BEDERN Hall will be buzzing with creativity, culture and entertainment from June 20 to July 3 when playing host to a special art exhibition, followed by the Bedern Sessions live music programme on July 17 and August 21.
The 14th century dining hall, in Bartle Garth, St Andrewgate, York, will present an exhibition exploring the theme of The Flood in association with 2026 York Mystery Plays Festival.
A diverse collection of artwork created in a variety of media will be showcased, ranging from contemporary and experimental pieces to more traditional artistic interpretations. Artists have been invited to respond creatively to the theme, offering visitors a thought-provoking and engaging experience within one of York’s most atmospheric historic buildings.
The exhibition will be installed during the day on June 20, followed by a special preview and awards evening, when the public is invited to attend.
Significantly, the show has been planned to complement Bedern Hall’s existing programme of activities. All pre-booked events will continue as scheduled, while the hall will maintain its regular Wednesday to Friday opening pattern, welcoming visitors for refreshments, tours and afternoon teas.
The Bedern Sessions have established a reputation for bringing talented performers into the distinctive setting of the beautifully restored medieval hall, creating intimate evenings of live entertainment. Full details will follow.
Commenting on the summer programme ahead, Bedern Hall manager Elly Richmond says: “We are delighted to be bringing together visual arts and live music at Bedern Hall this summer. The art exhibition, in partnership with the York Mystery Plays Festival, provides an exciting opportunity for artists to interpret the theme of The Flood in imaginative and unexpected ways.
“Together with our Bedern Sessions concerts, we are looking forward to welcoming both local residents and visitors to enjoy a vibrant programme of cultural events in this remarkable historic setting.”
Artist and designer Es Devlin with her Library of the Four Winds installation in the Temple of the Four Winds, Castle Howard. Picture: James Drury
ES Devlin’s mirrored installation at Castle Howard and Lenny Henry’s career reflections stand out among Charles Hutchinson’s joyful June recommendations.
Installation of the week: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near Malton, until September 27
AS part of the Vanbrugh 300 celebrations at Castle Howard, artist and designer Es Devlin responds to the visionary architecture of Sir John Vanbrugh with her luminous installation Library Of The Four Winds, a new mirrored sculpture that takes over the Temple of the Four Winds in honour of the National Year of Reading too.
The temple originally was used as a place for refreshment and reading: Devlin’s starting point for a central sculpture made up of hundreds of books, curated from the personal libraries of Vanbrugh and Devlin. The temple is encompassed by four concentric tables where the public can read, draw, talk, eat and listen. The space will host events throughout the summer. Tickets: castlehoward.co.uk.
NE Theatre York’s poster for Les Miserables School Edition at Joseph Rowntree Theatre
Youth theatre show of the week: NE Theatre York in Les Miserables School Edition, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
ALAIN Boublil and Claude-Michel Schönberg’s musical adaptation of Victor Hugo’s 1862 novel of redemption will be performed by under-18s from NE Theatre York, directed by Steve Tearle, with a 15-piece orchestra under Joe Allen’s musical direction, projections by Tom Turner and the obligatory barricade in the set design.
The musical tells the story of former prisoner Jean Valjean, who is pursued for 17 years by police inspector Javert against the backdrop of a revolution brewing in 19th-century Paris. The principal cast features Sam Brophy’s Jean Valjean, Will Roberts’s Javert, Emil Marczuk’s Marius, Juliette Sellamuttu’s Fantine, Oscar Smith’s Enjolras, Callum Richardson’s Thenardier and Bella Gledhill’s Madame Thenardier. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Indie rock gig of the week: The Kooks, TK Maxx presents Scarborough Open Air Theatre, tomorrow, gates 6pm
BRIGHTON indie rock favourites The Kooks are marking 20 years since the release of debut album Inside In/Inside Out in a set list likely to feature You Don’t Love Me, Naïve, She Moves In Her Own Way, Ooh La, Always Where I Need To Be, Shine On, Junk Of The Heart (Happy) and Around Town.
In the line-up will be Luke Pritchard, vocals and guitar, Hugh Harris, bass, guitar and synthesiser, and Alexis Nuñez, drums and percussion. Standing tickets for the show have sold out. Box office: scarboroughopenairtheatre.com.
Rock Paper Goose: Showcasing Okay! album and new songs at The Old Paint Shop
Indie pop gig of the week: The Old Paint Shop presents Rock Paper Goose, York Theatre Royal Studio, tomorrow, 8pm
YORK multi-instrumentalists Nathan Greaves (vocals, guitar, synth) and Olly Whitehouse (vocals, synth, bass) write catchy melodies, taking inspiration in equal measure from rock, pop and EDM, as heard on their September 2025 debut album, Okay!.
Expect a life-affirming live show full of playful energy and joy and the promise of new songs. Dawid Ziemba supports. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The Overtones: Teaming up with Nadiya Bychkova and Louis Smith for Jukebox Idols Of The 50s and 60s at York Barbican
Song and dance show of the week: Jukebox Idols Of The 50s & 60s, with The Overtones, Nadiya Bychkova and Louis Smith, York Barbican, Friday, 7.30pm
VOCAL harmony group The Overtones, Strictly Come Dancing professional Nadiya Bychkova and former Olympic gymnast and Strictly champion Louis Smith star together in Jukebox Idols, presented by the producers of West End hit Rip It Up 60s.
