MIlton Rooms, Malton: Seeking donations via Go Fund Me
VACCINATIONS to fight coronavirus are around the corner, but the focus at the Milton Rooms in Malton is on another form of help: donations.
The Market Place community and entertainment venue has spent a large part of 2020 closed under lockdown restrictions, with only a limited reopening in September and October for several socially distanced events.
The Milton Rooms is a charitable trust run by a board of trustees and operated by volunteers, who have spent much of lockdown giving the venue a spruce-up and planning the programme of events for when restrictions are lifted.
Faced by little income coming in, help from the community is needed to meet the considerable costs of keeping the building running, not least insurance and utility bills.
Hence the Milton Rooms has relaunched its Go Fund Me appeal to help in that task until running a full programme of events for the benefit of the community can be resumed. Visit gofundme.com/f/the-milton-rooms-charity to donate.
Chairman Ray King says: “It costs a significant amount to maintain the Milton Rooms, and during the Covid-19 emergency we’ve been unable to run a full programme of events and those we have been able to run have been with a limited audience.
“So, we’re asking our local community to help support us. I do realise how difficult it is for everyone at the moment but all help would be welcomed.”
Venue manager Lisa Rich says: “We were delighted to re-open our doors in September, following nearly six months of closure and received amazing feedback from our audiences.
“We welcomed back some familiar faces with Ryedale Blues Club and Craft & Chat and worked within our community to assist local groups in being able to restart their events safely within our venue.
“However, at the beginning of November, we had to sadly close our doors once more and now we have the new tier [Tier 2] system in place for probably some time. The Milton Rooms is a vital community hub and we are asking for support to help us to survive this most challenging of times.
“We look forward to welcoming our audiences and users back in the very near future and are working on a diverse and dynamic programme of events for when we’re able to reopen fully.”
Three Covid-secure, socially distanced events will be going ahead in December. Both performances of Magical Quests North’s festive children’s show, Emerald The Elf And Father Christmas, on December 13 at 10.30am and 12 noon, have sold out.
Tickets are still available, however, for Taphouse Burnout’s 7.30pm acoustic concert on December 19 and Dickens – The Man Who Invented Christmas?’’, a fun look at the history of Christmas customs and how Charles Dickens influenced modern-day festivities on the afternoon of December 20.
For tickets, go to: themiltonrooms.com/events. For enquiries on hiring the Milton Rooms, email info@themiltonrooms.com.
Dancer Shelley Eva Haden’s Anna II and mezzo-soprano Wallis Giunta’s Anna I in Gary Clarke’s Opera North production of The Seven Deadly Sins. Picture: Tristram Kenton
TWO weeks before this Gary Clarke production of Weill’s ballet chanté was due to go into rehearsal, the second Lockdown was announced, making the planned live performance – in a double bill with Acis And Galatea– an impossibility.
So, Acis was quickly dropped and a new physically distanced livestream became the order of the day. Without the normal lead-times, this was a tall order. Clarke rapidly conceived Anna (Anna I, the singer and Anna II, the dancer) and her family as German immigrants fleeing Hitler and thus displaced from the start.
George Johnson-Leigh’s set, imagined as an abandoned film studio, assigned a separate dais or “box” for each sin, with the family displaced into the no-man’s land between the boxes every time the two Annas changed city.
A large Hollywood sign at the back of the set thus pointed the contrast between that promised land, still booming in the 1930s, and the privations of the Depression – and, of course, current stringencies.
The contrast between the two Annas was not quite as strong as it might have been, partly because their roles were filled by two equally fetching performers. Canadian mezzo Wallis Giunta’s Anna I, supposedly the thinker and practical half of her personality, seemed to be enjoying, almost revelling, in the travelogue.
“Wallis Giunta is an actress of many hues and, when her tone is as focused as this, irresistible”. Picture: Tristram Kenton
Whereas a deeper pain was etched into the features of dancer Shelley Eva Haden’s Anna II, as she learnt to moderate her wilfulness to suit the paying customers on their tour.
But the paradox at the heart of this morality tale, about what you need to do to accumulate wealth, could not have been clearer: “Conquer your weaker self to conquer the world”, in Michael Feingold’s translation, sung under a shower of dollar bills. Only the temptations themselves might have been writ larger, although that would be hard to envisage in present conditions.
