Category: Music

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More Things To Do in York and beyond when theatre goes on trial. Here’s Hutch’s List No. 18, from The York Press

Gary Oldman in the York Theatre Royal auditorium, where his production of Krapp’s Last Tape is in its second week. Picture: Gisele Schmidt

FANCY serving on a jury in a true crime thriller? Find out how in Charles Hutchinson’s guide to going out.

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

OSCAR winner Gary Oldman returns to York Theatre Royal, where he made his professional debut in 1979,  to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1989.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: check availability of returns on 01904 623568 or yorktheatreroyal.co.uk.

James Bond Concert Spectacular: Celebrating the music of the long-running film series. Picture: Bryan Marshall

Film music event of the week James Bond Concert Spectacular, Grand Opera House, York, Sunday, 7.30pm

CAROLINE Bliss, who played Moneypenny in The Living Daylightsand Licence To Kill, will be the compere for Q The Music’s James Bond Concert Spectacular, sharing anecdotes from her film appearances.  

Focusing not only on Bond theme songs, such as Goldfinger, Diamonds Are Forever, Live And Let Die and Nobody Does It Better, the show also pays homage to the complete canon, covering chase music, incidental cues and suites from across the series. Box office: atgtickets.com/york.

You are the jury: Murder Trial Tonight III, in court at York Barbican on Tuesday

Courtroom drama  of the week: Tigerslane Studios presents Murder Trial Tonight III – The Doorstep Case, York Barbican, April 29, 7pm

“THIS isn’t just a theatre play; it’s a social experiment,” says Murder Trial Tonight’s West End director, Graham Watts. “We aim to challenge perceptions and engage our audience in a way that goes beyond traditional theatre.”

Welcome to Tigerslane Studios’third season of  Murder Trial Tonight – The Doorstep Case, wherein storytellers, technicians and performers break down the fourth wall and bring true-crime stories to life. The show begins on screen, giving the backdrop to the case, followed by a live murder trial, with the audience as the jury. Box office: yorkbarbican.co.uk.

Carrie Hope Fletcher: Shooting from the hip and lip in Calamity Jane at the Grand Opera House, York

Whip-cracking musical of the week: Calamity Jane, Grand Opera House, York, April 29 to May 3, 7.30pm and 2.30pm Wednesday, Thursday and Saturday matinees

WEST End leading lady Carrie Hope Fletcher takes the title role of fearless, gun-slinging Calamity Jane, the biggest mouth in Dakota territory and always up for a fight, in North Yorkshireman Nikolai Foster’s touring production, based on the cherished 1953 Doris Day movie.

When the men of Deadwood fall hard for Chicago stage star Adelaid Adams, Calamity struggles to keep her jealousy holstered. Here come The Deadwood Stage (Whip-Crack-Away), The Black Hills Of Dakota, Just Blew In From The Windy City and Secret Love in this Watermill Theatre production, choreographed by Nick Winston with musical supervision by Olivier, Grammy and Tony Award winner Catherine Jayes. Box office: atgtickets.com/york.

Learlike: King Lear re-told from the distaff side in the UK premiere at the York International Shakespeare Festival

Festival of the week: York International Shakespeare Festival presents Greensleeved in Learlike, York St John University Creative Centre Auditorium, May 3, 2pm

GREENSLEEVED, a female-led pan-European ensemble, premiere their show Learlike in York, presenting Shakespeare’s tragedy of King Lear but this time told by his daughters. These tyrant-children are newly in power but old in their ability for manipulation and deceit. Or are they? Even in the most corrupt homes the roots of resistance grow deep.

Greensleeved comprises performers who met at the Royal Conservatoire of Scotland: Amber Frances (Belgium), Ariela Nazar-Rosen (Poland/USA), Lucy Doig (Scotland), Julia Vredenberg (Norway) and Cecilia Thoden van Velzen (Netherlands). For the full programme to May 4 and tickets, head to: yorkshakes.co.uk.

Rob Auton: Any eyeful tower of ocular comedy at Leeds City Varieties Music Hall

The eyes have it:  Rob Auton: The Eyes Open And Shut Show, Leeds City Varieties Music Hall, May 3, 7.30pm

“THE Eyes Open And Shut Show is a show about eyes when they are open and eyes when they are shut,” says surrealist York/Barmby Moor comedian, writer, artist, podcaster and actor Rob Auton. “With this show I wanted to explore what I could do to myself and others with language when eyes are open and shut…thinking about what makes me open my eyes and what makes me shut them.” Box office: 0113 243 0808 or leedsheritagetheatres.com.

Scouting For Girls: Heading for York and Leeds in 2026

Gig announcement of the week: Scouting For Girls, York Barbican, March 17 and Leeds O2 Academy, March 24 2026

LONDON trio Scouting For Girls will accompany the 2026 release of a new studio album with a 22-date tour that takes in York Barbican and Leeds O2 Academy next March. Fans who pre-order the Wolfcub Edition at scoutingforgirls.os.fan will receive access to a ticket pre-sale that opens at 10am on April 30. General sales follow from 10am on May 2 at yorkbarbican.co.uk and academymusicgroup.com.

Roy Stride, vocals, piano and guitar, Greg Churchouse, bass guitar, and James Rowlands, drums, last payed York Barbican in October 2021. Next year’s shows will mark the 15th anniversary of their Everybody Wants To Be On TV album too.

In Focus: NE Theatre York in The Sound Of Music, Joseph Rowntree Theatre, York, April 29 to May 3, 7.30pm plus 2.30pm Saturday

NE Theatre York’s cast for The Sound Of Music at the JoRo

TWO Marias, two Captain Von Trapps, three groups of Von Trapp children and multiple members of Strensall Women’s Institute, plus a dog, add up to NE Theatre York’s production of The Sound Of Music.

In its centenary year, Strensall Women’s Institute has accepted creative director Steve Tearle’s invitation to play the abbey nuns – and sing several big numbers – in the heartwarming Rodgers and Hammerstein musical.

The show brings back special memories for Tearle, who played Kurt Von Trapp at the age of 11 in a professional tour in his first stage role.

NE Theatre York creative director Steve Tearle with his dog Millie Bell

“I’ve always loved this show, and remembering my experience of it always fills me with
joy. Fast forward to 2025 and I get to produce this famous musical and play my personal
favourite part in the show, Max Detweiler,” says Steve, whose dog, Millie Bell, will make an appearance in the canine role of Max’s dog.

Tearle’s cast features newcomers aplenty to the stage. “NE Theatre prides itself on giving
people of all ages the confidence to perform on stage, and this is the perfect
opportunity with more than 20 people who have never performed before,” he says.

NE Theatre York in rehearsal for The Sound Of Music

“We’re producing the show with all the elements that everyone loves but keeping with the
West End trend of scaled-back sets and using lighting effects to highlight the action. The
focus, as always, will be on the talent of the actors on stage and giving everyone a moment
to shine.”

Maia Beatrice and Rebecca Jackson will alternate the role of Maria while Matthew Clarke and Chris Hagyard will do likewise as Captain Von Trapp. NE Theatre stalwart Perri Anne Barley will play Mother Abbess; Ali Butler and Aileen Hall will take turns as Baroness Elsa. Tearle is joined in the production team by musical director Joe Allan.

