Scott Garnham, the new Milton Rooms patron, pictured when playing the lead in Nativity in the West End, alongside the show’s “secret Santa”, Queen guitarist Brian May, no less
THE Milton Rooms is counting down the days until it can reopen its Malton doors with four events lined up to kick-start the May reawakening.
First up, Yorkshire singer and guitarist Martin Goughreturns with his One Man Rock Show on May 21; next, the Dickens Society presents Dickens And The Language Of Flowers, a fascinating talk looking at the meaning of flowers and how the Victorians loved sending secret messages in a well-chosen bouquet, on May 23.
Ryedale Blues Club resumes blues service with District Blues, a mix of Americana and rockabilly, on May 27, and 2018 Britain’s Got Talent star Mandy Muden brings her magic, cabaret and stand-up comedy to Malton on May 29.
The Market Place arts and community venue has a new patron, the award-winning Ryedale actor, singer and theatrical producer Scott Garnham, a local lad who first appeared at the Milton Rooms in 1995 in a Ryedale Youth Theatre production of The Boyfriend, aged ten.
As well as many annual Ryedale Youth Theatre productions, Scott appeared in multiple pantomimes at the Milton Rooms. He started in Little Red Riding Hood, then played Baby Bear in Goldilocks and the Three Bears. In his teens, he was either the comedy double act or village idiot in Dick Whittington, Aladdin, Goody Two Shoes and Jack And The Beanstalk and shined as Buttons in Cinderella.
After graduating from the Royal Conservatoire of Scotland, in Glasgow, he has carved out a career in the West End, notching up credits in Billy Elliot The Musical, Les Miserables and Made In Dagenham, as well as in Matt Lucas’s Pompidou for the BBC. He has created the international vocal group The Barricade Boys too, playing the Grand Opera House in York in March 2018.
“I will forever owe a huge debt to the Milton Rooms and the people who work so tirelessly to ensure this wonderful community building is still a key part of Malton and the surrounding area,” says Scott.
‘’It was my first experience of ‘theatre’, being lucky enough to perform with a diverse group of ages, cultures and life experiences. I enjoyed dancing with friends at their many discos and found gifts attending art and craft fairs.
‘’I feel lucky to have grown up where a community building, such as the Milton Rooms, played such a vital and important role in mine and many other people’s lives. Long may it continue.’’
The Milton Rooms’ Covid-safe accreditation has been extended for 2021 by UK tourism body Visit Britain. Under the Government’s roadmap out of Coronavirus lockdown, indoor entertainment venues are expected to be allowed to reopen after May 17 with Covid-secure restrictions in place.
Venue manager Lisa Rich says: “We’re delighted to have someone like Scott on board and we’re really excited at the prospect of being able to open again in a limited way in May and hopefully fully reopening if all restrictions are removed in June.’’
Tickets for all four events can be booked at: themiltonrooms.com/events/
Phil Grainger in the studio, recording Half Man//Half Bull
THE Flanagan Collective and Gobbledigook Theatre had to cut short their 18-month international tour last March, the pandemic forcing Alexander Flanagan Wright and Phil Grainger to fly back to North Yorkshire from Australasia.
A year later, however, a brand-new work, created in tandem with fellow theatre-maker Oliver Tilney, will drop today in the global digital form of Half Man//Half Bull, a narrative-led double album of two ancient myths and 20 original songs to be “experienced at home”.
Fusing spoken word, electronica and soul, Half Man//Half Bull retells the interlinking myths of Theseus & The Minotaur and Daedalus & Icarus, presented in a listening pack designed by Lydia Denno that will be sent out in the post.
Over the past few years, Alex and Phil, friends since Easingwold schooldays, have taken their international award-winning shows Orpheus, Eurydice and The Gods The Gods The Gods to packed rooms across Britain, Australia, New Zealand, Bali and New York, performing an enthralling, electrifying brand of spoken word and live music.
