York Actors Collective play doctors and nurses in Nina Raine’s hospital drama Tiger Country at Theatre@41 from tomorrow

Victoria Delaney, left, and Clare Halliday in a scene from York Actors Collective’s production of Tiger Country

NINA Raine’s hospital drama Tiger Country derives its title from a term used in surgery. When operating near a big blood vessel, a surgeon is in dangerous territory and might warn the team: “Careful, you’re approaching tiger country”.

Premiered at a sold-out Hampstead Theatre in 2011, this meticulously researched play was last staged in its revival at the London theatre in 2014. Now, Angie Millard gives it a contemporary, post-Covid setting in its York premiere by her York Actors Collective (YAC) company, with advice from a couple of medics to update it.

“I read a lot of plays to find something that’s suitable for YAC to stage. I don’t do potboilers. I do plays that interest me. If I’m going to make theatre as a hobby, I’m not doing soap opera material! After reading Tiger Country I thought, ‘wow, I must do this play’. It’s so different from anything I’ve done before,” says Angie, who has undergone hospital surgery herself recently.

 “It’s about doctors, which struck me as interesting, as in so many plays, or if you watch Holby City or Casualty on TV, you empathise with the patients. The last play I could think of that touched on this subject was Peter Nicholls’ black comedy, The Health Health [or Nurse Norton’s Affair] at the National Theatre, and that was decades ago [1969, to be be precise].

Madusha Ferdinando: Sri Lanka-born actor and ward nursing assistant, who will perform in Tiger Country

“Raine’s play sees it from the surgeons’ point of view, drawing attention to the effect the pressures have on the medical staff’s daily life, and I’ve never seen a play that’s done that before. As with the TV dramas, you don’t ‘go home’ with the surgeons and see the impact on their home lives that way, but you hear them talk about it in the mess. You really feel for the medics.”

For research, Oxford-educated theatre director and playwright Raine spent months embedded in an urological surgeon’s surgical team, learning about the mechanics of a hospital and what makes doctors and surgeons tick.

The resulting play considers doctors’ dilemmas as a range of clinical and ethical issues come under the spotlight in a busy hospital. Professionalism and prejudice, turbulent staff romances, ambition and failure collide in a frank account of the dedicated individuals that keep our overburdened health service going.

“It’s hard to direct and to perform because it’s almost cinematic in its style,” says Angie. “Characters will come on, do one quick scene and then they’re off again, so it’s fast-paced dialogue to match what’s happening.”

Mick Liversidge, left, and Chris Pomfrett in rehearsal for York Actors Collective’s York premiere of Tiger Country

In the cast at Theatre@41, Monkgate, from tomorrow are Victoria Delaney, Madusha Ferdinando, Clare Halliday, Mick Liversidge, Xandra Logan, Laurence O’Reilly, Chris Pomfrett and Lucinda Rennison.

“I said I wouldn’t do this play if I couldn’t find actors from different cultures because the NHS is so diverse in its ethnicity. Thankfully I found Madusha Ferdinando through the York Mystery Plays Supporters Trust.

“He was an actor in Sri Lanka before coming here, and then played a king in A Nativity for York. He’s a comic actor at heart, who plays the doctor who’s the joker in our play.

“The rest of the cast is like a rep company of regulars, and they don’t let me down. They know that I only work for eight weeks on each play, where I like the rehearsals to be intense.”

Several cast members work in the health service in various roles – community nurse (Chris Pomfrett), ward nursing assistant (Madusha Ferdinando) and Equality, Diversity and Inclusion (Laurence O’Reilly, at Northern General Hospital, Sheffield), all helping to conjure up a credible portrait of hospital life.

On call: Xandra Logan in a scene from Tiger Country

“They’re aware of what it takes to work in the hospital environment, so it’s been handy to have them on board,” says Angie. “Chris, for example, worked with his consultant, who took him through all the procedures he needs to do in the play. We also consulted with a medical advisor and resuscitation officer to help the team learn how to manage procedures.

“They were shown how to mime stitching, draining a lung and general examination techniques. I don’t think anyone realised how tricky it all is. The trick on stage is to get all the ‘mimes’ correct and not do them in a fussy way.”

Angie has paid for a torso and head from the British Heart Foundation. “It’s usually used to teach CPR, and we do have CPR in one scene after a heart attack. We put a wig on the head and it does look quite real as the torso bounces up and down!” she says. “Earlier in rehearsals we had to use a rolled-up duvet!”

Assembling the set has been “fun”. “It features hospital beds and operating tables, which would cost £500 even to hire, so I got beds that are used by massage therapists – I bought two on the internet – and  some tables and chairs that could be used in the NHS or in the mess,” says Angie.

“Whatever we couldn’t manage to get in the way of items, we learnt how to use mime for them, like scalpels or oxygen supplies. You will be watching a dramatic theatrical representation. That’s the point of theatre!”

York Actors Collective in Tiger Country, Theatre@41, Monkgate, York, May 27 to 31; tomorrow to Friday, 7.30pm; Saturday,  2.30pm and 6pm. Box office: tickets.41monkgate.co.uk.

How Miles Salter turned Love Bites rejection into debut play One Step Beyond, a story of marriage, midlife and Madness

Ready to go One Step Beyond: left to right, Liz Quinlan, Chris Meadley, Stuart Green, director Jon Mills, Jess Murray and Pamela Gourlay

YORK poet, songwriter, journalist, podcaster and festival director Miles Salter is adding playwriting to his cultural tool bag.

His debut short play, One Step Beyond, will be staged by York Settlement Community Players in a sold-out run at the Black Swan Inn, Peasholme Green, York, from tonight (26/05/2025) to Wednesday.

“It started life as a short monologue several years ago. It’s a bit Nick Hornby meets John Godber. I like the humour in it. All men are a bit nerdy about something. I enjoyed writing it. I think it’s good fun,” says Miles in a aptly short summation. 

One Step Beyond is being directed by Harrogate filmmaker, scriptwriter, prop and set designer and promo video producer Jon Mills in his directorial debut under YSCP’s nurturing project The Direct Approach.

Meet Steve and Kerry: married for a long time, but Steve’s vinyl collection, Madness to the max,  may tear them apart. Luckily they have a counsellor…and Steve’s friend Boring Ryan on hand to help them out. It must be love, love, love.

Steve (played by Stuart Green) is “a man in his 40s or 50s, depending on how many pints he’s had. Content and uncomplicated,” says Miles. “Kerry (Pamela Gourlay) is a woman in her 40s or 50s, depending on how much sleep she’s had. Pin-sharp and unfulfilled.

“Boring Ryan (Chris Meadley), Steve’s friend, is that mate we all have but we’re not sure why. Counsellor Marcia(Liz Quinlan) is a professional listener who can still – just – see the bright side.