NE Theatre’s production coincides with a brace of landmarks: the 60th anniversary of Robert Wise’s film starring Julie Andrews as the singing nun and the 90th anniversary of the Joseph Rowntree Theatre.

Rebecca Jackson in the role of Maria in Steve Tearle’s production of The Sound Of Music for NE Theatre York

Quick refresher course: The Sound Of Music is based on the real-life story of the Von Trapp family of singers, one of the world’s best known concert groups in the era immediately preceding the Second World War.

When Maria, a tomboyish postulant at an Austrian abbey, becomes governess to a widowed naval captain’s seven children, she brings a new love of life and music into the home. Among the much-loved songs are My Favourite Things, Climb Every Mountain, Do Re Mi, Sixteen Going On Seventeen, Edelweiss and The Sound of Music.

A number of tickets are being given to charities. Hurry, hurry to secure a seat as April 29, May 1 and May 2 are down to “last few tickets”, availability is limited for April 30 and both May 3 performances have sold out. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

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REVIEW: Martin Dreyer’s verdict on Leeds Song, Roderick Williams & Andrew West, Howard Assembly Room, Leeds, April 6

Baritone Roderick Williams

BRITAIN’S  favourite baritone, the ubiquitous Roderick Williams, brought a typically eclectic programme to the Leeds Song festival under the banner “A touch of the exotic”, with Andrew West as his deft collaborator at the piano.

It involved ten composers from Schubert to Sally Beamish, four of them female. It was right to begin with Schubert: he has always been the yardstick against whom song composers measure themselves. His setting of Goethe’s Kennst du das Land? distils the Romantic poets’ infatuation with Eastern climes. Sure enough, Williams’s quickened pulse at ‘Dahin!’ (it’s there!) captured that excitement.

Even more exotic, as more Debussyan, was Denis Browne’s last song, Walter de la Mare’s Arabia (1914), with its delicate piano and opiate aura, a timely reminder of a great talent snuffed out by war.

Arthur Bliss’s pithy Siege and Rebecca Clarke’s elegy A Dream were but preludes to Amy Woodforde-Finden’s much-loved Kashmiri song, where our duo conjured nostalgia without undue sentimentality.

Duparc’s only two settings of Baudelaire, arguably his best songs, were finely drawn. The shimmering impressionism of L’invitation au Voyage was balanced by his last mélodie, the sonnet La Vie Antérieure, which boiled up into a sensuous climax reflecting the flashing foam. The gradual return of the painful secret in the poetry was complemented by West’s beautifully poised postlude.

Sally Beamish’s Four Songs from Hafez were a commission from Leeds Lieder in 2007; it was good to hear them again. They centre on three birds and a fish as translated from 14th century Persian by Jill Peacock.

Much of the composer’s illustrative talent is found in the piano, birdsong of course but also watery undercurrents of excitement in ‘Fish’ where Williams accentuated Hafez’s “wine of creation”. ‘Hoopoe’, a love letter, had some delicate touches here.

Hafez’s wine also featured in Wolf’s Erschaffen und Beleben (Creation and Animation), as answer to a clodhopper’s problems. Williams was well attuned to Goethe’s sense of humour both here and in Wolf’s First Coptic Song.

The Jamaican-born composer Eleanor Alberga’s star has been rising rapidly in recent years. Her early years as a pianist and involvement with dance are both assimilated into The Soul’s Expression (2017), four settings of 19th century female poets. Described as a piano sonata with linking songs, it is through-composed (running without a break).

The songs are wonderfully evocative of nature, with piano interludes that take the place of strings in the original version. After an ecstatic glimpse of heaven in a cornfield, there are two calmer sections involving a gentle breeze at sunset and a shower of rose petals, before the title song, to an Elizabeth Barrett Browning sonnet, delves into more spiritual territory, with the baritone briefly using falsetto against whispering keyboard. It was a touching experience.

More light-hearted, although no less powerful, were Harry Burleigh’s Five songs of Laurence Hope –the pseudonym of Adela Florence Nicolson – which are much influenced by negro spirituals. They include ‘Kashmiri Song’, but using all three of its verses (unlike Woodforde-Finden’s version) and tellingly repeat its ‘Where are you now?’ at the close. There was a glorious climax to ‘Worth while’ and especially strong emotion in the final song, ‘Till I Wake’. Williams and West are a superb duo.

Review by Martin Dreyer

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Navigators Art are going underground for experimental Basement show of left-field music, words & performance on Sunday

Wire Worms: Performing their “Doom Folk” music at YO Underground on Sunday at The Basement

YORK arts collective Navigators Art will play host to its second YO Underground experimental night on Sunday at The Basement, City Screen Picturehouse, York.

This weekend’s performance showcase will be feature Wire Worms, the Leeds Doom Folk five-piece, whose dark, folk-rooted but boundary-stretching debut album, The First To Come In, explores weird, supernatural and experimental notions, inspired by the traditions of Mumming and Guising found throughout the British Isles.

On the 6pm to 9pm bill too will be Fin O’Hare, who improvises with DIY mechanical devices and repurposed and recycled objects; Some Crew musician Si Micklethwaite; storyteller Lara McClure; Bobby Olley, Muttley and NDE Poetry. For tickets, go to: bit.ly/nav-YOU2.

“The YO Underground title is apt, not only because our venue is The Basement at City Screen Picturehouse,” says Navigators Art co-founder Richard Kitchen. “The format will be familiar from the group’s popular Basement Sessions but features original music, spoken word and comedy with a more experimental edge than usual.

Navigators Art’s poster artwork for YO Underground’s second night of live and left-field music, words and performance

“It’s a platform for local and regional performers whose work may wander off the beaten track but definitely deserves an audience. New and emerging artists will have equal billing with more established names.”

The first YO Underground bill on March 15 presented Say Owt Slam winner and Newcastle stand-up poet Cooper Robson; Leeds Conservatoire performance artist and writer Carrieanne Vivianette; inspiring young poet Oliver Lewis; University of York champion beatboxer Cast; genre-crossing psych-folk musical duo Gorgo, from York St John University,  and internationally renowned singer Loré Lixenberg.

“I first met Cooper at a Howlers open-mic night at the Blue Boar in York and he’s become extremely popular with his in-your-face style of performing,” says Richard. “It was a real coup to get Loré Lixenberg to do something so informal. That was major news for us.

“People were knocked out by the show, seeing performers trying out something different. What I liked was that it was very much a  platform for performers to experiment with something they might not have done elsewhere.

Bobby Olley: York poet and songwriter taking part in YO Underground on Sunday

“It’s a bit of a departure from the Basement Sessions, our music, comedy and spoken-word venture, which is doing fine and we’ll continue with that series, but it becomes more difficult to find new acts that haven’t been booked in elsewhere already, so we thought we should do something more left field as well and see how that goes.”

Buoyed by the success of the first night, Richard has pencilled in an October date, with the possibility of another night before then too. “We’re lining up York electronic musician John Tuffen and talking to Leeds musician Pefkin about taking part,” he says.