Artwork for Half Man//Half Bull
Once back home, they teamed up with long-time collaborator Oliver Tilney – he played Jay Gatsby in Wright’s adaptation of The Great Gatsby for the Guild Of Misrule at 41 Monkgate, York, in 2016 – to create Half Man//Half Bull.
“From the get-go, we wanted to make a new piece of work that wasn’t contingent on being performed live,” says Oliver, who first brought the idea to Alex and Phil last June. “We didn’t want a watered-down version of something to give to audiences; we wanted to create a new piece of work in its correct form. For us, that form is a double narrative-led album.”
The trio have partnered up with 15 organisations to bring the idea to life, among them the Stephen Joseph Theatre, Scarborough, Theatr Clwyd, Leeds company Slung Low, Rural Arts, Thirsk, and The Barn Theatre, their involvement affirming the appetite for this type of work.
Alex says: “We started talking with our brilliant pals at Streatham Space Project, where we managed to bring a socially distanced version of Eurydice in September. It quickly became clear there would be an appetite for a theatre, or an organisation, to be able to deliver content to their audience while people couldn’t gather in a more traditional setting.”
Alex Wright at a recording session for Half Man//Half Bull
An Arts Council Project Grant allowed the team to grow: the trio have collaborated with producers, designers and host of musicians to realise this project, alongside the family of theatres, venues and partner organisations.
After years of touring, lockdown has provided an opportunity to create and develop, says Phil. “Alex and I have been writing and touring shows for a while, with an ambition to grow our sound. This felt like a great opportunity to work with more people, collaborate with more artists and, crucially, create some work for as many freelancers as we could afford,” he explains.
That team includes Aminita Francis, from BAC BeatBox Collective; Zimbabwean-born musician Tendaii Sitima; designer Lydia Denno and project producer Charlotte Bath. “We were also able to spend a lot of time at Crooked Room studios working with Isaac McInnis, which really helped grow the sound,” says Phil. “It’s crucial that as this is an audio project, that it sounds flipping great.”
Billed as “an epic storytelling adventure for our time”, Half Man//Half Bull is designed expressly as an At-Home experience. “If you buy, you’ll get a physical pack through your door with artwork, listening instructions and an invitation to step back out into the real world,” says Alex.
For further information and to buy the albums, go to: HalfManHalfBull.com.
Half Man//Half Bull: A double narrative-led album to be experienced at home
The credits:
Created by Phil Grainger, Oliver Tilney and Alexander Wright.
Guest artists: Aminita Francis as Theseus; Tendaii Sitima as Daedalus. Project producer: Charlie Bath; music producer, Isaac McInnis; designer, Lydia Denno.
Recorded and mixed by Isaac McInnis at Crooked Room Studios; mastering by David Lawrie.
Additional music: Frances Bolley, Tom Figgins, Isaac McInnis, Emil Ryjoch and Gavin Whitworth.
Additional voices: Angie Alle, Hille Auvenin, Joanna Bongowska, David Calvitto, Laura Darling, Megan Drury, Inês Sampaio Figueiredo, Peter Groom, Lucas Jones, James Lawrence, MJ Lee, Serena Manteghi, Iona McInnis, Marnie Silver and Jess Zilleson.
With thanks to: Angie Alle, Anikdote, Darren Lee Cole, James Dale, Megan Drury, Luke Langley, Helen Simpson, Michael Slater, Simon Victor and Paul & Maggi Wright.
Made with: At The Mill, Stillington; Birmingham Hippodrome; NEAT; November Club; Rural Arts, Slung Low; SoHo Playhouse; Stephen Joseph Theatre; Storyhouse; Streatham Space Project; The Barn Theatre; Theatr Clwyd; Theatre Deli; The Place and The Roses Theatre.
Oliver Tilney: First brought the idea for Half Man//Half Bull to Alex Wright and Phil Grainger last June
Shed Seven: Yorkshire day out at The Piece Hall, Halifax, on the move again
YORK band Shed Seven’s all-Yorkshire bill at The Piece Hall, Halifax, is being rescheduled for a third time.
The Coronavirus lockdown put paid to the original date of June 26 2020, first moved to September 19 2020, then to June 26 this summer.
