Giles Shenton: Back on terra firma when he performs Jerome K Jerome’s Three Men In A Boat at the Milton Rooms in Malton
THE Milton Rooms in Malton will reopen this month for its first events since lockdown began in March.
Ryedale Blues Club will host the first musical event with York’s DC Blues Band and special guest Nick Steed on September 24 at 8pm, followed by Kick In The Head’s production of Jerome K Jerome’s Three Men in a Boat on September 27 at 2.30pm.
Venue manager Lisa Rich says: “The whole team is very much looking forward to opening our doors to audiences later this month.
“It has been a long, arduous seven months for everyone, so we hope that the return of live entertainment in Malton will go some way to putting a smile on people’s faces.”
Social distancing measures will be in place for both events and plans have also been developed for anyone who wants to hire the venue.
Winn-win situation: Paul Winn will lead DC Blues Band in the Milton Rooms’ first concert since the March lockdown
“The Milton Rooms team is working hard to ensure that everything is as safe as possible,” says Lisa. “Risk assessments are in place and the venue has achieved the Visit Britain ‘We’re Good to Go’ industry standard.
“Like every business in Ryedale, we will be following strict health and safety guidelines for anyone visiting the Milton Rooms, be they a volunteer, audience member or someone who has hired the building.
“That will obviously mean restricting the number of people who can attend an event. However, we are lucky in that the main hall is large enough to accommodate up to 100 people safely with ample social distancing.” Under those social-distancing measures, tables will range from two people up to groups of six.
Lisa was appointed venue manager of the Milton Rooms at the end of February, only to be faced almost immediately with the lockdown and the cancellation of a glut of events planned for 2020.
An urgent Go Fund Me appeal was launched in April to help to safeguard the Market Place community centre’s future and has raised £2,500 so far.
A barrel of fun: Giles Shenton raises a glass to the return of theatre at the Milton Rooms in Three Men In A Boat on September 27
“It has been probably the most difficult year ever for the Milton Rooms and personally very frustrating as I was appointed just as the country closed down,” says Lisa.
“However, we have been busy behind the scenes preparing for reopening and exploring how the venue can be utilised by our whole community. Luckily, we have had amazing support from the public, who obviously value our lovely arts centre and want it to continue for future generations. We are very grateful to each and every one of them.”
In the first concert on September 24, Ryedale Blues Club founder Paul Winn leads DC Blues Band, who hail from “the mighty Ouse Delta in York” and have been playing their own take on the blues with original material and selected covers since 2012, opening for such acts as Dr Feelgood, King King, Sari Schorr and Marcus Bonfanti. Doors will open at 7.30pm; tickets cost £7.50.
Kick In The Head return to the Milton Rooms on September 27 to present Three Men In A Boat, a “rip-roaring barrel of fun” with Giles Shenton playing the part of writer Jerome K Jerome in this 95-minute one-man/Three Men show.
Shenton, who previously starred in Old Herbaceous, will take the helm for this delightfully ridiculous tale of men behaving badly while messing about in boats. He invites you to “join Jerome as he recounts the hilarious story of his boating holiday along the magnificent River Thames with his two companions, George and Harris, and Montmorency the dog. Come and join in the fun.” Doors will open at 2pm; tickets cost £15.
Family drama: Playwright John Godber with wife Jane Thornton and daughters Martha and Elizabeth
LIVE indoor theatre will return on the East Coast this autumn at both Scarborough’s Stephen Joseph Theatre and Hull Truck Theatre.
Today, the SJT announces an “innovative autumn and winter season for 2020 that has been carefully crafted to combine live theatre for socially distanced audiences with digital work for those that prefer to stay at home”.
In the SJT’s headline news, the waiting for Godber’s new play is over. The world premiere of the ground-breaking former Hull Truck artistic director’s Sunny Side Up! will be a family affair, starring John Godber, his wife Jane Thornton and their daughter Martha Godber from October 28 to 31 in The Round.
Written and directed by Godber, the humorous and moving Sunny Side Up! depicts a struggling Yorkshire coast B&B and the people who run it. “Join proprietors Barney, Cath and Tina as they share their stories of awkward clients, snooty relatives and eggs over easy in this seaside rollercoaster that digs into what our ‘staycations’ are all about,” invites John.
Further news bongs go to a new audio recording by former SJT artistic director Sir Alan Ayckbourn and a one-woman Christmas show, likely to be one of the few in the region, specially rewritten to adapt to prevailing Covid-19 pandemic circumstances.
After the lockdown success of his debut audio play, Anno Domino, premiered by writer-director Ayckbourn and his wife, actor Heather Stoney, Ayckbourn goes solo for Haunting Julia, his ghostly 1994 play, wherein he will play all three parts. As before, his master’s voice can be heard only via the SJT website, sjt.uk.com, with the play being available online “throughout December”, although the exact dates are yet to be rubber-stamped.
Going solo: Sir Alan Ayckbourn will re-visit his 1994 ghostly play Haunting Julia in a solo audio recording in December
The SJT Christmas show, from December 4 to 30, reassembles the crack team behind the hit productions of the past four winters: director Paul Robinson, writer Nick Lane and musical director Simon Slater, the latter two both serving up shows earlier in the season too.
Adapted by Lane from the Hans Christian Andersen story, the solo version of The Snow Queen will be performed by Polly Lister, who played Mari in Jim Cartwright’s The Rise And Fall Of Little Voice and Di in Amelia Bullmore’s Di And Viv And Rose when part of the SJT’s 2017 summer repertory company.
Scarborough-born Slater, an SJT associate artist, will appear in Douglas Post’s one-man thriller Bloodshot from October 21 to 24 in The Round, where all productions will be mounted, save for the online performances.
Slater will play Derek Eveleigh, a photographer with a serious drinking problem, who pursues a mysterious female subject across 1957 London from racially troubled Notting Hill to the raucous entertainments of Soho.
Often comedic Nick Lane’s sardonic, surreal and “intensely autobiographical” first straight play, My Favourite Summer, was premiered at Hull Truck in January and February 2007. This autumn, the original cast and the belting Nineties’ soundtrack will return in the torrid tale of Dave, who spends a month working alongside a nutcase called Melvin in the summer job from hell in 1995.