“Our fifth character, Jen (Jess Murray), runs a ceramics class. She exudes warmth and calm, like a Zen hot-water bottle.”

Seeds were seen for One Step Beyond in 2021 when invited Miles was among more than 200 York artists who applied for £1,000 love letter commissions to be staged at York Theatre Royal in Love Bites on May 17 – the first day theatres could reopen after lockdown restrictions were first lifted  – and May 18 in a celebration of the creative talent across the city.

“I wrote a ten-minute piece, originally called It Must Be Love, about a bloke talking about his midlife crisis, his wife and his love of Madness, ” he recalls. “Juliet [Theatre Royal creative director Juliet Forster] said ‘close, but no cigar’.”

Hey you! Don’t watch that, watch this! It’s the heavy-heavy-monster sound of a brand new play, Miles Salter’s One Step Beyond

Rejection did not deter him. “Last year I went to one of Settlement’s summer sessions, where I saw a play about two people watching their child in the park and it turns out one is a ghost. Anyway, after that, I started writing It Must Be Love about Steve and Kerry.

“He’s obsessed with Madness; she’s a control freak. Their marriage has lost its spark and energy, and so they go to see a therapist, Marcia, who’s rational and almost like a Greek chorus, connecting the action and saying ‘when are you two going to wake up?’.

“It’s fun, not particularly profound, and it’s very influenced by John Godber’s plays and Nick   Hornby’s writing.

“At first I wondered if I was being a bit unoriginal, but I decided I wasn’t! Everything is influenced by something else, isn’t it. The play has as many laughs as possible in there, and it abides to that thing of not taking yourself too seriously.”

Miles quoutes a  “very good piece of advice” he received. In a nutshell, “Make’em laugh. Make’em cry. Make’em wait.” “Every good writer understands that. When I write, I don’t want it to be too dark or too light. That’s what life is: funny and ridiculous, but also sad and melancholy and beautiful – and that’s what you’ll find in my poetry too.

“Life is a crazy, strange mixture. One moment you’re sad, and then you’ll hear a funny story and you’re laughing your head off. My play reflects that.”

One Step Beyond takes its title from Madness’s 1979 debut album and second hit single, but it also nods to another meaning of that phrase. “One of the things about therapy is that it’s quite a brace thing to do. A lot of people avoid it. Only a relatively small number of men will go to counselling or therapy.

“It occurred to me, that thing of going one step beyond what you think you’re capable of. Be brave, go for it, whereas if we don’t try things, we can get terribly stuck in our little worlds, which is kind of sad. As the therapist says. ‘it’s sad people when people give up, it’s too easy to do that’.”

You could say that writing One Step Beyond was a case of doing exactly that by taking the step beyond after Miles missed out on selection for Love Bites. Once bitten, but not twice shy.

York Settlement Community Players in Miles Salter’s One Step Beyond, Black Swan Inn, Peasholme Green, York, May 26  to 28, 7.30pm. Tickets update: SOLD OUT.

Writer Miles Salter

Miles Salter: the back story

WRITER of poetry, journalism, fiction and songs since 1990, when he first came to York as a student of English Literature and Drama.

His CV includes stints as presenter of The Arts Show on Jorvik Radio and director of York Literature Festival and York Alive festival. Host of York Calling podcast.

Fronts York rock and Americana band  Miles And The Chain Gang.  

Jon Mills: the back story

ORIGINALLYfrom Birmingham. Studied English at University of Leeds before settling in Harrogate.

Background in film-making and scriptwriting. Now rekindled his interest in theatre, creating props and sets for York Settlement Community Players’ productions of Separate Tables and Picasso At The Lapin Agile, along with York Mystery Plays’ A Creation for York and A Nativity for York.

Produced promo videos for YSCP productions. One Step Beyond marks his directorial debut under YSCP’s Direct Approach scheme.

More Things To Do in York and beyond as wizards and Stars Wars take over. Here Hutch’s List No. 21 from The York Press

The Wizard of York, Dan Wood, sets his spellbinding WizardFest in motion for three magical days. Picture: The Story Of You

NOT only a new festival of wizardry, but Charles Hutchinson has plenty more wizard ideas too for the Bank Holiday weekend and beyond the wand.

Enchanting festival of the week:  WizardFest, waving a wand over York, today to Monday

ORGANISED by The Wizard of York, Dan Wood, York’s first ever festival of wizardry promises 25 activities, events, workshops and fantastical food and drink, featuring  the city’s most magical businesses.

Highlights include Wizard Walk of York walks; a Brick Magic LEGO workshop; screenings of the first three Harry Potter films at City Screen Picturehouse; Professor Kettlestring’s Puzzling World needing  help to defeat dark wizard Mortius Darktrix; The Cat Gallery’s Black Cat Trail and Make It York’s Owl Trail; Monday’s Magical Night Market at Shambles Market and a fancy dress parade between St Helen’s Square and York Minster at 3pm on Monday. Plan your magical itinerary and make bookings at wizardwalkofyork.com/wizardfest.

York Printmakers’ poster for the 2025 Festival of Print

“More than an exhibition” of the week: York Printmakers, Festival of Print, 22 High Petergate, York, until July 20, open every Friday and Saturday, 10am to 5pm, and Sundays, 10am to 4pm

YORK Printmakers celebrate creativity, craft and community in a curated exhibition of original prints, from linocut and etching to screenprint and collagraph, complemented by demonstrations, talks and workshops. Visitors can explore the stories and processes behind each piece and meet the makers behind the art.

“This year’s festival is more than an exhibition,” say the organisers. “It’s an invitation to discover, to ask questions and to support York artists keeping traditional and contemporary printmaking alive.” Entry is free.

Festival Of The Force: The Star Wars convention from another galaxy, here in York

Film convention of the week: Festival Of The Force, York Railway Institute, Queen Street, York, Sunday, 10am to 5pm

MAY the Force be with you for this Star Wars convention, Festival Of The Force, whose mission is to deliver an immersive experience in celebration  of the Star Wars universe while building a strong sense of community among collectors, fans, and cosplayers of all ages. Look out for a galaxy of merchandise, celebrity appearances and fan-led events. Box office: eventbrite.co.uk/e/festival-of-the-force-tickets.

Wanted in York: Julian Clary swaps guns for puns and putdowns in A Fistful Of Clary on Sunday

Camp sight of the week: Julian Clary in A Fistful Of Clary, Grand Opera House, York, Sunday, 7.30pm

JULIAN Clary goes Western as he saddles up for entendres at the double, sure that the men in the audience won’t be able to keep their hands off his Rawhide.

