Richard Hawley: Made in Sheffield, performing in Scarborough on Thursday. Picture: Dean Chalkley
RICHARD Hawley concludes his 13-date tour with the only Yorkshire gig at Scarborough Spa on Thursday night.
On the heels of his Olivier Award-winning Sheffield musical Standing At The Sky’s Edge opening a six-month West End run at the Gillian Lynne Theatre, the South Yorkshireman will be showcasing his May 31 album, In This City They Call You Love.
Released on BMG, the track listing is Two For His Heels; Have Love; Prism In Jeans; Heavy Rain; People; Hear That Lonesome Whistle Blow; Deep Space; Deep Waters; I’ll Never Get Over You; Do I Really Need To Know?; When The Lights Go Out and ‘Tis Night.
Latest single Two For His Heels is a blues rumble reminiscent of Link Wray and Duane Eddy: a sparse, atmospheric and cinematic song about a deal that goes wrong.
The album title is derived from the lyrics for People, a hymn to his beloved home of Sheffield, the steel city’s proud industrial past and the enduring determination of its citizens.
Summing up his new material, Hawley, 57, says: “I’ve made three albums where I had the title before I’d even begun to record, where I had an agenda. One was Truelove’s Gutter. Another was Standing At The Sky’s Edge, when I wanted to turn everything up and make the music a lot more aggressive, and then this one.
“I wanted it to be multi-coloured in a way…focusing on the voice and what voices can do together. I deliberately only played a handful of guitar solos, to keep it focused on voices, the song and space.”
Two decades have elapsed since Hawley abandoned band life full-time, first withThe Longpigs and then as Pulp’s guitarist. Nine studio albums have ensued, along with film scores, a self-titled mini album and the 2023 compilation Now Then: The Very Best Of Richard Hawley, his fourth Top Ten album.
The cover artwork for Richard Hawley’s new album, In This City They Call You Love
In addition, he has worked with such collaborators asArctic Monkeys, Manic Street Preachers, Elbow, Paul Weller, Duane Eddy (co-producing his 2011 album Road Trip), Nancy Sinatra and English folk royalty Martin Carthy and Norma Waterson on 2013’s Bright Phoebus Revisited tour.
In 2002, he co-wrote Clean for Robbie Williams’ debut solo album, Life Thru A Lens; in 2009, he wrote the smouldering ballad After The Rain for Shirley Bassey, and down the years he has performed with All Saints and Texas.
His song Tonight The Streets Are Ourswas featured inThe SimpsonsandExit Through The Gift Shop: A Banksy Filmand Hawley numbers have featured in television dramas Peaky Blinders, The Full Monty and Hijack.
Dear Alien (Who Art In Heaven), co-written with Jarvis Cocker and Wes Anderson for Anderson’s film Asteroid City,was shortlisted for Best Original Song in this year’s Oscars.
Premiered at Sheffield’s Crucible Theatre, the musical Standing At The Sky’s Edge combines 20 Hawley songs with a book by University of York-educated Chris Bush. Winner of Best New Musical and Best Original Score at the 2023 Olivier Awards, the show has moved to the Gillian Lynne Theatre after sold-out Crucible and National Theatre runs.
In 2023, Hawley played five shows with American musician John Grant, former frontman of The Czars, performing the songs of country legend Patsy Cline.
In This City They Call You Love has become his sixth Top Ten album in a row, available on digipack CD, standard black vinyl, limited-edition transparent blue vinyl exclusive to HMV and indie stores and transparent yellow vinyl, on sale exclusively from the official store, richardhawley.co.uk.
Richard Hawley, supported by James Bagshaw, Scarborough Spa, June 20, 7.30pm. Also plays Don Valley Bowl, Sheffield, with The Coral and The Divine Comedy, on August 29. Box office: Scarborough, scarboroughspa.co.uk; Sheffield, richardhawley.co.uk.
Barbara Dickson: Second night added at All Saints Church, Pocklington
AFTER their October 4 gig sold out in record time, Scottish folk singer Barbara Dickson and her pianist Nick Holland are adding a second acoustic performance at All Saints Church, Pocklington, on October 16.
On each night, they will explore her catalogue of songs in this intimate and historic setting, where the pair will let the words and melodies take centre stage as they draw on Dickson’s folk roots, contemporary greats and her classic hits, Answer Me, Another Suitcase In Another Hall, Caravan and the million-selling chart-topper I Know Him So Well.
The shows are the second collaboration between All Saints and Pocklington-based Hurricane Promotions and follow on from a sold-out event in December with BBC Radio 2 Folk Award winners The Young’uns. Two further shows are due to be announced later this month. Watch this space.
Emerging from the late-Sixties’ Scottish folk scene, Dickson has become Scotland’s best-selling female album artist, earning six platinum, 11 gold and seven silver albums. Her stage career has included the roles of the original Mrs Johnstone in Willy Russell’s Blood Brothers and Viv Nicholson in Spend Spend Spend, both bringing her an Olivier Award for Best Actress. In 2002, she was awarded an OBE for her services to music and drama.
Holland joined her touring band in the 2000s, playing keyboards and adding vocals on her September 2004 album Full Circle, the first to feature the style of music she now performs.
Dickson and Holland work as a duo where she plays guitar and piano, her vocals being complemented by his keyboards and harmonies, whether in cathedrals, festivals or theatres.
“It’s a different experience to working with the bigger band, but just as enjoyable, and gives the music breathing space,” says Dickson, 76.
All Saints Church is “always delighted to see the church used for community events”. “Churches historically have been the social hubs of their communities, bringing people together for fellowship, entertainment and the sharing of ideas and opinions,” says the church statement. “This concert wraps those three things up in one great package.”
Barbara Dickson & Nick Holland, All Saints Church, Pocklington, October 4 (sold out) and October 16, 7.30pm. Also: Leeds City Varieties Music Hall, October 20, 7.30pm. Box office: barbaradickson.net; Leeds, leedsheritagetheatres.com.
Jessa Liversidge: Two bards, one songbird; two performances, two workshops. Picture: David K Newton
EASINGWOLD singer and choir leader Jessa Liversidge presents her celebration of song inspired by two bards, William Shakespeare and Robert Burns, from her native Scotland, in York tomorrow and Helmsley next Saturday.
Her heartfelt performance spans traditional folk, pop and musical theatre, sung to her piano accompaniment with judicious use of a loop pedal to layer melodies and sounds.
At each concert, at Theatre@41 and Helmsley Arts Centre, audience suggestions are invited to enable Jessa to improvise a new song around a Shakespeare/Burns quotation.
At both venues, from 4pm to 6pm, she will be hosting a harmony-singing workshop for participants to sing in the evening show. Box office: York, tickets.41monkgate.co.uk; Helmsley, helmsleyarts.co.uk.
The poster for Two Bards And A Songbird
Here, Jessa discusses Shakespeare, Burns, songs, poems and her next show with CharlesHutchPress
What part did Robert Burns and Shakespeare play in your education, being brought up in Scotland?
“I was brought up and went to school in Dundee, and in my younger years we all had to learn a Burns song to take part in a competition called the Leng Medal. This was my first experience of Burns’s songs, and of course we learned several of the poems in school too.
“At this young age, I didn’t really appreciate the poetry and power of his words, and certainly didn’t fully appreciate the speeches from Macbeth and Hamlet as I crammed them the night before my Higher English exam! I wouldn’t have predicted that years later I’d be improvising songs around those same words.”
How did you first come to participate in the Durham Fringe Festival?
“Durham is quite a young Fringe, and I’ve been involved since it started in 2021. Mick [actor husband Mick Liversidge] and I had put a show together inspired by our outdoor lockdown singing and poetry reciting called Fields and Lanes, and this was featured in an afternoon showcase the Fringe put on, alongside aerial artistes and dancers! A great experience and a friendly bunch of volunteers running the festival.
