Martin Barrass: Back in pantoland for Strictly Xmas Live In The Park
MARTIN Barrass will be starring in a York pantomime after all this winter.
Dame Berwick’s perennial comic stooge may be missing out on the Covid-cancelled Kaler comeback in Dick Turpin Rides Again at the Grand Opera House, but now he will lead the pantomime section of Strictly Xmas Live In The Park.
Presented by the Bev Jones Music Company in a Covid-secure, socially distanced, open-air performance at the Rowntree Park Amphitheatre, the show will be a one-off on Sunday, December 13 at 2pm.
Martin Barrass as Queen Ariadne in his last York Theatre Royal pantomime, Sleeping Beauty, last winter
“I met Lesley Jones, widow of the formidable York producer and director Bev Jones, five or six weeks ago about doing a Christmas show to get people out and about on a crisp winter’s day,” says Martin.
“I’m thrilled to be taking part, and if you’re wondering why I’m wearing black and pink in the publicity picture, they were Bev’s favourite colours.”
Producer Lesley says: “We are delighted to welcome Martin into our company for this special guest appearance and he fits in so well to the company personality. He will lead the audience in the Christmas song with a drop-down song sheet.”
Martin Barrass, right, with AJ Powell, Berwick Kaler, Suzy Cooper and David Leonard at the February 14 launch of their debut Grand Opera House pantomime, now put back to 2021. PIcture: David Harrison
“I’ve chosen the first song-sheet I ever did at the Theatre Royal…about Yorkshire Puddings!” reveals Martin, as he breaks into song from memory: “‘You can’t beat a better bit of batter on your platter than a good old Yorkshire Pud!’
“I did that with Berwick in Sinbad The Sailor in 1984, and I always remember thinking, ‘Are they going to respond?’, but of course they did!” Nobody does it batter, Martin!
Expect a few seasonal jokes too from Barrass, who will be joined in the festive concert’s panto sequence by Melissa Boyd’s Princess, Terry Ford’s villain and Charlotte Wood’s Silly Billy.
“In addition, we’ll have the Dame, the Fairy Godmother, Prince Charming, Jack Ass and other characters,” says Lesley.
Charlotte Wood as Silly Billy for Strictly Xmas In The Park
“The concert will include all the favourite Christmas songs, such as Santa Baby, Jingle Bell Rock and Band Aid’s Do They Know It’s Christmas?, as well as the fun panto section for all the family.
“There’ll be a visit from Santa Claus for all the children, followed by a moving Carols By Candlelight finale, encouraging a sing-along for everyone.”
Rowntree Park Amphitheatre will play host to a non-alcoholic Festive Mulled Wine Van, selling hot drinks for all the family, whether tea, coffee, hot apple juice or children’s drinks, served with light complimentary snacks.
Melissa Boyd’s Princess and Terry Ford’s villain for the Bev Jones Music Company’s Strictly Xmas In The Park
Rehearsals will be held at Rufforth Institute Hall , socially distanced and under a full Covid risk assessment.
All audience members will be temperature tested on arrival and placed into family private bubble areas.
REVIEW: Royal Philharmonic Orchestra Brass (and other thoughts), Leeds Town Hall, October 24
TWELVE heroes from the Royal Philharmonic Orchestra – ten brass players and two percussionists – travelled to Leeds on Saturday to play before an audience of around five dozen.
Simon Wright conducted them in a stimulating mixed bag of music from the last 130 years, plus an early interjection from Giovanni Gabrieli.
Harmless though this may sound, the event was hugely significant. Locally based groups, notably from Opera North, have been appearing at the Town Hall since late August. But this was the first time that a professional ensemble from further afield had appeared there since lockdown.
Later this week, there will be two lunchtime events and three evening lieder recitals, all given by musicians of international standing. And that’s just on the classical side. So, it can be done, all within the regulations: distanced seating, masks worn by the audience, no interval or refreshments. But these are small privations compared to the thrill of live music returning. Leeds Playhouse has been equally adventurous.
In other cities, the silence continues to be deafening. Take York, for example, normally a bastion of classical performance. The Minster, the Barbican, University of York’s Central Hall, all are large venues well suited to music and easily adaptable to the new conditions.
Smaller but equally adaptable is the National Centre for Early Music and the university’s Lyons Concert Hall. All remain resolutely shut. Why? Hasn’t government (our) money been made available to keep such venues open?
