SHED Seven will close their 2021 Shedcember tour with two nights at Leeds O2 Academy on December 20 and 21.
The 18-date itinerary will take in further Yorkshire shows at Sheffield O2 Academy on November 30 and Hull City Hall on December 1, but not a home-city gig for the York Britpop heroes, alas.
The Sheds’ concerts are billed as Another Night, Another Town – The Greatest Hits Live, in a nod of acknowledgement in the direction of last December’s 21-track live double album, and will start as ever in Scotland, on November 25 in Aberdeen.
“After what has been going in the world, we can’t wait to get out there and play what has become a biennial Christmas tradition in ‘Shedcember’,” says frontman Rick Witter. “You can expect the usual set, full of our hits, with a few surprises thrown in, and we can’t wait to hit the road. See you down the front.”
Chris Helme: New group project with Mark Morriss and Nigel Clark
Make sure to arrive in good time to catch the support act, very special guests MCH: a new venture for York singer-songwriter Chris Helme, once of The Seashorses, who is joined in this new acronym “supergroup” by Mark Morriss, from The Bluetones, and Nigel Clark, from Dodgy.
“For those enquiring, we’ll be playing a set consisting of new material as well as old favourites,” tweeted the trio today. “Easing you in gently, as it were. Not wishing to blow your minds too hard before the headline act do their thang.”
Tickets go on sale at 9am on April 29 at shedseven.com, gigsandtours.com and ticketmaster.co.uk.
BEER, bratwurst and all things Bavarian are on course for York Racecourse this autumn at the debut Yorktoberfest.
Mounted by James Cundall’s Jamboree Entertainment and Johnny Cooper’s Coopers Marquees, the October 28 to 31 event will follow the traditions of the first Oktoberfest, staged in Munich in 1810, where citizens were encouraged to eat, drink and be merry at the wedding of Crown Prince Ludwig of Bavaria and his princess bride.
So much fun was had that an annual tradition was born…and now residents of York and beyond will be invited to “eat, drink and be merry-go-round” at the Clocktower Enclosure on Knavesmire, where a giant Bavarian-styled beer tent and traditional funfair will set a festive scene.
Inside the marquee, authentic German beer and a range of German-inspired food will be served at an array of tables and benches, while York’s own Oompah Brass Band will add to the hearty fun with their “thigh-slapping, foot-stomping, feel-good music”.
Dancing is encouraged, as it has been at such gatherings for more than 200 years, as is the wearing of Lederhosen [traditional Bavarian men’s short trousers], Dirndls [Bavarian women’s rural domestic clothing, made from grey or coloured linen, sometimes with leather bodice and trim] or any other fancy dress, with nightly competitions and prizes for the best dressed.
Prost! Friends drinking together Bavarian beer in national costume or Dirndl at Oktoberfest. Likewise, fancy dressing German-style will be encouraged at Yorktoberfest
The Bavarian Bar also will serve wines, prosecco, spirits and soft drinks for those who prefer not to ‘hop’. A variety of food stalls will provide such essential favourites as sausages, schnitzels and pretzels, as well as vegan and vegetarian options.
Funfairs are integral to German Oktoberfests, and so Yorktoberfest will have its own traditional funfair, with Dodgems, Twister, Speedway and Chair-o-Plane delivering thrills
Yorktoberfest will have a limited capacity, with specific opening times: October 28 and 29, 7pm to 11pm; two sittings on October 30, 1pm to 5pm and 7pm to 11pm, and one sitting on October 31, 1pm to 5pm.
Tickets for Yorktoberfest are newly on sale at ticketsource.co.uk/yorktoberfest, priced at £15 per person for unreserved seating; £90 for a reserved table of six, and £135 for a VIP table of six, situated closest to the stage and with table service. An Early Beer(d) offer of £5 off per person is available on all ticket categories until July 31. Tickets will be on sale at the entrance too, subject to availability.
Yorktoberfest is produced by CMJ Events, a joint venture between the two York family-owned companies of Jamboree Entertainment and Coopers Marquees. CMJ Events will be bringing the York Spring Fair & Food Festival to the Clocktower Enclosure at York Racecourse from May 28 to June 6, as well as Sounds In The Grounds concerts by Beyond The Barricade, Abba Mania and A Country Night In Nashville from June 25 to 27, again at the Clocktower Enclosure.
