Crowdfunder appeal launched by York director for The Wedding Present musical

David Gedge: Creative consultant for a new musical based around his songs for The Wedding Present

DO you have a gift for a Wedding Present project?

To explain, a crowdfunder campaign is being launched to support the creation of a musical based on the songs of David Gedge’s “semi-legendary“ Leeds group and John Peel favourites, The Wedding Present…with “some brand new material” from Gedge too.

The driving force behind Reception, The Wedding Present Musical, is York writer, theatre director and Engine House Theatre artistic director Matt Aston, fresh from mounting this summer’s season of Park Bench Theatre monologues in the Friends Garden at Rowntree Park.

Gedge, who turned 60 in April, will be the creative consultant for a show that will incorporate his songs for both The Wedding Present and Cinerama, plus the aforementioned new material, targeting 2022 for a Leeds premiere.

The crowdfunder campaign “gives fans the opportunity to get involved at the very beginning of an exciting journey – and pick up a bunch of specially commissioned artwork and merchandise, only available here, in doing so”.

Matt Aston: Artistic director of this summer’s Park Bench Theatre season at Rowntree Park, York, now working on a musical play inspired by his favourite band The Wedding Present. Picture: Livy Potter

Reception is the story of a group of friends from Leeds University who keep in touch over two decades of trials, tribulations, and receptions. Their stories are rooted in Gedge’s songs and the title is inspired by the name of The Wedding Present’s original record label, Reception Records.

The idea of doing such a musical has been brewing for writer/director Aston for several years. When he met Tony Ereira, director of the Come Play With Me and Clue Records record labels – where else but at a Wedding Present gig, in Leeds in early 2019 – the concept was batted around still futher.

The concept of the play started to take shape, with the documentary nature of Gedge’s candid, darkly humorous song-writing in the never-ending minefield of love and loss, lovers and losers, longing and lost opportunity suited to transferring those anguished stories and their quotidian protagonists on to the stage.

As Gedge himself said in Gigslutz on August 24 2015: “I’m interested in the minutiae of relationships. I like to write about what actually happens, rather than some imaginary situation cloaked in metaphor, hence the references to the everyday, though I have been known to decorate the songs with science fiction or comic book references!”

“I first saw The Wedding Present in Derby in 1988, so you could say this musical is over 30 years in the making,” says Matt. “I’ll always be grateful to my older brother and his mates for taking his little 15-year-old brother to his first ever gig.

Writer-director Matt Aston in a Wedding Present T-shirt in rehearsals with actor Chris Hannon for Park Bench Theatre’s production of Samuel Beckett’s First Love. Picture: Northedge Photography

“I got a T-shirt, a set of badges and a nosebleed. Not to mention a new favourite band. I’ve always felt there was something very theatrical about David’s songs. The storytelling, the arrangements, the anguish.

“And, as proven with Cinerama’s re-recording of The Wedding Present’s Valentina album, they have the flexibility to be arranged in a number of different, epic and dramatic ways. Although the show will, of course, still have plenty of fast guitars too!”

Aston and Ereira put the idea to Gedge, along with an early synopsis for the story, and, never one to shy away from a new medium to present his work, Gedge was equally excited to explore the idea further.

“With this crowdfunder campaign, we are looking to raise initial funding to get a first draft of the script written, some artwork and branding in place, and to start preparing for a period of research and development in early 2021 to road test our ideas – Covid-19 permitting – with a group of actors/musicians and some brand new material from David,” says Matt.

“The intention is to be in a position to premiere the musical in Leeds in 2022  – and this campaign is a chance for fans to get involved from the beginning with a bunch of rewards that are all exclusive to this production, including specially commissioned artwork from Lee Thacker,  illustrator of David’s autobiography, Tales From The Wedding Present.”

To support the project, go to: https://www.crowdfunder.co.uk/reception-the-musical

More Things To Do in and around York and at home, as opposed to a “social gathering” for the joy of six. List No 14, from The Press

Helen Wilson in a damned spot of Scottish bother in York Shakespeare Project’s Sit-down Sonnets at Holy Trinity churchyard, Goodramgate, York. Picture: John Saunders

MUSICAL theatre in a park, drag cabaret at a sports club, Shakespeare sonnets and songs in churchyards, high-speed film action at an airfield and chamber music online catch Charles Hutchinson’s eye

Graveyard smash of the week: York Shakespeare Project’s Sit-down Sonnets, Holy Trinity churchyard, Goodramgate, York, until Saturday

WHEN York Shakespeare Project’s Macbeth bit the dust in March, put on hold by the Covid lockdown, York’s purveyors of Shakespeare’s Sonnet Walks decided to stage a sit-down, but not as an act of protest.