Giunta was on top form, forthright, even bossy, when need be but able to mine a deep nostalgia in the epilogue. She is an actress of many hues and, when her tone is as focused as this, irresistible.
Haden was no less versatile and utterly tireless. To Clarke’s choreography, she ranged the whole spectrum of dance, from the extravagance of Busby Berkeley (in a splendid, giant-sized feather headdress) in Anger, to Pavlova’s tutu-clad Dying Swan immediately afterwards in Gluttony.
She reached a manic peak parodying punk anarchist dancer Valeska Gert. Her brief spoken interjections were pleasingly clear.
Nicholas Butterfield as Brother and Dean Robinson as Mother in Opera North’s The Seven Deadly Sins. Picture: Tristram Kenton
The family quartet – tenors Nicholas Butterfield and Stuart Laing, baritone Dean Robinson and bass Campbell Russell – carried off their solo work as well as they blended, notably in the Sloth motet and the prayerful strictures of Lust. The ending was suitably ambivalent.
James Holmes, editor of the critical edition of Weill’s orchestral works and former Head of Music at this company, could not have been a better choice as conductor. The differentiation in styles was masterly and the playing, by 15 instruments in a reduced version by H K Gruber and Christian Muthspiel, had a succulent clarity.
It was just a pity that the low camera angles precluded much sight of the orchestra, although it was on stage. This is a minor reservation in the face of such an admirable achievement against near-impossible odds.
Finally, my special thanks to two patient members of the press office, Elizabeth Simmonds and Rowland Thomas, for bailing me out of a technological nightmare. Bring back live performance …
Welcome to the 2020 York Early Music Christmas Festival: Palisander reach for their recorders for today’s opening brace of concerts. Picture: Marc McGarraghy
CHRISTMAS arrives today at the National Centre for Early Music with the reopening of its doors for the annual York Early Music Christmas Festival.
Recorder quartet Palisander will launch the festivities at the Covid-secure St Margaret’s Church, Walmgate, with two socially distanced concerts at 4.30pm and 7pm.
The festival of live concerts will run until December 12, complemented by the inaugural York Christmas At Home festival of streamed concerts from December 11 to 13. Full details, including tickets and concert times, can be found at ncem.co.uk.
Look out for Martin Dreyer’s reviews of Palisander’s Mischief & Merriment programme today and Illyria Consort’s How Brightly Shines The Morning Star on December 7 in CharlesHutchPress.
Trott along now: Alex Weatherhill in all Dame Trott’s finery in York Stage’s pantomime Jack And The Beanstalk. Picture: Charlie Kirkpatrick
ALEX Weatherhill took a call from York Stage artistic director Nik Briggs in the quietude of September.
“How do you fancy getting your dame on this Christmas,” asked Nik, having decided he would stage a pantomime at Theatre @ 41 Monkgate to close out a year blighted by the Coronavirus pandemic.
The sight of Alex in full dame attire and face paint at the October 30 photocall to launch Jack And The Beanstalk provided the answer to that request.
“Right now, I would normally be in Spain, as quite often I do a guest musical-directing spot for the Institute of Arts in Barcelona,” he said that autumn day. “I very luckily have managed to get on board to do projects there three times with their second and third-year students, then flying back to go straight into working on pantos.”
Alas, this accursed year has been different, however. No musical directing in Barcelona, nor his usual pantomime commitments for Paul Holman Associates. “I’ve been a musical director for Paul, including for pantomimes at The Carriageworks in Leeds, and then, four years ago, I made the move across to director,” says Alex.
“I directed the panto [at the Spotlight] in Hoddesdon, in Hertfordshire, for three years and I was due to direct Sleeping Beauty at The Harlequin Theatre in Redhill, Surrey, this winter until it was cancelled.”
Hence the September call from Nik Briggs, inviting him to make the journey from his home in Speeton, the easternmost village in North Yorkshire, on the cliff top between Filey and Bridlington, to be Dame Trott in Jack And The Beanstalk.
Alex Weatherhill, as Bernadette, right, with Joe Wawrzyniak, as Tick, left, and Jacob Husband, as Adam, front, in York Stage Musicals’ Priscilla Queen Of The Desert, The Musical, at the Grand Opera House, York., in September 2017. Picture: Benedict Tomlinson
“I would last have been on a York stage for York Stage Musicals in Priscilla, Queen Of The Desert,” says Alex, recalling his drag-queen role as Bernadette at the Grand Opera House. “It was so much fun to do, but very intense.”