Winter chill: Polly Lister in the SJT’s one-woman Christmas show, The Snow Queen, written by Nick Lane
Saving money to take the girl he loves away on holiday, before she disappears out of his life forever, has never been so hard. Still, at least the weather’s nice in a comedy for “everyone who’s ever been in love and lived to tell the tale”.
Lane, whose adaptation of The Sign Of Four was well received by SJT audiences last year, will direct the semi-staged 2020 performance of My Favourite Summer in a run from November 12 to 14.
The autumn/winter season will begin on October 1 with a live performance on Zoom of Love Letters At Home. “In response to our desire for connection in times of physical distance, Uninvited Guests have created an innovative, digital, wholly personal and wonderfully live experience,” the SJT announces.
By collecting song requests and dedications from audience members, Uninvited Guests create a show guaranteed to be unique to each audience. Join them on Zoom to raise a glass to long lost and current loves, to mums and dads, and to absent friends.
Light entertainment: A switched-on Katie Arnstein in her one-woman show Sexy Lamp
“Have you ever been treated like an inanimate object?” asks Katie Arnstein in her solo show Sexy Lamp on October 15. Katie has suffered that slight, she says, although in reality she is a “friendly, lovable and hilarious real-life person”.
Join her as she re-lives, through story and songs, all the times she was not seen as one, however. Billed as “somewhere between the comedy of Victoria Wood, the comfort of going for a drink with your best mate and the high drama of Hamlet”, Arnstein’s show won both Show of the Week and Pleasance Pick at last year’s VAULT Festival in London. “It’s nothing like Hamlet,” she corrects herself.
In Alison Carr’s dark comedy, Dogwalker, on November 6 and 7, Helen finds a dead body in the local dog park, whereupon suddenly everyone is paying attention to her. At least for a little while.
Now she has had a taste of the limelight, Helen will not fade into the shadows without a fight in a play that first dropped through the SJT Open Script Submissions window and is being developed for a potential run at the Edinburgh Fringe under the direction of Chelsey Gillard, the SJT’s Carne Trust associate director.
Carr, by the way, had the disappointment of her sold-out performances of The Last Quiz Night In Earth in March being scrapped under the Coronavirus theatre shutdown.
On the beach: Serena Manteghi, in her guise as teenage single mum Yasmin in Build A Rocket. In November, she returns to the SJT. Picture: Tony Bartholomew
After writer Alexander Flanagan-Wright and musician Phil Grainger’s performances of linking shows Orpheus and Eurydice in the At The Mill season at Stillington Mill and York Theatre Royal’s Pop-Up On The Patio festival, Serena Manteghi will be in the cast for SJT performances from November 19 to 21.
Serena premiered Eurydice to award-winning success in Australia, when joined in the two-hander by actor and designer Casey Jay Andrews. She will be familiar to SJT audiences from playing LV in The Rise And Fall Of Little Voice and Yasmin in the premiere of Christopher York’s Build A Rocket.
From The Flanagan Collective and Gobbledigook Theatre stable, Orpheus and Eurydice are modern re-tellings of ancient Greek mythology, interweaving a world of dive bars, side streets and ancient gods. (Newsflash: 21/10/2020: Flanagan-Wright, Grainger, Manteghi and Andrews will be performing the plays together in a new version at the SJT).
A series of rehearsed play readings will take place in the theatre on October 7, 13 and 20, then each Tuesday from November 3 to 24, including Sarah Gordon’s The Underdog, Katie Redford’s Tapped and Rebecca Jade Hammond’s Canton.
Further shows will be announced soon, among them an evening of conversation with Hull-born Maureen Lipman and an innovative online show from outspoken Denby Dale comedian Daniel Kitson.
“We see it as part of our ongoing civic role to open as soon as is reasonably practicable and to present irresistible work,” says SJT artistic director Paul Robinson
The re-opened SJT has been showing films in the McCarthy at the former Odeon cinema building since last month and will continue to do so. Now, artistic director and joint chief executive Paul Robinson is looking forward to the return of live theatre.
“We’ve worked hard to create an ambitious season of relatively small-scale work, but one that promises great entertainment and really does have something for everyone, including shows for those who are happy to return to the building, and also for those who aren’t.
“We see it as part of our ongoing civic role to open as soon as is reasonably practicable and to present irresistible work alongside meticulously thought-through health and safety measures.
“Our family show at Christmas, for instance, was originally written for five actors, but that would have made rehearsing impossible under current guidelines. Writer Nick Lane has adapted it into a remarkable one-woman show that we’re confident will be every bit as much fun as the original and will really showcase the multi-talented Polly Lister.”
The SJT has introduced comprehensive measures for the safety and comfort of its audiences – full details at https://www.sjt.uk.com/were_back – and has been awarded VisitEngland’s We’re Good to Go industry standard mark, signifying adherence to government and public health guidance.
On a knife edge: Simon Slater in Bloodshot, playing the SJT from October 21 to 24
“Everything will pay proper heed to social distancing, for both the audience and for our staff and performers,” says Robinson. “The seating capacity in The Round will vary from show to show but the socially distanced maximum will be 185.”
All the autumn and winter events will be added to the SJT website shortly; booking will open for Circle members from September 8 and for general sales from September 11.
To book, visit sjt.uk.com/whatson or call the box office on 01723 370541. The box office is open Thursdays to Saturdays, 11am to 4pm, for both phone calls and in-person bookings.
HULL Truck Theatre will reopen with the Hull Jazz Festival from November 12 and a seating capacity reduced to 20 to 30 per cent, but The Railway Children will not go ahead.
A statement from the Ferensway theatre announces: “The Hull Jazz Festival is a key part of our autumn season and we are really pleased that after eight months of closure, we are able to work with long-term partners J-Night to open the building with their exciting programme. Audience capacity will be smaller as we adhere to social distancing, but the programme and experience will still be the same great quality.”
York playwright Mike Kenny’s The Railway Children will be back on track in December 2021 after being de-railed from its 2020 Hull Truck Theatre Christmas run by the Covid curse
However, the theatre bosses have had to make the “difficult decision” to postpone the 2020 Christmas production of E Nesbit’s The Railway Children, scripted by York playwright Mike Kenny in a re-visit of his award-winning adaptation for York Theatre Royal at the National Railway Museum (2008/2009) and Waterloo Station, London (2010).
“The creation of one of our Christmas shows usually begins in August but without an announced date from the Government on when theatre performances can resume without social distancing, a show of this scale would not be economically viable,” the Hull Truck statement reads.
