Tag: Adam Price

PICK Me Up Theatre follow up last week’s Sondheim We Remember revue with a swift return to Theatre@41, Monkgate, York, in Sunday In The Park With George.

New York composer Stephen Sondheim’s 1984 collaboration with playwright and director James Lapine follows French post-Impressionist painter Georges Seurat (played by Adam Price) in the months leading up to the completion of his most famous painting, A Sunday Afternoon On The Island Of La Grande Jatte. 

Consumed by his need to “finish the hat”, the controversial Seurat alienates the French bourgeoisie, spurns his fellow artists and neglects his long-suffering mistress Dot (Natalie Walker), not realising that his actions will reverberate through the next 100 years. 

Running from April 5 to 13, director and designer Robert Readman’s production also features Alexandra Mather and Nicola Holliday as Celeste, Mark Simmonds as Franz, James Willstrop as Jules, Neil Foster as Soldier, and Sanna Jeppsson as Yvonne, among others.

Pick Me Up Theatre present Sunday In The Park With George, Theatre@41, Monkgate, York, April 5 to 13, 7.30pm except April 8; 2.30pm, April 6, 7 and 13.

Adam Price and Natalie Walker: the back story

ADAM grew up in Goole, where he has always had a keen interest in history and music.

His father was a gigging musician in a band and, as a result, Adam started playing guitar and singing as a teenager – joining several bands of his own.

He studied history at Lancaster University and Queen Mary’s College, University of London, and has a particular interest in the First World War, regularly visiting the battlefields to research.

He has run several tours of the battlefields as a guide and writes a blog about the servicemen of Goole.

As well as history, he has a keen interest in travel, working as a travel consultant for an independent travel company just outside York.

His interest in musical theatre came much later and he made his debut with Pick Me Up Theatre in My Fair Lady in 2017. He then played Young Buddy in Follies in 2018, followed by Dad’s Army in 2019, and the role of Marlowe in Shakespeare In Love in 2022.

NATALIE has been interested in music from an early age and started to play piano at the age of eight.

She studied music and theatre at Hull University and began working professionally as a musician in 2009. She runs two choirs in Goole, as well as managing Castaway

Goole with Pick Me Up Theatre’s Robert Readman: a charity that provides life- changing opportunities through the arts to adults and young people with disabilities and autism conditions.

Musical theatre has always been a passion, leading to her being the musical director for Pick Me Up’s production of Shakespeare In Love in 2022, using period instruments to support the score.

Since then, she has worked on Pick Me Up’s productions of The Sound Of Music, Oh What A Lovely War and Matilda. She has worked professionally with She Productions in Beverley, Snappy Operas and Middle Child in Hull.

ADAM and Natalie first met in 2009 when he joined a choir that she was accompanying.

They share a great love of music and first came together by singing as an acoustic duo. They still enjoy singing and playing together regularly and were married – after a long Covid delay! – in 2022.

They live in Bainton, near Driffield, after buying a derelict house and renovating it over several years.

“Sunday in the Park has been a lovely opportunity to spend time in the theatre together, being a pretend couple as well as a real one!” they say.

Here CharlesHutchPress interviews husband and wife Adam Price and Natalie Walker about playing painter Georges Seurat and his lover Dot

What attracted you to auditioning for the role of artist Georges Seurat, Adam?

“Seurat is such a fascinating character to explore. In some respects, he can be seen as a very simple character who is solely driven by his work to the exclusion of all others.

“Yet there are so many moments in the show when we see the conflict that is constantly playing out within him, how he struggles to manage his relationships with people around him, and even how he processes the criticism of his work and questions his vision.

“He is a character who struggles to connect with those closest to him and it is the challenge of communicating that struggle to an audience that attracted me to the role.”

What sparked your desire to perform in musical theatre, on top of your interest in history, the First World War, battlefield tours and travel?

“I grew up in a musical family and always enjoyed singing and playing music. I was first introduced to musicals through my grandad. He used to perform in dance bands and was always listening to jazz standards, including Gershwin and Cole Porter. “Later in life, I started watching the shows instead of just listening to the songs in isolation and it opened up a whole new world for me.

“My musical theatre knowledge was very limited and it was Natalie who really introduced me to the whole variety of the genre, including Sondheim, as well as singing show tunes in The Warblers.

“I always enjoyed singing but was not sure about the acting side of things until I did a theatre workshop a few years ago with Andy Reiss, who had directed the touring production of Les Miserables.

“I really enjoyed the whole experience and thought I would give performing a go. Performing in musicals is so much fun and rewarding and is a great way of giving you self-confidence.

“What I especially enjoy about performing is that it gives you the opportunity to step out of yourself and inhabit a completely different character for a time, getting under the skin of a character, finding out what motivates them, how they see the world; it can be revealing and rewarding.

What do you most enjoy about performing for Pick Me Up Theatre?

“York has a really rich amateur theatre scene, so it was natural to look to York when I was thinking about joining a company and Pick Me Up has such a good reputation for the quality of their shows.

