THE Stephen Joseph Theatre has won gold in Welcome To Yorkshire’s White Rose Awards.
The Scarborough theatre topped the Arts and Culture category, seeing off stiff competition from a shortlist of silver recipients Harewood House; bronze-placed Selby District Council (Selby 950); Hull’s Freedom Festival Arts Trust; Huddersfield Literature Festival; Hull Libraries (The Big Malarkey Festival), Bradford intercultural arts hub Kala Sangam and Yorkshire Sculpture International.
The judges said: “From their innovative approach to accessibility and inclusivity, the rave reviews and so much more, this business truly impressed the judges.
“The great online and social media presence, international profile and a real commitment to engaging the local community is what, for us, makes the Stephen Joseph Theatre such a worthy winner.'”
Caroline Routh, the SJT’s executive director Caroline Routh, says: “This has been a tough year for just about everyone, and it’s so nice to have something to celebrate for once.
“We were thrilled to win the White Rose Arts and Culture Award, and particularly to be shortlisted in such fantastic company. We’re now looking forward to bringing our Christmas show, The Snow Queen, to Scarborough, live on stage throughout December, as well as an online treat: an audio recording of Alan Ayckbourn’s Haunting Julia, performed by the writer himself.”
Held online on Monday evening, the annual White Rose Awards – Britain’s largest tourism awards ceremony – showcase the best and brightest Yorkshire has to offer.
AFTER an anything but normal year, otherwise known as the year of the new normal – alas destined to stretch into 2021 – here comes outré artist, potter and social commentator Grayson Perry’s York-bound live show.
In his own words: Despite being an award-winning artist, Bafta-winning TV presenter, Reith lecturer and best-selling author, Grayson Perry is a normal person – and just like other normal people, he is “marginally aware that we’re all going to die”.
Cue Grayson Perry: A Show For Normal People, booked into York Barbican for September 6 on night number five of next year’s 23-date tour. Sheffield City Hall awaits on September 10; Harrogate Convention Centre on November 27.
What will be on the 2003 Turner Prize winner’s mind? “Let Grayson take you through an enlightening and eye-watering evening in which this kind of existentialism descends from worthiness to silliness. You’ll leave safe and warm in the knowledge that nothing really matters anyway,” his show patter promises.
“Join Grayson as he asks, and possibly answers, these big questions in an evening sure to distract you from the very meaninglessness of life in the way only a man in a dress can.”
Born in Chelmsford, Essex, in 1960, Perry has had an artistic career spanning 40 years, revealing a diverse expertise in “making lemonade out of the mundanity of life”.
Such as? In 2015, he designed A House For Essex, a permanent building constructed in the North Essex countryside. In the early weeks of Lockdown 1 2020, his Channel 4 show, Grayson’s Art Club, brought the nation together through art as he exhorted and celebrated the making of new works, vowing to “battle the boredom of isolation” with a weekly theme from his London studio.
This autumn, Grayson Perry’s Big American Road Trip, his three-part documentary travelogue on Channel 4, explored the meaning of the American Dream in today’s disunited USA.
Tickets for Grayson Perry: A Show For Normal People go on sale tomorrow morning (27/11/2020) at 10am online only at yorkbarbican.co.uk.
This will not be the only Grayson Perry show in York in 2021. His Covid-crocked 2020 exhibition of “lost pots” at York Art Gallery will now run from May 28 to September 5 next year.
This major new display of Perry’s earliest works, Grayson Perry: The Pre-Therapy Years, will be showcased in the Centre of Ceramic Art (CoCA).
Developed by the Holburne Museum in Bath, the touring exhibition is the first to celebrate Perry’s earliest forays into the art world, reintroducing the “explosive and creative works” he made between 1982 and 1994.
The 70 works have been crowd-sourced through a national public appeal, resulting in these “lost pots” being assembled for display together for the first time since they were made.
“This show has been such a joy to put together,” said Perry, when the show was first announced. “I’m really looking forward to seeing these early works again, many of which I have not seen since the Eighties.
“It’s as near as I will ever get to meeting myself as a young man, an angrier, priapic me with huge energy but a much smaller wardrobe.”
