Category: Theatre

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‘David Gedge’s lyrics are cinematic, emotional and rich with story – they felt naturally theatrical,’ says York writer Matt Aston as he directs Reception, The Wedding Present Musical at Slung Low

York writer-director Matt Aston, left, walking through Leeds with The Wedding Present’s singer, lyricist, guitarist and only permanent member, David Gedge

THIS is a story of love gone wrong, love gone right and then love gone wrong again, in keeping with David Gedge’s songs that inspired Reception, The Wedding Present Musical.

Presented by Perfect Blue Productions and York writer-director Matt Aston’s company Engine House Theatre, the world premiere will be staged at Slung Low’s theatre space, The Warehouse, in Holbeck, Leeds, from August 22 to September 6.

The plot opens in 1985, the year when Leeds University mathematics student Gedge formed The Wedding Present (and fellow student Keir Starmer was among the early enthusiasts).

That summer, a group of Leeds friends is celebrating the end of university days, but life does not always work out as planned. Events both entangle and unfold at a graduation ceremony, funeral, wedding and, of course, the receptions that follow over a span of five turbulent years. “You should always keep in touch with your friends…or should you,” asks Aston, as he explores how we grow together and apart.

Featuring songs by Leeds-born Gedge’s semi-legendary indie band, full of frantic energy and distorted guitars, and his more cinematic, French pop-inspired group Cinerama, this new musical heads back to the sticky dance floors and crimped hair of 1980s’ Leeds for a coming-of-age story of love, friendship, growing up, regret and reconnection.

Reception marks the 40th anniversary of The Wedding Present’s debut single, Go Out And Get ’Em Boy, the first of many to be aired by late-night BBC Radio One maverick John Peel, who once said: “The boy Gedge has written some of the best love songs of the rock’n’roll era. You may dispute this, but I’m right and you’re wrong!”

The “Weddoes” chalked up 18 Top 40 singles and built a devoted cult following – Aston, for example, has seen them in concert more than 50 times – drawn to the searing wit and narrative candour of Gedge’s arch, romantic yet perennially disappointed songs of love and longing, life’s high hopes and low blows, break-ups and breakdowns, chance and no chance.

The likes of  indie classics My Favourite Dress, Kennedy, Brassneck and Everyone Thinks He Looks Daft will be performed in new arrangements by Aston’s dynamic ensemble of actor-musicians, along with a new Gedge composition, written expressly for the premiere.

“It was almost 20 years ago when I had the first inkling that a Wedding Present musical might work,” says Matt. “David had returned to Leeds to perform a selection of his songs with the BBC Big Band for Radio 3.

“The arrangements for the songs were astonishing, as different as you could possibly imagine but David’s lyrical and conversational storytelling still shone through. His lyrics are cinematic, emotional and rich with story – they felt naturally theatrical.

“Then later seeing Wedding Present and Cinerama concerts backed with 16-piece orchestras and full choirs helped cement the thought that the songs could work perfectly in a musical.

“Early in 2019 I met Tony Ereira, director of Leeds-based record labels Come Play With Me and Clue Records, at – where else?! – a Wedding Present gig in Leeds, and the idea of getting the play off the ground started take shape.

“Now, with this phenomenal cast of multi-talented actor-musicians, we’ve found the perfect group to bring that vision to life with heart, humour and edge. I couldn’t be more excited.”

Gedge, The Wedding  Present guitarist, lyricist, singer, biographer and strategist, is intrigued by what lies in store at The Warehouse: “When Matt approached me with the idea of a Wedding Present musical, I was intrigued…I’d never imagined my songs being used in a musical – I know little about the format and I’m not even sure I like it – but I loved how Mamma Mia! reimagined ABBA, and I’ve always been up for trying new things,” he says. “I’m excited to see how the show brings the songs to life in a new way.

“It goes back to writing songs with stories in them, and then Matt having the idea to link them together and get a story out of that, which didn’t require much input from me, as he’s an amazing writer and director.”

Reflecting on his propensity to focus on love, loss and longing in his songs, David says: “I gave up many years ago trying to expand from that narrative when I was thinking ‘why am I always honing myself down to songs about relationships?’, but it’s because I’m good at it!

“People connect  to songs about relationships because they relate it to their own experiences and things that have happened to them. I do feel it’s the perfect subject for pop songs, wanting a girl, loving a girl, so I might be limiting the subject, but it’s a massive subject and an ageless one, going back to Shakespeare’s plays.”

Plenty of mathematicians are good musicians too, but David says: “There’s a logic to writing songs, some things work, some things, but in making music, you can always go off at tangent, whereas in Maths there is only a right or wrong answer – but Maths does help me do the accounts!”

Tickets for a musical that “thrums with real emotion, biting wit and restless energy, like the band that inspired it” are on sale on 0113 213 7700 or at leedsplayhouse.org.uk. Wedding Guest table packages are available.

Writer-director Matt Aston, back row, left, and The Wedding Present and Cinerama frontman David Gedge, back row, right, with cast members for Reception: The Wedding Present Musical. Picture: Northedge Photography

Who will be in the cast for Reception, The Wedding Present Musical?

Zoe Allan as Rachel

Rachel is a confident yet vulnerable graduate of Leeds University who, having experienced loss and pain early in life, has carefully planned a future of love and security. Or so she thought.

Zoe is a passionate working-class performer from the North East with a versatile background across stage, screen and independent film projects. Her credits include Pippin, directed by Barbara Houseman, and When We Strike, an original musical developed by BYMT.

She graduated from Leeds Conservatoire’s Musical Theatre programme and is excited to be back in Leeds for this production.

Lawrence Hodgson‐Mullings as Harry

Harry is Rachel’s first love. Leeds born and bred, he has never left Yorkshire and dreams of adventure before settling down.

Leeds native Lawrence can next be seen in Sally Wainwright’s Riot Women for Drama Republic and the BBC. His screen work includes Fool Me Once (Netflix), Catherine Called Birdy (Working Title), complemented by stage roles in The Enormous Crocodile (Leeds Playhouse/Regent’s Park), Dick Whittington (National Theatre), and The Panopticon (National Theatre of Scotland).

After cutting his teeth with Leeds Playhouse Youth Theatre, he trained at the Royal Conservatoire of Scotland and was a Spotlight Prize finalist. He is a violinist and baritone singer too.

Richard Lounds as John

John is Harry’s best friend. A couple of years older than the rest, he is a source of steady support and advice.

Richard is a performer, musician and dramaturg who trained at the Royal Central School of Speech and Drama. His credits include LIFELINE Off-Broadway(Signature Theatre, New York), The Storm Whale ((Little Angel, York Theatre Royal), The Secret Garden (Tabard Theatre), The Mould That Changed The World and Mr Men And Little Miss On Stage. As a vocalist, he has toured internationally and was a choral scholar at Merton College, Oxford.

