Tag: 1812 Theatre Company

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What’s On in Ryedale, York and beyond. Hutch’s List No. 8, from Gazette & Herald

Mark Simmons: Expertly crafted one-liners and off-the-cuff jinks with the audience at Pocklington Arts Centre

FISHING community memories, an abbey light installation and an exhibition addressing loneliness make for a diverse week ahead in Charles Hutchinson’s recommendations. 

One-liners of the week: Mark Simmons, Jest To Impress, Pocklington Arts Centre, tonight, 7.30pm

CANTERBURY jester Mark Simmons won Dave’s Joke of the Edinburgh Fringe in 2024 with this gag: “I was going to sail around the globe in the world’s smallest ship but I bottled it”. Now he follows up his 200-date Quip Off The Mark two-year UK, Ireland, Australia, and New Zealand tour with Jest To Impress, a new show packed with one-liners, alongside his trademark off-the-cuff jokes based on random audience suggestions.

Simmons also hosts the Jokes With Mark Simmons podcast, where he invites fellow comics, such as Gary Delaney, Sarah Millican and Milton Jones, to discuss jokes that, for whatever reason, would not work. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for What The Sea Saw’s fishing stories at Helmsley Arts Centre

Rehearsed reading of the week: 1812 Theatre Company presents What The Sea Saw, Helmsley Arts Centre, Jean Kershaw Auditorium, tonight and tomorrow, 7.30pm

SET in Scarborough’s Bottom End and capturing the verbatim first-hand testimonies of remaining members of the fishing families, Helena Fox’s new play recounts the tragic events of the 1954 Lifeboat Disaster through the eyes of witnesses, as well as capturing the lost cultures and working practices of the coastal community, including the role of women in skeining and baiting.

Directed by Heather Findlay, the fundraising event for Scarborough RNLI features Stamford Bridge’s Big Shanty Crew’s performance of Scarborough 54. Box office: 01439 771700 or helmsleyarts.co.uk.

Imitating The Dog light up Selby Abbey for three days of Selby Light 2026

Installation of the week: Selby Light 2026, Selby Abbey, tomorrow to Saturday, 6pm to 9pm

SELBY Abbey will be the setting for Homeward, Leeds company Imitating The Dog’s large-scale installation celebrating our different stories and the unified feeling of finding home, framed by the question How Did You Get Here?

Inside, the installation continues as a walk-through experience, complemented by Jazmin Morris’s Through The Liquid Crystal Display, a series of visual code illustrations inspired by Selby Abbey. The trail then extends into the town centre with works by Selby College students. Admission is free.

The 20ft Squid Blues Band: Combining 1950s’ Chicago style with 1960s’ blues explosion at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents The 20ft Squid Blues Band, Milton Rooms, Malton, tomorrow, 8pm

THE 20ft Squid Blues Band, from Sheffield, play upbeat, fast, irreverent blues, combining elements of the 1950s’ Chicago style with the more wayward aspects of the 1960s’ blues explosion.

They mix self-penned songs with numbers made famous by Howling Wolf and Little Walter, while throwing in artists not so obviously from the blues tradition, such as Tom Waits and Prince. Expect eye-popping harmonica, thundering bass, intricate beats and choice guitar. Box office: 01653 696240 or themiltonrooms.com.

Nick Doody: Topping Hilarity Bites Comedy Club line-up at Milton Rooms, Malton

Comedy bill of the week: Hilarity Bites Comedy Club, Nick Doody, Ed Purnell and Will Duggan, Milton Rooms, Malton, Friday, 8pm

IN the first Hilarity Bites bill of 2026, Nick Doody will be joined by Ed Purnell and Will Duggan. Doody first performed as a student in the 1990s when he supported Bill Hicks at Hicks’ request, since when he has performed all over the world and written for Joan Rivers, Lenny Henry, Dame Edna Everage and Mock The Week regulars aplenty.

In a clever spin, Purnell, Ecuador’s numero uno comedian, delivers his set in Spanish with a sprinkling of English, whereupon audiences realise they can understand him without speaking his mother tongue. Duggan is a quick and witty host. Box office: 01653 696240 or themiltonrooms.com.

Phoenix Dance: Presenting world premiere of Interplay at York Theatre Royal. Picture: Drew Forsyth

Dance show of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, Friday, 7.30pm; Saturday, 2pm, 7.30pm

LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!) Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin. 

Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Holly Taymar: Performing the best of Eva Cassidy’s back catalogue at Milton Rooms, Malton

Tribute gig of the week: Holly Taymar Sings Eva Cassidy, Milton Rooms, Malton, Sunday, 8pm

YORK singer-songwriter Holly Taymar turns the spotlight on Eva Cassidy, one of the most beloved voices of the 20th century. Revelling in Cassidy’s blend of folk, jazz and blues, she performs renditions of Fields Of Gold, Songbird, Over The Rainbow and Autumn Leaves.

“My show show is not an impersonation,” says Taymar. “It’s a heartfelt homage to an artist who left a lasting impact on my development as an artist and on the world of music.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Loneliness Is Not A Dirty Word: Exhibition collaboration between Hannah Turlington and local and wider community at Helmsley Arts Centre

Exhibition launch of the week: Hannah Turlington, Loneliness Is Not A Dirty Word, Helmsley Arts Centre, March 3 to May 1

LONELINESS Is Not A Dirty Word is a collaboration between artist Hannah Turlington and the local and wider community, involving sessions where participants were invited to share their own experiences of loneliness by creating pieces of visual art in a variety of mediums.

The resulting exhibition aims to create space for the viewer to consider their own narratives of loneliness and reduce the stigma associated with being lonely.

Del Amitri’s Justin Currie, left, and Iain Harvie: Cherry-picking from four decades of songs at York Barbican in November

Gig announcement of the week: Del Amitri, Past To Present UK Tour 2026, November 16

GLASGOW band Del Amitri will open their 17-date Past To Present autumn tour at York Barbican, where core members Justin Currie and Iain Harvie will mark four decades of songs, stories and live shows. Ticket will go on general sale on Friday at 9.30am at www.gigsandtours.com, www.ticketmaster.co.uk and www.delamitri.info.

The career-spanning set list will chart their early breakthroughs, classic singles such as Nothing Ever Happens, Always The Last To Know and Roll To Me, fan favourites and recording renaissance after an 18-year hiatus with 2021’s Fatal Mistakes.

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REVIEW: 1812 Theatre Company in Robin Hood’s Helmsley Adventure, Helmsley Arts Centre, until Sunday ****

Knock, knock, who’s there? Writer Martin Vander Weyer’s Dame Daphne and Oliver Clive’s undoubting Thomas in 1812 Theatre Company’s pantomime Robin Hood’s Helmsley Adventure. Picture: Florrie Stockbridge 

MARTIN Vander Veyer is a British financial journalist, business editor of The Spectator and member of the British-American Project.

Polymath Martin is also a poet, playwright, amateur actor, former investment banker in London, Brussels and the Far East, ardent Francophile, music lover, proud Yorkshireman of Flemish ancestry and intrepid traveller to boot.

His Any Other Business column in The Spectator stirred Boris Johnson to crown him “the most oracular and entertaining business commentator in London”. And now, should you be wondering if he has room for any other business in his busy, busy life, Martin has added another string to his ever-expanding bow.

Already Helmsley’s fabulously high-brow, low-blow dame, with the delivery of Edith Evans by way of Victoria Wood, he has scripted 1812 Theatre Company’s properly traditional  pantomime for the first time. Where else would you find “the Coalition of the Willing” in a script that is so eloquent, erudite yet mischievously entertaining too?

“I gave up plans for retirement and decided not only to get the frock on again this Christmas but to have a crack at writing a script myself,” he says in his programme notes, adding that he “loves pantomime because its mix of saucy jokes, slapstick, song and romance transports us to a simpler world – and because it brings together so many different skills and talents”.

More fun and games for Martin Vander Weyer’s Dame Daphne and Oliver Clive’s Thomas in Robin Hood’s Helmsley Adventure. Picture: Oli Valenghi

Spot on, Martin, who captures the “theatre is a village” essence of a community pantomime, working in tandem with Helmsley Arts Centre artistic director and bracing panto director Natasha Jones to give so many their moment in the spotlight, while still being the leading light himself, except when he very noticeably scurries to the back in the song-and-dance ensemble routines.

From delayed grand entry to his obligatory tennis racket-projected rally of balls back and forth between dame and audience, to his meta-theatre commentary on the thin plotline, Vander Weyer’s classicist dame, amply bosomy Daphne, is an old-school theatrical delight.

His dame is a saucepot, but never crude. He gives you time to think where his punchline might land, then, like those tennis shots, having set up the double entendre, he volleys it away with panache.

This is typified by his third entry in the pick of Denise Kitchin’s exquisitely detailed designs for the dame’s frocks, throwing everything but the Kitchin sink at them. This one parades pink camouflage military jodhpurs,  chest bedecked in medals. “Privates on parade,” he quips.  Of course! What else could he say?! You’ll love his digs at neighbouring Pickering too.

