Review:Ryedale Festival 40th Anniversary Season, Nicola Benedetti/Leonard Elschenbroich/Alexei Grynyuk Trio, Church of St Peter & St Paul, Pickering, June 4
CONCERTO soloists need to have well-developed egos. They have to put their musical personalities out there. Composers demand it, audiences expect it. But when it comes to chamber music, a completely different mind-set is required.
Nicola Benedetti is most likely to be found, professionally speaking, playing her Stradivarius in front of an orchestra; similarly, cellist Leonard Elschenbroich and pianist Alexei Grynyuk are equally renowned as soloists. But when the three of them team up they must submerge their talents into the ensemble.
In the first of two identical “launch”concerts on Friday for next month’s Ryedale Festival (whose details will be announced in a fortnight), they shared considerable insights – and immense joy – with a live audience, in trios by Beethoven and Brahms.
Czerny tells us that Beethoven wrote his Piano Trio in E flat, Op 70 No 2, for Countess Erlödy, shortly after staying with her in Hungary. Some bread-and-butter letter! His soft spot for the countess – they exchanged a number of letters – is underlined by the marking dolce (sweet) at various points in all four movements.
Nicola Benedetti, Alexei Trynyuk and Leonard Elschenbroich: “When the three of them team up they must submerge their talents into the ensemble,” says reviewer Martin Dreyer
The opening Poco Sostenuto evoked poignant reflection on the tribulations of the pandemic. Thereafter, barely a passing cloud disturbed the music’s sunny charm and good humour. The key to its success was the restraint and sensitivity of Grynyuk’s piano. Time and again his quiet intelligence drew us into the intimacy of the texture.
The double theme and variations of the second movement – very rare in Beethoven – attracted a little fierceness when in the minor key, as a Hungarian dance should, but was teasingly spaced at the end.
The second Allegretto’s Schubertian melody was neatly shared between violin and piano, while the unrelenting energy of the finale was irresistibly invigorating. Just what the doctor ordered.
Brahms’s Second Piano Trio, in C major, opens with such an impetuous, heavily larded piano role that the strings are always going to be stretched to maintain some kind of balance. There were moments here when they became temporarily submerged. But order was restored when dialogue between the strings emerged with clarity in the development section, and the approach to the closing unison was reached in satisfying style.
The slow movement was contrastingly sombre, its second theme serenely introduced by the cello. The will-o’-the-wisp scherzo – with a very smooth trio – was crystallized by its final pizzicato. The finale threw caution to the winds, in the grandest romantic manner. At no time did we feel that this was anything but a well-oiled ensemble, quite without individual pretensions. It was all about teamwork.
Kinky Sex: Grayson Perry’s first ceramic, from his Pre-Therapy Years exhibition at York Art Gallery
SHEER art attack podcasters Chalmers & Hutch discuss the cracking ceramics exhibition Grayson Perry: The Pre-Therapy Years at York Theatre Royal in episode 45 of Two Big Egos In A Small Car.
What’s on Graham’s Lonely Film Club Night list?
How does the passing of time judge Nick Drake, Bowie, Dylan and…Sinead O’Connor, singer, agent provocateur and now autobiographer? More Sinned against than Sinning?
What are all those flags on Harrogate Stray? Graham flags up Luke Jerram’s NHS tribute installation, In Memoriam.
In suspense: Ockham’s Razor go aerial for This Time at York Theatre Royal
FROM circus at York Theatre Royal, to Moby Dock on a Hull dry dock, Benedetti in Pickering to Riding Lights on film, Charles Hutchinson enjoys his ever busier perch to spot what’s happening.
Circus in town: Ockham’s Razor in This Time, The Love Season, York Theatre Royal, June 8 and 9, 8pm
CIRCUS theatre company Ockham’s Razor’s This Time is a show about time, age and the stories we tell ourselves, presented by a cast ranging in age from 13 to 60.
Circus and aerial skills, autobiographical storytelling and original equipment combine in a visual theatre piece that looks at love, support and struggle in families, alongside perceptions of strength and ability: how we are strong in different ways at different times in our lives.
Nicola Benedetti: Live and In Person for Ryedale Festival. Watch out for Martin Dreyer’s review for CharlesHutchPress
Festival residency of the summer: Nicola Benedetti: Live and In Person, Ryedale Festival 40th Anniversary Launch Concert, Pickering Parish Church, tomorrow (4/6/2021), 4pm and 8pm
TOMORROW, in-person music making returns to Ryedale Festival at Pickering Parish Church, when Scottish-Italian violinist Nicola Benedetti opens her 2021 festival residency by launching the Live and In Person series.