The Pre-Therapy Years show should have been the centre of attention at CoCA from June 12 to September 20 this year, but the Coronavirus pandemic intervened.
Now, Perry devotees can look to the horizon, awaiting the arrival of his pots in York next May.The exhibition will shine a light on Perry’s experimentation and exploration of the potential of pottery to address radical issues and human stories.
The 70 works will provide an opportunity to enjoy his clever, playful and politically engaged perspective on the world as these often challenging and explicit pieces reveal his early steps towards becoming a compelling commentator on contemporary society.
From his first plate, Kinky Sex (1983), to his early vases made in the mid-80s, Perry riffed on British vernacular traditions to create a language of his own. The themes of his later work – fetishism, gender, class, his home county of Essex and the vagaries of the art world – appear in these early works, marked by their urgent energy.
CoCA first exhibited a Grayson Perry ceramic, Melanie, in July 2015 as its centrepiece talking point after York Art Gallery’s £8 million transformation. Melanie later featured in York Art Gallery’s re-opening exhibition, Your Art Gallery – Paintings Chosen By You, this summer into autumn.
SAY Owt, York’s loveable gang of performance poets, are back in live action for the first time since the summer for a night of socially distanced spoken word at The Crescent on December 11.
In start-stop-restart-stop again 2020, these loquacious hosts of high-energy bursts of words and verse have hosted live-streams in lockdowns, most recently Lovely Lockdown Lyricism last Friday, and pop-up poetry on York Theatre Royal’s patio in August.
Stepping up to the mic on December 11 will be Say Owt’s A-team of Henry Raby, Hannah Davies, Stu Freestone and Dave Jarman, joined by special guest poets Katie Greenbrown and Ruth Awolola. In a nutshell, here comes a slam-winning sextet of soulful poets with modern, relevant and upbeat verse.
“The night will feature a set of banging poems, full of wit and humour to warm your soul this December,” says artistic director Henry. “Expect some brand-new pieces, improv poetry and a few silly surprises hiding up our spoken-word sleeves!
“Last Friday’s online gig was good: it’s just nice to keep connecting with our audience. Now Say Owt and The Crescent want to give you a night of energy and warmth after a tough year.”
The Crescent, in The Crescent, off Blossom Street, York, will have a Covid-secure, socially distanced seated capacity of 60. “The performers and the venue are following all regulations and guidelines to keep the audience as safe as possible,” says Henry.
THEATRE @41 Monkgate is selling personalised bricks to create a new display at York’s black-box studio theatre.
Sales of the inscribed slates will help to make up some of the revenue shortfall created by the Coronavirus pandemic. Theatre @41’s new chairman, Alan Park, hopes theatre participants and supporters alike will show their fundraising backing by digging deep.
“Anyone who has been to Theatre @41 knows what a special place it is,” he says. “We have obviously lost revenue while having to close and we need to make sure we can keep going. Every donation we receive helps us continue to provide an accessible and affordable theatre space to the York community.
“These bricks are a great way for anyone who uses our space, or has been to a show they love, to help us achieve this. They will be able to see their words and messages every time they visit and know they have played a part in the heritage of Theatre @41.”
To buy a brick for £40 or two for £70, visit: 41monkgate.co.uk/bricks. Alternatively, email: info@41monkgate.co.uk.
LOCKDOWN 2 wears the mask of uncertainty for another fortnight until the next Government proclamation on when and how it will all end in tiers.
Leaving predictions to the betting shops, this column will state the facts as they stand now on what – definitely or hopefully – will be happening in the weeks and months ahead as we wait for a prick to make a difference.
Charles Hutchinson consults his diary, written in pencil just in case, to help to fill yours.
Virtual shopping goes arty for Christmas: York River Art Market online
AFTER summer stalls by the Ouse were Covid-cancelled, York River Art Market will host a series of online markets in the lead-up to Christmas.
The #yramathome Virtual Winter Art Markets will run from 10am to 5pm each Sunday from November 22 to December 20, plus the last Saturday before Christmas Day, December 19.
