GLORY be, under Step 3 of the recovery roadmap, 150 people will be able to attend tomorrow’s (25/5/2021) livestream concert by The Howl & The Hum at York Minster.
The ground-breaking York band will perform with a nine-piece choir and four-piece string section in the Covid-secure cathedral setting.
Joe Coates, of concert co-promoters Please Please You, says: “We’re being meticulous in our planning and are delighted we can accommodate a small, socially distanced live audience.
“The band are really pulling out all the stops with the choir and the string section, with all the Covid-testing that goes with that.”
The Howl & The Hum will be joined at the 8pm to 9.30pm concert by Gina Walters and Lucy Revis, from the Sheffield bands Before Breakfast and Neighbourhood Voices.
The last time frontman Sam Griffiths graced a York stage with The Howl & The Hum, he was wearing angel wings with a nod to Christmas and Nativity plays at The Crescent in December 2019.
Might we see those wings again in the Nave of northern Europe’s largest medieval Gothic cathedral? “I feel like that’s been done,” says Sam, whose show announcement in March promised “a unique set to compliment the unique venue”.
“We’re thinking about a different way to approach it because it’s probably the most important gig we’ve done. Definitely no animal sacrifices and no indoor fireworks! But we do have a lot of exciting plans, though some of them I can’t tell you!”
York’s long-standing independent promoters Please Please You, independent York grassroots venue The Crescent and legendary Leeds venue and promoters The Brudenell [Social Club] are teaming up with the Chapter of York to present this one-off live performance by the York alternative rock outfit.
Confirmed at the fourth attempt of settling on a date, the show will be livestreamed at 20:15 (GMT) via ticket.co.For tickets, go to: ticketco.events/uk/en/m.
Tomorrow’s setlist will be built around The Howl & The Hum’s 2020 debut album Human Contact, whose prescient title chimed with pandemic times when such contact became more restricted, even barred, through the alienating cycle of lockdowns.
New material may well feature too. “I reckon it will,” promised Sam in March.
CANADIAN folk-rock singer-songwriter Ben Caplan will play Pocklington Arts Centre on November 11 on his European autumn tour.
His extensive itinerary will mark the tenth anniversary of his October 2011 debut, In The Time Of The Great Remembering, and will follow hot on the heels of Recollection, a retrospective collection of stripped back re-interpretations of songs from his back catalogue, out in October.
Pocklington Arts Centre venue manager James Duffy says: “I saw Ben perform at Cambridge Folk Festival in 2019 and was blown away, like the rest of the audience, with his performance.
“He has a fantastic stage presence and mixes a wonderful blend of musical styles from folk to gypsy through to rock. Imagine the love child of Tom Waits and Gogol Bordello and you’re getting somewhere close.”
Caplan, from Halifax, Nova Scotia, combines timeless melodies with a contemporary folk-rock twist, channelling wild abandon and quiet introspection in songs that evoke both the roar of the hurricane and the eye of the storm.
Caplan’s support act will be fellow Canadian Gabrielle Papillon, whose 2019 album, Shout, was propelled by equal parts synth, big pianos, and anger, “exploding in thoughtful, danceable art-pop anthems of uprising, hope and a delirious celebration of self”.
James says: “I’m delighted Gabrielle is accompanying Ben on this tour, as his support, as this enables PAC to introduce our audiences to another acclaimed Canadian singer-songwriter.
“I first saw Gabrielle perform at a Music Nova Scotia showcase event, several years ago, and have followed her career ever since.”
Tickets for Caplan’s 8pm show are on sale at £12 at pocklingtonartscenytre.co.uk or £14 on the door.
Review: York Stage in Songs From The Settee – Live On Stage, Theatre @41, Monkgate, York, until Sunday. Box office: yorkstagemusicals.com
SOFA, so good, that Nik Briggs decided to transfer Songs From The Settee from a streaming home service in lockdown to the John Cooper Studio for the first step in Step 3’s return to live theatre.
The York Stage producer-director had expected the home-recorded song sessions to run for maybe three weeks, instead they stretched to ten, as he told Thursday’s first-night audience in his role as master of ceremonies at the reopened Theatre @41.
Seating was cabaret-style, in social bubbles around tables, and protective Perspex screens were in place, just as they had been for Jack And The Beanstalk, the Covid-curtailed York Stage pantomime. Masks were obligatory; drink orders brought by staff to the tables.
