DILETTANTE is the real thing! She has won the inaugural New Music Stage showcase for the UK’s most exciting emerging musical talent at York’s Aesthetica Short Film Festival 2025.
At last Saturday’s event, part of the festival’s debut Beyond the Frame strand at York Theatre Royal, Dilettante delivered a set that captivated audience and jury alike with emotive vocals, layered textures and commanding stage presence.
Reflecting on her victory, she said: “What a massive honour to win this inaugural award. I’m a massive film nerd and I’m really excited to see both film and music festivals starting to work together to support artists across forms. Especially great to win in my home county of Yorkshire and in such a beautiful theatre!”
Signed to EMI North, praised by Mojo and Uncut magazines and featured at SXSW(South By Southwest) and The Great Escape, Dilettante – the inventive art-pop project of Francesca Pidgeon – has risen from Manchester basements to now embarking on festival appearances and cross-disciplinary collaborations across music, film and XR (Extended Reality).
Daisy Gill: From The Voice UK to New Music Stage at Aesthetica Short Film Festival
Last Saturday’s 2pm to 11pm curated line-up of breakthrough talent featured acts championed by tastemakers such as BBC Radio 1, BBC 6Music, RTÉ Radio 1 and Mojo and Rolling Stone magazines.
Taking part were winner Dilettante; BLÁNID, an Irish singer-songwriter with one million Spotify streams; Crazy James, lauded by BBC Introducing for his high-energy rap; Daisy Gill, alumna of The Voice UK with Glastonbury and Royal Albert Hall appearances to her name, and Ewan Sim, featured on Spotify Fresh Finds.
Participating too were Isabel Maria, BBC Introducing One-to-Watch and North East Culture Award winner; Emma Johnson, an alt-pop artist featured on BBC Radio 1 and Radio X; Kengo, BBC Introducing-supported hip-hop talent; Messy Eater, immersive art-rock innovator, and Tarian, a Welsh artist who blends hip-hop with emotive pop and classical roots.
The New Music Stage jury brought together leading industry representatives including James Matthew, from Universal Music Group; Rachel Hill, of Futuresound Group, Leeds; Pablo Ettinger, Caffè Nero co-founder; Emma Stakes, of Production Park; Rob Clark, head of media at Imagesound, plus plus musical artists such as Jack Savoretti, The Dunwells, Fauzia Habib, Kat Day (The KVB) and singer-songwriter Rachel Croft, formerly of York, now based in London.
Messy Eater: Replaced Scarborough’s Pleasure Centre in the New Music Stage line-up at York Theatre Royal
The New Music Stage aims to be about “more than performance”, connecting artists with the broader cultural ecosystem being built through such festivals as ASFF.
The showcase combines collaborations with Universal Music A&R and Imagesound with opportunities for national airplay across Caffè Nero as the festival creates a pipeline to connect grassroots talent with national and international audiences.
“Dilettante’s win demonstrates the extraordinary potential of the next generation of musicians,” said festival director Cherie Federico.
Caffe Nero founder Pablo Ettinger highlighted the industry opportunities for emerging talent: “Supporting emerging talent at this level is vital,” he said. “These stages give artists the chance to reach audiences and figures they might not meet otherwise.”
“The New Music Stage promises to grow into a landmark event for UK and global music, reaffirming the vital role of live discovery in the cultural ecosystem,” says ASFF director Cherie Federico
The New Music Stage was set up against the backdrop of the culture of discovering new music live being in decline. Between 2022 and 2023, the UK lost roughly 13 per cent of grassroots music venues, compounded by more than 15 per cent closing or ceasing live music activity last year alone, while audience numbers for live shows have fallen by nearly 17 cent since 2019.
“The New Music Stage addresses this gap, giving audiences the thrill of experiencing music at its moment of emergence, just as grassroots venues once did,” said Cherie.
“By integrating the New Music Stage with film, games and XR, Aesthetica fosters a multidisciplinary creative community. Audiences can witness performances in context with broader creative innovation, and artists gain exposure to delegates from more than 60 countries, industry leaders and tastemakers, helping to launch careers on a global scale.