“It has grown since then, and I performed my Songbirds show there in 2022, then Two Bards And A Songbird in 2023. My inspiration to put this show together was a callout by Durham Fringe for Shakespeare-inspired shows, to celebrate the 400th anniversary of the First Folio.”
Sum up the show in a nutshell…
“It’s a musical exploration of work inspired by the two bards. Just me, a piano and my loop pedal. Very different, very eclectic!
“I could be singing a beautiful Robert Burns song one moment, improvising around a Shakespeare sonnet the next, looping around with a Taylor Swift song, then throwing in a musical theatre number, such as Sondheim’s Fear No More The Heat O’ The Sun or So In Love from Kiss me Kate.
Mick and Jessa Liversidge on one of their walks in lockdown in 2020 for Fields and Lanes
“I even combine the two bards in two of the pieces. There’s also a fun, but scary element of the show, where audience members pick a quotation from their table for me to improvise around.”
Shakespeare’s plays feature songs; Burns’s poetry has a long tradition of being turned into folk songs, alongside his own songwriting. How has that shaped the content of your show?
“Several of Burns’s original songs feature in the show – Red, Red Rose, Ae Fond Kiss, A’ The Airts – as well as the most famous song Burns actually didn’t write! (Auld Lang Syne, which he heard someone singing, then wrote down!)
“In the early stages of developing the show, I looked at some of the original songs used in Shakespeare plays, but I ended up using a more contemporary mix of songs for the Shakespeare element. His work features such universal themes that just about anything can be said to be inspired by Shakespeare!
“What I’ve chosen is a mixture of pop and musical theatre inspired by his words and stories, songs from musical adaptations of his plays (including some from a fairly recent adaptation of As You Like It, performed in Central Park, New York, featuring hundreds of community performers and music by Shaina Taub.)
“Plus of course the more improvised sections, where I develop my own musical interpretations of Shakespeare’s words, such as Come Away Death and Shall I Compare Thee To A Summer’s Day.”
How do you use the loop pedal?
“I love looping! It’s so addictive and fun, and a great, if sometimes baffling, experience for the audience, some of whom have never heard anything quite like it!
“I basically layer up keyboard chords, vocal harmonies, melodies, sometimes even recited poetry, together. Everything is done live, nothing pre-recorded.
The poster for Jessa Liversidge’s new show, A Tapestry Of Life, at the 2024 Durham Fringe Festival
“So, with the Taylor Swift song in the show, I build up harmonies in a chorus first, as part of the performance, then use that within the song.
“It’s great for the improvised sections too, and where I mash Shakespeare and Burns together – so at one point I sing a Burns song (John Anderson My Jo) and layer a suitable sonnet over the top – as a great way of creating harmony and different effects as a solo performer.” https://youtu.be/_Gsvwqzt6Bw?si=PFAUtyRsZE169dLM
Explain your choice of Burns and Shakespeare works to intertwine.
“The Burns song, John Anderson My Jo, speaks in a light-hearted way of the longevity of love, how it changes over time. Quite ironic as Burns never reached old age sadly. (N.B. I am doing one of the more polite versions of this song!).
“I then layer Shakespeare’s sonnet 104 over the top, which speaks, “to me, fair friend, you never can be old”.
“Another features a short segment from the Royal Shakespeare Company production of Julius Caesar that I was lucky enough to be involved with this time last year: Ghosts, used with permission of the composer, Jasmin Kent Rodgman.
“This haunting, repetitive piece is used in one of the battle scenes – and as a nod to the more pacifist leanings of Burns, I recite his Logan Braes over the top.”
Jessa Liversidge leading one of her choir workshops
What will the workshops involve? Who can attend? Is there a charge?
“The workshops are open to all voices – anyone who enjoys singing and wants to get more involved with the show. We’ll work on some vocal technique and fun warm-ups, then learn some of the material from the show – which the group can then get up and perform alongside me in the evening, in between enjoying the rest of the show as an audience member.
“I will tailor each workshop to whoever comes along. I am used to working with all ages and abilities and just love bringing people together to sing! It’s such a joyous way to connect with others.
“Both venues are offering a combined ticket for the workshop and show, only £5 extra for the two-hour workshop.”
Have your performed Two Bards And A Songbird in Scotland?
“I’ve been up to my native land for a couple of weekends performing the show in Dundee and Fife. Quite a moment, having not performed there since I was at school! And even then, I was never a singing soloist in those days, only really finding my voice in my mid-twenties.
“One old school friend who came to the Dundee performance said, ‘you were a violinist at school’! Lovely, though, to be able to have some family members come and support who don’t usually get to witness my antics in real life.”
How did you find your voice in your mid-20s, and was that part of the inspiration for encouraging others to do likewise in your choirs?
“My vocal journey has been a long and winding one! I’ve always enjoyed singing, but as I reached my 20s, I found I was limited in what I could do as a soloist, so decided to have some proper vocal training.
“I could be singing a beautiful Robert Burns song one moment, improvising around a Shakespeare sonnet the next,” says Jessa of her Two Bards And A Songbird show. Picture: Andrea Denniss
“I spent ten years training with York’s Jacqueline Edwards, finding my full range and surprising myself with what I could do. Then since having my own children in my 30s, I have built up my freelance work around singing, and sharing the joy of singing with others.
“I’ve undertaken so much more training in the past ten years or so, from vocal health first aid to vocal cross-training (all the different techniques and characteristics of singing in different genres), and now I feel so lucky to spend my week singing with, and for, such a wide range of people of all ages and abilities.”
Describe your new Carole King show, A Tapestry Of Life, premiering at next month’s Durham Fringe Festival?
“Like many, I’m a huge fan of Carole King. Her songs (a bit like the bard himself!) focus on those universal themes everyone can identify with: life, love, loss. My sister, Andrea Brown, has recently written a book of poetry with that very title.
“As we were born in the 1970s, when Tapestry was released, I came up with the idea of A Tapestry Of Life. It will be the classic Carole King songs, interspersed with songs I’m writing from Andrea’s poetry. Lots of them about pretty moving and emotional family events, and situations and journeys that will resonate with a lot of people, I’m sure. Quite scary for me as I am quite new to songwriting!
“But the words are so beautiful, I am very excited about performing this combination of old and new.”
What drew you to the music of Carole King?
“I first got to know some of the best-known songs, such as You’ve Got A Friend and Will You Still Love Me Tomorrow, then decided to explore further. I love the messages behind her songs, the catchy and moving melodies, and how the songs mean so much to people. These songs were released over 50 years ago but the themes and messages are eternally relevant.”
How have you found the experience of writing songs?
“It’s a whole new world for me. I really only started writing songs in 2020, and even then, that was only short rounds and partner songs to teach to my choirs. I’ve dabbled a little but not often had the confidence to share much of my own writing.
“My sister Andrea has always been the poet in our family. She’s written poems for events at work and home, and even wrote and recited beautiful poems for our parents’ funerals.
“I am used to improvising short melodies, and layering up harmonies, like I do in Two Bards, but this is a different ball game! I’m loving the process of putting these moving words to music and linking the themes of the Carole King classics to the themes of these beautiful poems.”
Jessa Liversidge, Two Bards And A Songbird, Theatre@41, Monkgate, York, tomorrow (16/6/2024), 7.30pm, and Helmsley Arts Centre, June 22, 7.30pm. Box office: York, tickets.41monkgate.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk
Jessa Liversidge, A Tapestry Of Life, Durham Fringe Festival, The Pemberton Rooms, Durham University, just off Palace Green, July 25 to 28, 4.30pm. Box office: durhamfringe.co.uk.
Preview show at Easingwold Library on July 17 at 7.30pm (doors 7pm). Suggested entry donation of £8; all profits in aid of community library funds. Bookings: email willowtreevent@gmail.com or ring 07526 107448 and leave a message with contact details.
Jessa Liversidge: the back story
SINGER and positive and encouraging singing leader, experienced in working with singers of all ages and abilities.