Knock Knock jokes have become a staple of the Helmsley panto, along with the repartee, those bouncing balls and the singsong, and here panto daft lad Oliver Clive’s Thomas takes every opportunity to knock, knock out another one, while the audience is encouraged to send in its own suggestions in a Knock Knock competition. Don’t knock it until you have tried it.

Bec Silk’s Robin Hood and Martin Vander Weyer’s Dame Daphne promoting Robin Hood’s Helmsley Adventure

Knock, knock, who else is there? Bec Silk’s Robin Hood is a principal boy in the best tradition of thigh slaps, lusty singing and plucky leadership; Vicki Mason’s understated, girl-next-door Maid Marian has the weight of the world on her shoulders in the Sheriff’s captivity; Joe Gregory’s Sheriff of Pickering brings gravitas and a foie-gras thespian voice to the dark side.

Carolyn Potts’s Friar Tuck, forever nibbling from Tuck’s Tuck Bag, Robert Barry’s Little John, forever firing off his bow and arrow, Simon Read’s stoical Baron Robert of Helmsley and Sarah Barker’s declamatory Sharon, Town Crier of Helmsley, all relish their comic opportunities.

Meanwhile, Millie Neighbour’s Save The Planet Janet is forever popping out of a bin, making magic from her “rubbish” role. Lottie Robson and Daisy Lamb bring feisty bite to the Sheriff’s Savage Hounds.

Aided by Michaela Edens’ choreography, senior chorus trio Jeanette Hambridge, Edwin Youngman and Mani Brown’s Sheep are anything but sheepish in taking centre stage and the Green Team and Red Team’s duties as Maid Marian’s Animal Friends bring a smile to everyone’s face.

Set designer and scenic artist Holly Cawte maximises the compact space with plenty of colour and time-honoured panto structures, always with room aplenty at the front for Vander Weyer’s larger-than-life dame to poke fun, tongue ever further in cheek.

1812 Theatre Company in Robin Hood’s Helmsley Adventure, Helmsley Arts Centre, tonight, 7.30pm; Saturday, 2.30pm and 7.30pm; Sunday, 2.30pm. Box office: 01439 771700 or helmsleyarts.co.uk.

The military camp sight meets the dark side: Martin Vander Weyer’s Dame Daphne and Joe Gregory’s villainous Sheriff of Pickering in 1812 Theatre Company’s pantomime. Picture: Oli Valenghi
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More Things To Do in York and beyond the panoply of pantomimes. Here’s Hutch’s festive List No. 52, from The York Press

Wanderful: Coronation Street star Lisa George’s Fairy Godmother in Cinderella at the Grand Opera House, York

CHRISTMAS music and pantomimes aplenty dominate Charles Hutchinson’s recommendations for December fun-filled fulfilment. 

Having a ball: Cinderella, Grand Opera House, York, today until January 4 2026

LEEDS lad Bradley Judge’s Dandini joins the star-studded cast of Lisa George (Coronation Street) as Fairy Godmother, Tobias Turley (ITV’s Mamma Mia I Have A Dream) as Prince Charming and West End star Rachel Grundy (Rocky Horror Picture Show, Legally Blonde) as Cinderella in UK Productions’ Cinderella, scripted by Jon Monie. 

Directed by Ellis Kerkhoven, West End drag stars Luke Attwood and Brandon Nicholson bring the mayhem in Ugly Sisters mode as Harmony and Melody Hard-Up, joined in the comedy corner by Jimmy Bryant’s Buttons. Box office: atgtickets.com/york.

The Marian Consort: Performing with English Cornett & Sackbut Ensemble at York Early Music Christmas Festival on December 8

Festival of the week: York Early Music Christmas Festival, mainly at National Centre for Early Music, York, until December 14

HIGHLIGHTS at this Yuletide feast of music spanning the centuries, complemented by contemporary tunes, include Yorkshire Bach Choir & Yorkshire Baroque Soloists performing Hayden’s The Creation tonight and The Chiaroscuro Quartet and Consone String Quartet uniting tomorrow for Mendelssohn’s Octet in E flat major Op 20.

The Marian Consort teams up with the English Cornett & Sackbut Ensemble in Looking Bach To Palestrina on December 8 and Fieri Consort Singers and Camerata Øresund present Christmas Cantatas by Christopher Graupner and English Tavern Songs on December 12. Among further festival performers will be mezzo-soprano Helen Charlston, Dowland’s Foundry, Apollo5, Lowe Ensemble, Irish folk singer Cara Dillon and Joglaresa. For the full programme and tickets, go to: ncem.co.uk. Box office: 01904 658338.

York Theatre Royal’s pantomime cast in rehearsal for Sleeping Beauty. Picture: SR Taylor Photography

No sleep till January 4: Sleeping Beauty, York Theatre Royal

YORK Theatre Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael of Moravia in Sleeping Beauty.

Written once more by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced with award-winning Evolution Productions, the same team behind All New Adventures Of Peter Pan, Jack And The Beanstalk and last winter’s Aladdin. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

Hannah King’s Peter Pan in The Pantomime Adventures Of Peter Pan, Rowntree Players’ festive visit to Neverland

Putting ‘Pan’ into pantomime: Rowntree Players in The Pantomime Adventures Of Peter Pan, Joseph Rowntree Theatre, York, today, 2pm and 7.30pm, Sunday, 2pm and 6pm; December 9 to 12, 7.30pm; December 13, 2pm and 7.30pm

JOIN Wendy, John and Michael as they fly with Peter Pan to the fantastical world of Neverland in Howard Ella and Gemma McDonald’s pantomime for Rowntree Players. Cling on to your seats as Peter and the Lost Boys do battle with Jamie McKeller’s rather nasty Captain Hook and his even nastier bunch of pirates. Fear not as Nanny McFlea and her ever eager apprentice Barkly are on hand to assist in the most ridiculous of ways. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Bec Silk’s Robin Hood and writer Martin Vander Weyer’s Dame Daphne in 1812 Theatre Company’s pantomime Robin Hood’s Helmsley Adventure

Ryedale pantomime opening of the week: 1812 Theatre Company in Robin Hood’s Helmsley Adventure, Helmsley Arts Centre, today, 2.30pm and 7.30pm; Sunday, 2.30pm; December 9 to 12, 7.30pm; December 13, 2.30pm and 7.30pm; December 14, 2.30pm

HELMSLEY Arts Centre artistic director Natasha Jones directs company-in-residence 1812 Theatre Company in this traditional panto with a Knock Knock Joke Contest, scripted by dame Martin Vander Weyer.

Robin Hood will be rescuing the lovely Maid Marian from the wicked Sheriff of Pickering, while Black Swan landlady Dame Daphne will lead the merriment and mayhem. Knock Knock! Who’s there? Daphne! Daphne who? Daph-nitely book early to avoid disappointment on 01439 771700 or at helmsleyarts.co.uk. 

Singer Dene Michael, dressed as a pineapple, in the finale to Kim Hopkins’s documentary film Still Pushing Pineapples, showing at City Screen Picturehouse on Sunday

Documentary film screening of the week; Still Pushing Pineapples (12A), City Screen Picturehouse, York, Sunday, 5pm

BLACK Lace’s Agadoo has been  voted the most infuriating  song of all time. What happens when you are forever associated with such a Marmite hit;  what comes after fleeting fame, and what does it mean to grow old still chasing a dream?

Perennial pineapple pusher and former Yorkshire band member Dene Michael is still singing the derided party anthem across fading clubland UK: a story now told in Selby-raised  filmmaker Kim Hopkins’s  humorous, moving, warts’n’all documentary, a pineapple slice of working-class social realism wrapped inside a road movie and abiding love story. Dene Michael, Hopkins and producer Margareta Szabo will hold a post-show Q&A. Box office: picturehouses.com/cinema/city-screen-picturehouse.

 A Nativity For York director Paul Toy

Nativity play of the week: York Mystery Plays Supporters Trust in A Nativity For York, All Saints Church, North Street, York, December 10, 7.30pm

USING medieval scripts from the York Cycle of Mystery Plays and music both medieval and folk in style, Paul Toy’s community cast tells a familiar story of a marvellous birth, threaded with humour, reverence and, sadly, hatred, where candlelight emphasises the constant struggle of the light  against the darkness.

The performance lasts one hour with no interval. Refreshments will be available. Box office: 033 666 3366, ympst.co.uk/york-nativity or on the door.

Christmas will be merry for Kate Rusby at York Barbican on December 11

Carol concert of the week: Kate Rusby, Christmas Is Merry, York Barbican, December 11, 7pm

BARNSLEY folk nightingale Kate Rusby plays her regular festive fixture at York Barbican, returning with her folk band and the Brass Boys for two sets of jolly carols from South Yorkshire’s pubs, Christmas chart chestnuts and original winter songs.

