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What’s On in Ryedale, York and beyond amid murder mysteries times two. Hutch’s List No. 37, from Gazette & Herald

Ed Gamble: No mention of hot dogs at the Grand Opera House, York, despite the show title and tour publicity photo. Picture: Matt Crockett

IT would not be a Gamble to the see the comedian of that surname, Peter Hook’s Joy Division and New Order excavations, a Miss Marple mystery or a new Rebus play, advises Charles Hutchinson.

Comedy gig of the week: Ed Gamble, Hot Diggity Dog, Grand Opera House, York, tonight, 7.30pm

ED Gamble is promising “all your classicGamble ranting, raving and spluttering, but he’s doing fine mentally. Promise”. After all, he co-hosts the award-winning podcast Off Menuwith James Acaster, is a judge on Great British Menu and Taskmaster champion, hosts Taskmaster The Podcast and The Traitors: Uncloaked and has his own special, Blood Sugar, available on Amazon Prime. Box office: atgtickets.com/york.

Not Gonna Lie: Fool(ish) Improv conjure comedy from audience stories at The Old Paint Shop, York Theatre Royal

Improv gig of the week: Fool(ish) Improv present Not Gonna Lie, The Old Paint Shop, York Theatre Royal Studio, tomorrow, 8pm

THIS show by Paul Birch and co will take the truth to task by using real stories from the audience to improvise “unbelievable comedy”. Not so much Who’s Line Is It Anyway but more Who’s Lie Is It Anyway, Fool(ish) welcome you to a playful night of joy, nonsense and completely making things up.

“Come confess and unburden yourselves of some silly secrets, tales of the office and childhood memories and we will shape them into surreal sketches and sensational scenes,” say the Yorkshire improvisers trained by the best in Chicago Long-Form improv. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Peter Hook: Revisiting Joy Division and New Order with The Light at York Barbican. Picture: Mark McNulty

York rock gig of the week: Peter Hook & The Light, Substance World Tour, York Barbican, tomorrow, doors 7pm; start 8pm; curfew 11pm

PETER Hook & The Light compare and contrast his bands Joy Division and New Order’s Substance compilation albums, playing both Manchester groups’ vinyl versions in full, complemented by 12 tracks featured on CD editions.

Hook will be joined by David Potts, his regular companion from Monaco and Revenge, on guitar and vocals, new addition Martin Rebelski, from Doves, on keyboards, Paul Kehoe on drums, and Paul Duffy, from The Coral, deputising for Hooky’s son, Jack Bates, on bass. Box office: yorkbarbican.co.uk.

Martin Stephenson: Back with The Daintees in Malton

Ryedale gig of the week: Martin Stephenson & The Daintees, Milton Rooms, Malton, October 13, 8pm

MARTIN Stephenson’s focus will be on You Belong To Blue, the February 2023 album that saw original Daintees’ members Gary Dunn, Anthony Dunn and Charlie Smith, plus a selection of special guests, joining up with the Durham-born singer-songwriter once again.

His Malton set will feature Daintees and Stephenson solo favourites stretching back to his 1986 debut Boat To Bolivia as he dips into country, folk, jazz, blues, skiffle and reggae. Box office: 01653 696240 or themiltonrooms.com.

Billy Mitchell and Bob Fox: In tandem at the Milton Rooms

Duo of the week: Billy Mitchell and Bob Fox, Milton Rooms, Malton, October 15, 7.30pm

THIS is a rare opportunity to see North Eastern masters of vocal harmony and musicians Billy Mitchell and Bob Fox perform once again as a duo after several years of individual work. Actor, singer and songwriter Mitchell founded Jack The Lad in the 1970s and was Lindisfarne’s the front man for eight years until their retirement in 2003.

He has undertaken two tours of The Lindisfarne Story and performs in The Pitmen Poets with Fox, Jez Lowe and Benny Graham, presenting songs and stories of Durham and Northumberland’s coal mining communities. Fox interprets traditional and modern songs, played the Songman in the National Theatre’s Warhorse and first toured with Mitchell in 2006, leading to their studio album of Tyne and Wear songs Back On City Road. Box office: 01653 696240 or themiltonrooms.com.

Gray O’Brien as Inspector John Rebus in Rebus: A Game Called Malice, on tour at York Theatre Royal. Picture: Nobby Clark

York play of the week: Rebus: A Game Called Malice, York Theatre Royal, October 15 to 19, 7.30pm; 2pm, Wednesday, Thursday; 2.30pm, Saturday

SCOTTISH crime writer Ian Rankin’s much-loved detective, John Rebus, takes to the stage in a new storyco-written with Simon Reade. Gray O’Brien, from Coronation Street, Casualty and Peak Practice, plays Rebus in a cast also featuring Abigail Thaw and Billy Hartman.

When a splendid Edinburgh mansion dinner party concludes with a murder mystery game created by the hostess, suddenly a murder needs to be solved. However, guests have secrets of their own. Among them is Inspector John Rebus, but is he Is playing an alternative game, one to which only he knows the rules? Rankin will attend the October 18 post-show discussion with the cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.

1812 Theatre Company’s poster for The Mirror Crack’d, a Miss Marple mystery, at Helmsley Arts Centre

Ryedale play of the week: 1812 Theatre Company in Agatha Christie’s The Mirror Crack’d, Helmsley Arts Centre, October 16 to 19, 7.30pm

1812 Theatre Company presents Rachel Wagstaff’s adaptation of Agatha Christie’s 1962 thriller, wherein Hollywood star Marina Gregg has moved into Gossington Hall and has been persuaded to host the village fête.  

When the harmless Heather Badcock, a St John’s Ambulance volunteer with not one enemy in the world, is poisoned by a drink meant for Marina, Chief Inspector Craddock quickly realises the wrong person has died. Fortunately, his aunt, Miss Marple, lives in the village, ever ready to unravel the truth behind the killing as seven suspects face investigation. Box office: 01439 771700 or helmsleyarts.co.uk.

Strictly between us: Husband and wife Aljaž Škorjanec and Janette Manrara announce A Night To Remember tour for 2025

Show announcement of the week: Aljaž Škorjanec and Janette Manrara: A Night To Remember, York Barbican, June 1 2025

STRICTLY Come Dancing favourites Aljaž Škorjanec and Janette Manrara – married since 2017 – will be touring next year with A Night To Remember, featuring an ensemble of “some of the UK’s very best dancers and singers”.

 Aljaž, partnering Tasha Ghouri in the 2024 series, and It takes Two presenter Janette will “perform stunning routines to an eclectic array of music”, spanning the Great American songbook through to modern-day classics, backed by their own big band, fronted by boogie- woogie star Tom Seal. Tickets go on sale on Friday at 10am at yorkbarbican.co.uk/whats-on/aljaz-and-janette-a-night-to-remember.

In Focus: Pickering Musical Society in Wonders Of The West End, Kirk Theatre, Pickering, October 10 to 13

Paula Paylor, left, and Danille Long in Pickering Musical Society’s Wonders Of The West End. Picture: Robert David Photography

CURTAIN up tomorrow, Pickering Musical Society is in full swing, putting the final touches to its highly anticipated autumn concert Wonders Of The West End.

This year’s production promises to be a spectacular event, featuring not only the society’s talented performers but also more than 40 dancers from the Sarah Louise Ashworth School of Dance.

In a dazzling programme of classic and contemporary show tunes, selections include iconic hits from Gigi, Half A Sixpence, Oliver! and Waitress, to name but a few.

Colin Wragg in Wonders Of The West End. Picture: Robert David Photography

The cast and dancers have been working hard under the expert guidance of resident musical director Clive Wass, who will be conducting the orchestra each night.

“The combination of live music, powerful vocals, and stunning choreography promises an unforgettable night of theatre,” says director Luke Arnold. “The carefully curated programme offers something for everyone, whether you’re a fan of the golden age of musicals or the latest West End sensations.

“It would be remiss to reflect on the music without a special mention to the society’s rehearsal pianist, Carl Schofield, who has worked tirelessly with the cast over the past three months to help deliver a stunning performance.” 

Under the parasol: Alice Rose in Wonders Of The West End. Picture: Robert David Photography

This year’s concert marks the debut of regular principal actress Courtney Brown as assistant director under Luke’s stewardship.

“It has been a privilege working with Courtney,” he says. “I could not have wished for a better assistant. We have got on fantastically well from day one and our interest and taste in musical theatre is very similar, which has helped us create a unified production. I look forward to working with Courtney again and seeing her develop as a director.”

Pickering Musical Society presents Wonders Of The West End, Kirk Theatre, Pickering, October 10 to 13, 7.30pm nightly. Box office: 01751 474833 or online at Wonders of the West End (littleboxoffice.com).

Pickering Musical Society’s full company for Wonders Of The West End. Picture: Robert David Photography
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What’s On in Ryedale, York & beyond as garden ghosts gather for haunting season. Hutch’s List No. 35, from Gazette & Herald

Ghosts In The Garden: Returning for fourth season with more locations and more wire-mesh ghosts

GARDEN ghosts, Yorkshire landscapes, campsite class division, awful auntie antics and ridiculous improv comedy herald the arrival of the arts autumn for Charles Hutchinson.

Installation of the week: Ghosts In The Gardens, haunting York until November 5

GHOSTS In The Gardens returns with 45 ghosts, inspired by York’s past, for visitors to discover in the city’s public gardens and green spaces, with the Bar walls, St Olave’s Church and York Railway Station among the new locations.

Organiser York BID has partnered with design agency Unconventional Design for the fourth year to create the semi-translucent 3D sculptures out of narrow-gauge wire mesh, six of them new for 2024. Pick up the map for this free event from the Visitor Information Centre on Parliament Street and head to https://www.theyorkbid.com/ghosts-in-the-gardens/ for full details. 