Back to the brass. They opened with an ingenious arrangement of Elgar’s Cockaigne (In London Town) by one of their own, trombonist Matthew Knight. Given its complexity, it was a surprising choice as opener and took a while to settle.
But the main theme emerged triumphant on the trombones just in time for the accelerando towards the close. With the Town Hall so empty, and therefore even more resonant than usual, Gabrieli’s Canzon on the seventh tone had a regal clarity, comparable surely to St Mark’s Venice itself, as the two quartets bounced off another; it might have made a better curtain-raiser.
Imogen Holst’s Leiston Suite (1967) delivered five neatly concentrated miniatures, including a sparkling fanfare, a balletic jig and several flashes of her father’s spare harmony, all tastefully interwoven.
Eric Crees’ skilful arrangements of three Spanish dances by Granados were enchantingly idiomatic, rays of mediterranean sunshine. The colours in Duke Ellington’s bluesy Chelsea Bridge were more muted.
Hartlepool-born Jim Parker’s name may not be on everyone’s lips, but most of us have heard his music through his soundtracks for Midsomer Murders, Foyle’s War, Moll Flanders and any number of films. Why he has four BAFTAS to his name became clear in A Londoner In New York (1987), five attractive cameos of the city’s buzz, including steam engines at Grand Central, a romantic walk in Central Park, and the can-can chorus line at Radio City.
London came to Leeds here and we may all be grateful for the glimpse of normality.
“We’ve been working hard to give our aspiring finalists the best possible experience, even though we won’t be able to welcome them, their friends and family to York,” says NCEM director Delma Tomlin
THE winners of the Young Composers Award 2020 will be revealed by the National Centre for Early Music, York, in a live-streamed performance on November 11.
At 7pm, Ex Corde Vocal Ensemble, the consort of the Ebor Singers, will perform each of the shortlisted pieces for a panel of judges.
The Coronavirus pandemic enforced the postponement of the 2020 awards, but next month online audience can watch the re-scheduled finals free of charge, tuning in to hear music from the composers of the future performed by artists of the highest calibre.
This national annual award is open to young composers up to the age of 25 and resident in the UK in two age categories: 18 years and under and 19 to 25 . For the 2020 award, composers were invited to create a new polyphonic work for unaccompanied choir, setting either the Our Father (Pater Noster) prayer from St Matthew’s Gospel or the first and last verses of George Herbert’s poem The Flower.
Competing for the 18 years and under award will be Ethan Lieber’s composition The Flower, Eilidh Owen’s As If There Were No Such Cold Thing and Emily Pedersen’s Pater Noster.
Seeking the prize in the 18 to 25 final will be Noah Bray’s Our Father, Sam Gooderham’s Late-Past, Caitlin Harrison’s The Flower, James Mitchell’s The Lord’s Prayer and Fintan O’Hare’s Come Passing Rain.
The live-streamed performance will follow a day-long workshop when the young composers will join composer Christopher Fox, Professor of Music at Brunel University, and Ex Corde Vocal Ensemble.
Judging the finals will be The Tallis Scholars’ director, Peter Phillips; BBC Radio 3 producer Les Pratt and NCEM director Delma Tomlin. The winners, one from each age category, will be announced after the concert.
The Young Composers Award is deemed an important landmark in the careers of aspiring composers. Every year, the winning compositions are performed in public and recorded for broadcast on BBC Radio 3’s Early Music Show. This year’s winning works will be premiered by The Tallis Scholars in a public performance at the Cadogan Hall, London, on March 24 2021.
Delma Tomlin says: “Once again, the NCEM Young Composers Award has attracted attention from all over the UK. This year, we will be live-streaming the excitement and inviting audiences, friends and aspiring young composers and musicians to join us for this highly regarded annual event.
“For everyone working in the arts and entertainment, the last few months have not been easy. We’ve been working hard to give our aspiring finalists the best possible experience, even though we won’t be able to welcome them, their friends and family to York. We hope to be able to celebrate in style next year with the public performance at the Cadogan Hall.”
Alan Davey, controller of BBC Radio 3 and classical music, says: “Nurturing young composers is one of our key missions here at BBC Radio 3: we are keen on discovering new voices and supporting emerging talent.
“In the current circumstances, our commitment is more urgent than ever, as we need to make sure creativity survives and thrives in these unprecedented times. We can’t wait to delight our audiences broadcasting the winning compositions by some of the most promising young composers in the UK.”