“The Railway Children will be postponed until Christmas 2021 and all tickets will be automatically transferred into the equivalent date, time and original seat selection. We will be contacting all customers with details of their ticket transfer and, with our reduced team, we ask that customers do not contact the box office at this time.”
The statement continues: “While we may not be able to do something in our auditorium on the scale of The Railway Children, we remain committed to creating magical Christmas experiences for our audiences and are delighted to announce we will be producing an alternative show for 2020.”
The new show will be a promenade production of Prince Charming’s Christmas Cracker that will enable audiences to enjoy a festive adventure within small groups and under social-distancing measures as they move through the theatre.
“We are very excited to have a reopening date,” says Hull Truck Theatre artistic director Mark Babych
What lies in store? Every year on Christmas Eve, Prince Charming – soon to be King and deluded Crooner – celebrates the festive season with an annual knees-up: the Christmas Cracker. This year, a big announcement is imminent and you are all invited.
Further details and on-sale dates for Hull Jazz Festival and Prince Charming’s Christmas Cracker will be announced in September, alongside up-to-date information on how Hull Truck is being made a safe place to visit within Government guidelines.
Announcements on the updated January to March 2021 season will be made later in the autumn, once Hull Truck has more information regarding social-distancing guidelines.
“We are dependent on Government advice on social distancing regarding the ability to stage productions and therefore whether they are financially viable,” the statement emphasises.
Artistic director Mark Babych and his joint chief executive officer, Janthi Mills-Ward, say: “We are very excited to have a reopening date to bring alive our wonderful theatre again. We will obviously be operating at a much-reduced capacity – 20 to 30 per cent – while social distancing is in place, which makes re-opening a difficult financial jigsaw of what and how we present work.
Truck on: Hull Truck Theatre’s main auditorium, reopening from November 12
“But with meticulous planning to ensure the theatre is a safe place and innovative ideas for a programme that is possible with social distancing, we look forward to sharing the joy of live theatre again.”
They continue: “Part of this will be doing Christmas differently this year, which presents lots of creative challenges for the Hull Truck team to work on together, as well as opportunities for freelance artists.
“Our vision is to create a joyful, fun and uplifting production that takes audiences on an exciting journey through the theatre and we are sure this show is going to be just what we all need to get us in the Christmas spirit after a difficult year!”
Please note, Hull Truck “asks for your patience and kindness at this time as the box-office team work to contact all customers who have booked for The Railway Children”.
Banding and bonding: The Sam Johnson Big Band and and a galaxy of York musical theatre stars recording Broadway Baby to raise funds for Theatre @41’s roof renovation
TWENTY-ONE singers, 22 musicians and even four cats have come together – remotely, you can never herd cats – to make a fundraising video for Theatre @41 Monkgate’s roof renovation.
Under the musical direction and arranging skills of pianist Sam Johnson, they have recorded a big-band version of Broadway Baby, marking the 90th birthday year of composer Stephen Sondheim.
The video combines the Sam Johnson Big Band with cast members from the York musical theatre scene and you can see them in full swing on YouTube at: https://www.youtube.com/watch?v=H6RcpRBJPwA
York band leader, tutor, composer, performer, producer and now video maker Sam says: “I put the video together, getting in touch with all the singers, after having put together four or five other videos with the Big Band. I thought it would be a good video to wrap them all up and to include such a large number of people together for the cause!
“I also noted that everyone in the video has benefited in some way from the Monkgate venue, whether it be through a performance or rehearsal.”
“It’s a good, brassy Broadway big-band number to mix the two ensembles together in the smoothest way possible,” says band leader Sam Johnson of Sondheim’s Broadway Baby
Explaining his choice of musical-theatre song, with its apposite Covid-era lyric of “Waiting for that one big chance to be in a show”, Sam says: “I went for Sondheim’s Broadway Baby song-wise as it’s from one of the shows I’ve enjoyed most working on at Monkgate when Pick Me Up Theatre staged Follies’ last year.
“It’s a good, brassy Broadway big-band number to mix the two ensembles together in the smoothest way possible!”
Welcoming the fundraising boost of Broadway Baby, Theatre @41 board secretary Jo Hird – whose “dressing up is better than my vocals” on the video – says: “With Theatre @41 closed, we’re trying to crack on with as much decorating and renovating as we can, so as not to disrupt shows when we’re allowed to reopen.
“One of the shows we had to postpone was Pick Me Up Theatre’s Sondheim 90: A Birthday Concert to celebrate the New York composer’s 90th birthday. How brilliant of Sam Johnson to put Broadway Baby together. It took a lot of coordinating.
Sam Johnson in rehearsal with his big band in pre-Covid days
“We’re really grateful to Sam for bringing this fundraiser to life because we need every penny we can get to repair our roof and keep our Monkgate building open.”
The cast taking part in the recording were: Susannah Baines; Emily Chattle; Emma-Louise Dickinson; Anna Hale; Iain Harvey; Sam Hird; Jo Hird; Darren Lumby; Sandy Nicholson; Adam Price; Emily Ramsden; Tracey Rea; Andrew Roberts; Rosy Rowley; Lauren Sheriston; Maggie Smales; Joanne Theaker; Dave Todd; Juliet Waters; Natalie Walker and Jennie Wogan.
Joining pianist, musical director and arranger Sam Johnson in the band were Katie Wood and Katie Maloney on alto sax; Richard Oakman and Stephen Donoghue on tenor sax; Nick Jones on baritone sax and a multitude of trumpet players, Connor McLean, Sam Rees, Charles Tomlinson, James Lolley, Daniel Dickson and Leo James Conroy.
So too did trombonists Anna Marshall, Lauren Ingham and Fliss Simpson; violinists Claire Jowett and Emily Jones, viola player Jess Douglas; cellist Lucy McLuckie; guitarist Tom Holmes; upright bassist Georgia Johnson and Andy Hayes on the drum kit.
Look out too for cameo appearances by a quartet of cats, Strummer, Misty, Paris and Bob.
A collage of Lisa Howard in the role of Cathy in Every Time A Bell Rings in Rowntree Park. Picture: Northedge Photography
REVIEW: Every Time A Bell Rings, Park Bench Theatre, Engine House Theatre, Friends Garden, Rowntree Park, York, until September 5 ****
SCARF, tick. Jumpers, tick. Hat, tick. Thick socks, tick. Rugs. Tick. Don’t you love preparing for a night’s outdoor theatre in the York summertime?
