College of Communication, London College of Fashion, Arts University Bournemouth, Regent’s University London, University of York, York St John University, University of Lincoln, Falmouth School of Film and Television and Ravensbourne University.
Here are ten hotly anticipated events to be experienced from the comfort and safety of your own home, as picked by Cherie, from a festival with 450 films, 100 industry events, 50 masterclasses and one online platform.
ASFF Ten Year Anniversary Guest Programme, released online on November 3
IN this one-off honorary event, ASFF welcomes back alumni from the past nine editions of the festival to present specially curated short film strands that define the turbulent times that we face today.
Turning the spotlight on the climate crisis, global migration and the evolution of technology, this rousing and interrogative collection of films provides a visionary time capsule for audiences.
Virtual Industry Marketplace, available to visit from November 3 to 30
MORE than 40 exhibitors from film festivals, screen agencies and many more will congregate on ASFF’s new virtual platform for this networking event.
For emerging talent and industry practitioners, this is the perfect chance to meet the people you need to boost your film-making career.
I Still Can’t Breathe Directors Notes and Can We Talk DXB, released online on November 3
THE death of George Floyd in May at the knee of a Minneapolis police officer sent the world spinning on its axis.
This series of short films, curated by digital platform Directors Notes and Can We Talk DXB, an online source dedicated to lifting Black voices, continues the conversations that grew louder as a result of Floyd’s brutal death with this charged and demanding programme of short films.
VR For Change: Beyond Entertainment, November 3, 3.30pm, Industry Channel 1
WHERE does the potential for VR and 360-degree filmmaking end? This focused discussion explores the possibilities that these rapidly advancing approaches to capturing content in medicine and education among other fields.
World Class Filmmaking: Making More With Less, November 4, 10am to 12 noon, Industry Channel 1
SECURING financing is a longstanding obstacle faced by emerging filmmakers as they take their tentative first steps into their careers.
It is vital, however, to learn the skills needed to create your vision on a modest budget. Step forward Lincoln School of Film and Media to host a resourceful panel discussion that will cover everything, from film production to marketing and distribution.
Re-Imagining The Film Industry: Beyond Covid-19, November 4, 1.30pm to 3.30pm, Industry Channel 2
AS this year’s online edition of ASFF highlights, the film industry has adapted since Covid-19 forced the world into lockdown. Courtesy of Ravensbourne University, this thoroughly constructed panel aims to address big questions that filmmakers hold with no clear end in sight to our current circumstances.
Iconic Cinema: Andrea Arnold in Conversation, November 6, 7pm, Industry Channel 1
MULTIPLE Cannes and BAFTA prize-winning English filmmaker Andrea Arnold joins ASFF 2020 for a deeply reflective, insightful career retrospect.
Chaired by Birds Eye View founder Mia Bays, Arnold will dissect the themes and inspirations behind her body of work, such as Cannes Jury Prize winner American Honey (2016), Fish Tank (2009) and her Oscar-winning short, Wasp (2005).
Presenting The Facts: Documentary Filmmaking, November 7, 12.30pm, Industry Channel 1
THE possibilities have never been greater for non-fiction filmmaking, but nevertheless it is not without its challenges. A panel of knowledgeable, successful documentarians will lend key advice to virtual attendees, with a special focus on short-form content.
A Life In Music: Barry Adamson In Conversation, November 8, 2.30pm, Industry Channel 1
FORMER Magazine and Birthday Party bassist and Nick Cave collaborator Barry Adamson will share his love of music and cinema in a special masterclass, hosted by Jason Wood, artistic director of HOME, Manchester. HOME arrtistic Director Jason Wood.
Adamson, whose music has appeared on the soundtracks of David Lynch’s Lost Highway and Oliver Stone’s Natural Born Killers, has been instrumental to British pop culture for more than 40 years. “This is a must-see event for film and music lovers alike,” says Cherie.