Runs several choirs, including HAC Singers, Easingwold Community Singers, Singing For All and York Military Wives Choir, as well as teaching singing privately and teaching music to young people, lifting the spirits of hundreds through song each week.
For more information, head to: jessaliversidge.com.
Bhavin Bhatt’s villainous Assef, left, and Stuart Vincent’s Amir in The Kite Runner, on tour at York Theatre Royal. Picture: Barry Rivett
THE return of The Kite Runner and Forest Live, a family art show and coastal concerts, a Scottish-English union and a girl group tribute spice up Charles Hutchinson’s week ahead.
Play of the week: The Kite Runner, York Theatre Royal, June 18 to 22, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
DIRECTED by Giles Croft, Matthew Spangler’s adaptation of Khaled Hosseini’s novel presents a haunting tale of friendship that spans cultures and continents as it follows Amir’s journey to confront his past and find redemption.
In his childhood recollection, Afghanistan is on the verge of war and best friends Amir (Stuart Vincent) and Hassan (Yazdan Qafouri) are about to be torn apart. Amid the excitement of a Kabul kite-flying tournament, no-one can foresee the terrible incident that will shatter their lives forever. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Amy Stubbs: Exhibiting with her sister Emily and father Christopher in Canvas, Clay and Cloth at Pyramid Gallery, Stonegate, York
Family exhibition launch of the week:Stubbs3 – Canvas, Clay and Cloth, Pyramid Gallery, Stonegate, York, today until August 3
FAMILY artistry unites in Stubbs3 – Canvas, Clay and Cloth, a unique exhibition featuring works by sisters Emily Stubbs and Amy Stubbs, regular participants in York Open Studios, alongside their father, Christopher Stubbs, from Hepworth, West Yorkshire.
Their first-ever joint showcase brings together diverse artistic media in a celebration of family creativity. Contemporary ceramicist Emily Stubbs works from PICA Studios, in Grape Lane; Amy specialises in textile and surface pattern design in a range of homeware and wearable art; Christopher will be exhibiting framed paintings and sketches. All three will attend today’s launch in a Meet The Artists session from 12 noon to 2pm.
Christopher Stubbs: Exhibiting framed paintings and sketches at Pyramid Gallery
Film music of the week: A Tribute To Hans Zimmer and Film Favourites Illuminated, Grand Opera House, York, tomorrow (16/6/2024), 3.30pm and 7pm
EXPERIENCE cinema’s most iconic soundtracks performed by the London Film Music Orchestra in a tribute to Hans Zimmer and more besides in an immersive illuminated setting.
The chamber orchestra will be performing music from Harry Potter, Star Wars, Jurassic Park, Gladiator, E.T., Pirates Of The Caribbean, Jaws, Interstellar, Indiana Jones, Schindler’s List and Inception. Box office: atgtickets.com/york.
Jessa Liversidge: Two Bards And A Songbird, two concerts and two workshops. Picture: David K Newton
English and Scottish union of the week: Jessa Liversidge, Two Bards And A Songbird, Theatre@41, Monkgate, York, tomorrow, 7.30pm, and Helmsley Arts Centre, June 22, 7.30pm
EASINGWOLD singer and choir leader Jessa Liversidge presents her celebration of song inspired by two bards: William Shakespeare and Robert Burns, from her native Scotland. Her heartfelt performance spans traditional folk, pop and musical theatre, sung to her piano accompaniment with judicious use of a loop pedal to layer melodies and sounds.
At each concert, audience suggestions are invited to enable Jessa to improvise a new song around a Shakespeare/Burns quotation. At both venues, from 4pm to 6pm, she will be hosting a harmony-singing workshop for participants to sing in the evening show. Box office: York, tickets.41monkgate.co.uk; Helmsley, helmsleyarts.co.uk.
Paul Sinha: In conversation at The Crescent, York. Picture: Andy Hollingsworth
Show title of the week: One Sinha Lifetime, Paul Sinha, The Crescent, York, June 17, 7.30pm
COMEDIAN, white-suited chaser on ITV quiz show The Chase, former doctor and villainous Abanazar in his 2016 pantomime debut in Aladdin at York’s Grand Opera House, Paul Sinha has plenty to discuss in conversation at The Crescent as he marks Penguin Books’ June 20 release of his coming-of-age memoir One Sinha Lifetime.
Subtitled Comedy, Disaster and One Man’s Quest for Happiness, broadcaster and quiz champ Sinha’s book charts his unconventional odyssey through love, family and the joy of general knowledge. Box office: thecrescentyork.com.
Simple Minds in Scarborough: Charlie Burchill and Jim Kerr head to the East Coast on Tuesday. Picture: Dean Chalkley
Coastal gig of the week: Simple Minds and special guests Del Amitri, Scarborough Open Air Theatre, June 18; gates open at 6pm
SOMEONE somewhere in summertime, namely Simple Minds in Scarborough on Tuesday, finds Jim Kerr and Charlie Burchill’s band revisiting such hits as Promised You A Miracle, Glittering Prize, Alive And Kicking, Sanctify Yourself, Don’t You Forget About Me and, aptly for Scarborough, Waterfront.
Opening the Scottish double bill will be fellow Glaswegians Del Amitri, led as ever by Justin Currie. In further Scarborough OAT shows, Hampstead pop singer Jess Glynne performs tonight and yet more Glaswegians, Deacon Blue, Ricky Ross and Lorraine McIntosh et al, appear on Friday. Box office: scarboroughopenairtheatre.com.
Wannabe: Celebrating 30 years of Spice Girl power at Grand Opera House, York
York tribute show of the week: Wannabe – The Spice Girls Musical, Grand Opera House, York, June 20, 7.30pm
WANNABE, the “world’s longest-running” Spice Girls tribute stage production, celebrates three decades of girl power in a nostalgic journey through the Spice World.
The show charts the English girl group’s meteoric rise, from July 1996’s debut number one, Wannabe, to Scary, Sporty, Baby, Ginger and Posh’s reunion at the 2012 London Olympics Opening Ceremony. Expect “meticulously crafted costumes, unique vocal and musical arrangements exclusive to Wannabe, iconic dance routines and stunning visual flair”. Box office: atgtickets.com/york.
Richard Hawley: Made in Sheffield, performing in Scarborough
Yorkshireman of the week: Richard Hawley, Scarborough Spa, June 20, 7.30pm
ON the heels of his Olivier Award-winning Sheffield musical Standing At The Sky’s Edge opening a six-month West End run at the Gillian Lynne Theatre, Richard Hawley showcases his May 31 album In This City They Call You Love on his spring tour. Scarborough hosts the closing night. James Bagshaw supports. Box office: scarboroughspa.co.uk.
Nile Rodgers: Turning Dalby Forest into a disco floor with CHIC next Saturday, when Sophie Ellis-Bextor & Deco will be on the bill too
Welcome return of the week: Forest Live at Dalby Forest, near Pickering, Bryan Adams, June 21; Nile Rodgers & CHIC, June 22; Richard Ashcroft, June 23; gates 5pm
FORESTRY England revives Forest Live at Dalby Forest for the first time since 2019 for three nights of open-air concerts in aid of woodland conservation. Canadian rocker Bryan Adams, he of forest fame from (Everything I Do) I Do It For You for Robin Hood Prince Of Thieves, on Friday night will be followed by disco icons Nile Rodgers & CHIC next Saturday and the Wigan singer, songwriter and The Verve frontman Richard Ashcroft next Sunday. Box office: forestlive.com.
Alison Moyet: 40th anniversary album and 2025 tour, visiting York Barbican next February. Picture: Naomi Davison
Gig announcement of the week: Alison Moyet, York Barbican, February 20 2025
MARKING 40 years since she left Yazoo to launch her solo career, Essex soul singer Alison Moyet will play York Barbican on her 25-date 2025 itinerary, her first headline tour since 2017.