The NCEM was among the first arts organisations to live-stream performances and festivals as a response to the lockdown. The first concert, broadcast on March 21, attracted more than 60,000 viewers from all over the world, from as far afield as Australia and Japan.
For full details on how to watch the Young Composers Award 2020 performance, go to ncem.co.uk.
HELLO again, Lionel Richie will play Scarborough Open Air Theatre next summer.
The Alabama soul luminary’s June 9 show on the East Coast this summer was ruled out by the Covid-19 lockdown, but now he is booked in for June 12 2021.
This will be 71-year-old Richie’s second appearance at Scarborough OAT, having made his sold-out debut there in 2018.
“I was really excited to be playing at Scarborough Open Air Theatre this summer as I enjoyed a truly wonderful night there in 2018,” says Richie.
“I was very sad that, like so many things, the show had to be delayed but obviously, everyone’s health and safety comes first. I’m now looking forward to it even more and know we’ll all have such an incredible night of partying together.”
Richie’s set-list will span his early years in The Commodores to the present day, taking in such favourites as Three Times A Lady, Easy, Truly, Dancing On The Ceiling, Say You, Say Me, Running With The Night, Endless Love, Hello and All Night Long.
“I’m now looking forward to it even more and know we’ll all have such an incredible night of partying together,” says Lionel Richie of his re-arranged Scarborough Open Air Theatre concert
The American has sold more than 125 million albums worldwide and has received an Oscar, Golden Globe and four Grammy Awards, along with the Ivor Novello PRS for Music Special International Award. On June 28 2015, he drew a crowd of 200,000 at Glastonbury festival. Last year, he released the concert album Live From Las Vegas.
Programmer Peter Taylor, of Scarborough OAT promoters Cuffe and Taylor, says: “We are incredibly proud and excited that Lionel Richie – one of the most successful and celebrated music artists of all time – is returning to Scarborough Open Air Theatre.
“His 2018 sold-out show here was just a brilliant night and this is going to be another amazing show by an undoubted global superstar. Roll on June 12 next year. We cannot wait!”
Cuffe and Taylor also booked Richie for the closing concert of their inaugural York Festival at York Sports Club on June 21 this summer, only for Coronavirus to intervene.
Tickets for June 12 2021 will go on sale from 8am on Friday, October 30 at scarboroughopenairtheatre.com.
Westlife’s poster for next summer’s Scarborough Open Air Theatre concert
IRISH grown-up boy band Westlife will play an exclusive north of England outdoor show at Scarborough Open Air Theatre next summer.
The top-selling album band of the 21st century should have played both the Yorkshire coast venue and the inaugural York Festival in 2020, but the Covid lockdown enforced their cancellation.
Instead, Shane Filan, Mark Feehily, Kian Egan and Nicky Byrne will perform in Scarborough four days before their headline show at Wembley Stadium.
Westlife’s official statement reads: “Some exciting news! We are delighted to announce that Scarborough Open Air Theatre have invited us to join next year’s line-up on Tuesday, August 17.
“Given the current circumstances, we really are hopeful to announce more shows in the new year and look forward to being back with you all as soon as we can.
Westlife will perform such hits as Swear It Again, You Raise Me Up, My Love, Flying Without Wings, Uptown Girl, Unbreakable, When You’re Looking Like That and World Of Our Own, as well as picks from their chart-topping tenth album, 2019‘s Spectrum, Hello My Love among them.
Venue programmer Peter Taylor, of Scarborough OAT promoters Cuffe and Taylor, says: “Westlife fans were heartbroken when this summer’s tour was postponed due to the global pandemic, so we are delighted the boys will be coming to Scarborough OAT next summer.
“This is a real exclusive: Westlife’s only outdoor show in the north of England and four days before their headline show at Wembley. It’s going to be a brilliant night here!”
Westlife were booked to play Scarborough OAT on June 17 and York Festival at York Sports Club, Clifton Park, on June 20 as part of their 2020 Summer In The Stadiums tour before summer was scrapped.
Tickets for August 17 will go on sale via scarboroughopenairtheatre.com at 9am on Friday, October 30.
Scarborough Open Air Theatre’s 2021 season so far comprises: June 19, UB40 featuring Ali Campbell and Astro; June 20, RuPaul’s Drag Race: Werq The World; July 9, Keane; July 10, Olly Murs; August 17, Westlife, and August 20, Nile Rodgers & Chic. More concerts will be added; watch this space.
Did you know?