He does not want to pigeonhole the kind of acts that might play a YO Underground showcase. “I think definitive labels are a mistake, as there’ll be crossovers, but we have been trying to seek out acts who are obviously attempting something different in what they do, doing something that’s a little ‘wayward’,” he says.   

 “Maybe performers who are challenging to audiences in York, whereas Leeds and Sheffield already have an alternative scene for cutting-edge acts. We’ve been given good links to artists from Sheffield and Leeds, comedians from Newcastle, for example, who are edgy in terms of content or style of presentation.

Lara McClure: Spinning stories on the YO Underground bill

“Those links allow us to fill the next couple of events, and once word gets out about YO Underground, maybe it will also be a case of performers being courageous and saying, ‘well, I do this, how about me?’.”

Richard is delighted that Navigators Art has built up such a fruitful relationship with City Screen Picturehouse for events and exhibitions. “We’re thankful particularly thankful to [City Screen general manager] Cath Sharp and to all the staff, who are always very welcoming,” he says.

“We started using The Basement after Covid, when no-one else was using it, and we did our first event for the York Festival of Ideas there a couple of years ago. That going things rolling again in there, so it’s been mutually beneficial.”

On May 9, Navigators Art will present Opened Ground, A Creative Tribute To Seamus Heaney, devised and curated by Oliver Lewis at The Basement from 7pm to 10pm.

“We’re very big on spoken-word, and last October we held a creative exploration of York-born poet  W H Auden in our Co-Audenation night of spoken word, live music and performance art at The Basement,” says Richard.

Oliver Lewis: University of York poet curating Navigators Art’s Seamus Heaney night, Opened Ground, on May 9

“On the spur of the moment , we were talking about poets and reflecting on the Auden night, and we thought, ‘that went really well, let’s do another one’. This one is being curated by Oliver Lewis, an extremely promising writer, aged 20, who’s studying at York St John and has a couple of books out already.

“I came across him at Howlers, where we just got talking and I realised we had something in common, so he took part in the first YO Underground.”

Lewis has lined up a bill of Mexborough love poet Ian Parks; folk duo Where The Deer Go; York-based Irish poet and teacher Aimée Donnell, whose first collection, We Are All Creatures Of Struggle, was published by Olympia, on March 13; White Sail’s Jane Stockdale, setting Heaney poems to music, and York mythical/mystical duo Adderstone, performing a condensed version of Sweeney, their interpretation of Heaney’s work in music and song. Lewis himself will perform with musician Christian Bell in a collaboration premiering new works. 

“The idea of the evening is that it’s a creative response to Heaney’s writing, so there’ll be a combination of readings, interpretations of his poems and material inspired by his poetry,” says Richard. Box office: https://www.ticketsource.co.uk/navigators-art-performance/opened-ground/.

Looking ahead, he adds: “Navigators Art encourages innovation, improvisation and collaboration, as well as excellence, and would like to hear from performers in any medium who might suit future events.” Email navigatorsart@gmail.com or follow @navigatorsart on Facebook and Instagram.

Jane Stockdale: Taking part in Opened Ground at The Basement, City Screen Picturehouse on May 9

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What’s On in Ryedale, York and beyond. Hutch’s List No. 17, from Gazette & Herald

Gary Oldman in reflective mood in the dressing room as he returns to York Theatre Royal to perform Samuel Beckett’s Krapp’s Last Tape, now into its week of press shows. Picture: Gisele Schmidt

YORK International Shakespeare Festival’s tenth anniversary programme is among Charles Hutchinson’s recommendations as April blossoms.

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

OSCAR winner Gary Oldman returns to York Theatre Royal, where he made his professional debut in 1979,  to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1987.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: check availability of returns and additional seats on 01904 623568 or yorktheatreroyal.co.uk.

Katy Stephens’ White Witch and Aslan the lion in The Lion, The Witch And The Wardrobe, on tour at the Grand Opera House, York. Picture: Ellie Kurttz

Touring show of the week: The Lion, The Witch And The Wardrobe, Grand Opera House, York, until Saturday, 7pm plus 2pm Thursday and Saturday matinees

STEP through the wardrobe into the kingdom of Narnia for the most mystical of adventures in a faraway land. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and say hello to Mr Tumnus, the talking Faun (Alfie Richards), Aslan, the Lion (Stanton Wright), and the coldest, cruellest White Witch (Katy Stephens). 

Directed by Michael Fentiman, this breathtaking stage adaptation brings magical storytelling, bewitching stagecraft and stellar puppets to CS Lewis’s allegorical novel. Box office: atgtickets.com/york.

Philipp Sommer: Delivering his riposte to Shakespeare’s hatchet job on Richard III in Re-Lording Richard 3.0

Festival of the week: York International Shakespeare Festival, until May 4

YORK International Shakespeare Festival is marking its tenth anniversary with a programme incorporating artists from the Netherlands for the first time; Croatia for Marin Drzic Day; Ukrainian artists from Ivano Frankisk and Bulgaria.

Among the highlights will be Berlin actor Philipp Sommer’s riposte to Shakespeare’s hatchet job on York’s own Richard III, Re-Lording Richard 3.0 (tomorrow); Olga Annenko’s Codename Othello (Friday); York company Hoglets Theatre’s A Midsummer Night’s Mischief with Team Titania and Team Oberon (Saturday); Stillington writer/actor/director Alexander Wright’s immersive, existential Hamlet Show (April 28 to 30); Ridiculusmus’s Alas! Poor Yorick (April 29) and the Shakespeare’s Speakeasy play in a day (May 2). For the full programme and tickets, head to: yorkshakes.co.uk.

George Young’s Henry VI in York Shakespeare Project’s Henry VI Parts 1, 2 and 3. Picture: John Saunders

Condensed play of the week: York Shakespeare Project in Henry VI Parts 1, 2 and 3, “I Am Myself Alone”, Theatre@41, Monkgate, York, until Saturday, 7.30pm and 2.30pm Saturday matinee

UNIVERSITY of California Santa Barbara theatre professor Irwin Appel, artistic director of Naked Shakes, directs York Shakespeare Project in his condensed, physical theatre version of Shakespeare’s Henry VI trilogy.

A bare space, a crown and a throne meet an ensemble cast in a powerful show of “actor-generated theatricality and transformation”, wherein they tell a cautionary tale of power and greed that charts how a tyrant can rise in a torn and broken society. Box office: yorkshakes.co.uk or tickets.41monkgate.co.uk.

Pip Cook, left, Josie Morley and Keeley Lane in Badapple Theatre Company’s revival of Kate Bramley’s The Thankful Village, playing York Theatre Royal Studio from today

Wartime memorial of the week: Badapple Theatre Company in The Thankful Village, York Theatre Royal Studio, today to Saturday, 7pm plus 2.30pm matinees, today and Saturday

IN a new departure for Green Hammerton touring company Badapple Theatre, writer and artistic director Kate Bramley will be playing a live score for the first time to accompany her poignant First World War comedy-drama The Thankful Village.