This non-stop whirlwind of 1950s and 1960s’ music icons such as Nat King Cole, Elvis Presley, Frankie Valli & The Four Seasons, The Beatles, The Beach Boys and the Motown roster features a stellar supporting cast of dancers as they swing, bop, jive and rock’n’roll their way through the ultimate jukebox show. Box office: yorkbarbican.co.uk.
Luka Watabe: York-based Japanese jazz singer, performing in sophisticated cabaret show at The Old Paint Shop
Cabaret night of the week: The Old Paint Shop presents Velvet Jazz Night with Luka Watabe, York Theatre Royal Studio, Friday, 8pm
LUKA Watabe and her professional jazz musicians combine old-school Hollywood glamour with her rich, smooth vocal styling in a sophisticated repertoire of classic jazz standards and modern songs delivered with a sleek jazz twist. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Beverley Knight: Born To Perform show at York Barbican. Picture: Lewis Shaw
Recommended but sold out: Beverley Knight, Born To Perform, York Barbican, Saturday, 7.30pm
QUEEN of British soul Beverley Knight shares stories from her life on stage, as well as performing her biggest hits, musical theatre favourites and cherished songs that have inspired her on her 20-date UK tour.
“Born To Perform is me taking you on a journey through my life on both music and theatre stages, using my memories and of course my songs. I’m stripping back my sound so the audience can lean in a little closer and really hear my soul,” says Knight, whose hits include Made It Black, Greatest Day, Get Up, Shoulda Woulda Coulda, Gold, Come As You Are, Keep This Fire Burning and Piece Of My Heart. Her special guest is Gabriella Cilmi. Box office for returns only: yorkbarbican.co.uk.
Co-headliners of the week: Skunk Anansie & Garbage, TK Maxx presents Scarborough Open Air Theatre, Saturday, gates 6pm
SKUNK Anansie and Garbage play Scarborough as part of a six-date tour. Formed in London in 1994, fronted by Skin, Skunk Anansie blend hard rock with political and social themes on such hits as Weak and Hedonism (Just Because You Feel Good).
American alternative rock band Garbage, fronted by Scottish singer Shirley Manson, combine rock, electronica and pop influences, exemplified by Stupid Girl and Only Happy When It Rains. Box office: scarboroughopenairtheatre.com.
The many faces of Lenny Henry: Actor, impressionist, fundraiser and stand-up anecdotalist
Talk of the week: Lenny Henry, Still At Large, Grand Opera House, York, June 23, 7.30pm
PART stand-up, part storytelling and part conversation with himself and with you, Still At Large finds Lenny Henry returning to the experiences that shaped him while also exploring the ideas, challenges and creative sparks driving him today.
From The Lenny Henry Show and Chef! to dramatic performances in Othello and The Lord Of The Rings: The Rings Of Power, he traces the roles, characters and moments that have defined his six-decade career and shares what continues to inspire him as he reflects on a life lived out loud. On show will be the many versions of Lenny: actor, impressionist, comedian, fundraiser and stand-up anecdotalist. Box office: atgtickets.com/york.
Al Dunn, Matt Freeman and Nick Bunt in Le Navet Bete’s Oh Zeus!, on tour at York Theatre Royal
In Focus: Le Navet Bete in Oh Zeus!, York Theatre Royal, June 18 to 20, 7.30pm plus 2pm Saturday matinee
CHAOTIC comedy specialists Le Navet Bete return to York Theatre Royal from tomorrow, this time with their riotous ride through the world of Greek mythology, Oh Zeus!.
The Exeter company previously toured their hit family shows Dracula: The Bloody Truth, King Arthur and Treasure Island to the St Leonard’s Place theatre.
Written by John Nicholson and Le Navet Bete and directed by Nicholson, Oh Zeus! finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Cue three actors – company founders Al Dunn, Nick Bunt and Matt Freeman – playing 40 characters between them in a mythical farce that journeys through Ancient Greece, the Underworld and back.
Expect physical comedy, outrageous jokes, fast-paced pandemonium and togas aplenty in a show ideal for devotees of Fawlty Towers, Bottom and The Play That Goes Wrong.
Formed in 2008 in Exeter, Devon, Le Navet Bete travel around the UK and internationally, with support from Arts Council England, the Exeter Northcott Theatre and the Exeter Phoenix, on a mission to create and tour humorous, physical and accessible comedy theatre, replete with storytelling for “absolutely everyone (ages four to 104)” – although Oh Zeus! carries an age guidance of 12 plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Al Dunn, Matt Freeman and Nick Bunt in Le Navet Bete’s Oh Zeus. Picture: Mark Senior
CHAOTIC comedy specialists Le Navet Bete return to York Theatre Royal from tomorrow, this time with their riotous ride through the world of Greek mythology, Oh Zeus!.
The Exeter company previously toured their hit family shows Dracula: The Bloody Truth, King Arthur and Treasure Island to the St Leonard’s Place theatre.
Written by John Nicholson and Le Navet Bete and directed by Nicholson, Oh Zeus! finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Cue three actors – company founders Al Dunn, Nick Bunt and Matt Freeman – playing 40 characters between them in a mythical farce that journeys through Ancient Greece, the Underworld and back.
Expect physical comedy, outrageous jokes, fast-paced pandemonium and togas aplenty in a show ideal for devotees of Fawlty Towers, Bottom and The Play That Goes Wrong.