“They were auditioning for My Fair Lady at the time, which was special for me as it was the first musical that I watched and enjoyed, so I gave it a go. I was very lucky because it was such a great cast, and I learned a lot; everyone was so welcoming and worked so hard to get the best out of their performance that I knew I had found a home there.

“Coming to amateur theatre later in life, I’d always been inhibited by the reputation it is has for being cliquey, but I’ve never experienced that in any shows I’ve done or when working with Pick Me Up.

“Robert is always willing to give people a chance, and if he thinks you’re right for a role then that is that. He always assembles a dedicated and talented cast and crew and always has a clear vision for what he wants to achieve.”

What are the characteristics of Sondheim’s composing skills that you most admire?

“Sondheim is a craftsman, pure and simple. Nothing is by chance and even the most seemingly frivolous throwaway musical phrases or lyrics have been carefully considered and backed up with an unrivalled ability and knowledge of his art, coupled with a deep psychological understanding of the human condition.

“What I love in particular is the relationship between the music and lyrics; they work together rather than one simply being laid on top of the other, as you often get with other composers. Ultimately, he was respectful of his audience and always wanted to give them the best of himself.”

Has growing up in Goole had an impact on you?

“I think we are all affected by where we grew up. Goole has had its share of problems, but its people are friendly, caring, decent and down to earth. No matter where else I’ve ended up in my life, growing up in a community like that, you realise that qualities like that are the most important.”

What would be your perfect Sunday in the park? Spent where? With whom? Food? Drink?

“I aspire to be a real epicurean so there is nothing I would like more than spending Sunday in a park with friends, talking about everything: life, art, music, philosophy.  Laughter and conversation are the best music in life. I honestly wouldn’t need anything else.”

With all that travelling nous, do you have a favourite park you have visited, one you would recommend visiting, and one you most want to visit that you are yet to do so?

“That is a tough question. I will always have a soft spot for Regent’s Park, as that was my local park when I was living in London, and living in a big city, it was the place I could go for a bit of greenery.

“For people watching, the Jardin des Tuileries in Paris is wonderful and Central Park is an incredible place to just wander around and get lost in. Ultimately though, I don’t think you have to journey a long way; everyone should take time out to visit their local park every now and then. It’s always a good opportunity to get out and take a break, as well as a place to connect with your local community.”

Do you have a favourite hat? If so, why that one?

“I’ve always been a big fan of bobble hats. I have a bobble hat that I’ve had for about 14 years that is nice and warm, but it is also incredibly comfortable, so I tend to wear it all year round, not just in winter.”

What attracted you to auditioning for the role of Dot, Natalie?

“Dot is a character that truly goes on a journey in this show. She can be feisty and fiery but at the heart of it just wants to be seen and loved. The role is a real challenge as, ironically, she’s not two-dimensional at all. I think that is what attracted me most to her character as there’s so much depth to be found.

Her relationship with George is also incredibly interesting to try and get right. Both need to be likeable enough that an audience will root for them, but also damaged enough that their relationship could never be conventional.

“The interesting thing for me is that Dot is the character who truly changes throughout the show, against the rigidity of George and his unwillingness to look away from his painting and truly look at her.”

When were you last on stage in a show, rather than taking the musical director’s role?

“I’ve been on stage singing/playing a fair amount, including performing as one of the on-stage singers in Dad’s Army in 2018, but actually doing a show with any sort of narrative or characters, I would take a guess that it’s been about ten years!

“I think the closest I’ve come is being on-stage musical director for two productions of Beverley Does Broadway with She Productions at East Riding Theatre in 2022 and 2023.

“There was a bit of acting and a couple of lines to learn, but I was very much playing a version of myself for those shows, so it’s quite a big switch for me to be on the stage in character rather than under/behind it!

“Performing in Sunday In The Park With George is a great opportunity to tread the boards again, after spending many hours in the pit!”

What first attracted you to work with Pick Me Up Theatre?

“I’ve always admired Pick Me Up for the high quality of the shows that they produce. The talent in the York area is astounding, and the vision for each show is always executed so beautifully. It was actually Adam that first worked with Pick Me Up after auditioning for My Fair Lady in 2017, and after seeing a few performances I couldn’t resist throwing my hat into the ring.

“Having been an audience member for several of their shows, I think the real joy is seeing that there is absolutely nothing amateur about the productions and everyone involved works so hard to make the best show possible.

“I first started working with Pick Me Up as a singer in Dad’s Army but then went on to musically direct Shakespeare In Love (with full period costume and instruments!)

“I also think their choice of shows is really inspired, with genuinely out-of-the-box choices, rather than just the standard crowd pleasers in the amateur scene!”

What are the characteristics of Sondheim’s composing skills that you most admire?

“The thing that I love about Sondheim is that nothing is ever an accident. Every note has been placed very specifically for a reason, whether it’s a note for every magic bean in the Into The Woods theme, or the placement of a blob of paint in Sunday [In The Park With George].

“The same is true of Sondheim as a lyricist: every word has value and nothing is ever thrown away for the sake of a rhyme or rhythm. Everything about Sondheim’s work is truly crafted, and it makes it such a delight to delve into, as there are constantly new things to discover on each reading.”