Now, fourth time lucky, the Sheds’ show will take place on August 28. All the support acts first signed up for last June have confirmed their participation on the new date.
Joining the Sheds that West Yorkshire day will be Leeds bands The Pigeon Detectives and The Wedding Present and Leeds United-supporting York group Skylights, plus the Brighton Beach DJs.
Tickets for this Futuresounds Events open-air concert are on sale at £42.50, premium seats £55, at lunatickets.co.uk, seetickets.com and gigantic.com.
August 28? Doesn’t that clash with Leeds Festival, co-headlined that day by Stormzy and Catfish And The Bottlemen? Indeed so, but “let’s just say our fans are not their demographic,” quips lead singer Rick Witter, aware of the predominance of teens at the post-exam-results gathering at Bramham Park.
This is the second outdoor Shed Seven show in 2021 to be in need of a new date. They should have been chasing winners as well as Chasing Rainbows at Doncaster Racecourse on May 15, but that Don 2021 Music Live debut is now a non-runner under the Government’s lockdown restrictions.
Witter confirms an announcement on when the Sheds’ show will finally come under starter’s orders will be made tomorrow. Expect a delay until 2022.
When first setting up the Halifax headline gig, Witter said: “We’re doing this Piece Hall show partly because our 2018 gig at Manchester’s Castlefield Bowl went so well.”
The revived Britpoppers drew 8,000 that June day; the maximum capacity is 5,500 for the Piece Hall, a renovated 18th-century Halifax cloth hall that now houses history exhibits and independent shops, bars and restaurants.
Skylights: York band will support Shed Seven on August 28 at The Piece Hall
In 2019, the Sheds mounted their biggest ever Shedcember winter tour, chalking up their record run of 23 shows between November 21 and December 21, with Leeds First Direct Arena on December 7 at the epicentre.
“After we did those Shedcember gigs, we just fancied doing something similar to Castlefield Bowl, but this time a Yorkshire gig,” said the Stockport-born Witter.
Stockport, Mr Witter?! “I know, but I consider myself a Yorkie now,” said Rick, who attended Huntington School in York. “To do an outdoor Yorkshire show in such a salubrious setting will be a great buzz.”
The Sheds are making provisional plans for a 2021 series of Shedcember shows. Watch this space for updates.
Meanwhile, The Piece Hall Trust and Futuresound have confirmed their rescheduled programme of live music events for 2021 and 2022, in the wake of the Government roadmap rollout.
The partners have worked hard to keep as many acts as possible in 2021, with the vast majority rescheduled for August and September. “But due to the complex nature of artist touring schedules, we have had to move some of the gigs, including Nile Rodgers featuring Chic and Doves, to 2022,” says the trust.
“We have managed to secure a second date for Nile Rodgers & Chic following strong sales demand seen this year. Tickets for the new show will go on general sale at 10am on Friday [12/3/2021], with a 24-hour Piece Hall Trust member pre-sale starting on Thursday.
“We hope that the return of live music to the venue will help bring some joy and a sense of normality back to music lovers.”
The dates now confirmed for The Piece Hall:
2021
Shed Seven, August 28; The Specials, August 29; The Cribs, September 3; Richard Hawley, September 4; Manic Street Preachers, September 10; Kaiser Chiefs, September 11 and 12.
Kaiser Chiefs: Two nights in Halifax in September
2022
Doves, June 18; Nile Rodgers featuring Chic, June 24 and 25.
All tickets purchased for deferred events remain valid, and ticket holders do not need to do anything to secure their spot for the new date.
Those unable to make the new dates should contact their booking platform to discuss making alternative arrangements. Refunds will be available from the point of purchase if they cannot make the rescheduled dates.
Visitor safety continues to be the number one priority for The Piece Hall Trust, and so the team has been working closely with partners to determine the safest way to reinstate live music events.
Essential maintenance and a significant deep clean have been undertaken during the Lockdown 3 and the logistics of the large-scale events are being planned meticulously.