Rievaulx Abbey, mixed media, by Robert Dutton in A Yorkshire Year at Nunnington Hall

Exhibition of the week: A Yorkshire Year, Nunnington Hall, near Helmsley, until December 5

THE changing landscape of the Yorkshire countryside and coastline is captured by Yorkshire artists Robert Dutton, from Nunnington, and Andrew Moodie, from Harrogate, in a diverse collection of seasonal images at the National Trust house.

Dutton presents a dramatic interpretation of the untamed expanses of Yorkshire, from meandering freshwater rivers and hidden woodlands to the stark beauty of the moors. Moodie directs his attention to the undulating valleys of the Yorkshire Dales, as well as coastal villages. Opening hours: Tuesday to Sunday, 10.30am to 5pm, last entry at 4.15pm. Normal admission prices apply at nationaltrust.org.uk/nunnington-hall

Tom Gallagher, Annie Kirkman and Laura Jennifer Banks in a scene from John Godber’s revival of Perfect Pitch

Touring play of the week: John Godber Company in Perfect Pitch, Harrogate Theatre, until Saturday; Pocklington Arts Centre, October 9 and 10; Stephen Joseph Theatre, Scarborough, November 13 to 16

WHEN teacher Matt (Frazer Hammill) borrows his parents’ caravan for a week on the Yorkshire coast with partner Rose (Annie Kirkman), they were expecting four days of hill running and total de-stress. However, with a Tribfest taking place nearby, Grant (Tom Gallagher) and Steph’s (Laura Jennifer Banks) pop-up tent is an unwelcome addition to their perfect pitch.

The class divide and loo cassettes become an issue as writer-director John Godber reignites his unsettling1998 state-of-the-nation comedy, set on an eroding coastline, as Matt and Rose are inducted into the world of caravanning and karaoke. Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; Pocklington, 01759 301547 or pocklingtonartscentre.co.uk; Scarborough, 01723 370541 or sjt.uk.com.

Neal Foster’s Aunt Alberta and Annie Cordoni’s Stella in Birmingham Stage Company’s Awful Auntie at Grand Opera House, York. Picture: Mark Douet

Children’s show of the week: Birmingham Stage Company in Awful Auntie, Grand Opera House, York, today to Sunday

CHILDREN’S author David Walliams and Birmingham Stage Company team up for the fourth time. After adaptations of Gangsta Granny, Billionaire Boy and Demon Dentist, here comes actor-manager Neal Foster’s stage account of Awful Auntie.

As Stella (Annie Cordoni ) sets off to visit London with her parents, she has no idea her life is in danger. When she wakes up three months later, not everything Aunt Alberta (Foster) tells her turns out to be true. She quickly discovers she is in for the fight of her life against her very own awful Auntie! Suitable for age five upwards. Box office: atgtickets.com/york.

The Halls Of Ridiculous: Spinning their improv comedy at Milton Rooms, Malton. Picture: Scott Akoz

Comedy gig of the week: Hilarity Bites Club presents The Halls Of Ridiculous, Cal Halbert and Tony Cowards, Milton Rooms, Malton, Friday, 8pm

NORTHERN comedy The Halls Of Ridiculous, namely Chris Lumb (from BBC Three’s Russell Howard’s Good News) and Phil Allan-Smith (from BBC One’s This Is My House), push the boundaries of improv, sketch and character creativity with their quick-thinking scenes, zany special guests and quirky approach to performance.

Cal Halbert is one half of The Mimic Men, the UK’s only impressionist double act; host Tony Cowards is a rapid-fire gag merchant with an arsenal of one-liners, delivered by a likeable everyman character. Box office: 01653 696240 or themiltonrooms.com.

Just Us And A Piano: 1812 Theatre Company singers stage two fundraisers for Helmsley Arts Centre

Fundraising musical theatre concert of the week: 1812 Theatre Company, Just Us And A Piano, Helmsley Arts Centre, Friday and Saturday, 7.30pm

SINGER Julie Lomas and pianist Neil Bell bring together a grand piano and an ensemble 1812 Theatre Company singers to celebrate the world of musical theatre, from the Broadway classics of George Gershwin, Cole Porter, Jerome Kern and Richard Rodgers, through to Cabaret, Wicked, My Fair Lady, Miss Saigon, Les Miserables, Hamilton and the music of Andrew Lloyd Webber.

Singers Amy Gregory, Esme Schofield, Florrie Stockbridge, Joe Gregory, Julie Lomas, Kristian Gregory, Natasha Jones, Oliver Clive and Phye Bell will be raising funds for Helmsley Arts Centre. Box office: 01439 771700 or helmsleyarts.co.uk.

Honey & The Bear: Tales of Suffolk folklore, courageous people and a passion for nature at Milton Rooms, Malton

Ten Year Anniversary Tour: Honey & The Bear, Milton Rooms, Malton, Saturday, 8pm

BRITISH folk and roots duo Jon Hart (guitar, bass and bouzouki) and Lucy Hart (guitar, ukulele, bass, banjo, mandolin and percussion) are joined by guests Evan Carson (percussion) and Archie Churchill-Moss (melodeon).

Conjuring stories in song, Honey & The Bear tell tales of Suffolk folklore, courageous people they admire and their passion for nature, as heard on third album Away Beyond The Fret, released last November. Box office: 01653 696240 or themiltonrooms.com.

Josh Widdicombe: Taking stock of the little things that niggle him in Not My Cup Of Tea

Gig announcement of the week: Josh Widdicombe, Not My Cup Of Tea Tour, Hull City Hall, October 2 2025, and York Barbican, February 28 2026

PARENTING Hell podcaster and comedian Josh Widdicombe, droll observer of the absurd side of the mundane, will take stock of the little things that niggle him, from motorway hotels to children’s parties, and explain why he has finally decided to embrace middle age, hot drinks and doing the school run in his 58-date tour show, Not My Cup Of Tea.

“That’s my favourite type of stand-up: really niche observations about silly little things that you wouldn’t think about. I’ve got no interest in the big topics.” Box office: joshwiddicombe.com; yorkbarbican.co.uk; hulltheatres.co.uk.

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REVIEW: 1812 Theatre Company in The Vicar of Dibley, Helmsley Arts Centre, until Saturday ****

Julia Bullock’s Geraldine Granger receives a frosty reception from Grahame Sammons’s parish council chairman David Horton on introducing herself as the new vicar. Oliver Clive’s Hugo Horton looks on rather more admiringly. Picture: Joe Coughlan

WHEN The Vicar Of Dibley was suggested for 1812 Theatre Company’s summer show, director Julie Lomas “had some reservations”. Who could follow comedy icon Dawn French and the rest from Richard Curtis and Paul Mayhew- Archer’s beloved BBC series, she wondered.

Allaying those concerns, she found all her players in her first round of auditions, combining company debutants with familiar faces from Helmsley Arts Centre’s resident company, including Richard Noakes in his 51st appearance “in some way or other” at the Old Meeting House.

Two new members feature, led by Julia Bullock, from the Harrogate theatre scene, making “chocoholic sex kitten” Reverend Geraldine Granger her own, albeit with the Dawn French bob.

Beaj Johnson is stepping up for his stage debut at 60 as no, no, no, yes, Jim Trott, after many years as a photographer in the theatre world, taking portraits of Rik Mayall, Julian Clary, Celia Imrie, Imelda Staunton and…Dawn French (as featured with a flower in the 1812 programme). Not so much no, as yes, yes, yes, such is the comic joy of his terpsichorean turn as the dithering, rumbustious Jim.

Julie Lomas not only directs but also has credits for sound design (with John Lomas), set and lighting design, set decoration (with Pauline Noakes and Becca Magson), wardrobe (with Bullock and Magson) and programme design.

All in favour: Mike Martin’s Owen Newitt, left, Julia Bullock’s Geraldine Granger, Oliver Clive’s Hugo Horton, Grahame Sammons’s David Horton, Richard Noakes’s Frank Pickle, Sue Smith’s Sue Cropley and Beaj Johnson’s Jim Trott at a Dibley Parish Council

Hats off to such a hands-on contribution, but that’s not all. She has adapted the original Curtis & Mayhew-Archer script too, retaining the 1990s’ setting, with references to William Hague, Norma Major and Anne Robinson, but ostensibly moving the location from the south to Yorkshire, although only the vicar of Dibley dabbles in pronounced northern vowels, enhancing Bullock’s distancing from the French style.

The rest mirror the accents of the TV originals, adding to the mist of nostalgia that had seen this week’s evening performances all but sell out in advance. (N.B. Two tickets are still available for Saturday night, more for the matinee).

The play starts where else but at the Dibley Parish Council meeting where misogynistic, autocratic chairman David Horton (Grahame [CORRECT] Sammons, stuffed of shirt, acid of mouth) announces the need to replace the departed Reverend Pottle.

All the favourites are there: the pedantic/fastidious parish clerk Frank Pickle (a steadfast Richard Noakes); Mrs Cropley (stoical Sue Smith), with her waste-not but not-wanted nibbles; geeky, quirky Hugo Horton (Oliver Clive); the aforementioned Jim (Johnson, as much a nod to Wilfrid Brambell and Ade Edmondson as to Roger Lloyd Pack ) and the late-arriving Owen Newitt, (a bucolic, West Country, hangdog Mike Martin), struggling with his latest bowel affliction.

Lomas quickly establishes economy of scene and speed of scene change with an open plan set that combines the Horton mansion with the village hall and the vicarage, topped off by a stained-glass window that will come into play late on as Barry Whitaker’s Bishop of Mulberry makes his mark.