The day before, one family had stoically braved the rain to watch Cassie Vallance clowning around in Teddy Bears’ Picnic. They wanted to make a day of it, rather than a meal of it, such is the resilient nature of the British theatregoer.
Come Saturday night, all the audience for the premiere of Engine House Theatre artistic director Matt Aston’s lockdown monologue, Every Time A Bell Rings, had kitted out in attire more suited to Bonfire Night.
Actor Lisa Howard, luminary of Slung Low and Northern Broadsides productions, had her coat hood up too, as she walked to the park bench under the linden tree in a corner of the Friends Garden in Rowntree Park, while the audience headsets, tuned into a receiver, took them back to those early innocent days of Johnson and Trump not taking Coronavirus seriously with statements that now sound hauntingly crass.
Matt Aston: artistic director of Engine House Theatre and Park Bench Theatre and writer-in-lockdown of Every Time A Bell Rings. Picture: Livy Potter
Howard is playing Cathy; the day is Easter Sunday, April 12 2020, in the grave first month of the pandemic lockdown. Cathy has been in isolation; her husband has Covid; he insists she quarantines for 14 days, not the mandatory seven at the time; an alarm bell for what is to follow. She has been outside only to join in the Thursday night clapping-and-cheering ritual for the NHS and key workers.
This is the first time Cathy has left the house, to take up her favourite park bench seat in her favourite park, Rowntree Park (she lives nearby off Bishopthorpe Road).
She is quietly spoken, contemplative, on edge, addressing the audience like one of the episodes of Alan Bennett’s newly revived Talking Heads as she seeks solace. She recalls the minutiae of the early days of lockdown: one hour’s exercise day; the heightened awareness of birdsong; the way people started saying hello to each other in the street; the striped Barnacle geese joining the Canada geese regulars in Rowntree Park.
So far, so familiar, her sentiments, her darkly humorous observations, no different from those of countless others, but it as if the tentative Cathy is gaining the confidence to reveal more, to peel back the poignant, disturbing layers, once the audience is warmed up (proverbially speaking, not in reality as the wind has started picking up).
Director Tom Bellerby in rehearsal for Park Bench Theatre’s Every Time A Bell Rings. Picture: Northedge Photography
Here the high-quality craft of writer, actor and director Tom Bellerby alike shines through: Every Time A Bell Ring’s revelations grow ever more shattering, and it would be wrong to reveal the last.
Suffice to say that death hangs heavy over Cathy’s story: the sudden loss of her beloved first husband; likewise, the passing of her treasured daughter in the past year. Howard shows mastery of text and emotion, never over-stated and all the more impactful for its realism, her grief contained but ever present.
Drip, drip, drip – Aston’s very words – we learn of Cathy’s second husband controlling her, not through physical abuse, but barbed words. Gaslighting, in other words.
Deep in thought: Lisa Howard’s Cathy on her favourite bench in her favourite park in Park Bench Theatre’s premiere of Every Time A Bell Rings. Picture: Northedge Photography
The ever-darkening Every Time A Bell Rings is the third of three Park Bench Theatre storytelling productions – after Samuel Beckett’s First Love and Teddy Bears’ Picnic – to open in August, marking the return of live theatre in York, glory be.
Aston and his team, together with Friends of Rowntree Park and the City of York Council, are to be thanked for a summer season of diversity, imagination, vision and no little courage. A season that has been Covid-secure, socially distanced, but still social and intimate, the latter courtesy of the headsets.
Whatever uncertainty lies ahead for theatres still stymied in the dark over autumn, winter and beyond, let us hope that Park Bench Theatre can return next summer, the park benchmark set high from all three shows this season.
Tickets for the 7pm evening performances and 4pm Saturday matinee are on sale at tickets.yorktheatreroyal.co.uk.
Mick Taylor, York Shakespeare Project’s director for Sit-down Sonnets, aptly takes a seat for last Saturday’s rehearsal at the Rowntree Park amphitheatre
YORK’S purveyors of Shakespeare’s Sonnet Walks are staging a sit-down, but not as an act of protest.
Instead, the mood will be celebratory as York Shakespeare Project present a special production of Shakespeare’s sonnets from Friday, allowing audiences to enjoy live theatre outdoors.
YSP’s Sit-down Sonnets can be seen at the Holy Trinity churchyard, in Goodramgate, where the 45-minute production will feature Shakespearean characters responding to the pandemic, each sharing a famous Shakespeare sonnet as part of their monologue.
“The conceit this time is that the sonneteers are well-known Shakespeare characters in the present day, coping as best they can with lockdown,” says producer Maurice Crichton. “In what is now time-honoured fashion, each has a sonnet to tee up, the pairing of character and sonnet hopefully opening up some unknown sonnets in an accessible way and giving some well-known ones a new angle.
York Shakespeare Project cast members Shirley Williams, left, and Di Starr performing Shakespeare’s Sonnet Walks in 2019 in the churchyard at Holy Trinity, Goodramgate, where Sit-down Sonnets will open on Friday
“Thinking of some of the characters I’ve played, I wondered how might they each be placed? Ulysses is no longer troubled that Achilles won’t come out of his tent because all the Greeks are stuck under canvas waiting for the latest R number estimates.
“Claudius is annoyed he’s had to postpone his marriage to Gertrude but is relieved there are no trains home from Wittenburg for Hamlet to catch; Feste can’t sing in public, so he’s planning an online concert from a willow cabin he’s constructing at Olivia’s gate…It’s a fun game to play and not just with Shakespeare.”
Conceived and directed by Mick Taylor and produced by Crichton, the sonnets show will be performed by Frank Brogan; Nigel Evans; Emily Hansen; Sue Harris; Margaret Hillier; Judith Ireland; Emilie Knight; Mick Liversidge; Phyllis Carson-Smith; Di Starr; Mick Taylor himself and Helen Wilson, “sharpening up her Miss Jean Brodie act”.
As to who they will play, Maurice teases: “We are being coy about which Shakespeare characters you will see…but Mick has had some fun pulling a script together.”