Nicky Chance-Thompson, the trust’s chief executive officer, says: “We’re thrilled that we have been able to reschedule our planned Summer 2021 artists to the autumn in what has been a turbulent year for all of us.
“By moving the events to the later dates, we hope we’re providing peace of mind for ticket holders not just around the certainty of the gigs going ahead, but around individuals’ safety and wellbeing, which remains our main priority.
“There is light at the end of the tunnel, and for the first time in a long while, we can re-imagine a thriving and vibrant live music scene returning to Halifax once again. Live music events have always been the jewel in the crown of The Piece Hall, and we sincerely look forward to welcoming these world-renowned artists to our venue.”
For tickets, go to: lunatickets.co.uk, seetickets.com and gigantic.com.
York-Shires: Crissie Rhodes and Ben Earle move their Barbican concert again
COUNTRY duo The Shires are rescheduling their May 23 show at York Barbican for May 6 2022.
All tickets remain valid for the new date, but ticket holders are advised to contact their point of purchase if they have any questions.
Ben Earle and Crissie Rhodes, Britain’s best-selling country act, had first moved their York show from May 20 2020 to November 1 2020, but the pandemic continues to play havoc with the best-laid plans of Crissie and Ben.
York Barbican is the only Yorkshire venue of their rearranged 25-date tour, when they are billed to be joined by Texan country singer and songwriter Eric Paslay.
The first Brits to win Best International Act in the American Country Music Association awards, Earle and Rhodes released their fourth album, Good Years, in this anything but good times on March 13 2020, reaching number three in the charts.
As with their past albums, 2015’s Brave, 2016’s My Universe and 2018’s Accidentally On Purpose, the recording sessions took place in Nashville, Tennessee.
“We are so excited to be releasing Good Years,” said Earle and Rhodes last spring. “Honesty and storytelling have always been such an important part of our song-writing. We’ve poured some of the incredible experiences and life we’ve lived into these songs.
“We can’t wait to play these live across the country. The songs mean so much to us personally, but there really is nothing like looking out at our fans in the crowd and seeing how much of an impact they can have in someone else’s life. It’s truly a very special thing”.
The Shires last played York Barbican in May 2018 and performed a headline set at Pocklington’s Platform Festival at The Old Station in July 2019 .
For an update on ticket availability for May 6 2022, go to: yorkbarbican.co.uk.
THE Lovely Eggs will play The Crescent, York, on May 29 next year after reorganising the gig for a second time.
The Lancaster lo-fi psychedelic punk rock band had rescheduled their York date already from February to summer 2021.
Married couple Holly Ross and David Blackwell last released an album in April 2020 when I Am Moron went straight to number one in the UK Independent Album Chart.
“The response to I Am Moron blew us away and we couldn’t wait to get on tour and play the songs live”, said Holly last year.
“We just can’t wait to play live again,” echoed David. “We’re really looking forward to playing all the songs off I am Moron. This is a way of life for us.”
The duo run a Lovely Eggs WhatsApp Lockdown group for supporters to offer support and a friendly ear to anyone struggling during the pandemic. “We’ve just got to try and get through this together” said Holly.
“We set up one What’sApp Group and it was oversubscribed, so we had to set up another. Our fans have always been there for us and it’s important at this time that we are there for them.”
The Lovely Eggs’ York concert is promoted by Please Please You and The Brudenell; tickets cost £15 online via seetickets.com.
Steeleye Span: 50th anniversary tour date at Pocklington Arts Centre is on the move
FOLK legends Steeleye Span are moving their May 7 show at Pocklington Arts Centre to May 5 2022 in a further delay to their 50th anniversary tour.
Those golden celebrations should have taken place from 2020 onwards but the pandemic ruled out the original Pocklington date in 2021 and now the rearranged tour is being put back to next year.
Pocklington Arts Centre (PAC) will be among the smallest venues on the 2022 itinerary, when the seven-piece band, fronted by Maddy Prior, will complement key songs from their ground-breaking June 1970 debut album, Hark The Village Wait, with familiar career favourites.