Amara Latchford as Sally

Sally is Rachel’s best friend and John’s on/off girlfriend. She has loved university life but is ready for what’s next.

Amara is a graduate of Leeds Conservatoire’s Actor Musician programme, who plays piano, guitar and violin. Their credits include Vernon God Little (Leeds Conservatoire, 2024); The Boy Who Cried Wolf (Tutti Frutti, 2024); The Polar Express (London Euston, 20th Anniversary, 2024); The Storm And The Minotaur (Slung Low, 2025), and All My Pretty Ones (Birmingham Rep, 2025).

Particularly passionate about movement, and ways stories can be communicated through the body, they are training in Kung Fu and various dance styles. Drawing on their wealth of experience in songwriting and composing their own music, they aim to release an EP at the end of the summer.

They describe themselves as a creative octopus, with a vibrant curiosity and desire to explore as many creative avenues as humanly possible. Others have described Amara as a bold and fearless performer.

Matthew Bugg as Dad

Dad to Rachel and Joe, he has moved to Leeds to be close to them after a shared family tragedy.

Matthew, a theatre artist with 25 years’ experiences across many disciplines, is the creator of Miss Nightingale, writing, directing and performing in the hit musical that toured the UK five times between 2011 and 2017, then played the Vaults and Hippodrome Theatre in London.

Jack Hardy in rehearsal for his role as Keir/Keith/Kevin. Picture: Northedge Photography

He has worked as an actor, choreographer or composer on seven other West End shows including Zorro, The Secret Of Sherlock Holmes, Dear Lupin, Our Man In Havana and Cirque Berserk.

Touring works include: King Lear (ATG); Angelina Ballerina (UK and international tour); The Handyman; Star Quality; Lark Rise To Candleford; Quartet; The Hound Of The Baskervilles; Northanger Abbey; Jamaica Inn; Three Men In A Boat and numerous shows for the Agatha Christie Company.

He teaches musical theatre at Leeds Conservatoire and has extensive experience as a composer, lyricist and musical director. He is an active member of Mercury Musicals Development and a judge for the Stiles and Drewe songwriting competition.

Rebecca Levy as Estrella

Estrella is a mature, perpetual student, who has done course after course. She thinks she is better than everyone else… and probably is. But she means well.

Rebecca graduated from Mountview Academy of Theatre Arts in 2016 and is an actor, singer-songwriter and youth facilitator. Her credits include Rapunzel (Liverpool Everyman); Cinderella, Vernons Girls (Royal Court, Liverpool), A Letter To Harvey Milk and Mamma Mia! The Party. She released her debut album, How to Keep Your Girlfriend 101, in 2019. She is an emerging composer, with credits including Animal Farm for NYMT.

Hannah Nuttall as Jane

Jane is the quiet one of the group…most of the time. A Doris Day obsessive and happily single, she is not quite sure where life will take her next.

Hannah trained at Italia Conti Academy. Her credits include Yeast Nation (Southwark Playhouse), Dick Whittington, Sleeping Beauty and Cinderella (Theatre Royal Wakefield), Soho Songs (Crazy Coqs) and In The Time Of Dragons. She is a theatre educator and composer too, including for The Girl Who Saved The Sea (Beansprout Theatre Company).

Zach Burns as Joe

Joe is Rachel’s younger brother – a fact her friends never let him forget. Mature beyond his years, he is finding his place in the world.

Zach trained at the Royal Academy of Music. Credits include Yesterday (Workshop), Sleeping Beauty (Radlett Centre), and Potty The Plant (Edinburgh Fringe). He has recording credits as a vocalist on The Sandman (Netflix) and Idols (Yungblud) and is known for his work in new musical theatre and actor-musician collaborations.

Caitlin Lavagna as Emma

Emma is the rector of Leeds Minster, an upstanding and respected member of the local community.

Caitlin is a Welsh-Gibraltarian actor-musician, vocalist and multi-instrumentalist who graduated from Rose Bruford College. Credits include Housemates (Sherman Theatre, Cardiff), Operation Julie(Theatr na nÓg), Vernons Girls (Royal Court, Liverpool), and Fisherman’s Friends: The Musical.

Also a singer-songwriter, whose single October won Best Actress and Best Music Video at the Celynen Film Festival. She was named Best Female Act at the 2025 Radio Wigwam Awards. Drummer and vocalist for the band Big Wednesday.

Jack Hardy as Keir/Keith/Kevin

Barman at the pub that hosts all the receptions, although no-one ever gets his name right. A political activist with big ambitions, he is searching for his voice.

Leeds-born actor and musician Jack attained A Levels at CAPA College before continuing his journey at ArtsEd on the BA Acting course. From 2021 to 2024, he completed his training on the Actor Musician BA programme at Leeds Conservatoire. Multi-instrumentalist musician, playing piano, guitar, synth, bass, drums and voice. Passionate writer and songwriter with a love for stories that blend music and performance.

Matt Aston on a bench in Rowntree Park, York, when directing Park Bench Theatre under Covid restrictions. Picture: Livy Potter

Did you know?

RECEPTION writer-director Matt Aston’s credits include The Storm Whale and Grandad’s Island at York Theatre Royal and the Park Bench Theatre seasons in Rowntree Park, York, as well as directing Line Of Duty star Vicky McLure in Stephen Lowe’s Touched, James
Bolam in William Ivory’s Bomber’s Moon and David Mamet’s Oleanna with Alistair McGowan.

Artistic director of Engine House Theatre and winner of the Writers Guild of Great Britain Award for Encouragement of New Writing.

The Wedding Present to release 40th anniversary retrospective 40 on September 19 on vinyl and CD

Jonathan Hitchen’s artwork for The Wedding Present’s compilation album 40

ON September 19, CLUE Records will release 40, a “chronological, aural journey” through The Wedding Present’s album tracks, singles and B-sides. Frosted clear quadruple vinyl box sets and quadruple CD sets are available for pre-order at https://cluerecords.myshopify.com/collections/the-wedding-present-40.

After 13 studio albums, 20 compilations and a heap of singles, EPs, live albums and live sessions – with more on the way – 40 will be a “commemorative reflection of this complex and fascinating catalogue”.

Artwork by the Weddoes’ regular cover designer Jonathan Hitchen will be complemented by extensive sleeve notes by David Gedge, along with music writer Mark Beaumont. Gedge’s commentary provides an insight into the workings of his band and a track-by-track guide to the compilation.

The track listing will be: Side A/CD1, Go Out And Get ’Em Boy; You Should Always Keep In Touch With Your Friends; Anyone Can Make A Mistake; Everyone Thinks He Looks Daft; A Million Miles; My Favourite Dress.