ALL ten of Westlife’s studio albums have reached the top five in the Official UK Albums Chart, five of them peaking at number one. Fourteen of their singles have made the top spot too.
Brydon and band: Rob Brydon’s poster for next year’s Songs & Laughter tour
WOULD I lie to you? Actor, comedian, impressionist, presenter and holiday-advert enthusiast Rob Brydon is to play with a band in York. It’s…true!
Yes, Brydon and his eight-piece band will take to the road next year for 20 dates with his new show, Rob Brydon: A Night of Songs & Laughter, visiting York Barbican on April 14 on his second tour to combine songs and music with his trademark wit and comedy.
Expect Brydon interpretations varying from fellow Welshman Tom Jones to Tom Waits, Guys And Dolls to Elvis Presley, and almost everything in between, plus a visit or two to his famed gallery of voices.
“I’m so excited to get back on stage with this show,” says Brydon, 55. “Touring with this incredible band of musicians is such a delight. I’m looking forward to getting around the country next year and bring some much-needed music and laughter.”
Brydon’s varied career began with the television comedy shows Marion And Geoff and Human Remains in 2000, bringing him a British Comedy Award. Since then, he has made his cheeky mark in Gavin & Stacey, Black Books and Little Britain and as the host of Would I Lie To You?, as well as trading insults with fellow humorist Steve Coogan on The Trip mockumentary travel shows, whose fourth series, The Trip To Greece, has been confirmed as their last.
Last Christmas, he starred in the biggest ratings hit of the season, the one-off return of Gavin & Stacey, and voiced the BBC One animated special The Snail And The Whale.
“People often say to me, ‘I didn’t know you could sing’, and yet I have sung a lot,” says Rob Brydon
Brydon has appeared in such dramas as Oliver Twist, Heroes And Villains: Napoleon, The Way We Live Now, Murder In Mind and Marple and the films 24 Hour Party People, MirrorMask, A Cock And Bull Story and Swimming With Men.
In 2009, he joined Gavin & Stacey co-star Ruth Jones, Robin Gibb and Sir Tom Jones on the number one hit Islands In The Stream in aid of Comic Relief.
Past tours include the 87-date Rob Brydon Live stand-up itinerary and nationwide travels with Would I Lie To You? team captains Lee Mack and David Mitchell. On February 26, he set off on his sold-out Rob Brydon: Songs And Stories tour, only to be stopped in his tracks by the Coronavirus lockdown.
Before setting out on a tour that featured songs by Stephen Sondheim, Rodgers and Hammerstein, Paul Simon et al, Brydon said of that show: “It will take some people by surprise. There are so many media outlets nowadays that some people might only know me from Gavin & Stacey and Would I Lie To You?.
“Those people often say to me, ‘I didn’t know you could sing’, and yet I have sung a lot. I hope this show is a very pleasant surprise for audiences.” The same sentiment surely will apply to next year’s An Evening Of Song & Laughter tour that will take in further Yorkshire dates at St George’s Hall, Bradford on April 12 and Sheffield City Hall on April 23.
The 5ft 7inch Brydon last appeared at York Barbican for two nights of his improvised stand-up show, I Am Standing Up, in October 2017. Tickets for his return are on sale at yorkbarbican.co.uk; Bradford, 01274 432000 or at bradford-theatres.co.uk; Sheffield, 0114 2 789 789 or sheffieldcityhall.co.uk.
Mike Scott: Another evening of The Waterboys at York Barbican, their hosts for a sixth time next October
GREAT, Scott will be back for An Evening With The Waterboys at York Barbican on October 9 2021.
Mike Scott has made a habit of playing the Barbican, laying on the “Big Music” in 2012, 2013, 2014, 2015 and most recently in May 2018.
Scott, 61, will be joined by Memphis keyboardist “Brother” Paul Brown, Irish electric fiddler Steve Wickham, drummer Ralph Salmins and bass player Aongus Ralston, all players on this summer’s Waterboys’ album, Good Luck, Seeker.
Tickets go on sale tomorrow at 10am at yorkbarbican.co.uk.
Keeping an ear to the wind for the sound of an artbeat. Charles Hutchinson stands by Scallop, Maggi Hambling’s memorial sculpture to composer Benjamin Britten on the beach at Aldeburgh, Suffolk. Picture: Celestine Dubruel
WE may be beset by tiers before bedtime, but the arts world will not lie down meekly in the face of the pandemic’s second wave. Instead, Charles Hutchinson highlights events on-going, on the horizon and online.