PAC director Janet Farmer says: “We were, of course, disappointed that Steeleye Span were unable to perform as part of our 20th anniversary programme of live events last year, but we are incredibly excited to be able to bring the legendary band to Pocklington next year for a night of celebration filled with some absolute gems from their famous first album.
“Things may have been delayed due to the pandemic, but it will absolutely be worth the wait.”
Next year’s concert will be Maddy’s second visit to PAC after appearing there more than a decade ago, billed as Maddy Prior & Friends.
Tickets for Steeleye Span’s 8pm gig are on sale at £35 at pocklingtonartscentre.co.uk. Visit the website too to keep up to date with PAC’s planned live events once reopening is permitted.
The Minster men: The Howl & The Hum pose for “the ultimate York band press shot”
AFTER a year of living under the pandemic cloud, The Howl & The Hum’s Sam Griffiths is judging his mood by a combination of his mental health and what TV programme is catching his eye.
“So, at the moment, I’m very well, and I’m watching Gordon Ramsay, and it does seem that everyone is feeling a little more positive,” says Sam, who will be feeling all the better for the announcement that his ground-breaking York band will play a live-stream concert at York Minster on May 25 from 8pm to 9.30pm.
The last time he graced a York stage with The Howl & The Hum, he was wearing angel wings with a nod to Christmas and Nativity plays at The Crescent in December 2019.
Might we see those wings again in the Nave of northern Europe’s largest medieval Gothic cathedral? “I feel like that’s been done,” says frontman Sam, whose show announcement promises “a unique set to compliment the unique venue”.
“We’re thinking about a different way to approach it because it’s probably the most important gig we’ve done. Definitely no animal sacrifices and no indoor fireworks! But we do have a lot of exciting plans, though some of them I can’t tell you!”
York’s long-standing independent promoters Please Please You, independent York grassroots venue The Crescent and legendary Leeds venue and promoters The Brudenell [Social Club] are teaming up with the Chapter of York to present this one-off live performance by the York alternative rock outfit.
Confirmed at the fourth attempt of settling on a date, the show will be live-streamed at 20:15 (GMT) via ticket.co, and depending on Covid-19 restrictions at the time, a “very limited socially distanced audience may be able to attend”.
“We’re thinking about a different way to approach it because it’s probably the most important gig we’ve done,” says The Howl & The Hum’s Sam Griffiths, front, as he contemplates their York Minster concert
Indoor performances with reduced capacities could re-start from May 17 under the Government’s four-step roadmap, and so updates on this possibility will be delivered exclusively via the band’s mailing list.
What’s more, this concert could turn into the first in a series of York Minster shows promoted by Joe Coates (Please Please You) and Nathan Clark (manager of The Brudenell), “though they will first see how this one goes,” says Sam. Watch this space.
So much happened for The Howl & The Hum last year, headlined by the May release of their debut album, Human Contact, but so much more should have happened until the pandemic tore up their diary.
“All the post-album tour plans were scrapped, hundreds of shows; that all got decapitated. Our jobs were deemed ‘unviable’ by the Government, and so many friends, musicians, technicians, sound engineers, are still not working, so we’ve got friends involved in our show,” says Sam.
“Joe and Nathan, and friends who are musicians, will help on the day, so this our attempt at rebirth and rejuvenating our corner of the music world, and we’ll be able to pay them properly and fairly.”
Singer, songwriter and guitarist Sam, bassist Brad Blackwell, guitarist Conor Hirons and drummer Jack Williams have all supported themselves through the past year by returning to past jobs when Covid measures permitted: Sam as a barman at the Cardigan Arms in Leeds; Brad and Conor in the Rafi’s Spicebox warehouse and Jack at Bettys in York.
“It’s been a really strange in-and-out time, but we’ve been in the privileged position of being able to regain employment,” says Sam.
“We’re in the studio four or five days a week this year with no distractions because there’s nothing else to do,” says Sam, pictured with Jack Williams, Conor Hirons and Brad Blackwell in pre-Covid times
Meanwhile, The Howl & The Hum have not gone into hibernation. “We’re now at the stage of discussing second album deals, and giving ourselves a wage again, and we’ve got a lot done, which lends itself to our mental health being healthier,” says Sam.