Side B/CD1, Nobody’s Twisting Your Arm; Davni Chasy; Give My Love To Kevin (Acoustic Version); Kennedy; What Have I Said Now.

Side C/CD2, Bewitched; Take Me!; Brassneck; Crawl. Side D/CD2, Dalliance; Dare; Suck; Blonde; Corduroy. Side E/CD2, Heather; Blue Eyes; Come Play With Me; Flying Saucer; Click Click.

Side F/CD3, Spangle; Convertible; Montreal; Kansas; I’m From Further North Than You ; Interstate 5. Side G/CD4, Perfect Blue; Don’t Take Me Home Until I’m Drunk; Boo Boo; Deer Caught In The Headlights. Side H/CD4, Two Bridges; Rachel; I Am Not Going To Fall In Love With You; Science Fiction; Hot Wheels.

Two Big Egos In A Small Car podcast special with David Gedge

The Wedding Present’s David Gedge with Two Big Egos In A Small Car podcaster Charles Hutchinson, pictured outside Leeds University Union in April 2025

Listen to David Gedge discuss 40 years Of The Wedding Present, the Reception musical and his Rise@Bluebird Bakery show with Two Big Egos In A Small Car podcasters Charles Hutchinson and Graham Chalmers at:

https://www.buzzsprout.com/1187561/episodes/17507606-episode-233-interview-special-with-david-gedge-from-the-wedding-present

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What’s On on in Ryedale, York and beyond. Hutch’s List No. 35, from Gazette & Herald

Sonnets In Bloom script writer Natalie Roe, left, and director Josie Connor in the Holy Trinity churchyard in Goodramgate, York

SHAKESPEARE in poetic full bloom, arguably the best ever British farce and moorland classical music lead off Charles Hutchinson’s case for not going on holiday in August.

Poetic return of the week: York Shakespeare Project presents Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23

REVEREND Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are warmly invited to enjoy a complimentary drink and to see the goings-on. Participants will be arriving with their prized entries, some more competitive than others, but where is the special guest? And who will win the People’s Vote?

Welcome back Sonnets In Bloom as YSP’s 50-minute summer show returns to Holy Trinity’s churchyard with a new director, Josie Connor, new scenario script writer, Natalie Roe, and nine new sonneteers among the dozen presenting a new collection of characters, each finding a way to share one of Shakespeare’s celebrated sonnets. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age recommendation: 14 plus.

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary

Art event of the week: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, August 16 and 17, 10am to 5.30pm

YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls each day.

Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.

Alex Phelps and Valerie Antwi in Michael Frayn’s Noises Off at the Stephen Joseph Theatre, Scarborough. Picture: Tony Bartholomew

Farce of the week: Noises Off, Stephen Joseph Theatre, Scarborough, until September 6, 7.30pm plus 1.30pm Thursday and 2.30pm  Saturday matinees

SJT artistic director Paul Robinson directs the first ever in-the-round production of Michael Frayn’s legendary 1982 farce with its play-within-a-play structure. “Good luck!” said the playwright on hearing the Scarborough theatre was taking on what has always been considered an impossible task. 

Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On. Across three acts, Frayn charts the shambolic final rehearsals, a disastrous matinee, seen entirely from backstage, and the catastrophic final performance. Box office: 01723 370541 or sjt.uk.com.

Jamie Walton: North York Moors Chamber Music Festival director and cellist. Picture: Matthew Johnson

Festival of the week: North York Moors Chamber Music Festival, until August 23 

IN its 17th year, cellist Jamie Walton’s festival presents 14 concerts designed to mirror the 14-line structure of a sonnet, guiding audiences through a pagan year with its unfolding seasons, solstices and equinoxes. 

The four elements – Fire, Air, Water and Earth – will be explored through the lens of TS Eliot’s Four Quartets and staged in four historic moorland churches: St Hilda’s, Danby; St Hedda’s, Egton Bridge; St Michael’s, Coxwold, and St Mary’s, Lastingham. Ten concerts will be held in an acoustically treated venue in the grounds of Welburn Manor, near Kirkbymoorside. For the full programme, go to northyorkmoorsfestival.com. Box office: 07722 038990 or email bookings@northyorkmoorsfestival.com.

Smashing Pumpkins: Heading for Scarborough on Aghori Tour

Coastal gig of the week: Smashing Pumpkins and White Lies, TK Maxx Presents Scarborough Open Air Theatre, tonight, gates 6pm

AMERICAN alternative rockers The Smashing Pumpkins play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums. Box office: ticketmaster.co.uk.

Brightside: Scarborough band making their NCEM debut in York

From coast to York: Piano Goes Brightside, National Centre for Early Music, York, tomorrow, 7.30pm

SCARBOROUGH band Brightside are undergoing a name change to The Waisons but not before playing this Piano Goes Brightside gig in York. In the line-up are Josh Lappao, lead guitar and vocals, Vince Lappao, drums and keyboards,  Mason Marshall, guitar and vocals, and Olly Kershaw, bass guitar.

Formed to compete in a Battle of the Bands school competition, where they were placed runners-up, their two years of gigging has taken in school events, a Nativity entertainment, Christmas parties and a wedding. “We mostly do covers, but plan on making originals soon,” they say. As for the piano, progressive Scarborough pianist Jamie Kershaw will play 45 minutes of Schubert, Debussy, Ludovicio Einaudi, jazz and more. Box office: 01904 658338 or ncem.co.uk.

Scarborough and District Railway Modellers’ poster for this weekend’s Pickering Model Railway Exhibition

Keeping on track: Pickering Model Railway Exhibition 2025, Memorial Hall, Potter Hill, Pickering, August 16, 10am to 5pm, and August 17, 10am to 3.30pm

ORGANISED by Scarborough and District Railway Modellers, Pickering Model Railway Exhibition features working layouts by Badger’s Bottom, Box File, Dalmunach, Farnby, Gallows Close,High Stamley,Low Key, Napier Road, Snicketway and Thomas For Kids.

Look out for model-making demonstrations by Simon Howard and Tim Penrose and trade support by DPP Model Railways, Model Market, GM Transport Books and Phoenix Games Studio. Free parking and free entry for accompanied children are further attractions; refreshments are available. Tickets: sdrmweb.co.uk.

Pickering Country Fair: Vintage tractors are among the attractions this weekend

Country pursuits of the week: Pickering Country Fair, Galtres Pickering Showground, August 16 and 17

COUNTRY sports, from mounted games and falconry, to gun dog scurries and heavy horses (Sunday only), will be complemented by ‘have-a-go’ opportunities in a chance to discover and learn about country pursuits under expert guidance. Among the highlights will be the Yorkshire Vet, Peter Wright; owl adventures; axe throwing; falconry; birds of prey; terrier racing; lurcher racing and coursing; archery; tractor pulling and a reptile display.  