The lucky few will play with him on stage in the Hang‘em Low saloon, but life in the Old West was tough. Not all of Julian’s wild bunch will be around to witness the final shoot-out when he gives himself selflessly at high noon to the last man standing. Tickets update for Clary’s pun fight: still available at atgtickets.com/york.

Sophie Ellis Bextor: Disco nights at York Barbican and York Racecourse

Dancefloor diva at the double: Sophie Ellis Bextor, York Barbican, May 26, Spring Bank Holiday Monday, 7.30pm; York Racecourse Music Showcase Weekend 2025, July 25, after 8.23pm last race  

“IT will be wonderful to bring the disco fun to everyone,” says Sophie Ellis Bextor, lockdown queen of the Kitchen Disco online sessions, as she heads to York twice. Buoyed by Murder On The Dancefloor’s appearance in the final scene of Emerald Fennell’s film Saltburn returning her 2001 smash to number two in the UK charts, she takes to the road with a career-spanning set also featuring  Groovejet (If This Ain’t Love), Take Me Home (A Girl Like Me) and Freedom Of The Night.

The former lead singer of theaudience will be joined by special guest Natasha Bedingfield for the post-racing concert on Knavesmire in July. Box office: yorkbarbican.co.uk (last few tickets); yorkracecourse.co.uk.

Jon Mills’s cast for Miles Salter’s short play One Step Beyond, premiering at the Black Swan Inn next week

Premiere of the week: Yortk Settlement Community Players presents Miles Salter’s One Step Beyond, Black Swan Inn, Peasholme Green, York, May 26 to 28, 7.30pm

STEVE and Kerry have been married a long time. Steve’s vinyl collection may tear them apart. Luckily they have a counsellor…and Steve’s friend Boring Ryan on hand to help them out. It must be love, love, love. Jon Mills directs Stuart Green, Pamela Gourlay, Liz Quinlan, Chris Meadley and Jess Murray in York writer Miles Salter’s short play for YSCP’s Direct Approach project. Tickets to enter this House of Fun:  £5, pay on the door, cash or card.

Victoria Delaney, left, and Clare Halliday in rehearsal for York Actors Collective’s production of Tiger Country at Theatre@41, Monkgate

Hospital drama of the week: York Actors Collective in Tiger Country, Theatre@41, Monkgate, York, May 27 to 31, 7.30pm, Tuesday to Friday; 2.30pm and 6pm, Saturday

NINA Raine’s doctors-and-nurses drama, last performed at Hampstead Theatre, London, in 2014, is revived by Angie Millard’s company York Actors Collective.

This fast-paced play considers doctors’ dilemmas as a range of clinical and ethical issues come under the spotlight in a busy hospital. Professionalism and prejudice, turbulent staff romances, ambition and failure collide as Raine depicts an overburdened health service and the dedicated individuals that keep it going. Box office: tickets.41monkgate.co.uk.

Nick Mohammed’s alter-ego, Mr Swallow, in Show Pony, cantering into the Grand Opera House next week and in the autumn. Picture: Matt Crockett

Comedy gig of the week: Nick Mohammed Is Mr Swallow in Show Pony, Grand Opera House, York, May 28 and October 23, 7.30pm

COMEDIAN, writer, Ted Lasso regular and Taskmaster loser Nick Mohammed transforms into his alter-ego, Mr Swallow in Show Pony, a new show that will “cover everything from not having his own sitcom to not having his own sitcom… and everything in between (critical race theory). As per – expect magic, music and a whole load of brand-new mistakes”.  Box office: atgtickets.com/york.

Sir Tim Rice: Mulling over a life in musicals at the Grand Opera House, York

Musical knight of the week: Sir Tim Rice, My Life In Musicals – I Know Him So Well, Grand Opera House, York, May 29,7.30pm

LYRICIST supreme Sir Tim Rice reflects on his illustrious career at the heart of musical theatre, sharing anecdotes behind the songs, both the hits and the misses, complemented by stories of his life and live performances by leading West End singers and musicians, led by musical director Duncan Waugh. Box office: atgtickets.com/york.

More Things To Do in York and beyond Gary Oldman’s exit stage left, minus bananas. Hutch’s List No. 20, from The York Press

Bull: “Reverse headlining” Sunday’s bill at the By The Blue Bridge Festival on the Arts Barge

First published on May 17 2025

AS the Arts Barge launches a new season and Mikron head to an allotment, Charles Hutchinson welcomes signs of the summer season ahead.

Festival of the week: By The Blue Bridge, Arts Barge, Foss Basin, York, today (17/5/2025) and tomorrow

BULL bassist, illustrator and designer Kai West and Rowan & Friends curator and frontman Rowan Evans launch the Arts Barge’s 2025 season with the By The Blue Bridge festival of music and art.

Today features free workshops from 11am to 2pm, including Water Poetry with Becca Drake, Digital Plotting with Des Clarke and a Sound Workshop led by a collective from the Hague. Musical acts from 3pm will be Sinead Una, Rowan & Friends, Captain Starlet, Gaia Blandina, Slagroom, Des Clarke, Gabriella Hunzinger and The Rattlers.

Sunday’s theme is “Folky and Weird”, kicking off with an open-mic session from 12 noon to 2pm, followed by “reverse headliners” Bull at 4pm, plus Oli, We Are Hannah, Mugwort, Kirk, Big Rain In The Morning, The Caterpillars and headliners Milkweed. Box office https://wegottickets.com/f/13779/.

Bella Gaffney: The Magpies’ folk musician plays solo at Rise@Bluebird Bakery tonight. Picture: Esme Mai

Folk gig of the week: Bella Gaffney, Rise@Bluebird Bakery, Acomb, York, tonight (17/5/2025), 7.30pm

FOLK troubadour and guitarist Bella Gaffney, one third of The Magpies, weaves together original compositions and traditional tunes from British folk and Americana traditions, as heard on her 2023 album Reflections. Support act Jake Robinson sings soulful interpretations of folk classics and jazz-inspired originals. Box office: eventbrite.com/e/bella-gaffney.

This summer, The Magpies will be hosting their annual festival at Sutton Park, Sutton on the Forest, near York, on August 8 and 9. Tickets are on sale at themagpiesfestival.co.uk.

Mikron Theatre Company actor-musicians Georgina Liley, left, James McLean, Robert Took and Catherine Warnock in Operation Beach Hut, on tour at Scarcroft Allotments, York, on Sunday. Picture: Robling Photography

Outdoor entertainment of the week: Mikron Theatre Company in Operation Beach Hut, Scarcroft Allotments, Scarcroft Road, York, Sunday (18/5/2025), 2pm

HARVEY Badger’s Operation Beach Hut whisks Sunday afternoon’s audience away to the golden sands of Fiddling-On-Sea for the annual Best Beach Hut competition as stressed-out city dweller seeks solace by the sea. As the competition day draws closer, the history of the seaside floats to the surface, washing up a host of characters and stories from centuries gone by. Soon Holly realises far more is at stake than a prize for best beach hut.