He is no stranger to wearing women’s clothing on stage. “I’ve played a lot of middle-aged ladies: the number is probably running into double figures by now, so I suppose it was inevitable I would play dame one day,” says Alex.
“But I’d shied away from it, as it’s a role unto itself, particularly here in York, with all the history of Berwick Kaler’s shows, but now I’m looking forward to it, my first time as the dame, and any trepidation will go during rehearsals.”
Reflecting on past roles, Alex says: “Everything that I’ve done has been character acting, almost trying to fool the audience so they don’t know they’re watching a man playing a woman, starting with Mary Sunshine in Chicago, where there’s no drag element to it. You are there to trick the audience. The way of becoming a woman for that role is very different from playing the pantomime dame.”
Alex has been settling on his brand of dame “who happens to be in Jack And The Beanstalk this year”. “I’m drawing on Patricia Routledge, Maureen Lipman and Julie Walters as my influences, so Nik has been writing with those influences and mannerisms in mind, and they’ll come out in my voice and movements,” he says.
Routledge crossed with Lipman and Walters? What fabulous fun awaits!
York Stage presents Jack And The Beanstalk at Theatre @41 Monkgate, York, from December 11 to January 3; show times, Monday to Saturday, 2pm and 7pm; Sundays, 1pm and 6pm; Christmas Eve, 12 noon and 5pm; New Year’s Eve, 12 noon. Box office: online only at yorkstagepanto.com. Please note, audiences will be seated in household/support bubble groupings only.
Jacob Husband, as Adam, front, Alex Weatherhill, as Bernadette, and Joe Wawrzyniak, as Tick, in York Stage Musicals’ Priscilla Queen Of The Desert, The Musical, at the Grand Opera House, York. Picture: Benedict Tomlinson. September 2017
Scarborough Spa Orchestra, assembled at their temporarily closed home in pre-Covid days, with musical director Paul Laidlaw, second from the right, back row. Picture: Tony Bartholomew
THE Legendary Scarborough Spa Orchestra In Concert or, rather, two concerts will mark the New Year’s arrival at the Stephen Joseph Theatre, Scarborough.
The ever-popular New Year’s Day concert by Great Britain’s last remaining professional seaside orchestra will go ahead this winter despite its usual venue, the Scarborough Spa, being temporarily closed.
Instead, the orchestra will strike up in the Round at the SJT at 2pm and 5.30pm on January 1 2021, when the two performances will feature a programme of Spa Orchestra favourites, taking in songs from the shows, light orchestral pieces and a few Viennese waltzes.
Paul Robinson, the SJT’s artistic director, says: “We’re absolutely delighted to be able to team up with our friends at Scarborough Spa to make sure this year’s New Year’s Day concert goes ahead.
“We think it’s the first time a full orchestra, albeit a small one, has played in our Round. They will be playing to a socially distanced audience, so tickets will be very limited. Early booking is advised.”
Rachel Nicholson, of Scarborough Spa, says: “We are very grateful to the Stephen Joseph Theatre for hosting the Spa Orchestra New Year’s Day concert while we are temporarily closed.
“I am sure everyone will enjoy their performance and we look forward to welcoming the audience back to the Spa as soon as it’s possible to reopen.”
Tickets, priced from £10, are available on 01723 370541 and online at sjt.uk.com.
May Tether as Jill in her professional debut in York Stage’s pantomime, Jack And The Beanstalk. Picture: Charlie Kirkpatrick
MAY Tether will make her professional stage debut in Jack And The Beanstalk back home in Yorkshire after her graduation from London drama school Trinity Laban in July with first class honours.
From December 11, she will play Jill in York Stage’s debut pantomime at Theatre @41 Monnkgate, as she rejoins the company where she became a favourite in such roles as Tracy Turnblad in Hairspray, Elle Woods in Legally Blonde: The Musical and office martinet Roz in 9 To 5: The Musical: American roles all.
Back then, May was known as Maya, studying musical theatre at York College before heading from Goole to London.