A vintage vehicle area features cars, commercials, fire engines and military vehicles, including tanks, along with displays of traction engines, tractors and working displays. Visitors can browse a variety of trade stands, autojumble, a craft and fine food marquee, old-time fun fair, non-stop arena entertainment, catering and a licensed bar. Tickets: outdoorshows.co.uk/pickering-country-fair.  Pre-booked camping is available from midday on Friday to 10am on Monday.

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More Things To Do in York and beyond in a flurry of festivals and sonnet declarations. Hutch’s List No. 35, from The York Press

Sonnets in Bloom script writer Natalie Roe, left, and director Josie Connor on a churchyard bench at Holy Trinity, Goodramgate, where York Shakespeare Project’s performances will be staged

SHAKESPEARE in poetic full bloom, arguably the best ever British farce and moorland classical music lead off Charles Hutchinson’s case for not going on holiday in August.

Poetic return of the week: York Shakespeare Project presents Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23

REVEREND Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are warmly invited to enjoy a complimentary drink and to see the goings-on. Participants will be arriving with their prized entries, some more competitive than others, but where is the special guest? And who will win the People’s Vote?

Welcome back Sonnets In Bloom as YSP’s 50-minute summer show returns to Holy Trinity’s churchyard with a new director, Josie Connor, new scenario script writer, Natalie Roe, and nine new sonneteers among the dozen presenting a new collection of characters, each finding a way to share one of Shakespeare’s celebrated sonnets. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age recommendation: 14 plus.

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary

Art event of the month: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, today and tomorrow, August 16 and 17, 10am to 5.30pm

YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls each day.

Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.

Mad Alice: History talk and Georgian gin tasting at Impossible York at 4pm tomorrow

York festival of the week: York Georgian Festival 2025, until August 11

ORGANISED by York Mansion House, in tandem with York businesses, the York Georgian Festival is a whirl of  dashing dandy fashions, extravagant feasting and romantic country dancing in a celebration of a golden social scene hidden within the brickwork of York’s abundant 18th century architecture.

Among the highlights will be a Promenade through the city; Georgian ice-cream cooking demonstrations; Regency Rejigged dance performances; Georgian Execution Tour with Bloody Tours of York; Mad Alice and York Gin’s history talk and Georgian gin tasting at Impossible York bar; York Georgian Ball at Grand Assembly Rooms; Portraits in Jane Austen; A Byron Letter and A Georgian Kerfuffle at York Mansion House and An Intimate History: The Life and Loves of Anne Lister at Holy Trinity, Goodramgate. For the full programme and tickets, go to: mansionhouseyork.com/york-georgian-festival.

Seven Wonders: Paying tribute to Fleetwood Mac at the Joseph Rowntree Theatre

Tribute show of the week: Seven Wonders, The Spirit Of Fleetwood Mac, Joseph Rowntree Theatre, York, tonight, 7.30pm

SEVEN Wonders, a seven-piece, 100 per cent live band, cover all eras of Fleetwood Mac, from the Peter Green blues years, through Rumours, to Tango In The Night. Be prepared to dance the night away to Go Your Own Way, Don’t Stop, The Chain, Rhiannon, Dreams, Little Lies, Oh Well, Edge Of Seventeen and many more. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alex Phelps, left, Christopher Godwin, Olivia Woolhouse, Valerie Antwi, Susan Twist, Charlie Ryan and Andy Cryer in rehearsal for Michael Frayn’s Noises Off at the SJT, Scarborough. Picture: Tony Bartholomew

Play of the week: Noises Off, Stephen Joseph Theatre, Scarborough, today until September 6, 7.30pm plus 1.30pm Thursday and 2.30pm  Saturday matinees

SJT artistic director Paul Robinson directs the first ever in-the-round production of Michael Frayn’s legendary 1982 farce with its play-within-a- play structure. “Good luck!” said the playwright on hearing the Scarborough theatre was taking on what has always been considered an impossible task. 

Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On. Across three acts, Frayn charts the shambolic final rehearsals, a disastrous matinee, seen entirely from backstage and the brilliantly catastrophic final performance. Box office: 01723 370541 or sjt.uk.com.

Jamie Walton: North York Moors Chamber Music Festival director and cellist. Picture: Matthew Johnson

Moorland festival of the week: North York Moors Chamber Music Festival, August 10 to 23

IN its 17th year, cellist Jamie Walton’s festival presents 14 concerts designed to mirror the 14-line structure of a sonnet, guiding audiences through a pagan year with its unfolding seasons, solstices and equinoxes. 

The four elements – Fire, Air, Water and Earth – will be explored through the lens of TS Eliot’s Four Quartets and staged in four historic moorland churches: St Hilda’s, Danby; St Hedda’s, Egton Bridge; St Michael’s, Coxwold, and St Mary’s, Lastingham. Ten concerts will be held in an acoustically treated venue in the grounds of Welburn Manor, near Kirkbymoorside. For the full programme, go to northyorkmoorsfestival.com. Box office: 07722 038990 or email bookings@northyorkmoorsfestival.com.

Mark Radcliffe and Arlo: Dog tales at The Crescent

Shaggy dog stories of the week: Mark Radcliffe (& Arlo): In Conversation, The Crescent, August 11, 7.30pm

MARK Radcliffe, radio broadcaster, musician and writer, is one half of BBC Radio 1′s semi-legendary Mark and Lard and one half of BBC 6Music’s Radcliffe & Maconie. Now he introduces his new double-act partner, his beloved pampered Cavapoo, Arlo, as featured in the book Et Tu, Cavapoo?, published by Corsair on August 14.

In March 2024, Radcliffe and Arlo set off from Cheshire in their VW Beetle convertible for a three-month sojourn in Rome. Join them in conversation for an account of their time amid the sights (and sniffs) of the Italian capital in a show for lovers of travel and history, food and drink, art and architecture, and those seeking an insight into the eccentricities of the canine mind. This event combines a book signing, an interview with a special guest host and a chance to put questions to Mark (and Arlo). Box office: thecrescentyork.com.

Smashing Pumpkins: Heading to Scarborough on Aghori Tour

Coastal gig of the week: Smashing Pumpkins and White Lies, TK Maxx Presents Scarborough Open Air Theatre, August 13, gates 6pm

AMERICAN alternative rockers The Smashing Pumpkins play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums. Box office: ticketmaster.co.uk.

Scarborough band Brightside: Making NCEM debut on August 14

From coast to York: Piano Goes Brightside, National Centre for Early Music, York, August 14, 7.30pm

SCARBOROUGH band Brightside are undergoing a name change to The Waisons but not before playing this Piano Goes Brightside gig in York. In the line-up are Josh Lappao, lead guitar and vocals, Vince Lappao, drums and keyboards,  Mason Marshall, guitar and vocals, and Olly Kershaw, bass guitar.