Robin Ince and Laura Lexx: The last hurrah for Your Place Comedy this weekend
The rule of six, over and out: Robin Ince and Laura Lexx, Your Place Comedy, live-streaming on Sunday, 8pm
YOUR Place Comedy, the virtual comedy club launched in lockdown by Selby Town Council arts officer Chris Jones and ten independent Yorkshire and Humber arts venues, concludes with its sixth line-up this weekend.
The last laugh will go to The Infinite Monkey Cage co-host Robin Ince and Jurgen Klopp’s number one fan, Laura Lexx, introduced by remotely by regular host Tim FitzHigham, alias Pittancer of Selby, as they perform from their living rooms into yours. The show is free to watch on YouTube and Twitch via yourplacecomedy.co.uk, with donations welcome afterwards.
Matt Haig: Discussing his tale of regret, hope, forgiveness and second chances
Online literary event of the week: Matt Haig, The Midnight Library, Raworths Harrogate Literature Festival, streaming from 8am tomorrow (October 23)
MATT Haig, the award-winning author with the York past, discusses his latest novel, The Midnight Library, a tale of regret, hope and forgiveness set in the strangest of libraries, one that houses second chances.
Haig asks a burning question: If you could wipe away your past mistakes and choose again, would you definitely make better choices? If you can’t view the free stream at 8am, second chances abound: “Come back here on Friday, at a time to suit you,” say the festival organisers. Go to: https://harrogateinternationalfestivals.com/literature-festival/matt-haig/
Offering glimpses into the psyche and fragments of the unconscious: Rachel Goodyear’s Limina, part of York Mediale’s Human Nature exhibition at York Art Gallery
Exhibition of the week and beyond: Human Nature, York Mediale/York Museums Trust, at Madsen Galleries, York Art Gallery, until January 24 2021
THIS triptych of installations under the banner of Human Nature combines the British premiere of Canadian media artist Kelly Richardson’s sensory woodland short film Embers And The Giants with two York Mediale commissions.
London immersive art collection Marshmallow Laser Feast look at the journey of oxygen from lungs to the heart and body in a series of installations that echo the ecosystem in nature inThe Tides Within Us.
Manchester artist and animator Rachel Goodyear’s Limina combines a surrealist, Freudian and Jungian series of animations and intricate drawings, responding to an untitled sculpture from York Art Gallery’s collection as she offers glimpses into the psyche and fragments of the unconscious.
Hannah Davies: York writer, tutor, actress and spoken-word performer, taking part in Signal Fires Festival
Fired-up event of the week: Northern Girls, Pilot Theatre and Arcade, at Scarborough YMCA Car Park, for Signal Fires Festival, October 27 and 28, 7pm to 8pm
YORK company Pilot Theatre team up with new Scarborough arts makers Arcade to present Northern Girls by firelight for the nationwide Signal Fires Festival.
The one-hour performance sets free the stories of girls and women who live along the North East coastline, encouraging them to write and present tales that matter most to them in 2020.
Short pieces commissioned from Asma Elbadawi, Zoe Cooper, Maureen Lennon and Charley Miles will be complemented by York spoken-word artist Hannah Davies’s work with a group of young women from Scarborough.
Re-Wild Geodome at Pavilion Lawn, York Museum Gardens, for York Design Week, October 26 to November 1, 11am to 4pm
Both eyes on the future festival of the week ahead: York Design Week, October 26 to November 1
SUPPORTED by York’s Guild of Media Arts, the York Design Week festival will seek to design a positive future for the city under five themes: Re-Wild, Play, Share, Make Space and Trust.
In Covid-19 2020, the festival will combine in-person events with social-distancing measures in place, and a wide range of online workshops, exhibition seminars and talks.
Look out for workshops bringing together homeless people and architects to work on solutions for housing; sessions on innovation and rule-breaking; an exhibition inspired by a York printing firm; discussions on community art and planning and city trails designed by individual York citizens. Go to yorkdesignweek.com for full details.
Utterly Rutterly: Barrie Rutter’s solo show will combine tall tales, anecdotes, poetry and prose
Barrie’s back: An Evening With Barrie Rutter, The Holbeck, Jenkinson Lawn, Holbeck, Leeds, November 7, 7.15pm
BARRIE Rutter OBE is to return to the stage for the first time since his successful treatment for throat cancer.