She will join her regular chamber music partners, cellist Leonard Elschenbroich and pianist Alexei Grynyuk, to perform one of Beethoven’s wittiest and most loveable works and an inspired piano trio by Brahms.
May Tether: Last seen in York as Jill in York Stage’s pantomime , Jack And The Beanstalk; now the Goole actor will appear as Lily in John Godber Company’s Moby Dick on Hull dry dock. Picture: Ant Robling
Outdoor play of the month: Moby Dick, John Godber Company, Stage@The Dock, next to The Deep, Hull, until June 12
JOHN Godber and Nick Lane’s radical reworking of Herman Melville’s epic novel, Moby Dick, is being staged in Hull’s dry dock amphitheatre by an East Yorkshire cast of eight from the John Godber Company
Adhering to Covid-safe rules, and with a playing time of 70 minutes and no interval, this fast-paced physical production transports socially distanced audiences to the deck of Captain Ahab’s ship the Pequod in his catastrophic battle with the monster white whale, Moby Dick.
Godber’s production references Hull’s global importance as a port, its former prowess as a whaling centre and contemporary conservation issues of conservation.
Riding Lights’ poster for the York International Shakespeare Festival stream of the York’s company’s theatre-on-film performance of Pericles
“Film” of the week: Riding Lights Theatre Company in Pericles, York International Shakespeare Festival, online, tomorrow (4/6/2021) to Sunday
YORK company Riding Lights present their sparkling, streamlined, 80-minute theatre-on-film performance of a lesser-known but still gripping Shakespeare work, Pericles, The Prince Of Tyre, online.
In a “perilous voyage through the storms of life”, brave adventurer Pericles sets off to win the girl on everyone’s lips. Uncovering a sinister truth, he plunges into a rolling surge of events that leaves him broken, gasping for life.
Topical themes of abuse of power, desperate crossings of the Mediterranean and sex trafficking ensure this extraordinary saga sails uncomfortably close to home. For tickets, go to ridinglights.org/pericles.
Roger Taylor: New solo album, “surprise” solo tour, for Queen drummer. Picture: Lola Leng Taylor
York gig announcement of the week: Roger Taylor, Outsider Tour, York Barbican, October 5.
QUEEN legend Roget Taylor will play York Barbican as the only Yorkshire show of his “modest” 14-date Outsider tour this autumn.
In a “surprise announcement”, rock drummer Taylor, 71, confirmed he would be on the road from October 2 to 22. “This is my modest tour,” he says. “I just want it to be lots of fun, very good musically, and I want everybody to enjoy it. I’m really looking forward to it. Will I be playing Queen songs too? Absolutely!”
Outsider, his first solo album since 2013’s Fun On Earth, will be released on October 1 on Universal, dedicated to “all the outsiders, those who feel left on the sidelines”.
Put back in the Summer Of ’22: Bryan Adams moves his Scarborough Open Air Theatre and Harewood House concerts to July 2022
On the move: Changes afoot at Scarborough Open Air Theatre for 2021 and 2022
CANADIAN rocker Bryan Adams is moving his entire ten-date UK outdoor tour from 2021 to the summer of ’22, now playing Scarborough Open Air Theatre on July 1 and Harewood House, near Leeds, on July 10. Tickets remain valid for the new shows.
In further OAT changes, Kaiser Chiefs have moved to August 8; Keane, August 21; Olly Murs, August 27; UB40 featuring Ali Campbell and Astro, August 28; Snow Patrol, September 10, and Duran Duran, September 17. Westlife stick with August 17; Nile Rodgers & Chic with August 20.
For next summer’s line-up, Ru Paul’s Drag Race: Werq The World has changed to May 29 2022; Crowded House, June 11; Lionel Richie, July 2, and Lewis Capaldi, July 7.
Quiet Beech Wood, mixed media, by Janine Baldwin at Blue Tree Gallery, York
Exhibition of the week: Summer Eclectic, Blue Tree Gallery, Bootham, York, until July 3
SUMMER Eclectic marks the reopening of Blue Tree Gallery after a run of online shows.