Formed to compete in a Battle of the Bands school competition, where they were placed runners-up, their two years of gigging has taken in school events, a Nativity entertainment, Christmas parties and a wedding. “We mostly do covers, but plan on making originals soon,” they say. As for the piano, progressive Scarborough pianist Jamie Kershaw will play 45 minutes of Schubert, Debussy, Ludovicio Einaudi, jazz and more. Box office: 01904 658338 or ncem.co.uk.

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REVIEW: York Georgian Festival, The Raree Show or The Fox Trap’t, Merchant Taylors’ Hall, Aldwark, York, tonight, 7.30pm ***

Geoff Turner’s Sir Thomas Graspall in The Raree Show or The Fox Trap’t. Picture: Gareth Buddo

IMAGINE the joy of Sarah Cowling, York tour guide and Churches Conservation Trust volunteer at Holy Trinity, Goodramgate, when research led to the discovery of the writings of Mr Joseph Peterson.

Parish records show that Peterson gave his living as “comedian” in the register at his son Joseph’s baptism in January 1738. Actor, writer and comedian would be more accurate, given that Peterson’s career blossomed at the Norwich Theatre Company from 1746 after working for Thomas Keregan’s company in York.

Yet before his exit stage left to Norfolk, York-born Peterson wrote expressly for his home city, and now Cowling is directing Holy Trinity’s revival of his first theatrical romp in a traverse staging at Merchant Taylors’ Hall, where it is thought the hour-long comedy might have been first performed.

There will be only one performance, tonight at 7.30pm, sold out alas, but last night’s dress rehearsal played to pretty much a full house too, so it had the atmosphere more befitting a first night.

Wood is everywhere: doors, dark panels on the walls, the floor, but thankfully not in the acting, led by Nick Patrick Jones’s Mr Joseph Peterson, introducing his piece of 18th century theatrical shenanigans in couplets, in the manner of Shakespeare’s Puck.

Jones will reappear as Peterson’s most exaggerated character, the coxcomb Sir Fopling Conceit, a narcissist as foppish and vain as his name, surely heading for a fall.

He is not alone in Peterson’s parade of vainglorious peacocks: step forward Geoff Turner’s Sir Thomas Graspall, in his case headed for a pratfall via the Raree Show of the title: a tented peep show that invites him to look inside. The Fox trap’t indeed.

Step forward with even more braggadocio Joe Standerline’s thunderous foxhunting enthusiast Squire Timothy, as quick on the bottom slaps as outrageous boasts.

They will be outwitted in a battle of wits by the womanly wiles of Mad Alice (York tour guide Alicia Stabler) in the guise of Betty, together with Joy Warner’s Corinna and Andrea Mitchell’s Belinda.

Further undermining the pompous posturing are the earnest machinations of Zander Fick’s Belamour and Matt Tapp’s Manly.

Standerline pops up too as Peterson’s answer to Shakespeare’s Fool, the self-explanatory Smart, albeit in a cameo, but one where he has fun with a hammy French accent and moustache.

Peterson crams into his hour all the tropes of Georgian theatre:  the wigs and the topical wit; the daft names and even dafter characters; villainous uncles, astute servants and absurdist foreigners; physical buffoonery, clashing swords and verbal spats; putdowns and comeuppances; unhappy exits and the obligatory happy ending.

Then add Georgian style to compliment the foppery and frippery, further boosted by the perky musicality of Nicky Gladstone’s violin and Chantal Berry’s keyboard.

The last word goes to Jones’s Peterson, who is unnecessarily apologetic about the standard of his debut work. What’s more, it won’t be the last word if Sarah Cowling has her way. “There’s a whole catalogue of these funny little York-grown Georgian shows,” she says. “I really hope we can unearth more.”

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SJT takes on ‘impossible task’ of staging Noises Off in the round for first time in 43-year history of Michael Frayn’s farce

Alex Phelps, centre, in rehearsal for Noises Off with Valerie Antwi and Charlie Ryan. Picture: Tony Bartholomew

THE first ever in-the-round production of Michael Frayn’s farce Noises Off opens at Scarborough’s Stephen Joseph Theatre on Saturday, fully 43 years since its Lyric Theatre, London premiere.

“I’ve wanted to direct this play for years,” says SJT artistic director Paul Robinson. “The assumption was that doing it this way was impossible. When I told Michael about our plans, his response was an amused ‘good luck’.” The director has since printed off Frayn’s message to hang on a rehearsal room wall.  

“Our designer, Kevin Jenkins, and I have spent months meticulously planning and he has come up with an ingenious set, which has really been worth the wait.”

A precursor to Mischief Theatre’s canon of theatrical catastrophes kick-started by The Play That Goes Wrong, Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On.

“One of the greatest British comedies ever written, Noises Off is a hilarious and heartfelt tribute to the world of theatre but also about how futile it is to try to impose our ideas on the world around us, as things will always go wrong,” says Paul. “It’s how you respond to them when they do!”

Alex Phelps in the role of the Ringmaster in Tilted Wig and York Theatre Royal’s production of Around The World In 80 Days in 2023

Among Robinson’s cast that includes Alan Ayckbourn stalwart Christopher Godwin, northern theatre luminary Andy Cryer and Brookside, Coronation Street and Doctor Who alumna Susan Twist will be Alex Phelps, a dapper chap whose adroit, graceful comedic theatre skills will be familiar to York audiences.

After the dandy buffoonery of his Sir Andrew Aguecheek in Joyce Branagh’s Jazz Age take on Twelfth Night for Shakespeare’s Rose Theatre at the Eye of York in Summer 2019, he appeared in the dual roles of Ringmaster and unscrupulous globe-trotting Phileas Fog in Tilted Wig’s touring collaboration with York Theatre Royal in the circus-themed Around The World In 80 Days in February 2023.

Next came the “selfish, hypocritical, vain, manipulative, deceptively charming” Joseph Surface in Tilted Wig’s account of Sheridan’s Georgian comedy of manners The School For Scandal at the Theatre Royal in April 2024.

From Saturday, in Noises Off, he will be playing Garry Lejeune, whose character profile on Wikipedia describes him as: “The play’s leading man, a solid actor who is completely incapable of finishing a sentence unless it is dialogue. Constantly stutters and ends sentences with ‘you know’. Dating Dotty and prone to jealousy.”

“He’s the young one, as his name suggests, which is very telling,” says Alex. “Michael Frayn’s biography for him says Gary has ‘not done much theatre’. He’s one of those actors we might all recognise from theatre companies, who feels the need to speak up for the company without thinking about what he’s going to say .