Super troupers: Abba Mania will play at the Sounds In The Grounds concert at York Racecourse on June 26
Welburn producer James Cundall’s Jamboree Entertainment team brings 25 years of experience in producing live entertainment worldwide, and closer to home produces Yorkshire’s Winter Wonderland ice rink and funfair, Sounds In The Grounds concerts at five venues around England and The Great Ryedale Maze at Sherburn.
Cundall also presented Shakespeare’s Rose Theatre on the Castle car park pop-up Elizabethan theatre site in York in 2018 and 2019.
Coopers Marquees was established in the 1990s and is now the tenth largest marquee company in Great Britain, supplying a range of structures to events large and small.
Co-producer Cundall, chief executive of Jamboree Entertainment says: “We’re determined to bring events to York that people can enjoy after the long months of Covid restrictions. Yorktoberfest promises to be an evening of jollity, with beer, bands, and bratwurst. Dust off the fancy-dress outfits and come along!”
Co-producer Cooper, CEO of Coopers Marquees, says: “We’re looking forward to seeing one of our biggest marquees, at 160m long, installed on Knavesmire and themed with all things Bavarian, including a stage, bespoke thatched wooden barns, flags galore and generally everything needed for a great night out.”
Yorktoberfest will conform to all prevailing Government guidelines regarding Covid-19.
No Deer Shed 11, no James, no Tim Booth dance moves, as the 2021 festival is postponed
DEER Shed Festival has been postponed for the second successive summer under the pandemic cloud, this time the lack of viable Covid cancellation insurance being a hurdle too far.
Initially, encouraged by the Government roadmap to unlocking set in place on February 22, organisers Oliver and Katie Jones decided to go “full steam ahead” from July 30 to August 1 at Baldersby Park, Topcliffe, Thirsk.
They vowed to “work flat out” to deliver “what looks like a full fat Deer Shed 11”. Now, however, they have announced the postponement of the “three-day wonderland of music, arts, science and sport for all ages”, headlined by Stereolab, James and Baxter Dury.
New dates are in place for Deer Shed 12 from July 29 to July 31 2022, and the back-up plan of “exciting” new Base Camp Plus is in place for this summer.
In a website statement to Deer Shedders under the title “The bad news”, Oliver and Kate say: “We have made the decision to postpone Deer Shed until 2022. Many things remain uncertain for festivals this summer, but the lack of Covid cancellation insurance is the one hurdle we have been unable to clear.
“Earlier in the year, we were hopeful a Government-backed Covid insurance scheme would be in place, but we now have no reason to believe it will be despite frantic industry lobbying.”
The statement continues: “Deer Shed is still a 100 per cent independent family owned and run festival, and the risks of running without insurance leave Kate and myself financially exposed well beyond our comfort zone.
“We will, of course, offer ticket refunds for Deer Shed 11 or rollovers to Deer Shed 12. We really appreciate those of you who will again be able to support us by rolling over your tickets to 2022.”
Full details on the postponement can be found at: deershedfestival.com/dsf11postponement/, where all manner of questions are answered too. Any further questions should be emailed to info@deershedfestival.com.
Refunds applications should be made by April 29. Alternatively, Deer Shed can provide a voucher to the 2023 event if you cannot make the 2022 dates.
Under the headline “The good news”, Oliver and Kate confirm they instead will run a smaller event within their comfort zone: Base Camp Plus, an upgrade on last summer’s “hugely successful” Base Camp, with extra bits, on the July 30 to August 1 weekend.
This will take the form of “a safe camping weekend in Baldersby Park, with plenty of space, loads of camping options, including your own loo,” says the organisers. “Park next to your pitch, book next to your mates, bring the dog…
Oh deer: Deer Shed Festival’s announcement of this summer’s postponement
“Plus live music and comedy performances (at last!), food, drink, partying, campfires, workshops, theatre, well-being, swingballs and anything else we dream up.
“Of course, the plus does rely on continued progress in the unlocking roadmap. We will have more details in the coming weeks, space is limited, so register your interest and be first in line when we release tickets.” To express that interest, visit the website.
Looking ahead, the line-up for Deer Shed 10 last summer had rolled over to Deer Shed 11, but this will not be the case for 2022.
“After carrying the line-up over once before, we feel a fresh start for 2022 is necessary, particularly with some fantastic recent additions to the Deer Shed music and arts booking team,” say Oliver and Kate.
We know many of you were looking forward to seeing the acts billed at Deer Shed Festival 11, but we strongly believe this is the best option for facilitating the most exciting line-up possible next year.”