Christmas Is Merry marks her 20th anniversary of these winter warmers, drawing on her six Christmas studio albums: 2008’s Sweet Bells, 2011’s While Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men, 2019’s Holly Head and 2023’s Light Years. Box office: yorkbarbican.co.uk.

Hyde Family Jam’s poster for their brace of Christmas jamborees at The Crescent, York on December 11 and 12

Christmas knees-up of the week: Hyde Family Jam, The Crescent, York, December 11, 7.30pm

FRIENDS! Come celebrate another Christmas with a right thorough knees-up at The Crescent with York buskers supreme Hyde Family Jam, a traditional-looking folk band that couldn’t be less traditional. They perform  the songs they love from any decade, any genre, in any way they fancy, played as fast and loud as possible. “We call it ‘folk gone wrong’,” they say. “Expect a few special festive bonuses too!” Box office: thecrescentyork.com.

Recommended but sold out already: Hyde Family Jam’s December 12 gig and The Howl & The Hum’s traditional special Crescent Christmas gig, led as ever by Sam Griffiths after leaving York and Leeds for London.

Setting sail in Pick Me Up Theatre’s Anything Goes: Reno Sweeney (Alexandra Mather, front centre) and her Angels, Sophie Curry, left, Chloe Branton and Sophie Kemp. Picture: Felix Wahlberg

Getting a kick out of you musical of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, December 12 to 30

DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes!, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.

Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh  (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.

Michael Ball’s poster for his Glow UK Tour 2026, taking in Yorkshire gigs at Bradford Live (September 2), Sheffield City Hall (September 5) and Hull Connexin Live (September 6), as well as York Barbican (September 12)

Concert announcement of the week: Michael Ball, Glow UK Tour, York Barbican, September 12 2026

MUSICAL star and radio and TV presenter Michael Ball will promote his 23rd solo album, Glow, on next year’s 25-date tour. “There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs as well as all the old favourites to the audiences I love,” he says. “It’s going to be an exciting year, and I can’t wait to see you all.’’ Box office: https://www.yorkbarbican.co.uk/whats-on/michael-ball-2026/.

In Focus: The Christmas Collection at Pyramid Gallery, York, until January 12 2025

Bowl Of Apricots, acrylic painting, by Anita Klein

PYRAMID Gallery’s Christmas Collection, in Stonegate, York, features works by London artist and printmaker Anita Klein, York ceramicist Ben Arnup, Peak District sculptor Paul Smith, South Staffordshire mosaic artist Amanda Anderson and York floral artist Lesley Birch.

Exhibiting too will be Canadian-born painter, printmaker and cartographer Mychael Barratt, Oswestry ceramicist Jacqui Atkin and Perthshire oil painter artist and printmaker Ian MacIntyre, complemented by bird and fish blown glass by Bruce Parks, bronzes by David Meredith, Nerikromi vessels by York ceramist Patricia Qua and studio jewellery for the Christmas season by 50 British makers.

Curator Terry Brett, who has owned the gallery for 31 years, has invited Anita Klein to fill the walls with 15 linocut original prints, new aquatint etchings and two paintings.

Bee Eater, ceramic vase, by Jacqui Atkin

“The gallery has enjoyed a long, unbroken relationship with Anita as a supplier of her extensive catalogue of prints that form a diary of her family life,” he says.

“Over the 28 years in which she has shown more than 800 different pictures at Pyramid Gallery, we have watched her career progress to the point where Anita has become one of the most collectable printmakers in the UK. It seems very fitting that she is the main focus of the Christmas Collection.”

As well as showing new linocut prints, Anita is selling copies of her book Out Of The Ordinary – 40 Years Of Print Making, featuring illustrations of 550 of her best-loved prints, published by Eames Fine Art.

The Christmas Collection at Pyramid Gallery is open 10am to 5pm, Monday to Saturday, 11am to 4pm, Sundays, until January 12 2026. Closed on Christmas Day, Boxing Day and New Year’s Day.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 51, from Gazette & Herald

Deep in conversation: Snow goes underground in A Winter Wonderland at JORVIK Viking Centre

A SNOWY reboot, festive trail, treasured exhibition and pantomime launches spell out that winter staples aplenty are up and running, as Charles Hutchinson reports.  

Time travel of the week: A Winter Adventure at JORVIK Viking Centre, York, until February 22 2026

A WINTER Adventure brings a new wintery experience to the underground York visitor attraction, where the 10th century Vikings are preparing to celebrate Yule with natural decorations hung on their houses. For the first time, visitors can peer through Bright White’s time portal into the blacksmith’s house excavated on this site in the 1970s.

They will then board a time sleigh to travel back in time around the backstreets, transformed for winter by Wetherby set dressers EPH Creative, who have covered streets and houses in a thick blanket of snow, bathed in cold blue lighting. Pre-booking is essential for all visits to JORVIK at jorvikvikingcentre.co.uk.

Christmas at The Bar Convent in York. Illustration by Nick Ellwood

Activity trail of the week: Christmas At The Convent, The Bar Convent Living Heritage Centre, Blossom Street, York, until December 22, Monday to Saturday, 10am to 5pm, last admission 4pm

DECEMBER visitors to The Bar Convent can uncover fascinating festive traditions through the centuries in a family-friendly activity trail through the exhibition that combines the convent’s history with the Advent season.

Families can enjoy finding clues, making decorations, dressing up, discovering traditions from Christmas past and much more. Look out for the traditional crib scene in the chapel. Tickets: barconvent.co.uk.

Garlands galore at An Inspired Christmas at Treasurer’s House, York. Picture: National Trust, Anthony Chappel-Ross

Festive exhibition of the week: An Inspired Christmas at Fairfax House, York, until December 21, open Saturday to Wednesday, 11am to 4pm, last entry 3.30pm

TREASURER’S House has undergone a winter transformation, where stories of its past residents come to life through handcrafted decoration as rooms are re-imagined by the National Trust with festive flair, inspired by the 17th-century house’s rich history.

Each room is styled to reflect the personalities and tales of those who once called Treasurer’s House home, from last occupant Frank Green, the visionary industrialist who gifted the property to the National Trust, to the Young family, Jane Squire, Ann Eliza Morritt, Elizabeth Montague, Sarah Scott, John Goodricke and Royal visitor Queen Alexandra. No booking is required, with free entry for National Trust members and under-fives.

The Jeremiahs: Irish folk band play York for the first time on December 3. Picture: Tony Gavin

York debut craic of the week: The Jeremiahs, National Centre for Early Music, York, December 3, 7.30pm

IRISH band The Jeremiahs have travelled extensively, including playing 26 states in the USA, performing rousing new songs and tunes in the folk genre, peppered with picks from the trad folk catalogue. Lead vocalist and occasional whistle player Joe Gibney, from County Dublin, is joined by his fellow founder,  Dublin guitarist James Ryan, New York-born fiddler Matt Mancuso and County Clare flautist Conor Crimmins. Box office: 01904 658338 or ncem.co.uk.

Malton White Star Band: Performing Brass and Voices At Christmas at Milton Rooms, Malton

Ryedale festive concert of the week: Brass and Voices At Christmas with Malton White Star Band, Milton Rooms, Malton, tomorrow, 7pm

MALTON White Star Band and Community Training Band team up with singers from Norton Primary School for the 2025 edition of Brass and Voices at Christmas. Doors open at 6.30pm. Tickets are on sale at https://donate.givetap.co.uk/f/malton-white-star-band/christmas-concert-2025 or by ringing Dave Creigh on 07766 237947.

The one and only Jesca Hoop: Playing NCEM in York tomorrow

Singer-songwriter of the week: Brudenell Presents and Please Please You present Jesca Hoop, National Centre for Early Music, York, December 4, 7.30pm

DISCOVERED by Tom Waits, invited on tour by Peter Gabriel and encouraged to relocate to the UK by Elbow’s Guy Garvey, Jesca Hoop left California for Manchester to carve out a singular path across six albums of original material. Collaborations with producers John Parish (PJ Harvey), Blake Mills (Feist), and Tony Berg (Phoebe Bridgers) have only sharpened the intricacy of her craft. Box office: thecrescentyork.com/events/jesca-hoop-at-the-ncem-york/.

Ryedale Christmas children’s show of the week: Esmerelda The Elf And Father Christmas, Milton Rooms, Malton, Saturday, 12 noon, 2pm and 3.30pm; Sunday, 10.30am, 12 noon, 2pm and 3.30pm

WHO thought it was a good idea to put Elf friend Esmeralda in charge of Christmas sweeties? Can you help her to have everything ready in time? Will any goodies be left by the time Christmas Day arrives?

Each family has its own space to sit in at this interactive show and can visit Father Christmas individually at the end. All children will receive a gift. Box office: 01653 696240 or themiltonrooms.com.