Rachel Croft: York singer-songwriter on the New Music Stage jury
Running from November 5 to 9, the 15th BAFTA-qualifying ASFF brought together together 300 films, music, games, podcasting, the UNESCO City Of Media Arts EXPO, masterclasses, workshops, the VR Lab, the first Aesthetica Fringe and Beyond the Frame in one immersive environment in York, providing a platform for collaboration, discovery and cultural exchange.
Across five days, York became a hub for creativity, where tomorrow’s stars in film, music, VR, games, and podcasts were discovered first. The festival’s international reach and multidisciplinary programming ensure it is not only a British event but also a meeting point for the most exciting voices in global screen and creative media.
Summarising the festival’s vision, Cherie said: “We’re building a festival where creativity meets opportunity. It’s not just about performances; it’s about creating connections, sparking collaborations and nurturing the next generation of artists across multiple disciplines.
“With this international scale, the New Music Stage promises to grow into a landmark event for UK and global music, reaffirming the vital role of live discovery in the cultural ecosystem.”
Mark Kermode Taking part in Aesthetica Short Film Festival’s Beyond the Frame strand at York Theatre Royal. Picture: Julie Edwards Visuals
THE 15th Aesthetica Short Film Festival tops the bill in a week when hauntings and musical buns rise to the occasion, as Charles Hutchinson highlights.
Festival of the week: Aesthetica Short Film Festival, all over York, today to Sunday
NOT so much a film festival as a “screen and media event”, in its 15th year, York’s Aesthetica Short Film Festival is bigger and broader than ever. Not only more than 300 shorts, features, documentaries, animations and experimental films, but also the VR & Games Lab; masterclasses and panels; workshops and roundtables; networking and pitching; Listening Pitch premieres; the inaugural New Music Stage and Aesthetica Fringe shows; Beyond the Frame events at York Theatre Royal; the UNESCO City of Media Arts EXPO and the Podcasting strand. For the full programme and tickets, go to: asff.co.uk.
Mary Gauthier: Playing Pocklington Arts Centre tonight
Troubadour of the week: Mary Gauthier, Pocklington Arts Centre, tonight, 7pm
MARY Gauthier hung up her chef’s coat to move to Nashville at 40 to start a troubadour career, going from open-mic gigs to playing Newport Folk Festival a year later. Twenty-five years ago, this courageous lesbian songwriter’s groundbreaking debut album Drag Queens In Limousines announced: “Drag queens in limousines, nuns in blue jeans, dreamers with big dreams, they all took me in.”
The song has become an anthem for anyone who has ever felt like an outsider: as it turns out, all of us. It is typical of her deeply personal, yet paradoxically universal work, written in reaction to what matters most to her, as Gauthier expresses boldly what is often too hard for us to say. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Bugsy at the double: Zachary Stoney, from Team Malone, left, and Dan Tomlin, from Team Bugsy, in Pick Me Up Theatre’s Bugsy Malone
Young performers of the week: Pick Me Up Theatre in Bugsy Malone, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
LESLEY Hill directs and choreographs York company Pick Me Up Theatre’s cast of more than 40 young performers in Alan Parker and Paul Williams’s musical, replete with the film songs You Give A Little Love, My Name Is Tallulah, So You Wanna Be A Boxer?, Fat Sam’s Grand Slam and Bugsy Malone.
In Prohibition-era New York, rival gangsters Fat Sam and Dandy Dan are at loggerheads. As custard pies fly and Dan’s splurge guns wreak havoc, penniless ex-boxer and all-round nice guy Bugsy Malone falls for aspiring singer Blousey Brown. Can Bugsy resist seductive songstress Tallulah, Fat Sam’s moll and Bugsy’s old flame, and stay out of trouble while helping Fat Sam to defend his business? Box office: atgtickets.com/york.
David Sturzaker’s Gareth Southgate giving a team talk in James Graham’s Dear England, on tour at Leeds Grand Theatre
Sporting drama of the week: National Theatre in Dear England, Leeds Grand Theatre, until Saturday, kick-off at 7.30pm plus 2pm Wednesday, Thursday and Saturday matinees
JAMES Graham’s Olivier Award-winning play (and forthcoming television drama) takes its name from revolutionary England football manager Gareth Southgate’s open letter during the Covid-19 pandemic.