Deer Shed Festival joins early June’s Download Festival, at Donington Park, Leicestershire, and August’s five-day Boomtown, at Mattersley Estate, Hampshire, in announcing their cancellation this week in light of the Government still refusing to offer festival insurance against Coronavirus to such outdoor events.
All eyes now will be on Yorkshire’s biggest open-air event of the summer, Leeds Festival, set to play to full crowds with Covid-secure protocols in place from August 27 to 29 at Bramham Park, near Wetherby.
Festival organiser Melvin Benn, of Festival Republic, has been prominent in asking the Government to provide festival insurance, but Culture Secretary Oliver Dowden has resisted such calls again this week.
In a nutshell, independent festivals are reluctant to throw money at non-refundable costs without the assurance of insurance being in place.
As for bigger events, such as Leeds Festival, Mr Benn says: “The worry about insurance is not confined to the smaller festivals, I have that worry too. We’re all working really tightly together on all of this – the big festivals and small festivals are being very collaborative.”
In a letter to the Prime Minister, 42 Conservative MPs are asking the Government to support a £250 million insurance scheme to enable event organisers to “ensure that live music festivals can proceed with their plans to go ahead after 21 June”.
Watch this space for what will happen next as Roadmap Step 3 and Step 4 unfold, with the tantalising prospect of freedom from lockdown measures on Summer Solstice Day.
AHEAD of June 18’s release of his fourth album, To Carry A Whale, York singer-songwriter Benjamin Francis Leftwich discusses life, York, London, music, spiritual recovery, collaborations and the decade since his stellar debut, in conversation with Two Big Egos In A Small Car podcast duo Chalmers & Hutch.
Let Ian Massie take you to Another Place in his Northern Soul show at Ryedale Folk Museum, Hutton-le-Hole from May 17
NO mention of home entertainment here, as Charles Hutchinson decides to cast fears aside – albeit while acting responsibly – as he looks forward to theatres, bars, galleries, museums and music venues opening their doors once more.
Cupid, draw back your bow and let the beer flow, straight to the York Theatre Royal patio
LOVE is in the Step 2 air, and soon on the York Theatre Royal stage too for The Love Season from May 17.
Cupid’s Bar: Follow the arrow to the York Theatre Royal patio. Picture: Livy Potter
Perfect timing to launch Cupid’s Bar for five weeks on the Theatre Royal patio, where the bar will run from midday to 9.30pm every Thursday to Sunday, providing an outdoor space in the heart of the city for residents and visitors to socialise safely.
Working with regional suppliers, Cupid’s Bar will offer a range of drink options, such as draught beer from Black Sheep Brewery, Masham, and York Gin from, er, York.
Ian Scott Massie: Finding Northern Soul in his landscape watercolours and screenprints. Picture: Steve Christian
Exhibition of the month ahead outside York: Ian Scott Massie, Northern Soul, Ryedale Folk Museum, Hutton-le-Hole, North York Moors National Park, May 17 to July 11
MASHAM artist Ian Scott Massie’s Northern Soul show of 50 watercolours and screenprints represents his personal journey of living in the north for 45 years.
“The north is the truth of England, where all things are seen clearly,” he says. “The incomparable beauty of the landscape; the harsh ugliness left by industry; the great wealth of the aristocracy; the miserable housing of the poor; the civic pride of the mill towns and a people as likely to be mobilised by political oratory as by a comedian with a ukulele.”
The Waterfall Of Nikko-Zan In Shimotsuke Province, by Utagawa Hiroshige, 1853, from York Art Gallery’s show of rarely seen Japanese prints, Pictures Of The Floating World. Image courtesy of York Museums Trust
Reopening exhibition of the month ahead in York: Pictures Of The Floating World: Japanese Ukiyo-e Prints, York Art Gallery, from May 28
YORK Art Gallery’s display of rarely seen Japanese Ukiyo-e prints, complemented by much-loved paintings from the gallery collection, will go on show in a new Spotlight Series.
Marking next month’s gallery reopening with Covid-secure measures, Pictures Of The Floating World will feature prints by prominent Ukiyo-e artists such as Utagawa Hiroshige, along with works by those influenced by Japanese art, York artist Albert Moore and Walter Greaves among them.
This free-to-visit exhibition will highlight the significant impact of Japanese art on the western world and the consequential rise of the artistic movements of Aestheticism and Art Nouveau.”