“It’s good to see York open again for all to visit and enjoy, as we help to keep York culturally alive, safe and well,” say Gordon and Maria Giarchi and their gallery team. “We’ll be open to the public with this show and it’s available online too.”
On view are original paintings by Yorkshire artists Janine Baldwin, Colin Cook, Deborah Grice and Karen Turner.
Director Emilie Knight: Holding auditions for York Shakespeare Project’s Sonnets At The Bar. Here she is pictured playing Covid Nurse in 2020’s Sit-Down Sonnets at Holy Trinity churchyard, Gillygate, York
Auditions of the week: York Shakespeare Project’s Sonnets At The Bar, Bar Convent, York, Friday and Saturday
YORK Shakespeare Project has a not-so-secret new location for its latest sonnet adventures, the secret garden of the Bar Convent Living Heritage Centre, in Blossom Street, York, for Sonnets At the Bar 2021 from July 30 to August 7.
Open-to-all auditions will be held at the Bar Convent tomorrow (4/6/2021) from 5pm and on Saturday from 10am. Those wanting to arrange an audition time should contact director Emilie Knight at emknight65@aol.com, putting ‘Sonnets’ in the heading and indicating a preference of day and time day and time.
“I will provide details of everything you need to prepare when confirming your audition time,” says Emilie, who performed in last year’s Sit-down Sonnets.
Roger Taylor: New lockdown album, new tour, in the year of the Outsider
QUEEN legend Roger Taylor will play York Barbican on October 5 as the only Yorkshire show of his “modest” 14-date Outsider tour this autumn.
In a “surprise announcement” today, rock drummer Taylor, 71, confirmed he would be on the road from October 2 to 22.
“This is my modest tour,” he says. “I just want it to be lots of fun, very good musically, and I want everybody to enjoy it. I’m really looking forward to it. Will I be playing Queen songs too? Absolutely!”
Taylor’s solo travels will combine new material from his October 1 lockdown album, Outsider, with solo material down the years and an “enthusiastic foray” into the Queen back catalogue.
Taylor made: Queen drummer Roger Taylor’s lockdown solo album, Outsider, set for release on October 1
Prompted by the pandemic pressing the pause button on Queen + Adam Lambert’s UK and European tour until 2022, Taylor has decided to give his first live performances outside Queen in more than two decades.
This autumn’s intimate concerts will “showcase his distinctive percussive, vocal and songwriting talents that have been integral to Queen’s live and recorded output since 1970”.
Taylor penned such Queen favourites as A Kind of Magic, Radio Ga Ga, I’m In Love With My Car, Sheer Heart Attack and These Are the Days of Our Lives, complemented by five albums under the name of Roger Meddows Taylor: Fun In Space, 1981; Strange Frontier, 1984; Happiness, 1994; Electric Fire, 1998, and Fun On Earth, 2013.
He also made three albums with the band The Cross, releasing Shove It in 1988, Mad, Bad And Dangerous To Know in 1990 and Blue Rock in 1991.
Drum role: Roger Taylor in familiar mode
Over the past decade, Taylor has recorded the occasional solo number, reflecting on his worldview and observations in such songs Journey’s End, Gangsters Are Running and, last year, the aptly named Isolation, written in response to the first lockdown.
Now comes Outsider, the multi-instrumentalist’s first studio set of new material since 2013’s Fun On Earth, much of it penned and recorded during lockdown in a reflective mood. Conveying a sense of seclusion and concern over the passing of time, tellingly he dedicates the album to “all the outsiders, those who feel left on the sidelines”.
Giving the inside track on recording Outsider in the wake of Isolation, Taylor says: “I’ve had a bit of a creative spurt and suddenly found myself with an album, which was lovely. It was a surprise! I just found myself in the studio and they came out one after the other. It was a pleasure really.”
Under lockdown conditions, a highly personal project evolved, wherein Outsider’s instrumentation was performed almost entirely by Taylor, with his largely restrained vocals matching the predominantly contemplative ambience, although he did cut loose for a burst of hard-riffing blues-rock and an adrenaline-fuelled re-tread of a classic 1965 novelty song. Wait and see which one, when Outsider surfaces on October 1 on Universal.
Tickets go on pre-sale from 10am on June 8 at shop.emi.com/rogertaylor/.
CANADIAN rocker Bryan Adams is moving his entire ten-date UK outdoor tour from 2021 to the Summer of ’22.