David Sturzaker plays Southgate, Samantha Womack, team psychologist Pippa Grange, in this “inspiring, at times heart-breaking and ultimately uplifting story” of England, penalties, lost finals and a new-found national identity. Box office: 0113 243 0808 or leedsheritagetheatres.com.
Ben Rosenfield and Laura McKeller in Neon Crypt and The Deathly Dark Tours’ The Wetwang Hauntings– Live!
Halloween horrors and jump scares of the week: Neon Crypt and The Deathly Dark Tours in The Wetwang Hauntings – Live!, Theatre@41, Monkgate, York, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
BETWEEN 1986 and 1993, a series of often violent hauntings rocked the small Yorkshire town of Wetwang. The cases went cold and all the records were lost…until now! Join York ghost walk guide Dr Dorian Deathly and his team as they dig into the history and horrors of these cases. “This show is not for the faint of heart,” he forewarns. Suitable for age 13 upwards. Box office: tickets.41monkgate.co.uk.
Jessica Shaw’s Forms Of Water, on show at Pocklington Arts Centre
Ryedale exhibition of the week: Jessica Shaw, Forms Of Water, Helmsley Arts Centre, until February 27 2026
BASED on the edge of the North York Moors, printmaker Jessica Shaw explores the impact of water and ice on landscape, inspired by Leonardo da Vinci’s assertion that “in time and with water, everything changes”.
Combining screenprint, woodcut, monoprint and etching with diverse media such as gouache and acrylic ink, her work draws from organic patterns and shapes made by water and ice, detailing their effect on the North York Moors National Park’s topography by highlighting the shapes of its high ground and the curls of its rivers, to the ephemeral ice patterns found in puddles and windows in winter.
Katie Leckey: Directing Griffonage Theatre in Kafka By Candlelight
Deliciously disturbing stories of the week: Griffonage Theatre, Kafka By Candlelight, The House Of Trembling Madness, Lendal, York, tonight to Friday, 6.30pm and 8.30pm
“NO rest for the week,” say Griffonage Theatre, York’s purveyors of the madcap and the macabre, who are performing Kafka By Candlelight in the cavernous belly of the House Of Trembling Madness cellar as part of Aesthetica Short Film Festival’s debut Aesthetica Fringe, featuring 25 shows across the city.
This one showcases five of Franz Kafka’s strangest short stories, told disturbingly in the darkness with the audience in masks (optional). “Dare to join us?” they tease. Box office: eventbrite.com/e/kafka-by-candlelight-tickets-1815618316259.
Entwined: Nik Briggs’s cooking copper, Ben, and Harriet Yorke’s carer, Gemma, in York Stage’s York premiere of The Great British Bake Off Musical
York musical premiere of the week: York Stage in The Great British Bake Off Musical, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee
BAKING battles, singing sponges and a sprinkling of hilarity is the recipe for York Stage’s York premiere of The Great British Bake Off Musical, rising to the occasion under the direction of Nik Briggs, who also makes a rare stage appearance as one of the Bake Off contestants.
Expect a sweet and savoury symphony of British wit and oven mitts, propelled by a menu of jazz hands and jubilant original songs that capture the essence of the Bake Off tent, from nerve-wracking technical challenges to triumphant showstoppers. Be prepared for an emotional rollercoaster ride, where cakes crumble, friendships form and dreams become fruitful reality. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Understaffed and overworked: The hotel workforce on clean-up duty in John Godber Company’s Black Tie Ball. Picture: John Godber Company
One helluva party of the week: John Godber’s Black Tie Ball, Pocklington Arts Centre, Thursday to Saturday, 7.30pm plus 2.30pm Saturday matinee
ON the glitziest East Yorkshire fundraising night of the year, everyone wants to be there. The Bentleys are parked, the jazz band has arrived, the magician will be magic, but behind the bow ties, fake tans and equally fake booming laughter lie jealousies and avarice, divorces and affairs, as overdressed upstairs meets understaffed downstairs through a drunken gaze.