Last summer, York Stage had resumed performing with a brace of songs-from-the-shows programmes in the open air of the Rowntree Park Amphitheatre, showcasing the singing chops of members past and present, socially distanced but able to combine solo spotlights and duets with lightly choreographed group numbers.
For Songs From The Settee – Live On Stage, nights one and two feature one company of solo singers under the musical direction of Jess Douglas; tomorrow and Sunday, different soloists under MD Stephen Hackshaw.
Across the four nights too, Nik and his two MDs are determined to turn the spotlight on recent stage-school graduates amid such difficult times for studying and breaking into the profession.
Solo performances are dominating, book-ended by group opening and closing numbers, last night being launched by Joanne Theaker, Lauren Sheriston and Sophie Hammond in Waitress mode for What Baking Can Do, one for all those who filled lockdown hours perfecting banana bread.
Assured, chuffed-to-be-playing-to-an-audience showcases followed for graduates with a York Stage teenage past, Stephanie Bolsher and Talia Firth, and, in between, University of York music student Elodie Lawry, ahead of her degree show on the theme of the underdog in musical theatre on Monday before becoming an Army musician. Holly Smith will have her showcases too over the remaining shows.
Joanne Theaker, in a skirt of Liquorice Allsorts colours, set a very high bar, as she always does, with a superbly balanced set, from Carole King’s big hug of an opener, You’ve Got A Friend, to a singalong Shout, via a humdinger of a duet with Briggs for Written In The Stars from Aida and the haunting Maybe This Time from Cabaret.
Best of all was the character piece, the tear-inducing Scarborough from Gary Barlow and Tim Firth’s musical version of Calendar Girls. York Stage have acquired the performing rights and you can bet your house on Joanne being in the cast.
Lauren Sheriston wondered how she could match up to Jo, but she has always been a stand-out in her York Stage shows, and her voice has matured wonderfully, equally at home in the contrasting Son Of A Preacher Man, Will You, from Ghost, and She Used To Be Mine, from Waitress, while Landslide from the Stevie Nicks repertoire for Fleetwood Mac was an inspired pick. We Will Rock You’s Somebody To Love was the Mount Everest of a finale, and Lauren climbed to the peaks with panache.
Sophie Hammond favoured the most contemporary set, one that made CharlesHutchPress feel a tad out of touch at 60, when encountering Breathe (In The Heights), Kiss The Air (Scott Alan), Issues (Julia Michaels), Ready For You (Matthew Stuart Price) and Don’t Forget Me (Smash).
Sophie’s choice would have benefited from a wider range of tempo, but Helpless, from Hamilton, was a knock-out, Monster, from Frozen, was full of Disney drama and Domino knocked spots off Jessie J’s original.
How else could the all-female bill end but with Joanne, Lauren and Sophie all smiles, happy to be back on stage, in tandem for a celebratory Girls Just Wanna Have Fun after perhaps a few too many sad songs overall.
Thanks, too, to Jess Douglas’s ensemble on keyboards, bass/double bass and drums . Over to Stephen Hackshaw for tomorrow and Sunday, when Grace Lancaster, Conor Mellor, Damien Poole and Emily Ramsden will be on the bill.
As for the “Settee” of the show title, familiar to York Stage regulars from past company service, it took a back seat. “Is it clean?” asked Joanne. “Yes,” said Nik. Anti-bac and all that, to meet the demands of presenting Covid-secure performances. No doubt it will be this way for some time yet, but step by step, theatre will revive, and York Stage will be to the fore.
And what about your own seat for the show? Hurry, hurry, only a few were still available at the last time of checking.
WHAT’s up with chatty art podcast duo Chalmers & Hutch? We need to talk about two steps forward, but Step 3 stumble? Deer Shed at Base Camp. LIVE theatre at last! Marc Bolan & T Rex: 21st Century Boy. Street art & what makes a “hero” fit for a mural?
Oh, and yes, Manic Street Preachers…pretentious or what?
THE Joseph Rowntree Theatre, in York, reopens its doors tonight with Covid-secure measures, socially distanced seating plan and the first of three performances of Strictly Cabaret.