Note the face mask: York Shakespeare Project’s topical poster for September’s Sit-down Sonnets
For the past few years, the York community theatre company has produced Sonnet Walks, a guided walk around York where the audience meets a range of connected characters with a story to tell and a Shakespearean sonnet to share.
Now comes the sit-down variation, under Taylor’s direction. “Like everyone involved with theatre, we’ve missed being able to enjoy and take part in live performance,” he says. “Having staged the Sonnet Walks previously, we knew that, as a format, it could be adapted in a way that would allow us to perform to a seated audience outdoors. And Holy Trinity is a beautiful place to do it: a leafy sanctuary in the centre of the city.”
Explaining the 2020 format, Mick says: “In these Sit-down Sonnets, we’ve taken some of Shakespeare’s most memorable characters and written new monologues for them as they find themselves in the middle of this pandemic.
“How might things have turned out for them if they’d been stuck in lockdown? How can Brutus get near to Caesar to put his knife in when all the senate meetings are on Zoom? Where can Romeo get his fateful poison if the apothecary’s on furlough? And how much hand sanitiser will Lady Macbeth get through? They’ll share their thoughts on a world of lockdowns, masks and social distancing, along with a sonnet that reflects their feelings.”
How prescient: York Shakespeare Project founder Frank Brogan predicts the end of the world in last summer’s Shakespeare’s Sonnet Walks. Cue Covid-19…
Making an historical link, Mick points out: “Shakespeare himself was no stranger to the impact a pandemic can have on theatre. Between 1603 and 1613, the theatres were closed for a total of six and a half years. Thankfully, we can return in performances like this a little sooner!”
York Shakespeare Project were just over a week away from the opening night for their spring production of Macbeth when lockdown began in late-March, stalling the 20-year mission to produce all of Shakespeare’s known plays by 2021 on the home straight, when only two big hitters, Macbeth and The Tempest, were left to perform.
Committee member Tony Froud says: “We were obviously very disappointed to have to postpone Macbeth and, like other companies, we are waiting to see how and when indoor live performance can safely return before deciding when we can prepare to stage the plays again.
“That’s why we’re so pleased to be able to perform Shakespeare in front of an audience in this way. Mick and Maurice have done a tremendous job in a short amount of time to prepare a production that audiences can enjoy safely and that brings the beauty of the sonnets to life in new ways.
Take a seat: York Shakespeare Project’s Sit-down Sonnets cast members listen to director Mick Taylor, fourth from right, when rehearsing in Rowntree Park, York, last weekend
“We hope that people will be able to join us for what should be a fun and unique performance, and a long-overdue chance to watch live theatre.”
YSP pass on their thanks to the Churches Conservation Trust and the volunteers at Holy Trinity Church, Goodramgate, for accommodating Sit-Down Sonnets this summer.
“We looked at Dean’s Park and the Museum Gardens but in both cases that would have involved opening late specially for us,” says Maurice. “Last year, Ed van der Molen at Holy Trinity Church was very responsive to our idea of bringing our Sonnet Walks through the churchyard and this year even more so: he could not have been more welcoming.
“The review in The Press last year said: ‘What can be more lovely than a marriage of Shakespeare’s golden verse and York’s heritage’. Holy Trinity is a jewel in York’s heritage and its churchyard a haven in the city centre. It was our first choice for trying out this new format.”
Frank Brogan in rehearsal for the Sit-down Sonnets
The Covid-secure Sit-down Sonnets will be presented from September 4 to 12 (except September 7) at 5.45pm and 7pm nightly, bolstered each Saturday by a 4.15pm matinee.
“The audience capacity is ten social bubbles or 20 souls, whichever maximum we reach first,” says Maurice. “We don’t really know how it will feel to have a static show rather than a walk, but the sonnets will come thicker and faster and it will be colder, so dress warmly.
“There are five park benches in the churchyard, which we will be using, so a cushion would be a useful thing to bring, as would a rug and a camp chair. Maybe a flask and a packet of biscuits too.
“We’re delighted to see that the latest weather forecast for this week’s opening performances is: Friday, 16C, 5% chance of rain, 11mph breeze; Saturday, 15C, 6% chance of rain, 9mph breeze.”
Tickets are available at yorktheatreroyal.co.uk, priced at £7 for adults, £4 for 14-17 year olds, and two under-14s may accompany each adult for free. To find out more about dates, tickets and the production, go to: yorkshakespeareproject.org.
The Hills are alive with the joy of dancing for the #goggledance Scarborough project
THE #goggledance Scarborough series of short films showcasing Scarborough residents’ dance moves will be available to view from next week.
Made by the Stephen Joseph Theatre in a co-production with dance theatre company Voxed, the films feature people from around the East Coast resort watching, commenting on and joining in with freelance professional dancer Alethia Antonia as she gives bespoke performances outside their houses.
The results are “uplifting, inspiring and occasionally hilarious”, says Alethia, who loves experimenting with different styles and sharing her passion for movement through improvisation and performance.
Dancing in the street: Professional dancer Alethia Antonia doing one of her “bespoke performances” for Eastfield residents in Scarborough
The project was developed by choreographer, director and movement director Wayne Parsons, Voxed’s founder and artistic director, who says: “We spent a brilliant day filming with residents in Eastfield and other areas of Scarborough.
“Everyone involved really got into the spirit of it. As one participant put it: ‘We all need a little D.I.S.C.O in our lives’!”
SJT creative producer Amy Fisher says: “This was our first live performance since March and it was brilliant to see families enjoying it together and joining in. It felt really special to be able to perform it on their home turf – or pavement! – as a way of engaging with the community.”
Busting a move: The Flintoff family reach for the ceiling in the #goggledance Scarborough film project
Made by James Williams, the films are narrated by self-proclaimed “Irish loudmouth” Sarah Blanc, whose show My Feminist Boner was a hit at the SJT pre-lockdown.
Films will be released at 5pm each Friday for five weeks from September 4 on the Voxed and SJT Twitter, Instagram, Facebook and YouTube accounts.
Did you know?
VOXED are an associate company of the Stephen Joseph Theatre, creating work that, at its heart, is all about storytelling, aiming to bring people together through the shared experience of dance. Whether in their indoor or outdoor work or participation projects, Voxed seek to reflect the world we live in and the stories we share.