Marianne McNamara’s cast of four actor-musicians, Georgina Liley, Robert Took, Catherine Warnock and returnee James McLean, combine Marsden company Mikron’s theatrical trademarks of storytelling, original songs and live music with the guarantee of a whale of a time. No tickets required; a pay-what –you-feel collection will be taken post-show.

Harry Hill: New Bits & Greatest Hits shake up the Grand Opera House on Sunday fun day

Get on board the laughter train: Harry Hill, New Bits & Greatest Hits, Grand Opera House, York, Sunday (18/5/2025), 7.30pm

JOIN Harry Hill on his on his Diamond Jubilee lap of honour in celebration of 60 glorious years of fun, laughter and low-level disruption. Marvel as he offers new insights into the hot topics of the day from the culture wars to the origins of Tiramisu.

Guffaw with delight as big-collared Harry delves into his back catalogue, using his patented Old Bit Randomiser tom reactivate old favourites. Look out for son Gary, Stouffer The Cat, the Badger Parade with guest appearances from The Knitted Character and Abu Hamster, plus the chance for one lucky audience member to join Harry in a double act. Box office: for returns only, atgtickets.com/york.

Nikita Kuzmin: From Strictly Come Dancing star to Cinderella-style dance drama of star-crossed lovers in Midnight Dancer

Dance drama of the week: Nikita Kuzmin in Midnight Dancer, Grand Opera House, York, May 20, 7.30pm

STRICTLY Come Dancing’s Ukrainian star dancer and choreographer Nikita Kuzmin leaps into York in his debut British and Irish solo tour: “a fairytale ball like no other and a night full of music, sequins, and world- class dancing”.

A company of dancers and West End singer Rebecca Lisewski join him in a classic romance story as two star-crossed lovers meet only to be torn apart in this modern-day Cinderella dance drama. Will they reunite at the masked ball, or will real life put an end to their fairytale fantasy? Box office: atgtickets.com/york.

Sisters doing it for themselves: Hayley Bamford’s Deloris Van Cartier, centre, leading the nuns in song in Sister Act: A Divine Musical Comedy

Nun better musical of the week: York Musical Theatre Company in Sister Act: A Divine Musical Company, Joseph Rowntree Theatre, York, May 21 to 24, 7.30pm plus 2.30pm Saturday matinee

KATHRYN Addison directs York Musical Theatre Company in Alan Menken’s American musical with Hayley Bamford in the sassy role of “novice nun” Deloris Van Cartier.

When club singer Deloris witnesses nightclub owner Curtis Jackson (Zander Fick), commit murder, the police hide her in a convent, where she meets the Mother Superior (Kirstin Grififths) and an ensemble of 22 nuns. Cue multiple upbeat numbers as friendships grow and the convent is saved from financial ruin. Hallelujah!  Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Switch way now? Thomas Frere and Cal Stockbridge in Clap Trap Theatre’s Switcheroo, the play told two ways, as comedy, then in serious mode. Picture: Jay Sillence

Role-swapping play of the week: Clap Trap Theatre in Switcheroo, York Theatre Royal Studio, May 22 to 24, 7.45pm and 2.30pm Saturday matinee. Post-show discussion, May 23. Also Hemsley Arts Centre, May 31, 7.30pm

TOM Needham’s play Switcheroo is based on the simple premise that “it’s not what you say, it’s the way that you say it”. Presented by Ryedale company Clap Trap Theatre, the story follows three siblings who, when it comes to scattering their mother’s ashes, are hit with a bombshell revelation that turns their world upside down.

The first act is a full-blown, larger-than-life comedy, whereupon the actors swap characters to repeat it as a serious drama. Paul Birch directs a cast of Thomas Frere (Alex/Sam), Clap Trap co-founder Cal Stockbridge (Sam/Pat) and Dominic Goodwin (Pat/Alex). Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.

Paul Chowdhry: On tour in Englandia at York Barbican on Friday

Comedy gig of the week: Paul Chowdhry, Englandia, York Barbican, May 23, 7.30pm

PAUL Chowdhry, the most successful British Indian stand-up comedian in British history, heads to York on his 41-date itinerary. “After more than a quarter of a century and half my

life on comedy stages, it’s time for my biggest tour ever,” says The Paul Chowdhry PudCast podcaster. “I hope to see you there. If not, I’ll be in massive debt and doing benefit gigs for the foreseeable future.” To help Chowdhry avoid that scenario, book tickets at yorkbarbican.co.uk.

Neigh sayer: Elf Lyons horsing around at Theatre@41, Monkgate

Horse show of the year: Elf Lyons: Horses, Theatre@41, Monkgate, York, May 23, 8pm

WELCOME to the first ever comedy show performed entirely by a horse. Made by award-winning comedian, clown, theatre practitioner and teacher Elf Lyons, performed by Treacle. Horse box office: tickets.41monkgate.co.uk

REVIEW: Clap Trap Theatre in Switcheroo, York Theatre Royal Studio, tonight and tomorrow, comedy ***, straight ****

Dominic Goodwin’s Pat, left, and Thomas Frere’s Alex in Clap Trap Theatre’s Switcheroo, played comically

SWITCHEROO writer Tom Needham is a BAFTA-nominated North Yorkshire playwright and scriptwriter who lives on a very small farm with, at the last count, three cats, three dogs, six ducks, seven chickens, five pigs, two horses, two turkeys, two llamas and one conure parrot by the name of Pearl.

He has an impressive writing stock too with 100-plus theatre and TV credits: 65 episodes of The Bill over 25 years; episodes of Casualty, EastEnders,  Wycliffe, Dangerfield, Dalziel & Pascoe, Silent Witness and more, plus his own series, Cold Blood and children’s show Retrace.

Needham is in his 13th year of writing for Ryedale company Clap Trap Theatre, Switcheroo being the latest addition to the ghost story The Room Upstairs, The Wrecker, The Rape Queen, Impact and Blindfold.

Rehearsed in Needham and company co-founder Cal Stockbridge’s converted barn near Pickering, shared with a small colony of bats, Switcheroo is heading out on a month-long tour, opening at York Theatre Royal Studio this week and running until June 24.

Directed by Riding Lights Theatre Company artistic director Paul Birch, opening night timer in hand, Switcheroo is spun on a simple premise: “It’s not what you say, it’s the way that you say it”. 