Alex Phelps’s Joseph Surface in Tilted Wig’s The School For Scandal, on tour at York Theatre Royal in 2024

“He feels things very deeply but through his great inarticulacy he lacks the capacity to express that feeling. He doesn’t know how to make his point…but you will still be able to work it out!”

Alex is delighted to be part of a cast taking on the challenge of staging Noises Off in the round, where actors have to perform to an audience seated all around them. “We’re going for it! We really are. We’ve got a lot of pride in the SJT deciding to do it.

“Given the history of the SJT, and Alan Ayckbourn’s plays here, it’s all about connecting with the audience. For this production, Paul and Kevin have been thinking about it and working on it for ages, going back and forth with Michael Frayn. If we come a cropper in rehearsals, we’ll contact Michael for advice.”

Across three acts, Noises Off charts the shambolic final rehearsals, a disastrous matinee, seen entirely from backstage, and the calamitous final performance.

“It’s a masterpiece,” says Alex. “The beauty of the writing: it’s so well observed; what actors are like; what it’s like in the rehearsal room and backstage at a performance and on a long tour.”

What’s in the box? Alex Phelps and Valerie Antwi in the Stephen Joseph Theatre rehearsal room, working on Noises Off. Picture: Tony Bartholomew

And now, not only must Robinson’s actors present the play within the play, but the set design has to accommodate showing the stage from backstage before staging the disastrous final show.

“The stage has to be back to front but inside out too,” says Alex. “So if you have to think about it, it’s madness to get your head around!”

There will, of course, be a profusion of doors. “Doors and farce are synonymous with each other because the rhythm of the banging of doors is so important to farce,” says Alex. “The more we do it, the more I think it’s like a musical, with the rhythm building to what I hope is laughter, and then it all takes flight.

“Michael Blakemore [director of the 1982 premiere], in his introduction, has said how some of the best performances of Noises Off are the first ones, where the pressures are so high to get it right, but the actors don’t know what will happen, so there’ll be that sense of danger.”

Can’t wait!

Noises Off runs amok at Stephen Joseph Theatre, Scarborough, from August 9 to September 6, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com.

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Writer Natalie Roe and director Josie Connor team up for Sonnets In Bloom 2025 at Holy Trinity. Who’s new in the cast?

Sonnets In Bloom script writer Natalie Roe, left, and director Josie Connor in the Holy Trinity churchyard, in Goodramgate, York, where the York Shakespeare Project performance will take place

YORK Shakespeare Project’s summer celebration of Shakespeare’s sonnets returns to the churchyard of Holy Trinity, Goodramgate, York, from  August 15 to 23.

Sonnets In Bloom brings together the Bard, director Josie Connor, scriptwriter Natalie Roe and a cast of 12 sonneteers.

“The last two shows have attracted record audiences so we are delighted again to be offering a summer taste of Shakespeare that is both entertaining and accessible,” says producer Maurice Crichton.

“This year we return to Holy Trinity Goodramgate, where site co-ordinator Gemma Murray and her team of volunteers made us so welcome last year.”

The year’s show has been scripted by Natalie Roe in her first involvement with YSP’s Sonnets project. “Natalie has incorporated a record 13 sonnets into her script, including seven that have not featured in previous YSP productions,” says Maurice.

Harry Summers: One of nine new sonneteers taking part in Sonnets In Bloom 2025

“Shakespeare wrote at least 154 sonnets. We have plenty more to go at but the new ones in this show mean we will have featured more than a third of the total across the nine sonnets productions we have so far put on.”

In Natalie’s script, “Reverend Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are all warmly invited to enjoy a complimentary drink and to see the goings on. Participants are arriving with their prized entries, some more competitive than others. But where is the special guest? And who will win the People’s Vote?”

Josie Connor is directing YSP for the first time, having worked with Natalie previously when she directed her script, Leaves, for York Settlement Community Players’ pub theatre initiative, The Direct Approach, in 2023.

As ever, Sonnets In Bloom features a wide variety of colourful characters, who each find an opportunity to give voice to one of Shakespeare’s sonnets.

“It’s a lovely experience,” says YSP chair Tony Froud. “You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notice that the language has become Shakespearean. And you can look forward to the odd surprise or two.”

Sonnets In Bloom 2025 producer Maurice Crichton

This will be the ninth time that YSP has put on a show based on Shakespeare’s sonnets, having first staged Sonnet Walks in 2014 , when audiences divided into groups met colourful characters as they walked around the streets of York, in the run-up to Le Grand Depart of that summer’s Tour de France.

In 2020, in the depths of the pandemic, the format was adapted to become Sit-Down Sonnets, when guiding a socially distanced group around the streets was impracticable. Sit-down shows have prevailed ever since.

This year, the cast of 12 is mostly new to the Sonnet shows and younger too. “Only three performers have been involved previously, and with a new writer and a first-time Sonnets director, this production will take a fresh look at a trusted format,” says Maurice.

The cast in full is: Harry Summers*; James Tyler*; Stuart Lindsay*; Grace Scott; Benjamin Rowley*; Emilie Knight; Oliver Taylor*; Tom Langley*; Xandra Logan; Annie Dunbar*; Lily Geering* and Stuart Green*. (*New to the sonnets.)

York Shakespeare Project in Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23. Box office: 01904 623568;  https://www.yorktheatreroyal.co.uk/show/sonnets-in-bloom-2025/; in person from York Theatre Royal box office. Price, including a drink: £10 or £5 for age 14 to 17. Running time: 50 minutes.

York Shakespeare Project’s poster for Sonnets In Bloom 2025

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What’s On in Ryedale, York and beyond. Hutch’s List No.34, from Gazette & Herald

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary

AUGUST’S arrival heralds the return of riverside art, Georgian festival frolics and moorland classical music in Charles Hutchinson’s guide to a cornucopia of culture.

Art event of the month: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, August 9 and 10, August 16 and 17, 10am to 5.30pm

YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls each day.

Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.

Scott Bennett: Presenting Blood Sugar Baby at Pocklington Arts Centre

Storyteller of the week: Scott Bennett, Blood Sugar Baby, Pocklington Arts Centre, tonight, 8pm

ONE family, one condition, one hell of a hairy baby: Scott Bennett, from The News Quiz and the Parenting Hell podcast, relates how his daughter fell ill with a rare genetic condition, congenital hyperinsulinism (CHI).

Never heard of it?  Neither have new parents Scott and Jemma as they fight to achieve  the right diagnosis for their daughter and are plunged into months of bewildering treatment, sleepless nights, celebrity encounters and bizarre side effects, but a happy ending ensues. Box office: Pocklington, 01759 301547 or pocklingtonartscentre.co.uk.