Next year, he will play Scarborough Open Air Theatre on July 1 and Harewood House, near Leeds, on July 10. Tickets remain valid for the new shows.
Adams, 61, will be making his second appearance at the Scarborough arena after his sold-out debut on August 8 2016. Once more, he will do Run To You, Cuts Like A Knife, Summer Of ’69, I Do It For You et al for you.
Prompted by Cuffe and Taylor, this summer’s Scarborough OAT programme bears a much-changed look, with some shows moving to later in the summer, others being put back to 2022, and late additions at the back end of the 2021 season too.
Boy George and Culture Club: Playing Scarborough Open Air Theatre on August 14
For this year’s diary, UB40 featuring Ali Campbell and Astro, have switched from June 19 to August 28; Snow Patrol, from July 3 to September 10; Duran Duran, from July 7 to September 17; Keane, from July 9 to August 21; Olly Murs, July 10 to August 27, and Kaiser Chiefs, July 11 to August 8.
Westlife’s sold-out show retains its August 17 date; likewise, Nile Rodgers & Chic stick with August 20.
Crowded House, the Australian band re-formed by New Zealander Neil Finn, move from June 8 2021 to June 11 2022; Lionel Richie, from June 12 2021 to July 2 next summer; Ru Paul’s Drag Race: Werq The World, from June 20 to May 29; Lewis Capaldi, from July 25 to July 7. The Beach Boys’ June 20 concert this summer is yet to be rearranged.
Additions to the 2021 calendar are: Stereophonics, July 28; Culture Club, August 14; Anne-Marie, August 2, and James, September 9.
Tickets are on sale at: scarboroughopenairtheatre.com.
“I feel over-excited! I cannot wait! Get me on that stage!” says Ian Stroughair/Velma Celli ahead of Saturday’s Love Is Love: A Brief History Of Drag show at York Theatre Royal. Picture: Kirkpatrick Photography
YORK musical actor Ian Stroughair will return to the York Theatre Royal stage for the first time in 24 years on Saturday, in the guise of his cabaret alter ego, drag diva deluxe Velma Celli.
“I last performed there in Kes, appearing in the ensemble, and sadly I’ve never been back,” says Ian, 38, who has settled back into his home city since Lockdown 1, leaving London behind.
“I’ve tried to do shows at the Theatre Royal but it’s never happened, so it’s great to be back now. I love what Tom [chief executive Tom Bird] is doing there.”
Love is the drag for Ian this weekend when Velma Cella takes part in the Theatre Royal’s spring-reawakening Love Season, performing one of Velma’s regular shows, re-titled Love Is Love: A Brief Of History Of Drag specially for the 8pm occasion.
Ian has taken A Brief History Of Drag to New York and Australia and on a British tour, as well as staging performances in London and York. “I’ve been doing it for four years now on and off, and I’m so glad the Theatre Royal wants the show,” he says. “I feel over-excited! I cannot wait! Get me on that stage!”
Ian created the show when he was in “stuck in Africa for a few weeks”. “I was in Dar Es Salam, in Tanzania,” he recalls. “I thought, ‘let’s write a show’ and it ended up being about how I got into drag and a celebration of the impact of drag in theatre, music, film and popular culture.
The regular poster for Velma Celli’s A Brief History Of Drag, retitled with the precursor Love Is Love for The Love Season at York Theatre Royal
“It’s part-story, but most definitely a celebration, and it’s an ever-changing show. I find new nuggets and add them in all the time. There’s so much stuff to cover in our story.”
Should you be wondering how and why the term “drag” was coined, let Ian explain: “Shakespeare! It’s a script/stage direction abbreviation. ‘Man enters stage dressed as a girl’. D.R.A.G.”
The drag persona of Velma Celli emerged 13 years ago when Ian was playing Mary Sunshine in the West End run of Chicago. Did she arrive fully fledged or bloom gradually? “Progression. Like developing any role or idea, time is needed,” says Ian, who remembers exactly how he felt when he first took to the stage in drag. Confident? Nervous? Born to play the role? “Unleashed,” he says.
Velma Celli, who made a sassy cameo appearance in EastEnders, draws inspiration from “the greats”. “Lily Savage, Dame Edna Everage, Bowie, the movies, musicals and many unknown queens who blazed the trail,” he says.
Velma Celli in David Bowie’s Aladdin Sane trademark make-up
Now, he is planning a Velma Celli show built around David Bowie: singer, songwriter, actor, artist, cultural icon, iconoclast, fashion shaper and androgynous shape-shifter.