Van the manoeuvre: Morrison’s York Barbican gigs put back to July
On the move: Van Morrison’s York Barbican shows
NO reopening date has yet been announced for York Barbican, but Irish veteran Van Morrison’s shows are being moved from May 25 and 26 to July 20 and 21.
“Please keep hold of your tickets as they will be valid for the new date,” says the Barbican website, where seats for Van The Man are on sale without social distancing, in line with Step 4 of the Government’s pandemic Roadmap to Recovery, whereby all legal limits on social contact are potentially to be removed from June 21.
Morrison, 75, will release his 42nd album, Latest Record Project: Volume 1, a 28-track delve into his ongoing love of blues, R&B, jazz and soul, on May 7 on Exile/BMG.
Lockdown love story: The taster poster for Alan Ayckbourn’s new play at the Stephen Joseph Theatre
New play of the summer: Alan Ayckbourn’s The Girl Next Door, Stephen Joseph Theatre, Scarborough, June 4 to July 3
AFTER the 2020 world premiere of his virus play Truth Will Out lost out to the Covid pandemic restrictions, director emeritus Alan Ayckbourn returns to the Stephen Joseph Theatre to direct his 85th play, The Girl Next Door, in the summer season.
“I wrote it back in Spring 2020. I like to think of it as a lockdown love story,” says Ayckbourn, introducing his touching, tender and funny reflection on the ability of love to rise above adversity and reach across the years.
Influenced by his own experiences in two “lockdowns”, one in wartime London in childhood, the other in the on-going pandemic in Scarborough, Ayckbourn will play with time in a plot moving back and forth between 2021 and 1941. Box office: sjt.uk.com.
May and April in tandem: York Barbican date for Imelda next spring on her first tour in five years
Gig announcement of the week in York: Imelda May, York Barbican, April 6 2022
IRISH singer-songwriter Imelda May will play York Barbican next April in the only Yorkshire show of her Made To Love tour, her first in more than five years.
“I cannot wait to see you all again, to dance and sing together, to connect and feel the sparkle in a room where music makes us feel alive and elevated for a while,” says May. “Let’s go!”
Last Friday, the 46-year-old Dubliner released her sixth studio album, 11 Past The Hour. The box office opens tomorrow at 10am at yorkbarbican.co.uk.
Dance like Fred Astaire…or more likely like Tim Booth as James end the summer at Scarborough Open Air Theatre
Gig announcement of the week outside York: James, Scarborough Open Air Theatre, September 9
WHERE better for James to announce a summer show in the week they release new single Beautiful Beaches than at Scarborough Open Air Theatre?
The Manchester legends will play on the East Coast in the wake of launching their new album, All The Colours Of You, on June 4. Tickets go on sale tomorrow (23/4/2021) at 9am at scarboroughopenairtheatre.com.
This will be the third that James, led by Clifford-born Tim Booth, have played Scarborough OAT after shows in 2015 and 2018.
The writers, actors, directors and organisers in a Zoom gathering for Next Door But One’s Yorkshire Trios at The Gillygate pub, York
And what about?
GOOD news: Live theatre bursts into life in York for the first time since December 30 when York community arts collective Next Door But One presents Yorkshire Trios in The Gillygate pub’s new outdoor seating area tomorrow and on Saturday.
Themed around Moments Yet To Happen, trios of actors, directors and writers will bring to theatre-starved York a quintet of short stories of laughter, strength, dreams and everything in between: a neighbour with a secret; a delivery driver full of wanderlust; an optimistic carousel operator; a poet inviting us into her world and a Jane McDonald fan on a soapbox.
Bad news for tardy readers? The 7.30pm shows have sold out.
Kati Debretzeni: Taking a tour of Europe through the “lens” of a violin on May 30 at Toll Gavel United Church in Beverley
BEVERLEY Early Music festivities for 2021 will have a new look in May and June.
As the Government’s phases of easing lockdown unfold, the National Centre for Early Music (NCEM), York, and the Beverley & East Riding Early Music Festival will present, not one, but two musical celebrations from the East Yorkshire town.
Beverley & East Riding Early Music Festival ’21 Live will run from May 28 to 30, followed by Beverley ’21 Online: Concerts, Talks and Hidden Gems on June 5 and 6.
Social-distancing restrictions and the festival’s commitment to accommodating all those who booked for last year’s postponed festival mean that only a limited number of tickets are on sale for the “in person” concerts at the end of May.
All the concerts, however, will be available to enjoy in the specially created digital festival, Beverley ’21 Online, on the first weekend in June.