Director Mick Taylor and producer Maurice Crichton hatched a plan to present assorted familiar Shakespeare characters, brought into the modern world, to reflect on the pandemic with an accompanying sonnet.

Holy Trinity’s churchyard, with its five park benches, tree shelter and mown grass, provides an ideal socially distanced open-air setting. Bring a rug, cushion, camp chair, flask and biscuits, suggests Maurice, to performances at 5.45pm and 7pm, plus 4.15pm on Saturday.

Polly Bolton: Sharing a double bill with Henry Parker in the NCEM churchyard

Double bills in another churchyard: Songs Under Skies, National Centre for Early Music, St Margaret’s Church, Walmgate, York, tonight, September 16 and 17

SONGS Under Skies brings together the National Centre for Early Music, The Crescent, The Fulford Arms and the Music Venues Alliance for an open-air series of acoustic concerts.

The opening night with Amy May Ellis and Luke Saxton on September 2 was driven inside by the rain. Fingers crossed for more clement conditions for Wolf Solent and Rosalind tonight, Polly Bolton and Henry Parker on September 16 and Elkyn and Fawn the following night.

Gates will open at 6.30pm for each 7pm start; acts will perform either side of a 30-minute interval with a finishing time of 8.30pm. 

The Bev Jones Music Company in a socially distanced rehearsal for Sunday’s show at the Rowntree Park Amphitheatre

Musical theatre showcase part one: Bev Jones Music Company, Strictly Live In The Park, Rowntree Park Amphitheatre, York, Sunday, 3pm.

THE Bev Jones Music Company stage a full-sized musical theatre concert with more than 20 socially distanced singers and a five-piece band on Sunday afternoon.

Strictly Live In The Park promises a “spectacular show for all the family, with popular show music, pop music, dance and comedy”, under the musical direction of John Atkin with choreography by Claire Pulpher.

Expect numbers from Adele to Robbie Williams, Cabaret to Hairspray, Mack & Mabel to South Pacific, The Full Monty to Chess, Miss Saigon to the finale, Les Miserables, all arranged by the late company driving force Bev Jones. Also expect temperature tests on arrival.

Conor Mellor in York Stage Musicals’ first show at the Rowntree Park Amphitheatre, York. He will be back for the second one too. Picture: Jess Main

Musical theatre showcase part two: York Stage Musicals present Jukebox Divas, Rowntree Park Amphitheatre, York, September 18 to 20, 7pm

AFTER the sold-out three-night run of York Stage Musicals’ first ever outdoor show last month, producer/director Nik Briggs and musical director Jessica Douglas return to their Rowntree Park psychedelic igloo to stage Jukebox Divas.

Jessica’s band line-up has changed, so too has the singing sextet, with Conor Mellor from the debut show being joined by Dan Conway, Sophie Hammond, Grace Lancaster and Eleanor Leaper.

“With music from We Will Rock You, Mamma Mia! and more modern releases like + Juliet and Moulin Rouge, audiences will be entertained for 90 minutes with vocal tributes to artists such as Elvis Presley, Queen, Meat Loaf, Katy Perry, Carole King and many more,” says Nik.

Baby Driver: one of the films with high-speed thrills to be screened at AA Getaway Drive-in Cinema at Elvington Airfield

Car experience of next week: AA Getaway Drive-in Cinema, Elvington Airfield, near York, September 18 to 20

AFTER Daisy Duke’s Drive-in Cinema on Knavesmire, now comes a celebration of high-speed thrills and derring-do skills at Elvington Airfield…on screen, courtesy of AA Getaway Drive-in Cinema.

Tickets have sold out already for the September 19 screenings of James Gunn’s 2014 space chase, Guardians Of The Galaxy (12A), at 2.30pm and James Mangold’s 2019 Ford v Ferrari race-track clash, Le Mans 66 (12), at 7.30pm.

Bookings can still be made, however, for Guardians Of The Galaxy on September 18 at 2.30pm and September 20 at 7.30pm and Edgar Wright’s 2017 getaway-car heist thriller, Baby Driver (15), September 18, 7.30pm, and September 20, 2.30pm.