Bev Jones Music Company principals Claire Pulpher, Chris Hagyard, Terry Ford and Larry Gibson will don their finest to entertain with a glittering cabaret set of their favourites at 7.30pm, to be followed by 2.30pm and 7.30pm performances tomorrow.
“Rat Pack, swing style, top musicals, film favourites, you name it, they will sing it,” says producer Lesley Jones. “Just sit back, reflect upon the year, clear your minds and be thoroughly entertained in the manner befitting the Bev Jones Music Company.
“All the cast will be principal performers in our June production of Jesus Christ Superstar at Rowntree Park, directed by Claire, who will play Mary, alongside Chris as Judas, Terry as Caiaphas and Larry as Pilate.”
Under the present JoRo regulations for Step 3 reopening, the Bev Jones Music Company (BJMC) were permitted a company of only four. “That proved to be a headache,” admits Lesley. “How can you entice an audience to a BJMC show with so few cast members? But by offering diversification in content, I think we’ve pulled it off by aiming at all age groups.”
Introducing the Strictly Cabaret programme, Lesley says: “In a forward-thinking move, Claire sings songs from Hamilton and Wicked and the hilarious Alto’s Lament, then changes style with a superb dance-based Whitney Houston number, I Wanna Dance With Somebody.
“Chris sings the powerful Pity The Child from Chess, the ever popular I Believe, plus a great swing performance of Mack The Knife and Cry Me A River; Terry performs Stars from Les Miserables, How Wonderful You Are and Tomorrow Never Comes, and Larry has chosen Luck Be A Lady, his favourite rock number from Chess, The Arbiter, plus the swing number The Lady Is A Tramp.”
Anything else, Lesley? “They’ll also all sing duets, trios and big group numbers, such as There Is Nothin’ Like A Dame and songs from Cabaret, Joseph and Abba,” she says.
“You can expect lots of humour and fun, plus power and pathos, but it was important to offer a chink of light after these dark days and hopefully remind people of a positive future.”
For tickets, go to: josephrowntree.co.uk.Jesus Christ Superstar will be staged at the Rowntree Park Amphitheatre, York, on June 12, 3pm, and June 13, 2pm and 5pm; same box office.
YORK Minster is not the only church building in York with a headline-making organ restoration project.
By comparison with the £2 million price tag to dismantle, clean and repair the 5,400 pipes of the cathedral’s grand organ, a sum of £410,000 has perked up the 1885 Denman organ at St Lawrence Parish Church, in Lawrence Street.
In an alternative kind of organ donation, It had been transferred from St Michael-le-Belfrey for restoration and installation by Malvern organ-building firm Nicholson & Co at St Lawrence.
To mark the project’s completion, the Anglican 19th century church will hold the St Lawrence Trinity Festival of music and services from May 29 to June 5 in light of the Step 3 relaxation of the Coronavirus restrictions.
The festival programme will include a demonstration of the organ by Nicholson & Co ahead of the inaugural recital by Robert Sharpe, York Minster organist and director of music, on May 29 at 10.30am.
In a Festal Choral Evensong on May 30, the restored organ will be blessed by the Bishop of Whitby, the Right Reverend Paul Ferguson, at 6.30pm.
Looking forward to the restorative festival, Jonty Ward, director of music at St Lawrence, says: “We are very pleased to have such a brilliant range of musicians from York coming to take part in the Trinity Festival 2021, and that there is such a magnificent instrument at the very centre of it.
“St Lawrence is the second-largest ecclesiastical building in York after only the Minster, providing plenty of space for people to attend the festival and safely enjoy the fantastic music as the church finally has an organ worthy of its size.”
Throughout the festival week, further organ recitals will be performed by musicians associated with St Lawrence and the City of York: William Campbell, May 31, 4pm; David Norton, June 1, 4pm; Jonty Ward, June 3, 4pm, and Timothy Hone, music and liturgy administrator at York Minster, June 4, 4pm.
The Black Sheep Consort will give a 7pm recital on May 31; the feast of Corpus Christi will be marked with a Sung Mass on June 3 at 7.30pm, and the festival will culminate with Choral Matins on June 5 at 11.30am.
Attendance is free to all the events, but booking is required for the Inaugural Recital (May 29) and the Festal Choral Evensong (May 30) at festival@stlawrenceparishchurch.org.uk.