Festival director Dr Delma Tomlin says: “We are delighted to be returning to Beverley and we’ve been working hard to ensure that our 2021 festival is available for everyone to enjoy. “As well as producing a live festival, for the first time we are delighted to invite you to join our festival online, which showcases of the majesty of the glorious county town of Beverley.”
Delma continues: “Beverley ’21 Online is a specially commissioned digital version of the festival filmed around the town and audiences will be able to enjoy all the concerts from the weekend, plus talks and exclusive footage of some of Beverley’s magnificent historic buildings.
Alva and Vivien Ellis: Teaming up for Angels In The Architecture at St Mary’s Church, Beverley, on May 29
“We hope you’ll join us for this joyous celebration of wonderful music set against the backdrop of this beautiful Yorkshire town.”
Beverley & East Riding Early Music Festival ’21 Live, Friday, May 28 to Sunday, May 30
May 28, Beverley Minster, 7.30pm to 8.40pm: Stile Antico, Toward The Dawn, sold out
This programme charts a course from twilight to sunrise, seductive and unsettling in equal measure. Thrill to the spine-tingling sounds of Allegri’s beloved Miserere and enter into the glorious sound world of Nico Muhly’s Gentle Sleep, a haunting setting of words by Shakespeare, written especially for the 12 voices of Stile Antico.
Singers: sopranos Helen Ashby, Kate Ashby, Rebecca Hickey; altos Emma Ashby, Cara Curran, Hannah Cooke; tenors Andrew Griffiths, Jonathan Hanley, Benedict Hymas; basses James Arthur, Will Dawes, Nathan Harrison.
May 29, St Mary’s Church, 12.30pm to 1.30pm: Alva, Angels In The Architecture
Vivien Ellis, voice, Giles Lewin, fiddles and bagpipes, and Leah Stuttard, mediaeval harps, perform songs and melodies spanning 1,000 years, revealing stories hidden in the stones of the beautiful St Mary’s Church.
Stile Antico: Twelve steps Toward The Dawn at Beverley Minster on May 28
May 29, Toll Gavel United Church, 7.30pm to 8.30pm: La Serenissima with Tabea Debus, recorder, “The Italian Gang”, sold out
Life-affirming music of 18th-century Venice, featuring Sammartini and Vivaldi, directed by Adam Chandler.
May 30, Toll Gavel United Church, 3pm to 4pm: Kati Debretzeni, violin, Through The Eye Of A Lens
A virtual tour of Europe through the “lens” of a violin, performed by one of the world’s leading exponents.
May 30, St John’s RC Church, Beverley, 6.30pm to 7.30pm: Ex Corde, Heaven On Earth: Thomas More’s Utopian Dream
Reflections based on Thomas More’s Utopia with vocal music by Robert Fayrfax and Josquin des Prez, plus the premiere of a commission by Christopher Fox, inspired by More’s vision, directed by Paul Gameson.
Ex Corde: Finding Heaven On Earth at ST John’s RC Church, Beverley, on May 30
May 29 and 30, Beverley Ballad Walks; Saturday, In And Around Beverley Minster, 4pm; Sunday, It All Happened In Beverley!, 10am, and In And Around Beverley Minster, 1pm
Taking place over the live festival weekend will be the hugely popular Ballad Walks, led by singer Vivien Ellis, brimming with songs and stories from the streets. The tales span 800 years of history and reveal Beverley’s sometimes murky past, as well as the fascinating tales of inhabitants.
Beverley ’21 Online, Saturday, June 5 and Sunday, June 6
TO ensure the festival can be enjoyed by the widest possible audience, all five concerts will be filmed and available online, with an added bonus of many exclusive treats.
Historian David Neave will talk about the Pilgrims of the East Riding, who left these shores in 1638 to set out for a new, and better, world in North America; Stile Antico share the music of the period through a specially commissioned film available to all ticket holders; and John Bryan, Emeritus Professor of Music at the University of Huddersfield, introduces the festival from the Rococo splendour of Beverley Guildhall.
There also will be opportunities to visit some of Beverley’s hidden gems in the company of guest curators Fiona Jenkinson and Dr Jennie England.
Further details of Beverley ’21 Online will be available from May 6.
For full Beverley Early Music festivities details, times and ticket prices, go to: ncem.co.uk.
Tickets are on sale now online at ncem.co.uk/whats-on-bemf/, by email to boxoffice@ncem.co.uk or on 01904 658338, but due to limited capacity, some events may be sold out already, and the organisers will be operating a waiting list via email sent to boxoffice@ncem.co.uk.