Bec Silk’s Robin Hood and writer Martin Vander Weyer’s Dame Daphne in 1812 Theatre Company’s pantomime Robin Hood’s Helmsley Adventure

Ryedale pantomime opening of the week: 1812 Theatre Company in Robin Hood’s Helmsley Adventure, Helmsley Arts Centre, Saturday, 2.30pm and 7.30pm; Sunday, 2.30pm; December 9 to 12, 7.30pm; December 13, 2.30pm and 7.30pm; December 14, 2.30pm

HELMSLEY Arts Centre artistic director Natasha Jones directs company-in-residence 1812 Theatre Company in this traditional panto with a Knock Knock Joke Contest, scripted by Martin Vander Weyer.

Robin Hood will be rescuing the lovely Maid Marian from the wicked Sheriff of Pickering, while Black Swan landlady Dame Daphne will lead the merriment and mayhem. Knock Knock! Who’s there? Daphne! Daphne who? Daph-nitely book early to avoid disappointment on 01439 771700 or at helmsleyarts.co.uk.  

Hannah King’s Peter Pan in Rowntree Players’ The Pantomime Adventures Of Peter Pan at Joseph Rowntree Theatre, York

Putting ‘Pan’ into pantomime: Rowntree Players in The Pantomime Adventures Of Peter Pan, Joseph Rowntree Theatre, York, Saturday, 2pm and 7.30pm, Sunday, 2pm and 6pm; December 9 to 12, 7.30pm; December 13, 2pm and 7.30pm

JOIN Wendy, John and Michael as they fly with Peter Pan to the fantastical world of Neverland in Howard Ella and Gemma McDonald’s pantomime for Rowntree Players. Cling on to your seats as Peter and the Lost Boys do battle with Jamie McKeller’s rather nasty Captain Hook and his even nastier bunch of pirates. Fear not as Nanny McFlea and her ever eager apprentice Barkly are on hand to assist in the most ridiculous of ways. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Michael Ball: Glowing at York Barbican next September

Concert announcement of the week: Michael Ball, Glow UK Tour, York Barbican, September 12 2026

MUSICAL star and radio presenter Michael Ball will promote his 23rd solo album, Glow, on next year’s 25-date tour. “There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs as well as all the old favourites to the audiences I love,” he says.

“It’s going to be an exciting year, and I can’t wait to see you all.’’ Tickets go on sale on Friday at 9am at https://www.yorkbarbican.co.uk/whats-on/michael-ball-2026/.

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What’s on? The Watsons at the double, that’s what, in York and Helmsley

A montage of Black Treacle Theatre cast members in Laura Wade’s The Watsons at the Joseph Rowntree Theatre

TWO productions of The Watsons, Laura Wade’s take on unfinished Jane Austen business,  are opening on the same night in York and Helmsley tonight.

Jim Paterson directs Black Treacle Theatre’s production at the Joseph Rowntree Theatre; Pauline Noakes is at the helm for 1812 Theatre Company at Helmsley Arts Centre. 

What happens when the writer loses the plot? Find out as Emma Watson, 19 and new in town in the elegant world of early 19th-century England, is cut off by her rich aunt and dumped back in the family home, from where she must navigate society, marriage prospects and her future.

Emma and her sisters must marry, fast, but there is one hitch (not of the marital kind). Jane Austen did not finish this story. Who will write Emma’s happy ending now? Enter Laura Wade, who takes the incomplete novel to fashion a sparklingly witty play that looks under Austen’s bonnet to ask: what can characters do when their author abandons them?

As a recognisably Austen tale begins to unfold, something unexpected happens. Bridgerton meets Austentatious, Regency flair meets modern twists, and the plot goes ever more off-piste.

Florence Poskitt’s Margaret Watson, left, Jennifer Jones’s Elizabeth Watson and Livy Potter’s Emma Watson in the poster for York company Black Treacle Theatre’s The Watsons

Playful, clever, and full of surprises, The Watsons starts as a period drama and transforms into a bold reimagining that spins Regency charm into a dazzling modern theatrical experience, exploring storytelling, free will and who gets to write our endings.

Penned by Posh and Home I’m Darling writer Wade, the play was first produced at Chichester Festival Theatre. Now Black Treacle Theatre takes up the challenge, collaborating with the Joseph Rowntree Theatre in a fundraising production for the JoRo.

Director Jim Paterson says: “The Watsons is simply brilliant. My mind was fizzing from the moment I first read this funny, smart and dynamic play that offers us so much scope for creativity in staging it.

“Laura Wade is one of our best playwrights, and her adaptation of Jane Austen’s unfinished novel both fulfils and plays with expectations of what ‘a Jane Austen story’ is, and what she means to us all. With the brilliant cast and creative team bringing this to life, I can’t wait for us to share this with an audience this summer – and celebrate Jane’s 250th birthday.”

Appearing in Paterson’s cast will be: Livy Potter as Emma Watson; Jennifer Jones, Elizabeth Watson; Florence Poskitt, Margaret Watson; Matt Pattison, Robert Watson; Abi Baxter, Mrs Robert; Maggie Smales, Nanny; Victoria Delaney, Lady Osbourne; Cameron O’Byrne, Lord Osbourne; Effie Warboys, Miss Osbourne; Nick Patrick Jones, Tom Musgrave; Andy Roberts, Mr Howard; Sally Mitcham, Mrs Edwards; Paul Miles,  Captain Bertie, and Sanna Jeppsson, Laura.

Jeanette Hambidge’s Nanny, left, Becca Magson’s Emma Watson, Vicki Mason’s Margaret Watson, Linda Tester’s Servant and Oliver Clive’s Lord Osborne in 1812 Theatre Company’s The Watsons

MEANWHILE, how is the 1812 Theatre Company promoting the same play? Here’s how: “The Watsons are coming! Who, you may ask? The Watsons are a family created by Jane Austen in a story she never finished, possibly due to grief over the death of her beloved father.

“Whatever the reason, we have been unable to follow their unfolding lives, although several characters and their concerns bear close similarity to popular Austen figures, until now.

“Step forward Laura Wade, a playwright whose works have graced the stages of the National Theatre and the Stephen Joseph Theatre in Scarborough with the West End hit Home I’m Darling.

“Wade has taken the story of The Watsons, their affairs, values and outlooks, and continued their lives in an altogether unexpected and intriguing way. Gradually we come to realise that despite the outward differences of clothes and habits of the early 19th century, their interests are not too dissimilar to our own. Though perhaps ours are becoming stranger!

Vicki Mason’s Margaret Watson, left, and Jeanette Hambidge’s Nanny in 1812 Theatre Company’s The Watsons

“The result is a play inspired by Jane Austen’s work, in this, the 250th anniversary of her birth. Presented by the 1812 Theatre Company at Helmsley Arts Centre, giving Austen fans a chance to relish a new work and others to observe that her people are not just Georgian dresses and uniforms but have personalities, feelings and problems. The play wears its comedy lightly and is a lively piece, authentically using dance music that Jane herself copied out!”

Pauline Noakes’s cast comprises: Becca Magson as Emma Watson; Julia Bullock, Elizabeth Watson; Vicki Mason, Margaret Watson; Richard Noakes, Uncle Robert Watson, ; Julie Wilson, Aunt Robert Watson; Barry Whitaker, Mr Watson; Jeanette Hambidge, Nanny; Beaj Johnson, Tom Musgrave; Oliver Clive, Lord Osborne; Sue Smith, Lady Osborne; Rosie Hayman, Miss Osborne; Mike Martin, Mr Howard; Robert Perry, Charles Howard; Linda Tester, Servant; Heather Linley, Servant, and Graham Smith, Dancing Master.

The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, July 9 to 12, 7.30pm and 2.30pm Saturday matinee; 1812 Theatre Company, Helmsley Arts Centre, July 9 to 12, 7.30pm. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk. 

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What’s On in Ryedale, York and beyond. Hutch’s List No. 30 from Gazette & Herald

Christopher Glynn: Directing the 2025 Ryedale Festival, opening on Friday

RYEDALE Festival heads July’s summer delights, taking in the shipping forecast too, in Charles Hutchinson’s leisure list.

Festival of the week; Ryedale Festival 2025, July 11 to 27

ARTISTIC director Christopher Glynn presents a multitude of festival delights, led off by this year’s artists in residence, saxophonist Jess Gillam, soprano Claire Booth and viola player Timothy Ridout, joined by Quatuor Mosaiques, VOCES8 and composer Eric Whitacre.

The festival also welcomes pianists Sir Stephen Hough and Dame Imogen Cooper and organist Thomas Trotter; Arcangelo in Selby; York countertenor Iestyn Davies; the Royal Liverpool Philharmonic’s festival debut; a revival of long-neglected Tippett works and a new Arthur Bliss orchestration. 

Jazz, folk and literature weave into the programme too: reeds player Pete Long and vocalist Sara Oschlag salute Duke Ellington; Barnsley’s Kate Rusby showcases her new album, When They All Looked Up, and Dame Harriet Walter channels Jane Austen’s wit in Pride And Prejudice. Full details and tickets at: ryedalefestival.com. Box office: 01751 475777.