Dame Judi Dench: An Icon Of Cinema, November 8, 4pm, Industry Channel 1
DAME Judi Dench, Oscar and BAFTA award-winning actress from York, will join ASFF 2020 for a special retrospective wherein she will draw on a lifetime of unforgettable portrayals and productions.
Festival tickets can be bought by signing up to ASFF’s online platform. These include:
The Unlimited Pass:Unlimited access to the platform, including screenings and masterclasses, sessions and panels, November 3 to 30.
The Festival Week Pass:Unlimited access to the festival platform, from November 3 to 8.
The Day Tripper Pass:Unlimited access to the festival platform for 24 hours from first log-in.
The Film Fan Pass:Unlimited access to all films from November 3 to 30. Not inclusive of masterclasses and sessions.
For tickets, go to: asff.co.uk/tickets. You can log in to ASFF 2020 on your TV, smart phone, tablet or computer.
As you celebrate the tenth anniversary of ASFF in York, what fills you with pride, Cherie?
“BRINGING a celebration of creativity, film, digital media and culture to the wonderful city of York, where I’ve been for nearly 20 years now.
“We’ve done something that no-one else in the country has done, fusing a cutting-edge festival with a city’s history, creating a bone-fide festival that last year drew over 26,000 people to York, which shows that we’ve got it right.
“The programme is right; the city of York is right, as we create an experience for both visitors to the city and people who live here, while also supporting York’s status as a UNESCO City of Media Arts.
“It’s been a heck of a journey and it took a lot of vision when nothing like this had been done in the city before, then growing it further and further each year. So, here’s to the next ten years.”
Aesthetica Short Film Festival 2020 runs online from November 3 to 30. Go to asff.co.uk to download the full programme.
“Aesthetica Short Film Festival 2020 will be the most exciting yet,” says director Cherie Federico
TWO of York’s four cinemas, Cineworld and the City Screen Picturehouse, are temporarily closed but the Aesthetica Short Film Festival is responding to Covid-19’s 2020 challenges to the film and events industry with its biggest programme yet.
What’s more, the tenth anniversary edition of this annual autumn highlight of the York culture diary will run all month, from November 3 to 30, rather than the six days first planned before lockdown. No wonder, director Cherie Federico calls it “this beast of a festival” that promises to be “the most exciting yet”.
ASFF 2020 will be held on your phone, TV set, tablet and computer, at home rather than around the city of York, in the necessary concession to taking the festival online for digital and live-streamed events.
“I gave myself an August 1 deadline to decide what festival we should hold, so what I was doing all the time was planning two alternative festivals: a hybrid one, both live and online, or a fully virtual one,” says Cherie.
“So, I’ve been doing double the work. August 1st came and I’m really glad to have made the decision then, as this is now going to be a massive, massive event with more than 100 events taking place online.
“My idea was that it would have to be a bespoke and special experience, something that people would invest time in, which is why we’re extending it to a month, with a month’s pass letting you have a festival in your front room, where you can connect with this amazing independent film content.
“Our festival supports creative industries, brings new to the attention of audiences and continues our ethos of the past nine years, but this year you have to log on online.”
Cherie had no qualms about making the festival digital for 2020. “Most people have a smart TV now, so the concept of watching films at home was already happening,” she says. “Running a festival that can be seen on your TV is almost keeping up with the times, so our festival is transferable, though it’s not replaceable as a live event.”
Films in competition at ASFF 2020 will span animation, documentary, drama, dance, fashion and thriller. This year they will be released in six strands from November 3 to 8, with no fewer than ten programmes per day under the strand titles of Just Another Day On Earth; Humans And Their Environment; Connections: People, Places and Identity; Breaking Down Barriers; Reclaiming Space: Universal And Personal and Keep On The Sunny Side Of Life.
That adds up to 60 films a day, 360 screenings in all, with festival viewers invited to acquire a Festival Pack comprising a festival bag, printed programme, lanyard, the latest edition of Aesthetica magazine and VR [Virtual Reality] cardboards.