Twinnie: New EP and American release on its way too
YORK country-pop singer-songwriter Twinnie is releasing a reimagined five-track EP to mark the first anniversary of her debut studio album, Hollywood Gypsy.
The album was made BBC Radio 2’s Album of the Week after its chart peak of number one in the UK iTunes Country Chart and a five-week consecutive stay in the UK Country Top 20 Chart.
Since being launched on April 17 2020 on BMG, Hollywood Gypsy has been streamed more than seven million times across Spotify and was re-released as an acoustic package late last year.
Now, to bring a new dimension to the hit crossover record, Twinnie is releasing an EP exclusively via bandcamp that reimagines five of the songs as you have never heard them before: Better When I’m Drunk, I Love You Now Change, Hollywood Gypsy, Daddy Issues and Feeling Of Falling.
The artwork for Twinnie’s Hollywood Gypsy Reimagined
“Bringing a dynamic and powerful new stylistic to several of the tracks, the York performer delivers an emotive vocal and allow fans to find a new favourite with this exciting take on the album,” proclaims the press release.
The EP, out this week, will act as a bridge to new music from the pop-influenced artist, who is working on new material with revered producers in Nashville, Tennessee, for a project set for release soon via her American label, BBR Music Group.
Twinnie, 33, made her name as Twinnie-Lee Moore in West End and touring musicals, such as playing murderer Velma Kelly in the 2009/2010 tour of Chicago, and in the soap opera role of Porsche McQueen in Channel 4’s Hollyoaks from November 4 2014 to December 24 2015.
Twinnie will play a re-scheduled sold-out gig at The Crescent, York, on September 14. All tickets acquired for the original 7.30pm show remain valid, but refunds are available from your original point of purchase.
Twinnie will play The Crescent, York, on her rearranged tour
The poster for James’s return to Scarborough Open Air Theatre in September
WHERE better for James to announce a summer show on the day they release new single Beautiful Beaches than at Scarborough Open Air Theatre?
The Manchester legends will play on the East Coast on Thursday, September 9 in the wake of launching their new album, All The Colours Of You, on June 4. Tickets will go on sale on Friday (23/4/2021) at 9am at scarboroughopenairtheatre.com.
This will be the third that James, led by Clifford-born Tim Booth, have played Scarborough OAT after shows on May 22 2015 in the venue’s hindersome moat days and post-moat redesign on August 18 2018.
Bassist Jim Glennie says: “We always have a great night there – even back in the days when you had to cross the old moat to get to the audience! We’re looking forward to another very special night on the Yorkshire coast.”
“After all these years, we are still challenging ourselves and our fans,” says bassist Jim Glennie of James’s new album. “Enjoy.”
Peter Taylor, venue programmer for Scarborough OAT promoters Cuffe and Taylor, says: “We are absolutely delighted James are returning here this summer. They continue to be one of the UK’s most relevant and influential bands – pioneers of the Manchester music scene since the 1980s – and a must-see live act. Roll on September 9. It’s going to be an amazing night.”
New single Beautiful Beaches was written by Tim Booth in response to climate change migrations and the subsequent increasingly regular Californian fires bringing devastation to the community where he lived before moving to Costa Rica.
All The Colours Of You, James’ “sweet 16th” studio album, follows last December’s release of Live In Extraordinary Times, a double-CD and DVD concert recording built around their last studio album, 2018’s Living In Extraordinary Times.
Recorded in part before the Covid pandemic struck, All The Colours Of You was produced by Booth’s neighbour in Topanga Canyon, the Grammy award-winning Jacknife Lee, who has worked previously with U2, REM, Taylor Swift, Snow Patrol and The Killers.
Surfing in Scarborough? How can Tim Booth resist on September 9?
On production duties with James for the first time, Lee has bought a fresh approach to their sound, working remotely from his studio as he liaised with Booth and Glennie, reimagining, deconstructing and reassembling their demos and capturing a band in all their virtual glory.
Reflecting on the album’s creation, Booth says: “With all the s**t that went down in 2020, this was a miraculous conception and another big jump forward for us on the back of the last three albums. I hope it reflects the colours of these crazy times. Sweet sixteen is a proper album, no fillers and is up there with our best. With love, Tim.”
Glennie is pleased, proud and surprised by the record in equal measure. “Jacknife has pushed us and the songs somewhere new and it’s very exciting,” he says. “After all these years, we are still challenging ourselves and our fans. Enjoy.”