Formed in 2008 in Exeter, Devon, Le Navet Bete travel around the UK and internationally, with support from Arts Council England, the Exeter Northcott Theatre and the Exeter Phoenix, on a mission to create and tour humorous, physical and accessible comedy theatre, replete with storytelling for “absolutely everyone (ages four to 104)” – although Oh Zeus! carries an age guidance of 12 plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Nick Bunt in Le Navet Bete’s Oh Zeus!. Picture: Mark Senior
Rose Drew and Alan Gillott, of Stairwell Books, publishers of “the best in Yorkshire writing. Based in York, tales from all over”. Picture: Emily Drew
SCORES of writers, some as young as eight, will share their stories and poems aloud at Merchant Taylors’ Hall, York, on June 25, as part of this year’s York Mystery Plays Festival and Fringe.
After asking for submissions from writers earlier this year, festival poet laureate Rose Drew will head up Voices of the Plays: A Celebration of York Mystery Plays in Poetry and Prose, an evening of themed story and poetry sharing.
“We wanted to inspire our York writers so we set up a poetry and short fiction competition, themed around the Mystery Plays, with a focus on The Flood and War,” explains Rose, who will be supported by deputy laureate Alan Gillott and York Festival Trust chair Roger Lee.
York Mystery Plays: Back on the waggons this summer
“Stories and poems are written to be heard and we loved the idea of our city’s writers sharing their work aloud, in front of a York audience, before we made our final decision on whose work will be published.”
The resulting York anthology will be published by Stairwell Books around the end of August, when the York Festival Trust plans to release a streaming version or DVDs of the Mystery Plays performed this summer.
“I have to admit it will really be an excuse to have a great creative night out!’ says Rose, who runs regular poetry open-mics and is the co-founder of independent publisher Stairwell Books.
Festival poet laureate Rose Drew and deputy laureate Alan Gillott standing by the St Mary’s Abbey ruins in York Museum Gardens. Picture: Emily Drew
“Children’s entries were judged separately for primary and secondary students. Everyone who entered will receive a Certificate of Participation,” she adds.
“I’ll be flying in from the United States that day and making straight for the Merchant Taylors’ Hall, but if anything can keep jet lag at bay for me, it’s live fresh writing talent!”
Children’s readings start promptly at 7pm; doors open at 6.30pm. To book to attend the Festival Live Readings, go to: https://www.yorkmysteryplays.co.uk/tickets-merch/.
Hal Cruttenden: Dishing out the comical blows at Pocklington Arts Centre tonight. Picture: Matt Crockett
OPEN studios across York and beyond, Strictly dancers in tandem, Les Miserables in its school edition and Elvis Costello’s early years are among Charles Hutchinson’s joyful June recommendations.
Comedy gig of the week: Hal Cruttenden: Can Dish It Out But Can’t Take It, Pocklington Arts Centre, tonight, 7.30pm
EALING comedian Hal Cruttenden’s new tour show promises to stick it to ‘The Man’, as long as ‘The Man’ doesn’t stick it back to him. Utilising his trademark hard-hitting comedy style, he pontificates on subjects such as middle-aged dating, social media, the insanity of modern politics and how his daughters love him but do not respect him. He believes that, after experiencing this gig, you will feel exactly the same way. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Es Devlin stands by her installation Library Of The Four Winds in the Temple of the Four Winds at Castle Howard. Picture: James Drury
Drawing workshop of the day: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near York, today at 12 noon
TO mark today’s opening of her Library Of The Four Winds installation at the Temple of the Four Winds, Castle Howard, artist and designer Es Devlin will hold a 45-minute outdoor drawing workshop, with materials provided. Further workshops will follow at the installation every Saturday until September 26.
Devlin will be in conversation today with Nicholas Howard and Francis Terry in a 5.30pm event supported by the Georgian Society and National Lottery Heritage Fund. Library Of The Four Winds will be on show until September 27. For full details of the workshops, conversation and installation, go to: castlehoward.co.uk.
The Jazzville Quartet: Performing with Kirsty Hughes at The Old Paint Shop
Cabaret gig of the week: The Old Paint Shop presents The Jazzville Quartet, with Kirsty Hughes, York Theatre Royal Studio, tonight, 8pm
YORK jazz combo The Jazzville Quartet are joined by University of York alumna and Royal Academy of Music graduate Kirsty Hughes, showcasing her love of Judy Garland and the great jazz singers in an intimate cabaret performance.
Piano maestro and arranger Alec Robinson, saxophonist Alex Fisher, double bassist Tim Murgatroyd and drummer Steve Hanley will be exploring the Great American Songbook too in a celebration of swing, Latin classics and haunting jazz ballads. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Shechter II in Hofesh Shechter’s In The Brain at York Theatre Royal.Picture: Todd MacDonald
New dance work of the week: Shechter II in In The Brain, York Theatre Royal, tonight, 7.30pm
HOFESH Shechter’s exhilarating new full-length work for Shechter II, In The Brain, is a raw, electrifying dive into movement, rhythm, and collective energy, taking a pulsing, urgent journey into the depths of our consciousness, where stories dissolve, identity fades and only the beat remains.