After graduating from Brighton University in 2023 with a first-class degree in fine art printmaking, Moyet will combine art and music on her 18-track October 4 album, Key, creating the artwork as well as reworking singles, fan favourites and deep cuts, complemented by two new songs. Box office from 10am on June 21: yorkbarbican.co.uk/whats-on/alison-moyet-2025/.
In Focus: British Wildlife Photography Awards exhibition, Nunnington Hall, Nunnington, near Helmsley
What’s All The Fuss About?, Will Palmer’s photo of Arctic walrus Thor on the Scarborough harbour slipway, from the British Wildlife Photography Awards exhibition at Nunnington Hall. Courtesy of National Trust
THE British Wildlife Photography Awards exhibition at Nunnington Hall aims to raise awareness of British biodiversity, species and habitats.
On display are award-winning images selected from 14,000 entries in more than a dozen categories, including film and three for juniors, all in celebration of the diversity of British wildlife and wild spaces.
In particular, look out for What’s All The Fuss About?, taken by Scarborough photographer Will Palmer, who captured the headline-making Thor as the Arctic walrus rested ashore on the harbour slipway cobbles on December 31 2022.
Scarborough photographer Will Palmer with his photograph of Thor, the Arctic walrus, at Nunnington Hall
Will’s image was judged the runner-up in the Urban Wildlife category. “It’s always a huge privilege to be recognised for your work and especially when the awards are as prestigious as this,” he says.
“I captured the image by laying on the cobbles to capture Thor at eye level with the harbour behind. I was very fortunate to get there early and capture the moment at night and before the crowd arrived.”
Nunnington Hall is the nearest National Trust property to the Scarborough coastline. “It’s really special to see the image included in the exhibition and especially at Nunnington Hall, with such a wonderful exhibition space and grounds to boot.
“I’ve hugely appreciated seeing all the effort that’s gone into the exhibition, and with it being on my doorstep, I’m looking forward to visiting it again soon.”
Ocean Drifter, overall winner in the British Wildlife Photography Awards, by Ryan Stalker. Courtesy of National Trust
Laura Kennedy, experience & programming manager at Nunnington Hall, says: “We’re delighted to offer our visitors the opportunity to see this year’s selected images. They are always of such a high quality and the variation of categories means there’s something for everyone.
“More than 14,000 images were submitted into this year’s competition, so you really are seeing the very best of British wildlife photography when you visit the exhibition here at Nunnington.”
British Wildlife Photography Awards exhibition, Nunnington Hall, Nunnington, near Helmsley, until July 7. Opening hours: Tuesday to Sunday, 10.30am to 5pm; last entry at 4.15pm. Tickets: nationaltrust.org.uk/nunnington-hall.Normal admission prices apply, which includes entry to the exhibition, with free entry to National Trust members and under-fives.
For more information on the British Wildlife Photography Awards, visit www.bwpawards.org.
British Wildlife Photography Awards’ Hidden Britain winner: Ross Hoddinott’s Three’s A Crowd. Courtesy of National Trust
Sir Tony Robinson: Guest speaker at Northern Aldborough Festival. Picture: Paul Marc Mitchell
THE 30th anniversary Northern Aldborough Festival, in Aldborough, near Boroughbridge, opens tonight.
Sir Tony Robinson, Leeds Piano Competition winner Alim Beisembayev and one of the world’s great violin virtuosos, Viktoria Mullova, will be among the headline acts
Half an hour’s journey from York or Harrogate, opera singers, pianists and jazz ensembles will mingle among the village’s Roman history.
Festival director Robert Ogden says: “Each year we invite a headline speaker. It’s fitting Sir Tony Robinson is this year’s guest, given the setting of our festival and its rich historic and archaeological significance. It promises to be a very special evening.”
Run as a charity, the annual festival’s mission is to bring high-end live music to its rural location, making the “sleepy village” that was once a prosperous Roman capital an unlikely epicentre for classical music.
Mikeleiz-Zucchi Duo: Playing The Chapel, Rudding Park, Harrogate, on June 20
This year, its music programme has a focus on championing young classical talent. The opening night sees 25-year-old Tom Fetherstonehaugh conducting the young musicians of the Fantasia Orchestra, performing Tchaikovsky and Chopin alongside pianist Alim Beisembayev, who at 23 won the last Leeds International Piano Competition.
Further highlights include Armonico Consort with a semi-staged production of Purcell’s The Fairy Queen and the rising star of classical guitar, Jack Hancher.
The festival also welcomes an award-winning comedian with an opera degree, Amy Webber, as heard on BBC Radio 4, and the British jazz pianist Julian Joseph, who performs with his trio.
Pan-flute player Adriana Babin, already a bona-fide star at 22 in her home country of Moldova, will head for Aldborough, as will the Mikeleiz-Zucchi Duo, featuring Canadia saxophonist David Zucchi and Spanish accordionist Iñigo Mikeleiz-Berrade.
The festival’s nationwide hunt for the best vocal talent returns in the annual New Voices Singing Competition, with cash prizes of £7,000 and a live semi-final and grand final.
Adriana Babin: Pan flute concert at St Andrew’s Church, Aldborough, on June 15
The competition was launched in 2023 by festival director Robert Ogden, supported by longstanding sponsors, in response to the funding cuts faced by the classical music sector, to provide a platform for emerging vocal talent.
Robert, who began his career as a countertenor, adds: “We’ll have some world-class musicians once more in Aldborough. It doesn’t matter if you are an aficionado of classical music, or you’re a complete novice, we hope audiences will come and experience these very special performances.
“The rewards of a live concert are so huge, there’s nothing like it; it’s an emotional, visceral experience that you can’t replicate on a screen. It’s a chance to hear remarkable sounds in an intimate and gorgeous countryside setting.”
Aldborough’s late-night venue The Shed also returns for concert-goers who want to continue festivities in a relaxed environment with a variety of live entertainment and refreshments.
The ever-popular Last Night Outdoor Concert will see Queen tribute band Majesty perform to circa 1,000 festival-goers in the grounds of Aldborough Manor. Those attending are invited to bring a picnic and dance the night away, ending with an orchestrated firework display.
Pianist Alim Beisembayev: Performing with Fantasia Orchestra at St Andrew’s Church, Aldborough, on June 13. Picture: Nabin Maharjan
Northern Aldborough Festival 2024 programme
June 13, 6.30pm
Alim Beisembayev (piano) with Fantasia Orchestra, conducted by Tom Fetherstonehaugh, St Andrew’s Church, Aldborough
Winner of the Leeds International Piano Competition at 23, Kazakstan-born Alim Beisembayev performs the opening concert with the young musicians of Fantasia Orchestra, conducted by Tom Fetherstonehaugh, 25. Programme includes Tchaikovsky’s Serenade for Strings and Chopin’s 1st Piano Concerto.
June 13, 9pm
After the Show in The Shed
Light musical entertainment and something to eat and drink.
Guitarist Jack Hancher: Morning concert at Brockfield Hall, Warthil, on June 14. Picture: Manny Sowicz
June 14, 11am
Jack Hancher, guitar, Brockfield Hall, Warthill, York
ELEGANT, expressive, fiery and passionate, Jack Hancher is a rising star of the classical guitar, whose debut album will be released this year on the Deux-Elles label.
Last year he became one of only three guitarists to win the Gold Medal of the Royal Overseas League Competition.
June 14, 8pm
Amy Webber, The Old Hall, North Deighton
Wry comedian Amy Webber performs her job-hunting one-woman show, No Previous Experience, equipped with a mini electric piano and an opera degree that has never been useful. Winner of Audience Choice Award at Musical Comedy Awards.
June 15, 11am
Adriana Babin, St Andrew’s Church, Aldborough
At the age of 22, Moldovan musician Adriana Babin already has won major prizes and performed all over the world. The warm, rich, and haunting pan flute is rarely heard in classical music, but she has collaborated with European orchestras, starred on German television and received an award from Moldova’s Minister of Culture.
