Tag: 2: 22 A Ghost Story

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More Things To Do in York and beyond as the clocks go forward and arts spring up. Hutch’s List No. 12, from The York Press

James Bye, left, Shvorne Marks, Natalie Casey and Grant Kilburn in Danny Robins’ 2:22 A Ghost Story, on tour at Grand Opera House, York

THE clock is ticking to see a ghostly thriller, a madcap murder mystery, a poetic book launch and an unjust trial as Charles Hutchinson sets his arts alarm.

Supernatural thriller of the week: 2:22 A Ghost Story, Grand Opera House, York, March 30 to April 4, 7.30pm and 2.30pm Wednesday and Saturday matinees

“THERE’S something in our house. I hear it every night. At the same time,” says Jenny, who believes her new home is haunted, but her husband Sam is having none of it. Whereupon they argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening and is moving closer. Only by staying up until 2:22 will they know the answer.

James Bye, Shvorne Marks, Natalie Casey and Grant Kilburn perform Uncanny and The Battersea Poltergeist podcaster Danny Robins’s supernatural thriller, the Best New Play winner at the 2022 WhatsOnStage Awards, on its return to York. As secrets emerge and ghosts may or may not appear, dare you discover the truth? Box office: atgtickets.com/york.

What We Could Have, by Sarah Williams, from the Other Viewpoints exhibition at Pyramid Gallery

Meet The Makers event of the week: Other Viewpoints, Lesley Williams, Sarah Williams, Peter Heaton and Adele Howitt, Pyramid Gallery, Stonegate, York, today, 11.30am to 2.30pm

YORKSHIRE artists Lesley Williams, Sarah Williams and Peter Heaton and ceramicist Adele Howitt have teamed up for Other Viewpoints, on show until May 9. Today, they will be on hand to discuss their work.

Lesley, from York, makes semi-abstract oil paintings based on rural landscape and gardens; Sarah, also from York, employs colours, textural marks and shapes in blending abstract and figurative elements; Peter, from North Yorkshire, is exhibiting landscape fine art prints, and Hornsea maker Adele’s ceramics are marked by notions of the living landscape, abstraction, pollen grains and natural pattern.

Main Street Sound: In harmony with Harmonia at the NCEM

Choral concert of the week: Choirs In Harmony, Main Street Sound & Harmonia, National Centre for Early Music, York, today, 7.30pm

CHOIRS In Harmony brings together two Yorkshire vocal groups for an evening of rich, expressive choral music. York’s only ladies’ barbershop chorus, Main Street Sound, and Malton contemporary, folk, jazz, and musical theatre ladies’ choir Harmonia join forces to showcase a vibrant mix of contemporary arrangements, close harmony and uplifting ensemble singing. Expect moments of intimacy, bursts of energy and the joy of voices uniting in a space made for resonance. Box office: 01904 658338 or ncem.co.uk.

Giddy up: Country queen Twinnie rides into The Crescent tonight

Recommended but sold out already: Twinnie, The Crescent, York, tonight, 7.30pm

BORN in York and now established as the UK’s leading country-pop trailblazer on the American circuit after her West End musical theatre days and TV soap career as Porsche McQueen in Hollyoaks and ruthless boxing promoter Jade Garrick in Emmerdale, Twinnie-Lee Moore returns home on her Dirt Road Disco Tour.

Noted for her fearless honesty and storytelling truths, she blends Nashville-inspired country roots with pop hooks and her own gypsy-influenced flair in songs of empowerment, vulnerability, and unapologetic individuality. She made her Grand Ole Opry debut in November 2023 as the first British Romani Traveller to perform in the circle and featured on Rob Brydon’s Honky Tonk Road Trip documentary series on BBC Two last year.

Lucy Kierl in rehearsal for the Stephen Joseph Theatre’s madcap musical mystery Murder For Two. Picture: Tony Bartholomew

Whodunit of the week: Murder For Two, Stephen Joseph Theatre, Scarborough, today to April 18, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

JOE Kinosian and Kellen Blair’s fast-paced musical whodunit is a madcap murder mystery with a twist, performed by two actors, Tom Babbage and Lucy Kierl, who play 13 characters between them, plus the piano, as they put the laughter into manslaughter.