Online shoppers can browse and buy artworks from a selection of 20-plus different “indie makers” at each market day via Instagram. Information on each weekend’s makers, along with instructions on how to shop, will be shared via the York River Art Market (YRAM) Facebook page.
Exhibition of the week: The Christmas Show, Blue Tree Gallery, York, online initially
ORIGINAL paintings by Colin Cook, Giuliana Lazzerini, Nikki Monaghan and Sharon Winter feature in The Christmas Show, the latest Blue Tree Gallery exhibition in York until January 16 2021.
Lockdown 2 means the show is starting online only at bluetreegallery.co.uk/christmas-show-2020, but the Bootham gallery will re-open in December, subject to the new Government rules and regulations.
Driftwood sculptures by Natalie Parr, Christmas-themed ceramics by Kath Cooper and oxidised steel hanging decorations by David Mayne will be tempting Christmas buyers too.
Live-stream of the Week: Say Owt’s Lovely Lockdown Lyricism, Friday (20/11/20200), 7pm to 7.45pm
SAY Owt, York’s battleground for warring wordsmiths in slam clashes and regular host to spoken-word artists du jour, switches to online transmission for a night of alliteratively entitled Lovely Lockdown Lyricism.
Whirling wisps of wordy wonder in Livestream 2: In Owt/Shake It All About, will be Say Owt’s A-team of anarchic administrator Henry Raby, co-founder Stu Freestone, associate artist Dave Jarman and playwright, tutor, theatre director and slam champ Hannah Davies.
Tune in for “good Friday vibes” at facebook.com/events/283791622875447. Looking ahead, Say Owt hopes to re-convene in socially distanced mode at The Crescent, York, on December 11.
Let it snow in York: Badapple Theatre Company, The Snow Dancer, Joseph Rowntree Theatre, York, December 5, 2.30pm, 7.30pm; December 6, 1pm, 6pm
GREEN Hammerton’s Badapple Theatre are to revive their 2019 Christmas show, The Snow Dancer, for two days only at the Covid-secure JoRo Theatre, newly equipped with chair wraps to denote the socially distanced seating plan.
Last year’s cast of Anastasia Benham and Danny Mellor will re-assemble to perform writer-director Kate Bramley’s cautionary global-warming tale, set in the Great Wood, where something is awry.
The animals are desperate for sleep, but with the onset of climate change, the weather is just too warm. Step in Mellor and Benham’s intrepid heroes, who decide they must seek out the mysterious Snow Dancer if there is to be any chance of ever making it snow for Christmas.
Christmas concert at home: Kate Rusby’s Happy Holly Day, December 12, 7.30pm
THE 2020 Kate Rusby At Christmas tour will not be happening, ruling out her South Yorkshire pub carol concert at York Barbican on December 20.
However, in response to the Covid restrictions, the Barnsley folk nightingale has decided to go online instead, presenting Kate Rusby’s Happy Holly Day on December 12.
At this special concert, streamed worldwide, expect all the usual Rusby Christmas ingredients: familiar Carols but set to unfamiliar tunes; wintry Rusby songs; sparkly dress, twinkling lights; her regular folk band and brass quintet; Ruby Reindeer and a fancy-dress finale. For tickets, go to: katerusby.com/happy-holly-day/
Drive-in home for Christmas: Daisy Dukes Winter Wonderland, Elvington Airfield, near York, December 18 to 20
AFTER Knavesmire in July and Rufforth Airfield for Halloween, the apostrophe-shy Daisy Dukes Drive-in Cinema finds a new Covid-secure home for Christmas: Elvington Airfield. Father Christmas, elves and screen characters will be driving by too.
December 18 will offer Frozen 2, Home Alone, Edward Scissorhands and Die Hard; December 19, Elf, How The Grinch Stole Christmas, Gremlins and Bad Santa; December 20, The Polar Express, Home Alone 2, Batman Returns and Love Actually.
The Friday and Saturday programmes will start at 12 noon; the Sunday shows at 11am. Audio will be transmitted via a specially assigned FM frequency direct to vehicles’ radios and food can be delivered to customers’ cars.