In The Brain is a space to break free, to lose yourself, to surrender to the rush of movement, the weight of bass and the euphoria of bodies locked in Shechter’s signature groove. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Abstract artist Mark Ibson
Exhibition of the week: Mark Ibson, Rise@Bluebird Bakery, Acomb, York, until July 30
SELF-TAUGHT Bishop Wilton artist Mark Ibson’s abstract works are back on the bakery walls at Bluebird Bakery, where he is exhibiting new artworks in the form of experiments in surface texture and instinctive marking.
Initially a furniture and interior restorer, Ibsen began painting in 2012, holding his debut solo exhibition at Partisan, Micklegate, in May 2027 at the age of 47 after years of quietly painting and honing his skills at his studio in the former Herris Fisher blacksmith’s forge. “It seemed to be a natural progression,” he said at the time.
Ric Liptrot: Taking part in North Yorkshire Open Studios in York this weekend
Open invitation of the weekend: North Yorkshire Open Studios 2026, Saturday and Sunday, 10am to 5pm
MORE than 200 artists and makers are taking part in the second weekend of the summer edition of North Yorkshire Open Studios. Among those involved in and around York are Lucie Wake; Alex Ash; Lincoln Lightfoot; Jon Haste; Ali Hunter; Veronica Ongaro; Di Gomery; Jill Tattersall; Evie Leach; Katrina Mansfield and Lesley Shaw.
So too are Lisa Power; Lu Mason; Ric Liptrot; Jo Walton; Kai West; Emily Littler; Hannah Arnup; Michelle Galloway; Janie Stevens; Toby Staunton; Gonzalo Blanco; Andrew Bloodworth; Justine Warner; Graham Jones; Nora Gaston and Freya Horsley. The full list of artists and makers can be found at nyos.org.uk.
Amy Dowden and Carlos Gu: Reborn at Grand Opera House, York
Strictly stars of the week combination number one: Amy & Carlos: Reborn, Amy Dowden and Carlos Gu, Grand Opera House, York, June 16, 7.30pm
AFTER making her stunning return to the Strictly Come Dancing dancefloor, Amy Dowden MBE truly feels Reborn in her tour show, accompanied by fellow Strictly professional Carlos Gu.
Back on stage after a triumphant debut season, Amy and Carlos will be sharing an intimate portrait of their lives and journeys, wherein the inspirational and transformative power of dance shines through. Reborn features world-class dancers, live vocalists and a soundtrack of iconic anthems from across the decades. Box office: atgtickets.com/york.
Nikita Kuzmin: Shining brightly in Supernova with Karen Hauer, on tour at York Barbican
Strictly stars of the week combination number two: Burn The Floor presents Nikita Kuzmin in Supernova, with special guest Karen Hauer, York Barbican, June 16, 7.30pm
STRICTLY Come Dancing fan favourite Nikita Kuzmin takes centre stage in the explosive dance spectacular Supernova, joined by very special guest star Karen Hauer, Strictly’s longest-serving female professional.
Created in collaboration with choreographer and BAFTA award recipient Jason Gilkison and presented by international dance sensations Burn The Floor, Supernova is fuelled by the firepower of world-class performers and global creatives in an evening where artistry meets innovation and Kuzmin’s trademark charm, power and charisma shine brighter than ever. Box office: yorkbarbican.co.uk.
NE Theatre York’s poster for next week’s School Edition production of Les Miserables
Youth theatre show of the week: NE Theatre York in Les Miserables School Edition, Joseph Rowntree Theatre, York, June 16 to 20, 7.30pm plus 2.30pm Saturday matinee
ALAIN Boublil and Claude-Michel Schönberg’s musical adaptation of Victor Hugo’s 1862 novel of redemption will be performed by under-18s from NE Theatre York, directed by Steve Tearle, with a 15-piece orchestra under Joe Allen’s musical direction, projections by Tom Turner and the obligatory barricade in the set design.
The musical tells the story of former prisoner Jean Valjean, who is pursued for 17 years by police inspector Javert against the backdrop of a brewing revolution in 19th-century Paris. The principal cast features Sam Brophy’s Jean Valjean, Will Roberts’s Javert, Emil Marczuk’s Marius, Juliette Sellamuttu’s Fantine, Oscar Smith’s Enjolras, Callum Richardson’s Thenardier and Bella Gledhill’s Madame Thenardier. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Elvis Costello: Revisiting his 1977-1986 back catalogue in Radio Soul! at York Barbican
York gig of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs of Elvis Costello, York Barbican, June 17, 7.45pm
ELVIS Costello plays York Barbican for the first time since May 2012, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton for a set list drawn from 1977’s My Aim Is True to 1896 Blood & Chocolate albums, complemented by “other surprises”.
“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago,” says Costello, 71. “You can expect the unexpected and the faithful in equal measure.” His special guest will be Emily Moment. Box office: yorkbarbican.co.uk.
Dominic Goodwin in myriad roles in Twice Nightly at Helmsley Arts Centre
Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Helmsley Arts Centre, June 26 and 27, 7.30pm
WRITER and performer Dominic Goodwin, one-time manager of Helmsley Arts Centre, returns to his old stamping ground with his first one-man comedy show, directed by York director Thomas Frere.
Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. “It’s been an honour to perform these stars’ material, and even more so to have the backing of the families,” says Goodwin. Box office: 01439 771700 or helmsleyarts.co.uk.