“Do you know what I’m loving about the panto script?” she says on the first day of rehearsals under writer-director Nik Briggs. “It reads really well in my own accent when I’m used to playing parts with heavy American accents or Cockney character roles as I’m a character actress, but for this, when people put on a Yorkshire accent, they sound like me!
“I’ve never had the chance to use my own accent, so this will be the first role in my native tongue, which is great.”
May Tether – in her earlier York Stage Musicals days as Maya – in the lead role of Elle Woods in Legally Blonde The Musical
May, 23, has worked with Nik plenty of times previously, most recently when performing in York Stage Musicals’ first open-air concert to a socially distanced audience at the Rowntree Park amphitheatre in August post-Lockdown 1.
Exciting too is the rehearsal-room presence of West End choreographer Gary Lloyd, a Premier League signing to Briggs’s production team. “I’m thrilled to be working with Gary because doing a show on this scale, with a cast of eight, rather than a big West End cast, gives a lovely insight into how he choreographs,” says May.
“When I was Trinity Laban, I did a piece for my dissertation about Gary’s choreography because some of his work is so abstract!”
In a year when the pandemic brought theatre to a stop, May is shaking off the dust from the quiet months. “What’s strange for me is that it does feel like riding a bike, acting again…though not the singing! With the acting, I was thinking, ‘I’m back and I’m really in my comfort zone!’,” she says.
May Tether performing in York Stage Musicals’ open-air concert in Rowntree Park, York, in August. Picture: Charlie Kirkpatrick
“I’m known as being quite ‘belty’ as a singer, and I couldn’t do it just straight out, so I had a bit of a panic attack, but actually then it was OK for the Rowntree Park concert.
”Singing in that tent in that field, I’ve never been so happy to see everyone there, watching a show in the rain. It was unbelievable to see how much people cared about going out to see a show after so long with no theatre.”
May is looking forward to performing on a traverse stage, a configuration with the audience on either side of the performance space. “I love traverse. It’s my favourite,” she says. “I just enjoy being able to look around and taking in everyone’s gaze. You’ve got to include everyone, be unselfish and keep moving. It’s very Shakespearean and I love Shakespeare.
“With the audience sitting in bubbles, we need to make the panto feel as inclusive as possible. Where normally you have a ‘fourth wall’ to break down, this show isn’t traditional. There’s a pandemic going on, audience sizes have to be reduced, but it’s very exciting to be doing a panto in such an intimate setting. Nik has a way of making everything he does a huge spectacle and this will be no exception.”
May in December is focusing fully on her return to the stage. “Now I’m back working in the theatre, I’m not thinking about Christmas. I just want to do my job again,” she says. “It’s really nice to be thinking, ‘I’m back on my feet, doing something I love so much’. My family haven’t thought about Christmas yet either because they just want to see the show. They can’t wait!”.
York Stage presents Jack And The Beanstalk at Theatre @41 Monkgate, York, from December 11 to January 3; show times, Monday to Saturday, 2pm and 7pm; Sundays, 1pm and 6pm; Christmas Eve, 12 noon and 5pm; New Year’s Eve, 12 noon. Box office: online only at yorkstagepanto.com. Please note, audiences will be seated in household/support bubble groupings only.
The Beach Boys line-up for their 60th anniversary tour, visiting the Yorkshire coast next summer
WHO better to play Scarborough Open Air Theatre than The Beach Boys as they mark their 60th anniversary next year?
Tickets for the Rock and Roll Hall of Famers’ June 13 2021 show will go on general sale on Friday, December 11, at 9am at scarboroughopenairtheatre.co.uk
The Beach Boys formed in 1961 in Hawthorne, California, with a line-up of brothers Brian, Dennis and Carl Wilson, cousin Mike Love and friend Al Jardine.
Next summer’s line-up will be led by Mike Love, who, along with long-time member Bruce Johnston, musical director Scott Totten, Brian Eichenberger, Christian Love, Tim Bonhomme, John Cowsill, Keith Hubacher and Randy Leago, continues the veteran band’s legacy.
Mike Love fronting The Beach Boys at Scarborough Open Air Theatre in 2017
The Scarborough OAT concert will be preceded by Beach Boys shows at the Royal Albert Hall, London, on June 11 and 12. Please note, none will feature Brian Wilson, Al Jardine or David Marks.