Comedian Amy Webber: No Previous Experience gig at The Old Hall, North Deighton, on June 14
June 15, 7pm
Julian Joseph Trio, St Andrew’s Church, Aldborough
Bandleader, pianist, composer, educator and broadcaster Julian Joseph OBE has championed jazz home and abroad for 35 years. He presents originals and classics with his hard-swinging trio.
June 15, 9pm
After the Show in The Shed
Light musical entertainment and something to eat and drink.
June 16, 3pm
Young Artist Showcase, St Andrew’s Church, Aldborough
Chance to catch upcoming stars as four of Yorkshire’s most talented young musicians perform.
June 17, 12 noon
The New Voices Singing Competition: Semi-final 1, St Andrew’s Church, Aldborough
After launching national New Voices competition in 2023, the hunt for the year’s best classical vocal talent returns. The first group of semi-finalists battles for a place in the Grand Final. Judging panel includes conductor Edward Gardner OBE and English bass Sir John Tomlinson CBE.
Jazz pianist Julian Joseph: Playing with his trio on June 15 at St Andrew’s Church, Aldborough
June 17, 3.30pm
The New Voices Singing Competition: Semi-final 2, St Andrew’s Church, Aldborough
Second group of semi-finalists.
June 18, 11am
Lea Shaw, mezzo soprano, with Kristina Yorgova, piano
Before the Grand Final of 2024’s New Voices Singing Competition, last year’s victors, Lea Shaw and Kristina Yorgova, return to perform their winners’ recital.
Shaw is a Scottish Opera Emerging Artist and Scottish Opera’s Associate Artist; Bulgarian pianist Kristina Yorgova is a master’s student at Royal Conservatoire of Scotland.
June 18, 7pm
Grand Final of the New Voices Singing Competition, St Andrew’s Church, Aldborough
Hundreds of young singers graduate each year with aspirations to become professionals. This competition is a nationwide hunt with four finalists chasing cash prizes of £7,000 in a springboard for UK classical vocal talent.
June 18, 10pm
After the Show in the Shed
Musical entertainment and something to eat and drink.
Violinist Viktoria Mullova: Playing with pianist Alasdair Beatson at St Andrew’s Church, Aldborough, on June 19. Picture: Benjamin Ealovega
June 19, 7.30pm
Viktoria Mullova, violin, with Alasdair Beatson, piano, St Andrew’s Church, Aldborough
Moscow Conservatoire graduate Viktoria Mullova’s extraordinary violin talent captured the world in the 1980s before her much-publicised defection to the West. She will perform Beethoven and Schubert works with Scotsman Alasdair Beatson, her piano accompanist in a three-year collaboration of concerts and recordings.
June 20, 11am
Mikeleiz-Zucchi Duo, The Chapel, Rudding Park, Harrogate
Forging a partnership in the spirit of curiosity and open-mindedness, Canadia saxophonist David Zucchi and Spanish accordionist Iñigo Mikeleiz-Berrade sound like an unusual pairing, but this dynamic duo won the Royal Overseas League Annual Music Competition’s Mixed Ensemble Prize. Rooted in jazz and folk, both instruments occupy the fringes of classical music in a dance-themed programme of Praetorius, Ravel and Piazzolla works.
June 20, 7.30pm
An Evening with Sir Tony Robinson, St Andrew’s Church, Aldborough
ACTOR, author, broadcaster, comedian, presenter and political activist Sir Tony Robinson promises a behind-the-scenes insight into his life and career, from playing Baldrick in the BBC comedy Blackadder (1983-1989) to hosting Channel 4’s Time Team, presenting history and archaeology series and writing books on the subject and being active on many charity and political campaigns.
Festival director Robert Ogden by the Aldborough maypole
June 20, 9.30pm
After the Show in the Shed
Light musical entertainment and something to eat and drink.
June 21, 7.30pm
Armonico Consort presents Henry Purcell’s The Fairy Queen, directed by Christopher Monks, St Andrew’s Church, Aldborough. Grounds of Aldborough Manor open for picnics at 5pm.
The Fairy Queen is a musical adaption of Shakespeare’s A Midsummer Night’s Dream, given an inventive, magical performance on a beautiful midsummer evening.
June 22, gates open at 5.30pm
Majesty – A Tribute to Queen, grounds of Aldborough Manor
Majesty close the festival with their latest Queen show, The Break Free Tour. Bring a picnic; let the orchestrated fireworks begin.
Robert Ogden: the back story
Artistic director of Northern Aldborough Festival.
Runs his family’s flagship jewellery store in James Street, Harrogate, founded by James Robert (JR) Ogden in 1893.
Before taking on Ogden of Harrogate, operatic countertenor Robert sang all over the world. As a boy, he was a chorister at Westminster Cathedral, before training at King’s College, Cambridge, the Royal Northern College of Music, Manchester, and Netherlands Opera Studio.
Box office: 01423 900979 or aldboroughfestival.co.uk
Filthy mouthed and fabulously fiendish: Shawna Hamic’s Ursula with her underwater co-stars in Unfortunate: The Untold Story of Ursula the Sea Witch
IN the introductory words of Robyn Grant & Daniel Foxx (book & lyrics) and Tim Gilvin (music), Ursula is “the baddest bitch in the ocean and the undisputed Queen of Villains. A businesswoman. Plus-size and proud. Her hair is big, her chutzpah bigger and yet her screentime is woefully small”.
Cue Unfortunate, her frank, fruity, fabulously rude riposte to Disney’s disservice to a devilish diva deserving of centre stage in The Little Mermaid, one allegedly inspired by Divine, the Baltimore actor, singer and drag queen, of Hairspray fame, but so much more so in The Untold Story of Ursula The Sea Witch.
This is Ursula in “all her octo-glory”, as New York actress Shawna Hamic describes her, revelling in her British theatre debut, now on tour after a ten-week London run. Part gossipy narrator, part mistress of ceremonies, totally outré queen of the potty-mouthed putdown, her Ursula is as lippy as pre-TV fame Lily Savage or Terence Stamp’s Bernadette Basenger in The Adventures Of Priscilla, Queen Of The Desert.
Unfortunate was conceived one dark and stormy night in 2018 as Grant and Foxx discussed their favourite post-dinner topic: fabulous evil witches. In particular, Ursula. Brash, yes. Mean, a tad. But evil? Up for debate.
“Unapologetically fat, unapologetically loud and unapologetically hot; a caring mother to two gay eels and a connoisseur of the bold rep lip, Ursula is, if anything, a role model,” they contended.
River Medway’s Ariel and Shawna Hamic’s Ursula on the riverside in York
Leeds-born, East 15 Acting School-trained Grant always stood out as an original voice in her York theatrical performances, not least the Fat Rascal Theatre musicals she brought to the Theatre Royal Studio. One day, we may yet see her Mother Shipton show here, but who can predict when?!
By 2019, Grant was starring as Ursula in Unfortunate with six spindly whale bones and foam fish in a lecture theatre at the Edinburgh Fringe, since when this fearless musical parody has grown and grown into this fully formed touring version with a cast twice size of the original. New songs too.
The show is in very rude health indeed, still true to its original principles of wanting its “comedy to feel transgressive and naughty, the references punchy and queer, and the staging ambitious”, in the way that Hair, The Rocky Horror Show, Rent and Spring Awakening were once pioneering too.
Tom Stoppard’s Rosencrantz And Guildenstern Are Dead, Stephen Sondheim’s Into The Woods and Stephen Schwartz & Winnie Holzman’s Wicked have re-told stories with imaginative, inventive, radical, tables-turned brio previously. Now Unfortunate does likewise with delicious irreverence and a raft of colourful sea-world characters, who put the naughty into nautical with waspish, combative dialogue and an exuberant Gilvin score that revels in drag, disco, pop and musical theatre tropes, as varied and impactful as Six!