Al Dunn, Matt Freeman and Nick Bunt in Le Navet Bete’s Oh Zeus!. Picture: Mark Senior
In Focus: Le Navet Bete in Oh Zeus!, York Theatre Royal, June 18 to 20, 7.30pm plus 2pm Saturday matinee
CHAOTIC comedy specialists Le Navet Bete return to York Theatre Royal from tomorrow, this time with their riotous ride through the world of Greek mythology, Oh Zeus!.
The Exeter company previously toured their hit family shows Dracula: The Bloody Truth, King Arthur and Treasure Island to the St Leonard’s Place theatre.
Written by John Nicholson and Le Navet Bete and directed by Nicholson, Oh Zeus! finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Cue three actors – company founders Al Dunn, Nick Bunt and Matt Freeman – playing 40 characters between them in a mythical farce that journeys through Ancient Greece, the Underworld and back.
Expect physical comedy, outrageous jokes, fast-paced pandemonium and togas aplenty in a show ideal for devotees of Fawlty Towers, Bottom and The Play That Goes Wrong.
Formed in 2008 in Exeter, Devon, Le Navet Bete travel around the UK and internationally, with support from Arts Council England, the Exeter Northcott Theatre and the Exeter Phoenix, on a mission to create and tour humorous, physical and accessible comedy theatre, replete with storytelling for “absolutely everyone (ages four to 104)” – although Oh Zeus! carries an age guidance of 12 plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Grainne Dromgoole’s Liz Gold and Ralf Little’s Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
NO John le Carré novel had been adapted for the stage until Chichester Festival Theatre took on the challenge of 1963’s The Spy Who Came In From The Cold in August 2024.
Film, yes, television series, yes, but the stage: the question is why not? Especially when psychological thrillers work just as well in a theatrical setting. Thankfully adaptor David Eldridge and director Jeremy Herrin, in tandem with production designer Max Jones, grabbed the elusive bull by the horns, their smart, slick and stylish Chichester premiere being followed by a West End bow at @sohoplace and now a nationwide tour.
A bicycle rests on its side centre stage, the front wheel still spinning, never stopping, defying Newton’s Laws of Motion, as Wednesday’s matinee audience gathers.
This symbol of wheels constantly turning, nothing ever settling, encapsulates the clandestine, claustrophobic world of Cold War espionage, deception and moral compromise, machination and manipulation. How can you trust anyone when you can’t even trust your eyes?!
Enter Ralf Little, late of The Royal Family and Death In Paradise, charged with the large task of following in the footsteps of Richard Burton in Martin Ritt’s 1965 film as burnt-out, disillusioned British intelligence agent Alec Leamas.
Drinking too heavily, smoking prodigiously, never seeing his children, Leamas is ready to “come in from the cold” in October 1961, a hollow shell of an outcast at 45. However, a combination of the Control (the immaculate, inscrutable Nicholas Murchie) and supposedly retired veteran spymaster George Smiley (Tony Turner), hovering ominously in the shadows of the stage and Leamas’s mind alike, persuades him to take on one final mission.
He must infiltrate East German intelligence in Berlin, giving him the chance to avenge his nemesis, the taciturn, cynical Nazi-turned-Communist agent Hans-Dieter Mundt (Peter Losasso), after his East German contact, Riemeck (Jonny Burman), is taken out.
Berlin is now divided by the Berlin Wall that looms large over Max Jones’s black-box design, with its steps to a mezzanine level, where Turner’s Smiley makes his entrances, like King Hamlet’s ghost, until taking centre stage late on, when taking over the narrator’s role from Little’s Leamas.
The floor is covered by a huge red map of Cold War Europe, Berlin West and East at its epicentre. Tables and chairs are forever being moved on and off the otherwise bare expanse of stage, where Azusa Ono’s lighting designs – often red and green, rather than the usual cold, disorientating blue – take on greater emotional significance and impact.
Into the plot are woven The Circus, Fiedler (Eddie Toll), the ideological, Jewish, Stalinist deputy director of the East German intelligence service, and librarian Liz Gold (Grainne Dromgoole), the naive young Communist Party activist, Leamas’s unforeseen love interest – the one element Smiley and the British Intelligence overlords had not calculated would influence Leamas’s actions.
Come the interval, Little’s exasperated, exhausted Leamas is calling both the ever-concealing Control and Smiley “liars”. No-one can indeed be trusted in this oppressive, suppressive quagmire of double crossing, deceit and dubious morals, where the end result is all that matters and Leamas is nothing more than a paranoid pawn in the chess set of espionage.
After first reading le Carré’s novel at 16, its chilling Cold War story and lead character had stayed with Little ever since. Now, 30 years on, he invests an assiduous sense of duty into Leamas, who is increasingly rueful and a loose cannon too, prone to sporadic outbursts of humorous theatricality and rising risk-taking to stay alive. Above all, the combination of Eldridge’s writing and Little’s intense performance conveys Leamas’s inner thoughts through haunted monologues in the tradition of Hamlet and Macbeth.
The murky miasma of spying in John le Carré’s books makes Alec Leamas poles apart from Ian Fleming’s secret agent James Bond. His world is no less dangerous and lonely, but drudgery and skulduggery prevail without the glamour and desirable locations.
Outwardly, Eldridge and Herrin’s noir thriller is a period piece, but as the ice forms on a new, 21st century Cold War, The Spy Who Came In From The Cold may well have to be sent out into the cold again.
Second Half Productions and The Ink Factory present Chichester Festival Theatre in John le Carré’s The Spy Who Came In From The Cold, Grand Opera House, York, until June 13, 7.30pm plus 2.30pm Saturday matinee. Box office: atgtickets.com/york.