A story of hope, humour and humanity is seen through the eyes of three Yorkshire women from the same rural household, below and above stairs. Left behind to cope after their men-folk march off to Flanders, Pip Cook’s Edie, Keeley Lane’s Victoria and Josie Morley’s Nellie each face up to the challenges in their own way as they wait anxiously for news of their loved ones far away. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Matt Goss: Tipping his hat to The Hits & More at York Barbican on Friday. Picture: Paul Harris

Pop concert of the week: Matt Goss, The Hits & More, York Barbican, Friday, 8pm

MATT Goss, the Bros pop pin-up-turned-Las Vegas showman, says: “Trust me, what I’ve learnt over the years being on countless stages around the world, this will be your best night of the year.”

Now living in central London after many years of blue skies in America, Goss, 56, will be celebrating all he has achieved in his music career and beyond in a rock’n’roll show, but still with a horn section (featured previously in the Matt Goss Experience show with the MG Big Band and the Royal Philharmonic at York Barbican in April 2023). Box office: yorkbarbican.co.uk. 

Comedy gig of the week: Hilarity Bites Comedy Club, Clayton Jones, Dawn Bailey and Chris Brooker, Milton, Rooms, Malton, Friday. 8pm

HEADLINER Clayton Jones,  the 2017 Last Minute Comedy Comedian of the Year winner, covers everyday topics of marriage, children, being mixed race, school life and growing up in London in his observational comedy.

Newly turned 50, affable Dawn Bailey views life as a mum through happy specs and giddy knickers (in her own words). Host Chris Brooker combines infectious energy with original material and inspired improvisation. Box office:  01653 696240 or themiltonrooms.com.

Josienne Clarke: Performing the songs of Sandy Denny with full folk-rock band at Pocklington Arts Centre

Folk gig of the week: Across The Evening Sky: Josienne Clarke Sings The Songs Of Sandy Denny, Pocklington Arts Centre, Friday, 8pm

MELANCHOLIC  singer, songwriter and interpreter of traditional song Josienne Clarke leads a full folk-rock band – guitar, piano, bass and drums – in a new show dedicated to Sandy Denny, whose songs are her “north star – a constant guiding light”.

“If I can take one young fan of mine and introduce them to Sandy, in a context that they can grab hold of,” she says. “If they like my music, they will love Sandy. And that would be the whole concept sorted. To pass it on, so that these songs can go on forever.” Box office: 01759 301547 or pocklingtonartscentre.co.uk.

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More Things To Do in York, looking in great Shakes over the Easter holidays. Here’s Hutch’s List No.17, from The York Press

Gary Oldman in rehearsal for his return to York Theatre Royal in Samuel Beckett’s Krapp’s Last Tape, now heading into a week of press shows. Picture: Gisele Schmidt

YORK International Shakespeare Festival’s tenth anniversary programme is among Charles Hutchinson’s recommendations as April blossoms.

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

OSCAR winner Gary Oldman returns to York Theatre Royal, where he made his professional debut in 1979,  to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1987.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: check availability of returns and additional seats on 01904 623568 or yorktheatreroyal.co.uk.

The Counterfeit Sixties: Swinging into Sixties’ recollections at the Joseph Rowntree Theatre tonight

Tribute show of the week: The Counterfeit Sixties Show, Joseph Rowntree Theatre, York, tonight, 7.30pm

THE Counterfeit Sixties pay tribute to 25 acts of the Swinging Sixties in a show encompassing everything from that golden pop age, from the clothes to flashbacks of television programmes, adverts and clips from the original bands.

The Beatles, The Rolling Stones, The Who, The Dave Clark Five, The Kinks and The Monkees all feature in a hit parade performed by musicians who have worked with The Searchers, The Ivy League, The Fortunes and The Tremeloes. Tickets update: Limited availability on 01904 501935 or josephrowntreetheatre.co.uk.

Some Enchanted Evening: Celebrating Rodgers and Hammerstein with the English Musical Theatre Orchestra at the Grand Opera House, York

Show tunes of the week: English Musical Theatre Orchestra presents Some Enchanted Evening, Grand Opera House, York, Sunday, 7.30pm

 EXPERIENCE the grandeur of Broadway as the English Musical Theatre Orchestra serenades you with show tunes from I Could Have Danced All Night ,People Will Say We’re In Love and You’ll Never Walk Alone to Getting To Know You and My Favourite Things.

Two star vocalists join the orchestra of 26 musicians, placing the music of Rodgers and Hammerstein centre-stage in renditions of songs from Oklahoma, The Sound Of Music, South Pacific and The King And I. Box office: atgtickets.com/york.

Full steam ahead: next stop Grand Opera House, York, for The Lion, The Witch And The Wardrobe on 2025 tour

Touring show of the week: The Lion, The Witch And The Wardrobe, Grand Opera House, York, April 22 to 26, 7pm plus 2pm Wednesday, Thursday and Saturday matinees

STEP through the wardrobe into the kingdom of Narnia for the most mystical of adventures in a faraway land. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and say hello to Mr Tumnus, the talking Faun (Alfie Richards), Aslan, the Lion (Stanton Wright), and the coldest, cruellest White Witch (Katy Stephens). 

Directed by Michael Fentiman, this breathtaking stage adaptation brings magical storytelling, bewitching stagecraft and stellar puppets to CS Lewis’s allegorical novel. Box office: atgtickets.com/york.

Philipp Sommer: Performing Re-Lording Richard 3.0 at York St John University Creative Centre Auditorium on April 24 at 7.30pm as part of York International Shakespeare Festival

Festival of the week: York International Shakespeare Festival, April 22 to May 4

YORK International Shakespeare Festival is marking its tenth anniversary with a programme incorporating artists from the Netherlands for the first time; Croatia for Marin Drzic Day; Ukrainian artists from Ivano Frankisk and Bulgaria.

Among the highlights will be Berlin actor Philipp Sommer’s riposte to Shakespeare’s hatchet job on York’s own Richard III, Re-Lording Richard 3.0 (April 24); Olga Annenko’s Codename Othello (April 25); York company Hoglets Theatre’s A Midsummer Night’s Mischief with Team Titania and Team Oberon (April 26); Stillington writer/actor/director Alexander Wright’s immersive, existential Hamlet Show (April 28 to 30); Ridiculusmus’s Alas! Poor Yorick (April 29) and the Shakespeare’s Speakeasy play in a day (May 2). For the full programme and tickets, head to: yorkshakes.co.uk.

York Shakespeare Project in rehearsal for Irwin Appel’s production of Henry VI, Parts 1, 2 and 3 for York International Shakespeare Festival. Picture: John Saunders

Condensed play of the week: York Shakespeare Project in Henry VI Parts 1, 2 and 3, “I Am Myself Alone”, Theatre@41, Monkgate, York, April 22 to 26, 7.30pm and 2.30pm Saturday matinee

UNIVERSITY of California Santa Barbara theatre professor Irwin Appel, artistic director of Naked Shakes, directs York Shakespeare Project in his condensed, physical theatre version of Shakespeare’s Henry VI trilogy.

A bare space, a crown and a throne meet an ensemble cast in a powerful show of “actor-generated theatricality and transformation”, wherein they tell a cautionary tale of power and greed that charts how a tyrant can rise in a torn and broken society. Box office: yorkshakes.co.uk or tickets.41monkgate.co.uk.

