YORK Theatre Royal’s 2018 co-production of Alan Bennett’s The Habit Of Art has been made available to stream by OriginalTheatre Online.
Directed by Philip Franks, a second British tour was due to start this month with Matthew Kelly and David Yelland reprising their roles of poet W H Auden and composer Benjamin Britten.
However, both the tour and a trip to New York for the Brits Off Broadway have been scrapped after the Coronavirus pandemic lockdown.
In turn, this has prompted The Original Theatre Company, the Theatre Royal’s co-producers, to release the production online.
Leeds playwright Bennett’s The Habit Of Art imagines a 1972 meeting between friends and collaborators Auden and Britten – their first in 30 years – where they mull over life, art, sexuality and death.
What drew Matthew Kelly to playing York-born Auden? “He has a razor-sharp wit and we have a very similar outlook about work which is the habit of art. I am the same,” he says.
“I have to keep working – I’m nearly 70 [his birthday falls on May 9] – not because I need the money, but because the theory comes into play that the longer you hang on, the longer you will hang on. Otherwise you fall off the perch.”
The Habit Of Art requires Kelly to play an actor playing an actor playing a real-life person. If this sounds confusing, “No, it actually clarifies things,” says Kelly, clarifying things.
“It’s a very clever device because it means you can be funny about what you do, you can comment on it and you can explain stuff. You can come out of the play Caliban’s Day, which the actors are rehearsing, and then it’s a play about the fictional meeting of Auden and Britten.
“What’s wonderful about Bennett’s play is, not only have you got the finest composer of our time and the finest poet of our time, but you also, in my opinion, have the greatest playwright of our time.”
Kelly continues: “So, you’ve got all those words being sewn together by our greatest playwright, who’s kind, accessible, very erudite and talks about sex in a very earthy way.
“He also gives a voice to the unregarded, who don’t usually have a voice. Generally, the great people, the stars of our time, get the final word and the people who look after them, what are commonly called ‘the little people’, really don’t get any say at all. They are the forgotten heroes who nurtured these stars.”
Former Stars In Their Eyes presenter Kelly completed a hattrick of Bennett roles with The Habit Of Art, having appeared as unconventional teacher Hector in The History Boys in 2013 and Czech author Franz Kafka in Kafka’s Dick, opposite his son Matthew Rixon, as a younger Kafka, at York Theatre Royal in March 2001.
“We were hoping Alan Bennett would come to York because he lives in Leeds and it’s only a hop and a skip away, but he didn’t come,” recalls Kelly.
“A couple of years later, I met him at Heathrow and he came up to me and apologised for not coming to the York production. He was terribly kind about it. “Years later, I did The History Boys in Sheffield, then Kafka’s Dick again in Bath. On both those shows he sent champagne and a Good Luck postcard.
“He always knows what’s going on and he’s terribly kind and encouraging, which I love. The great thing about Alan is he’s very supportive of all productions, although he doesn’t go and see them.”
Original Theatre Online is streaming a second touring production too: Ali Milles’s The Croft, starring Gwen Taylor and again directed by Franks. Both that show and The Habit Of Art can be streamed any time until June.
Alastair Whatley, artistic director of The Original Theatre Company, says: “We know how disappointing it has been to our audiences, cast, creatives and Original Theatre to have to close our shows. We are thrilled to be able to share these brilliant shows digitally: our own theatre without walls.
“However, the Original Theatre Company operates with no Arts Council support and relies almost solely on the box-office takings. With our two productions of The Habit Of Art and The Croft both out on national tours, the immediate cancellations are financially devastating for us.
“But we are determined, wherever possible, to meet our financial commitments made to our actors, stage managers and suppliers, who are all dependent on us to survive the coming months.
“Every penny we make through this online release will go to the people who helped make this show, who now find themselves in a hugely precarious financial position.”
Both plays are free to watch although The Original Theatre suggests a minimum donation of £2.50.
For full streaming details, visit originaltheatreonline.com.