No more kitchen-sink dramas for Velma Celli as York’s drag diva deluxe swaps live-streaming for the great outdoors in Acomb tomorrow

Stepping out of her Bishopthorpe kitchen into the York open air: Velma Celli: An Evening Of Song, York RI Community Sports Club, New Lane, Acomb, tomorrow, 8pm.

AFTER a spring and summer of concerts live-streamed from home, York drag diva Velma Celli takes to the outdoor stage at a sports club.

“The show will be a mixed bag of whatever I fancy on the day – pop, rock, impressions and some musical theatre obviously – and of course requests online. Message me on Facebook,” advises Velma.

Very special guests are promised: definitely York soul powerhouse Jessica Steel will be among them.

Tim Lowe: York Chamber Music Festival artistic director and cellist

Festival of the month: York Chamber Music Festival, September 18 to 20

THE 2020 York Chamber Music Festival is going online to live-stream three concerts from the National Centre for Early Music, Walmgate, York, in a celebration of the 250th anniversary of Beethoven’s birth.

Festival artistic director and cellist Lowe will be performing with Simon Blendis and Charlotte Scott, violins; Matthew Jones, violin and viola; Jon Thorne, viola, and Katya Apekisheva, piano. For full details on the programme and on how to watch the concerts, go to ycmf.co.uk.

Strictly between us: Anton du Beke and Giovanni Pernice’s tour poster for Him & Me next summer at the Grand Opera House, York

One for the 2021 diary: Anton & Giovanni, Him & Me, Grand Opera House, York, July 12

STRICTLY Come Dancing staples Anton du Beke and Giovanni Pernice will link up for their debut tour together, Him & Me, next year.

Details are sketchy, but the dapper Sevenoaks ballroom king and the Italian stallion say: “This show promises to be the best night out in the Summer of 2021 for all ages…A true dance extravaganza!”

Anton and Giovanni will be joined by a “world-class cast” of dancers and singers for a show produced by Strictly Theatre Co and directed by Alan Burkitt.

And what about…?

A visit to the reopened Bar Convent Living Heritage Centre exhibition in Blossom Street, York. Malton Harvest Food Festival on Saturday. New Light Prize Exhibition, with more than 100 artists, opening at Scarborough Art Gallery on September 19. York Walking Festival, running or, rather, walking until Sunday (details at iTravel York website).

Jon, by Laura Quin Harris, at the New Light Prize Exhibition at Scarborough Art Gallery

Pocklington Arts Centre boosted by £4,100 funding for autumn digital theatre project

“The project will see both Pocklington Arts Centre and its audience members, new and old, go on a journey as it evolves the way it presents its artistic output,” says venue manager Janet Farmer

POCKLINGTON Arts Centre has been awarded a £4,100 grant from East Yorkshire’s I Am Fund for a digital theatre project this autumn.

The Market Place venue, with its track record for presenting high-quality children’s theatre and workshops, will work with Hull company Magic Carpet Theatre and DigiFish Film & Animation to stage two online family theatre productions with accompanying online workshops and social-media content.

Magic Carpet specialise in circus skills, magic and audience participation and have a long-standing relationship with Pocklington Arts Centre, having staged numerous sold-out events there.

The new productions and follow-up content will be made free with optional donations, removing any economic barriers from children and families accessing the resources.

Venue director Janet Farmer says: “The funding will enable us to have an enhanced online presence for families and young people, open up new programming opportunities for Pocklington Arts Centre (PAC) and will allow us to support venue staff, alongside regional artists and creative partners, in these difficult times.

“The project will see both PAC and its audience members, new and old, go on a journey as it evolves the way it presents its artistic output. The long-term aim is to see sustained arts engagement, during the closure/Covid period and beyond, from younger generations and increased attendance at PAC events.

“We are extremely grateful to the I Am Fund and Smile Foundation for their support on this application and we look forward to delivering a highly successful programme of events.”

The I Am Fund was established with funding from the will of the late Audrey Mosey, an East Riding resident with a passion for the arts. The fund is part of the Hull and East Yorkshire Smile Foundation, which, alongside the fund committee that includes Pocklington resident Andrew Bowden, aims to support performers and inspire future stars, while also helping East Riding residents to benefit from what the performing arts have to offer.