The ELO Experience, led by Andy Louis, at the Grand Opera House, York, tonight

Tribute gig of the week: The ELO Experience, Grand Opera House, York, tonight, 7.30pm

THE ELO Experience have been bringing the music of Jeff Lynne and The Electric Orchestra to the stage since forming in Hull in 2006, performing 10538 Overture, Evil Woman, Living Thing, The Diary Of Horace Wimp, Don’t Bring Me Down, All Over The World, Mr Blue Sky et al.

Andy Louis fronts this tribute to  a songbook spanning more than 45 years, taking in such albums as A New World Record, Discovery and Out Of The Blue and  2016’s Alone In The Universe. Box office: atgtickets.com/york.

Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Blossoms, tomorrow; Rag’n’Bone Man, Friday, and McFly, Saturday. Gates open at 6pm

CHART-TOPPING Stockport indie group Blossoms make their Scarborough OAT debut tomorrow, supported by Inhaler and Leeds band Apollo Junction, promoting their August 22 new album What In The World.

Rag’N’Bone Man, alias blues, soul and hip-hop singer Rory Graham, cherry-picks from his albums Human, Life By Misadventure and What Do You Believe In? on Friday, with support from Elles Bailey and Kerr Mercer. McFly’s Tom Fletcher, Danny Jones, Dougie Poynter and Harry Judd head to the Yorkshire coast on Saturday when Twin Atlantic and Devon complete the bill. Box office: scarboroughopenairtheatre.com.

Vicki Mason’s Margaret Watson, Beaj Johnson’s Tom Musgrave and Becca Magson’s Emma Watson in 1812 Theatre Company’s production of The Watsons

Play of the week times two: The Watsons, 1812 Theatre Company, Helmsley Arts Centre, today to Saturday, 7.30pm; The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, today to Saturday, 7.30pm and 2.30pm Saturday matinee

TWO productions of Laura Wade’s The Watsons open on the same night in Helmsley and York.  What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.

One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Pauline Noakes directs in Helmsley; Jim Paterson directs in York. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; York, 01904 501935 or josephrowntreetheatre.co.uk.

Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife- recovery tale at Theatre@41, Monkgate, York

One for the ravers: Contentment Productions in Second Summer Of Love, Theatre@41, Monkgate, York, tomorrow, 7.30pm

ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered  by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.

Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, recovery from addiction and embracing mid-life. Box office: tickets.41monkgate.co.uk.

An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne

Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm

EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.

Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat,  and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.

Charlie Connelly: Rain later, talk now, as he celebrates the quirks and joys of the shipping forecast at the Milton Rooms, Malton

From Viking to South East Iceland: Charlie Connelly’s Attention All Shipping, Milton Rooms, Malton, July 16, 7.30pm

AS the shipping forecast embarks on its second century, author and broadcaster Charlie Connelly celebrates what he regards as the greatest invention of the modern age. How did a weather forecast for ships capture the hearts of a nation, from salty old sea dog to insomniac landlubber? How is it possible for “rain later” to be “good”? And where on earth is North Utsire?

Delving into the history of the forecast and the extraordinary people who made it, Connelly explains what those curious phrases really mean, assesses its cultural impact and shares rip-roaring adventures from his own extraordinary journey through the 31 sea areas. Box office: 01653 696240 or themiltonrooms.com.

Drummer Tom Townend: Bandleader for Tommy T’s Blue Note Dance Party at Pocklington Arts Centre

Jazz At PAC Presents: Tommy T’s Blue Note Dance Party, Pocklington Arts Centre, July 17, 8pm

HERE come the hippest tunes in a night of Blue Note Records’ coolest cuts: all killer, no filler, with grooves from Horace Silver, Cannonball Adderley, Art Blakey and more, brought to Pocklington by bandleader Tom Townsend, drums, Paul Baxter, double bass, Andrzej Baranek, piano, Tom Sharpe, trumpet, and Kyran Matthews, saxophone. Box office: 01759 301547 or pocklingtonartscentre.co.uk

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More Things To Do in York and beyond when it’s never too late for Early Music. Hutch’s List No. 30, from The York Press

Richard Hawley: Revisiting Coles Corner with strings attached at Live At York Museum Gardens today. Picture: Dean Chalkley

WHAT happens when York Museum Gardens turns into Coles Corner and the same play opens in two places at once? Find out in Charles Hutchinson’s leisure list.

Open-air concert of the week: Futuresound Group  presents Live At York Museum Gardens, Richard Hawley, today; gates open at 5pm

SHEFFIELD guitarist, songwriter and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary this evening, complemented by Hawley highlights from his 2001 to 2024 albums (9pm to 10.30pm).

He will be preceded by Mercury Prize-winning Leeds band English Teacher (7.45pm to 8.30pm); Manchester-based American songwriter BC Camplight, introducing his new album, A Sober Conversation (6.30pm to 7.15pm), and Scottish musician Hamish Hawk, whose latest album, A Firmer Hand, emerged last August (5.40pm to 6.10pm). Box office: seetickets.com.

The Tallis Scholars: Performing Glorious Creatures, directed by Peter Philips, at York Minster at 7.30pm tonight at York Early Music Festival. Picture: Hugo Glendinning

Festival of the week:  York Early Music Festival, Heaven & Hell, until July 11

EIGHT days of classical music are under way featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, Helen Charlston & Toby Carr and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it” on Sunday.

Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.

Bridget Christie: Late replacement for Maisie Adam at Futuresound Group’s inaugural York Comedy Festival. Picture: Natasha Pszenicki

Comedy event of the week: Futuresound Group presents Live At York Museum Gardens, York Comedy Festival, Sunday, 2.30pm to 7.30pm

HARROGATE comedian Maisie Adam will not be playing the inaugural York Comedy Festival this weekend after all. The reason: “Unforeseen circumstances”. Into her slot steps trailblazing Bridget Christie, Gloucester-born subversive stand-up, Taskmaster participant and writer and star of Channel 4 comedy-drama The Change.

The Sunday fun-day bill will be topped by Dara Ó Briain and Katherine Ryan. Angelos Epithemiou, Joel Dommett, Vittorio Angelone, Clinton Baptiste and Scott Bennett perform too, hosted by “the fabulous” Stephen Bailey. Tickets update: last few still available at york-comedy-festival.com.

Justin Panks: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse

The other comedy bill in York this weekend: Laugh Out Loud Comedy Club presents Justin, Panks, Tony Vino, Liam Bolton and MC Damion Larkin, The Basement, City Screen, York, tonight, 8pm

COMEDIAN and podcaster Justin Panks tops tonight’s Laugh Out Loud Comedy Club with his skewed observational eye and ability to approach seemingly ordinary subjects from extraordinary angles in his raw, honest  tales of relationships, parenthood and life in general.  

Tony Vino bills himself as “the only half-Spanish, half-Scottish hybrid working comic in the world”; experimental Liam Bolton favours a bewildering, train-of-thought approach to unpredictable stand-up comedy; Damion Larkin hosts in improvisational style. Box office: lolcomedyclubs.co.uk or on the door.

The Script: Returning to Scarborough Open Air Theatre this weekend

Coastal gig of the week: The Script and Tom Walker, Scarborough Open Air Theatre, today; gates open at 6pm

THE Script head to the Yorkshire coast this weekend as part of the Irish rock-pop act’s Satellites UK tour, completing their hat-trick of Scarborough Open Air Theatre visits after appearances in 2018 and 2022.  Special guest Tom Walker, the Scottish singer-songwriter, performs songs from 2019 chart topper What A Time To Be Alive and 2024’s I Am. Box office: scarboroughopenairtheatre.com.

Dianne Buswell and Vito Coppola: Red Hot and Ready to dance at York Barbican

Dance show of the week: Burn The Floor presents Dianne & Vito, Red Hot & Ready!, York Barbican, Sunday, 7.30pm

STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2024 runner-up Vito Coppola are Red Hot and Ready to perform a dance show with a difference, choreographed by BAFTA award winner Jason Gilkison. The dream team will be joined by a cast of multi-disciplined Burn The Floor dancers from around the world. Box office: yorkbarbican.co.uk.

Florence Poskitt’s Margaret Watson, left, Jennifer Jones’s Elizabeth Watson and Livy Potter’s Emma Watson in Black Treacle Theatre’s The Watsons at the JoRo

Play of the week times two: The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, July 9 to 12, 7.30pm and .30pm Saturday matinee; The Watsons, 1812 Theatre Company, Helmsley Arts Centre, July 9 to 12, 7.30pm

TWO productions of Laura Wade’s The Watsons open on the same night in York and Helmsley.  What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.

One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who takes her incomplete novel to fashion a sparklingly witty play that looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Jim Paterson directs in York; Pauline Noakes in Helmsley. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk. 

York debut of the week: Kemah Bob in Miss Fortunate, Theatre@41, Monkgate, York, July 9, 8pm

“LIFE is gunna life and brains are gunna brain,” says Kemah Bob as the American host of the Foc It Up Comedy Club and podcast brings their debut stand-up tour to York in a show directed by Desiree Burch and Sarah Chew.