The track listing on James’s first album on Virgin Music will be: ZERO; All The Colours Of You; Recover; Beautiful Beaches; Wherever It Takes Us; Hush; Miss America; Getting Myself Into; Magic Bus; Isabella and XYST.
The artwork for James’s “sweet 16th” studio album, All The Colours Of You, out on June 4
Looking ahead, James will open their seven-date 2021 tour at Leeds First Direct Arena on November 25, supported by fellow Manchester maverick institution Happy Mondays. “Soo looking forward to seeing you,” said Booth, when announcing the gigs last November on Twitter and at wearejames.com.
“We’re playing with the brilliant Happy Mondays. Last played with them in 1988, hopefully this time they won’t steal our rider or try and spike my drink…”
The tour has sold faster than any previous James tour, chalking up 60,000 ticket sales for shows in Leeds, Birmingham, Cardiff, Glasgow, Dublin, Manchester and London. Remaining tickets are available at: https://wearejames.com/live/
In the summer, James will play a second North Yorkshire outdoor gig, headlining the Saturday bill at Deer Shed Festival 11, confirmed to run from July 30 to August 1 at Baldersby Park, Topcliffe, near Thirsk.
“I cannot wait to see you all again, to dance and sing together, to connect and feel the sparkle in a room where music makes us feel alive,” says Imelda May. Roll on next April
IRISH singer-songwriter and poet Imelda May will play York Barbican on April 6 2022 in the only Yorkshire show of her first major UK tour in more than five years.
Meanwhile, May and April will unite on Friday (16/4/2021) when the 46-year-old Dubliner releases her sixth studio album, 11 Past The Hour, on Decca Records.
Tickets for May’s 12-date Made To Love Tour next spring will go on general sale on April 23 at 10am at yorkbarbican.co.uk, gigsandtours.com and ticketmaster.co.uk and on 0203 356 5441.
“I cannot wait to see you all again, to dance and sing together, to connect and feel the sparkle in a room where music makes us feel alive and elevated for a while,” says Imelda. “A magical feeling we can only get from live music. Let’s go!”
Imelda May’s new album, 11 Past The Hour, is out on Friday
On a record that “brims with sensuality, emotional intelligence, spirituality and intuition, marking a new chapter for Imelda and showcasing her at her most authentic”, May collaborates with Rolling Stone Ronnie Wood, Noel Gallagher, Miles Kane and Niall McNamee.
Feminist thinkers and activists Gina Martin and Dr Shola Mos-Shogbamimu make inspired contributions too to an album that adds up to “an invigorating blast of rock’n’roll with a purpose”.
Born and raised in The Liberties area of Dublin, May – real name Imelda Mary Higham – was discovered by boogie-woogie pianist Jools Holland, who asked her to tour with him.
She has since performed duets with U2, Lou Reed, Sinead O’Connor, Robert Plant, Van Morrison, Jack Savoretti and Elvis Costello and has featured on albums and live tours with Jeff Beck, Jeff Goldblum and Ronnie Wood.
Branching out into poetry: Imelda May’s 2020 EP, Slip Of The Tongue
May last played York Barbican in May 2017 in support of her T-Bone Burnett-produced Top Five album, the post break-up record Life. Love. Flesh. Blood, and previously performed there in November 2011, two years on from a show at The Duchess in her bequiffed retro-rockabilly Love Tattoo days.
Not only a singer and songwriter but also a multi-instrumentalist, equally adept on bodhrán, guitar, bass guitar and tambourine, last year she added another string to her bow: poetry.
Last June, in the cauldron of the 2020 Black Lives Matter movement, she released You Don’t Get To Be Racist And Irish, a sentiment adopted subsequently by the Irish government’s ReThink Ireland campaign on billboard display.
This was followed in October by the reflective nine-poem Slip Of The Tongue EP, set to an uplifting soundscape as May addressed such themes as home and love, feminism, the harsh realities of life, defiance, lovelorn longing and escapism.
Now comes 11 Past The Hour, to be followed by next April’s tour, for which VIP packages, including access to soundcheck and a Q&A with May, are available. Eager fans can secure exclusive access to a presale for the tour when they pre-order the new album from May’s store at imeldamay.tmstor.es.
What was Charles Hutchinson’s verdict when Imelda May played York Barbican on May 16 2017?