“I think Bowie is a master at illusion and character development but also reinvention. Something I completely relate to as an artist,” says Ian, whose “Irreplaceable. The Almighty Who Inspired Legends” show will “celebrate Bowie and the artists he inspired”.
Meanwhile, Velma Celli’s regular York residency is on the move. Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.
“Velma loves the limelight; Ian enjoys the anonymity,” says Ian Stroughair, who “repels fame”
In comes a resplendent residency from last Friday at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.
“The first show was incredible,” says Ian. “The atmosphere was electric. I’ll never forget it. The new venue is so plush and the staff are excellent.”
The Velma Celli Show residency will not be Velma’s only gig in the first-floor Impossible Wonderbar. “On June 5, we’ll be holding the first Drag Brunch, with Velma, surprise guest drag queens, bottomless cocktails and brunch,” says Ian, looking forward to hosting the “ultimate diva brunch in homage to all the queens”, from Whitney to Tina Turner plus many more besides.
That day, there will be two 90-minute sittings, the first from 12 noon, the second from 2.30pm. Tickets are on sale via info@impossibleyork.com or on 01904 864410.
Last year, Ian had to forego a long run in Funny Girls in Blackpool, thwarted by Killjoy Covid, and the pandemic strictures put paid to his international travels too.
Already he has had his two Covid-19 vaccine jabs to enable Ian to take a week’s travel to Mexico for a Velma Celli show in Cancun, however. “Thank god for that because the next cruise is not until October. I lost all the cruise-ship shows last year, and I’d already lost five cruise bookings this year, when in one day I lost three more cruise bookings,” he reveals.
Ian Stroughair on the balcony outside his new abode In York after moving back to his home city from London
The ships may be down, but Ian has shown resilience throughout the pandemic, streaming Velma Celli concerts, first from a Bishopthorpe kitchen and later from a riverside abode by the Ouse Bridge. Last December was spent playing the villainous Flesh Creep in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.
Just as this interview moves freely between Ian and Velma, where does Ian, son of Acomb, stop and Velma, drag diva alter ego, start? “She arrives during the make-up process and getting into costume. But human interaction is where it clicks in,” says Ian. “I need my audience.”
Repelling fame, Ian defines the distinction as “Velma loves the limelight; Ian enjoys the anonymity”. “Fame isn’t necessary for me,” he says. “In fact it makes me uncomfortable. I like my private life with my loved ones and I’m very protective of that and mostly them. A stage: that’s where I come alive.”
Tickets for Velma Celli’s Love Is Love: A Brief History Of Drag can be booked at yorktheatreroyal.co.uk or on 01904 623568. For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!
Just One More Thing…
What do you think of the RuPaul’s Drag Race TV shows? Good news for drag? “It’s made it more mainstream but I don’t think it’s the essence of drag. Gentrification, for sure, but a celebration, of course. That can only be a good thing.”
York Minster, west front, by Susan Brown at Kentmere House Gallery, York
THE Roadmap route to recovery is becoming ever busier, like the roads into York. This has prompted Charles Hutchinson to resume his weekly, rather than fortnightly, eerie to spot what’s happening.
Exhibition launch of the week: Susan Brown, Kentmere House Gallery, Scarcroft Hill, York, until July 4
HUDDERSFIELD artist Susan Brown has returned to York Minster, one of her favourite locations for her architectural paintings, for her spring and summer show at Kentmere House Galllery, York.
Her artistic focus is on city life and our relationship with our environment, exploring the rhythm and movement within buildings and interiors, along with creating beautiful abstract paintings, inspired by still-life subjects and landscapes, with an emphasis on texture and pattern.
“Susan’s paintings are bold and striking, predominantly worked in watercolour and acrylic,” says gallery owner Ann Petherick. “The gallery is open anytime by prior arrangement or chance: you can ring 01904 656507 or 07801 810825 or email ann.petherick@kentmerehouse.co.uk, or just take pot luck by ringing the bell. Please ring in advance if travelling any distance.”
Kentmere House Gallery’s next open weekend will be on June 5 and 6, 11am to 5pm; the gallery has a weekly late-evening opening on Thursdays to 9pm.