Born in Houston, Texas, and now living in London, Bob has been seen on QI, Richard Osman’s House Of Games, Jonathan Ross’s Comedy Club, Don’t Hate The Playaz and Guessable and heard on the Off Menu podcast, The Guilty Feminist, James Acaster’s Perfect Sounds, Springleaf and Brett Goldstein’s Films To Be Buried With. Box office: tickets.41monkgate.co.uk.

An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne

Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm

EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.

Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat,  and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.

In Focus: Contentment Productions in Second Summer Of Love, Theatre@41, Monkgate, York, July 10, 7.30pm

Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife-recovery tale at Theatre@41, Monkgate

ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered  by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.

Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, raising palms to the skies in fields, recovery from addiction and embracing mid-life.

Originally Second Summer Of Love was developed with producers Pants On Fire as a 15-minute and showcased by Emmy at the SHORTS Festival 2020.

“The play premiered as a one-woman performance at the 2022 Edinburgh Fringe,” she says. “Then it was refreshed in 2023; some scenes were re-written, taking into consideration reviewers’ practical criticisms and audience responses.

“We enlisted two more actors and Scott Le Crass to direct and tested out this new version for Contentment Productions on a three-night run in Worthing and Guildford where it sold out.” 

In this 60-minute performance, Emmy’s Louise is joined by Molly, played by Emmy’s daughter, Rosa Strudwick, and Christopher Freestone’s Brian, prompted by Louise’s flashbacks,

“Now our cast of three is playing 15 dates this summer and autumn, from York to Penzance, to connect with our target audiences, build partnerships, give us feedback and raise awareness of of our play to help us develop and upscale it into a fully cast production for larger auditoriums.”

Memories around Sterns nightclub in Worthing – a venue that Carl Cox once called “100 per cent equivalent to the Hacienda in Manchester” – wove themselves into Emmy’s play. “Second Summer Of Love isn’t a ‘true story’ but it’s inspired by real-life events and real people from when I was luckily, and very accidentally, right in the middle of the rave zeitgeist,” she says.

“It’s not a tale I’ve seen authentically told in theatres; especially not by a mid-life woman. I’m grateful to bring the ‘one love’ message of the original rave movement to the stage. I’m excited to play several different characters, using the physical skills of Le Coq again and genuinely overjoyed to be in scenes opposite Rosa and Christopher.”

Director Scott Le Crass adds: “I’m excited to direct Second Summer Of Love as it’s a fresh voice. It’s a perspective which I’ve never seen on stage. Older female voices are something we need to champion more and in a way which is strong, dynamic and playful. This play embodies that.”

Happisburgh trained at the Poor School and Guildford School of Acting; Le Crass trained as an actor at Arts Ed and was a director on Birmingham Rep’s first Foundry Programme; Freestone trained with Actor in Session, and Strudwick was trained through the LAMDA examination syllabus by Happisburgh.

For tickets, go to: tickets.41monkgate.co.uk.

In Focus too: York Shakespeare Project’s auditions for The Spanish Tragedy

Paul Toy: Directing Thomas Kyd’s The Spanish Tragedy for York Shakespeare Project

YORK Shakespeare Project welcomes back Paul Toy as its next director, at the helm of Thomas Kyd’s landmark play, The Spanish Tragedy, at Theatre@41, Monkgate, York, from October 22 to 25.

Paul’s relationship with YSP dates back to his 2003 production of The Taming Of The Shrew. The Spanish Tragedy will be his fourth YSP show but his first since Troilus And Cressida in 2011.

YSP chair Tony Froud says: “Paul emerged from a very strong field of applicants with an
exciting vision for this remarkable play. The Spanish Tragedy was the most popular play of the Elizabethan era, outselling Shakespeare.

“Kyd’s play set out the blueprint for a whole dramatic genre, Revenge Tragedy. Without it, there may have been no Hamlet, no The Duchess Of Malfi.

“It has a brilliant plot based on treachery, deceitand disguise and wonderful ingredients, including vengeance-seeking ghosts, madness, a play-within-a-play and a Machiavellian villain. Paul has great plans to bring to life the richly drawn characters with masks, music and dance.”

The Spanish Tragedy will be YSP’s second non-Shakespeare play in its 25-year mission to bring to the York stage all of Shakespeare’s plays and the best of his contemporaries, following Christopher Marlowe’s Edward II in October 2023.

YSP would be delighted to hear from anyone keen to join the cast. Auditions will be held on July 8 and 10 at 6.30pm, then July 12 at 2pm, all at Southlands Methodist Church, Bishopthorpe Road. Those interested are asked to email info@yorkshakespeareproject.org to book an audition slot and find out more.

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What’s On in Ryedale, York & beyond. Hutch’s List No. 28, from Gazette & Herald

Richard Hawley: Playing Coles Corner with strings attached at Futuresound Group’s Live At York Museum Gardens concert on Saturday. Picture: Dean Chalkley

AS the outdoor concert season awakens, a festival goes to heaven and hell and Jane Austen has unfinished business in Charles Hutchinson’s list for the upcoming week.

Open-air concerts of the week: Futuresound Group  presents Live At York Museum Gardens, Elbow, tomorrow; Nile Rodgers & CHIC, Friday; Richard Hawley, Saturday; gates open at 5pm

LEEDS promoters Futuresound Group’s second summer of outdoor concerts in York begins with Bury band Elbow’s sold-out show tomorrow, when Ripon singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution support.

New York guitarist, songwriter and producer Nile Rodgers and CHIC revel in Good Times, Le Freak, Everybody Dance and I Want Your Love on Friday, supported by Maryland soul singer Jalen Ngonda and Durand Bernarr. Sheffield guitarist and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary on Saturday, preceded by Leeds band English Teacher and Manchester-based American songwriter BC Camplight, introducing his new album, A Sober Conversation. Box office: seetickets.com.

Bridget Christie: Late replacement for Maisie Adam at York Comedy Festival on Sunday. Picture: Natasha Pszenicki

Comedy bill of the week: Futuresound Group presents Live At York Museum Gardens, York Comedy Festival, Sunday, 2.30pm to 7.30pm

HARROGATE comedian Maisie Adam will not be playing the inaugural York Comedy Festival this weekend after all. The reason: “Unforeseen circumstances”. Into her slot steps trailblazing Bridget Christie, Gloucester-born subversive stand-up, Taskmaster participant and writer and star of Channel 4 comedy-drama The Change.

More than 90 per cent of tickets have sold for the Sunday fun-day bill topped by Dara Ó Briain and Katherine Ryan. Angelos Epithemiou, Joel Dommett, Vittorio Angelone, Clinton Baptiste and Scott Bennett feature too, hosted by “the fabulous” Stephen Bailey. Tickets are on sale at york-comedy-festival.com.

The Sixteen: Performing Angel Of Peace programme at York Minster on July 7 at York Early Music Festival

Festival of the week:  York Early Music Festival, Heaven & Hell, Friday to July 11

EIGHT days of classical music add up to 19 concerts featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, viol consort Fretwork & Helen Charlston and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it”.

Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.

Belle Voix Trio: Nostalgic night of Motown and Northern Soul at Kirk Theatre, Pickering, on Friday

Tribute show of the week: Belle Voix Trio, A Night Of Motown & Northern Soul, Kirk Theatre, Pickering, Friday, 7.30pm

BELLE Voix Trio bring 30 Motown and Northern Soul hits to the Pickering dancefloor, from Do I Love You (Indeed I Do) to Tainted Love, Ain’t No Mountain High Enough to The Night. Sandy Smith, Sophie Mairi and Briony Gunn’s singing credits include London’s West End, cruise liners and luxury hotels. Box office: 01751 474833 or kirktheatre.co.uk.

The Script: Making third appearance at Scarborough Open Air Theatre on Saturday

Coastal gig of the week: The Script and Tom Walker, Scarborough Open Air Theatre, Saturday; gates open at 6pm

THE Script head to the Yorkshire coast this weekend as part of the Irish rock-pop act’s Satellites UK tour, completing their hat-trick of Scarborough Open Air Theatre visits after appearances in 2018 and 2022.

Danny O’Donoghue (vocals), Glen Power (drums), Ben Sargeant (bass) and Ben Weaver (guitar) have six number one albums to their name. Special guest Tom Walker, the Scottish singer-songwriter, performs songs from 2019 chart topper What A Time To Be Alive and 2024’s I Am. Box office: scarboroughopenairtheatre.com.

Dianne Buswell and Vito Coppola: Red Hot and Ready to dance at York Barbican with the Burn The Floor dancers

Dance show of the week: Burn The Floor presents Dianne & Vito, Red Hot & Ready!, York Barbican, Sunday, 7.30pm

STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2024 runner-up Vito Coppola are Red Hot and Ready to perform a dance show with a difference, choreographed by BAFTA award winner Jason Gilkison.