Andrew Barber, chief executive officer of Smile, says: “This is one of many grants that are being invested into the arts community across East Yorkshire. We recognise the value that venues such as the Pocklington Arts Centre have to play in supporting and inspiring young people to connect, participate and perform in the arts.

“The committee, led by friends of Audrey, with the support of Smile, look forward to hearing how the funding makes a difference in Pocklington and surrounding areas.”

REVIEW: Sit-down Sonnets 2020, York Shakespeare Project, until Saturday

Helen Wilson dons the tartan and the Scottish accent for Sit-down Sonnets. All pctures: John Saunders

York Shakespeare Project, Sit-down Sonnets, Holy Trinity churchyard, Goodramgate, York, until September 12, 5.45pm and 7pm daily, plus 4.15pm on Saturday. Box office: yorktheatreroyal.co.uk

YORK Shakespeare Project’s last production was Antony And Cleopatra in October 2019, leaving only two to complete the 20-year cycle of presenting all of his plays.

Next up should have been Macbeth, but sure enough, if anything could de-rail the stately progress to the finishing post, it would have to be the Scottish play, the one afeared by the theatre world at large.

Lo and behold, its curse struck again, only a week to go to opening night for Leo Doulton’s production, when the Covid-19 lockdown put a stop to everything. Who knows when to expect the return of the Mac, but in the meantime YSP keeps busy with Zoom play readings each month, under the guise of the Quarantine Players, and now with the Sit-down Sonnets, a variation on YSP’s Sonnet Walks around York.

If the hat fits: Mick Liversidge

The Churches Conservation Trust is keen for Holy Trinity to play host to more outdoor performances amid its gravestones, mown grass, five benches and trees, and tucked away from the Goodramgate shoppers, it is a delightful haven for theatre or music.

YSP has frequented the churchyard previously, as a stopping point to deliver a Sonnet Walk, but now comes a full-scale 45-minute production to a seated audience,  spread out with social distancing in “ten social bubbles or 20 souls, whichever maximum we reach first”.

Producer Maurice Crichton’s invitation to review came with a covering note and a request: “As always we think part of the delight of live theatre is surprise,” he wrote, and he is right on that score, along with his advice to bring a rug, a cushion, a camp chair, maybe a flask and a packet of biscuits.

“The conceit of this show is that it is a selection of Shakespeare’s characters in the present day paired with a sonnet. I wonder which character will be next? I wonder which character would be dressed like that? I wonder which sonnet this character is going to have? Who is [YSP founder] Frank Brogan playing this time?

Where there’s a Will: Margaret Hillier

“These are questions we want to be a part of the show. For that reason, we are holding back our [printed] ‘programme’ to the end. It’s a memento that confirms what the audience has seen, not a spoiler of what they are about to see. 

“Our polite request is that you don’t spoil everything by publishing everything we have.”

Your reviewer could not have put it better than the ever-eloquent former solicitor Mr Crichton, m’lud. Covid-19 has done so much spoiling already in 2020 that another killjoy would not be appropriate.

Suffice to say, director Mick Taylor, bearing a rod as if he were Prospero, guides the audience into the fast-flowing performance of ten sonnets, pointing out how Shakespeare himself was blighted by pandemics, with theatres being closed for more than six years between 1603 and 1613.

He makes way for 11 YSP luminaries to take on the guise of familiar Shakespeare characters but now in a modern context, be they a grave digger or a nurse, as they reflect on lockdown, isolation, masks, social distancing and the NHS.

Mick Taylor looks on as Emily Hansen performs her Sit-down Sonnet

The shadow of Covid hangs heavy over their apposite sonnet choices: ‘mourn’ ‘fever’ ‘absent in the spring’ and ‘epitaph’ all leap out from the titles, but so do ‘summer’s day’ and ‘love’ and, in turn, a love of theatre. Sadness, resilience and grave humour sit side by side as resonance and relevance abound in this pandemic-blighted contemporary context.

How else could Mick Taylor end but with Puck’s epilogue, If We Shadows Have Offended, from A Midsummer Night’s Dream – the very play that would suit a Holy Trinity churchyard staging.