Looking ahead to 2021: Red Rose stalwarts James and Happy Mondays to invade the White Rose
JAMES have had to forego their traditional winter tour in 2020. Moving on, however, they will play Leeds First Direct Arena on November 25 2021, supported by fellow Manchester mavericks Happy Mondays.
“Feels like a new dawn to trumpet a celebratory tour, a week after the first news of hope,” said Clifford-raised frontman Tim Booth on Twitter. ”So looking forward to seeing you.”
Tickets will go on general sale from 9.30am tomorrow with more details on the Live page at wearejames.com. Look out for a new James live double album and DVD, Live In An Extraordinary World, on December 11.
And what about?
As trailered previously, York has two upcoming pantomimes. York Theatre Royal’s Travelling Pantomime will be making its way around all 21 wards from early December with a choice of three shows, Jack And The Beanstalk, Dick Whittington and Snow White.
York Stage will be full of beans from December 11 to January 3 at Theatre @41 Monkgate with writer-director Nik Briggs’s production of Jack And The Beanstalk, choreographed by West End hotshot Gary Lloyd.
At home, TV is in the crowning season: The Crown season four and The Queen’s Gambit on Netflix and the crowning of The Great British Bake Off champion on Channel 4 on Tuesday night.
Albums to discover: Elvis Costello’s Hey Clockface; Fleet Foxes’ Shore, This Is The Kit’s Off Off On and, what joy, Songhoy Blues’ Optimisme.
TODAY is the 85th anniversary of the Joseph Rowntree Theatre in York, aptly on #LoveTheatreDay.
The theatre was opened on Monday, November 18 1935 by Mr Seebohm Rowntree, then chairman of Rowntree & Co Limited, with the aim of “providing a hall which may be a fitting centre for those recreational and educational activities that make for a full and happy life”.
Under Lockdown 2 restrictions, the Haxby Road community theatre cannot hold an actual birthday party, but its social media channels will be full of stories, anecdotes and photographs.
Supporters and volunteers have come together to share their memories and their hopes for the future of the Art Deco venue.
Those wanting to join in the conversations should email any memories to publicity@jrtheatre.co.uk or contribute via Facebook, Twitter or Instagram.
In addition to the birthday celebrations, the JoRo is highlighting the support and encouragement of its three patrons: David Bradley, Ian Kelsey and Frances Simon.
Bradley, known to many older York residents from his time with the Rowntree Youth Theatre and from playing Jesus in the 1976 York Mystery Plays, has become a familiar face nationwide from his vast number of stage, film and television appearances over many decades. Latterly, those credits take in the Harry Potter franchise, Game Of Thrones and Broadchurch.
Although David, 78, has been a patron of the JoRo for “some time”, the 85th anniversary is the first time that the theatre has announced his patronage formally and celebrated his backing.
In support of the theatre’s Raise The Roof fundraising campaign, David said: “The Joseph Rowntree Theatre has been a vital part of the city for so many years. I know from personal experience that it has provided opportunities for so many young people, and I will always be grateful for that. I fully support the theatre’s appeal and wish it all the best.”
The second, newly appointed patron is York-born actor Ian Kelsey, who honed his skills in many shows produced by Rowntree Youth Theatre. After a stint as an apprentice coach builder at the York railway carriage works, the acting bug drove him to follow his dreams by studying at Guildford School of Acting.
He has since been a regular on the nation’s TV screens in multiple drama series, from Blue Murder and Coronation Street to Doctors, Casualty and Emmerdale.
The third patron is actress and drama teacher Frances Simon, who moved to York with her family from London 14 years ago. She studied at the Webber Douglas Academy of Dramatic Art, in London, and played the Angel Gabriel in the 2012 York Mystery Plays in the Museum Gardens.
Frances has been a great supporter of the JoRo, attending many shows and teaching many youngsters who have appeared on the theatre’s stage.
A passionate advocate of the benefits of theatre to young people, she is the director of Frances Simon Speech and Drama Coaching; teaches speech and drama at St Peter’s School, York, and is a LAMDA coach at York Theatre Royal and Stagecoach Performing Arts.