Imelda May: “The blues, rock, soul and gospel-singing, mature May is a cut above the more derivative, bouncier, boom-boom past”
WHEN else would Imelda May tour but in May, when every day is a May day, 17 dates in all this month on the Irish pocket dynamo’s first British travels in three years.
“It’s been a while,” said the 42-year-old Dubliner, reintroducing herself to a pleasingly full York Barbican crowd for the first time since November 2011. “Thank you very much for sticking with me and turning up tonight.”
Much has changed in that time. Imelda ditched the rockabilly look and sound last sported on 2014’s Tribal album; her 18-year marriage to guitarist Darrel Higham ended; she turned 40; she gave herself permission to find new love; she allowed her spectacular voice full range in her song-writing for the first time since hit single Johnny Got A Boom Boom steered her down Retro Avenue.
The artwork for Imelda May’s 2017 album Life. Love. Flesh. Blood
All this is reflected in her post break-up March album, Life. Love. Flesh. Blood, whose every song – even from the deluxe edition – was in Tuesday’s setlist, bolstered by a couple of Sixties covers (The Animals, The Shangri-Las) and a smattering of May oldies. That’s confidence for you, and one met approvingly by an audience of Imelda’s age and upwards who had in turn experienced Life. Love. Flesh. Blood.
Dressed in black, down to her ankle boots, with hair designed to a Chrissie Hynde template, Imelda began seated as if in a scene from the musical Chicago, she and guitarist Oliver Darling picked out by spotlights for Call Me: the album opener that announces the blues, rock, soul and gospel-singing, mature May is a cut above the more derivative, bouncier, boom-boom past.
Stage lit warmly by nine copper-toned lamps, May fronted a wonderfully responsive band, the guitars and Al Gare’s double bass complemented by saxophone and trumpet, as she sang from and to the heart, with Black Tears, The Longing and The Girl I Used To Be particular highs. The girl she used to be is still there, but the 2017 Imelda May is flowering in fullest bloom.
“It’s happening!” says Velma Celli as York cabaret star moves residency to Impossible, York, from next month. Picture: Charlie Kirkpatrick, Kirkpatrick Photography
YORK’S drag diva deluxe Velma Celli is on the move.
Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.
In comes a resplendent residency from next month at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.
“It’s happening!” says an excited Velma Celli, the exotic international drag alter ego of musical actor Ian Stroughair, last seen on a York stage in December as the villainous Fleshius Creepius in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.
“Velma has a new residency!! My very first live gig at the utterly fabulous Impossible, York. May 21st. Doors 7pm. Show 8pm! My very special guest is [York soul sister] Jessica Steel (obvs). More special West End guests to be announced! Grab those tickets as it will sell out!”
Take that advice, Velma insists. “50 per cent of tickets have gone! If you want to come to opening night, don’t wait to book! This baby is flying!!!!”
“Basically, it’s replacing the shows at The Basement, where we don’t know when it will reopen for shows under Covid guidance as it’s a small space,” says Ian, as he switches from the impossible to Impossible, York.
“I met the Impossible manager, Stephanie, in December, meeting her between Jack And The Beanstalk shows, and then five weeks ago she knocked on the window saying, ‘I’ve been trying to contact you!’.
How the other half lives: Exit alter ego Velma Celli, enter Ian Stroughair, musical actor, playing Fleshius Creepius in York Stage’s pantomime Jack And The Beanstalk
“And so the first Velma Celli Show there will be on May 21, up the stairs, in the fabulous Impossible Wonderbar setting overlooking the square, with more shows to be announced later. This one will be fun, comedic, with stand-up, impressions, the usual mix of rock, pop and the blues, plus Jess and guests.”
Ian first moved back to York for Lockdown 1 when the pandemic sent him home from a Velma Celli Australian tour and he plans to settle back in his home city permanently from May, travelling to London for three days a week when necessary.
Streamed concerts, first from a Bishopthorpe kitchen and latterly from a riverside abode by the Ouse Bridge, have kept Velma Celli’s voice in spectacular working order, sometimes accompanied by Jessica Steel, leading light of Big Ian Donaghy’s fundraising A Night To Remember shows at York Barbican.
“Jess is reopening her salon [Rock The Barnet in Boroughbridge Road] from Monday, so we did our last stream together last night, Last Online – A Grand Finale, that ticket holders can see until Sunday,” says West End star Ian, who has appeared in such musicals as Cats, Fame, Chicago and Rent, but had to forego a long run in Funny Girls in Blackpool last year, thwarted by Killjoy Covid.