In deference to the YSP request, I shall remain muzzled – an alternative to the de rigueur mask worn by Shakespeare on the show poster and programme cover – as to who each actor plays, but step forward for a closing burst of applause: Di Starr, Emily Hansen, Emilie Knight, a tartaned Helen Wilson, Mick Liversidge, Frank Brogan, Phyllis Carson-Smith, Nigel Evans, Sue Harris, Judith Ireland and Margaret Hillier, Will quill in hand.

The rest is silenced.

York Shakespeare Project’s poster for Sit-down Sonnets: note the Bard’s on-trend mask and trainers

Velma Celli, drag glamour, cabaret song, diva drama… and a rugby club in Acomb

Velma Celli: Game for a laugh and a song at York RI Rugby Union Football Club in Acomb on Friday night

YORK drag diva Velma Celli is signing up for a rugby club in her home city.

Velma, the cabaret creation of West End and international musical actor, singer and dancer Ian Stroughair, will play at York RI Rugby Union Football Club, in New Lane, Acomb on Friday night after a spring and summer of lockdown shows live-streamed from Ian’s Bishopthorpe kitchen.

In the wake of such online diva delights from Case de Velma Celli as Large & Lit In Lockdown, Equinox, Me And My Divas and A Night At The Musicals, here comes An Evening Of Song, live in the Acomb open air.

“Bring your bubble, chairs and campness to York RI Club, New Lane for a spectacular outdoor evening of music and laughs beneath the stars,” says the club website. “Joining Velma will be some of Yorks greatest vocal talents!”

Here, Charles Hutchinson asks Ian/Velma to stretch out on the psychiatrist’s sofa for a spot of quick-thinking self-analysis and more besides.

What did you learn about yourself in lockdown?

“That I wasn’t spending enough time at home.”

Were there good things to being back in York, quarantining after your Australian shows in your home city, rather than in the Big Smoke?

“Goodness, yes. It’s just such a beautiful place and people are lovely.”

What were the best aspects of doing shows online?

“Learning how to do it well. A new skill, it was tricky, but we got there.”

What were the worst aspects?

“Learning how to do it well. A new skill, it was tricky, but we got there.”

“Lovely people there and I grew up in Acomb, so it just feels right,” says Velma Celli/Ian Stroughair, looking forward to Friday’s show

Is there long-term potential for online shows, given that not everyone can get down to London…or even to The Basement, at City Screen, your regular York haunt?

“Yes, I think it will continue to bridge the gap well into 2021. Theatre and the like are going to be baby-stepping it for a long time, so online can keep us all entertained: something we have all learned we need so much in our lives.”

How did you feel to be performing to a live audience again in person at Proud Cabaret All Stars in London last Friday and Saturday? What have you missed most?

“It was AWESOME! I will never forget it. The atmosphere was incredible. It was at a stunning venue on Embankment…it’s HUGE! I’ve missed it all but mostly the cast. The energy and, of course, the audience. 

You’re playing a rugby club in York on a Friday night…that’s brave! Discuss!

“Someone suggested there and I went down and met the lovely Caroline [Knight] and I was sold. LOVELY people there and I grew up in Acomb, so it just feels right.” 

What will feature in An Evening Of Song…the title would suggest a show that can go anywhere, span any genre, climb every musical mountain?

“HA! Yes, it will be a mixed bag of whatever I fancy on the day and of course requests online. Message me on Facebook, peeps!

“Pop, rock, impressions and some musical theatre (obvs).”

Did Lockdown give you a chance to experiment anew with the powder and paint?

“I didn’t. I only wear make-up for the show and I enjoyed the break. It takes forever!”

If anyone is heading down to London on October 8, what can they look forward to in That Drag Show, “an evening of debauched fun and fabulosity at London’s newest drag revue show”, with you, Karla Bear and Portia at the Proud Cabaret City? 

“The triple threats, sent from the Gods. The girls are AWESOME! Really talented folks, so the place might explode.”

Triple threats: Velma Celli and That Drag Show co-stars Karla Bear and Portia

Who are Karla Bear and Portia? What do they each specialise in?

“Karla is an Ozzie import and she wasted no time making a stamp on the UK drag scene, appearing in Kinky Boots in the West End within weeks of arriving.

“She was in the Australian cast of Wicked. She won Drag Idol UK, was the closing act at London LGBT Pride in 2019 and is the girl next door you don’t want your daddy to meet! 