The raffle is ridiculously competitive, the coffee, cold, the service, awful, the guest speaker, drunk, and the hard -pressed caterers just want to go home. Welcome to the Brechtian hotel hell of John Godber’s satirical, visceral comedy drama, as told by the exasperated hotel staff, recounting the night’s mishaps at breakneck speed in the manner of Godber’s fellow wearers of tuxedos, Bouncers. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Offcut Theatre’s poster for Libby Pearson’s Four By Three
Uplifting mini-dramas of the week: Offcut Theatre in Libby Pearson’s Four by Three, Milton Rooms, Malton, Thursday, 7.30pm
PAULINE, Bill and Martin invite you into parts of their lives through three separate monologues before coming together in a short play in Libby Pearson’s hopeful, uplifting, light-hearted look at the need for human contact.
In The Woman Next Door, is Pauline a lonely, nosey neighbour or a woman full of unfulfilled longing? In Silk FM, Bill runs a very local radio station; catch it on Thursdays, 1pm to 3pm, term-time only. In The Picker, Martin is desperate to be acknowledged for his innovative litter-picking ideas. In Shelved, Pauline, Bill and Martin run a volunteer-led library, where the council may have plans for it, but so do they. Box office: 01653 696240 or themiltonrooms.com.
CELEBRATING its 15th anniversary, the Aesthetica Short Film Festival (ASFF) transforms York each November into a vibrant hub of culture and creativity next week.
Over five days, from November 5 to 9, and in a digital extension, from November 5 to 30, the city becomes a global meeting point for filmmakers, musicians, technologists and audiences.
Presenting more than 300 films screening across the city, including many Oscar and BAFTA-qualifying titles, the festival champions bold storytelling and new voices from around the world.
Yet Aesthetica’s reach extends far beyond cinema. Its VR & Games Lab, Podcasting Lounge, Aesthetica Fringe and Beyond the Frame events merge film, music, art, comedy and digital culture into one seamless celebration of creativity.
This year, audiences can expect Sophie Duker’s comedy night, film critic Mark Kermode in conversation, a silent cinema live-score performance and the debut of the New Music Stage: a full music festival within the festival, spotlighting ten breakthrough UK artists in partnership with Universal Music and Caffè Nero.
For York and the wider UK, Aesthetica is a cultural catalyst, connecting York venues, supporting artists, boosting tourism and shining a global light on Yorkshire’s thriving creative economy. Driven by the Aesthetica motto that “it’s only an idea away”, ASFF is proof of what culture and creativity do, opening doors, building communities and expanding how we see the world.
Dodge Brothers, featuring film critic Mark Kermode, second from right: Playing at Aesthetica Short Film Festival
Top Ten Things To Do
1. Film screenings
EXPERIENCE more than 300 shorts, features, documentaries, animations and experimental films from across the globe. Many of these titles are Oscar and BAFTA-qualifying, giving audiences a first look at the filmmakers of the future.
Attend the Makers’ Forum to hear from directors and producers, discover new cinematic voices and celebrate bold, thought-provoking storytelling that pushes boundaries and challenges perspectives.
2. VR & Games Lab
STEP into the future of storytelling. The VR & Games Lab invites audiences to explore cutting-edge works in virtual, augmented and mixed reality, plus innovative indie games. Engage with immersive environments, interactive narratives and demonstrations from the frontier of creative technology. Learn how artists are merging code, design and emotion to reinvent what it means to experience a story.
3. Masterclasses & Panels
AESTHETICA’S industry sessions feature icons and innovators from Ridley Scott Associates, Aardman, BBC, Film4 and Framestore. Gain insight into the craft and business of filmmaking, from production design and cinematography to pitching, funding and post-production.
Highlights include Behind the Scenes of Gladiator, Napoleon and Alien and Film4’s From Shorts to Features. Ideal for anyone serious about their creative career.
4. Workshops & Roundtables
GET hands-on with practical sessions designed for filmmakers, producers and writers. From screenwriting labs and pitching clinics to discussions on funding, diversity and distribution, these workshops provide actionable advice from professionals. The roundtable format encourages open dialogue and peer learning: the right space to test ideas, ask questions and gain valuable mentorship.
The Games Lab at the Aesthetica Short Film Festival 2025
5. Networking & Pitching
MEET producers, commissioners and collaborators at Aesthetica’s networking events and UK Film Production Summit, featuring more than 150 companies. Speed-pitching sessions and informal meet-ups give you a chance to share your ideas, find partners and make connections that could propel your next project forward. This is where creative relationships and future deals are born.