At last! Julia Bullock’s Geraldine Granger celebrates as Oliver Clive’s Hugo Horton and Jeanette Hambidge’s Alice Tinker finally have their Rodin sculpture moment. Picture: Joe Coughlan

All gather at Horton HQ for the arrival of the new vicar, Horton handing out the cheap sherry. Not a woman, he prays. Enter Bullock’s Geraldine Granger, the answer to the village’s prayers as it turns out. Immediately drawing attention to her bust, and instantly demanding whisky, she is frank, fearless, forthright, funny. She loves Sean Bean, she loves a naughty joke, she loves chocolate, she loves love, what’s not to love?

Crucial too is the vicar’s relationship with Alice Tinker, the verger, so maddening, unpredictable, pedantic, sometimes as thick as clotted cream, yet as lovable too. Here Lomas has cast superbly in Jeanette Hambidge for a role that demands a multi-faceted performance, and Bullock and Hambidge duly bring out the best in each other.

In her programme notes, Lomas had highlighted not only nostalgia but poignancy too, a characteristic that applies to both the slow-to-blossom romance of Hugo and Alice – beautifully, tentatively, tenderly played by Clive and Hambidge – and to the emotionally parched Horton developing feelings for Geraldine. Sammons plays these scenes particularly well, full of delusion, then the drain of reality and sudden generosity of spirit, bringing a lump to the throat.

Lomas wrote too of the “comedy still being fresh”, despite the period setting, the absence of mobile phones, and it is to her cast’s huge credit that they have all made it fresh anew, episodic in structure, but complete in a way that a sitcom episode cannot be. How else could it finish but with Geraldine and Alice on different wavelengths in a kitchen conversation.

1812 Theatre Company in The Vicar Of Dibley, Helmsley Arts Centre, 7.30pm tonight and tomorrow; 2.30pm and 7.30pm tomorrow. Box office: 01439 771700 or helmsleyarts.co.uk.

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What’s On in Ryedale, York and beyond when the vampire hunters strikes back. Hutch’s List No. 23, from Gazette & Herald

Killian Macardle, left, Annie Kirkman and Chris Hannon in Dracula: The Bloody Truth at the SJT. Picture: Pamela Raith

THE truth behind Dracula, wall-to-wall graffiti, vicar irreverence and a blast of brass bring variety to Charles Hutchinson’s tips for jaunty July trips.

Comedy drama of the week: Dracula: The Bloody Truth, Stephen Joseph Theatre, Scarborough, tonight to July 27

THE Stephen Joseph Theatre teams up with Bolton’s Octagon Theatre to stage physical theatre comedy exponents La Navet Bete & John Nicholson’s Dracula: The Bloody Truth, based very loosely on Bram Stoker’s story.

SJT artistic director Paul Robinson directs Chris Hannon, Annie Kirkman, Alyce Liburd and Killian Macardle as vampire hunter Professor Abraham Van Helsing reveals the real story behind the legend of Dracula, the one with the Whitby connection. Box office: 01723 370541 or sjt.uk.com.

Hamish Brown’s Alexis, left, Alexandra Mather’s Miss Aline Sangazure and Anthony Gardner’s John Wellington Wells in York Opera’s The Sorcerer. Picture: John Saunders

Everything stops for tea:  York Opera in The Sorcerer, York Theatre Royal, until Saturday, 7.30pm and 2.30pm Saturday matinee

JOHN Soper directs York Opera in The Sorcerer, Gilbert and Sullivan’s first full-length comic opera, wherein Sir Marmaduke Pointdextre (Ian Thomson-Smith) hosts a tea party in the Ploverleigh Hall gardens to celebrate the betrothal of his only son, Alexis (Hamish Brown) to Miss Aline Sangazure (Alexandra Mather), daughter of Lady Annabella Sangazure (Rebecca Smith).

When a love-at-first-sight elixir is mixed into the celebration tea by a sorcerer, John Wellington Wells (Anthony Gardner, in the role played by Soper for York Opera in 2001), mayhem follows as the assembled guests fall under his magic spell. What could possibly go wrong? Box office: 01904 623568 or yorktheatreroyal.co.uk.

Julia Bullock’s Geraldine Granger, Oliver Clive’s Hugo Horton, centre, and Grahame Sammons’s David Horton in 1812 Theatre Company’s The Vicar Of Dibley

Religious conversion of the week: 1812 Theatre Company in The Vicar Of Dibley, Helmsley Arts Centre, untilSaturday, 7.30pm plus 2.30pm Saturday matinee

JULIE Lomas directs Helmsley Arts Centre’s resident company in a stage play adapted from the original BBC television series by Richard Curtis and Paul Mayhew-Archer. When Reverend Pottle dies, much to the surprise of the Dibley Parish Council, his replacement is Geraldine Granger, a vicar who is also a chocoholic sex kitten.

Follow the antics of David Horton, his son Hugo, Jim, Owen, Frank and Mrs Cropley as they adjust to working with the witty and wonderful Geraldine, assisted by her verger, Alice Tinker. Box office: 01439 771700 or helmsleyarts.co.uk.

Bright Light Musical Productions in Green Day’s American Idiot: York premiere at Joseph Rowntree Theatre. Picture: Dan Crawfurd-Porter

York musical of the week: Bright Light Musical Productions in Green Day’s American Idiot, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm and 2.30pm Saturday matinee

NORTH Yorkshire company Bright Light Musical Productions make their JoRo debut in the York premiere of punk rock opera Green Day’s American Idiot with a cast of 14 directed by Dan Crawfurd-Porter and a seven-piece band under Matthew Peter Clare’s musical direction.  

Inspired by the Californian band’s 2004 album, American Idiot tells the story of Johnny (Iain Harvey), “Jesus of Suburbia”, and his friends Will (William Thirlaway) and Tunny (Dan Poppitt) as they attempt to break out of their mind-numbing, aimless suburban existence. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

For those about to rock: Live/Wire take the highway to hell with AC/DC classics at The Crescent

Tribute show of the week: Live/Wire, The AC/DC Show, The Crescent, York, Friday and Saturday (sold out), doors 7.30pm

LIVE/WIRE, The AC/DC Show pays tribute to the Aussie heavy rock band, replete with a wall of Marshall amps for two hours of high voltage rock’n’roll. Podge Blacksmith, a double take for frontman Brian Johnson, revels in a set taking in everything from Highway To Hell and Whole Lotta Rosie to Back In Black and latest album Rock Or Bust. Box office for Friday only: thecrescentyork.com.

One of James Jessop’s works on show in Rise Of The Vandals at the disused office block at 2, Low Ousegate, York

Exhibition/installation of the week: Bombsquad, Rise Of The Vandals, 2, Low Ousegate, York, Friday to Sunday, 11am to 6pm.

SPREAD over four floors in a disused Low Ousegate office block, York art collective Bombsquad showcases retrospective and contemporary spray paint culture, graffiti, street art and public art in three galleries, a cinema room, a Wendy house and art shop, in aid of SASH (Safe and Sound Homes).

Taking part in Rise Of The Vandals are York graffiti archivist Keith Hopewell, James Jessop, Bristol legend Inkie, Chu, Rowdy, Kid Acne, Remi Rough, Prefab77, SODA, Replete, Jo Peel, Sharon McDonagh, Lincoln Lightfoot, Anonymouse, Boxxhead and live DJs in SODA’s booth. Free entry; donations are encouraged. Dog friendly.

Fatboy Slim: Cooking up the beats at Scarborough Open Air Theatre. Picture: fatboyslim.net

Coastal gigs of the week: Fatboy Slim, Saturday; Paul Weller, Sunday, Scarborough Open Air Theatre, gates open at 6pm

NORMAN Cook has come a long way, baby, since he played bass in Hull band The Housemartins. Now the BRIT award-winning, Brighton-based DJ, aka Fatboy Slim, heads back north to fill Scarborough with big beats and huge hooks in Rockafeller Skank, Gangster Trippin, Praise You and Right Here Right Now et al on Saturday night.

The Modfather Paul Weller showcases his 17th studio album, 66, full of ruminations on ageing, in Sunday’s set of songs from The Jam, Style Council and his solo years. Box office: scarboroughopenairtheatre.com.

Paul Weller: Reflections on hitting 66 at Scarborough Open Air Theatre

Brass Band Summer Showcase of the week: Swinton & District Excelsior Brass Band, Milton Rooms, Malton, Sunday, 2pm

AS part of Brass Band Week, the Summer Showcase features the Swinton & District Excelsior Brass Band with trumpet and cornet soloist Sean Chandler. Taking part too will be the Swinton Training Band and The Workshop Band, including members from Swinton, Stape, Malton and Kirkbymoorside Brass Bands. Entry is free; tickets are available from 01653 696240, themiltonrooms.com or ticketsource.co.uk.

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More Things To Do in York & beyond when art goes wall to wall and opera takes a love potion. Hutch’s List No. 27, from The Press

One of James Jessop’s works on show in Rise Of The Vandals in the disused office block at 2, Low Ousegate, York

GRAFFITI writ large, an American rock musical, G&S and afternoon tea, a theatre festival and a football play find Charles Hutchinson in tune with the joys of June.

Exhibition/installation of the week: Bombsquad, Rise Of The Vandals, 2, Low Ousegate, York, today, tomorrow, then July 5 to 7, 11am to 6pm.

SPREAD over four floors in a disused Low Ousegate office block, York art collective Bombsquad showcases retrospective and contemporary spray paint culture, graffiti, street art and public art in three galleries, a cinema room, a Wendy house and art shop, in aid of SASH (Safe and Sound Homes).

Taking part in Rise Of The Vandals are York graffiti archivist Keith Hopewell, James Jessop, Bristol legend Inkie, Chu, Rowdy, Kid Acne, Remi Rough, Prefab77, SODA, Replete, Jo Peel, Sharon McDonagh, Lincoln Lightfoot, Anonymouse, Boxxhead and live DJs in SODA’s booth. Free entry; donations are encouraged. Dog friendly.