Three squabbling siblings, stuck in the mud of midlife, are confronted by a bombshell revelation in their mother’s will when charged with the task of scattering her ashes.

In keeping with the two faces of theatre, the play is first played out as a rollicking comedy, nudging into farce. Post-interval, the same play, the same dialogue, is replayed seriously seriously by the same actors, but now playing different roles, having done their own switcheroo.

And the way they say it most definitely changes, to the point where you wonder how it could ever have been a comedy in the first place, such is the impact in particular of Dominic Goodwin’s embittered, drunk, wounded Alex, the one who had looked after their mother in her last days.

Cal Stockbridge’s Pat in Switcheroo, played seriously straight

It would be wrong to divulge the plot, but let’s just say it forces Alex, Sam and Pat to confront their past, their relationships, their parental bonds, what is true, what is false, as family secrets bubble to the surface.

Thomas Frere transfers from wild-haired, wild-eyed, heavy-drinking Alex, shirt buttoned erratically, to the uptight, neat, trim, testy Sam, trying to hold things in check. Cal Stockbridge transforms from guarded, glacial Sam to exasperated Pat.

Goodwin, always a larger-than-life presence on stage, all the more so here, changes from the spoilt child of the family to the emotionally bruised Alex, albeit that both his characterisations are marked by self-pity.

Just wondered: could the production do its own switcheroo, where one performance is comedy first, then straight drama post-interval, and the next night would be played vice versa?

Needham answers that question in his programme note: “For a long time, I thought the straight version should go first and then be hammed up in the second, but it just didn’t work that way round.

“The straight version has to be performed second because we learn so much more from it – it contains the pain, the emotion and the truth.”

How right he is, but so too is his observation that Switcheroo is “two completely different plays. And yet, it isn’t.”

Clap Trap Theatre in Switcheroo: A Story Told Twice, York Theatre Royal, tonight, 7.45pm; tomorrow, 2.30pm and 7.45pm, all sold out; Helmsley Arts Centre, May 31, 7.30pm; The Old Dining Room, Thirsk Hall, Thirsk, June 5, doors from 6pm; Georgian Theatre Royal, Richmond, June 6 and 7, 7.30pm; Hutton Rudby Village Hall, June 8, 7.30pm; Askrigg Temperance Village Hall, Leyburn, Wensleydale Community Arts Festival, June 11, 7.30pm; Birdsall House, Birdsall, Malton, June 24 (no details available).

Box office: York, for returns, 01904  623568 or yorktheatreroyal.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk; Thirsk, thirskhall.com/events; Richmond, georgiantheatreroyal.savoysystems.co.uk. For Hutton Rudby and Askrigg, go to claptraptheatre.com/2025-tour/. For Birdsall, phone 01944 316000.

REVIEW: York Musical Theatre Company in Sister Act, A Divine Musical Comedy, Joseph Rowntree Theatre, York ****

Hayley Bamford’s Deloris Van Cartier, now hiding as Sister Mary Clarence, centre, in York Musical Theatre Company’s Sister Act, A Divine Musical Comedy. Picture Lucy Baines, Joy Photography

AFTER York Stage Musicals’ York premiere in 2014 and Coronation Street star Sue Cleaver’s Mother Superior and Landi Oshinowo’s Deloris Van Cartier on tour at the Grand Opera House in  2024, Sister Act, A Divine Musical Comedy returns to the city in Kathryn Addison’s hands in 2025.

You can see why companies are making a habit of staging Alan Menken’s Broadway and West End musical spin on Emile Ardolino’s 1992 movie. We know nuns en masse are fun from the film, so full of cheery daftness.

Then add Motown, funk, soul and disco pastiches and even a brief burst of rap by Little Shop Of Horrors’ maestro Menken, lyrics by Glenn Slater and a sassy book by Cheri and Bill Steinkellener, steeped in the original spirit and re-booted with theatrical camp sparkle.

Jack Hooper’s Eddie Souther performing I Could Be That Guy. Picture: Lucy Baines, Joy Photography

It has been the norm for the likes of Alexandra Burke at Leeds Grand Theatre and Cleopatra Rey for York Stage to whoop up the lead role of lounge singer Deloris in the Whoopi Goldberg manner, but the movie part was first offered to Bette Midler.

Step forward Hayley Bamford, and, wham-bam, Bamford still stands out from her fellow wimple wearers, on account of her height, her strut and her soul-filled lung power.

We lose the nods to Richard Roundtree movies, Pam Grier and Shaft, but Addison’s smart production still echoes the American Seventies of Studio 54, Saturday Night Fever and Telly Savalas’s Kojak (although the programme states Act I is set at Christmas 1997 in Philadelphia, New Jersey).

Director Kathryn Addison, right, in rehearsal with Kirsten Griffiths (Mother Superior), right, and Hayley Bamford (Deloris Van Cartier)

Bamford’s Deloris has been placed in protective custody by gun-shy, profusely sweaty cop Eddie Souther (Jack Hooper) after witnessing her cool but cruel mobster lover  Curtis Jackson (Zander Fick) commit murder.

She may sing Take Me To Heaven, but Curtis has taken her closer to hell. Now she must flee from the Mafia’s clutches into the safety and sanctity of the Queen Of Angels convent, whose stained glass frames double as the nightclub decor.

Bamford’s irrepressible Deloris kicks the habits into shape, transferring the sisters’ hapless, off-key singing from doleful into soulful and herself into a divine diva. In doing so, she impresses Monsignor O’Hara (Rob Davies); exasperates the earnest Mother Superior (Kirsten Griffiths, whose singing hits the spectacular heights); re-invigorates the rundown neighbourhood’s church services and coffers, and rekindles the flame in Eddie’s schooldays crush.

Philadelphia mobster Curtis Jackson (Zander Fick, second from left) and his hoodlums, Eddie (Jonathan Wells), TJ (James Dickinson), Pablo (Adam Gill) and Joey (Joe Marucci). Picture: Lucy Baines, Joy Photography

Addison directs with an eye to both individual expression and collective impact, bringing an irreverent edge to the comedy and fabulous flair and fun to the choreography, while musical director John Atkin’s11-strong orchestra are as soulful as James Brown’s band The J.B.’s.

Bamford is feisty, lippy, funny and a natural show leader; Hopper’s amusing Eddie pulls at the heart strings; Eve Clark, in her gap year after A-levels, announces her singing talent as Sister Mary Robert; Fick’s Curtis, with his cigarette-card moustache,  is a matine-idol villain, and Katie Melia, so “super excited to be playing Sister Mary Patrick”, is exactly that in her scene-stealing role.