The Beach Boys previously played the Scarborough venue on May 24 2017. Once more, the sea air will be filled with Surfin’ USA, Surfer Girl, Fun, Fun, Fun, I Get Around, California Girls, Help Me Rhonda, Barbara Ann, Good Vibrations, Wouldn’t It Be Nice, Kokomo and more rays of sunshine besides.
Scarborough OAT programmer Peter Taylor, of promoters Cuffe and Taylor, says: “The Beach Boys are true music legends and we are so excited to be welcoming them back here to the Yorkshire coast.
Fun, fun, fun in the Scarborough sun as The Beach Boys play the Open Air Theatre in 2017
“Since forming in 1961, they have written some of the biggest pop songs of all time, so it’s brilliant their fans will be able to join in their 60th anniversary celebrations here at this wonderful venue.
“Next year’s Scarborough OAT line-up is already looking amazing and we are delighted to now be adding the amazing Beach Boys to our stellar group of headliners.”
In the diary for 2021 are: June 12, Lionel Richie; June 13, The Beach Boys; June 19, UB40 featuring Ali Campbell and Astro; June 20, Ru Paul’s Drag Race: Werq The World; July 3, Snow Patrol; July 7,Duran Duran; July 9, Keane; July 10, Olly Murs; July 25, Lewis Capaldi; August 17, Westlife, and August 20, Nile Rodgers & Chic.
Welcome to the dark side: York musical actor, singer and dancer Ian Stroughair casts off his drag diva act, Velma Celli, to play Flesh Creep in York Stage’s Jack And The Beanstalk this winter
YORK has seen plenty of Ian Stroughair this year, online largely, from his Bishopthorpe kitchen in his cabaret guise as drag diva divine Velma Celli.
From December 11, the West End musical actor, singer and dancer can be enjoyed in his home city like never before, making his York pantomime bow in York Stage’s Jack And The Beanstalk at the Covid-secure, socially distanced Theatre @41 Monkgate.
Given his glamorous, glorious-voiced alter ego as Velma, you may have expected Ian to slip into the dame’s costumes, but “perhaps I’m a little young for dame,” he says.
Instead, 6ft 5 in his boots and stove pipe top hat, Ian will be switching to the dark side, entering stage left as Flesh Creep in writer-director Nik Briggs’s 90-minute production on a traverse stage.
“Yeah, finally I’m doing a panto in York,” he says, wiping away the face paint from his photo-call session. “Before the pandemic lockdown changed everything, I was supposed to be auditioning for the York Theatre Royal pantomime [Cinderella, pre-lockdown], but that didn’t happen.
Smokin’! The poster for Large & Lit In Lockdown, one of Velma Celli’s kitchen-sing dramas streamed from Ian Stroughair’s Bishopthorpe kitchen
“Just like I was going to be doing Funny Girls for three months, taking over from Betty Legs Diamond, so I should have been going up to Blackpool for that, but then all the theatres shut suddenly. So instead I got on the train and came home to York.”
In globe-strutting Velma Celli mode, Ian had been performing in Australia before the escalating Coronavirus pandemic sent him packing back to Blighty, quarantining in York from a week before lockdown.
He refused to be downtrodden, instead writing and cycling to keep show-fit and embracing the nascent possibilities of steaming concerts live and sparkly from the improvised Case De Velma Celli kitchen stage.
“It was tricky at first because we were trying to navigate the technology to make it look and sound good, so it was a big learning curve, but so many friends were just sitting at home moaning, and I thought, ‘no, there are still ways to be artistic and you just have to think outside the box and work harder than everyone else,” recalls Ian, who began with an April 29 fundraiser by Velma for St Leonard’s Hospice, York.
Later, for his kitchen-sing dramas, he presented Velma in Large & Lit In Lockdown and virtual versions of the cabaret queen’s hit shows Equinox, Me & My Divas and A Night At The Musicals.
Minus the make-up: York actor and international drag queen Ian Stroughair
Usually to be found once a month gracing The Basement stage at City Screen, York, Velma returned to live performance in York by signing up for a rugby club – York RI Rugby Union Football Club, in New Lane, Acomb, to be precise – for An Evening Of Song outdoors under the September stars.
Velma playing to playing a rugby club crowd in York on a Friday night…that’s brave, Ian? “Someone suggested there and I went down and met the lovely Caroline Knight and I was sold. Lovely people there and I grew up in Acomb, so it just felt right,” he says.