Sarah Blanc: Narrator for the #goggledance Scarborough short films, here starring in her show My Feminist Boner at the Stephen Joseph Theatre earlier this year. Picture: Roswitha Chesher
A new Arcade in town: directors Sophie Drury-Bradey, left, and Rach Drew launch community producing company in Scarborough. Picture: Stewart Baxter
THE Stephen Joseph Theatre is joining forces with Arcade, Scarborough’s new community producing company run by ex-York Mediale leading light Rach Drew and Sophie Drury-Bradey.
The long-established SJT will be sharing its skills, experience and expertise with its latest associate company while learning fresh approaches from the duo as part of its ongoing programme of new creative partnerships.
Arcade joins theatre companies Box Of Tricks, The Faction and Voxed in the coterie of associate companies.
Arcade and the SJT share the outlook that “everyone is creative and culture belongs to everyone”. Led by Drew and Drury-Bradey, Arcade “ aims to make incredible cultural experiences happen with artists and communities, to support communities to develop creativity and ideas and to collaborate to make community-led change happen using the arts, through creative projects, workshops, shows, festivals and events in Scarborough and across the UK”.
The first joint project will be Scarborough Stories, targeted at anyone who has a story they want to tell or is angry or passionate about an issue or challenge in their life or community. Running from April 2021 to March 2022, it will culminate in a site-specific show in the town centre.
Sophie says: “We can’t wait to work with the SJT to make some extraordinary community-led projects and shows happen. We’ll be asking our local community what they want and also supporting both local and national artists to work within the town and borough.
“Absolutely delighted”: Stephen Joseph Theatre artistic director Paul Robinson
“We’ll aim to work in partnership, growing Arcade and the SJT’s relationships with other brilliant local organisations, such as Scarborough Museums Trust, CaVCA and others.”
Paul Robinson, the SJT’s artistic director, says: “We’re absolutely delighted to welcome Arcade as the latest of our associate companies. They’ll bring fresh new perspectives to our busy programme of community work.”
Rach Drew was formerly executive director of York Mediale, whose first £1.3m international arts festival – the largest media arts festival in Britain – was held in October 2018.
Prior to this, she managed York’s large-scale autumn light festival, Illuminating York. Originally trained as a theatre director, Rach has enjoyed a varied career, from founding her own youth theatre to collaborating with communities in museums and creating exhibitions for local artists.
Sophie Drury-Bradey was previously senior producer at Battersea Arts Centre, in London, for eight years. She has 15 years’ experience in producing, programming, participation and project management and a track record for supporting talent development and the realisation of new and ambitious projects, such as the award-winning show Brand New Ancients by Kate Tempest [now Kae Tempest] and Touretteshero’s Broadcast From Biscuitland for live TV broadcast on BBC4.
Benched: Lisa Howard as grief-stricken Cathy, coming out of isolation on Easter Sunday 2020 in Matt Aston’s lockdown play, Every Time A Bell Rings, presented by Park Bench Theatre. Picture: Northedge Photography
A BANK Holiday on Monday, the return to schools drawing ever closer, masked or unmasked, the summer calendar is speeding by.
Make the most of the outdoors before the crepuscular Covid uncertainty of autumn and beyond arrives for theatres, concert halls and gig venues alike.
Charles Hutchinson pops outside, then quickly head back indoors in the rain with these recommendations.
Comedy for your living room…from theirs: Your Place Comedy presents Paul Sinha and Angela Barnes, Sunday, 8pm
Paul Sinha and Angela Barnes: The stream team for Your Place Comedy, performing in their living rooms on Sunday night
YORKSHIRE virtual comedy project Your Place Comedy returns after a summer break to deliver a second series of live streamed shows over the next three months, re-starting with The Chase star Paul Sinha and BBC Radio 4 News Quiz guest host Angela Barnes this weekend.
Corralled by Selby Town Council arts officer Chris Jones, ten small, independent theatres and arts centres from God’s Own Country and the Humber are coming together again, amid continued unease for the industry, to provide entertainment from national touring acts.
Sunday’s show will be broadcast live to viewers’ homes for free, with full details on how to watch on YouTube and Twitch at yourplacecomedy.co.uk. “As before, viewers will have an option to make a donation to the venues if they have enjoyed the broadcast,” says Chris.
Mucking around: Cassie Vallance enjoying herself in Teddy Bears’ Picnic in the Friends’ Garden, Rowntree Park, York. Picture: Northedge Photography
Garden theatre part three: Park Bench Theatre in Every Time A Bell Rings, Friends Garden, Rowntree Park, York, until September 5
SAMUEL Beckett’s First Love has left the bench for good. Children’s show Teddy Bears’ Picnic, starring Cassie Vallance, resumes daytime residence from today. From this week, the premiere of Engine House Theatre artistic director Matt Aston’s lockdown monologue Every Time A Bell Rings occupies the same bench on evenings until September 5.
Performed by Slung Low and Northern Broadsides regular Lisa Howard and directed by Tom Bellerby on his return to York from London, Aston’s 50-minute play is set in Lockdown on Easter Sunday 2020, when isolated, grief-stricken Cathy searches for solace on her favourite park bench in her favourite park in this funny and poignant look at how the world is changing through these extraordinary times.
Tickets for performances in the Covid-secure Friends Garden must be bought in advance at parkbenchtheatre.com or yorktheatreroyal.co.uk. Bring picnics, blankets and headphones to tune in to shows delivered on receivers.
Decked out: Hannah Sibai’s design for the Pop-Up On The Patio festival at York Theatre Royal
Deckchairs will be provided: Pop-Up On The Patio, week three at York Theatre Royal, August 28 and 29
YORK Theatre Royal’s Covid-secure summer festival of outdoor performances on Hannah Sibai’s terrace stage climaxes with five more shows, three tomorrow, two on Saturday.
First up, tomorrow at 4pm, is York company Cosmic Collective Theatre’s cult show Heaven’s Gate, an intergalactic pitch-black comedy starring satirical writer Joe Feeney, Anna Soden, Lewes Roberts and Kate Cresswell as they imagine the final hour of four fictionalised members of a real-life UFO-theistic group.
York performance poet Henry Raby puts the word into sword to slice up the past decade in Apps & Austerity at 6.30pm; Say Owt, the York outlet for slam poets, word-weavers and “gobheads”, follows at 8pm. On Saturday, York magician, juggler and children’s entertainer Josh Benson is unstoppable in Just Josh at 1pm before York pop, soul and blues singer Jess Gardham closes up the patio at 4pm.