Jonty Ward: Recital organist and director of music at St Lawrence Parish Church, York
Festival of the week: St Lawrence Trinity Festival, St Lawrence Parish Church, Lawrence Street, York, May 29 to June 5
A £410,000 restoration has perked up the 1885 Denman organ transferred from St Michael-le-Belfrey for installation by organ-building firm Nicholson & Co at St Lawrence Parish Church.
A celebratory festival programme will include a demonstration by Nicholson & Co ahead of the inaugural recital by Robert Sharpe, York Minster organist and director of music, on May 29 at 10.30am.
Further organ recitals will be performed by musicians associated with St Lawrence and the City of York: William Campbell, May 31, 4pm; David Norton, June 1, 4pm; St Lawrence director of music Jonty Ward, June 3, 4pm, and Timothy Hone, music and liturgy administrator at York Minster, June 4, 4pm. The Black Sheep Consort will give a 7pm recital on May 31.
Attendance is free, but booking is required for the Inaugural Recital at festival@stlawrenceparishchurch.org.uk.
A T-shirt to mark the Super Cool Drawing Machine exhibition at The Crescent, York
Hippest exhibition of the week in York: Yuppies Music presents Super Cool Drawing Machine, The Crescent, York, today (26/5/2021) until Sunday
YUPPIES Music’s touring exhibition of musicians’ “other” work, will run at The Crescent community venue for four days from today. This celebration of art created by international touring independent musicians is billed as a “much-needed exploration of fun stuff”, on show each day from 11am to 9pm with Covid-secure measures in place.
Under social distancing restrictions, attendees will have to book in advance, choosing a specific time slot to view the exhibition. Consequently, only a small number of tickets are available at £5 for each time slot at seetickets.com.
Among the artists will be will be trailblazing jazz saxophonist Shabaka Hutchings; Welsh singer/producer Cate Le Bon; experimental folk musician Richard Dawson; African-American experimentalist Lonnie Holley and drummer/composer Seb Rochford, plus members of This Is The Kit, Mammal Hands, Haiku Salut, Snapped Ankles and more besides.
Ben Caplan: Singer-songwriter, from Halifax, Nova Scotia, playing Pocklington Arts Centre in November. Picture: Jamie Kronick
Gig announcement of the week outside York: Ben Caplan, Pocklington Arts Centre, November 11, 8pm
CANADIAN folk-rock singer-songwriter Ben Caplan will play Pocklington on his European autumn tour.
His extensive itinerary will mark the tenth anniversary of his October 2011 debut, In The Time Of The Great Remembering, and will follow hot on the heels of Recollection, a retrospective collection of stripped back re-interpretations of songs from his back catalogue, out in October.
Venue manager James Duffy says: “I saw Ben perform at Cambridge Folk Festival in 2019 and was blown away. He has a fantastic stage presence and mixes a wonderful blend of musical styles from folk to gypsy through to rock. Imagine the love child of Tom Waits and Gogol Bordello and you’re getting somewhere close.”
Caplan’s support act will be fellow Canadian Gabrielle Papillon. Tickets are on sale at pocklingtonartscenytre.co.uk.
The girl next door in The Girl Next Door: Naomi Petersen in rehearsal for Alan Ayckbourn’s 85th premiere. Picture: Tony Bartholomew
Premiere of the week ahead: Alan Ayckbourn’s 85th play, The Girl Next Door, Stephen Joseph Theatre, Scarborough, June 4 to July 3
THE SJT’s first in-house production of 2021 will be director emeritus Alan Ayckbourn’s The Girl Next Door, a lockdown love story.
Veteran actor Rob Hathaway is stuck at home during the summer of 2020 with only his sensible older sister for company. Rob has little to do but relive his glory days as fire-fighting wartime hero George “Tiger” Jennings in the nation’s favourite TV period drama, National Fire Service.
Then, one day, Rob spots a stranger hanging out the washing in the adjoining garden, when the neighbours have not been around for months. Who is the mysterious girl next door? And why is she wearing 1940s’ clothing?
“The Girl Next Door is an affirmation of love across the generations,” says Ayckbourn. “I hope it’s positive and hopeful for those today crawling out of their metaphorical Anderson shelters blinking into the light.”
Benjamin Francis Leftwich: Playing The Citadel in his home city next February
Gig announcement for next year: Benjamin Francis Leftwich, The Citadel, Gillygate, York, February 25 2022
YORK singer-songwriter Benjamin Francis Leftwich, now resident in Tottenham, London, will return to his home city to play The Citadel on his 26-date British and Irish tour next year.