Johnny Marr: Playing songs from The Smiths to Electronic to his solo career (compiled on his Spirit Power collection) at Scarborough Open Air Theatre

Coastal gigs of the week: Johnny Marr and The Charlatans, tonight; Gregory Porter, Monday, Scarborough Open Air Theatre, gates 6pm

JOHNNY Marr, The Smiths and Electronic guitarist, superstar collaborator and solo artist, cherry-picks from all eras of his career, right up to his November 2023 compilation Spirit Power in his headline set. First up on this north-western double bill on the East Coast will be The Charlatans, as full of indie rock swagger as ever after 22 Top 40 hits.

Grammy Award-winning Californian jazz vocalist and songwriter Gregory Porter performs songs from Liquid Spirit, Take To The Alley, Nat King Cole & Me, All Rise and more besides on Monday night. Box office: scarboroughopenairtheatre.com.

Hamish Brown’s Alexis, left, Alexandra Mather’s Miss Aline Sangazure and Anthony Gardner’s John Wellington Wells in York Opera’s The Sorcerer. Picture: John Saunders

Everything stops for tea:  York Opera in The Sorcerer, York Theatre Royal, July 3 to 6, 7.30pm and 2.30pm Saturday matinee

JOHN Soper directs York Opera in The Sorcerer, Gilbert and Sullivan’s first full-length comic opera, wherein Sir Marmaduke Pointdextre (Ian Thomson-Smith) hosts a tea party in the Ploverleigh Hall gardens to celebrate the betrothal of his only son, Alexis (Hamish Brown) to Miss Aline Sangazure (Alexandra Mather), daughter of Lady Annabella Sangazure (Rebecca Smith).

When a love-at-first-sight elixir is mixed into the celebration tea by a sorcerer, John Wellington Wells (Anthony Gardner, in the role played by Soper for York Opera in 2001), mayhem follows as the assembled guests fall under his magic spell. What could possibly go wrong? Box office: 01904 623568 or yorktheatreroyal.co.uk.

Julia Bullock’s Geraldine Granger, Oliver Clive’s Hugo Horton and Grahame Sammons’s David Horton in 1812 Theatre Company’s The Vicar Of Dibley

Religious conversion of the week: 1812 Theatre Company in The Vicar Of Dibley, Helmsley Arts Centre, July 3 to 6, 7.30pm plus 2.30pm Saturday matinee

JULIE Lomas directs Helmsley Arts Centre’s resident company in a stage play adapted from the original BBC television series by Richard Curtis and Paul Mayhew-Archer. When Reverend Pottle dies, much to the surprise of the Dibley Parish Council, his replacement is Geraldine Granger, a vicar who is also a chocoholic sex kitten.

Follow the antics of David Horton, his son Hugo, Jim, Owen, Frank and Mrs Cropley as they adjust to working with the witty and wonderful Geraldine, assisted by her verger, Alice Tinker. Box office: 01439 771700 or helmsleyarts.co.uk.

Bright Light Musical Productions in Green Day’s American Idiot: York premiere at Joseph Rowntree Theatre. Picture: Dan Crawfurd-Porter

Musical of the week: Bright Light Musical Productions in Green Day’s American Idiot, Joseph Rowntree Theatre, York, July 4 to 6, 7.30pm and 2.30pm Saturday matinee

NORTH Yorkshire company Bright Light Musical Productions make their JoRo debut in the York premiere of punk rock opera Green Day’s American Idiot with a cast of 14 directed by Dan Crawfurd-Porter and a seven-piece band under Matthew Peter Clare’s musical direction.  

Inspired by the Californian band’s 2004 album, American Idiot tells the story of Johnny (Iain Harvey), “Jesus of Suburbia”, and his friends Will (William Thirlaway) and Tunny (Dan Poppitt) as they attempt to break out of their mind-numbing, aimless suburban existence. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

The bootiful game: Long Lane Theatre Club in The Giant Killers at the Milton Rooms, Malton

Football alternative to England at the Euros: Long Lane Theatre Club in The Giant Killers, Milton Rooms, Malton, July 4, kick-off at 7.30pm

THE Giant Killers tells the story of how Darwen FC came to the public’s attention in 1870s’ Lancashire to proclaim Association Football as the people’s game and not only the preserve of the upper classes.

Andrew Pearson-Wright & Eve Pearson-Wright’s play recounts how a ragtag bunch of mill workers in Darwen took on the amateur gentlemen’s club of the Old Etonians in the FA Cup quarter-final in 1879, rising up against prevailing social prejudice and the might of the Football Association to earn a place in history as the first real ‘‘giant killers’’ in English football. Box office: 01653 696240 or themiltonrooms.com.

For those about to rock: Live/Wire take the highway to hell with AC/DC classics at The Crescent

Tribute show of the week: Live/Wire, The AC/DC Show, The Crescent, York, July 5 and 6 (sold out), doors 7.30pm

LIVE/WIRE, The AC/DC Show pays tribute to the Aussie heavy rock band, replete with a wall of Marshall amps for two hours of high voltage rock’n’roll. Podge Blacksmith, a double take for frontman Brian Johnson, revels in a set taking in everything from Highway To Hell and Whole Lotta Rosie to Back In Black and latest album Rock Or Bust. Box office for July 5 only: thecrescentyork.com.

In Focus: Shepherd Group Brass Bands, Best Of Brass, York Theatre Royal, tonight, 7.30pm

The poster for Shepherd Group Brass Bands’ Best Of Brass at York Theatre Royal

TONIGHT’S Shepherd Group Brass Bands concert features all of the Shepherd bands playing individually and then a mighty ensemble piece, when all 170 players perform a specially composed piece by Liz Lane to mark 20 years of the bands’ sponsorship by the Shepherd Group.

Liz’s celebratory work represents the bands – Brass Roots, Academy Brass, Youth Band, Concert Band and Shepherd Group Brass Band – and the company support that provides first-class rehearsal facilities and has enabled the band organisation to grow.

Liz has led  several workshops, where she has worked with each band, “ storyboarding players’ feelings about the band, what we get from it as players and as a band family as a whole”.

She has been allowed to visit the Portakabin production site too, where she drew inspiration from the machinery used in the production of product lines.

On May 21, players from each band gathered in the band room for the first full run-through in Liz’s presence.  Afterwards she went away with a couple of ideas for final tweaks. Now comes the premiere performance with “a few real surprises in store for the audience”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

In Focus too: Festival of the week: Ripon Theatre Festival, July 2 to 7

Barrie Rutter: Presenting Shakespeare’s Royals in Ripon Cathedral on July 4 at 7.30pm

PUPPETS, stories, dance, drama, circus and street entertainment pop up in new and surprising places alongside more familiar venues, such as Newby Hall, The Old Deanery, Ripon Cathedral, Ripon Arts Hub and Fountains Abbey, as Ripon Theatre Festival returns.

In all, 109 events and activities will be crammed into five days and six nights. Among the highlights will be Barrie Rutter’s Shakespeare’s Royals, The Adventures Of Doctor Dolittle, Red Ladder’s Miners’ Strike musical comedy We’re Not Going Back, the Family Day on July 7 and Folksy Theatre’s open-air As You Like It.

Opening the festival on Tuesday at 11am and 2pm, Andrew Bates’s Brother Aidan brings heritage crafts, history and storytelling to his new home at Fountains Abbey. In Hazelsong Theatre’s interactive event for adults, he creates an Anglo-Saxon book, interwoven with stories of his life as a monk, with his demonstration including parchment and ink making, bookbinding and calligraphy.

On the first night, the Hilarity Bites Festival Special comedy bill will be hosted by Ripon favourite Lee Kyle at Ripon Arts Club on Tuesday at 8pm. Taking part will be sketch supergroup Tarot, musical comedy duo Black Liver and 2023 BBC New Comedian of the Year Joe Kent-Walters in the guise of his outrageous comic creation, Frankie Monroe, the MC of a working men’s club that provides a portal to hell.

York company Pilot Theatre and One To One Development Trust present daily screenings of Monoliths, an immersive, digital theatre experience that interweaves three northern landscapes – a moor, a city and a coast – with sweeping soundscapes and poetic monologues at Ripon Cathedral.

Written by Hannah Davies, from York, Carmen Marcus, from Saltburn-by-the-Sea, and Asma Elbadawi, from Leeds, the stories are an arresting testament to the inextricable link between person and place. Directed by Lucy Hammond, each performance lasts 11 minutes and can be experienced by three visitors at a time, wearing XR headsets. Times: 1.30pm to 3.30pm, July 2 to 5; 10.30am to 3.30pm, July 6.

Nicola Mills is joined by pianist Maria King for A Spoonful Of Julie, an hour-long tribute to Julie Andrews, full of charming stories of her life, songs, singalongs, medleys and favourite things, at Holy Trinity Church on Wednesday from 1pm to 2pm.

In Look After Your Eyes, at Ripon Arts Club at 8pm that night, Yorkshire theatre-maker, performer and physical comedian Natalie Bellingham reflects on the pain and beauty of love: what it is to both connect and unravel.  

Performed by a clown “delving into the space inside us left behind by loss”, her show celebrates being human in all its banality, sprinkled with joy and ridiculousness.

Natalie Bellingham in Look After Your Eyes

Thursday opens with Stand Up Stories, presented by Ripon Theatre Festival storyteller in residence Ilaria Passeri at the Storehouse Bar. Describing herself as the product of a bold Scottish mother, an errant Italian father and a little sister with the vocabulary of a truck driver, Ilaria has found herself in more than a few scrapes, situations and silly scenes.