Jo Walton: Rust on show at Pyramid Gallery
York exhibition of the week and beyond: Jo Walton, Paintings and Rust Prints, Pyramid Gallery, Stonegate, York, until September 30
YORK artist Jo Walton uses rust and rusted metal sheet in innovative ways to create her artworks. Iron filings are applied as ‘paint’ and as they rust, reactions occur, resulting in every painting being unique and unrepeatable.
“Jo’s work is abstract, inspired by horizons,” says Pyramid Gallery owner Terry Brett. “Her work features enhanced rust-prints on plaster surfaces, combinations of rusted sheet metal with oil painting and painting seascapes on gold-metal leaf.”
The poster for Christopher Nolan’s Tenet
First blockbuster of the summer…at last: Christopher Nolan’s Tenet, at York cinemas
THE wait is over. This summer has been more blankbuster than blockbuster, thanks to the stultifying impact of the Covid lockdown and the big film companies’ reluctance to take a chance on a major release in the slow-burn, socially distanced reopening of cinemas.
Step forward Christopher Nolan, director of Memento, Inception, three Dark Knight/Batman movies and Dunkirk to grasp the nettle by releasing the 151-minute psychological thriller/action movie Tenet.
John David Washington (yes, Denzel’s son), Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine and Kenneth Branagh ride a rollercoaster plot that follows a secret agent who must manipulate time in order to prevent the Third World War. Apparently, Tenet is a “film to feel, not necessarily understand”, like a Scarborough fairground ride, then.
Bella Gaffney expresses her enthusiasm for taking part in Songs Under Skies in the National Centre for Early Music churchyard garden
Double bills galore outside a church: Songs Under Skies, National Centre for Early Music, St Margaret’s Church, Walmgate, York, between September 2 and 17
SONGS Under Skies will bring together the National Centre for Early Music, The Crescent, The Fulford Arms and the Music Venues Alliance for an open-air series of acoustic concerts next month in York.
Dates for the diary are: September 2, Amy May Ellis and Luke Saxton; September 3, Dan Webster and Bella Gaffney; September 9, Kitty VR and Boss Caine; September 10, Wolf Solent and Rosalind; September 16, Polly Bolton and Henry Parker; September 17, Elkyn and Fawn.
Gates will open at the NCEM’s Walmgate home, St Margaret’s Church, at 6.30pm for each 7pm start; acts will perform either side of a 30-minute interval with a finishing time of 8.30pm.
The artwork for the new album by perennial York Barbican favourites The Waterboys
And what about…
Discovering The Waterboys’ new album, Good Luck, Seeker, Mike Scott’s latest soulful blast, met with universal thumbs-up reviews. Or bunking down with 1981 Ashes-winning captain turned psychoanalyst Mike Brearley’s new book for the end of summer, Spirit Of Cricket.
Kate Bramley: Badapple Theatre artistic director is looking to launch two autumn shows, one outdoors, the other indoors
WANTED! Badapple Theatre, the Green Hammerton company that takes shows to your doorstep, needs your urgent help to secure funding for two autumn projects.
Urgent really does mean urgent, as company founder and artistic director Kate Bramley explains: “We’ve just been offered a new grant from Arts Council England to cover our interim work between now and December 2020. They have set a deadline of Monday, August 31 for us to have six outdoor performances and six film events confirmed, so please do get in touch as soon as possible if you would like to be included.”
To put flesh on those bones: “As part of that, we’re looking to find a small number of outdoor spaces that would be willing to host a performance of Danny Mellor’s new play, Suffer Fools Gladly, between September 16 and 23,” says Kate, who commissioned Danny in the spring to write the piece for Badapple’s Lockdown Podcast series.
“It’s an extremely inventive and witty short comedy that at its core simply looks at the perils and perks if you had to tell the truth…all the time!” says Kate.
“Appealing to young and old audiences alike, this upbeat tale narrates the comic fall from grace of Ozzy, the court jester who is exiled from the magical kingdom of Marillion. It takes an unlikely friendship with a cynical 17-year old Earth girl, Stevie, to bring the joy back to both of their worlds.
Danny Mellor: Actor and writer for Badapple Theatre’s September play, Suffer Fools Gladly
“Danny’s play has a hint of political comment for the times but is really just meant to be a fun hour of upbeat storytelling to give people a bit of a lift.”
Danny has signed up to perform in next month’s mini-tour with Anastasia Berham, his co-star in last year’s Badapple Christmas show, Bramley’s warming winter play The Snow Dancer.
“They’re two great young actors who’ll be taking on the many voices and parts in a show with costume and puppetry design by Catherine Dawn,” says Kate, who will co-direct next month’s production. “So, I’m now hoping to find a few hosts/ venues – we need six in mid-September – to make it work and we’re moving swiftly to do this.”
Badapple’s second putative autumn project has been prompted by an “overwhelming response from halls” [village and community halls] to a survey, expressing an interest in high-quality filmed versions of theatre shows.
“We’re looking at late October to early November for bookings for film-live screenings of Eddie And The Gold Tops,” reveals Kate. “To this end, we are again seeking a minimum of six venues to take part.
Last Christmas: Danny Mellor and Anastasia Berham in Badapple Theatre’s 2019 tour of The Snow Dancer. Picture: Karl Andre
“When we started looking for the ultimate ‘feel-good’ show from the Badapple back catalogue, there was no contest! Eddie And The Gold Tops is our 1960s’ comedy about the unexpected and meteoric rise to stardom of Eddie, the local Bottledale milkman.
“With award-winning design by Charlie Cridlan and catchy and comic 1960s-style songs from our Sony Award-winning resident composer Jez Lowe, this show has delighted our audiences since 2012.”
In the Eddie And The Gold Tops storyline, Eddie inherited the family milk round from his father and has fulfilled his deathbed promise to never miss a delivery to the good people of Bottledale. Suddenly things are on the up: his songs are heading up the charts and if he can turn up by tonight, he will be on Top Of The Pops…so, get ready, Eddie, go! When things take a churn for the worse, however, will he arrive back in time for the morning milk round?
“Arts Council England have accepted our programme to make Eddie And The Gold Tops the first of these live-film featured events,” says Kate. “Our ambition is to create a new style of filmed performance – the ‘hybrid-live’ – that captures the energy, theatricality and immediacy of our live theatre shows while providing a quality of filmed entertainment that modern audiences have come to expect.