Learning the meaning of “Only connect” in E M Forster’s novel Howards End: Jamie McKeller’s Frank tutoring Florence Poskitt’s Rita in Black Treacle Theatre’s Educating Rita. Picture: John Saunders
BLACK Treacle Theatre founder and director Jim Paterson has brought together two of York’s finest comedy actors for the first time for Willy Russell’s classic two-hander Educating Rita.
Call it chemistry, call it alchemy, it is inspired casting as Jamie McKeller and Florence Poskitt unite as whisky-soured university lecturer Frank and working-class Liverpool hairdresser Rita White, who wants to do more than change her name from Susan in signing up for an Open University literature course.
Frank, whose poetic flame has burned out, is only taking on Open University classes as a means to funding his chronic need to drink. Behind all too many books in his shabby office are hidden bottles, bringing a regular clink to his day as he numbs his senses at his failure to sustain his early promise as a poet.
Keen to learn, keen to change, keen to challenge: Florence Poskitt’s Literature student, Rita White, looking sceptical in Educating Rita. Picture: John Saunders
McKeller’s Frank is one of those drinkers who remains lucid in thought and expression, bleary eyed yet still articulate, waspish, piercingly perceptive, frustrated and frustrating. He talks of tragedy in Shakespeare being different from what we might call “a tragedy” in everyday life, yet Frank’s inability to change his path, his ways, his boozing, while knowing his destination, is closer to the former than the latter.
Poskitt’s Liverpool lip Rita is the one keen to change, to learn, to reach a state of knowledge and understanding, talking ten to the dozen, smoking feverishly, opinionated, frank, humorous.
She wants to lift Frank out of his doldrums too, but he is more concerned about how her initial individuality, her different way of thinking, is changed essay by essay, session by session, to meet the conventional understanding of critical thinking. You sense that this is Russell’s own despair with the education system, its requirements for common grounding, when Literature studies should lead to original thought.
He thinks, he drinks: Jamie McKeller’s Frank in Black Treacle Theatre’s Educating Rita. Picture: John Saunders
In his educating of Rita, Frank makes her more conventional in the world of gown, not town, where her husband Denny objects to her studies, wanting her to focus on starting a family instead.
In turn, Rita learns that no world is perfect, that a quest for knowledge, an insatiable curiosity, may not provide the answers she wants, but she is still better for now having the knowledge to help her move forwards.
There is light, especially in the combustible humour of Frank and Rita’s clashes of cultural thinking in their tutorials, but there is darkness too, whether in Frank’s embittered demeanour and eloquently arrowed self-loathing or the revelation of the troubles of Rita’s flatmate, Trish.
Educating Rita director Jim Paterson
McKeller, whose theatre work has taken in everything from John Godber’s Bouncers to Shakespeare and Rowntree Players pantomime villains and ugly sisters, gives a masterclass in understated performance: every line and movement weighted with significance, never overplayed in Frank’s reliance on drink to medicate his “absolute disaster” of a stagnating life.
He is superb too at working in tandem with Poskitt’s flighty, effervescent yet increasingly deeper-thinking Rita, a bright spark whose honesty matches the ever-frank Frank as her confidence blossoms in her discovery of art, culture, theatre, herself.
Yet change is as much of a mental minefield as no change. Frank won’t change, Rita will, but in considering “who they are and who they want to be”, choice may still be influenced by class, by circumstance, by whether you are a man or a woman.
So much to learn from each other: Jamie McKeller’s tutor Frank and Florence Poskitt’s student Rita in Educating Rita. Picture: John Saunders
Paterson may set Black Treacle’s production in a hybrid of the 1980s and 1990s, but the themes are as resonant as ever, especially at a time when the price of education – the burden of debt it now brings and the difficulty in finding a job afterwards – is challenging our perception of its purpose.
In the educating of Rita, Willy Russell’s universal play is still championing the possibilities and power of knowledge to change, to broaden horizons, to bring greater freedom of choice, against the tide of the frustratingly linear world of academia .
Black Treacle Theatre presents Educating Rita, Theatre@41, Monkgate, York, 7.30pm nightly until Saturday. Box office: https://tickets.41monkgate.co.uk.
Ralf Little’s disillusioned British intelligence officer Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
COLD War espionage, artist open studios on moor and coast, Wright & Grainger in short form and Elvis Costello’s early years revisited make their mark on culture guide Charles Hutchinson.
Thriller of the week: The Spy Who Came In From The Cold, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today, tomorrow and Saturday
FOR the first time, a John le Carré novel is being brought to life on stage by Chichester Festival Theatre in David Eldridge’s adaptation of The Spy Who Came In From The Cold, a typically taut tale that journeys through the fog-shrouded terrain of Cold War espionage, deception and moral compromise.
Death In Paradise star Ralf Little’s disillusioned British intelligence officer, Alec Leamas, is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission against the East German Secret Service. Deep undercover, Leamas finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart. Box office: atgtickets.com/york.
Rich Hall: Delivering comedy’s version of Chin Music at Pocklington Arts Centre
American comedian of the week: Rich Hall: Chin Music, Pocklington Arts Centre, tonight, 8pm
THE expression “chin music” has two meanings. One is idle talk; the other is a ‘brushback’ throw in baseball or cricket to intimidate the batter. Both describe North Carolina-born Rich Hall’s comedy: idle but intimidating, sharp, quick, splenetic and improvisational. Don’t duck out of seeing him in action in Pocklington tonight. Box office: 017589 301547 or pocklingtonartscentre.co.uk.