In a whistlestop twilight tour through the confusing comedy of errors of her life, her tales introduce her family, friends, pets and one very peculiar clown.

From 7.15pm, Ripon Museum Trust guides lead the Ripon Heritage Ghost Walk from the Market Place. At 7.30pm, Northern Broadsides founder Barrie Rutter OBE celebrates the Bard’s Kings and Queens, their achievements, conquests and foibles, in Shakespeare’s Royals at Ripon Cathedral. Cue anecdotes and memories from a globe-spanning career of playing and directing Shakespeare.

Ilaria Passeri returns on Friday morning from 10.30am to 11am for Storytime for pre-schoolers at Ripon Library, featuring Derek the Dragon, Rita the skateboarding Mouse and Brian the Chicken’s messy bedroom. A short-story writing workshop for adults follows from 11.30am to 1pm; bring a pen and notepad.

At 2pm at Ripon Cathedral, Redheart Theatre presents Rupert Mason in Mr Owen’s Notebook, an exploration of Wilfred Owen’s experience of war through his poetry and the works of his contemporaries.

Written and directed by Justin Butcher, Mason’s one-man performance recalls how Owen lived his last summer in Ripon, where he spent his last birthday in the cathedral, now the backdrop to this sold-out show.

Mason charts how an officer travels from the Allied HQ to the Western Front one week before the Armistice and discovers the pocketbook of a young lieutenant killed that day: Wilfred Owen.

In a marquee at The Ripon Inn, in Park Street, Tell Tale Hearts serve up the teatime entertainment Trunk Tales, wherein a well-travelled lady arrives with her trunk of tales that tell of boastful toads, magical fish and fearsome beasts.

Using only the contents of her magical luggage, she creates Arabic seas, epic mountains, fields of turnips and the tallest trees in her interactive stories from around the world for four-year-olds and upwards.

Paulus the Cabaret Geek in Looking For Me Friend

Paulus the Cabaret Geek’s tour of Looking For Me Friend, The Music Of Victoria Wood arrives at Ripon Arts Hub on Friday at 8pm, accompanied by Fascinating Aida pianist Michael Roulston for an hour of songs and stories.

In telling Wood’s story, Paulus unfolds his own in a relatable account of a 1970s’ childhood and what it really means to find your tribe.

Saturday keeps festivalgoers on the move in a day of Pop-Up Events at various locations from 9.30am to 6pm. Ilaria Passeri hosts a morning of adventures for four-year-olds and upwards in Tales From Honeypot Village, featuring Rita the Mouse and the Tidy Trolls in the front room of The Unicorn Hotel at 9.30am and the back room of The Little Ripon Bookshop at 11.30am.

Puppeteers Eye Of Newt open their magical miniature suitcase for Ayla’s Dream, a captivating tale of night skies, light and counting sheep for three to ten-year-olds at Ripon Library at 10.30am (accompanied by a puppet workshop) and Ripon Cathedral from 12 noon to 12.30pm (performance every ten minutes).

York performer Tempest Wisdom takes a journey down the rabbit hole in the family-friendly Curiouser & Curiouser, a show for age five + packed with Lewis Carroll’s whimsical writings, inspired by Ripon Cathedral’s nooks and crannies. Free performances take place at Ripon Cathedral at 11am, 12.30pm and The Little Ripon Bookshop at 2.30pm.

Join the Master and Matron on the front lawn for an interactive game of giant Snakes And Ladders At The Workhouse Museum. Learn how life then, as now, is as precarious as a shake of the dice; slither down the snake to a shaven head and defumigation or ascent to a life out of the ashes from 11am to 12.30pm or 1pm to 3pm.

Festival favourites Lempen Puppet Theatre return with the free show Theatre For One in Ripon Cathedral from 10.45am to 11.30pm and Kirkgate from 1.30pm to 2.30pm and 3pm to 4pm. In a micro-theatre experience for one at a time, plus curious onlookers, a mini-performance of The Belly Bug or Dr Frankenstein will be staged every five minutes.

Members of the Workhouse Theatre Group invite you to experience justice 1871 style in The Trial Of John Sinkler in a case of poaching and threatening behaviour from 2pm to 3pm at The Courthouse Museum.

Ensure justice is seen to be done or perhaps take a more active role in a lively scripted re-enactment led by Mark Cronfield, formerly of Nobby Dimon’s North Country Theatre company.

The festival fun continues in Kirkgate with buskers, bands and more from 3pm to 6pm.

For full festival details and tickets, head to: ripontheatrefestival.org. A preview of further events at Ripon Theatre Festival on July 6 and 7 will follow.

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More Things To Do in Ryedale, York and beyond the Bard festival celebrations. Hutch’s List No. 12, from Gazette & Herald

Footsbarn Theatre in Twelfth Night: First British performances in 15 years in world premiere at York International Shakespeare Festival

A FEAST of Shakespeare, a musical’s 60th anniversary, Motown magic, smalltown teenage troubles and a Yorkshire rock band’s birthday bash hit the mark for Charles Hutchinson.  

Festival of the week: York International Shakespeare Festival, until Sunday 

SHAKESPEAREAN Identity is the theme of the sixth York International Shakespeare Festival, now an annual event, run by director Philip Parr. Sponsored by York St John University, it features shows, lectures by internationally recognised academics, exhibitions and workshops presented by Shakespeare enthusiasts from all over the world.

Among the highlights will be Footsbarn Theatre’s first British visit in 15 years with Twelfth Night on Saturday and Sunday and York Explore’s exhibition of 300 years of representations of Othello. Tickets and full programme details are available at yorkshakes.co.uk/programme-2024.

Fiddler in the woods: Alice Atang’s Fiddler, Perri Ann Barley’s Golde and Steve Tearle’s Tevye set the scene for NE Theatre York’s Fiddler On The Roof

Musical of the week: NE Theatre York in Fiddler On The Roof, Joseph Rowntree Theatre, York, running until Saturday, 7.30pm and 2.30pm Saturday matinee

STEVE Tearle directs NE Theatre York in Jerry Bock, Sheldon Harnick and Joseph Stein’s musical, taking the role of Tevye, the humble village milkman, for the third time too in this 60th anniversary production.

When three of Tevye’s five daughters rebel against the traditions of arranged marriages by taking matters into their own hands, mayhem unfolds as he strives to maintain his Jewish religious and cultural creeds, against the backdrop of the Tsar’s pogrom edict to evict all Jews from his Russian village in 1905. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

The poster for 1812 Theatre Company’s double bill at Helmsley Arts Centre

Double bill of the week: 1812 Theatre Company in Baby Dolls and Contractions, Helmsley Arts Centre, Thursday to Saturday, 7.30pm

HELMSLEY Arts Centre’s Young Arts Leaders Charlotte Mintoft and Amelia Featherstone direct the 1812 Theatre Company in Tamara von Werthern’s Baby Dolls and Mike Bartlett’s Contractions respectively. The first is a futuristic comedy about conception, state control and rebellion, wherein three women meet at a baby shower but darker things than cupcakes and babygrows are on their mind. 

The second, an ink-black comedy, focuses on the boundaries between work and play. Whereas Emma thinks she’s in love with Darren, her boss thinks she’s in breach of contract. The situation needs to be resolved. Box office: 01439 771700 or helmsleyarts.co.uk.

Barrie Rutter: Reflecting on shaking up Shakespeare at Northern Broadsides and beyond

Breaking down the Bard barrier in the north: Barrie Rutter: Shakespeare’s Royals, York Theatre Royal Studio, Friday, 7.45pm; Ripon Theatre Festival, Ripon Cathedral, July 4, 7.30pm

BARRIE Rutter, founder and former director of Northern Broadsides, celebrates the Bard’s kings and queens – their achievements, conquests and foibles – with tales, anecdotes and memories from a career of playing and directing Shakespeare’s Royals.

Told he could never play a king on account of his Yorkshire accent, Hull-born Rutter, now 77, created his own theatre company in 1992 in Halifax to use the northern voice for Shakespeare’s kings, queens and emperors, not only the usual drunken porters, jesters or fools. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.

Soul Satisfaction: Four Tops and Motown hits here they come at Milton Rooms, Malton

Ryedale tribute show of the week: Soul Satisfaction, The American Four Tops Motown Show, Milton Rooms, Malton, Friday, 8pm

DIRECT from the United States, Soul Satisfaction combine powerful vocals, sweet harmonies and high-stepping dance routines in the American Four Tops Motown Show.

This celebration of Motown’s golden era revels in Reach Out (I’ll Be There), Walk Away Renee, It’s The Same Old Song, Loco In Acapulco, I Can’t Help Myself and Bernadette, complemented by The Temptations, Smokey Robinson and The Miracles, Marvin Gaye and Ben E King hits. Box office: 01653 696240 or themiltonrooms.com.

The trials of growing up in a small country town: Henry Madd’s Henry and Marc Benga’s Jake in Land Of The Lost Content at Theatre@41, Monkgate, York. Picture: Ali Wright

Touring play of the week: Henry Madd’s Land Of Lost Content, Theatre@41, Monkgate, York, Sunday, 7.30pm

NIC Connaughton, the Pleasance’s head of theatre, directs Land Of Lost Content, Henry Madd’s autobiographical insight into friendship, adolescence, forgiveness and life not going to plan in an empowering coming-of-age story about the trials of growing up in a small country town and its ongoing effects on two estranged mates.

Henry (Madd) and Jake (Marc Benga) were bored friends who grew up in Ludlow, where friendships were forged in failed adventures, bad habits and damp raves as they stumbled through teenage days looking for something to do. Then Henry moved away. Now he is back, needing to face up to the memories and the people he left behind, as Madd draws on themes of mental health and substance abuse in rural areas in his blend of theatre and spoken word. Box office: tickets.41monkgate.co.uk.