Robyn Grant: Director and co-writer of Unfortunate: The Untold Story of Ursula the Sea Witch
In a show that “celebrates the individual in a silly, joyful, beautifully chaotic explosion of fun and a chance to shine a light on those of us who didn’t make it to Disney”, not only Hamic’s “glorious monstrosity” shines.
Under Ursula’s dark magic, and through the prism of a riotously queer musical, the bubble of Disney’s animated stereotypes is pricked, each protagonist breaking free in full force as Atlantica goes absurdist, whether RuPaul’s Drag Race star River Medway’s imeptuous mermaid Ariel, Thomas Lowe’s rebellious Triton, Allie Dart’s Sebastian and better still Chef Louis, James Mawson’s fickle Prince Eric or Julian Capolei’s anything-but-grim Grimsby.
Abby Clarke’s ship-shape set, costumes and puppet designs add to the joy, as do Melody Sinclair’s snappy choreography and Arlene McNaught’s exuberant band, all steered with glee and ribaldry by director Grant.
She was always one to watch, and what a joy to see her riding the crest of a wave with Unfortunate, a camp cruise of sex, sorcery and suckers where, unlike around Britain’s coastline, only the humour, not the sea, is filthy.
Unfortunate: The Untold Story of Ursula the Sea Witch, Grand Opera House, York, 7.30pm tonight and Friday; 2.30pm, 7.30pm, Saturday. Box office: atgtickets.com/york.
What’s All The Fuss About?, Will Palmer’s photo of Arctic walrus Thor on the Scarborough harbour slipway, from the British Wildlife Photography Awards exhibition at Nunnington Hall. Courtesy of National Trust
WILDLIFE photography, Rodgers and Hammerstein romance, a Strictly couple and a Scottish double bill send June into full bloom for Charles Hutchinson.
Ryedale exhibition of the week: British Wildlife Photography Awards, Nunnington Hall, Nunnington, near Helmsley, until July 7
CELEBRATING the diversity of British wildlife and wild spaces, this exhibition aims to raise awareness of British biodiversity, species and habitats. On display are award-winning images selected from 14,000 entries in more than a dozen categories, including film and three for juniors.
Look out for What’s All The Fuss About?, taken by Scarborough photographer Will Palmer, who captured the headline-making Arctic walrus, Thor, when resting ashore on the harbour slipway cobbles on December 31 2022. Opening hours: Tuesday to Sunday, 10.30am to 5pm; last entry at 4.15pm. Tickets: nationaltrust.org.uk/nunnington-hall.
Courtney Broan’s Ado Annie in Pickering Musical Society’s Oklahoma! at the Kirk Theatre, Pickering
American classic of the week: Pickering Musical Society in Oklahoma!, Kirk Theatre, Pickering, running until Saturday, 7.30pm and 2.30pm Saturday matinee
LUKE Arnold directs Pickering Musical Society in Rodgers and Hammerstein’s 1943 love story of Curly (Marcus Burnside) and Laurie (Rachel Anderson), set in the sweeping landscapes of the American heartland.
Further roles go to Courtney Broan as Ado Annie, Stephen Temple as Will Parker, Michael O’Brien as Mr Carnes and Rick Switzer-Green as Ali Hakim, joined by dancers from the Sarah Louise Ashworth School of Dance. Box office: 01751 474833 or kirktheatre.co.uk.
Nadiya & Kai: Strictly dancers venture Behind The Magic at York Barbican
Dance show of the week: Nadiya & Kai , Behind The Magic, York Barbican, Friday, 7.30pm
STRICTLY Come Dancing professionals Nadiya Bychkova and Kai Widdrington go Behind The Magic on a journey through the world of dance, from childhood memories and competition days, to dancing on Strictly and beyond.
The Ukraine-Southampton couple and their cast will be highlighting the influence of 20th century dance legends, creatives and artists alike. Expect “fabulous outfits, wonderful music and sensational dancing”. Box office: yorkbarbican.co.uk.
Ceramicist Emily Stubbs: Exhibiting with sister Amy and father Christopher in Stubbs3 – Canvas, Clay and Cloth at Pyramid Gallery, York
Family exhibition of the week:Stubbs3 – Canvas, Clay and Cloth, Pyramid Gallery, Stonegate, York, June 15 to August 3
FAMILY artistry unites in Stubbs3 – Canvas, Clay and Cloth, a unique exhibition featuring works by sisters Emily Stubbs and Amy Stubbs, regular participants in York Open Studios, alongside their father, Christopher Stubbs, from Hepworth, West Yorkshire.
Their first-ever joint showcase brings together diverse artistic media in a celebration of family creativity. Contemporary ceramicist Emily Stubbs works from PICA Studios, in Grape Lane; Amy specialises in textile and surface pattern design in a range of homeware and wearable art; Christopher will be exhibiting framed paintings and sketches. All three will attend Saturday’s launch in a Meet The Artists session from 12 noon to 2pm.
Amy Stubbs: Homeware and wearable art
Vintage gig of the week: Ben Beattie’s After Midnight Band, Helmsley Arts Centre, Saturday, 8pm
BEN Beattie’s After Midnight Band celebrate the greats and the lesser known, from honking jump blues to hypnotic Latin beats, joyous African township sounds to the smoky jazz normally to be found in a Chicago speakeasy at 3am. Box office: 01439 771700 or helmsleyarts.co.uk.
Ben Beattie: Heading to Helmsley with the After Midnight Band
Film music of the week: A Tribute To Hans Zimmer and Film Favourites Illuminated, Grand Opera House, York, Sunday, 3.30pm and 7pm
EXPERIENCE cinema’s most iconic soundtracks performed by the London Film Music Orchestra in an immersive tribute to Hans Zimmer and more besides in an immersive illuminated setting.
The chamber orchestra will be performing music from Harry Potter, Star Wars, Jurassic Park, Gladiator, E.T., Pirates Of The Caribbean, Jaws, Interstellar, Indiana Jones, Schindler’s List and Inception. Box office: atgtickets.com/york.
Simple Minds in Scarborough: Charlie Burchill, left, and Jim Kerr are off to the Yorkshire coast on Tuesday. Picture: Dean Chalkley
Coastal gig of the week: Simple Minds and special guests Del Amitri, Scarborough Open Air Theatre, June 18; gates open at 6pm
SOMEONE somewhere in summertime, namely Simple Minds in Scarborough on Tuesday, finds Jim Kerr and Charlie Burchill’s band revisiting such hits as Promised You A Miracle, Glittering Prize, Alive And Kicking, Sanctify Yourself, Don’t You Forget About Me and, aptly for Scarborough, Waterfront.
Opening the Scottish double bill will be fellow Glaswegians Del Amitri, led as ever by Justin Currie. Box office: scarboroughopenairtheatre.com/simpleminds.
Wannabe: Spicing up the Grand Opera House, York
York tribute show of the week: Wannabe – The Spice Girls Musical, Grand Opera House, York, June 20, 7.30pm
WANNABE, the “world’s longest-running” Spice Girls tribute stage production, celebrates three decades of girl power in a nostalgic journey through the Spice World.
The show charts the English girl group’s meteoric rise, from July 1996’s debut number one, Wannabe, to Scary, Sporty, Baby, Ginger and Posh’s reunion at the 2012 London Olympics Opening Ceremony. Expect “meticulously crafted costumes, unique vocal and musical arrangements exclusive to Wannabe, iconic dance routines and stunning visual flair”. Box office: atgtickets.com/york.
Tim Ainslie: Leading his three-piece band in Malton
Blues gig of the month: Ryedale Blues Club, Tim Ainslie and The Vibes, Milton Rooms, Malton, June 27, 8pm
TIM Ainslie and The Vibes head up to Malton from Suffolk for a night of blues, jazz and funk, crossing over into country and rock too, making it hard to pigeonhole his three-piece’s style.
Ainslie, who turned professional in 1997, will be showcasing his original material and guitar-playing prowess that has seen him tour home and abroad with Steamboat To Chicago, Steel Street, Swagger, Groove Doctors, Delta Groove and American guitaristsBuddy WhittingtonandLightnin’ Willie. Box office: 01653 696240 or themiltonrooms.com.