“We’ve been lucky that we’ve had the opportunity to go to our studio because it’s our place of business, so we’ve been there over the past nine months, wearing masks and social distancing.
“We’re in the studio four or five days a week this year with no distractions because there’s nothing else to do.”
Sam anticipates The Howl & The Hum releasing two themed EPs “not too far away”, over the months ahead. Will Covid loom large in the subject matter? “It’s a fine line, because I don’t think you can ignore what’s been happening,” he says.
“There’s no way to pretend it’s not happening, but it’s a challenge to address it in an interesting way, though I’ve always written about isolation. Some songs do allude it, some don’t.”
New material may well feature in the May 25 live-stream. “I reckon it will,” says Sam. “We’re really proud of these songs. They’re sounding almost irritatingly good! We really like them; I’m 80 per cent sure some will be in the Minster setlist.”
That setlist will be built around debut album Human Contact, whose prescient title chimed with pandemic times as such contact became more restricted, even barred, through the alienating cycle of pandemic lockdowns.
The artwork for The Howl & The Hum’s 2020 debut album, Human Contact
“At the time it came out, the title was a good line for the press and the press release, though I was worried it was going to haunt us and it would be seen as a joke, a bit of a throwaway, a sly little reference point, but at the end of the day, we were calling it Human Contact because it was about distance in the digital age.
“We’ve had people finding us on social media and telling us about their experiences, about love at this time. It has hit home in more ways than we would have expected, when we suddenly have no idea how to behave as humans towards each other.
‘“Human Contact’ has now taken on such a meaning in itself that the songs seem to resonate even more.”
The Howl & The Hum will be the first rock act to play York Minster since York singer-songwriter Benjamin Francis Leftwich on March 29 2019. What advice on performing there would Ben pass on to Sam, who happened to be busy co-writing songs on Zoom on the day of this interview?
“If he asked me, I would say, ‘sing from your heart, perform like your life depends on it, though I would advise that for all gig nights, and pray in your own way, whether you’re religious or not; just surrender to it,” he suggests.
This will not be the first time Sam has sung in the Minster. “I went to one of the Easter services there, in the congregation, singing along…to very few people around me, if any were looking at me at all! This time they’ll all be looking at me!” he says.
York singer-songwriter Benjamin Francis Leftwich at York Minster, where he performed in March 2019
The cathedral setting will have an impact on The Howl & The Hum’s performance. “I wouldn’t necessarily consider myself to be religious, but there’s definitely a spiritual feeling to it, and the Minster is such an iconic representation of a city that has been so good to us: the city that gave me a fresh start ten years ago,” says Sam.
“Also, I think it was the week I moved to York that Laura Marling played the Minster, and I love the CD she released of that concert.”
A blue sky greeted The Howl & The Hum on the day they lined up for their Minster photoshoot. “It’s the press shot for a York band!” says Sam. “We were very aware we were there, standing outside the Minster, because we’re not comfortable as models…but it is one of my very favourite buildings.”
Looking ahead to the prospect of gigs resuming from the summer onwards with crowds, The Howl & The Hum have September shows in place for Paris, Milan, Zurich, Berlin, Amsterdam, Cologne and Antwerp, along with 13 British dates in October that will culminate in two nights at Leeds Brudenell Social Club, close to where Sam now lives, on October 30 and 31.
“It will be such a burst of joy to play to audiences again,” he says. “I think ‘overwhelming’ will be the word for how everyone will feel as we try to make our way through the first song.”
Live-stream tickets for May 25 are on sale via thehowlandthehum.com/.
Did you know?
THE Howl & The Hum’s guitarist, Conor Hirons, designs the band’s artwork. “He’s self-taught,” says Sam. “He basically got bored on tour, got himself an iPad to draw with, and now he’s so in demand he’s designing everyone’s posters and artwork.”