Joe Martin: Troubadour tales at the Milton Rooms, Malton

Troubadour of the week: Joe Martin, Milton Rooms, Malton, Sunday, 8pm

INDEPENDENT singer-songwriter and modern-day troubadour Joe Martin captures stories of people and encounters picked up on the road in his tales of friends, strangers and his own experiences.

Before his solo venture, Lancashire-born Martin fronted a country band while studying at university in Leeds, opening for The Shires and appearing at the Country to Country festival. Now he performs in Europe and the United States, such as at the Bluebird Cafe in Nashville, Tennessee. Box office: 01653 696240 or themiltonrooms.com.

The Cult: 40th anniversary tour heads to York Barbican in October. Picture: Jackie Middleton

Gig announcement of the week: The Cult, The 8424 Tour, York Barbican, October 29

SINGER Ian Astbury and guitarist Billy Duffy mark the 40th anniversary of The Cult, the Bradford band noted for their pioneering mix of post-punk, hard rock and melodramatic experimentalism, by heading out on The 8424 Tour.

Once dubbed “shamanic Goths”, Astbury and Duffy will perform songs from The Cult’s 11-album discography, from 1984’s Dreamtime to 2022’s Under The Midnight Sun, in a set sure to feature She Sells Sanctuary, Rain, Love Removal Machine, Wild Flower and Lil’ Devil. This year they have begun a vinyl reissue series. Box office: yorkbarbican.co.uk.

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More Things To Do in York and beyond as arts take to the bike & beach. Hutch’s List No. 8 for 2024, from The Press, York

Pilot Theatre’s cast for A Song For Ella Grey at York Theatre Royal. Picture: Topher McGrillis

BEACH encounters with Orpheus, tandem cyclists divided by Brexit,  a joyful mess in art, an Eighties rom-com revisited, Ukrainian opera and big summer concerts brighten Charles Hutchinson’s days ahead.

York play of the week: Pilot Theatre in A Song For Ella Grey, York Theatre Royal, February 20 to 24, 7pm plus 1pm, Thursday and 2pm, Saturday; Hull Truck Theatre, March 5 to 9, 7.30pm plus 2pm, Wednesday and Saturday

IN Zoe Cooper’s stage adaptation of David Almond’s novel for York company Pilot Theatre and Newcastle’s Northern Stage, Claire and her best friend, Ella Grey, are ordinary kids from ordinary families in an ordinary world as modern teenagers meet ancient forces.

They and their friends fall in and out of love, play music and dance, stare at the stars, yearn for excitement, and have parties on Northumbrian beaches. One day, a stranger, a musician called Orpheus, appears on the beach and entrances them all, especially Ella. Where has Orpheus come from and what path will Ella follow in this contemporary re-telling of the ancient Greek myth. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Hull, 01482 323638 or hulltruck.co.uk.

Displayful artists Luke Beech, Wendy Galloway, Kate Fox and Liberty Hodes, exhibiting at Scarborough Art Gallery. Picture: Tony Bartholomew

Coastal exhibition of the season: Displayful, Scarborough Art Gallery until May 7

DISPLAYFUL celebrates happy accidents and joyful mess, aiming to brighten the winter months by inviting visitors to enjoy uplifting contemporary artistic responses to objects from the collections of Scarborough Museums and Galleries.

The show combines new work by five regional artists, Luke Beech, Kate Fox, Wendy Galloway, Liberty Hodes and Angela Knipe, alongside historical artefacts and asks audiences to consider new possibilities for the lives of objects.

Amber Davies’s Vivian and Oliver Savile’s Edward, centre, in a scene from Pretty Woman The Musical, on tour at the Grand Opera House, York, next week

Musical of the week: Pretty Woman The Musical, Grand Opera House, York, February 20 to 24, 7.30pm, plus 2.30pm Wednesday and Saturday matinees

BILLED as Hollywood’s ultimate rom-com, live on stage, Pretty Woman: The Musical is set once upon a time in the late 1980s, when Hollywood Boulevard hooker Vivian meets entrepreneur Edward Lewis and her life changes forever.

Amber Davies plays Vivian opposite Oliver Savile’s Edward; 2016 Strictly Come Dancing champion Ore Oduba, last seen at this theatre in fishnets in March 2022 as Brad Majors in The Rocky Horror Show, has two roles as hotel manager Barnard Thompson/Happy Man, and Natalie Paris will be Vivian’s wisecracking roommate Kit De Luca. Box office: atgtickets.com/york.

The poster artwork for Dnipro Opera’s Madama Butterfly at York Barbican

Opera of the week: Dnipro Opera in Madama Butterfly, York Barbican, February 20, 7pm

DNIPRO Opera, the Ukrainian National Opera, returns to British shores after last year’s visit to perform Puccini’s favourite work, Madama Butterfly, sung in Italian with English surtitles (CORRECT).

Set in Japan in 1904, this torrid tale of innocent love crushed between two contrasting cultures charts the affair between an American naval officer and his young Japanese bride, whose self-sacrifice and defiance of her family leads to tragedy. Box office: yorkbarbican.co.uk.

Carly Bednar in rehearsal for her role as Leila Arden in Griffonage Theatre’s Rope at Theatre@41, Monkgate

Thriller of the week: Griffonage Theatre in Rope, Theatre@41, Monkgate, York, February 21 to 24, 7.30pm

HALFWAY through her MA in theatre studies, Katie Leckey directs York company Griffonage Theatre in their Theatre@41 debut in Patrick Hamilton’s thriller Rope, with its invitation to a dinner party like no other.

Set in 1929 against the backdrop of Britain’s flirtation with fascism, this whodunit states exactly who did it, but the mystery is will they be caught? Cue a soiree full of eccentric characters, ticking clocks and hushed arguments. Box office: tickets.41monkgate.co.uk.

An Eiffel and an earful: Don (John Lister) and Carol (Kate Caute) share a cycle but not political views in Paris in 1812 Theatre Company’s Scary Bikers

Ryedale play of the week: 1812 Theatre Company in Scary Bikers, Helmsley Arts Centre, February 21 to 24, 7.30pm

HELMSLEY’S 1812 Theatre Company stage their first John Godber comedy next week, his 2018 two hander Scary Bikers. Outwardly, redundant miner Don (John Lister) and former private school teacher Carol (Kate Caute) have little in common, but beneath the surface their former spouses are buried next to each other. Soon widowed Don and Carol bump into each other.

An innocent coffee leads to a bike ride through the Yorkshire Dales, then a bike tour across Europe to Florence. All looks promising for a budding romance, but their departure date is June 23 2016 and Don and Carol are on the opposite sides of the Brexit fence. Box office: helmsleyarts.co.uk or in person from the arts centre.

S Club: Post-racing party songs at York Racecourse on July 27

Bring it all back: S Club, York Racecourse Music Showcase Weekend, July 27

JULY 27 will be S Club Party time after the Saturday afternoon race card on the Knavesmire track. Once S Club 7, now the five-piece S Club comprises Jo O’Meara, Rachel Stevens, Jon Lee, Tina Barrett and Bradley McIntosh, following last April’s death of Paul Cattermole from heart complications at 46 and Hannah Spearritt not featuring in 2023’s 25th anniversary tour.

This month finds S Club in the USA playing Boston, New York, Chicago and Los Angeles. Roll on summertime to enjoy chart toppers Bring It All Back, Never Had A Dream Come True, Don’t Stop Movin’ and Have You Ever, plus You’re My Number One, Reach, Two In A Million, S Club Party et al in York. Tickets: yorkracecourse.co.uk.

James: Returning to Scarborough Open Air Theatre in July. Picture: Paul Dixon

Yorkshire gig announcement of the week: James, supported by Reverend & The Makers and Girlband!, Scarborough Open Air Theatre, July 26

MANCHESTER band James play Scarborough Open Air Theatre for the fourth time on July 26, the night when Leeds lads Kaiser Chiefs finish off the evening card at York Races.

“If you haven’t been there before, then make sure you come,” says James bassist and founder member Jim Glennie. “It’s a cracking venue and you can even have a paddle in the sea before the show!” New album Yummy arrives on April 12. Box office: James, ticketmaster.co.uk from 9am on Friday; Kaiser Chiefs, yorkracecourse.co.uk.

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More Things To Do in Ryedale, York & beyond as arts take to the bike & beach. Hutch’s List No. 2 from Gazette & Herald

Don (John Lister) and Carol (Kate Caute) share a cycle but not political views in Paris in 1812 Theatre Company’s production of John Godber’s Scary Bikers

BIKERS divided by Brexit, beach encounters with Orpheus, a joyful mess in art, an Eighties rom-com revisited, Ukrainian opera and a big summer signing for Scarborough brighten Charles Hutchinson’s days ahead

Ryedale play of the week: 1812 Theatre Company in Scary Bikers, Helmsley Arts Centre, February 21 to 24, 7.30pm

HELMSLEY’S 1812 Theatre Company stage their first John Godber comedy next week, his 2018 two-hander Scary Bikers. Outwardly, redundant miner Don (John Lister) and former private school teacher Carol (Kate Caute) have little in common, but beneath the surface their former spouses are buried next to each other. Soon widowed Don and Carol will bump into each other.

An innocent coffee leads to a bike ride through the Yorkshire Dales, then a bike tour across Europe to Florence. All looks promising for a budding romance, but their departure date is June 23 2016 and Don and Carol are on the opposite sides of the Brexit fence. Box office: helmsleyarts.co.uk or in person from the arts centre.