Ryosuke Kiyasu: Drumming prowess on The Arts Barge

Beat that: No Instrument and Arts Barge present Ryosuke Kiyasu, The Arts Barge, Foss Basin Moorings, York, tonight, 7.30pm

PIONEERING snare-drum soloist Ryosuke Kiyasu has redefined percussion since 2003, releasing more than 200 albums, both solo and with his band, drawing 23 million views for his 2018 Berlin live set and featuring on BBC News.

He drums for noise-grind duo Sete Star Sept, the Kiyasu Orchestra and Keiji Haino’s Fushitsusha and co-founded Canada’s cult hardcore unit The Endless Blockade. Box office: artsbarge.com/events.

Iago Banet: Finger-style Spanish guitar playing at The Basement

Guitarist of the week: Iago Banet, The Basement, City Screen Picturehouse, York, tonight, 7.30pm

VIRTUOSO finger-style Spanish guitarist Iago Banet, who moved to London from Galicia in 2014, combines gypsy jazz, blues, country, Dixieland, swing, pop, folk and Americana in his acoustic repertoire, as heard on his third album, 2023’s Tres.

He has performed on BBC Radio 3’s In Tune and Cerys Matthews’ The Blues Show on BBC Radio 2, appeared at Brecon Jazz, Hellys International Guitar Festival and Aberjazz and played with Josh Smith, Mark Flanagan, Jack Broadbent and Clive Carroll. Box office: ticketsource.co.uk.

Four actors, two plays, forty minutes each: 440 Theatre in Much Ado About Nothing and Macbeth at Joseph Rowntree Theatre

Shaking up Shakespeare: 440 Theatre in Much Ado About Nothing and Macbeth, Joseph Rowntree Theatre, York, tomorrow, 7.30pm

FOUR actors perform 40-minute versions of Much Ado About Nothing and Macbeth, transforming the Scottish play  from tragedy into comedy in this raucous, breakneck double bill. “Experience the hilarity of not only one of the Bard’s best comedies but also a side-splitting (literally!) Macbeth,” say director Dom Gee-Burch and producer-composer Laura Sillett. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Terry Deary presents Revolting at York Mansion House tomorrow at 5.30pm at York Georgian Festival

York festival of the week: York Georgian Festival 2025, August 7 to 11

ORGANISED by York Mansion House, in tandem with York businesses, the York Georgian Festival will be a whirl of  dashing dandy fashions, extravagant feasting and romantic country dancing in a celebration of a golden social scene hidden within the brickwork of York’s abundant 18th century architecture.

Among the highlights will be Terry Deary Presents Revolting; the Life and Loves of Anne Lister; a Georgian dance lesson at the Guildhall; Men’s Hats; Mad Alice’s history talk and gin tasting; the York Georgian Ball; Sounds of Regency by Candlelight; The World of Georgian Fashion; Portraits in Jane Austen and a revival of York actor-playwright Joseph Peterson’s comic romp The Raree Show or The Fox Trap’t. For the full programme and tickets, go to: mansionhouseyork.com/york-georgian-festival.

Alex Phelps, left, Christopher Godwin, Olivia Woolhouse, Valerie Antwi, Susan Twist, Charlie Ryan and Andy Cryer in rehearsal for Michael Frayn’s Noises Off at the SJT, Scarborough. Picture: Tony Bartholomew

Play of the week: Noises Off, Stephen Joseph Theatre, Scarborough, August 9 to September 6, 7.30pm plus 1.30pm Thursday and 2.30pm  Saturday matinees

SJT artistic director Paul Robinson directs the first ever in-the-round production of Michael Frayn’s legendary 1982 farce with its play-within-a- play structure. “Good luck!” said the playwright on hearing the Scarborough theatre was taking on what has always been considered an impossible task. 

Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On. Across three acts, Frayn charts the shambolic final rehearsals, a disastrous matinee seen entirely from backstage and the brilliantly catastrophic final performance. Box office: 01723 370541 or sjt.uk.com.

Jamie Walton: North York Moors Chamber Music Festival director and cellist. Picture: Matthew Johnson

Ryedale festival of the week: North York Moors Chamber Music Festival, August 10 to 23

IN its 17th year, cellist Jamie Walton’s festival presents 14 concerts designed to mirror the 14-line structure of a sonnet, guiding audiences through a pagan year with its unfolding seasons, solstices and equinoxes. 

The four elements – Fire, Air, Water and Earth – will be explored through the lens of TS Eliot’s Four Quartets and staged in four historic moorland churches: St Hilda’s, Danby; St Hedda’s, Egton Bridge; St Michael’s, Coxwold, and St Mary’s, Lastingham. Ten concerts will be held in an acoustically treated venue in the grounds of Welburn Manor, near Kirkbymoorside. For the full programme, go to northyorkmoorsfestival.com. Box office: 07722 038990 or email bookings@northyorkmoorsfestival.com.

The Smashing Pumpkins: Heading to Scarborough on Aghori Tour next Wednesday

Coastal gig of the week: Smashing Pumpkins and White Lies, TK Maxx Presents Scarborough Open Air Theatre, August 13, gates 6pm

AMERICAN alternative rockers The Smashing Pumpkins play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums worldwide and collected two Grammy Awards, seven MTV VMAs and an American Music Award. Box office: ticketmaster.co.uk.

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Pick Me Up Theatre to stage York premiere of five-time Tony award winner Fun Home at York Medical Society in September

Libby Greenhill’s Medium Alison, Hattie Wells’s Young Alison and Claire Morley’s Aliso in Pick Me Up Theatre’s Fun Home. Picture: Matthew Kitchen

YORK company Pick Me Up Theatre will stage Jeanine Tesori and Lisa Kron’s award-garlanded musical Fun Home at the York Medical Society, Stonegate, York, from September 10 to 19.

Please note, the seating capacity is only 40, so prompt booking is advised at ticketsource.co.uk/pickmeuptheatrecom for this electrifying version of Alison Bechdel’s graphic novel.

The winner of five Tony Awards on Broadway, Fun Home opened at the Young Vic, London, in 2018 to sell-out audiences. Now comes its York premiere, directed and designed by Robert Readman.

Dale Vaughan’s Bruce, Alison’s father in Pick Me Up Theatre’s Fun Home. Picture: Matthew Kitchen

Meet Alison at three stages of her life as memories of her 1970s’ childhood in a funeral home merge with her college love life and her coming out.

When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality and the looming, unanswerable questions about her father’s hidden desires.

Director Robert Readman was thrilled when the rights to Fun Home became available.  “I jumped at the chance to produce this amazing musical – it is such a moving and unusual story and I love the score and the book,” he says.

“Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes as Alison looks back on her complex relationship with her father and finds they had more in common than she ever knew.