Matt Goss: Tipping his hat to The Hits & More at York Barbican next Friday. Picture: Paul Harris

Pop concert of the week: Matt Goss, The Hits & More, York Barbican, April 25, 8pm

MATT Goss, the Bros pop pin-up-turned- Las Vegas showman, says: “Trust me, what I’ve learnt over the years being on countless stages around the world, this will be your best night of the year.”

Now living in central London after many years of blue skies in America, Goss, 56, will be celebrating all he has achieved in his music career and beyond in a rock’n’roll show, but still with a horn section (featured previously in the Matt Goss Experience show with the MG Big Band and the Royal Philharmonic at York Barbican in April 2023). Box office: yorkbarbican.co.uk. 

In Focus: Badapple Theatre Company in The Thankful Village, York Theatre Royal Studio, April 24 to 26, 7pm and 2.30pm Thursday and Saturday matinees

Pip Cook, left, Josie Morley and Keeley Lane in Badapple Theatre Company’s revival of Kate Bramley’s The Thankful Village, playing York Theatre Royal Studio next week

IN a new departure for Green Hammerton touring company Badapple Theatre, writer and artistic director Kate Bramley will be playing a live score for the first time to accompany her poignant First World War comedy-drama The Thankful Village.

Bramley is an international touring musician, who started her professional music career aged 17, with tours of the USA and UK, but this will be the first time that she has made a musical contribution to a show by her Green Hammerton company, specialists for 27 years in touring “theatre on your doorstep”.

Kate Bramley: Playing a live score in a Badapple Theatre Company production for the first time at York Theatre Royal Studio

“It has been our ambition since the play was created back in 2014 to have a live score accompanying the story,” says Kate. “Thanks to our collaboration with York Theatre Royal, I will appear with the stellar 2025 cast of Pip Cook, Keeley Lane and Josie Morley.

“I’m delighted to be performing at York Theatre Royal this spring. One performance is already sold out, so we’re looking forward to an exciting time at my favourite local theatre.”

Boasting original songs and music by Sony Radio Academy Award winner Jez Lowe, Bramley’s story of hope, humour and humanity is seen through the eyes of three Yorkshire women from the same rural household, below and above stairs.

Badapple Theatre Company in the rehearsal room for The Thankful Village

Left behind to cope after their men-folk march off to Flanders, Pip Cook’s Edie, Keeley Lane’s Victoria and Josie Morley’s Nellie each face up to the challenges in their own way as they wait anxiously for news of their loved ones far away. Box office:  01904 623568 or yorktheatreroyal.co.uk.

Did you know?

“THE Thankful Villages” were those rare places that lost no men in the Great War because all those who left to serve came home again.

Badapple Theatre Company’s poster for The Thankful Village at York Theatre Royal Studio

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Step inside Flat Number Two as Declan Vink launches EP with debut full band show at The Basement, City Screen, tomorrow

Declan Vink: the creative musical and filmmaking force behind Flat Number Two

YORK alternative pop artist  Flat Number Two launches his Cherish EP at The Basement, underneath City Screen Picturehouse, Coney Street, York, tomorrow.

“What better place for my first ever headline show,” says cinephile Declan Vink, the film school drop-out who is inspired as much by film as music in his creative project as a singer, songwriter, producer and filmmaker to boot.

“I became fascinated with the visual power of music and the ability to create imagery through words and sounds,” says Declan, who works as a producer for the BBC Radio York breakfast show by day.

“Adopting the philosophy of artists such as Frank Ocean to inject meaning into every sonic element of a track, Flat Number Two utilises a mixture of analogue synths, self-recorded soundscapes and drum samples to communicate my vision.”

His rare upbringing of Dutch, Irish and British heritage led to an unconventional approach to his immersive sonic and visual art. “More concerned with painting a picture than adhering to genre, Flat Number Two is far from predictable,” says Declan.

This is typified by his experimental approach to making music videos. His first, for the song Wet, was shot on VHS across The Balkans, while Bleach, his March 28 single,  was filmed using an iPhone in New York.

In between, in February, Declan released a deeply personal and beautiful music video for Empty, another single to be taken from his Cherish vinyl EP, filmed on Super8 film in the desolate landscapes of Jyväskylä, Finland.

“It captures the overwhelming feelings of guilt and longing I felt when I moved to another city, leaving behind the empty nest my mother experienced after me and my sisters left home,” he says. “I dealt with it the only way I know how… by song-writing,” he says.

In the wake of his debut EP, I Don’t Want To Dream Anymore, urgings listeners to “recognise their power as a human being and their ability to change the world around them for the better”, his new EP “explores the complexities of change, impermanence and imperfection while holding on tightly to the things we treasure most”.

“I really wanted to start a new project when I moved to York from Keighley when I was 22/23, after performing under my own name,” says Declan. “I couldn’t think of a name but I was living at Flat Number Two at the time and the rest is history!

“I guess in a sense I was making a new name for myself, and it was a time of change. That flat was in Tang Hall, but now I’ve moved to Lawrence Street and it’s not Number Two and it’s not even a flat but I’ve kept the name.”

The artwork for Flat Number Two’s Cherish EP, newly available on vinyl

For tomorrow’s  show, Declan will be joined by Kanani Vierra and Mickey Dale. “It’ll be the first time I’ve played with a full band  – I previously did a small-scale acoustic gig at Guppy’s. Just me. A lot has changed since then.

“Kanani  is a drummer who’s played with Jack Johnson; we met through a mutual friend.  Mickey is from Bradford; he’s the keyboard player with Embrace and he’ll play bass, synth and keys, with me on guitar and vocals.

“He’s amazing  at working with up-and-coming talent,  and again I met him through a friend, when I was studying at Leeds Conservatoire .

“He has his own studio, the Cellar of Dreams, and we’ve been rehearsing for the gig which will have a visual side to it too, with a projector set up for the show.”

Declan is delighted to be playing tomorrow’s gig in a cinema building. “I approached City Screen because I liked the idea of my first headline show being below a cinema, and there’s a lot of visuals to my music,” he says.

“I love a lot of film soundtracks, like Lost In Translation and other Sofia Coppola films. I like the way artists convey a mood through their work and that’s something I like to do. Some of the projection will be the stuff I’ve  filmed, like the film I shot in Finland and the VHS footage shot on holiday in North Macedonia and Albania, which has a nostalgic feel to it.”

Should you be wondering why Declan dropped out of the Northern Film School , he says: “It’s not that I’m not an academic person because I did go on to further education studies,” he says. “I failed my Maths A-level but I went on to gain a First Class degree in music production.

“But I struggle with learning the rules; I struggle to learn the language of the medium I’m trying to use, but the creative side is where I really thrive.  I dropped out right at the end of the first year. For the final project, you had to direct a film to be screened in front of the whole year’s intake, and I got absolutely rinsed for my film.

“I was out of my comfort zone, and I thought, ‘this is not part of the creativity I want to be part of. This is meant to to be fun’ – but  it wasn’t.”

Flat Number Two, by contrast, allows Declan to be fully expressive, combining his musical and film-making skills. Take a look inside his flat tonight.