While the JoRo is looking back and toasting the successes of the past 85 years today, it must look to the future too. Hence the launch of the Raise The Roof campaign to raise £90,000 to fund the shortfall in savings available to meet the costs of repairing the roofs after more than eight decades without needing any such major repairs.
During the course of this campaign, new volunteer Hannah Wakelam has taken on the role of the JoRo’s first Young Ambassador.
Musical theatre performer Hannah, 20, so far has helped to raise hundreds of pounds by initiating fundraising projects, most notably organising this autumn’s online contest, Yorkshire’s Got Talent, won by York College actor-musician Ed Atkin, 17, in October. Now she is in the process of selling tickets for a grand Christmas raffle.
The JoRo trustees hope more young people will follow Hannah’s lead by coming forward to play their part, inspired by the opportunities that the theatre gives them, both on and off the stage.
GREEN Hammerton company Badapple Theatre are to present their only indoor performances of 2020 at a socially distanced Joseph Rowntree Theatre, York, on December 5 and 6, subject to updated Covid-19 Government measures.
Danny Mellor and Anastasia Benham will resume their stage partnership in artistic director Kate Bramley’s The Snow Dancer, the Christmas show they toured last year, concluding at Yarm Fellowship Hall on December 29 2019.
In September, they teamed up again for outdoor performances of the premiere of Mellor’s play, Suffer Fools Gladly, as part of Badapple’s 21st anniversary celebrations.
Mellor’s quick-moving, quick-witted hour-long comedy delighted in testing and tracing the merits of always having to tell the truth: a compulsion from which our parliamentarians seem to be socially distanced, alas.
Now, Badapple are fundraising to support the performers in the Covid-secure performances of The Snow Dancer through a Crowdfunder appeal that will run until November 30.
At the JoRo theatre, newly equipped with chair wraps to denote the socially-distanced seating plan, Mellor and Benham will stage writer-director Bramley’s cautionary global-warming tale, set in the Great Wood, where something is awry.
The animals are desperate for sleep, but with the onset of climate change, the weather is just too warm. Step in Mellor and Benham’s intrepid heroes, who decide they must seek out the mysterious Snow Dancer if there is to be any chance of ever making it snow for Christmas.
“I’ve worked on a lot of Christmas stories in the past, so even though this one is completely original and doesn’t follow an existing story, there are still recognisable elements,” says Kate.
“We have Ida the March Hare, who is a meddling villain, for example. But, if anything, it’s a classic ‘quest’ story, where the children head off through the woods to save the world and encounter a few setbacks on the way.”
Among those to lend their support to the Crowdfunder appeal is Emmerdale actor Jonny McPherson, who plays Liam Cavanagh in the long-running Yorkshire soap, having appeared in two Badapple productions.
“My absolute pleasure. Least I could do for a wonderful company which has provided me with a some of the most memorable experiences of my life,” says Jonny, who has been tweeting his backing. “Wouldn’t be where I am today without you all. Good luck.”
McPherson toured with Badapple to some of the smallest venues in Yorkshire with the Theatre On Your Doorstep specialists, starring in the one-man show An Honorary Yorkshireman: The James Herriot Story and the original 2012 tour of Bramley’s hit musical Eddie And The Gold Tops.
Tickets for The Snow Dancer on December 5 at 2.30pm and 7.30pm and December 6 at 1pm and 6pm will go on sale on December 2 via josephrowntreetheatre.co.uk, pending the Government loosening Lockdown 2 restrictions.
STORY Craft Theatre’s Janet Bruce and Cassie Vallance are to provide 21 hours of craft and storytelling fun this month to raise vital funds for York charity Shine21.
Since Lockdown 1, the pair have moved their interactive storytelling sessions online, attracting audiences from all over the world to their creative and educational classes, held three times a week via Zoom.
Now, Janet and Cassie will host classes for you to enjoy on Zoom on November 27 and 28, running all day each day from 7am. All the duo ask in return is a donation to Shine21.
“There are lots of storybook adventures to choose from: Going On A Bear Hunt, The Gruffalo, Hairy Maclary, Aliens Love Underpants and so many more,” says Cassie. “We’re even providing hour-long interactive craft classes.”