The dream team will be joined by a cast of multi-disciplined Burn The Floor dancers from around the world. Box office: yorkbarbican.co.uk.

Ione Harrison: Mounting Season Songs exhibition at Helmsley Arts Centre

Exhibition launch of the week: Ione Harrison, Season Songs, Helmsley Arts Centre, July 8 to September 5; private view, July 6, 2pm to 4pm

WELBURN landscape painter and watercolour workshop leader Ione Harrison’s Season Songs exhibition depicts the rhythm of the year in serene, dynamic and joyful paintings that explore seasonal changes in mood, colour and light in the natural world.

Ione, whose teaching career has taken her to France, the Middle East, Turkey and Nepal, creates vibrant, atmospheric paintings, working primarily in watercolour and ink.  She is influenced in particular by the heat-soaked colours of Asia and the Middle East.

Vicki Mason’s Margaret Watson, Beaj Johnson’s Tom Musgrave and Becca Magson’s Emma Watson in 1812 Theatre Company’s production of The Watsons

Play of the week: 1812 Theatre Company in The Watsons, Helmsley Arts Centre, July 9 to 12, 7.30pm

WHAT happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.

If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife. Luckily there are plenty of potential suitors, from flirtatious Tom Musgrave to castle-owning, awkward Lord Osborne.

One problem: Jane Austen did not finish the story. Who will write Emma’s happy ending now? Step forward Laura Wade, who takes her incomplete novel to fashion a sparklingly witty play that looks under the bonnet of Jane Austen to ask: what can characters do when their author abandons them? Pauline Noakes directs resident company 1812 Theatre Company’s production. Box office: 01439 771700 or helmsleyarts.co.uk.  

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What’s On in Ryedale, York and beyond. Hutch’s List No. 16, from Gazette & Herald

Gary Oldman in rehearsal for Samuel Beckett’s Krapp’s Last Tape, now in its preview week at York Theatre Royal. Picture: Gisele Schmidt

GARY Oldman’s return to York Theatre Royal tops the bill of Charles Hutchinson’s recommendations and chocolate is in the air too.

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

ONCE the pantomime Cat that fainted thrice in Dick Whittington in his 1979 cub days on the professional circuit in York, Oscar winner Gary Oldman returns to the Theatre Royal to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1987.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: New availability of returns and additional seats on 01904 623568 or yorktheatreroyal.co.uk.

Laura Soper’s Noi with the beached Storm Whale in The Storm Whale at York Theatre Royal Studio. Narrator Charlotte Benedict looks on. Picture: Charlie Kirkpatrick, Kirkpatrick Photography

Children’s show of the week: The Storm Whale, York Theatre Royal Studio, until Saturday, 10.30am and 1.30pm

YORK writer and director Matt Aston revives his 2019 stage adaptation of Benji Davies’s tales of loneliness, love and courage, The Storm Whale, in a show built on puppetry, original songs and dialogue.

Noi lives with his dad and six cats by the sea. One summer, while dad was busy at work, Noi rescued a little whale, washed up on the beach. A friendship began that changed their lives forever. The following winter, his dad takes one last trip in his fishing boat. Alone once more, Noi longs to see his friend again. Will it take another storm to bring them back together? Box office: 01904 623568 or yorktheatreroyal.co.uk.

York Chocolate Festival: City centre will be chock-a-block with chocs and eggs for Easter

Festival of the week: York Chocolate Festival 2025, today to Saturday, 10am to 5pm

YORK Chocolate Festival showcases everything sweet and chocolate from independent businesses in Parliament Street and around the city.

Highlights include the York Chocolate Festival Market; Chocolate Taste Trail; Ashley McCarthy’s Chocolate Sculpture and Family Easter Egg Hunt. Entry to the festival and market is free; some activities and events require tickets. Full programme at: yorkfoodfestival.com/programme.

Showaddywaddy: Rock’n’roll revivalists standing under the moon of love at The Grand Opera House, York

Rock’n’roll nostalgia of the week: Showaddywaddy, Grand Opera House, York, tomorrow, 7.30pm

SHOWADDYWADDY make the bold claim to be “the greatest rock’n’roll band in the world”, living up to that title for the past five decades, they say.

Formed in 1973 in Leicester, they have sold more than 20 million records. Here come Hey Rock And Roll,  Under The Moon Of Love, Three Steps To Heaven, When, Blue Moon, Pretty Little Angel Eyes et al. Box office: atgtickjets.com/york.

Mark Radcliffe and David Boardman: Two voices, two guitars, original songs and carefully chosen covers at Pocklington Arts Centre

Duo of the week: Mark Radcliffe and David Boardman, Pocklington Arts Centre, tomorrow, 8pm

MARK Radcliffe and David Boardman are singing, songwriting, strumming and swigging buddies from Knutsford in the Badlands of the Cheshire Plain. BBC radio presenter and author Radcliffe was a member of folk-rock bands The Family Mahone and Galleon Blast and is now one half of electronic duo UNE and drummer and lyricist for Americana band Fine Lines.

Guitarist, guitar teacher and visual artist Boardman cut his teeth on the rock circuit with Darktown Jubilee. On board with Radcliffe, they deliver two voices, two guitars, original songs, carefully chosen covers and the occasional rambling anecdote. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Patrick Monahan: The Talkinator fights back against AI at Theatre@41, Monkgate

Comedy gig of the week: Patrick Monahan: The Talkinator, Theatre@41, Monkgate, York, Friday, 8pm

IN 2024, amid much talk of about AI taking over humans, only one man can out-talk the chat-bots and robots. Step forward Irish-Iranian comedian Patrick Monahan for one hour of stand-up comedy written by a human, performed by a human. Box office: tickets.41monkgate.co.uk.

Alfie Richards’ Mr Tumnus in The Lion, The Witch And The Wardrobe, on tour at the Grand Opera House, York

Touring show of the week: The Lion, The Witch And The Wardrobe, Grand Opera House, York, April 22 to 26, 7pm plus 2pm Wednesday, Thursday and Saturday matinees

STEP through the wardrobe into the kingdom of Narnia for the most mystical of adventures in a faraway land. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and say hello to Mr Tumnus, the talking Faun (Alfie Richards), Aslan, the Lion (Stanton Wright), and the coldest, cruellest White Witch (Katy Stephens). 

Directed by Michael Fentiman, this breathtaking stage adaptation brings magical storytelling, bewitching stagecraft and stellar puppets to CS Lewis’s allegorical novel. Box office: atgtickets.com/york.

Alex Hamilton: Playing the blues with his trio at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Alex Hamilton Band, Milton Rooms, Malton, April 24, 8pm

ALEX Hamilton (formerly Lewis Hamilton) has been part of the British blues rock scene for more than ten years, touring Great Britain and Europe. First making his mark as a young guitarist with skills beyond his age, he has matured and developed a technique redolent of Robben Ford and Matt Scofield.

Hamilton’s debut album aged 18 won the Scottish New Music Award in 2011 and his subsequent albums have been nominated for the British Blues Awards. He tours in a trio with his father Nick on bass and Ian Beestin on drums. Box office: 01653 696240 or themiltonrooms.com.

In Focus: 1812 Theatre Company in Agatha Christie’s The Mirror Crack’d, Helmsley Arts Centre, April 23 to 26, 7.30pm

Jean Sheridan’s Miss Marple, left, and Jeanette Hambidge’s Cherry Baker in rehearsal for Miss Marple in Agatha Christie’s The Mirror Crack’d. Picture: Joe Coughlan

HELMSLEY Arts Centre’s resident troupe, the 1812 Theatre Company, present Rachel Wagstaff’s stage adaptation of Miss Marple in Agatha Christie’s The Mirror Crack’d, a story of revenge and dark secrets set in late-summer 1962 England, when the wind of change blowing through the land reaches sleepy St Mary Mead.

A new housing estate, The Development, is making villagers fearful of changing times. Stranger still, a glamorous Hollywood movie star has bought the manor house, Gossington Hall, throwing the village into a frenzy.

Meanwhile, Miss Jane Marple (played by Jean Sheridan) has injured her ankle, a temporary impairment that confines her to a chair, making her question if life has passed her by. Enter Scotland Yard’s Chief Inspector Craddock (Richard Bannister), the son of a very dear friend of the spinster sleuth, after the vicious murder of a woman, poisoned at a party held by film star Marina Gregg (Lucy Wilshaw). Now Miss Marple must unravel a web of lies, tragedy and danger.

All the party guests are suspect; as ever, everyone’s version of events is different. Who would have guessed that a famous poem by Alfred, Lord Tennyson would provide the key to the mystery?

Wagstaff’s play is an adaptation of Christie’s 1962 novel The Mirror Crack’d From Side To Side, first toured in 2019 with a cast led by Susie Blake as Miss Marple and Simon Shepherd as Chief Inspector Craddock. Blake reprised the role on tour at York Theatre Royal in October 2022.