St Lawrence Parish Church is on Lawrence Street, just east of Walmgate Bar, York. Postcode: YO10 3WP.
TONIGHT’s opening performance of York Stage’s Songs From The Settee – Live On Stage has sold out.
Only a handful of tickets are still available across the next three nights at Theatre @41, Monkgate, York, where director/producer is staging the series in the wake of a hit series of online shows. Hurry, hurry to book at yorkstagemusicals.com.
Briggs and his York production company never let the first pandemic lockdown grind them down, instead bringing together their performers, musicians and technicians remotely for a streamed concert season that played out over ten weeks under the title of Songs From The Settee.
“The idea was to keep the city entertained with top-quality musical theatre while we were in uncharted territory,” says Nik. “We thought the weekly publications would last three to four weeks, but before we knew it, we were at ten!
“We were blown away and driven by our friends and followers, who were engaging with the series and sending us messages, saying how we were helping them get through the week.”
The first online recording, Heroes All Around, was released on April 9 2020. “So, it felt like the perfect date, one year later, to announce what we’d be bringing to our audiences as theatres reopen with social distancing from May 17: Songs From The Settee – Live On Stage,” says Nik.
“From May 20 to 23, we have two different concerts that will run back to back under the same title at 7.30pm each evening.
“Musical director Jess Douglas will start the ball rolling with her band and some of York Stage’s finest vocal talents on May 20 and 21, before passing the baton to Stephen Hackshaw, who will bring in a new band and showcase more of the York Stage talent pool on May 22 and 23.”
The event will be staged in the Covid-secure John Cooper Studio at Theatre@41 on Monkgate, where audiences will be seated at cabaret tables, socially distanced from other bubbles around the studio. Drinks and refreshments will be served throughout the show with a table-service offering.
“Having produced a socially distanced pantomime, Jack And The Beanstalk, at Theatre @41 over Christmas, we know we can bring a show with full Covid compliance to the venue successfully and very much look forward to doing so,” says Nik.
Here CharlesHutchPress fires off a fusillade of questions for a round of quickfire responses from artistic director Nik Briggs:
What will be the format of each concert? Will each one have a separate theme? “Songs From The Settee: Live On Stage will bring some of the our online performances to the stage for the first time, alongside lots of other musical theatre and pop songs.
“There will be some group numbers of course, but the main part of the evenings will be made up of a series of cabaret/live lounge-type sets that will see our performers take to the stage solo with a collection of songs that mean something to them!
“Throughout lockdown, we saw a lot of people setting up their ring lights and creating mini- recording studios in their homes in order to continue to create and be creative and the evenings are set to celebrate the tenacity performers showed across the industry and the work they created in lockdown.
“I often say to younger performers who I work with, ‘Sing like you sing in your bedroom mirror and now it’s time to see what that mantra brings from our older performers!”
Will Jess and Stephen decide on each concert’s content or will you be involved too?
“These shows will be a real collaboration between the artists, musical directors and myself due to the nature of the evening.”
Who will be the singers for Jess’s shows and Stephen’s shows?
“On May 20 and 21, Jess will be working alongside Sophie Hammond, Lauren Sheriston, Joanne Theaker and some recent graduates.
“On May 22 and 23, Stephen will be returning to the musical director’s chair after a year for his concerts and he’ll be working with Grace Lancaster, Conor Mellor, Damien Poole, Emily Ramsden and, again, recent grads.
“Taking part across the four nights will be graduates Stephanie Bolsher, Holly Smith and Talia Firth, who have all performed with us previously, and Elodie Lawry, who will be graduating from the University of York this year.”
How will the stage be dressed for each show? What will be the dress code for the performers? “Well, we’re indoors this time, so we’ll not need as many layers as when we had our sell-out shows in Rowntree Park last August and September. Umbrellas certainly not called for! “There’s is no real dress code for this one though; our performers will be dressed to make them feel suitably fabulous and ready to entertain.”
Just wondering: will there be a settee (or ‘sofa’ as my mother has always insisted I should say) on stage?
“Of course! How could we have Songs From The Settee: Live On Stage without a settee? I joked that we should maybe have a sacrificial burning or destruction of the settee at the end of each show to symbolise Boris’s plans that these reopenings will be very much irreversible.
“The venue will be beautifully lit again by Adam Moore and his Tech 24:7 team.”