The Hull-born titan of northern theatre, now 73, will perform his one-man show at The Holbeck, home to the Slung Low theatre company in Leeds. The Saturday night of tall tales and anecdotes, poetry and prose will be a fundraiser for the installation of a new lift at the south Leeds community base, the oldest social club in the country.
“I’m absolutely thrilled at the invitation from Alan Lane and his team at Slung Low to perform at The Holbeck,” says Rutter. “What goes on in there is truly inspirational and I’m delighted support this wonderful venue.”
Meet the Godbers: Jane, Martha, John and Elizabeth
Family business of the autumn: John Godber Company in Sunny Side Up!, in The Round, Stephen Joseph Theatre, Scarborough, October 28 to 31; Hull Truck Theatre, November 17 to 22
THE waiting for Godber’s new play is over. The world premiere of the ground-breaking former Hull Truck artistic director’s Sunny Side Up! will be a family affair, starring John Godber, his wife Jane Thornton and daughter Martha, while daughter Elizabeth will be doing the stage management.
Written and directed by Godber, the humorous and moving Sunny Side Up! depicts a struggling Yorkshire coast B&B and the people who run it. “Join proprietors Barney, Cath and Tina as they share their stories of awkward clients, snooty relatives and eggs over easy in this seaside rollercoaster that digs into what our ‘staycations’ are all about,” invites John.
Showtime for Anton du Beke and Erin Boag at York Barbican…but not until 2022
Looking ahead to 2021/2022: Dance shows at the treble at York Barbican
STRICTLY Come Dancing’s glittering weekend return to BBC One was a reminder that regular professionals Anton du Beke, Giovanni Pernice, Graziano di Prima, Aljaz Škorjanec and Janette Manrara are all booked to play York Barbican sometime over the rainbow, Killjoy Covid permitting.
Ballroom couple Anton & Erin’s: Showtime celebration of Astaire, Rogers, Sinatra, Garland, Chaplin, Minnelli, Bassey, Tom Jones and Elton John has moved from February 19 2021 to February 18 2022.
Aljaz and Graziano’s Here Comes The Boys show with former Strictly pro Pasha Kovalev has switched to June 30 2021; Aljaz and Janette’s Remembering The Oscars is now booked in for April 21 2021, and Giovanni’s This Is Me! is in the diary for March 17 next year.
Brydon and band: Rob Brydon will add song to laughter in next year’s new tour show
News just in: Rob Brydon in An Evening Of Song & Laughter, York Barbican, April 14 2021
WOULD I lie to you? Actor, comedian, impressionist, presenter and holiday-advert enthusiast Rob Brydon is to play with a band in York. It’s…true!
Yes, Brydon and his eight-piece band will take to the road next year for 20 dates with his new show, Rob Brydon: A Night of Songs & Laughter, visiting York Barbican on April 14 on his second tour to combine songs and music with his trademark wit and comedy. Expect Brydon interpretations varying from fellow Welshman Tom Jones to Tom Waits, Guys And Dolls to Elvis Presley.
The 5ft 7inch Brydon last appeared at York Barbican for two nights of his improvised stand-up show, I Am Standing Up, in October 2017. Box office: yorkbarbican.co.uk.
A magical trail for half-term
And what about….?
HEADING out on the Indie York Medieval & Magical Treasure Trail, running from October 24 to November 1 for half-term entertainment, with full details at indieyork.co.uk.
Likewise, taking up the York Ghost Merchants’ cordial invitation to be spooked by the first annual Ghost Week on the same dates. Among the highlights in “the city of a thousand ghosts” are The Little York Ghost Hunt and The Ghost Parade (also part of the Indie York trail). Discover more at yorkghostmerchants.com.
Beautifully differentiated vowels: Gillene Butterfield as Elle in La Voix Humaine at Leeds Playhouse. Picture: Anthony Robling
Connecting Voices, Opera North and Leeds Playhouse, at Leeds Playhouse, October 17
COLLABORATIONS between Opera North and Leeds Playhouse in recent years have been proving increasingly fruitful.
This latest, a four-show programme in different locations throughout the Playhouse, was just what the doctor ordered: its umbrella title Connecting Voices homed in on the social interactions we have all been craving.
It was designed to “examine the power and expression of the solo voice” and ranged the gamut from pure opera to straight theatre.
Poulenc’s monodrama La Voix Humaine, in the Barber Studio, led the way. In Sameena Husain’s production, Gillene Butterfield poured her heart and voice into Elle’s desperate efforts to repair her faltering romance, using telephones from three different eras.