Lucy Wilshaw rehearsing her role as American film star Marina Gregg. Picture: Joe Coughlan

“The title of the novel, and the shortened version for the play, is taken from the moment when the mirror of ‘The Lady of Shalott’ (from the Tennyson poem) cracks and the curse she’d feared now befalls her,” says director Julie Lomas.

“The novel’s plot was undoubtedly inspired by Agatha Christie’s reflections on a mother’s feelings for a child born with disabilities, and it is thought that she was influenced by happenings in the life of beautiful real-life actress Gene Eliza Tierney.

“There are several themes running through the novel, and the play, covering some of the changes in social history since the Second World War, including the class structure, racism and ageism.”

The novel was made into a film in 1980, with a multitude of star names, includimg Angela Lansbury as Miss Marple, Elizabeth Taylor as Marina Gregg and Edward Fox as Chief Inspector Craddock.

All the Miss Marple’novels were adapted for a BBC TV series shown in the 1990s, starring Joan Hickson as Miss Marple.

For tickets, ring 01439 771700 or book at helmsleyarts.co.uk.  

Who’s in the cast?

Becca Magson’s Lola Brewster and Richard Bannister’s Chief Inspector Craddock in the rehearsal room. Picture: Joe Coughlan

THE Mirror Crack’d was scheduled to be staged by 1812 Theatre Company in 2024, but that old enemy Covid intervened. After a few cast changes under new director Julie Lomas, the production is ready for next week’s run.

Miss Jane Marple: Jean Sheridan

Marina Gregg: Lucy Wilshaw

Cherry Baker: Jeanette Hambidge

Chief Inspector Dermot Craddock: Richard Bannister

Heather Leigh: Michele Hopley

Cyril Leigh: Steven Lonsdale

Jason Rudd: Beaj Johnson

Giuseppe Renzo: Barry Whitaker

Dolly Bantry: Lynn Goslin

Ella Zielinski: Linda Tester

Lola Brewster: Becca Magson

Who’s in the production team?

Jean Sheridan’s Miss Marple, left, and Lynn Goslin’s Dolly Bantry on the phone in rehearsal for 1812 Theatre Company’s production. Picture: Joe Coughlan

Director: Julie Lomas

Production assistant: Julie Wilson

Stage manager/properties: Anna Hare; Marcie Hughes

Technical director: James Bentley

Set design: Julie Lomas; Sue Elm

Set construction: Michael Goslin; Peter Ives; Russell Smith

Set painting: Pauline Noakes; Heather Linley; Denise Kitchin; Liz Ives; John Lomas

Sound design: Julie Lomas; John Lomas

Lighting design: Julie Lomas

1812 Theatre Company’s poster for next week’s production of Miss Marple in Agatha Christie’s The Mirror Crack’d

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What’s On in Ryedale, York and beyond. Hutch’s List No. 8, from Gazette & Herald

Director Joanne Lister in rehearsal for Art with 1812 Theatre Company cast members Ivan Limon and Mike Martin. Picture: Paddy Chambers

WHEN art meets theatre, a hit play leads off Charles Hutchinson’s picks for a week where prompt booking is advised for a host of here today, gone tomorrow events.

Ryedale theatre show of the week: 1812 Theatre Company in Art, Helmsley Arts Centre, tonight to Saturday, 7.30pm

JOANNE Lister is not only making her 1812 Theatre Company directorial debut but also, in the late absence of her husband John Lister, she will take over the role of Marc with script in hand in Yasmina Reza’s 1994 French comedy, Art.

Translated by Christopher Hampton, the play asks: can a friendship between three close friends – Marc, Serge (Ivan Limon) and Yvan (Mike Martin) – survive when one of them does something completely unexpected? Box office: 01439 771700 or helmsleyarts.co.uk.

Leeds poet Antony Dunn

Poetry event of the week: Rise Up!, A Celebration of Poetry and the Spoken Word, Rise @Bluebird Bakery, Acomb Road, Acomb, York tonight, doors 7.30pm; performance 8.30pm to 10pm

LEEDS writer and People Powered Press poet-in-residence Antony Dunn, Yorkshire-born poet, mezzo-soprano  and theatre-maker Lisa J Coates and York St John University Fine Art coarse leader and poet Nathan Walker take part in Rise Up!.

Hosted by Bluebird Bakery boss and poet Nicky Kippax and Elizabeth Chadwick Pywell, the evening has three open-mic slots too. The next Rise Up! bill on April 30 will feature poets Rachel Long, Ioney Smallhorne and Minal Sukumar. Tickets update: last few left at eventbrite.co.uk.

Something wicked but educative this way comes: Dickens Theatre Company in Macbeth at Grand Opera House, York

GCSE study aid of the week: Dickens Theatre Company, Revision On Tour: Macbeth, Grand Opera House, York, today, 1pm with post-show Q&A

THE infamous Porter acts as narrator for an ensemble of six actors to create a cauldron of characters as Macbeth and Lady Macbeth make their perilous descent towards Hell in Shakespeare’s bloodiest tragedy, adapted and directed by Ryan Philpott, with music by Paul Higgs.

Set against a back-drop of wars, witchery and treasonous plotting, Dickens Theatre Company aim to “entertain and educate to the bitter end” while highlighting how “the Scottish play” remains ominously relevant in the 21st century. Box office: atgtickets.com/york.

Dickens Theatre Company in Dr Jekyll & Mr Hyde, playing the Grand Opera House, York

The other GCSE study aid of the week: Dickens Theatre Company, Revision On Tour: Dr Jekyll & Mr Hyde, Grand Opera House, York, tonight, 7pm

WITHIN the thick Fitzrovia fog and dimly lamp-lit streets lurks an evil predator. When Gabriel Utterson learns of the mysterious Mr Hyde, he commits his lawyer’s logic to the proceedings. Believing Hyde to be blackmailing Jekyll, he vows to bring Hyde to task to solve the mystery.

As with Macbeth, Dickens Theatre Company’s cast of six takes on an exciting, educational new stage adaptation of Robert Louis Stevenson’s Victorian gothic masterpiece, adapted and directed by Ryan Philpott. Box office: atgtickets.com/york.

Unpacking Nina Simone: Florence Odumosu in Black Is The Color Of My Voice at York Theatre Royal. Picture: Steve Ullathorne

Biographical drama of the week: Black Is The Color Of My Voice, York Theatre Royal, tonight, 7.30pm

WRITTEN and directed by Apphia Campbell, Black Is The Color Of My Voice is inspired by the life of Nina Simone in an evening of storytelling and performances of her most iconic songs by Florence Odumosu.

Campbell’s 70-minute play follows the North Carolina singer and activist as she seeks redemption after the untimely death of her father. She reflects on her journey from piano prodigy destined for a life in the church to jazz vocalist at the forefront of the civil rights movement. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Big Wolf Band: Ryedale Blues Club’s blues rock act in Malton tomorrow

Blues rock gig of the week: Ryedale Blues Club presents Big Wolf Band, Milton Rooms, Malton, tomorrow, 8pm

BIG Wolf Band, a formidable blues rock powerhouse formed in Birmingham in 2014 by guitarist, vocalist and songwriter Jonathan Earp and bassist  Mick Jeynes, now perform with Tim Jones on drums, Justin Johnson on guitar, and Robin Fox on keys.  They made the Top Five Best Blues Bands in the UK list at the UK Blues Awards in 2023 and 2024. Box office: 01653 696240 or themiltonrooms.com.

English Touring Opera in rehearsal for The Vanishing Forest, bound for Acomb Explore Library. Picture: Julian Guidera

Climate change drama of the week:  English Touring Opera in The Vanishing Forest, Acomb Explore Library, Front Street, Acomb, York, Sunday, 11am

ENGLISH Touring Opera present an enchanting adventure for seven to 11-year-olds that blends Shakespeare, music and an environmental message.

Jonathan Ainscough and Michael Betteridge’s new opera picks up the threads of A Midsummer Night’s Dream as Cassie and Mylas, Duke Theseus and Queen Hippolyta’s children, team up with Puck to save the forest before it is too late. Expect songs, puppetry, spells, mystical flowers and a story to entertain and inspire while tackling the pressing issue of deforestation. Tickets update: last few available at tickettailor.com.

Diversity: Pouring Soul into their dancing at York Barbican in April 2026

Show announcement of the week: Diversity present Soul, York Barbican, April 20 and 21 2026

BRITAIN’S Got Talent’s 2009 winners, Ashley Banjo’s Southend dance ensemble Diversity, will base next year’s tour around the technological advancements of artificial intelligence, asking what the future holds and what it means to be human within the digital age.

“The future is now,” says Banjo. “Humans have become plugged in and completely connected to a world full of artificial intelligence – a world in which it is hard to distinguish reality from fiction. AI has become so advanced it’s considered a life form of its very own. Is this the next stage in our evolution? What exactly have we created? What makes us human?” His answer: “Soul.” Box office: yorkbarbican.co.uk.