Portia is a West End legend and made an infamous splash into Soho when she originated the role of Young Bernadette in Priscilla Queen Of The Desert at The Palace Theatre and also in La Cage Aux Folles. She’s one of London’s most sought-after hosts and has more legz than a bucket of chicken.”

What is the impact on the live drag scene of this sudden burst of TV shows – the latest being Canada’s Drag Race on BBC Three – for drag addicts needing their glamorous fix?

“Drag is hugely popular now, which must be a good thing.”

Velma Celli: An Evening Of Song, with special guest Jessica Steel, York RI Rugby Union Football Club, New Lane, Acomb, September 11, 8pm, doors 7pm. Tickets: from £16.50 at https://www.ticketweb.uk/event/velma-celli-an-york-ri-rugby-union-football-tickets/10685505

“Please get your tickets in advance of the day as we need to organise tables cos of good ole Covid,” says Velma. “Get those [song] requests in darlings at https://www.facebook.com/VelmaCelliCabaret/

Velma Celli, Karla Bear and Portia in That Drag Show, Proud Cabaret City, Mark Lane, London, EC3R 7AH, October 8, 8pm, doors 7pm. Tickets: £20 to £50 at https://www.ticketweb.uk/event/that-drag-show-proud-cabaret-city-tickets/10698715

Velma Celli’s poster for Friday’s show with A Night To Remember favourite Jessica Steel as a special guest

Only One Question for…York Stage Musicals’producer and director Nik Briggs

Chairing the event: Richard Upton in a moment of high drama in York Stage Musicals At Rowntree Park in August. Picture: Jess Main

SHOULD theatre companies be more adventurous, like you, and crack on with finding ways of getting out there and performing, despite Culture Secretary Oliver Dowden’s caution over when theatres can reopen fully, Nik?

“AS long as people are being sensible, following the guidelines and keeping safe, then, yes, of course people should be pushing forward! It’s not easy, there is a hell of a lot of risk, but it’s certainly worth it.

“People can go sit in restaurants and bars, so I really dont see why, with social distancing and if it’s financially viable, we shouldn’t be producing?

“If any city can produce work in these weird times, it’s York, where we have a strong history of successfully mixing professional and community casts. Damien Cruden really led the way with this in the city, when he was artistic director at York Theatre Royal, and in fact was the inspiration for the way I have ran York Stage over the past seven years.

“There really is enough professional talent locally to make it work in some way, as shown by our Rowntree Park concerts, York Theatre Royal’s Pop-Up On The Patio series and Engine House Theatre’s Park Bench Theatre shows!

“My biggest fear for the future, though, is that we are going to be sat with our larger venues sitting empty and artists all around the city desperate to work.” 

York Stage Musicals present Jukebox Divas at Rowntree Park Amphitheatre, York, September 18 to 20, 7pm. Box office: www.yorkstagemusicals.com

A last word, but not the last word, from the makers of Park Bench Theatre…

The Park Bench Theatre bench, now resuming vacant possession in the Friends Garden, Rowntree Park, York

“And that’s that.
A massive thank you to everyone involved in making #parkbenchtheatre 2020 possible.
We’re going to have a short break and then start work on the next thing.
Wherever that might be…
X”

Farewell to summer Tweet from Park Bench Theatre producers Engine House Theatre.

In return, thank you artistic director and writer Matt Aston, fellow director Tom Bellerby, Samuel Beckett’s estate, actors Chris Hannon, Cassie Vallance and Lisa Howard, the Friends of Rowntree Park and City of York Council for bringing to fruition the return of live theatre in York in Covid-19 2020.

Roll on, that next thing…and keep reaching for the stars. Live theatre cannot give in to the killjoy pandemic.

LIsa Howard, as Cathy, in the last Park Bench Theatre monologue of Summer 2020, Matt Aston’s Every Time A Bell Rings. Picture: North Edge Photography

Bev Jones Music Company to perform Strictly Live In The Park at Rowntree Park

The Bev Jones Music Company cast in rehearsal at York Maze for Strictly Live In The Park

THE Bev Jones Music Company will stage a full-sized musical theatre concert with more than 20 socially distanced singers and a five-piece band at the Rowntree Park Amphitheatre, York, on September 13.

Strictly Live In The Park promises a “spectacular show for all the family, with popular show music, pop music, dance and comedy” from 3pm to 5m.

“York deserves this fun Sunday afternoon,” says producer Lesley Jones, Bev’s widow. “We just want to give the public, mainly families, the chance to enjoy entertainment once more.