Look out too for Sandy Nicholson’s Sister Mary Lazarus, rapping in shades, and the bungling badinage of Curtis’s hoodlums, Joe Marucci’s Joey, James Dickinson’s TJ, Adam Gill’s Pablo and Jonathan Wells’s soon-to-be-deadie Eddie. All’s well that ends up Wells, however, as he has three further cameos, topped by a camp flurry as a drag queen.

Sister Act, A Divine Musical Comedy, Joseph Rowntree Theatre, until Saturday, 7.30pm and 2.30pm Saturday matinee. Box office: limited availability on 01904 501935 or josephrowntreetheatre.co.uk.

Mikron Theatre Company must go down to the sea in Operation Beach Hut… at the Scarcroft Allotments

Mikron Theatre Company actor-musicians Catherine Warnock, left, Georgina Liley, James McLean and Robert Took in Harvey Badger’s debut play Operation Beach Hut. Picture: Robling Photography

First published on May 17 2025

MIKRON Theatre Company will tour to 138 venues by van and narrowboat in 2025, none more outdoor than Scarcroft Allotments, their regular fertile ground for quirky comedy, song and enlightenment in York.

The travelling players from the Pennine village of Marsden, West Yorkshire, are on the canal, river and road for a 53rd year from April 4 to October 18 with the world premiere of Mikron acting alumnus Harvey Badger’s debut play, Operation Beach Hut, setting up base camp amid the Scarcroft Road  flowers and vegetable plots on Sunday afternoon.

As is their custom on their pop-up theatre travels to halls, community centres, pubs and village greens , Mikron will pop back to York in the autumn to present a second world premiere, Hush Hush!, wherein Lucie Raine infiltrates the clandestine world of wartime code-breaking to expose the vital contributions of the unsung heroes of Bletchley Park, whose ingenuity and unwavering resolve helped secure victory. More on that world of secrets, cyphers and song later.

First, let’s dig into Operation Beach Hut at the allotments. Badger’s musical will whisk Sunday’s inland audience off to the golden sands of Fiddling-On-Sea for the annual Best Beach Hut competition when stressed-out city dweller Holly seeks solace by the sea.

As the competition draws closer, the history of the seaside floats to the surface, washing up a host of characters and stories from centuries gone by, delivered by Marianne McNamara’s quartet of actor-musicians:  Georgina Liley, Robert Took, Catherine Warnock and familiar face James McLean.

Soon Holly realises far more is at stake than merely a prize for best beach hut in a play that combines Mikron’s signature bright and brisk storytelling with original songs  (composed by musical director Amal El-Sawad with lyrics by Badger).

Guaranteeing you will have a “whale of a time” in Badger’s slice of seaside nostalgia, Marianne says: “This production is a celebration of British seaside culture, filled with heart-warming stories, catchy tunes and plenty of laughter. We’re excited that we have integrated audio description at every performance too.”

Harvey Badger is delighted to be making his Mikron bow as a playwright after touring on board  Mikron’s narrowboat Tyseley as part of the cast for the 2023 productions of Poppy Hollman’s Twitchers and Amanda Whittington’s A Force To Be Reckoned With.

“I was at the opening night, packed out with Mikronites in Marsden, and it’s been lovely to hear how well the play’s going down,” he says.

“This is my first experience of opening a play where I’ve been the one working on it and then handing it over to the director and actors. That was a lovely moment.”

Harvey had studied on the actor musicianship course at Rose Bruford College, in London.“They really push you to try our your own work there,” he recalls. “I wrote music, did little play projects, bits and bobs, nothing that you would call professional, but enjoyable to do.

“Then while I was on tour in 2023, Mikron did a call-out for new writers, and I felt I had the gist of what they’d be looking  for. I submitted an initial application with an idea for a potential show and a sample of the first ten pages  – and it’s pretty much ended up as that play!”

His submission involved two rounds: those opening pages to show his writing style, the patter between characters, the dialogue. “But I still had to show I could handle three acts. So the second round  was more of the structural side, showing how I would develop the character arcs,” says Harvey.

Mikron has a structured way of commissioning plays, where the first two months are given over to research. “I knew the play was always going to be about an out-of-towner, from London, but I’m from Brighton originally, which is where the drive to write this play came from,” says Harvey.

“Having lived in London for eight years now, it’s been lovely to revisit Brighton  – I’m getting married this year and we went to The Lanes in Brighton to get our rings.

“My parents now live in St Leonards on Sea, my grandparents live In Brighton, and I think the love of the sea is embedded in all of us because we’re a small island, where the sounds of the sea and our beaches are inherently part of our culture. It’s a big part of who we are.

“I grew up on the sea front, looking out of the window, seeing the sea every day, so  I find a big sense of calm standing by the sea, feeling very grounded there.”

 Harvey decided it would be important in Operation Beach Hut to represent both those who live all year round by the sea and those who visit. “They are two different communities, and I’m aware of the gentrification of some places that has led almost to ghost towns being created, when people only come for three months of the year when the weather’s good.

“I wanted to show the difficulties but also that if the two communities could support each other, they can create the magic that these places can be. There are no perfect answers, and I don’t think plays are meant to provide answers but to ask lots of questions.”

Mikron Theatre Company in Operation Beach Hut, Scarcroft Allotments, Scarcroft Road, York, Sunday (18/5/2025), 2pm to 4pm. No tickets required; a pay-what–you-feel collection will be taken post-show.

Strictly Come Dancing star Nikita Kuzmin leaps into Grand Opera House in star-crossed modern fairytale Midnight Dancer

Nikita Kuzmin in his debut solo dance spectacular, Midnight Dancer, on tour at the Grand Opera House, York

First published on May 15 2025

STRICTLY Come Dancing’s Ukrainian star dancer and choreographer Nikita Kuzmin leaps into the Grand Opera House, York, on May 20 in Midnight Dancer, his debut British and Irish solo tour.

The Kyiv-born holder of six Italian Championship Latin and Ballroom titles invites you to “a fairytale ball like no other and a night full of music, sequins and world-class dancing” in the company of fellow dancers Sophie Baker, Thomas Charles, Lowri Hamilton, Samuel Lake, Charlotte Lee, Zara Liu, Seamus Mcintosh, Daniel Rae and Andreea Toma.

Joining 27-year-old Kuzmin too will be singer Rebecca Lisewski, who has appeared in Mamma Mia! and Cabaret in the West End and the UK tour of The Spongebob Musical.

Follow the highs and lows of a classic romance story as two star-crossed lovers meet only to be torn apart. Will they reunite at the masked ball or will real life put an end to their fairytale fantasy?

Presenting 2024 Celebrity Big Brother runner-up Kuzmin “like you’ve never seen him before”, Midnight Dancer promises a modern-day Cinderella story with “all of your favourite dancefloor anthems, dazzling costumes and explosive dancing”.