Band member Conor Hirons’ poster for The Howl & The Hum at York Minster
Echo & The Bunnymen’s Ian McCulloch and Will Sergeant
ECHO & The Bunnymen are rescheduling their May and June itinerary for next year, now opening the tour with two Yorkshire shows on February 1 2022 at Sheffield City Hall and the next night at Leeds O2 Academy.
All tickets for the 20 dates remain valid as influential Liverpool legends Ian McCulloch and Will Sergeant look forward to celebrating their 43-year career, with its 13 Top 40 singles, such as The Back Of Love, The Cutter, The Killing Moon, Bring On The Dancing Horses and Nothing Lasts Forever, and nine Top 40 albums, the latest being The Stars, The Oceans & The Moon, in October 2018.
Frontman McCulloch, 61, says: “Well then, here are the rescheduled dates for our 2022 UK tour. I can’t wait to be out there with the band on all those stages in all those towns and cities, doing what I love most, playing our songs to our brilliant fans and, hopefully, making all our lives a little bit happier along the way”.Tickets are still available at: http://gigst.rs/EATB.
The poster for Echo & The Bunnymen’s rearranged tour
CHART-TOPPING rapper slowthai will play the Refectory, University of Leeds, on March 18 2022 on his Hell Is Home tour.
Last Friday, he had the rapper’s delight of his second album, Tyron, entering both the UK album chart and UK vinyl chart at number one, already selling more than double the units of his May 2019 debut, Nothing Great About Britain.
A stand-out from Tyron being championed by fans is the affecting album closer, adhd, where slowthai “digs deep and finds untold courage to expose the inner workings of his mind”.
The video is a counterpoint to the commotion caused by those for singles Cancelled and Vex, finding Northampton-born slowthai, 26, in a contemplative space: a one-take shot of him with a city-scape backdrop, feeling distant from the noise and bustle of the world. To watch adhd, go to: https://www.youtube.com/watch?v=MAYNdjIqcFA.
Tickets for slowthai’s Leeds gig, one of 12 dates on next year’s tour, will go on general sale on Friday (5/3/2021) via slowthai.com.
Did you know?
Tyron takes its title from slowthai’s name, Tyron Kaymone Frampton.
A socially distanced audience at the Milton Rooms, Malton, in 2020
THE ambitious programme to transform the Milton Rooms in Malton into a “21st century community and arts venue” is to be boosted by £193,000 funding from Ryedale District Council.
The grant was confirmed at last Thursday’s meeting of the full council, prompting chairman of trustees Ray King to say: “We are grateful for what is the first major investment in the Milton Rooms, probably since it was built in the 1930s, and the money will be focused on key infrastructure areas that our local community and audiences have identified as being issues.”
Welcoming the kick-start funding, King says: “It will allow us to upgrade toilet areas, further address the access challenges that a building of this age presents and look at improving the overall fabric and technical facilities to prepare it for reopening after Covid restrictions are fully lifted.
“But, at the same time, the trustees recognise that this has to be regarded as simply the first in a new phase of investment to transform the building into a 21st century community and arts venue and we are constantly looking for additional funding from a range of sources.
“I believe this funding is also a recognition of the tremendous work that has been put in by the dedicated volunteers past and present, who have kept this iconic building open and available to all.’’
At an earlier meeting, on February 18, Ryedale District Council voted to ring-fence £307,000 in this year’s budget for the Milton Rooms to carry out further improvement work to bring it up to standard as a top-class venue for the 2020s.
The money will be released only for fully costed projects agreed by the Milton Rooms committee and the council and its officers.
King says: “While we are delighted to receive the £193,000, the hard work starts now in developing a business plan to access the further funds and so make the Milton Rooms an even more attractive venue for the community to use and enjoy.’’
Run as a charitable company, mainly by volunteers, the Milton Rooms has just had its Covid-safe accreditation extended for 2021 by British tourism body Visit Britain.
Venue manager Lisa Rich says: “We always welcome new volunteers to the team, particularly any with experience of the technical side of arts production and presentation, so please make contact by emailing info@themiltonrooms.com, should you have a few spare hours.’’