Florence Poskitt’s Rita and Jamie McKeller’s Frank in Black Treacle Theatre’s Educating Rita at Theatre@41, Monkgate, York
Literature lessons of the week: Black Treacle Theatre in Educating Rita, Theatre@41, Monkgate, York, until Saturday, 7.30pm
YORK actors Florence Poskitt and Jamie McKeller team up for the first time under Jim Paterson’s direction in Willy Russell’s warm, witty and moving double-hander about the power of education to change lives. When Rita, a working-class hairdresser hungry for something more, signs up for an Open University literature course, she meets disillusioned academic Frank, whose passion for teaching has long faded.
Their weekly tutorials become a battle of ideas, humour and honesty as Rita’s confidence blossoms and Frank reckons with his own choices and the possibility of a second chance. Change comes with difficult choices for both student and tutor, who must reconsider who they are and who they want to be. Box office: tickets.41monkgate.co.uk.
The Bluffs’ poster for Unwritten: The Literary Improv Show at Rise@Bluebird Bakery
Unscripted silliness of the week: Unwritten: The Literary Improv Show, Rise@Bluebird Bakery, Acomb, York, tomorrow, 8.30pm, doors 7.30pm
YORK troupe The Bluffs take classic short-form improv games and infuse them with storytelling flair in an evening of laughter, silliness and plot twists. Each fast-paced show is shaped by audience suggestions and spontaneous creativity. Expect scenes inspired by classic literature, unexpected character mash-ups and even a fanfiction-inspired musical number.
The Bluffs are drawn from a melange of theatrical, comedy and musical backgrounds, from festival stages to pantomime and competitive Theatresports. Box office: eventbrite.com/e/unwritten-the-literary-improv-show-tickets-1984763723726.
Easingwold creative duo Wright & Grainger: Presenting Say It & Play It at The Old Paint Shop
The Old Paint Shop presents: Wright & Grainger Say It & Play it, York Theatre Royal Studio, tomorrow, 8pm
FRIENDS and working partners since Easingwold schooldays, Wright & Grainger serve a carefully curated evening of stories, poems, songs and gentle chaos. Known for their internationally acclaimed adaptations of Ancient Greek myths, sometimes they do something a tad different.
Hence Say It & Play It will be a set full of Alexander Flanagan Wright & Phil Grainger’s shorter collaborative works, the poems that stand on their own, the beautiful tracks they have been writing. “It’s a gorgeous weave of our home-grown stuff, grown and told on home turf,” they say. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Paul Weller: Heading back to the East Coast to play Scarborough Open Air Theatre
Seaside excursion of the week: Paul Weller, TK Maxx presents Scarborough Open Air Theatre, Friday, gates 6pm
PAUL Weller follows up April’s release of Weller At The BBC Vol 2 with his return to Scarborough Open Air Theatre for the first time since July 7 2024. The Modfather, 68, will be expected to draw on material from his days in The Jam and Style Council, as well as his solo years, from 1992’s self-titled debut to July 2025’s Find El Dorado. Box office: scarboroughopenairtheatre.com.
Mark Butler: Taking part in North Yorkshire Open Studios 2026
North Yorkshire Open Studios 2026, Moors and Coast, Saturday and Sunday, 10am to 5pm
MORE than 200 artists and makers are taking part in the second weekend of the summer edition of North Yorkshire Open Studios, including 73 representing the Moors and Coast. Among them will be Boo Barwick-Ward; Iona May Stock; Jo Naden; Sarah Sharpe, Alison Spaven; Anna Matyus; Pam Edwards; Deborah Wilkinson; Iona Harrison; Jonathan Pomroy and Stephen Bird.
So too will Rory Menage; Sue Slack; Mike Nowill; Studio Milena; Clare Belbin; Elizabeth Bailey; Lyn Bailey; Pauline Brown; Sally Parkin; Nettle Cottage Prints; Slab and Slip; Rebecca Callis; Kate Brown; Jess Shaw; Martin Gittins; Alice O’Neil and Gillies Jones. Full details can be found at nyos.org.uk.
Elvis Costello: Revisiting his early years in his Radio Soul! show at York Barbican. Picture: Ray Di Pietro
York gig of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs of Elvis Costello, York Barbican, June 17,7.45pm
ELVIS Costello plays York Barbican for the first time since May 2012, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton for a set list drawn from 1977’s My Aim Is True to 1896 Blood & Chocolate albums, complemented by “other surprises”.
“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago,” says Costello, 71. “You can expect the unexpected and the faithful in equal measure.” His special guest will be Emily Moment. Box office: yorkbarbican.co.uk.
Dominic Goodwin: Performing Twice Nightly over two nights at Helmsley Arts Centre
Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Helmsley Arts Centre, June 26 and 27, 7.30pm
DOMINIC Goodwin, one-time manager of Helmsley Arts Centre, returns to his old stamping ground with his first one-man comedy show, written and performed by Goodwin and directed by York director Thomas Frere.
Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. “It’s been an honour to perform these stars’ material, and even more so to have the backing of the families,” says Goodwin. Box office: 01439 771700 or helmsleyarts.co.uk.