Grace Long as Ella Grey in Pilot Theatre’s A Song For Ella Grey. Picture: Topher McGrillis

York play of the week: Pilot Theatre in A Song For Ella Grey, York Theatre Royal; February 20 to 24, Hull Truck Theatre, March 5 to 9

IN Zoe Cooper’s stage adaptation of David Almond’s novel for York company Pilot Theatre, York Theatre Royal and Newcastle’s Northern Stage, Claire and her best friend, Ella Grey, are ordinary kids from ordinary families in an ordinary world where modern teenagers meet ancient forces.

They and their friends fall in and out of love, play music and dance, stare at the stars, yearn for excitement, and have parties on Northumbrian beaches. One day, a stranger, a musician called Orpheus, appears on the beach and entrances them all, especially Ella. Where has Orpheus come from and what path will Ella follow in this contemporary re-telling of the ancient Greek myth? Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Hull,  01482 323638 or hulltruck.co.uk.

Displayful artists Luke Beech, Wendy Galloway, Kate Fox and Liberty Hodes, exhibiting at Scarborough Art Gallery. Picture: Tony Bartholomew

Coastal exhibition of the season: Displayful, Scarborough Art Gallery until May 7

DISPLAYFUL celebrates happy accidents and joyful mess, aiming to brighten the winter months by inviting visitors to enjoy uplifting contemporary artistic responses to objects from the collections of Scarborough Museums and Galleries.

The show combines new work by five regional artists, Luke Beech, Kate Fox, Wendy Galloway, Liberty Hodes and Angela Knipe, alongside historical artefacts, and asks audiences to consider new possibilities for the lives of objects.  

Grant Harris: Making connections at Milton Rooms, Malton

Messages from beyond: Grant Harris: Medium, Milton Rooms, Malton, tomorrow (15/2/2024), 7pm

MEDIUM Grant Harris returns to the Milton Rooms to “connect with your loved ones to provide messages of support, reassurance and much needed clarity at times we require it most”.

“There are things we don’t fully understand about life and death but what I do is bring some peace to those who need it,” says Harris, whose shows promise humour too. Tickets: 01709 437700 or 01653 696240.

Amber Davies’s Vivian and Oliver Savile’s Edward, centre, in Pretty Woman The Musical, on tour at the Grand Opera House, York

Musical of the week: Pretty Woman The Musical, Grand Opera House, York, February 20 to 24, 7.30pm, plus 2.30pm Wednesday and Saturday matinees

BILLED as Hollywood’s ultimate rom-com, live on stage, Pretty Woman: The Musical is set once upon a time in the late 1980s, when Hollywood Boulevard hooker Vivian meets entrepreneur Edward Lewis and her life changes forever.

Amber Davies plays Vivian opposite Oliver Savile’s Edward; 2016 Strictly Come Dancing champion Ore Oduba, last seen at this theatre in fishnets in March 2022 as Brad Majors in The Rocky Horror Show, has two roles as hotel manager Barnard Thompson/Happy Man, and  Natalie Paris will be Vivian’s wisecracking roommate Kit De Luca. Box office: atgtickets.com/york.

The poster artwork for Dnipro Opera’s Madama Butterfly at York Barbican

Opera of the week: Dnipro Opera in Madama Butterfly, York Barbican, February 20, 7pm

DNIPRO Opera, the Ukrainian National Opera, returns to British shores after last year’s visit to perform Puccini’s favourite work, Madama Butterfly, sung in Italian with English surtitles.

Set in Japan in 1904, this torrid tale of innocent love crushed between two contrasting cultures charts the affair between an American naval officer and his young Japanese bride, whose self-sacrifice and defiance of her family leads to tragedy. Box office: yorkbarbican.co.uk.

Comedian Chloe Petts heads for York with her If You Can’t Say Anything Nice show

Comedy gig of the week: Burning Duck Comedy Club presents Chloe Petts, The Crescent, York, tomorrow (15/2/2024), 7.30pm

BUOYED by her Edinburgh Fringe run and Soho Theatre sell-out debut in London, Chloe Petts serves up her follow-up hour, If You Can’t Say Anything Nice. Everyone complimented her on how polite she was with big issues in the last show, so now she is cashing in those points and plans on being really rude. “Expect routines on wedding dancefloors, the footie and calling you all a bunch of virgins,” she says. Box office: wegottickets.com/event/588889.

Look out too for Burning Duck’s 8pm show at Theatre@41 Monkgate, York, on Friday: the debut tour of northerner Paddy Young: Hungry, Horny, Scared..and “in the gutter but looking down on all of you”. Box office: tickets.41monkgate.co.uk.

James: Returning to Scarborough Open Air Theatre in July. Picture: Lewis Knaggs

Gig announcement of the week: James, supported by Reverend & The Makers and Girlband!, Scarborough Open Air Theatre, July 26

MANCHESTER band James play Scarborough Open Air Theatre for the fourth time on July 26, the night when Leeds lads Kaiser Chiefs finish off the evening card at York Races.

“If you haven’t been there before, then make sure you come,” says James bassist and founder member Jim Glennie. “It’s a cracking venue and you can even have a paddle in the sea before the show!” New album Yummy arrives on April 12. Box office: James, ticketmaster.co.uk from 9am on Friday; Kaiser Chiefs, yorkracecourse.co.uk.

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Julie Lomas directs 1812 Theatre Company for first time in Jekyll & Hyde The Musical

Julie Lomas directing a rehearsal for 1812 Theatre Company’s production of Jeklly & Hyde The Musical

JULIE Lomas directs Helmsley Arts Centre’s resident troupe, the 1812 Theatre Company, in their first ever musical production, Frank Wildhorn and Leslie Bricusse’s Jekyll & Hyde, from tomorrow.

In Robert Louis Stevenson’s story, a devoted man of science, Dr Henry Jekyll, is driven to find a chemical breakthrough that can solve some of mankind’s most challenging medical dilemmas. Indeed, he is trying to discover cures for what now would be recognised as dementia and Alzheimer’s disease.

Rebuffed by the powers that be, he decides to make himself the subject of his own experimental treatments, accidentally unleashing his inner demons along with the man the world would come to know as Mr Hyde.

1812’s cast features husband and wife Joe and Amy Gregory in the lead roles of Jekyll/Hyde and Emma Carew. John Atkin is the musical director; Michaela Edens, the choreographer.

Here Julie discusses 1812 Theatre Company’s 30th anniversary production with CharlesHutchPress.

How did you land this directing gig? Were you head-hunted or did you pitch for it?

“An 1812 Theatre Company member suggested that the company should do a musical at the annual general meeting. Apparently, others had been talking about wanting to do it for some time.

“The committee discussed this and I said that if they would like to go ahead, I had experience as a director
in musical theatre and would love to do it.”

 

What attracted you to directing Jekyll & Hyde The Musical?

“I love musicals that dramatic enough to ‘move’ an audience emotionally. There are not many of these that are available for amateurs to perform. I feel that there are several opportunities for this in Jekyll and Hyde.

 

“With its dramatic strengths and less choreographic content, it is a suitable choice as a
first musical for this company.

 

“Plus, I’ve directed it before for the Grange Players in Walsall. This actually made me think very carefully as I prefer not to repeat anything, but this was a musical that I was driven to do again. My concept this time is different, a contemporary treatment but still in a Victorian setting.”



 

What is your directing background?

“Having performed in several plays for The Grange Theatre, Walsall, I was asked if I would like to
direct. My first play was Kindertransport by Diane Samuels, and after that I never looked back.

“I directed several plays there, including Rebecca, Accrington Pals and The End Of The Affair but my favourite by a long way was Peter Schaffer’s Amadeus.

“I think it was being able to bring together my love of music, fabulous period costume, make-up
and wigs plus the wonderful tragic plot line and enigmatic characters. I was fortunate enough to win a regional NODA (National Operatic and Dramatic Association) award for that production, which I treasure.

“I moved into directing a musical there and then directed one professionally for Brownhills Musical Theatre Company, Sweet Charity.”

Do you now specialise in musical theatre?

“I’m keen to embrace many types of theatrical productions. I’ve been a soloist singer since the age of eight and have been lucky enough to have had many fantastic principal roles in musical theatre. My favourites were Mrs Lovett in Sweeney Todd: The Demon Barber Of Fleet Street, Dorothy Brock in 42nd Street and Sally Bowles in Cabaret.

“So, although I cannot say that I specialise in musical theatre, there’s absolutely nothing that compares with the feeling of being part of a musical, as a performer, director or crew member.”

What brought you to Helmsley?

“I moved to North Yorkshire to be geographically close to my son and his wife and see more of my grandchildren. My eldest son and his family live in Sheffield, so I can commute there too.

 

“However, it’s a great place to live in its own right, the peaceful countryside around here is a sheer delight and Helmsley is the prettiest town in which to rehearse and perform! I was looking for a theatre company that would feel like ‘home’ to me and I felt welcomed from the start. The theatre itself is lovely, providing an intimate theatre space, modern studio bar and leafy courtyard.

 

“I live in Westow, a village just outside the Howardian Hills area. I now consider the Helmsley Arts
Centre to be my base. In a few years, even with the lockdown, I have already performed there, worked backstage for a production and I’m also a member of the management committee.”



Any thoughts on why 1812 Theatre Company has not staged a musical in its 30 years until now?

“I would imagine it’s because when the company was set up, the idea was for members to perform plays. However, it’s so much more diverse now. In the past 12 months alone we’ve performed plays, a rehearsed reading, an indoor/outdoor production in Helmsley Walled Garden, a hugely successful pantomime and now a musical!

 

“We’re hoping that this variety will both entice new members, who are always welcome,
and encourage retention of existing members.

 

“The other more sombre answer is that to produce a musical is expensive and we’re hoping to have good audiences, not only to see the amazing performances, but also from a financial
perspective.”




What are the strengths of Bricusse and Wildhorn’s songs?