“If you’re wondering how you can experience VR films at home, you can order a VR Aesthetica headset for £5.95 online from our website,” says Cherie.
“We’re also probably the only festival that has printed a programme this year, but we felt it was important to mark the tenth anniversary that way.”
Cherie hails another plus point of going digital. “You can pursue your particular interest like being able to watch all the documentaries in the festival if that’s your specialism, so you can create your own festival, but we also want to encourage people to do something they would not normally do, by watching all six strands, each chosen to raise important questions about the world we live in today,” she says.
These cumulative strands of short and feature-length films will be released to virtual passholders from 8am daily and will be available via the festival’s online viewing library until November 30.
ASFF 2020 also will feature 21 guest film programmes, taking in such themes as the climate crisis, new technology, Black Lives Matter and human rights. “Basically, we’re covering every topic that we’re facing as a society, so it’s a really poignant look at the world we live in now,” says Cherie.
Further highlights will be ten showcases for new talent, an online industry market and an industry programme of more than 50 masterclasses, spotlights and panel discussions, giving insights into film productions and exploring filmmakers’ motivations and expertise.
Actress and writer Maxine Peake will give a masterclass, and among the guest speakers will be Oscar-winning director Andrea Arnold; BAFTA-winning filmmaker Sarah Gavron; BIFA-winning and Emmy-nominated documentarian Jeanie Finlay; Oscar- winning sound designer Glenn Freemantle and double Oscar-winning VFX supervisor Paul Franklin (Inception, Interstellar). So too will be animators, cinematographers, editors, production designers and representatives from Film4, BBC Films and Framestore.
One name leaps out from the masterclass programme: York-born Dame Judi Dench discussing her career on screen and stage on November 8 at 4pm. “I’ve been trying to get Dame Judi involved ever since we started the festival, and she said ‘Yes’ this time because of her connection with the city,” says Cherie.
“She’s very happy to lend us her support and expertise to our programme and we’re delighted she is taking part. It was confirmed six weeks ago when normally our programme would have been signed off.”
Looking ahead to next week, Cherie says: “The best thing with ASFF is that you always get a memorable experience, and 2020 will certainly be that with 300 films in competition and 200 other films showing.
“No stone has been left unturned in thinking about what the visitor experience should be like this year and how we can make it special. The digital festival is well designed, navigation online is easy, and we even have an instructional video on how to use this platform.
“Tickets are sold per house, so it becomes very good value for a family of four, and we’re still doing programmes for young children and young adults and still working with schools, where films will be screened this time.”
Tickets are available for 24-hour, seven-day and one-month film and industry passes, as well as a film-only pass for November. Go to asff.co.uk for tickets and to download the full programme.
Whitby Abbey at fright-night: Beloved of Goths and devotees of Gothic fiction
ZOOM and doom combine in Exploring And Creating Gothic Fiction, a Halloween masterclass with Dr Kevin Corstorphine, run by the Stephen Joseph Theatre, Scarborough, on October 31 at 11.30am.
“This two-hour online session for adults will introduce participants to some of the main ways of thinking about horror in fiction and film, including sections on cutting-edge research in the field,” says the University of Hull lecturer in American Studies.
“It will also be an inclusive discussion, with all views welcome, as well as a chance to talk about your favourite examples of the spooky and macabre. Creative writers will find useful tips to get the most out of the genre in their writing.”
Dr Corstorphine, who has lectured in English at the University of Hull’s Scarborough campus too, teaches undergraduate modules including American Gothic and has supervised several PhDs on the subject.
He is a researcher in horror, gothic, and “weird” fiction and has published widely in the field, latterly editing the 2018 Palgrave Handbook to Horror Literature.
To book for this £10 masterclass, go to: https://www.sjt.uk.com/event/1105/exploring_and_creating_gothic_fiction
The SJT recommends: “It will help if you can find somewhere in your home with a good internet connection, and if you have some, use headphones, ideally with a built-in microphone, as this will help reduce feedback during the session.”