What did you learn from mounting the Songs From The Settee shows online series; will “streaming” continue to play a role in York Stage’s work?
“Who knows. What I think it showed was yet again York Stage are adaptable. We responded and worked hard to ensure we continued and provided top-notch entertainment for the city, even in the darkest, hardest times for theatre.
“As you yourself have often commented in reviews, we really aim to set the bar high with everything we do as a producer in York. We are unique in that we proudly sit between others in the city where we continually mix professional performers and production teams with only the best of York’s community actors.
“That is what makes us exciting and ensures we are are able to bring huge West End and Broadway titles to the city, alongside smaller concerts, plays and studio pieces, which all have high production values, the best performances and stories that are filled with spirit and heart.”
THE Indian Variant may be dampening down hopes for June 21, but Charles Hutchinson’s diary is still filled with hope, concerts, festivals, exhibitions and a Minster livestreaming.
Livestreaming of the week ahead: The Howl & The Hum, Live At York Minster, Tuesday, 8pm to 9.30pm
YORK rock band The Howl & The Hum are performing a one-off streamed concert in the Nave of York Minster on Tuesday, with tickets available via Brudenell.ticketco.events/.
The 8.15pm setlist will be built around last year’s debut album, Human Contact, whose prescient title chimed with pandemic times as such contact became more restricted, even barred. New material may well feature too. “I reckon it will,” says frontman Sam Griffiths.
A fistful of outdoor gigs: Songs Under Skies, National Centre for Early Music, York, in June
SONGS Under Skies will return to the NCEM’s churchyard gardens at St Margaret’s Church, Walmgate, York, next month.
Five outdoor acoustic double bills from 6.30pm to 8.30pm will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.
As with last September’s debut series, the socially distanced, Covid-safe season two will be presented in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance. Box office: at tickets.ncem.co.uk.
Children’s art show of the week in York: Hope projections, According To McGee, York, tonight, tomorrow, then Wednesday to Friday for the next two weeks, 6pm to 9pm nightly
HOPE springs nocturnal in a collaboration between primary school artists from York and around the world at York gallery According To McGee.
Under the title of Hope, the artwork will be on display in light projections in the window of the Tower Street gallery in a creative response to the pandemic.
Digital artists Nick Walters is overseeing evenings featuring projections of 350 artworks selected from 3,000 images from cities in 33 countries.
Jab in the arm for art: Sue Clayton’s 21 exhibition, NHS York Vaccination Centre, Askham Bar, York, until June 13
WHAT a captive audience for Sue Clayton’s portrait exhibition of children and young adults with Down Syndrome, presented in association with Pocklington Arts Centre (PAC).
As many as 3,000 people a day are attending the Askham Bar vaccination centre to receive a jab in the “Tent Of Hope”, where biodegradable prints of Sue’s paintings are in place.
The theme of 21 symbolises the extra 21st chromosome that people with Down Syndrome have, Sue’s energetic son James among them.
Gig announcement of the week in York: Manic Street Preachers, York Barbican, October 4
WELSH rock band Manic Street Preachers’ 14-date autumn itinerary will showcase the September 3 release of their 14th studio album, The Ultra Vivid Lament, on Columbia/Sony.
In a departure from 2018’s Resistance Is Futile, the new record is the first Manics’ studio set to be conceived initially on piano rather than guitar.
James Dean Bradfield, Nicky Wire and Sean Moore last played York Barbican in May 2019. Their support will be The Anchoress, the Welsh-born multi-instrumentalist, songwriter and author Catherine Anne Davies. Tickets sales go live tomorrow (21/5/2021) at 10am at yorkbarbican.co.uk.
Gig announcement of the week outside York: Culture Club, Scarborough Open Air Theatre, August 14
EIGHTIES’ icon Boy George and Culture Club are off to the Yorkshire seaside in a new addition to the packed Scarborough Open Air Theatre programme.
Bexleyheath-born frontman and fashion innovator George O’Dowd, who turns 60 on June 14, will perform alongside original band members Roy Hay and Mikey Craig in a “stunning live band”. Tickets go on sale for the 8,000-capacity show via scarboroughopenairtheatre.com tomorrow (21/5/2021) at 9am.
