AS the pantomime season draws to a close, Charles Hutchinson turns his focus to new seasons and new reasons to venture out.
The skittish play: The HandleBards in Macbeth, York Theatre Royal, January 25, 7.30pm; January 26, 2pm and 7.30pm
THE HandleBards were the first professional company to play York Theatre Royal after Lockdown 3, lifting the long gloom with a ridiculously funny Romeo And Juliet. Now the three-pronged troupe opens the Spring! Season with an all-female, bewitching, unhinged, bicycle-powered, dead funny take on Macbeth, starring Kathryn Perkins, Natalie Simone and Jenny Smith.
Expect music, mayhem, murders, unusual applications of cycling paraphernalia and more costume changes “than you can Shake a spear at” in this irreverent, skittish romp through Shakespeare’s tragic “Scottish play”. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Oh, Vienna: International Gilbert and Sullivan Festival’s New Year celebration, Harrogate Royal Hall, today and tomorrow, 7.30pm.
ENCHANTMENT awaits in the Magic Of Vienna New Year Gala Concert today when the National Festival Orchestra, conducted by Aidan Faughey, presents works by Johann Strauss, Mozart and Lehar. International opera stars James Cleverton and Rebecca Bottone will be the soloists.
Charles Court Opera’s London production of G&S’s The Mikado will be performed on Sunday night, accompanied by the National Festival Orchestra. Box office: 01422 323352 or at gsfestivals.co.uk.
York album launch of the month: One Iota, supported by Odin Dragonfly, Joseph Rowntree Theatre, York, January 21, 7.15pm
YORK band One Iota are launching their debut album, More Than You Take, recorded at the venerable Abbey Road studios, in London, and Fairview Studios, Willerby.
Adam Dawson, James Brown, Andy Bowen and Phil Everard’s alt-pop group grew out of their three-piece tribute to The Beatles – The Threetles, of course – when they acquired a taste for writing their own songs in lockdown.
One Iota’s debut live show promises a full line-up, featuring live string arrangements for the Fab Four-influenced songs marked by rich vocal harmonies, innovative melodies and “more hooks than a cloakroom”. Box office: josephrowntreetheatre.co.uk.
By George, he’s back: Academy of St Olave’s Winter Concert, St Olave’s Church, Marygate, York, January 22, 8pm
THE Academy of St Olave’s Winter Concert features Jacob George, son of musical director Alan George, as soloist for Schumann’s Violin Concerto. He returns to solo duty for the York chamber orchestra after performing the Sibelius Violin Concerto in 2019.
The ASO’s first concert since last September’s sold-out resumption also includes two works inspired by Italy: Schubert’s Overture in the Italian Style, and Mendelssohn’s “Italian” Symphony No. 4. Box office: academyofstolaves.org.uk.
Ghosts at play: Nunkie Theatre Company in M R James’s A Warning To The Curious, Theatre@41 Monkgate, York, January 28, 7.30pm
NUNKIE Theatre Company bring two of M R James’s eeriest and most entertaining ghost stories back to life in Robert Lloyd Parry’s candlelit one-man show. Lost Hearts, an early work, is constructed around one of his most memorable villains, the predatory scholar Mr Abney.
Lloyd Parry pairs it with perhaps James’s most poignant and personal story, inspired by his holidays in Aldeburgh: A Warning To The Curious’s account of a young archaeologist being haunted and hunted by the guardian of an ancient treasure. Has the English seaside ever looked so menacing? Box office: tickets.41monkgate.co.uk.
Monster smash: Blackeyed Theatre in Frankenstein, Stephen Joseph Theatre, Scarborough, February 9 to 12
NICK Lane has reinterpreted John Ginman’s original 2016 script for Blackeyed Theatre, built around Mary Shelley’s Gothic novel, wherein nothing can prepare Victor Frankenstein for what he creates in pursuit of the elixir of life.
Eliot Giuralarocca’s highly theatrical production combines live music and ensemble storytelling with Bunraku-style puppetry to portray The Creature, in the life-size form of Yvonne Stone’s 6ft 4inch puppet, operated by up to three actors at once. Box office: 01723 370541 or at sjt.uk.com.
Never tire of satire: Fascinating Aida, York Barbican, February 12, 7.30pm
DILLIE Keane, Adèle Anderson and Liza Pulman’s latest Fascinating Aida tour show features old favourites, songs you haven’t heard before and some you wish you’d never heard in the first place.
“But the songs are mostly topical and the glamour remains unstoppable,” say the satirists, who have been capturing the political and social fixations of our times for nigh on 40 years, from 1984’s Sweet FA to 2012’s Cheap Flights and beyond. All tickets remain valid from the postponed May 5 2021 date. Box office: yorkbarbican.co.uk.
Looking ahead to Halloween: Marc Almond’s The Loveless, headlining the Saturday bill at Tomorrow’s Ghosts Festival 2022, Whitby Pavilion, October 29
THE Loveless make their Tomorrow’s Ghosts debut with a headline set of their devilishly dark arts at Whitby Pavilion next Halloween.
In a project designed to take its constituent parts back to where they all began, Soft Cell singer Almond, Sigue Sigue Sputnik axeman Neal X, Iggy Pop’s touring rhythm section of Mat Hector and Ben Ellis and haunting Hammond organist James Beaumont “pledge themselves to the pulp appeal of garage rock in its rawest, most gripping guise”.
The Loveless draw material from Almond’s expansive back catalogue, Lou Reed and David Bowie’s canons, warped 1960s’ R&B staples and lost garage-rock gems. Box office: ticketweb.uk/event/tomorrows-ghosts-festival.
Weekend opening: Kentmere House Gallery, Scarcroft Hill, York, today and tomorrow
NEW year, New Beginnings and a website “going live again at last” adds up to the start of 2022 for Ann Petherick’s gallery in her home at Kentmere House, York.
Among the works on show today and tomorrow from 11am to 5pm are Allotments In Autumn paintings by featured artist Stephen Todd, from Sheffield.
Kentmere House Gallery also will be open for the York Residents Residents’ Weekend on January 29 and 30, 11am to 6pm each day.
