YORK company Pilot Theatre is calling for an “equitable approach to the distribution” of the Government’s £1.57 billion arts aid package.
This plea comes in the wake of Culture Secretary Oliver Dowden hinting at priority being given to protecting “the crown jewels”, while seeking to support small-scale venues too.
All this at a time when Prime Minister Boris Johnson is under the spotlight after his General Election victory pledge to “level up” the playing field for places not called London and the South East.
In a statement released today “in response to the Government’s cultural investment announcement” under the cloak of night late on Sunday, Pilot’s joint chief executives, artistic director Esther Richardson and executive producer Amanda Smith, “welcomed the news that the UK government has put together a rescue package for arts and culture”.
“Thank you to every single person and organisation who has given time and energy to the campaigns for our industry through the most challenging period we can remember,” they said.
“The details of the rescue package are not yet clear, but what is clear is that there must be an equitable approach to the distribution of this funding. The committees that now take the decisions over how emergency support is shared must be representative of all our communities.”
Pilot, the pioneering resident company at York Theatre Royal, is noted for its multi-cultural, multi-ethnic, all-inclusive ethos, prompting Esther and Amanda to say: “Black, Asian, minority ethnic, disabled and LGBTQI+ leaders must be at this table as well as a healthy number of those who do not work in London, and those who can speak for the freelance workforce.
“Children and young people and their interests must also be central, as must organisations and individuals who specialise in working with these groups.”
The chief execs urge: “This money will offer some in the sector a short-term lifeline but all who receive it should seize upon the longer-term opportunity to create work throughout the UK that is bold, imaginative and truly accessible and inclusive.
“This is a welcome gesture but only the beginning of the longer project to ensure the survival and growth of the arts in all our communities.”
Pilot Theatre were on tour with their premiere of Emteaz Hussain’s adaptation of Alex Wheatle’s young adult novel Crongton Knights when the Covid-19 shutdown intervened.
Performed at York Theatre Royal from February 25 to 29, Crongton Knights took its audience on a night of madcap adventure as McKay and his friends, The Magnificent Six, encountered the dangers and ultimate triumphs of a mission gone awry.
In this story of how lessons learned the hard way can bring you closer together, the pulse of the city was brought to life on stage with a Conrad Murray soundscape of beatboxing and vocals laid down by the cast of Kate Donnachie; Zak Douglas; Simi Egbejumi-David; Nigar Yeva; Olisa Odele; Aimee Powell; Khai Shaw and Marcel White.
Wheatle, a writer born in London to Jamaican parents, said he was “very proud” of Pilot Theatre adapting his novel for the stage: “It’s a modern quest story where, on their journey, the young diverse lead characters have to confront debt, poverty, blackmail, loss, fear, the trauma of a flight from a foreign land and the omnipresent threat of gangland violence.”
During lockdown, Pilot launched the webcast premiere of their co-production with the Belgrade Theatre, Coventry, Derby Theatre and York Theatre Royal online for free on April 22, the night when Richardson and Corey Campbell’s show would have been opening its London run at Theatre Peckham.
Last year, Pilot and the York, Derby and Coventry theatres, together with Colchester’s Mercury Theatre, launched a partnership to develop theatre for younger audiences. During the four-year cycle from 2019 to 2022, the consortium will commission and co-produce four original mid-scale productions.