Pick Me Up Theatre’s poster for next month’s production of Fun Home at York Medical Society

“It’s a remarkable show that won Tony awards for best musical, score, book, leading actor and direction, and we’re very lucky to have such a magnificent, tight cast to bring to life Alison Bechdel’s best-selling book, based on her own life. And I feel the atmospheric, very intimate venue of the York Medical Society will work so well for our production.”

Readman’s cast will be led by Claire Morley as Alison, Libby Greenhill as Medium Alison and Hattie Wells as Young Alison, joined by Catherine Foster as Helen,  Dale Vaughan as Bruce, Alison’s father, Teddy Alexander as John, Oliver Smith as Christian, Britney Brett as Joan and the multi-role-playing Cain Branton as JRoy/Pete/Mark/Bobby. Natalie Walker is the musical director.

Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees Content guidance: Themes of LGBTQ+, suicide and strong language. Parental guidance: 12 plus. Box office: ticketsource.co.uk/pickmeuptheatre.com.

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National tour of James Graham’s Dear England to play Leeds Grand Theatre, Sheffield Lyceum and Bradford Alhambra

The cast on the first day of rehearsals for the 2025-2026 tour of James Graham’s Dear England, visiting Leeds, Sheffield and Bradford. Picture: Justine Matthew

THE National Theatre’s 2025-2026 tour of James Graham’s Dear England – “the Gareth Southgate play” – will visit Leeds Grand Theatre from November 4 to 8.

Further Yorkshire runs are booked into Sheffield Lyceum Theatre from October 21 to 25 and Alhambra Theatre, Bradford, for February 17 to 21 2026.

Heading the cast will be David Sturzaker as England manager – and knighted Harrogate resident – Gareth Southgate, alongside EastEnders and Mount Pleasant actress Samantha Womack in the role of team psychologist Pippa Grange.

Directed by Almeida Theatre artistic director Rupert Goold, the cast also features returnees Jass Beki as Bukayo Saka; Courtney George as Alex Scott; Tom Lane as Eric Dier and Miles Henderson in Ensemble roles.

David Sturzaker: Playing Gareth Southgate in Dear England, on tour in 2025-2026. Picture: Michael Shelford

Joining them will be company newcomers Jake Ashton-Nelson as Jordan Henderson; Luke Azille as Jadon Sancho; Ian Bartholomew as Greg Dyke; Ashley Byam as Raheem Sterling; Steven Dykes as Sam Allardyce; Oscar Gough as Harry Kane; Jayden Hanley as Marcus Rashford; Connor Hawker as Harry Maguire; Ian Kirkby as Gary Lineker; Jack Maddison as Jordan Pickford; Liam Prince-Donnelly as Dele Alli and George Rainsford as Mike Webster. In the squad too are Stuart Ash, Natalie Boakye, Sam Craig and Jonathan Markwood.

Premiered in June 2023, Graham’s inspiring, at times heartbreaking and ultimately uplifting story of Gareth Southgate’s revolutionary tenure as England football manager won the 2024 Olivier Award for Best New Play, en route to breaking box-office records in its West End run.

Dear England charts Southgate’s impact when taking over from Sam Allardyce in 2016. As the play’s synopsis puts it: “It’s time to change the game. The country that gave the world football has since delivered a painful pattern of loss. The England men’s team has the worst track record for penalties in the world, and manager Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take team and country back to the promised land”.

The tour will visit 16 venues from September 15 2025 to March 14 2026 in a co-production with Josh Andrews and Stuart Galbraith for JAS Theatricals. Goold is joined in the production team by set designer Es Devlin, whose credits include Beyonce’s Renaissance world tour and The Lehman Trilogy at the National Theatre, along with costume designer Evie Gurney; lighting designer Jon Clark; co-movement directors Ellen Kane and Hannes Langolf; video designer  Ash J Woodward, and co-sound designers Dan Balfour and Tom Gibbons.

Samantha Womack: Playing team psychologist Pippa Grange in Dear England. Picture: Michelle George

They are joined by tour revival director Connie Treves; revival movement director Tom Herron; casting director Bryony Jarvis-Taylor; associate set designer Alice Hallifax; associate lighting designer Ben Jacobs; associate video designer Libby Ward; associate sound designer Johnny Edwards; casting associate Lilly Mackie and resident director Dan Hutton.

The National Theatre will run a year-long schools engagement programme inspired by Gareth Southgate’s “Dear England” open letter that he wrote to England fans in 2021.

This programme, designed to prompt young people to reflect on their own place in history, just as the footballers in Southgate’s squad were encouraged to do, comes in response to 2025 being the 80th anniversary of the end of the Second World War.

It will be delivered to 10,000 pupils in schools across England at assemblies and workshops, using spoken word and sound design to support students to share the hopes and aspirations they have for themselves, and other young people, 80 years from now.

The cast of Dear England at the National Theatre this spring. Picture: Marc Brenner

The resulting sound archive will form a 2025–2026 time capsule. In addition, students will be invited to attend performances of Dear England during the tour.

Dear England was commissioned by the National Theatre and developed with the theatre’s New Work department for its world premiere on June 20 2023 in the Olivier theatre.  A sold-out run was followed by a transfer to the Prince Edward Theatre, London, from October 9 2023 to January 13 2024, where box-office records were broken.

Dear England was released to cinemas through National Theatre Live on January 24 2024 and has been screened almost 2,500 times across the UK.

In February 2024, the BBC announced its commission of a four-part drama of Dear England, based on the stage production, for BBC One and BBC iPlayer.

Tane Siah’s Bukayo Saka and Gwilym Lee’s Gareth Southgate in Dear England at the National Theatre this spring. Picture: Marc Brennen

Graham’s play returned to the National Theatre in Spring 2025, updated to reflect the UEFA Euro 2024 tournament, Southgate’s final chapter as England manager that ended, spoiler alert, with defeat to Spain in the final. The regional premiere was staged in a four-week run at The Lowry, Salford, that opened on May 29.

The 2025/2026 national tour is supported by Incentivising Touring: Repayable Grants for Theatre and Dance, a pilot scheme developed by Arts Council England to support larger-scale productions to tour to regional venues.

Dear England was among the first to receive a share of more than £2million as part of the first round of the scheme, designed to create the opportunity for more people to see high-quality shows close to where they live.

Tickets for Leeds are on sale on 0113 243 0808 or at leedsheritagetheatres.com; Sheffield, sheffieldtheatres.co.uk/lyceum; Bradford, bradford-theatres.co.uk/alhambra-theatre.  

Did you know?

JAMES Graham’s last play to visit Leeds Grand Theatre was his stage adaptation of Alan Bleasdale’s Boys From The Black Stuff from May 13 to 17 2025.