Flat Number Two, supported by special guests and rising stars Em Louise and Bennett Elliott, The Basement, City Screen Picturehouse, York, tomorrow (18/4/2025), 7pm to 11pm. Box office: eventbrite.com/e/flat-number-two-the-basement-at-cityscreen-picture-house-tickets-1146731557959.

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REVIEW: Paul Rhodes’s verdict on Hejira: Celebrating Joni Mitchell, National Centre for Early Music, York, April 10

Hejira: “Light years from a bunch of impersonators imitating the big hits”

MORE than sold out, it goes to show that York audiences have a good ear. Hejira provided a wonderful two-hour concert to celebrate the music of Joni Mitchell.

With six jazz musicians on stage, this was light years from a bunch of impersonators imitating the big hits. Instead, we were treated to sensitive re-workings of songs drawn mainly from Mitchell’s mid-late 1970s’ jazz period.

If that sounds rather dry, the musicians enthused the night with a good measure of warmth and good humour. The set list was superb, mixing the better-known songs alongside lesser-known gems, and thankfully not leaning too far into jazz fusion.

This masterclass in set construction was typical of the care and thought that Hejira bring to their performance. There were new arrangements (Hissing Of Summer Lawns), instrumentals (Pat Metheny’s Song For Bilbao the pick) and also The Last To Come Along from Hattie Whitehead’s slow-burning solo record, Bloom.

Of her peers, Mitchell perhaps caught the jazz bug the hardest. Unlike the only other contender, Tim Buckley, Mitchell managed to not lose her audience in the process (at least until the unfortunate Mingus).

Her most covered hit, the freewheeling Free Man In Paris, shows her conflicted relationship with the music industry (itself very ‘jazz’). Yet her ambivalence and flight inspired some of her very finest material.

No mean feat for Hejira to re-imagine. Fortunately, Hattie Whitehead has a voice that can stop hearts in the space of a bar, a stunning instrument that is the equal to Mitchell’s, best heard on A Case Of You or a contemplative take on Woodstock.

The story behind Mitchell’s Hejira would make a great road trip movie, as she drove cross-country with no driving licence and a couple of friends intent on kidnapping one of their children.

The trio of songs, Amelia, Pat’s Tune and Hejira, was the towering centrepiece of the night, to these ears the equal of the originals (take your pick from the choice offerings in the latest archive box set that covers this fertile period).

The way Hejira started with only Whitehead then gradually introduced the guitar (Pete Oxley), then bass clarinet (Ollie Weston), bass (Dave Jones, ably re-creating those Jaco Pastorius lead bass lines) and piano (Chris Eldred) was breathtaking. Indeed, a real feature of the concert was Oxley’s knack for introducing musicians to build the songs, with Song For Sharon another great example.

It wasn’t entirely flawless (although it was close) , the extra solos at the end of A Case Of You were unnecessary and even musicians of this calibre struggled to make a case for reappraising Mitchell’s 1980s’ work.

Bland good taste didn’t propel Mitchell to superstar levels in the ’80s (her spark didn’t return until 1998’s Taming The Tiger, no apologies necessary for that one) but the musicians did at least improve on Be Cool (from 1982’s lacklustre Wild Things Run Fast).

A wonderful night of music as the full moon shone beatifically overhead.

Review by Paul Rhodes

P.S. You can see the real thing, Joni Mitchell herself, in Paris this autumn (Casino de Paris, November 17).

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What’s On in Ryedale, York and beyond. Hutch’s List No. 16, from Gazette & Herald

Gary Oldman in rehearsal for Samuel Beckett’s Krapp’s Last Tape, now in its preview week at York Theatre Royal. Picture: Gisele Schmidt

GARY Oldman’s return to York Theatre Royal tops the bill of Charles Hutchinson’s recommendations and chocolate is in the air too.

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

ONCE the pantomime Cat that fainted thrice in Dick Whittington in his 1979 cub days on the professional circuit in York, Oscar winner Gary Oldman returns to the Theatre Royal to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1987.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: New availability of returns and additional seats on 01904 623568 or yorktheatreroyal.co.uk.

Laura Soper’s Noi with the beached Storm Whale in The Storm Whale at York Theatre Royal Studio. Narrator Charlotte Benedict looks on. Picture: Charlie Kirkpatrick, Kirkpatrick Photography

Children’s show of the week: The Storm Whale, York Theatre Royal Studio, until Saturday, 10.30am and 1.30pm

YORK writer and director Matt Aston revives his 2019 stage adaptation of Benji Davies’s tales of loneliness, love and courage, The Storm Whale, in a show built on puppetry, original songs and dialogue.

Noi lives with his dad and six cats by the sea. One summer, while dad was busy at work, Noi rescued a little whale, washed up on the beach. A friendship began that changed their lives forever. The following winter, his dad takes one last trip in his fishing boat. Alone once more, Noi longs to see his friend again. Will it take another storm to bring them back together? Box office: 01904 623568 or yorktheatreroyal.co.uk.

York Chocolate Festival: City centre will be chock-a-block with chocs and eggs for Easter

Festival of the week: York Chocolate Festival 2025, today to Saturday, 10am to 5pm

YORK Chocolate Festival showcases everything sweet and chocolate from independent businesses in Parliament Street and around the city.

Highlights include the York Chocolate Festival Market; Chocolate Taste Trail; Ashley McCarthy’s Chocolate Sculpture and Family Easter Egg Hunt. Entry to the festival and market is free; some activities and events require tickets. Full programme at: yorkfoodfestival.com/programme.

Showaddywaddy: Rock’n’roll revivalists standing under the moon of love at The Grand Opera House, York

Rock’n’roll nostalgia of the week: Showaddywaddy, Grand Opera House, York, tomorrow, 7.30pm

SHOWADDYWADDY make the bold claim to be “the greatest rock’n’roll band in the world”, living up to that title for the past five decades, they say.

Formed in 1973 in Leicester, they have sold more than 20 million records. Here come Hey Rock And Roll,  Under The Moon Of Love, Three Steps To Heaven, When, Blue Moon, Pretty Little Angel Eyes et al. Box office: atgtickjets.com/york.

Mark Radcliffe and David Boardman: Two voices, two guitars, original songs and carefully chosen covers at Pocklington Arts Centre

Duo of the week: Mark Radcliffe and David Boardman, Pocklington Arts Centre, tomorrow, 8pm

MARK Radcliffe and David Boardman are singing, songwriting, strumming and swigging buddies from Knutsford in the Badlands of the Cheshire Plain. BBC radio presenter and author Radcliffe was a member of folk-rock bands The Family Mahone and Galleon Blast and is now one half of electronic duo UNE and drummer and lyricist for Americana band Fine Lines.

Guitarist, guitar teacher and visual artist Boardman cut his teeth on the rock circuit with Darktown Jubilee. On board with Radcliffe, they deliver two voices, two guitars, original songs, carefully chosen covers and the occasional rambling anecdote. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Patrick Monahan: The Talkinator fights back against AI at Theatre@41, Monkgate

Comedy gig of the week: Patrick Monahan: The Talkinator, Theatre@41, Monkgate, York, Friday, 8pm

IN 2024, amid much talk of about AI taking over humans, only one man can out-talk the chat-bots and robots. Step forward Irish-Iranian comedian Patrick Monahan for one hour of stand-up comedy written by a human, performed by a human. Box office: tickets.41monkgate.co.uk.