“The filmed show will feature a cast of three versatile performers leaping swiftly through a multitude of roles and songs, for audiences of all ages to tap their feet and laugh along to. We’re therefore looking for a small number of organisers to screen these pilot Theatre Film Night performances for socially distanced audiences at indoor venues in late October. Even better, make it a Sixties’ themed night with fancy dress and Bring Your Own.”
Anastasia Berham: Signed up to co-star with Danny Mellor in Suffer Fools Gladly
Summing up Badapple’s aims in an open letter headlined “Badapple Theatre: To Boldy Go… “, administrator and company director Claire Jeffrey says: “As you all know, the Coronavirus pandemic has meant the closure of all live events for a prolonged period and we are hoping to now work in partnership with Arts Council England to safely deliver a small number of live events between September 2020 and January 2021.
“Our project ambition is simply to offer a series of pure feel-good events that are open to all ages and are just about local people having the confidence to gather safely with friends and neighbours at our ultra-small-scale Theatre On Your Doorstep events.
“We will, of course, be preparing a full Covid-19 risk assessment in line with Government guidelines for both of these projects that have been specifically designed to build audience confidence for live events by offering reduced capacity/ socially distanced showings.”
Claire’s letter concludes: “We would be delighted to answer any questions that you may have about the details, including finances and being Covid-19 safe. I’m working from home at the moment and can be reached on 01423 331304 or by email to clairebadappletheatre@gmail.com if you have any questions or wish to talk anything through.”
Hurry, hurry, with that phone call or email as Badapple need six of the best twice over…venues, that is. “We have to get them confirmed for Eddie And The Gold Tops before we can get the money to do the filming,” urges Claire.
The poster for Badapple Theatre’s first tour of Eddie And The Gold Tops, or Eddie & The Gold Tops as it was billed in 2012
Emily Ramsden, left, Joanne Theaker and May Tether performing at the Rowntree Theatre Amphitheatre in York on Sunday night. Pictures: Jess Main
REVIEW: York Stage Musicals At Rowntree Park, Rowntree Park Amphitheatre, York, tonight and tomorrow, 7.30pm. Tickets update: Sold out.
NIK Briggs and Jessica Douglas were “so sick of bad news about the arts”, the York Stage Musicals duo decided they had to “do a thing…anything”.
Three weeks later, the director and musical director are staging three nights of open-air, socially distanced, family-favourite concerts of musical-movie hits at the Rowntree Park Amphitheatre in YMS’s first ever outdoor show.
The three-night run that began last night sold out within a week. Quick work all round, not least by Adam Moore’s Tech 247, who set up the stage in only two hours yesterday afternoon.
Richard Upton stands out front in Sunday’s concert
“A huge thank you to our audience tonight!” tweeted producer Briggs afterwards. “We loved performing for you!!”
They did indeed. Emily Ramsden, Ashley Standland, May Tether, Joanna Theaker, Richard Upton and late addition Conor Mellor, professional performers all, with York Stage credits to their name, could not have looked more glad to be back on a stage when theatres remain in the dark but thankfully outdoor shows are on the rise.
Tonight and tomorrow, the singing six will take to the blow-up polytunnel stage again, attired in black, cocktail party dresses on one side, suits on the other, Upton and Standland in white shirts, Mellor more informal in a black T-shirt.
Joanne Theaker in the solo spotlight
Picnicking audience members sit in Covid-secure designated bubbles, arranged in a crescent on the grass hillside opposite the bandstand stage that could, indeed should, be used more often each York summer.
As evening turns to night over the unbroken 100-minute span of the concert, the light show within the tubing matches the songs’ subjects and moods, while also picking out keyboardist Douglas’s fellow musicians: drummer Andy Hayes, guitarist Neil Morgan, bassist Rosie Morris and keyboard player Sam Johnson.
Songs from Hairspray, Grease, Cats, Cabaret, West Side Story and The Greatest Showman are to the fore, and a selection on the theme of Green is particularly inspired. Likewise, the teasing introduction seeking a diva to sing Hopelessly Devoted You that settles on…Conor Mellor, who should have been away at sea this month, after returning to York from his Caribbean cruise-ship shows in April, but is still grounded by the pandemic.
As darkness descends, Emily Ramsden, left, Ashley Standland, May Tether, Richard Upton, Joanne Theaker and Conor Mellor bring Sunday’s concert to a close
Highlights are many, from Ramsden’s All That Jazz and Saving All My Love For You to Tether’s Memory and Theaker’s Cabaret; Upton’s Luck Be A Lady to Tether and Standland’s Summer Nights. Mellor hits the heights in Kinky Boots’ Soul Of A Man, while Upton and Theaker’s Elephant Love Medley, from Moulin Rouge, is the fast-moving arrangement of the night.
How else could the show end but with Dirty Dancing’s uplifting I’ve Had The Time Of My Life, although social distancing ruled out any attempt at the film’s infamous climactic lift.
If Covid-19’s social-distancing requirements have reinforced the suitability of the Rowntree Park Amphitheatre for open-air shows, then at least something good has come out of these killjoy times for the York musical theatre and live music scene.
Conor Mellor, back home in Bishopthorpe from the Caribbean, wins the Best Socks In Show award while singing Soul Of A Man
Delighted by the response of singers, musicians and audiences alike to these Rowntree Park shows, Briggs says: “It’s just been overwhelming. I knew us ‘Theatre Crew’ who work in it were desperate to get back, but we didn’t appreciate how much it meant to our audiences!! Here’s to Bravery going forward. Give us a space and York Stage will get a show on.”
Alas, that show will not be September’s Covid-scuppered production of Kinky Boots, but in mentioning “Bravery”, Briggs is echoing the sentiments of one of last night’s outstanding numbers, This Is Me from The Greatest Showman. “I am brave, I am bruised…And I’m marching on to the drum I beat, I’m not scared to be seen, I make no apologies, this is me,” the lyrics assert.
Such positivity, in the face of understandable Covid fear, is the way forward, step by step, drum beat by drum beat, for deeply bruised live entertainment. Not recklessness, no-one would suggest such a course so irresponsibly, but a combination of ambition and practicality, as shown by Briggs and Douglas.
York Stage Musicals producer/director Nik Briggs and musical director Jess Douglas