Festival launch of the week: York Early Music Festival 2021, July 12 to 16
PRESENTED by the National Centre of Early Music, the classical York Early Music Festival 2021 will have the theme of Encounters, most vitally between audience and artists after lockdown loosening.
Among the guest artists will be violinist Rachel Podger; lutenist Jacob Heringman; bass Matthew Brook; the Monteverdi String Band; harpsichordist Steven Devine; The Society Of Strange & Ancient Instruments; La Vaghezza and Ensemble Clement Janequin.
Taking part too will be vocal ensemble Stile Antico and Spanish Baroque ensemble L’Apothéose. Tickets are on sale at ncem.co.uk. Upcoming too will be YEMF 21 Online, from July 15 to 18, featuring festival concerts and commissioned highlights.
No Deer Shed 11 festival, but here comes Deer Shed: Base Camp Plus, Baldersby Park, Topcliffe, Thirsk, July 30 to August 1
AFTER last summer’s Base Camp, Deer Shed Festival co-directors Oliver Jones and Kate Webster have created Base Camp Plus with a female-headlined main stage, live music, DJ sets, comedy and shows. As with last year’s event, each camping pitch will contain its own Portaloo and washing facilities.
Jane Weaver, Dream Wife and Porridge Radio are the headliners; York bands Bull and New York Brass Band will be playing too; John Shuttleworth, Mark Watson and Angelos Epithemiou lead the comedy.
The organisers will adhere to the Step 3 restrictions in place since Monday, limiting the capacity, with social distancing and face coverings in covered areas. For tickets, go to: deershedfestival.com/basecampplus.
And what about?
Velma Celli in Love Is Love: A Brief History Of Drag, York Theatre Royal, May 29,8pm
YORK drag diva deluxe Velma Celli’s fabulous contribution to York Theatre Royal’s reopening Love Season will be one of Velma’s regular cabaret shows, re-titled Love Is Love: A Brief Of History Of Drag specially to meet the love brief.
Joining Velma – the creation of York musical actor Ian Stroughair – will be two guest acts, Jordan Fox, Ian’s co-star in Jack And The Beanstalk, and Jessica Steel, together with backing singers Kimberley Ensor and Grace Lancaster, musical director Ben Papworth, drummer Clark Howard and guitarist Al Morrison.
Ian last appeared on the Theatre Royal in Kes at the age of 14, all of 24 years ago.
YORK Early Music Festival 2021 will have the theme of Encounters for its five-day run from July 12 to 16.
Presented by the National Centre of Early Music (NCEM), the annual festival of classical concerts will include a celebration of the 500th anniversary of the Franco-Flemish genius Josquin des Prez.
“This year’s festival theme is one of encounters, most vitally between audience and artists, which seems particularly pertinent at a time when the festival can welcome audiences back to an array of York’s wonderful historic venues,” says director Delma Tomlin.
“We’re particularly delighted to announce that we’ll be working in partnership with the Flanders-based Alamire Foundation to present one of the highlights of the festival, a long-awaited concert by vocal ensemble Stile Antico.”
Renowned for their vibrant and expressive performances of music from the Renaissance, Stile Antico will perform in the resplendent surroundings of York Minster on July 13.
Among the guest artists for the 2021 event will be: violinist Rachel Podger; lutenist Jacob Heringman; bass Matthew Brook, working with Peter Seymour; the Monteverdi String Band, led by Oliver Webber; a York favourite, harpsichordist Steven Devine, with Robin Bigwood; The Society Of Strange & Ancient Instruments with their “weird and wonderful” Trumpet Marine Project; EEEmerging artists La Vaghezza, specialising in music from the 17th and 18th centuries, and the ever entertaining Ensemble Clement Janequin.
“The NCEM is also delighted to welcome Spanish Baroque ensemble L’Apothéose back to York as part of the Young Artists Showcase,” says Delma. “L’Apothéose last appeared in the city in 2019 when they won the York Early Music International Young Artists Competition and The Friends of York Early Music Festival prize. This year they will be recording a CD with Linn Records, which was part of their prize.”
Established in 1977, York Early Music Festival celebrates York’s myriad medieval churches, guildhalls and historic houses through “historically informed music-making of the highest international standard”. The festival is considered the jewel in the crown of the NCEM’s annual programme, drawing visitors from across the world.