What was the most important lesson you learnt for performing in your studies at Hull University?

“I think people often think that being successful in music or theatre means that you have to be some sort of diva or have a massive ego. During my degree, I actually found, quite reassuringly, that the opposite was the case. The ability to be supportive of other people and work well together, either as a cast or as a band makes not only a more pleasant experience, but also creates the best work.

“As boring as it sounds, I think just learning to work hard is a big part of it – there is no glory in being lazy and expecting everyone else around you to make allowances!”

Which choirs do you run in Goole? Where do they perform and how often?

“I run two choirs known as the Warblers – one sings pop music; the other sings show tunes. The choirs have been running since 2009 and have around 90 members. They’ve developed a really great reputation in Goole thanks to their twice-yearly concerts at Junction, often performing with other musicians – recently including West End performers, brass bands and stars of English National Opera.

They were also part of the Song For Us project over lockdown where they premiered a new piece by Goole-born composer Gavin Bryars virtually. The choirs are now going through some changes as, until 2023, it was a joint venture between myself and a colleague, who has now retired.

“This presented an exciting opportunity for me to continue the hard work of the last 15 years! We’re hoping to go from strength to strength and are working towards our next concert in July.”

What does running Castaway Goole with Robert Readman involve?

“Castaway is a wonderful charity that provides life-changing opportunities through the arts to adults and young people with learning and physical disabilities, mental health difficulties and autism conditions.

“They provide weekly classes in music, singing, drama, art, craft, dance and musical theatre to approximately 50 members who may not be able to access these opportunities elsewhere.

“Castaway is actually where Robert and I met, when I was asked to play piano for their production of Just So in 2017. Since then, we’ve worked together on four full-scale musicals and a film version of David Copperfield, after the stage production was cancelled due to Covid.

“After the retirement of the charity’s founder in 2022, Robert and I were given the role of general manager and now oversee the running of the whole charity. Every day is completely different but incredibly rewarding in its own way!

“We stage a full-scale musical once a year, as well as co-ordinating staff in running the other classes throughout the week.

“I also run the Castaway Sing community choir, who perform regularly in the area at various events. We always say that we get far more back from the members than we could ever put in – it really is such a rewarding place to work, and the achievements of the members are absolutely huge.

“Robert often jokes that we’re ‘work husband and wife’ because we always seem to know what the other one is thinking, so it’s made for a very interesting process being directed as part of the on-stage cast, rather than working alongside one another!”

What have been the highlights of your career as a professional musician?

“It’s so difficult to pinpoint anything in particular as I genuinely love every job that I do. I wanted to be a professional musician from a young age but it’s such an uncertain field that I never 100 per cent believed that it would happen, particularly combined with my love of theatre.

“As soon as I started to work as an accompanist and musical director, I knew it was the job I wanted to do forever! The highlights for me are always those that involve making work with people who you really gel with and with whom you share a mutual respect.

“I’ve worked with a few theatre companies in the past couple of years where this has been the case, but none more-so than She Productions in Beverley, so I think working with them would be my highlight so far!”

What would be your perfect Sunday in the park? Spent where? With whom? Food? Drink?

“My perfect Sunday in the park would involve English springtime, music, friends, family and lots of food! I can’t think of anything better than a sunny day spent with the people I love most, and tons of homemade cake!

“I don’t actually drink but unlimited tea and coffee is the absolute dream. Peace and tranquillity is great, but I would also never say no to some sporting activity – you can’t beat a good game of rounders (as long as it’s followed by more cake!)

Do you have a favourite hat? If so, why that one?

“I’m not really much of a hat wearer! But there is something about the comfort of a woolly hat in winter that can’t be beaten – and if it’s got a bobble on top, all the better!”

Joint questions for Adam and Natalie

Where did you marry?

“At St Michael’s Church in Eastrington, Natalie’s childhood village church, where she still plays organ for Sunday services. Natalie comes from a farming family, so we held the reception in her parents’ barn. Her parents are both incredibly creative and they made it look absolutely stunning – it was a dream come true!”

Have you performed in a musical together previously?

“We both performed as singers in Pick Me Up Theatre’s production of Dad’s Army in 2018. Aside from that, Adam performed in Oh What A Lovely War, for which Natalie was musical director, but that’s as close as we’ve got until now!”

How have you found the experience of rehearsing together?

“It’s been a genuinely lovely process, as usually one or the other of us is heading off to a rehearsal somewhere without the other one, so it’s been great to share the experience.

“We’ve also had the added benefit of being able to run lines and work on songs at home, so it’s been really nice to be fully immersed in the show as much as possible.

“Sometimes you do wonder if it’s going to affect your relationship if you constantly have to play tension between each other, but we’ve been pretty good at leaving the tension in the rehearsal room and going back to talking about what we’re having for dinner!”

How is the house renovation going?

“After buying a derelict house the week before the first national lockdown, it’s been a rather lengthy process but we now have a finished home that we absolutely love, and we’re just waiting on some nice weather to make the garden slightly less reminiscent of a swamp!”