York printmaker Michelle Hughes holding a copy of her debut book, Printing Birds and Wildlife in Linocut
In Focus
Book event of the week: An Evening with Michelle Hughes, Printing Birds and Wildlife in Linocut, Kemps Books, Malton, tonight, 7.30pm
YORK linocut printmaker discusses her debut book, Printing Birds and Wildlife in Linocut, her creative story and upcoming tenth anniversary in business at Kemps Books. “Liz Kemp has been a huge supporter of my printmaking journey, selling my original prints in the early days, greeting cards over the years, and now stocking my book,” says Michelle. “Do come along and support a fabulous indie gift shop and bookshop.”
Published in February 2026, Michelle’s beautifully illustrated book shares how to design, carve and print birds and wildlife using traditional linocut techniques, guiding readers from simple one-colour prints through to more advanced multi-colour methods, including jigsaw, reduction and multi-block printing.
“Whether you are completely new to linocut or already exploring printmaking, the book offers clear step-by-step guidance, practical tips and creative inspiration for capturing birds and wildlife in this rewarding craft,” says Michelle.
“During the evening you’ll enjoy my short talk about my journey to becoming a professional printmaker; behind-the-scenes insights into how the book was created, with a chance to see original prints and lino blocks featured in the book and a Q&A session about linocut printmaking, followed by a book signing.
Come and celebrate wildlife, printmaking and the joy of carving and printing by hand.” Tickets must be booked in advance in person in store or at kempsgeneralstore.co.uk/pages/events.
PLEASE note, phone calls are not being ignored. Alas, the CharlesHutchPress mobile has breathed its last, without warning, necessitating a replacement selection process that is under way.
In the meantime, contact is more than welcome by email at charles.hutchinson104@gmail.com. Hutch is very happy to arrange interviews on Zoom too.
Normal lines of communication will be resumed pronto and the website will function as normal.
Eija Gibson: Directing Theatre@41’s first community play, It’s A Wonderful Life
THEATRE@41, Monkgate, York, is to play host to its first community play from December 10 to 23.
The John Cooper Studio’s black-box theatre will be transformed for the classic Christmas story of It’s A Wonderful Life with a community cast and crew.
Directed by Eija Gibson, Mary Elliott Nelson’s stage adaptation of Frank Capra’s 1946 film follows down-on-his-luck banker George Bailey as he is paid a visit by his guardian angel on Christmas Eve 1946.
Soon he discovers how life in Bedford Falls – the beloved small American town where he has grown up – would be without him, whereupon his outlook is transformed in a joyful story of love, hope and community.
The show poster for Theatre@41’s community play, It’s A Wonderful Life
Director Eija Gibson is an exciting young director with a growing reputation, whose credits include being associate artist at Leeds theatre company Wrongsemble.
Eija will be mentored by Theatre@41 theatre manager Tom Bellerby, who has worked at the National Theatre, Donmar Warehouse and several leading regional theatres, Hull Truck Theatre among them.
“I am so excited to be directing this gorgeous show in such a wonderful space!” she says. “It is such an exciting opportunity and I can’t wait to bring my vision to Theatre@41, learn from Tom’s mentorship and meet the wonderful creatives of York to create a really strong ensemble and a beautiful show.
Step this way: The entrance to Theatre@41, Monkgate, where auditions for It’s A Wonderful Life will take place on June 28. Picture: James Drury
“Hope, community and connection are at the heart of It’s A Wonderful Life. Through intimate staging, fluid storytelling and visual contrast, and most importantly a strong ensemble, we will bring Bedford Falls to York.”
In a message to auditionees and subsequently successful recruits, she says: “Join me for a collaborative, supportive and creative rehearsal process, resulting in a production that feels uplifting, heartfelt and celebratory.”
Theatre@41 chair Alan Park says: “For more than 25 years, Theatre@41 has hosted productions from York’s incredible community theatre companies. It’s A Wonderful Life will allow us to showcase the very best of York’s community theatre performers and creatives. We can’t wait to welcome people to our own Bedford Falls as we throw a lasso round the moon to re-create the most life affirming of Christmas stories.”
Theatre@41 theatre manager Tom Bellerby says: “We are really excited about this new project and providing the theatre audiences of York with an alternative offer this festive season. Our brilliant community creatives will be mentored by experienced professional artists, providing a unique opportunity for those involved.”
Megan Drury in Wright & Grainger’s Selene, playing Theatre@41, Monkgate, on July 15 and 16
Already this year, under Bellerby’s management, Theatre@41 has partnered with internationally acclaimed North Yorkshire theatre company Wright & Grainger to co-produce their new show, Selene, soon to kick off a UK tour after 70 performances in Australia and New Zealand.
Starring Australian theatre, film and television actor Megan Drury, Selene will play Theatre@41 on July 15 (7.30pm) and July 16 (8.30pm) ahead of its Edinburgh Fringe run in Alexander Flanagan Wright and Phil Grainger’s story of the goddess and the dark side of the moon.
In this radical explosion of an ancient lunar myth by the company behind Helios, Orpheus and The Gods The Gods The Gods, a young girl watches the moon landings on repeat, a teenager makes a list of all the things they are not and a young adult starts to discover who they are.
“It’s a story about the light sides of us, the dark sides of us, and the things we grow up in the orbit of – and about the stuff inside us, all the wild stuff inside us,” say Wright & Grainger.