Alfie Richards’ Mr Tumnus in The Lion, The Witch And The Wardrobe, on tour at the Grand Opera House, York

Touring show of the week: The Lion, The Witch And The Wardrobe, Grand Opera House, York, April 22 to 26, 7pm plus 2pm Wednesday, Thursday and Saturday matinees

STEP through the wardrobe into the kingdom of Narnia for the most mystical of adventures in a faraway land. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and say hello to Mr Tumnus, the talking Faun (Alfie Richards), Aslan, the Lion (Stanton Wright), and the coldest, cruellest White Witch (Katy Stephens). 

Directed by Michael Fentiman, this breathtaking stage adaptation brings magical storytelling, bewitching stagecraft and stellar puppets to CS Lewis’s allegorical novel. Box office: atgtickets.com/york.

Alex Hamilton: Playing the blues with his trio at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Alex Hamilton Band, Milton Rooms, Malton, April 24, 8pm

ALEX Hamilton (formerly Lewis Hamilton) has been part of the British blues rock scene for more than ten years, touring Great Britain and Europe. First making his mark as a young guitarist with skills beyond his age, he has matured and developed a technique redolent of Robben Ford and Matt Scofield.

Hamilton’s debut album aged 18 won the Scottish New Music Award in 2011 and his subsequent albums have been nominated for the British Blues Awards. He tours in a trio with his father Nick on bass and Ian Beestin on drums. Box office: 01653 696240 or themiltonrooms.com.

In Focus: 1812 Theatre Company in Agatha Christie’s The Mirror Crack’d, Helmsley Arts Centre, April 23 to 26, 7.30pm

Jean Sheridan’s Miss Marple, left, and Jeanette Hambidge’s Cherry Baker in rehearsal for Miss Marple in Agatha Christie’s The Mirror Crack’d. Picture: Joe Coughlan

HELMSLEY Arts Centre’s resident troupe, the 1812 Theatre Company, present Rachel Wagstaff’s stage adaptation of Miss Marple in Agatha Christie’s The Mirror Crack’d, a story of revenge and dark secrets set in late-summer 1962 England, when the wind of change blowing through the land reaches sleepy St Mary Mead.

A new housing estate, The Development, is making villagers fearful of changing times. Stranger still, a glamorous Hollywood movie star has bought the manor house, Gossington Hall, throwing the village into a frenzy.

Meanwhile, Miss Jane Marple (played by Jean Sheridan) has injured her ankle, a temporary impairment that confines her to a chair, making her question if life has passed her by. Enter Scotland Yard’s Chief Inspector Craddock (Richard Bannister), the son of a very dear friend of the spinster sleuth, after the vicious murder of a woman, poisoned at a party held by film star Marina Gregg (Lucy Wilshaw). Now Miss Marple must unravel a web of lies, tragedy and danger.

All the party guests are suspect; as ever, everyone’s version of events is different. Who would have guessed that a famous poem by Alfred, Lord Tennyson would provide the key to the mystery?

Wagstaff’s play is an adaptation of Christie’s 1962 novel The Mirror Crack’d From Side To Side, first toured in 2019 with a cast led by Susie Blake as Miss Marple and Simon Shepherd as Chief Inspector Craddock. Blake reprised the role on tour at York Theatre Royal in October 2022.

Lucy Wilshaw rehearsing her role as American film star Marina Gregg. Picture: Joe Coughlan

“The title of the novel, and the shortened version for the play, is taken from the moment when the mirror of ‘The Lady of Shalott’ (from the Tennyson poem) cracks and the curse she’d feared now befalls her,” says director Julie Lomas.

“The novel’s plot was undoubtedly inspired by Agatha Christie’s reflections on a mother’s feelings for a child born with disabilities, and it is thought that she was influenced by happenings in the life of beautiful real-life actress Gene Eliza Tierney.

“There are several themes running through the novel, and the play, covering some of the changes in social history since the Second World War, including the class structure, racism and ageism.”

The novel was made into a film in 1980, with a multitude of star names, includimg Angela Lansbury as Miss Marple, Elizabeth Taylor as Marina Gregg and Edward Fox as Chief Inspector Craddock.

All the Miss Marple’novels were adapted for a BBC TV series shown in the 1990s, starring Joan Hickson as Miss Marple.

For tickets, ring 01439 771700 or book at helmsleyarts.co.uk.  

Who’s in the cast?

Becca Magson’s Lola Brewster and Richard Bannister’s Chief Inspector Craddock in the rehearsal room. Picture: Joe Coughlan

THE Mirror Crack’d was scheduled to be staged by 1812 Theatre Company in 2024, but that old enemy Covid intervened. After a few cast changes under new director Julie Lomas, the production is ready for next week’s run.

Miss Jane Marple: Jean Sheridan

Marina Gregg: Lucy Wilshaw

Cherry Baker: Jeanette Hambidge

Chief Inspector Dermot Craddock: Richard Bannister

Heather Leigh: Michele Hopley

Cyril Leigh: Steven Lonsdale

Jason Rudd: Beaj Johnson

Giuseppe Renzo: Barry Whitaker

Dolly Bantry: Lynn Goslin

Ella Zielinski: Linda Tester

Lola Brewster: Becca Magson

Who’s in the production team?

Jean Sheridan’s Miss Marple, left, and Lynn Goslin’s Dolly Bantry on the phone in rehearsal for 1812 Theatre Company’s production. Picture: Joe Coughlan

Director: Julie Lomas

Production assistant: Julie Wilson

Stage manager/properties: Anna Hare; Marcie Hughes

Technical director: James Bentley

Set design: Julie Lomas; Sue Elm

Set construction: Michael Goslin; Peter Ives; Russell Smith

Set painting: Pauline Noakes; Heather Linley; Denise Kitchin; Liz Ives; John Lomas

Sound design: Julie Lomas; John Lomas

Lighting design: Julie Lomas

1812 Theatre Company’s poster for next week’s production of Miss Marple in Agatha Christie’s The Mirror Crack’d

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Here comes The George Harrison Project at Joseph Rowntree Theatre on May 10

The George Harrison Project

THE George Harrison Project celebrates “the quiet Beatle’s” best-loved hits from the Fab Four, his solo career and The Traveling Wilburys at the Joseph Rowntree Theatre, York, on May 10 at 7.30pm.

Alongside John Lennon, Paul McCartney and Ringo Starr, Harrison helped The Beatles become the best-selling music act of all time with 600 million units shifted worldwide.

After the Liverpudlian four-piece called time on Beatlemania, Harrison released 12 solo studio albums, including 1970’s triple disc All Things Must Pass, 1973’s Living In The Material World, 1974’s Dark Horse, 1987’s Cloud Nine and 2002’s posthumous Brainwashed, following his death on November 29 2001.

 The George Harrison Project’s artwork, featuring multiple Harrison song titles

In 1988, in Malibu, California, Harrison co-founded the British-American supergroup with Jeff Lynne, Bob Dylan, Tom Petty and Roy Orbison.