Plus ça change! She might as well have been on Zoom, so vivid were her emotions, made more so by superb diction and – a rarity among sopranos in my experience – beautifully differentiated vowels.
Annette Saunders’ piano was ideally attuned, blasting out jagged darts whenever Elle listened, calm when she spoke. The two of them combined to notable effect in the nostalgic waltz that follows Elle’s highest outburst.
Riveting voice: Niall Buggy in Samuel Beckett’s Krapp’s Last Tape. Picture: Anthony Robling
Opera North was involved in two of the remaining items. Under its Resonance programme for Black and Asian musicians, Reflections: Dead And Wake explored the Caribbean funerary tradition of Nine-Nights from a specifically Jamaican perspective.
Alongside ethnic choruses, sounding perhaps more African than Caribbean, Paulette Morris caressed her solo songs lovingly. The recurring soundscape of Jamaican voices by the director Khadijah Ibrahiim was not especially intelligible, but certainly added atmosphere.
Among similar non-native sounds was the powerful contribution of the rapper Testament (aka Andy Brooks), in the title role of Orpheus In The Record Shop, injecting much sardonic humour while doubling as composer and writer.
Aletta Collins’ production gradually introduced eight members of the Opera North orchestra and the excellent wordless mezzo of Helen Évora, to bring an optimistic conclusion as bankruptcy loomed. Definitely a tale for our times.
The other riveting voice was that of Niall Buggy, raging and cackling against the dying of the light and his own misspent years in Samuel Beckett’s Krapp’s Last Tape, directed by Dominic Hill. Like the Poulenc, it was written in 1958.
These days, theatre staff are front-line workers too. The small army of stewards here, totally tuned in and extremely helpful, deserve a final word of thanks.
Down on his luck: Simon Slater as Derek Eveleigh in Douglas Post’s thriller Bloodshot. Picture: Mark Brenner
SIMON Slater, Scarborough-born actor, musical director and composer, is revisiting familiar ground on his return to his hometown.
From Wednesday to Saturday at the Stephen Joseph Theatre, he will perform Douglas Post’s Bloodshot, a one-man, four-role thriller he premiered nine years ago.
“This autumn, I’ve been doing it four weeks at the Watermill, Newbury, playing to a socially distanced 80-capacity audience, then I finish with five performances in The Round at the SJT,” says Simon.
“Doing a one-man show, you’re so alone. One stage manager and a lighting guy at each venue, as technically, it’s quite a big show with slides, music and videos.”
Alone, yes, but Simon fills the stage with four contrasting characters in Post’s gripping yarn of vaudeville, murder, magic and jazz, wherein the central character is Derek Eveleigh, a down-on-his-luck, yet skilled photographer in 1957 London.
A mysterious envelope arrives from a stranger asking Eveleigh to take secret pictures of an elegant young woman as she walks in Holland Park. The reward is handsome, but the irresistible assignment takes a sudden, shocking turn.
“I think to myself, ‘why am I doing this? No-one to talk to for two hours except me!” says Simon, who has performed Bloodshot 300 times
Entangled and compelled to understand, Derek is led into a seedy Soho nightlife populated by dubious characters: an Irish comedian, a New York saxophone player and a Russian magician.
“An Irishman, an American and a Russian…it sounds like the start of a joke, doesn’t it?!” says Simon, who calls on his diverse skills to play them all under Patrick Sandford’s direction.
What have they to do with the bloody event Eveleigh has witnessed and how are these men connected to the woman in Holland Park? In attempting to learn the truth, Eveleigh will find his whole life being turned upside down.
Simon has been involved with the globe-trotting Bloodshot from the very start. “Douglas Post is an American writer, who wrote a thriller called Earth And Sky that I did at the Nuffield Theatre, and we became mates. I was holidaying in Chicago, where my brother has a house, and we met up in a late-night bar, where I said, ‘Go on, Douglas, write me a play.”
Post duly did so, incorporating Simon’s mastery of magic, composition and ear for accents. “I’ve always done magic since I was a kid, when there was a magic shop on the Scarborough front called Dinsdale’s [Famous Joke & Trick Shop],” he says.
“He knew I was a musician too, so I get to show off all my meagre talents! There I am, on stage, talking to myself in a schizophrenic way in various accents. I offend everybody equally by stereotyping three nations with my accents…but offending in a nice way!”