Bev Jones Music Company cast members maintaining social-distancing at the Rowntree Park Amphitheatre

“The cast are so happy to be performing once again, especially when our big spring production, Calamity Jane, was cancelled by the lockdown in March, just four days before the curtain would have gone up.”

The first York community theatre company to stage a musical theatre concert on this scale since the easing of lockdown, the Bev Jones Music Company will perform “typical Bev Jones spectacular music”.

“All the music was arranged by Bev, the company mentor, so we’ll have a huge variety with numbers from Adele to Robbie Williams, Cabaret to Hairspray, Mack & Mabel to South Pacific, The Full Monty to Chess, Miss Saigon to the finale, Les Miserables,” says Lesley.

The Strictly Live In The Park poster for the September 13 concert

“Every number has been changed to suit the current guidelines regarding singing and live music. The huge dance numbers are limited but we’re adapting what we can.” 

The company rehearsed at York Maze for the first time last week. “We only get three rehearsals to put this show together, because we cannot rehearse indoors yet, and thankfully the Maze allowed us those three rehearsals,” says a grateful Lesley.  

“We have directed the show ourselves; John Atkin is the musical director with his five-piece band; Claire Pulpher is the choreographer and all our usual cast members are performing.”

Taking shape: First day of rehearsals for Strictly Live In The Park at York Maze

Among the company for this Not For Profit production will be Chris Hagyard, Sally Lewis, Larry Gibson, Terry Ford, Kelly Bolland and two returning members, who had moved on to become full-time professional performers, Nathan Lodge and Jordan Langford.

“Our concert has been risk assessed thoroughly and all audience members will have hand sanitisers and temperature checks, plus all seating will be in socially distanced, marked-out bubbles. All the cast will be checked too,” says Lesley. 

“Picnic blankets, rugs and chairs are welcome, as are picnics as there’ll be no public refreshments on sale, in line with Government guidelines. We’ll have a large number of stewards to offer assistance and all safeguards will be in place to ensure that people feel happy and safe in every way.” 

Strictly Live In The Park is strictly an all-ticket event, with tickets on sale on 01904 501935 or at josephrowntreetheatre.co.uk. Seats will be sold in bubbles for two (£15) or up to six people (£30).

Say Owt Showcase quartet want a word with you…at a social distance near you

They’ll say owt to entertain you: Stu Freestone, Henry Raby, Hannah Davies and Dave Jarman

DO you want an assortment of noisy, slam-winning York performance poets, word-weavers and gobheads to perform at a social distance near you?

If so, the Say Owt Showcase luminaries Henry Raby, Stu Freestone, Hannah Davies and Dave Jarman are the quartet to entertain you, being “ideal for socially distanced spaces and audiences”.

“We’re York’s lovable and raucous poetry gang and we’re available to programme and present high-energy, 60-minute showcases of the sharp, relevant, hilarious and engaging spoken word,” says Henry, director of the Say Owt’s “war of the words” slam nights.

Stu Freestone: “Cheekiest of rogues”

“Say Owt’s word-warriors have delighted in ripping up stages at the Great Yorkshire Fringe and the Arts Barge in York, the Edinburgh Fringe and the Ilkley Literature Festival, and last month we performed as part of York Theatre Royal’s Pop-Up On The Patio festival, a bubbled and socially distanced event.

“Our Say Owt Showcase on August 28 sold out and played to a drizzly, but happy, audience.”

Performance poet in residence at the Deer Shed Festival, author, playwright and event organiser Raby is noted for his punk poetry being anarchic and raw, with a sharp political edge, much like his regular Tweets.

Taking the mic: Henry Raby in action

He has performed at Latitude Festival, Boomtown Fair and the Intentional Youth Arts Festival and toured with Creative Arts East and Apples and Snakes’ Public Address Tour.

His latest solo show, Apps And Austerity, looks back over the past decade of technology and stultifying, stringent political policies, as aired at the Pop-Up festival last Friday.

Freestone, Raby’s fellow co-founder of Say Owt, is the cheekiest of rogues with his devilish facial hair and a penchant for Hip-Hop. His work is blissful, engrossing and, above all, unflinchingly honest.