“Whenever I create my shows, I want them to be different, so every detail matters about the narrative,” says Nikita. “I need a narrative, as a dancer, as a creative person, otherwise I don’t see the point if they don’t have a story.

“When I see other shows without a narrative, I feel they get lost. A show can only resonate with me if it has meaning.”

Explaining the roots of his debut solo show, Nikita says: “It was always quite clear to me, I knew where I wanted to go with it, after many years of prepping it, making the show with creative director Tom Jackson Greaves, who I’m working with for the first time.

Nikita Kuzmin in the poster artwork for Midnight Dancer, heading for York on May 20

“We started at the beginning of last year’s Strictly season, and I’ve spent every single day for the last eight months working on it. It’s been a lot of work.”

In putting the show together, “being in my position, you do have the final say, but I do like to listen to other opinions, and we chose what we’re doing as a collective of me, the [creative] director and the company – though I always have quite a say!” says Nikita.

When picking the company of dancers, “I look for characters; I look for different movement, distinguishing one from the other; I look for the sparkle in the eye; the intensity inside the body,” he says.

“It needs technique but I love individuality and to see people move in a way that I wouldn’t necessarily do. To find people who embrace that quality, it’s fantastic.

“I think my job and Tom’s job is to ask ‘when do we want to see the individual, when do we want to see the collective?’, and it should be like ocean waves that have their individual course but are also collective – and I think we’ve done a pretty good job of doing that.”

The tour opened on March 8 in Bromley. “It’s gone so much better than I expected. It’s a dream come true,” says Nikita. “I think it’s surprising the audience in how we’ve created something that is very different from other Strictly [off-shoot] shows, by not following the usual course but by going our own way and exploring feelings in a deep way, like a movie that starts well, then goes badly and then all is well again at the end.”

Selecting one word to describe Midnight Dancer, Nikita chooses “drama”. “That’s my favourite word,” he says. “It’s a very dramatic show, but you know what, I love how deep, how fast paced, it is,” he says of a show with 53 songs and 120 costumes.

Nikita Kuzmin in Midnight Dancer, “a classic romance story where two star-crossed lovers meet only to be torn apart”

“The most important thing is to have fun. I think audiences are in for the best night ever. If not, let’s make them feel better, with plenty of banter from me as well. I always try my best.

“I think we’ve done the show in such a way that it’s very clear when we’re doing the story and when we’re breaking off from that to have a chat, and I’m really proud of that.”

Nikita’s own performance draws on “a combination of things”. “I have a certain character on Strictly, and I do play to that, but I also like to be honest on stage. I’ll discuss my feelings in a very honest way, being funny or talking of sometimes feeling a bit scared performing on my own,” he says.

“Being honest makes the audience feel we’re all together in this show because I can be honest with them, they can be honest with me.”

Midnight Dancer will be on the road until May 24. Looking ahead, Nikita’s return is confirmed already for his fifth season as a Strictly professional. “I’m so excited. I can’t wait. You never know how it will go,” he says.

“I would say the year I reached the final [with Layton Williams in 2023] was my favourite, but I would take every year I’ve done it because I love to be partnered with different personalities. You always try to make sure they have the best time ever and enjoy every bit of it.”

Before then, “I’m looking to have a little vacation, a little break, before Strictly,” says Nikita. “Exciting projects” are in the pipeline too. Watch this space.

Nikita Kuzmin in Midnight Dancer, Grand Opera House, York, May 20, 7.30pm. Box office: atgtickets.com/york.

Nun better as Hayley Bamford takes on Deloris Van Cartier’s role in York Musical Theatre Company’s Sister Act The Musical

Hayley Bamford in rehearsal for the lead role of Deloris Van Cartier in York Musical Theatre Company’s Sister Act The Musical

First published on May 15 2025

YORK Musical Theatre Company will perform Sister Act The Musical at the Joseph Rowntree Theatre, York, next Wednesday (21/5/2025) to Saturday under the direction of Kathryn Addison with Hayley Bamford in the sassy role of “novice nun” Deloris Van Cartier.

As you will recall from Emile Ardolino’s 1992 film, the story is centred on club singer Deloris, who  witnesses her partner, nightclub owner Curtis Jackson (Zander Fick), commit murder, forcing the police to hide her in a convent where she meets the Mother Superior (Kirstin Grififths) and an ensemble of 22 nuns. Cue multiple upbeat numbers as friendships grow and the convent is saved from financial ruin. Hallelujah!

“The company chose this show, and they did ask me for my thoughts,” says Kathryn of Alan Menken’s musical with its 1970s-inspired score. “I think it’s a super piece of theatre that’s even better than the film. It’s ideal for this company. It has everything in it you want in a musical.  

“There’s a real depth to it, beyond the music, with real emotion to Deloris’s story, but it’s also fun and the music is fabulous. The voices are phenomenal. It has a beautiful original score for a show that needs the right style vocally and physically to retain the essence of the movie’s jukebox musical hits.”

Deloris Von Cartier will forever be associated with Whoopi Goldberg’s tour-de-force movie performance and was played by Cleopatra girl group singer, I’d Do Anything  finalist and West End musical actress Cleopatra  Rey in York Stage Musicals’ York premiere at the Joseph Rowntree Theatre: a September 2014 production on which Kathryn worked.

Sister Act The Musical director Kathryn Addison

Explaining her choice of Hayley for the role, she says: “Hayley never stops. From  the moment she rocks up, it’s an absolute powerhouse performance.

“We had some amazing auditions for the part, and they all really delivered. I had no preconceived ideas about who should play Deloris, but I needed a special spark and that’s what Hayley brought to the room. That energy.

“It’s an instinct. You can’t necessarily say what it is, but there’s a combination of things that strike you. It’s about having the right style and being able to adapt to the demands of this part, understand what you have to do, and Hayley has done that.”

Singer, children’s party entertainer and Hay Jays Disco boss Hayley has long contemplated auditioning for Deloris. “I saw that production at the Opera House, and had considered doing the show with Ripon Operatic Society,” she says. “I thought, ‘I’d love to audition for it’, but the timing wasn’t right, but now it’s come about naturally for me to do it in York, as if it was meant to be.”

Hayley auditioned last autumn and began singing rehearsals in January, followed by floor rehearsals since March. “It’s been such good  fun to do,” she says. “It’s a dream come true. I’ve toyed with it for some time now, because I’ve had it in my mind that Deloris is played by a very famous black actress [Whoopi Goldberg].

Hayley Bamford, front, centre, with fellow cast members for York Musical Theatre Company’s production of Sister Act The Musical

“But when John [musical director John Atkin] said it wasn’t written specifically for a black actress, but was first offered to Bette Midler, then I could see Deloris as just a club singer where you have to put your own take on it.