“The crowd turned out to be mainly people who come to my shows at City Screen, but we did have a LGBTQ rugby team in!”
Rehearsals for Jack And The Beanstalk began at Theatre @41 on November 23, reuniting Ian with West End choreographer Gary Lloyd, who has headed north to York, where his sister, Jo Theaker, is a leading light with York Stage.
“Gary directed and choreographed me in a show called What A Feeling! for a UK tour and the London Palladium,” Ian recalls. “I was 23, so it was nearly 15 years ago. It’s still the hardest-working show I’ve ever done because Gary’s choreography is always spectacular, so it’s great to be working with him again. He’s one of the very best.”
Ian has previous form in pantomime, playing Dandini in 2015/16 in Cinderella at the Regent Theatre, Stoke. “I loved every minute. We were fortunate to win a couple of Great British Pantomine Awards,” he says.
Ian Stroughair in Velma Celli mode
“I was nominated too, for Best Actor, which was lovely. Julian Clary beat me. It was me, Julian and Samuel Holmes, who were nominated; they’re both panto veterans, Julian with his £20,000 worth of costumes at the Palladium…and then me in my panto debut!”
Now comes the sinister sidestep to playing the baddie Flesh Creep in Jack And The Beanstalk. “I’ve never done baddie before, so I’m going to take out Velma’s ‘potty’ mouth and replace it with some sinisterly articulated elocution,” says Ian, elongating his words.
Having lost his mother a few years ago, Ian says Christmas “can be a difficult time”, but “if you can’t laugh at a pantomime you must be dead inside”. “So, I can’t wait to be spreading the joy this Christmas. I’m loving it, after the only things that got me through this year were fried food and wine!”
Looking to the day when he may yet emulate his “idol and a living legend”, York’s long-running dame Berwick Kaler, Ian says: ”Panto producers do keep trying to get me to play Ugly Sister, and should I ever play dame, it’s a role where it’s all in the rhythm and instinctive comedy timing. That’s something you can’t teach but you can get better at it.
“It’s an exhausting role and should be the heart of every great panto. I prefer the dame to not be too polished aesthetically; a tad rough around the edges ideally.”
York Stage presents Jack And The Beanstalk at Theatre @41 Monkgate, York, from December 11 to January 3; show times, Monday to Saturday, 2pm and 7pm; Sundays, 1pm and 6pm; Christmas Eve, 12 noon and 5pm; New Year’s Eve, 12 noon. Box office: online only at yorkstagepanto.com. Please note, audiences will be seated in household/support bubble groupings only.
Beth Nielsen Chapman: New album and Pocklington gig next autumn
BETH Nielsen Chapman’s All Around The World Tour of songs and stories will land at Pocklington Arts Centre on October 23 next year.
Autumn 2021 will bring the release of the Nashville singer-songwriter’s 15th solo album, to be recorded with legendary producer Ray Kennedy, who has worked previously with Lucinda Williams and Steve Earle no less.
Twice nominated for a Grammy, Beth, 62, has written seven American number ones and had her songs recorded by Bonnie Raitt, Willie Nelson, Bette Midler, Elton John, Neil Diamond, Michael McDonald, Keb Mo’, Roberta Flack, Waylon Jennings, Indigo Girls, and Faith Hill.
Inducted into the USA’s Songwriters Hall of Fame in 2016, the Texan musician is a breast cancer survivor and environmentalist and considers herself a “creativity midwife”, passionate about inspiring others to blossom into their creative life.
In demand in America as a keynote speaker and teacher of workshops on creativity, song-writing, grief and healing through art, she uses her inspirational approach to tap into the creative process. She has taught at universities and colleges internationally, such as the Royal Scottish Academy of Music & Drama and Liverpool Institute of Performing Arts, as well as Berklee School of Music in Boston, Massachusetts.
On her last album, 2018’s Hearts Of Glass, she “reached into the place within us where vulnerability meets strength, taking you right into the centre of the full beautiful dance of contradictions that inhabit love and life”.
“I always say I know a song is finished when I play it live and feel it in my gut,” says Songwriters Hall of Fame inductee Beth Nielsen Chapman
Latterly, Beth has been invited to be an Ambassador for the Buddy Holly Educational Foundation.