Returning to York as part of the tribute act’s 2025 tour, The George Harrison Project combines such songs as Taxman, While My Guitar Gently Weeps, Something, Here Comes The Sun, All Things Must Pass, My Sweet Lord, Blow Away, Handle With Care and  Got My Mind Set On You with video footage and interesting facts about Harrison and his music.

For tickets, 01904 501935 or go to josephrowntreetheatre.co.uk.

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More Things To Do in York and beyond Gary Oldman as chocolate hits the sweet spot. Hutch’s List No. 16, from The York Press

Gary Oldman in rehearsal for Krapp’s Last Tape, opening at York Theatre Royal on April 14. Picture: Gisele Schmidt

GARY Oldman’s return to York Theatre Royal tops the bill of Charles Hutchinson’s recommendations. Chocolate is in the air too.

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, April 14 to May 17

ONCE the pantomime Cat that fainted thrice in Dick Whittington in his 1979 cub days on the professional circuit in York, Oscar winner Gary Oldman returns to the Theatre Royal to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since the late-1980s.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: New availability of returns and additional seats on 01904 623568 or yorktheatreroyal.co.uk.

Margaret Beech: Making “paper magic” for York Open Studios in Oaken Grove, Haxby, York

Art event of the week: York Open Studios, Saturday and Sunday, 10am to 5pm

YORK Open Studios showcases 163 artists and makers at 116 locations in its largest configuration yet in its 24 years. Artists and makers, including 38 new participants, span ceramics, collage, digital art, illustration, jewellery, mixed media, painting, printmaking, photography, sculpture, textiles and wood, Full details and an interactive map can be found at yorkopenstudios.co.uk; brochures in shops, galleries, cafes and tourist hubs. Admission is free.

Wrongsemble: Performing Three Little Vikings, a tale of cooperation, bravery and making your voice heard, at Helmsley Arts Centre

Ryedale children’s show of the week: Wrongsemble in Three Little Vikings, Helmsley Arts Centre, Saturday, 2.30pm

LEEDS company Wrongsemble present a bold and funny adventure story for little rebels by Bethan Woollvin, creator of Little Red and I Can Catch A Monster.  

Once upon a time in a Viking village, everything seems to be going wrong. Chickens are disappearing, trees are falling down. When the silly Chieftain won’t listen, can the three littlest Vikings figure out how to save the day in a 50-minute tale of cooperation, bravery and making your voice heard. Box office: 01439 771700 or helmsleyarts.co.uk.

Mark Stratford in Macready! Dickens Theatrical Friend, on tour at Theatre@41, Monkgate

Dickens of a good show of the week: Mark Stratford in Macready! Dickens’ Theatrical Friend, Theatre@41, Monkgate, York, tonight, 7.30pm

WRITER-PERFORMER Mark Stratford’s solo play tells the story of Macready, the Victorian actor-manager to whom Charles Dickens dedicated his novel Nicholas Nickleby. Capturing the joy, graft and tribulations of a life lived in theatre with passion, humour, emotion and multiple characters, Stratford journeys through the fascinating world of Victorian theatre and the extraordinary, conflicted life of Macready, from his first tentative steps on stage in a tatty country theatre to his final Drury Lane performance. Box office: tickets.41monkgate.co.uk.

Daniele Coombe, left, Rebecca Wheatley, Maureen Nolan and Carli Norris in Menopause The Musical 2 – Cruising Through The Menopause at the Grand Opera House

Musical of the week: Menopause The Musical 2 – Cruising Through The Menopause!, Grand Opera House, York, Sunday, 6pm

CARLI Norris, from Doctors, Hollyoaks and EastEnders, Maureen Nolan, of The Nolans, Rebecca Wheatley, from Casualty, and West End actress Daniele Coombe star in the final UK tour of this menopausal sequel.

Fast forward five years as the same characters set off on the high seas in this heartfelt, reassuring look at the “joys” of the menopause. Cue hot flushes, mood swings, memory lapses and weight gain on a bumpy trip of self-discovery, love and friendship, backed by a soundtrack of parodied hits. Box office: atgtickets.com/york.

The Storm Whale: Returning to York Theatre Royal next week after its first plunge in 2019. Picture: Northedge Photography

Revival of the week: The Storm Whale, York Theatre Royal Studio, April 15 to 19, 10.30am and 1.30pm

YORK writer and director Matt Aston revives his 2019 stage adaptation of Benji Davies’s tales of loneliness, love and courage, The Storm Whale, in a show built on puppetry, original songs and dialogue.

Noi lives with his dad and six cats by the sea. One summer, while dad was busy at work, Noi rescued a little whale, washed up on the beach. A friendship began that changed their lives forever. The following winter, his dad takes one last trip in his fishing boat. Alone once more, Noi longs to see his friend again. Will it take another storm to bring them back together? Box office: 01904 623568 or yorktheatreroyal.co.uk.

York Chocolate Festival: City centre will be chock-a-block with chocs’n’eggs for Easter

Festival of the week: York Chocolate Festival 2025, April 16 to 20, 10am to 5pm

YORK Chocolate Festival showcases everything sweet and chocolate from independent businesses in Parliament Street and around the city.

Highlights include the York Chocolate Festival Market; Chocolate Taste Trail; Ashley McCarthy’s Chocolate Sculpture and Family Easter Egg Hunt. Entry to the festival and market is free; some activities and events require tickets. Full programme at: yorkfoodfestival.com/programme.

Showaddywaddy: Rock’n’roll revivalists standing under the moon of love at the Grand Opera House

Rock’n’roll nostalgia of the week: Showaddywaddy, Grand Opera House, York, April 17, 7.30pm

SHOWADDYWADDY make the bold claim to be “the greatest rock’n’roll band in the world”, living up to that title for the past five decades, they say.

Formed in 1973 in Leicester, they have sold more than 20 million records. Here come Hey Rock And Roll,  Under The Moon Of Love, Three Steps To Heaven, When, Blue Moon, Pretty Little Angel Eyes et al. Box office: atgtickjets.com/york.

The Talkinator: Written by a human, performed by a human, Patrick Monahan

Comedy gig of the week: Patrick Monahan: The Talkinator, Theatre@41, Monkgate, York, April 18, 8pm

IN 2024, amid much talk of about AI taking over humans, only one man can out-talk the chat-bots and robots. Step forward Irish-Iranian comedian Patrick Monahan for one hour of stand-up comedy written by a human, performed by a human. Box office: tickets.41monkgate.co.uk.

The Divine Comedy: New album and York Barbican tour date. Picture: Kevin Westerberg

Gig announcement of the week: The Divine Comedy, York Barbican, October 21

NEIL Hannon will promote The Divine Comedy’s 13th studio album, September 19’s Rainy Sunday Afternoon, on a 16-date autumn tour. Tickets will go on sale on Thursday, April 17 at 10am at https://www.yorkbarbican.co.uk/whats-on/the-divine-comedy-2025/.

Written, arranged and produced by Hannon and recorded at Abbey Road Studios, the album spans his usual range of emotions – sad, funny, angry and everything in between – as he “works through some stuff”: mortality, memories, relationships and political and social upheaval. 

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