“At last, we are able to welcome audiences back to York in person and we can’t wait!” says Delma. “ This year’s theme of Encounters celebrates the joy of music-making and being back together again to appreciate these glorious sounds together.
“For over a year, our home of St Margaret’s Church, in Walmgate, has been missing the energy and excitement that live audiences bring to us and we can’t wait to throw our doors wide open again. We hope you will join us for this five-day celebration of music and friendship in our beautiful city, bringing you world-class music from stunning surroundings.”
The festival concerts will take place in a Covid-secure, comfortable environment. “All tickets are unreserved and audience members will be seated on arrival within social bubbles,” says Delma. “Each concert will last about an hour without an interval. Covid advice will be updated according to government guidelines.”
York Early Music Festival also will be available online from July 15 to 18. YEMF ’21 Online will include concerts recorded during the festival alongside commissioned highlights, with guests including The Gesualdo Six and The Rose Consort Of Viols. Full details and tickets will be released on Wednesday, June 16.
Tickets for the live festival are on sale at ncem.co.uk
YORK EARLY MUSIC FESTIVAL 2021 LISTINGS
Monday, July 12, 1pm, NCEM, St Margaret’s Church, York: Illustrated talk: Oliver Webber, “Un non so che di frizzante: the madrigal as a cauldron of creativity”.
Monday, July 12, 6.30pm and 8.45pm, NCEM: Monteverdi String Band, with soprano Hannah Ely, The Madrigal Re-imagined.
Tuesday, July 13, 1pm, St Lawrence Parish Church, York: Steven Devine & Robin Bigwood, The Bach Circle.
Tuesday, July 13, 7.30pm, York Minster: Stile Antico, Sine Nomine: Josquin des Prez.
Tuesday, July 13, 9.15pm, St Lawrence Parish Church: Rachel Podger violin, The Violinist Speaks.
Wednesday, July 14, 1pm, NCEM: The Society Of Strange & Ancient Instruments, The Trumpet Marine Project.
Wednesday, July 14, 7.30pm, NCEM: La Vaghezza, Sculpting The Fabric.
Wednesday, July 14, 9.30pm, Merchant Adventurers’ Hall, York: Jacob Heringman, lute,Inviolata: Josquin des Prez.
Thursday, July 15, 11am, NCEM: Illustrated talk: John Bryan, Josquin des Prez: the first of the “great composers”?
Thursday, July 15, 1pm, Matthew Brook & Peter Seymour, Amore Traditore – Cantatas for bass and harpsichord.
Thursday, July 15, NCEM, 6.30pm and 8.45pm: Ensemble Clement Janequin, Mille Regretz: Josquin des Prez.
Friday July 16, 1pm, NCEM: L’Apothéose, The Family Stamitz.
BOY George and Culture Club are off to the Yorkshire seaside to play Scarborough Open Air Theatre on August 14.
Bexleyheath-born frontman and fashion innovator George O’Dowd, who turns 60 on June 14, will perform alongside original band members Roy Hay and Mikey Craig in a “stunning live band”.
Tickets go on sale for the 8,000-capacity show via scarboroughopenairtheatre.com on Friday (21/5/2021) at 9am.
Since their inception in 1981, Culture Club have sold more than 150 million records worldwide, clocking up such hits as Do You Really Want To Hurt Me, fellow chart topper Karma Chameleon, I’ll Tumble 4 Ya, Time (Clock Of The Heart), Church Of The Poison Mind, Victims, It’s A Miracle, The War Song, Move Away and I Just Wanna Be Loved.
In 1984, Culture Club picked up the Grammy Award for Best New Artists and the BRIT Awards for Best British Group and Best British Single.
Boy George’s New Romantic luminaries became the first group since The Beatles to have three top ten hits in the United States from a debut album (1982’s Kissing To Be Clever).
Scarborough Open Air Theatre (OAT) venue programmer Peter Taylor, of promoters Cuffe & Taylor, says: “I’ve wanted to bring Boy George and Culture Club to Scarborough OAT for some time, so I’m delighted we’ve been able to make this happen for this summer.
“George remains one of the most colourful and iconic pop stars in British history, a true music star around the world. Culture Club’s live shows are a true spectacle and this is going to be a really special night.”
For full details of Scarborough OAT’s summer season, go to scarboroughopenairtheatre.com.