On a knife edge: Simon Slater in the one-man thriller Bloodshot
As for the music, “I sent Douglas a CD of George Formby songs for inspiration for the Irish comedian’s ukulele song. God knows what a Chicago writer would have made of that!” recalls Simon, who has been teaching saxophone on Zoom during lockdown and beyond, by the way.
He has performed Bloodshot around 300 times, in London, Canada, Vienna and Chicago. “But never Scarborough…until now,” he says. “I last did it in Chicago four years, and the dialogue did come back quickly when I started rehearsing for the Watermill run.
“But if you think too hard, you have no idea where you are and sometimes you can’t remember a particular word. Like the other night, when I couldn’t remember ‘boat’. My late father [celebrated one-legged Prospect Of Whitby yachtsman Arthur Slater] would be turning in his grave!
“I talk side to side, back and forth, like schizophrenia, but if you get the timing wrong, it’s most extraordinary. I remember when I forgot my line as Derek and the Russian magician prompted me and felt very smug at doing that. It’s a complete internal conversation that’s going on.”
Simon describes the experience of performing Bloodshot as “absolutely knackering”. “I think to myself, ‘why am I doing this? No-one to talk to for two hours except me!” he says.
“It’s the only one-man thriller I’ve ever heard of, and whether my body can hold up, we’ll see, as I damaged my shoulder playing squash with my son. My rotator cuff. It’s b****y painful. My squash days are over, which is a relief…especially for my son!”
Simon Slater and Jemma Redgrave: Rehearsed reading of Simon Woods’ Hansard at the SJT tonight (October 19)
Simon, who played Sam Carmichael in Mamma Mia! in the West End for five years and appeared regularly as Inspector Kite in The Bill, will be doing one other performance while back in Scarborough: a rehearsed reading of Simon Woods’ brutally funny political satire Hansard tonight (October 19).
SJT artistic associate Simon will be teaming up with theatrical dynasty luminary Jemma Redgrave for the sold-out 7.30pm show, directed by SJT artistic director Paul Robinson, in The Round.
Premiered at the National Theatre, London, in August 2019, Hansard’s witty and devastating play takes place on a summer’s morning in 1988, when Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana, but all is not as blissful as it first seems.
Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital sparring quickly turns to blood-sport.
“It’s set at the time of Section 28 [banning the promotion of homosexuality in schools, enacted by Margaret Thatcher’s Government on May 24 1988] and as a play it’s a bit like Who’s Afraid Of Virginia Woolf? with a political edge to it,” says Simon.
“It was Paul who found the play – which I haven’t seen – and we’ve been rehearsing it on Zoom with my friend Jemma to perform as a reading with chairs and lecterns. Paul is yet to decide whether to stage the play next year, so let’s see what happens.”
The eyes have it; the ice has it: Polly Lister in the SJT’s poster for The Snow Queen, featuring music by artistic associate Simon Slater
Looking forward to spending this week at the SJT, Simon says: “It’s going to be quite busy! It’s almost like a career.”
Ever in demand as a musical director and composer, whether as MD for Amadeus at the National Theatre or writing more than 300 original scores for theatre, film, TV, radio and theatre, Simon has one further engagement at the SJT in the winter ahead.
Having provided the score for Nick Lane’s past four Christmas shows in the Round, he will do so again for The Snow Queen, now revised by Lane as a solo show for Polly Lister from December 4 to 30.
“The songs will all be recorded on click track and I can be in a bubble for rehearsals,” says Simon. “I’m also writing the music for Winchester Theatre Royal’s panto for four socially distanced actors, Four Dames, written by James Barry with lots of routines about dames, obviously!”
In Newbury, Simon has been adapting to performing in Covid times, the audiences masked up and distanced from each other. “You know that theatre expression, ‘you can’t hear a smile’. Well, now you can’t see one either,” he says.
“Audiences have been quite self-conscious in this new way of watching live theatre: it’s like playing to 65 Lone Rangers.”
Nevertheless, let’s celebrate that the Stephen Joseph Theatre is presenting theatre once more…and that tickets are selling well for Simon’s five performances as he prepares to play to a home crowd.
Simon Slater in Douglas Post’s Bloodshot, in The Round, Stephen Joseph Theatre, Scarborough, Wednesday, Thursday and Friday, 7.30pm; Saturday, 2.30pm and 7.30pm.
The Snow Queen will run from December 4 to 30. Box office: sjt.uk.com/whatson or call 01723 370541 (Tuesdays to Saturdays, 11am to 4pm, for both phone calls and in-person bookings).