 “Deloris is a woman with dreams, and she has her ups and downs as we all do, but it’s what she learns from her experience that’s important.”

Hayley has loved the challenge of playing Hayley. “I played Morticia in The Addams Family a few years ago, but it wasn’t as big a role as this. It’s been good for my brain. Teaching myself things again. Like Deloris, we all have dreams to fulfil to work in theatre.

“Luckily my voice is naturally quite a low voice, the Whoopi Goldberg level, so I can do the American  voice like that, but I think I’m camper than Whoopi – and you don’t want to be a copycat.”

Kathryn concludes: “What Hayley is very good at is being able to use her physicality in scenes, and it’s very definitely not like Whoopi! It’s Hayley’s interpretation; we get the whole character because she gets the movement right. Hayley is tall with long limbs and that brings individuality to her performance.”

York Musical Theatre Company in Sister Act The Musical, Joseph Rowntree Theatre, May 21 to 24, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

What’s On in Ryedale, York and beyond. Hutch’s List No. 20, from Gazette & Herald

Hayley Bamford in rehearsal for her lead role as Deloris Van Cartier in York Musical Theatre Company’s production of Sister Act The Musical

FROM Holmes & Watson to Wright & Grainger, a play told two contrasting ways to funny nun business, Charles Hutchinson fills diaries for arty times ahead.

Nun better musical of the week: York Musical Theatre Company in Sister Act The Musical, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

KATHRYN Addison directs York Musical Theatre Company in Alan Menken’s American musical with Hayley Bamford in the sassy role of “novice nun” Deloris Van Cartier.

When club singer Deloris witnesses nightclub owner Curtis Jackson (Zander Fick), commit murder, the police hide her in a convent, where she meets the Mother Superior (Kirstin Grififths) and an ensemble of 22 nuns. Cue multiple upbeat numbers as friendships grow and the convent is saved from financial ruin. Hallelujah!  Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Improv show of the week: Unwritten, The Literary Improv Show, Rise@Bluebird Bakery, Acomb Road, Acomb, York, tomorrow, doors 7.30pm, show 8.30pm

EVER wondered what Whose Line Is It Anyway? would be like with a literary twist? The Bluffs take classic short-form improv games, then infuse them with storytelling flair. Every show is unique, shaped by audience suggestions and spontaneous creativity. An evening of humour, surprises and plot twists awaits. Box office: bluebirdbakery.co.uk/rise. 

Dominic Goodwin, left, and Thomas Frere in Clap Trap Theatre’s Switcheroo, the play told as comedy and then seriously seriously

Role-swapping play of the week: Clap Trap Theatre in Switcheroo, York Theatre Royal Studio, tomorrow to Saturday, 7.45pm and 2.30pm Saturday matinee. Post-show discussion, Friday. Also Helmsley Arts Centre, May 31, 7.30pm  

TOM Needham’s play Switcheroo is based on the simple premise that “it’s not what you say, it’s the way that you say it”. Presented by Ryedale company Clap Trap Theatre, the story follows three siblings who, when it comes to scattering their mother’s ashes, are hit with a bombshell revelation that turns their world upside down.

The first act is a full-blown, larger-than-life comedy, whereupon the actors swap characters to repeat it as a serious drama. Paul Birch directs a cast of Thomas Frere (Alex/Sam), Clap Trap co-founder Cal Stockbridge (Sam/Pat) and Dominic Goodwin (Pat/Alex). Box office: York, 01904 623568 or yorktheratreroyal.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.

The poster artwork for ACT’s production of Ken Ludwig’s Moriarty at Helmsley Arts Centre

Ryedale play of the week: ACT in Ken Ludwig’s Moriarty, Helmsley Arts Centre, tomorrow, 7pm

SHERLOCK Holmes and Dr Watson are back on the case as ACT (Ampleforth College Theatre) presents Ken Ludwig’s Moriarty, an investigation into the Bohemian king’s stolen letters that cascades into an international mystery filled with spies, blackmail and intrigue.

Faced with world peace at stake, Holmes and Watson join forces with American actress Irene Adler to take down cunning criminal mastermind Professor Moriarty and his network of devious henchmen. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk.

Paul Chowdhry: Heading for York Barbican with his Englandia show

Comedy gig of the week: Paul Chowdhry, Englandia, York Barbican, Friday, 7.30pm

PAUL Chowdhry, the most successful British Indian stand-up comedian in British history, heads to York on his 41-date itinerary. “After more than a quarter of a century and half my life on comedy stages, it’s time for my biggest tour ever,” says The Paul Chowdhry PudCast podcaster. 

“I hope to see you there. If not, I’ll be in massive debt and doing benefit gigs for the foreseeable future.” To help Chowdhry avoid that scenario, book tickets at yorkbarbican.co.uk.

The Dunwells: Returning to Pocklington on Friday

The boys done well: The Dunwells, All Saints Church, Pocklington, Friday, 7.30pm

LEEDS duo The Dunwells continue their working relationship with Hurricane Promotions’ James Duffy, who has promoted brothers Joe and David’s indie-folk/Americana band across Yorkshire, not least at the market town’s Platform Festival and Pocklington Arts Centre, where he worked for many years. Box office: thedunwells.com.

Alexander Flanagan Wright in Wright & Grainger’s Helios at Helmsley Arts Centre

Storytelling show of the week: Wright & Grainger present Helios, Helmsley Arts Centre, Friday, 7.30pm

A LAD lives halfway up an historic hill. A teenager is on a road trip to the city in a stolen car. A boy is driving a chariot, pulling the sun across the sky. Welcome to Wright & Grainger’s story of the son of the god of the sun that transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city.

“It’s a story about life, the invisible monuments we build into it, and the little things that leave big marks,” say friends since Easingwold schooldays Alexander Flanagan Wright and Phil Grainger. “Join us in a little room with a tape player and a delicate tale to tell.” Box office: 01439 771700 or helmsleyarts.co.uk.

Jed Potts: Playing with The Hillman Hunters at the Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Jed Potts & The Hillman Hunters, Milton Rooms, Malton, May 29,

EDINBURGH guitarist and vocalist Jed Potts fronts Jed Potts & The Hillman Hunters and Under-Volt and also plays with The Katet, The Blueswater, Nicole Smit and occasionally with American blues artist Brandon Santini too. This time he has The Hillman Hunters for company.

Potts first picked up a guitar at nine and performed his first gig at 16.”Blues is my musical first language and it infuses everything I play,” he says. “Even when I’m playing with The Katet or Thunkfish, the blues is always there. I don’t think I could hide it even if I wanted to.” Box office: 01653 696240 or themiltonrooms.com.