The poster artwork for Rick Witter and Paul Banks’s acoustic Shed Seven gigs at Huntington Working Men’s Club in December
Show announcement of the week: Shed Seven’s Rick Witter and Paul Banks, Huntington Working Men’s Club, York, December 21 and 22
RENASCENT York band Shed Seven will end their 30th anniversary celebrations with a brace of intimate acoustic concerts by frontman Rick Witter and guitarist Paul Banks at Huntington WMC, supported by a DJ set by Sheds’ bassist Tom Gladwin.
Tickets will go on sale at 9am today (12/6/2024) for these homecoming gigs: the York postscript to the Sheds’ 23-date 30th Anniversary Tour, their biggest ever “Shedcember” itinerary from November 14 to December 14. Box office: store.shedseven.com.
The University of York Choir and Symphony Orchestra in concert at York Minster. Picture: Steve Crowther
AS the Match Of The Day football pundits might say, this was a game of two halves.
Despite the obvious musical intelligence and quality on offer, I struggled with the performance of Mozart’s Mass in C minor. It is a large-scale work scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra.
Coupled with the nature of Mozart’s musical dialogue, this meant that I simply could not hear all of the detail, thanks to this very generous Minster acoustic.
There was, however, much to admire: Elspeth Piggott’s soprano solo in the Christie was impressive, although I lost some of the lower register. The fine, crisp string playing in the Gloria. Soprano Rebecca Lea, a last-minute substitute for Helen Neeves, sang the Laudamus Te with real assurance, although again I lost some of the lower register.
More rewarding was when the two singers combined forces in the Domine Deus – tender exchanges and reassuring support. The following Qui Tollis was also satisfying, with Mozart using a double chorus underpinned by a pulsating dotted rhythm ostinato.
The highlight was always going to be Et Incarnatus Est, simply because of the intimacy of the scoring: soprano solo, solo flute, oboe and bassoon. That and the quality of Ms Piggott’s performance of this operatic aria.
Elspeth Piggott and Rebecca Lea were joined by tenor James Beddoe and bass Patrick Osborne for a very fine Benedictus before the recap of the fugal Hosanna, signing off the performance with aplomb.
And so, to the second half. As vocal musical experiences in the Minster go, it doesn’t come much better than the excellent The 24, directed by Robert Hollingworth, singing Bruckner’s Locus Iste and Christus Factus Est motets.
These are not the most technically demanding of works but, nevertheless, we were royally treated with performances of clarity, balance, detail and very real musical insight. The Minster acoustic loved it and, as a consequence, so did we.
This was followed by an inspired piece of programming with Elgar’s rarely heard Elegy op. 58. Well, I’ve never heard it anyway. The performance revealed a delightful jewel of a work intimately scored for string orchestra.
To be sure, there were echoes of Nimrod. Evidently his friend August Jaeger had died one month earlier, but it worked just fine in and of its own terms. Quite poignant, actually.
The concert closed with a full-bodied performance of Bruckner’s Te Deum in C, superbly marshalled by conductor John Stringer. Due to the cleaner, predominantly homophonic nature of Bruckner’s setting, the experience was much more rewarding than the Mozart.
The textures were less busy. Having said that, the sound world had a monumental quality: full-on tonal building blocks of sound augmented by the organ blasts of affirmation; a “cathedral of sound”. This is, after all, a deeply religious work.
There were moments of tranquillity, glimpses from within: the wonderful quartet of soloists – Elspeth Piggott, James Beddoe and Patrick Osborne, who were now joined by mezzo-soprano Helena Cooke. It was such a welcome relief to actually hear all the detail; a tender tenor solo with telling solo violin commentary (Michael Capecci).
However, the work ended as it had begun, in triumphant affirmation and splendour. I thought the sheer volume of sound might blow the Minster roof off; it certainly brought the house down.
Shed Seven’s Paul Banks and Rick Witter: Playing intimate acoustic sets at Huntington Working Men’s Club on December 21 and 22
SHED Seven will end their 30th anniversary celebrations with a brace of intimate acoustic concerts by frontman Rick Witter and guitarist Paul Banks at Huntington Working Men’s Club, York, on December 21 and 22.
“We are genuinely thrilled to announce a pair of very special homecoming shows,” says Rick. “And where better to end our 30th anniversary year than in Huntington, where me, Paul and Tom first met back in the ’80s and the story first began.” Tom, as in Sheds’ bassist Tom Gladwin, will do a DJ set each night.
Tickets will go on sale at store.shedseven.com at 9am on Wednesday (12/6/2024) for this York postscript to the Sheds’ 23-date November and December tour, their biggest ever “Shedcember” itinerary.
Yorkshire venues will be Sheffield Octagon, November 14 (sold out); Victoria Theatre, Halifax, November 18; Hull City Hall, November 19, and Leeds O2 Academy, November 30 (sold out).
The year began with the Sheds’ first ever number one album, A Matter Of Time, followed by vinyl chart-topping single Let’s Go Dancing, and next up will be two sold-out outdoor shows on July 19 and 20 as part of Futuresound Group’s four-day festival at York Museum Gardens.
On September 27, they will release Liquid Gold, an album of orchestral re-workings of 12 Shed Seven hits and live favourites, reimagined by the band in collaboration with arrangers Fiona Brice and Michael Rendall.
Brice’s credits include Liam Gallagher and Placebo, while Rendall worked with the Sheds on 2017’s Top Ten comeback album Instant Pleasures and A Matter Of Time.
Shed Seven’s 2024 line-up: Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills
For the richly reinventive recording sessions, Shed Seven teamed up with a full orchestra, brass section, gospel singers et al.
Released on Cooking Vinyl, Liquid Gold spans the band’s career, from Speakeasy and Ocean Pie, off 1994 debut album Change Giver, to Better Days, from Instant Pleasures, via a soaring, sweeping Disco Down.
It also revisits the Sheds’ landmark second album, 1996’s A Maximum High, for Getting Better, Going For Gold, On Standby and a dramatic new take on Parallel Lines, described playfully by Paul Banks as “sounding like Shed Zeppelin”.
The more luxuriant scale is encapsulated in Devil In My Shoes. Originally a slow-burning highlight of 1998’s Let It Ride, this new account adds a cinematic sheen: its new-found grandeur providing a shimmering contrast between the initially downbeat melancholy and the full force of optimism that beams through the crescendo.
Liquid Gold is completed by All Roads Lead To You, a new composition written specifically for this project, and a new version of Instant Pleasures-era bonus track Waiting For The Catch, now featuring Issy Ferris, from the UK Americana Award winners Ferris & Sylvester.
“This year we celebrate 30 years as recording artists and, after reminiscing about our career, we thought we’d celebrate the milestone by revisiting some key songs from our past,” says Rick.
“The idea being that if we cherry picked a hatful of songs and recorded them now, it would be a coherent stroll down memory lane but also sit sonically beside our recent number one album A Matter Of Time. A logical next step.”
The cover artwork for Shed Seven’s September 27 album of orchestral reinventions, Liquid Gold
Rick continues: “We see this record as a gateway into the world of Shed Seven. We also felt that adding an orchestra to each track would lend the whole project a unique slant. The songs have become widescreen, full of colour.
“The original recordings will always hold a special place in our hearts but re-recording the chosen songs was an exciting prospect for us. It’s a gift from the band to our loyal supporters and will hopefully introduce some golden moments throughout our career to a whole new audience. Enjoy, and here’s to the next 30 years!”
The Sheds gave a taster of Liquid Gold at their May 30 appearance on BBC Radio 2’s Piano Room, when they performed Chasing Rainbows, Talk Of The Town and a cover of Duran Duran’s Planet Earth live at Maida Vale with the BBC Concert Orchestra, conductor Chris George and arranger Fiona Brice.