Early next year, she will debut The SongSchool Podcast, featuring legendary guest songwriters describing what they consider “the perfect song”, as well as on-the-spot critiques for songs submitted, both live in the studio and down the phone line from the other side of the world. After the feedback, any songs that are rewritten and improved will be brought back to the show.
Beth last played Pocklington Arts Centre on her Hearts Of Glass Tour in March 2018, having earlier performed there in 2014.
“We came to Pocklington on the Red Sky July tour and it was a great night. To me, the feeling of a place is more important than the size,” she said ahead of that 2018 gig.
What can you expect on her return, as well as new songs? “When you come to one of my shows, you’re going to hear about what’s happened in my life. It’s part of the tapestry of the evening,” she says.
As for playing those new compositions: “I always say I know a song is finished when I play it live and feel it in my gut,” Beth concludes.
Tickets for her 8pm Pocklington show cost £30 at pocklingtonartscentre.co.uk.
Travelling players: York Theatre Royal pantomime stars Robin Simpson’s dame, Faye Williams’ hero, Reuben Johnson’s villain, Anna Soden’s fairy and Josh Benson’s comic. Picture: Ant Robling
EXIT LOCKDOWN 2, enter Tier 2 for York and North Yorkshire, Tier 3 for next-door neighbours The Humber and West Yorkshire.
That means plenty of openings and re-openings for Charles Hutchinson to highlight, but no roads leading to Leeds, Hull or…Pocklington.
The pantomime season in York
NO Dame Berwick Kaler comeback in Dick Turpin Rides Again at the still-closed Grand Opera House, alas, but after two nights at the Theatre Royal this week, York Theatre Royal’s Travelling Pantomime will be making its way around York’s wards until December 23.
Dame for a laugh: Alex Weatherhill’s Dame Trott in York Stage’s Jack And The Beanstalk at Theatre @41 Monkgate, York. Picture: Charlie Kirkpatrick
Audience members will vote for whether they want to see Jack And The Beanstalk, Dick Whittington or Snow White. All performances have sold out but more may yet be added.
Tickets are still available for York Stage’s Jack And The Beanstalk, directed by Nik Briggs and choreographed by West End hotshot Gary Lloyd at Theatre @41 Monkgate from December 11 to January 3. Fans of York drag diva Velma Celli should look out for creator Ian Stroughair’s transformation into baddie Flesh Creep.
The Marian Consort: Live at the NCEM for the York Early Music Christmas Festival and online for York Christmas At Home
Festival at the double for 2020: York Early Christmas Music Festival, National Centre for Early Music, York, December 4 to 12 and York Christmas At Home, December 11 to 13
THE 2020 York Early Music Christmas Festival will be not one, but two festivals, one at the NCEM, the other online. Festive concerts will be performed with Covid-secure safety measures and cabaret-style seating at St Margaret’s Church, Walmgate, York, complemented by a new digital weekend festival.
York Christmas At Home will be streamed from December 11 to 13, with the Yuletide music concerts available on demand throughout the Christmas period until January 6 2021.
Performing live will be Palisander, The Marian Consort, Illyria Consort, Joglaresa, The York Waits and Bethany Seymour, Helen Charlston, Frederick Long and Peter Seymour. Add The Chiaroscuro Quartet, Matthew Wadsworth and Kate Bennett Wadsworth, Spiritato!, Steven Devine and Stile Antico to that list for the At Home programme.
On your mask, get set, go: Susan Bower’s Christmas Party 2020, newly on show at Kentmere House Gallery, York
Post-Lockdown 2 gallery re-opening: Kentmere House Gallery, Scarcroft Hill, York, from this evening (3/12/2020)
NEW work by Susan Bower, John Thornton and Rosie Dean has arrived at Kentmere House Gallery in good time for Christmas. Ann Petherick will re-open her home art-space tomorrow evening from 6pm to 9pm, followed by weekend opening each Saturday and Sunday until December 20 from 11am to 5pm.
Oils, watercolours, pastels and original prints by 70 British artists are on display, along with books, greetings cards and Christmas cards exclusive to the gallery.
Visits arranged by appointment will be resuming too, on 01904 656507 or 07801 810825 or by emailing ann@kentmerehouse.co.uk.