The tour will follow the June 18 release of his fourth album, To Carry A Whale, on June 18 on the Dirty Hit label.
His first to be written and recorded entirely sober, it was made over four months last year at home, at Urchin Studios in Hackney, in a hotel room in Niagara and at a Southend studio owned by Sam Duckworth, of Get Cape. Wear Cape. Tickets are on sale at benjaminfrancisleftwich.com.
Minster men: The Howl & The Hum outside York Minster, where they will play a livestream concert tomorrow
GLORY be, under Step 3 of the recovery roadmap, 150 people will be able to attend tomorrow’s (25/5/2021) livestream concert by The Howl & The Hum at York Minster.
The ground-breaking York band will perform with a nine-piece choir and four-piece string section in the Covid-secure cathedral setting.
Joe Coates, of concert co-promoters Please Please You, says: “We’re being meticulous in our planning and are delighted we can accommodate a small, socially distanced live audience.
“The band are really pulling out all the stops with the choir and the string section, with all the Covid-testing that goes with that.”
The Howl & The Hum will be joined at the 8pm to 9.30pm concert by Gina Walters and Lucy Revis, from the Sheffield bands Before Breakfast and Neighbourhood Voices.
The last time frontman Sam Griffiths graced a York stage with The Howl & The Hum, he was wearing angel wings with a nod to Christmas and Nativity plays at The Crescent in December 2019.
Opening act: Gina Walters and Lucy Revis
Might we see those wings again in the Nave of northern Europe’s largest medieval Gothic cathedral? “I feel like that’s been done,” says Sam, whose show announcement in March promised “a unique set to compliment the unique venue”.
“We’re thinking about a different way to approach it because it’s probably the most important gig we’ve done. Definitely no animal sacrifices and no indoor fireworks! But we do have a lot of exciting plans, though some of them I can’t tell you!”
York’s long-standing independent promoters Please Please You, independent York grassroots venue The Crescent and legendary Leeds venue and promoters The Brudenell [Social Club] are teaming up with the Chapter of York to present this one-off live performance by the York alternative rock outfit.
Confirmed at the fourth attempt of settling on a date, the show will be livestreamed at 20:15 (GMT) via ticket.co.For tickets, go to: ticketco.events/uk/en/m.
Tomorrow’s setlist will be built around The Howl & The Hum’s 2020 debut album Human Contact, whose prescient title chimed with pandemic times when such contact became more restricted, even barred, through the alienating cycle of lockdowns.
New material may well feature too. “I reckon it will,” promised Sam in March.
Band member Conor Hirons’ poster for The Howl & The Hum at York Minster, May 25 2021
Ben Caplan: Playing Pocklington Arts Centre in the autumn. Picture: Jamie Kronick
CANADIAN folk-rock singer-songwriter Ben Caplan will play Pocklington Arts Centre on November 11 on his European autumn tour.
His extensive itinerary will mark the tenth anniversary of his October 2011 debut, In The Time Of The Great Remembering, and will follow hot on the heels of Recollection, a retrospective collection of stripped back re-interpretations of songs from his back catalogue, out in October.
Pocklington Arts Centre venue manager James Duffy says: “I saw Ben perform at Cambridge Folk Festival in 2019 and was blown away, like the rest of the audience, with his performance.
“He has a fantastic stage presence and mixes a wonderful blend of musical styles from folk to gypsy through to rock. Imagine the love child of Tom Waits and Gogol Bordello and you’re getting somewhere close.”
Caplan, from Halifax, Nova Scotia, combines timeless melodies with a contemporary folk-rock twist, channelling wild abandon and quiet introspection in songs that evoke both the roar of the hurricane and the eye of the storm.
Caplan’s support act will be fellow Canadian Gabrielle Papillon, whose 2019 album, Shout, was propelled by equal parts synth, big pianos, and anger, “exploding in thoughtful, danceable art-pop anthems of uprising, hope and a delirious celebration of self”.
James says: “I’m delighted Gabrielle is accompanying Ben on this tour, as his support, as this enables PAC to introduce our audiences to another acclaimed Canadian singer-songwriter.
“I first saw Gabrielle perform at a Music Nova Scotia showcase event, several years ago, and have followed her career ever since.”
Tickets for Caplan’s 8pm show are on sale at £12 at pocklingtonartscenytre.co.uk or £14 on the door.