Liquid Gold is available to pre-order at shedsevenn.lnk.to/LiquidGoldPR, where the Sheds’ official store offers exclusives in the shape of a splatter vinyl with unique artwork, a different colour CD and a cassette, while all bundles also add a signed postcard.
Other retailer-specific formats include silver vinyl, from Assai Records, blue vinyl, from HMV, and yellow vinyl, from select indie stores.
After their open-air summertime shows in York and at Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25, the 30th anniversary Tour will run from November 14 to December 14. Expect the Britpop-era hits, fresh favourites from A Matter Of Time and surprise guest appearances, plus support from special guests The Sherlocks. To check ticket availability amid a raft of sold-out shows, head to gigst.rs/SS24.
Liquid Gold track listing:
Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch, featuring Issy Ferris; Better Days; Parallel Lines; Disco Down; Ocean Pie; All Roads Lead To You; Chasing Rainbows.
The poster artwork for Shed Seven’s Rick Witter & Paul Banks gigs at Huntington Working Men’s Club
Swing when you’re singing: Ryedale Primary Choir schoochildren doing their vocal exercises for Across The Whinny Moor
MUSICAL moorland mermaids and a villainous sea witch, motion in art and a Mozart mass, vintage Pink Floyd and a Louise Brooks silent movie set up Charles Hutchinson’s week ahead.
Ryedale Festival community event of the week: Across The Whinny Moor, St Peter’s Church, Norton, today, 4pm
THE world premiere of the Community Song Cycle: Across The Whinny Moor follows the trail of North Yorkshire’s Lyke Wake Walk, meeting cheeky hobs, angry mermaids, resourceful giants and wise witches along the way.
The all-age cast for a walk through stories and songs by John Barber and Hazel Gould includes the schoolchildren of the Ryedale Primary Choir, the Ryedale Voices, Harmonia and The RyeLarks choirs, Kirkbymoorside Town Junior Brass Band, storyteller Rosie Barrett and mezzo-soprano soloist Victoria Simmonds, conducted by Caius Lee. Box office: ryedalefestival.ticketsolve.com/ticketbooth/shows/1173652657.
Tim Pearce’s poster artwork for Life Forms In Motion at Blossom Street Gallery
Six of the best: Life Forms In Motion, Blossom Street Gallery, Blossom Street, York, until June 30
SIX Yorkshire artists give individual responses to the challenge of interpreting the motion of life forms in a range of static media. In a nutshell, time and space condensed into single, dynamic images.
Taking part are Tim Pearce, painting and sculpture; Cathy Denford, painting; Jo Ruth, printmaking; Adrienne French, painting; Mandy Long, ceramic sculpture, and Lesley Peatfield, photography. Opening hours: Thursday to Saturday, 10am to 4pm; Sundays, 10am to 3pm.
Robert Hollingworth: On baton duty at the University of York Choir and Symphony Orchestra’s concert at York Minster tonight
Classical concert of the week: University of York Choir and Symphony Orchestra, York Minster, tonight, 7.30pm
UNDER the direction of Robert Hollingworth and John Stringer, the University of York Choir and Symphony Orchestra perform Mozart’s ‘Great’ Mass in C minor, widely considered to be among his supreme choral works.
This will be complemented by a selection of works by Anton Bruckner, celebrating the 200th anniversary of the Austrian composer’s birth, including the Te Deum, “the pride of his life”. Box office: 01904 322439 or yorkconcerts.co.uk.
Across The Fields To The Sea, by John Thornton, from his Kentmere House Galleryexhibition
“Favourite artist” of the week: John Thornton, Across The Fields To The Sea, Kentmere House, Gallery, Scarcroft Hill, York
BORN in York and now living in Selby, seascape and landscape artist John Thornton has opened his latest show, Across The Fields To The Sea, at his regular York gallery.
“John is everyone’s favourite painter,” says gallery owner and curator Ann Petherick. “I’m delighted he has produced a new and exciting collection of paintings of Askham Bog and Skipwith Common woodlands and meadows and the occasional seascape, inspired by his travels in Yorkshire since the end of Covid.” Opening hours: First weekend of each month, 11am to 5pm; every Thursday, 6pm to 9pm; any other time by appointment on 01904 656507 or 07801 810825.
Louise Brooks in Diary Of A Lost Girl, showing at the NCEM on Tuesday
Film event of the week: Diary Of A Lost Girl (PG), with pianist Utsav Lal, National Centre for Early Music, Walmgate, York, June 11, 7.30pm
TRAILBLAZING New York raga pianist Utsav Lal improvises his live score to accompany Diary Of A Lost Girl, a rarely shown gem of German silent cinema starring American icon Louise Brooks.
Presented by Northern Silents, G W Pabst’s 1929 film traces the journey of a young woman from the pit of despair to the moment of personal awakening. Box office: 01904 658338 and at ncem.co.uk.
Sex, sorcery and suckers: Shawna Hamic’s filthy-humoured Ursula in Unfortunate: The Untold Story Of Ursula The Sea Witch. Picture: Pamela Raith
Musical discovery of the week: Unfortunate: The Untold Story Of Ursula The Sea Witch, Grand Opera House, York, June 11 to 15, 7.30pm plus 2.30pm Saturday matinee
AFTER a hit London season, Yorkshire writer-director Robyn Grant heads north with her raucously rude, wickedly camp parody musical Unfortunate, wherein Disney diva Ursula, the villainous sea witch, rules the waves and waves the rules.
New York actress Shawna Hamic’s Ursula gives her filthy-humoured take on what really happened all those years ago under the sea in a bawdy tale of sex, sorcery and suckers. Age recommendation: 16+, on account of strong language, partial nudity and scenes of a sexual nature. Box office: atgtickets.com/york.
Courtney Broan as Ado Annie in Pickering Musical Society’s Oklahoma!
American classic of the week: Pickering Musical Society in Oklahoma!, Kirk Theatre, Pickering, June 11 to 15, 7.30pm and 2.30pm Saturday matinee
LUKE Arnold directs Pickering Musical Society in Rodgers and Hammerstein’s 1943 love story of Curly (Marcus Burnside) and Laurie (Rachel Anderson), set in the sweeping landscapes of the American heartland.
Further roles go to Courtney Broan as Ado Annie, Stephen Temple as Will Parker, Michael O’Brien as Mr Carnes and Rick Switzer-Green as AliHakim, joined by dancers from the Sarah Louise Ashworth School of Dance. Box office: 01751 474833 or kirktheatre.co.uk.
Nick Mason’s Saucerful Of Secrets: Re-visiting Pink Floyd at York Barbican
Rock gig of the week: Nick Mason’s Saucerful Of Secrets, York Barbican, June 12, 7.45pm
NICK Mason’s Saucerful Of Secrets follow up their April 2022 appearance at York Barbican with Wednesday’s date on their Set The Controls Tour.
Once more, Pink Floyd drummer Nick Mason will be joined by Spandau Ballet guitarist Gary Kemp, bassist Guy Pratt, guitarist Lee Harris and keyboardist Dom Beken to perform vintage Pink Floyd material. Box office: yorkbarbican.co.uk.
The poster artwork for Calamity Jane, starring Carrie Hope Fletcher, on tour at Grand Opera House next spring
Show announcement of the week: Carrie Hope Fletcher in Calamity Jane, Grand Opera House, York, April 29 to May 3 2025
IN the week when Nikolai Foster’s production of An Officer And A Gentleman The Musical is on tour at the Grand Opera House, the York theatre announces the booking of another show with the North Yorkshire director at the helm, this one bound for the West End.
Three-time WhatsOnStage Best Actress in a Musical winner Carrie Hope Fletcher will star in the whip-crackin’ musical as fearless Dakota gun-slinger Calamity Jane. “She is one of those roles that doesn’t come around all too often,” she says. “She’s action, romance and comedy all packed into one character, and I can’t wait to take on the challenge of filling her shoes.” Box office: atgtickets.com/york.