 

“As we’re repeatedly told by our musical director, John Atkin, this is not an easy musical score. However, it’s such a beautiful one with melodies that linger long after the show is over.

 

“It allows performers to do just that: perform the music, rather than just sing it, and we have worked hard to bring that to the stage. It provides a tour de force for the eponymous actor, Jekyll, which climaxes with him singing a duet with himself, as Hyde. Joe [Gregory] has excelled in the role and I’m sure audiences will appreciate his performance.”



Is this the first time you have worked with musical director John Atkin?

“It is, and I’m hoping it will not be the last. As soon as I met him, I knew the production
was in safe hands. He’s an extremely talented musician and wonderful to
work with.”

A husband and wife, Joe and Amy Gregory, will lead your cast as Jekyll/Hyde and Emma Carew. What does their personal relationship bring to their stage partnership?

“It’s rare for there to be such chemistry between the two romantic leads – even if they do happen to be married! Joe and Amy have such a special relationship, and in their case, this comes across immediately.

 

“They’re also both lovely people and in all my time directing, I have genuinely never met anyone more joyous to work with. They are committed, passionate performers who will work hard to
deliver what you’re aiming for as a director yet also contribute actively to the creative process.”



What is the message of Jekyll & Hyde in our 21st century world, where tampering with science
may well have led to Covid?

“Good question. I suppose the message is that research does not always deliver the desired
results. Sometimes though, even the unexpected results can turn out to be beneficial. There are many drugs that are used for things for which they were not intended in development.

“As a hospital pharmacist by profession, I was interested in this angle of drug research in psychiatry with Dr Jekyll. Even today, we still know comparatively little about the causes of
mental illness and effective drug therapy is limited.

“Also, if you consider the possible effects of hallucinogenic drugs, the concept of a ‘Dr Jekyll’ and ‘Mr Hyde’ characterisation after injection is not so far-fetched.”

What will be your next theatrical project?

“My next project for 1812 Theatre Company is to mentor a first-time director, Sarah Barker, as she directs ’The Kitchen Sink [Hull playwright Tom Wells’s tender comedy of big dreams and small changes in a Withernsea, East Yorkshire family].

“We like to encourage members to consider directing and have a few people that are interested, but it’s important that they have someone to support them through the process.

“I think the big question is, will I ever direct another musical for 1812. Who knows? This production has consumed every moment of my life for the past six months, and a fair few moments in the months before that.

“I’d like to think so. What I do know, though, is that my passion for musicals will never die, unlike a number of Jekyll’s victims!”

1812 Theatre Company in Jekyll & Hyde The Musical, Helmsley Arts Centre, July 5 to 9, 7.30pm. Tickets: £15, under 18s, £7.50, from the arts centre, on 01439 771700 or helmsleyarts.co.uk. Age
guidance: Suitable for 13 plus.

 

 

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More Things To Do in York and beyond with the chance to go Wildish in the town and country. Hutch’s List No. 27, from The Press

Wildish curator Jo Walton with a pot by Julie O’Sullivan and one of her own metal paintings at Pyramid Gallery

MUSIC festivals and mystic femininity in art, comedy antics and bucket list stunts, a scary scientist and a madcap whodunit spark Charles Hutchinson’s interest.

Exhibition launch of the week: Wildish, Pyramid Gallery, Stonegate, York, today until August 13

CURATED by Rogues Atelier Studios artist and interior designer Jo Walton, Wildish unites six women – five artists and a poet – through a theme based loosely on deep and sensual mystic femininity.

Taking part will be Jo Walton, Julie O’Sullivan, Christine Pike, Izzy Williamson, Zoe Catherine Kendal and York poet Nicky Kippax. Meet them at today’s 11am opening for a drink, nibbles and a chat.

Niall Ransome, left, and Dave Hearn in rehearsal for The 39 Steps at the Stephen Joseph Theatre, Scarborough. Picture: Tony Bartholomew

Revival of the week: The 39 Steps, Stephen Joseph Theatre, Scarborough, until July 29

ARTISTIC director Paul Robinson revives his hit 2018 production of Patrick Barlow’s fast and frenetic stage adaptation of John Buchan’s juicy spy novel and Alfred Hitchcock’s film in tandem with the Theatre by the Lake, Keswick.

Barlow adds a dash of Monty Python to the winning combination of whodunit and old-fashioned romance as Mischief Theatre founder member Dave Hearn’s Richard Hannay is joined by fellow Mischief alumnus Niall Ransome, reprising his Clown role from 2018, Lucy Keirl and SJT debutante Olivia Onyehara. Cue the iconic chase on the Flying Scotsman, the first-ever theatrical biplane crash and a death-defying (well nearly) finale. Box office: 01723 370541 or sjt.uk.com.

Paul Heaton: Performing with special guest singers rather than regular partner in song Jacqui Abbott at Scarborough Open Air Theatre tonight. Picture: David Harrison

Outdoor gig of the week: Paul Heaton, Scarborough Open Air Theatre, today, gates open at 6pm

PAUL Heaton, former frontman of Hull bands The Housemartins and The Beautiful South, heads up the Yorkshire coast for a headline gig in Scarborough. Special guests supporting the self-styled “Last King Of Pop” will be Ian Broudie’s Lightning Seeds.

Busy week ahead for Scarborough OAT: Hollywood Vampires, Alice Cooper, Johnny Depp, Joe Perry and Tommy Henriksen’s American rock supergroup, play a sold-out show on Wednesday, followed by The Cult on Thursday, Tom Grennan on Friday and Pulp (sold out) next Sunday. Box office: scarboroughopenairtheatre.com.

Chris Lynam: Topping tonight’s Laugh Out Loud Comedy Club bill at The Basment, City Screen Picturehouse

Comedy gig of the week: Laugh Out Loud Comedy Club presents Chris Lynam, Patrick Monahan, Dean Coughlin and Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm

HEADLINER Chris Lynam has been feverishly subverting the traditions of the stand-up comic for more than 30 years with his grasp of crazy antics. Patrick Monaghan holds the world record for Longest Hug at a time of 25 hours and 25 minutes, set at the 2013 Edinburgh Fringe Festival.

Dean Coughlin has worked on the comedy circuit since 2017. Master of ceremonies and club organiser Damion Larkin will be improvising his set as ever. Further LOL Comedy nights are in place for August 5 and September 2. Box office: lolcomedyclubs.co.uk.

Amy Gregory in rehearsal for her role as Emma Carew in 1812 Theatre Company’s Jekyll & Hyde The Musical

Musical of the week: 1812 Theatre Company in Jekyll & Hyde The Musical, Helmsley Arts Centre, Wednesday to Sunday, 7.30pm

JULIE Lomas directs Helmsley Arts Centre’s resident troupe, the 1812 Theatre Company, in their first ever musical production, Frank Wildhorn and Leslie Bricusse’s Jekyll & Hyde, based on Robert Louis Stevenson’s story.

Marking the venue’s 30th anniversary, the show features husband and wife Joe and Amy Gregory in the lead roles of Jekyll/Hyde and Emma Carew. John Atkin is the musical director; Michaela Edens, the choreographer. Box office: 01439 771700  or helmsleyarts.co.uk.

Mezzo soprano Helen Charlston: Performing Battle Cry: She Speaks with theorbo player Toby Carr at York Early Music Festival on July 10

Festival of the week: York Early Music Festival 2023, Friday until July 14

THIS summer’s York Early Music Festival takes the theme of Smoke & Mirrors with a focus on William Byrd, a practising Catholic composer working for a constantly threatened Protestant queen.

The City Musick, Ensemble Jupiter & York countertenor Iestyn Davies, The Sixteen, violinist Rachel Podger, The Marian Consort and Rose Consort of Viols and mezzo soprano Helen Charlston are among the week’s musicians. Full festival details and tickets: ncem.co.uk; 01904 658338.

Tom Figgins: Showcasing new songs at Stillington Mill on Friday

Solo gig of the week: Tom Figgins, At The Mill, Stillington, near York, Friday, 7.30pm

SINGER and songwriter Tom Figgins, programmer for At The Mill’s summer’s season of music, comedy and theatre, plays the Stillington garden for a third time this weekend. Noted for his vocal range, distinctive guitar playing and complex lyrics, he numbers radio presenter Chris Evans among his fans, appearing on his BBC Radio 2 show. Expect songs old and new at one of his favourite spots. Box office: tickettailor.com/events/atthemill/925897.

Steve-O: Working through his bucket list of stunts at York Barbican

Stunts of the week: Steve-O, York Barbican, Friday, 7.30pm

EVERY idea on American entertainer Steve-O’s bucket list was so ill advised, he never expected to go through with any of them. Until it was time to prepare for this tour. Not only are the stunts even more ridiculous than Steve-O pulled off on MTV’s Jackass, but now he has made a highly XXX-rated, multimedia comedy show out of them too. Not for children or the faint of heart, he warns. Box office: yorkbarbican.co.uk.

The Magpies: Curating and playing at their festival at Sutton Park in August

Heading to the park: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, August 11 and 12

TRANSATLANTIC folk trio The Magpies have confirmed the line-up for their two-day open-air festival of music, activities, stalls and food and drink. The Friday main stage acts will be Laura Cortese & The Cards, Chris Difford and Holy Moly & The Crackers, followed by the Saturday bill of Liz Stringer, Honey & The Bear, Blair Dunlop, Rachel Sermanni, The Magpies and Edward II.

Friday acts on the Brass Castle Stage will be The Dicemen, Thorpe & Morrison, The Often Herd and New York Brass Band; Saturday will welcome Jack Harris, Megan Henwood, Tom Moore & Archie Moss, Gilmore & Roberts, and Bonfire Radicals, concluding with a Ceilidh with Archie Moss. Box office: themagpiesfestival.co.uk.