Hannah Davies: Addresses themes of young love, female identity and the small moments that makes us smile

An actor too, he has worked with various York companies and in 2015 was nominated for Best Spoken Word Artist at the Saboteur Awards. The only thing remotely cheesy about him is when he may have served you from behind the counter at The Cheese Trader in Grape Lane.

When playwright, actor, poet, writing course tutor and stage director Hannah Davies “isn’t trying to smash the patriarchy”, she is busy with her York theatre company Common Ground. 

Hannah has won slams across the UK and was a finalist in the BBC Fringe Slam 2017, and her work encapsulates themes of young love, female identity and the small moments that make us smile.

Dave Jarman: Plucking words out of the air like the ripest of fruit

Say Owt associate artist Dave Jarman describes himself as a “word-gobbing, ukulele-strumming, bodhran-abusing poet from t’North”.

Resident poet for the Great Yorkshire Fringe in 2017, playwright, actor and occasional Elf, he reflects on community, people, places and our national identity in his poetry and performances.

For more information on how to send for the four wordsmen of the apocalypse to do a show for you, email info@sayowt.co.uk.

Badapple Theatre happy to Suffer Fools Gladly in gardens with Arts Council support

Badapple Theatre Company’s poster for this month’s Suffer Fools Gladly tour

BADAPPLE Theatre Company can look forward to an autumn harvest of outdoor shows after hitting the Arts Council England deadline to find at least six willing venues for Danny Mellor’s new short play, Suffer Fools Gladly.

Awarded a £14,998 grant, the Green Hammerton purveyors of theatre on your doorstep will perform a Hybrid-Live season of Covid-secure outdoor and filmed shows in the months ahead.

Up to ten open-air performances of Suffer Fools Gladly will be staged at private gardens, campsites and hall car parks across North and East Yorkshire area from September 15.

Danny Mellor and Anastasia Benham in last winter’s Badapple play, The Snow Dancer. Now they are to perform together in Suffer Fools Gladly

In addition, the ACE funding will support the “creative filming” of Badapple’s hit 1960s-era comedy Eddie And The Gold Tops for a new film-theatre partnership with small halls and arts centres from November to February.

Furthermore, Badapple can now film their Christmas show The Snow Dancer, first toured last winter, to enable free distribution in Yorkshire schools, and Badapple Youth Theatre activities can resume too. 

Thanking Arts Council England, founder and artistic director Kate Bramley says: “We’re bowled over by this continued support from ACE at this difficult time that supports our concept of feel-good and safe small-scale events for the communities we partner with and support for our team of creative artists.

Anastasia Benham: On a front door step near you soon

“We’ve always specialised in Theatre On Your Doorstep and now for some garden owners in Yorkshire it’s just got even closer to their front door!

“We had as many as 25 offers of interest in hosting the show, and some wonderful hosts will be throwing open their gardens to audiences to experience this great new play from young Yorkshire writer Danny Mellor.”

Suffer Fools Gladly is a witty short comedy, around an hour in length, that drills down on the perils and perks of always having to tell the truth. “Appealing to young and old alike, this upbeat tale narrates the comic fall from grace of Ozzy, the court jester, who is exiled from the magical kingdom of Marillion,” says Danny.

“We’re bowled over by this continued support from ACE at this difficult time,” says Badapple artistic director Kate Bramley

“It takes an unlikely friendship with a cynical 17-year-old Earth girl called Stevie to bring the joy back to both their worlds.”

Co-directed by Bramley, with costume and puppetry design by Catherine Dawn, the premiere will be performed by Mellor and Anastasia Benham, resuming their stage partnership from The Snow Dancer tour last December.

Watch this space for updates on the Eddie And The Gold Tops film-theatre tour, with dates filling up in the Badapple diary for November, December and February.

Danny Mellor: Suffer Fools Gladly writer and actor

Suffer Fools Gladly tour itinerary in September:

15: Stonegate Farm, Whixley, 5pm;

16: Private garden, Stockton on the Forest, York, 2pm and 4pm;
17: The Poplars, Myton on Swale, 6pm;
18: Beech Cottage, Green Hammerton 2pm;
19: Colton Farm, near Tadcaster, 2pm;
20: St. Alban’s Church, Hull, car park, 2pm;
21: Private garden, Driffield, 2pm;
22: Private garden, Gilberdyke, 5pm;
23: To be confirmed.

Details on how to apply for tickets will be updated regularly on the Badapple website, badappletheatre.co.uk