When famous novelist Arthur Whitney is found dead at his birthday party, it is time to call in the detectives, but they are out of town. Enter Officer Marcus Moscowicz, a neighbourhood cop who dreams of climbing the ranks. Here is his chance to prove his super sleuthing skills and solve the crime before the real detective arrives. Box office: 01723 370541 or sjt.uk.com.

Stu Freestone: Launching first poetry collection at The Crescent

Book launch of the week: York Literature Festival and Say Owt present Stu Freestone, The Lights That Blur Between, The Crescent, York, March 30, 7pm to 10pm

YORK performance poet, Say Owt gobby collective associate artist and Cheese Trader cheesemonger Stu Freestone launches his debut poetry collection, The Lights That Blur Between, with two sets, one comedic, the other accompanied by guitarist Simone Focarelli, accordionist Ben Crosthwaite and drummer Joe Douglas. In support will be Grantham singer-songwriter Adam Leeson and York political satirist and performance poet Sarah Armitage.

Freestone’s poems explore the nostalgia of adolescence, relationships, loss and processing, as well as humorous themes of condiment addiction, festival trips gone wrong, cheesemonger battle raps and the perils of “after-work’ drinking in his honest portrayal of life experiences. Box office: thecrescentyork.com.

Dan Poppitt, Charlie Clarke, front, and Molly Whitehouse in rehearsal for Black Sheep Theatre Productions’ Parade

The other American musical of the week: Black Sheep Theatre Productions in Parade, Joseph Rowntree Theatre, York, April 1 to 4, 7.30pm plus 2.30pm Saturday matinee

PRESENTED by York company Black Sheep Theatre Productions under the direction of Matthew Peter Clare, Jason Robert Brown and Alfred Uhry’s stirring Tony Award-winning musical explores love and hope against the odds, set against a backdrop of political injustice and rising racial tension. 

Leo Frank, a Brooklyn-raised Jew, is put on trial for murder in Marietta, Georgia, but when the world seems against you, receiving a fair trial might prove impossible. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alison Moyet: Re-visiting Yazoo’s two synth-pop albums after more than 40 years at York Barbican. Picture: Naomi Davison

Gig announcement of the week: Alison Moyet, Songs Of Yazoo, the minutes and Other Tour, York Barbican, November 18

BASILDON soul, blues and pop singer-songwriter Alison Moyet will play York in one of ten new additions to her autumn tour, when she will focus on songs from Yazoo’s 1982-1983 catalogue, recorded with Vince Clarke, and a selection from her solo electronica albums, 2013’s the minutesand 2017’s Other, both co-written with producer Guy Sigsworth.

“Many years touring the same pool of songs and I am keen for a palate refresher,” says Moyet, 64. “Specifying which years I will be fishing from too, I think, is a grand way to serve pot luck for specific tastes. No bones.” Box office: yorkbarbican.co.uk.

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Why 2: 22 A Ghost Story is more than jump scares for Natalie Casey on stage return in timely Danny Robins supernatural thriller

Natalie Casey’s Lauren and James Bye’s Sam in Danny Robins’ 2:22 A Ghost Story, on tour at Grand Opera House, York, next week

THE numbers add up for metropolitan supernatural thriller 2:22 A Ghost Story. Seven West End seasons, 12 productions worldwide, one record-breaking UK and Ireland tour, now being followed by another.

Next stop, a return to the Grand Opera House, York, from March 31 to April 4 after a first spooking in Europe’s self-proclaimed “most haunted city” in May 2024.

From the imagination of The Battersea Poltergeist and Uncanny podcaster, broadcaster and journalist Danny Robins comes the paranormal tale of teacher-on-maternity-leave Jenny (Three Little Birds’ Shvorne Marks) and always-right scientist Sam (EastEnders’ James Bye) hosting their first dinner party since becoming the latest “posh tw*ts” to move into a newly gentrified Greater London neighbourhood.