Climate change: Danny Mellor and Anastasia Benham in Badapple Theatre Company’s The Snow Dancer
Christmas snow: Badapple Theatre Company, in The Snow Dancer, Joseph Rowntree Theatre, York, December 5, 2.30pm, 7.30pm; December 6, 1pm, 6pm
GREEN Hammerton’s Badapple Theatre revive their 2019 Christmas hit, The Snow Dancer, for two days only at the Covid-secure JoRo Theatre, newly equipped with chair wraps to denote the socially distanced seating plan.
Last year’s cast of Anastasia Benham and Danny Mellor will re-assemble to perform writer-director Kate Bramley’s cautionary global-warming tale, set in the Great Wood, where something is awry.
Welcome back: Stu Freestone wants a word with you at Say Owt’s December 11 return to live performance
Owt and about again: Say Owt word weavers at The Crescent, York, December 11, 7pm
SAY Owt, York’s loveable gang of performance poets, are back in live action for the first time since the summer for a night of socially distanced spoken word at The Crescent, re-opening that night with Covid-secure measures and a seated capacity of 60.
Stepping up to the mic will be Say Owt’s A-team of Henry Raby, Hannah Davies, Stu Freestone and Dave Jarman, joined by special guest poets Katie Greenbrown and Ruth Awolola.
“The night will feature a set of banging poems, full of wit and humour to warm your soul this December,” says artistic director Raby. “Expect some brand-new pieces, improv poetry and a few silly surprises hiding up our spoken-word sleeves.”
A guided quest with Potions Professor, magical spells and afternoon tea add up to A Very Magical Christmas on the streets of York
New children’s attraction of the week in York: A Very Magical Christmas, York city centre, until January 5
FROM the creators of A Very Magical Adventure comes A Very Magical Christmas: a live interactive theatrical quest with magical spell-casting and a fun, festive afternoon tea with special effects to knock your socks off. Even a visit from old St Nicholas is promised.
The quest will begin at St Michael le Belfrey, where you will meet your guide, the Potions Professor from Old Jacob’s School of Magic, who will teach you how to cast spells and find clues that will lead you to the secret location of the wizard school. For more details, go to averymagicaladventure.co.uk.
A Peter Rabbit Winter Adventure Activity Trail: Solve clues at Beningbrough Hall on various dates in December
Children’s attraction of the week outside York: A Peter Rabbit Winter Adventure Activity Trail, Beninbrough Hall, Beningbrough, near York, December 5 and eight other open days, 10am to 3pm
GRAB a £2 goody bag per child while stocks last, complete with an activity sheet, pencil, certificate, badge and play pack, to embark on a family-friendly Peter Rabbit Winter Adventure Trail in the Beningbrough Hall gardens and grounds.
The task is to solve the clues to help Peter and his friends prepare for the winter ahead, while spotting nature in all its seasonal glory. Expect to find Mrs Tiggy-Winkle, Mr Jeremy Fisher, Flopsy, Mopsy and Cotton-tail before having your photograph taken beside the Peter Rabbit board.
Do check availability of the goody bags before setting off at nationaltrust.org.uk/beningbrough-hall-gallery-and-gardens
Ghost story for Christmas: Alan Ayckbourn has voiced all the roles for the Stephen Joseph Theatre’s audio version of his 1994 play Haunting Julia. Picture: Tony Bartholomew
And what about?
TUNE into Alan Ayckbourn’s ghost story for a winter chill, his 1994 play Haunting Julia, in an audio version for the Stephen Joseph Theatre, Scarborough, with all three roles voiced by Ayckbourn, at sjt.uk.com/event/1078/haunting_julia until January 5.
Don’t miss the SJT’s Christmas show, Nick Lane’s one-woman version of The Snow Queen, starring Polly Lister at some shows, Jacoba Williams at others, from December 7 to 31.
York Barbican has been busy booking shows for 2021: artist and TV presenter Grayson Perry’s existentialist distraction from the very meaningless of life, A Show For Normal People, September 6; London indie-pop trio Scouting For Girls, October 10; astronaut Tim Peake’s Journey Into The Unknown, November 2, and comedian Sarah Millican’s Bobby Dazzler, November 12 and 13.
“You’ll leave safe and warm in the knowledge that nothing really matters anyway,” promises Grayson Perry