All the sessions can be booked online at: www.bookwhen.com/storycrafttheatre. “As these classes are interactive, numbers are limited, so we advise you to book in advance to avoid disappointment,” says Janet. “Tickets are now on sale.
“This 21-hour storytelling event is an opportunity for you to help Shine21, where you don’t even need to attend the two-day event to donate. So, please feel free to donate whatever you can.”
Donations can be made at: justgiving.com/fundraising/storycraft21. Please note, 100 per cent of the money raised through Story Craft will go directly to the charity.
Story Craft Theatre is a York children’s theatre company run by professional actors and mums Janet Bruce, who appeared in Stephen Sondheim’s Sweeney Todd: The Demon Barber Of Fleet Street in the West End, and Cassie Vallance, part of the Shakespeare’s Rose Theatre company at the Castle car park in 2019 and last seen in Park Bench Theatre’s Teddy Bears’ Picnic in Rowntree Park, York, this summer.
Together, Janet and Cassie have hosted sell-out shows at York Theatre Royal and Goose play centre, at Hornbeam Business Park, Harrogate, and this Christmas, Story Craft Theatre will team up with Matt Aston’s Engine House Theatre at Castle Howard, near York.
From December 4, they will present Stories With Santa In The Courtyard Grotto. “Come and join us for a magical storytelling event here in the historic Courtyard,” they say. “Meet Santa’s helpers as they guide you through into our festive library, where children will get to meet Santa, make their Christmas wishes and settle down to hear a brand new, enchanting winter’s tale, The Snowflake, by popular children’s author Benji Davies.”
Last Christmas, Cassie performed in writer-director Aston’s stage adaptation of Davies’s The Storm Whale at the York Theatre Royal Studio.
The Shine21 charity helps to enhance the lives of children with Down Syndrome and their families. Janet Bruce’s second child was born with Down Syndrome and a heart condition, both being discovered after birth.
“The diagnosis was unexpected and at first, scary, but the support and advice offered by Shine21 was phenomenal,” says Janet. “Shine21 have supported me and my family every step of the way and introduced us to others who have been through a similar experience.
“The charity does invaluable work to help children and their families, but unfortunately, due to the pandemic, they have not been able to raise the vital funds they need this year. So, we’re providing this chance for you to help Shine21.”
For Castle Howard bookings, go to castlehoward.co.uk/whats-on/Christmas for more details.
THE Joseph Rowntree Theatre, York, has received two grants to help to ensure it will meet Coronavirus recommendations and be Covid-secure with Good To Go status on reopening, whenever that may be.
The Heworth ward committee of City of York Council has donated £4,940; the Theatres Trust, £3,000.
As the JoRo theatre, in Haxby Road, started to make plans to reopen and reorganise the auditorium seating, the social distancing of patrons was of paramount importance.
The Heworth ward grant has facilitated the purchase of 260 Covid-19 distancing chair wraps to block off unavailable seats, ensuring that household bubbles will be kept a safe distance apart from each other.
The wraps will allow for complete flexibility of seating layouts from one performance to the next as they can be repositioned easily.
Dan Shrimpton, chair of the JoRo’s board of trustees, says: “We understand the caution of some people about returning to live-entertainment venues.
“These covers will mean our audience will be able to access their bubble area quickly and safely without coming into close contact with others. We’d like to say a very big thank-you to the ward committee from all of us at the theatre.”
The Theatre Trust grant will go towards reopening costs, helping to fund the acquisition of equipment such as sanitiser stations, signage and screens for backstage, to enable the JoRo’s safe return.
Fundraising and events director Graham Mitchell says: “We need to make sure that our venue is abiding by all of the current recommendations for theatres.
“The costs associated with reopening are significant and, of course, we haven’t had any income for many months. We are very grateful to the Theatres Trust for their continued support.”
Only last month, the JoRo announced it had exceeded its fundraising target of £10,000 in a national campaign being run by the Theatres Trust to support theatres nationwide.
This money will be used to fund day-to-day running costs, instead of using up cash savings earmarked previously for essential repair work.