For several nights, Jenny has been disturbed at 2:22am precisely by the sound of someone moving around the house and a man’s voice crying, picked up via the baby monitor in daughter Phoebe’s bedroom. 

She is convinced the house is haunted, but Sam scoffs at the suggestion, sparking an argument with dinner guests Lauren (Natalie Casey), Sam’s best friend since university days, and her latest boyfriend, builder Ben (Grant Kilburn), a streetwise, working-class counter to the yuppie London intellectuals.

Can the dead really walk again? Belief and scepticism clash, but as the sudden sounds, screams and blinding lights multiply and the trendy wine  flows, they will stay up until 2:22am to discover the answer in Robins’ thriller of Hitchcockian elan.

Facing up to the supernatural: James Bye, left, Shvorne Marks, Natalie Casey and Grant Kilburn in 2:22 A Ghost Story

“The thing about this show is that it’s a phenomenon,” says cast member Natalie Casey, once of Two Pints Of Lager And A Packet Of Crisps. “I’ve never been involved in anything like it. MAGA [Make America Great Again] is a cult, but 2:22 is a phenomenon. I’ve never done a show before where people scream, they cry, and it grabs them by whatever they want to be grabbed by!

“I first auditioned for it many years ago, but didn’t get it and was very sad about that, but I think I must have stayed on their radar as I was asked to do this tour – though I hadn’t toured for a long time – and got very excited when I saw who else would be doing it.

“It’s reinvigorated my love of touring, and it’s been amazing meeting people around the country, where we know that this is a time when lots is going on to divide people, when in fact  all we want is to get on with our neighbours and just hug each other.”

Analysing why 2:22 is more than a supernatural thriller, Natalie says: “It’s very richly layered. On the surface it’s about the jump scares, but it’s also a play about fear, longing and our refusal as human beings to let things go when we need to.

“To be able to deliver that message to people in the dark of a theatre, where they can feel real emotions together, is an amazing feeling to get as an actor. As dark as our times are, I can feel we want better, we want more, and theatre is a magical part of that.”

Natalie’s character, Lauren, comes from California. “So I’m doing a slight ‘Valley girl’ accent – I’m good at American accents as they infect every part of our lives,” she says. “I’m playing someone who’s completely unlike me, but that’s the chameleon quality of acting, where my dream is to be in Star Trek. I’d love to play a Klingon!”

New house, old friends: James Bye’s Sam, left, and Shvorne Marks’s Jenny, right, welcome Natalie Casey’s Lauren and Grant Kilburn’s Ben for dinner in 2:22 A Ghost Story

Actress, presenter, narrator and singer Natalie feels very lucky to be on stage with James Bye, Shvorne Marks and Grant Kilburn. “It’s very easy to ramp up the tension when you have actors so committed to doing that, and immediately the house becomes very claustrophobic: that feeling of walls closing on you,” she says.

Throughout, the clock is on the move. “There is the symbolism of time, how it will inevitably pass, whether we like it or not, and how it will reveal too, whether we want it to or not,” says Natalie.

Does she believe in the supernatural? “I’m not a believer, I’m a ‘man of science’. I’ve never experienced what could be classed as ‘supernatural’ or felt it, but I also know that science takes a long time to catch up, so I would never say that anyone who has had a supernatural experience is wrong. It’s just that we’ve not  yet reached the point where we can explain it,” says Natalie. “In an infinite world with infinite possibilities, there are infinite explanations.

“It’s part of our collective psyche, that obsession with what is just beyond our periphery; our need to reach out to what is just beyond our understanding. We will always look to give meaning to our world.”

Summing up 2:22 A Ghost Story, she says. “It might look like a simple piece of theatre with two couples sitting around a dinner party table, but it turns into a play about love and loss, mourning and yearning for a different life. This play will be watched for decades. This play will never die. Oh, the irony.”  

2:22 A Ghost Story, Grand Opera House, York, March 31 to April 4, 7.30pm nightly plus 2.30pm Wednesday and Saturday matinees. Box office: atgtickets.com/york.