6. Parties & Socials
WHEN the lights go down, the city comes alive. Aesthetica’s parties are legendary: relaxed, welcoming spaces where creatives from film, music, gaming and art collide.
Whether you are winding down after a screening or celebrating a new collaboration, the festival’s social scene is where friendships form, ideas spark and stories continue long into the night.
7. Listening Pitch premieres
NOW in its fifth year, the Listening Pitch shines a spotlight on the future of audio documentary. Aesthetica has commissioned ten original documentaries through this pioneering programme, and this year marks the premiere of three new projects.
Previous commissions have gone on to screen at SXSW and Sundance and been acquired by The Guardian. This is the place to discover bold new documentary talent, with live presentations, audience Q&As and an atmosphere that celebrates the art of sound and story.
Comedian Sophie Duker: Celebrating female voices in the festival’s Beyond the Frame strand at York Theatre Royal
8. New Music Stage
FEATURING a line-up of some of the UK and Ireland’s most exciting emerging artists, the New Music Stage blends film and sound in thrilling ways. This year’s acts include BLÁNID, Crazy James, Daisy Gill, Dilettante, Ewan Sim, Isabel Maria, Jemma Johnson, Kengo, Pleasure Centre and Tarian: artists championed by BBC Radio 1, BBC 6 Music, RTÉ Radio 1, MOJO and Rolling Stone.
With performances spanning Glastonbury, The Late Late Show, SXSW and The Great Escape, this new stage celebrates the shared rhythm of cinema and song.
9. Beyond the Frame
STEP beyond the screen and into live performance. Highlights include Sophie Duker & Friends, a comedy night celebrating female voices; Mark Kermode in conversation with Jenny Nelson on film music, and a Silent Cinema & Live Score by The Dodge Brothers with Neil Brand and Mark Kermode. These events blur the lines between film, performance and criticism – cinematic storytelling at its most alive.
10. Aesthetica Fringe
RUNNING city-wide, the Fringe transforms York into an open-air gallery. Expect art installations, theatre, DJ sets, exhibitions and surprise pop-ups across independent venues. The Fringe brings York and international artists together, inviting audiences to see the city through a creative lens in a celebration of community, experimentation and the energy that fuels York’s cultural heartbeat.
Aesthetica Short Film Festival invites you to “be part of the story”. “Whether you’re a filmmaker, musician, gamer or culture-lover, our 2025 festival is your invitation to experience creativity without limits,” says festival director Cherie Federico. “Join us in York and be part of a global conversation about the future of storytelling.”
For the full festival programme and tickets, go to: www.asff.co.uk.
Livy Potter as Katy, left, and Alice Rose Palmer, as mum Natalie, in Louise Beech’s How To Be Brave at Gilling East Village Hall and Helmsley Arts Centre
FROM a devilish yet dotty canine musical to comedians having their moment, a film festival to glowing ghosts, Charles Hutchinson spots plenty to light up dark days ahead.
Touring play of the week: Other Lives Productions in How To Be Brave, Gilling East Village Hall, tomorrow, 7.30pm, and Helmsley Arts Centre, Friday, 7.30pm
IN 1943, Merchant Seaman Colin Armitage’s cargo ship was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later, HMS Rapid rescued him.
Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive.
Scenes in this resulting play alternate between the life raft and a house in Hull as York actors Jacob Ward and Livy Potter take the lead roles in Kate Veysey’s production. Box office: Gilling East, gillinjgeastevents@hotmail.co.uk; Helmsley, 01439 771700.
Man of The Moment: Ali Woods, playing York Barbican on his debut stand-up tour
Comedy men of The Moment: Mo Gilligan, In The Moment, York Barbican, tomorrow,8pm; Ali Woods, At The Moment, York Barbican, Friday, 8pm
THE moment has arrived for two comedy tour dates with similar show titles, first up the host of Channel 4’s The Lateish Show With Mo Gilligan, Londoner Mo Gilligan, on his In The Moment World Tour 2024.
The following night, half-English, half-Scottish comedian, podcaster and content creator Ali Woods plays York on his debut stand-up tour. At 30, this viral online sketch sensation has finally fallen in love with an amazing lady. “Come on an embarrassing and cathartic journey of teenage angst, relationship fails and learning how to live in the moment,” he says. Tickets update: available for both shows, whereas An Audience With Monty Don (November 11), Jamie Cullum (November 12), Sarah Millican: Late Bloomer (November 14) and Suzi Quatro ( November 15) have sold out already. Box office: yortkbarbican.co.uk.
Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York
Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16
ART Of Protest is the first gallery to show CJP’s work The Majesty Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.
“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”
Very definitely Pride Of Prejudice * (*Sort Of), sending up Jane Austen affectionately in Isobel McArthur’s play at York Theatre Royal
Theatrical flourish of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as You’re So Vain and Young Hearts Run Free.
Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In the driving seat: Kym Marsh’s Cruella De Vil in 101 Dalmatians The Musical. Picture: Johan Persson
Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, until Saturday, 7pm plus 2pm today, Thursday and Saturday matinees
KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London.
When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york.
3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024
York festival of the week: Aesthetica Short Film Festival, York city centre, today to Sunday, and UNESCO City of Media Arts EXPO, Guildhall, York, Thursday to Saturday
THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.
The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.
Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens
Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, tomorrow to Sunday, 6.30pm to 9.30pm; last entry, 8.30pm
YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.
Ticketholders will have the exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.
Fishermen’s Friends: Playing York Barbican this week, then returning next October
Gig announcements of the week: Fisherman’s Friends, York Barbican, October 3 2025
IN celebration of performing sea shanties for more than 30 years across the world, Fisherman’s Friends will head out from the Cornish fishing village of Port Isaac to play a British tour split between 2025 and 2026.
York will come early, booked for night number two next October on a 32-date itinerary announced even before they have played their sold-out Barbican gig on Friday this week on their Rock The Boat tour, promoting fifth album All Aboard. Box office: yorkbarbican.co.uk.
UNESCO City of Media Arts EXPO: A showcase for York’s creative industries
THE inaugural UNESCO City of Media Arts EXPO – the first such exhibition in Great Britain – will celebrate the tenth anniversary of York’s global designation in the Guildhall from Thursday to Saturday.
Taking place within this week’s Aesthetica Short Film Festival, the EXPO is a “dynamic marketplace for innovation and cutting-edge ideas, showcasing the region’s thriving and growing creative sector by exhibiting the local organisations who are making a national and international impact.”
York is the only British UNESCO City of Media Arts, providing a global stage for film production, games development, VFX (visual effects), publishing and design.
The city’s creative industries are a major contributor to the local economy, driving job creation, tourism and investment, as will be highlighted in the EXPO, where entry is free to try out new projects, speak to creatives and see how York is to generating future opportunities in retail, hospitality, transport and services.
Cherie Federico, director of Aesthetica Short Film Festival, says: “The UNESCO City of Media Arts EXPO is one of the most exciting and enriching experiences to celebrate the UK’s creative industries.
“In our region, we are working on a global stage and the EXPO celebrates ten years of designation while also looking forward to how York can position itself as a national and international leader in the sector, creating jobs, driving inward investment and developing clear educational pathways.”
Sarah Loftus, managing director of collaboration partner Make It York, says: “The creative arts and culture sectors, along with ten years of UNESCO designation, are some of the many reasons that make York such a wonderful place to both live and visit. To be able to showcase this with the EXPO, in the centre of the city, is very exciting.”
Consider the facts: the creative industries contribute £109 billion pounds to the UK economy annually and employ 2.3 million people. York is a leader in that economy, as emphasised by its status as one of only 26 cities worldwide to be selected by UNESCO as a City of Media Arts, on a par with such influential locations as Austin, Texas, Sapporo, Japan, and Toronto, Canada.
Among York and North Yorkshire’s creative forces attending the EXPO will be Aesthetica; Art of Protest Gallery; Art Is My Career; Ay-Pe; Bright White; factual TV production company Button Down Productions; Creative Business Skills Academy; Last Maps Illustrations; film content production company Orillo Productions, Peel X; Pollen Studios; Pilot Theatre; Revolution Software; The Distance; visual effects specialist Viridian FX and XR Stories.
In addition to connecting filmmakers, developers and screen executives attending this week’s film festival with businesses that deliver the services they need, the EXPO will support the next generation of talent by showcasing educational pathways and career progressions.
Look out for the premiere of the latest commissioned work by Middleton-in-Teesdale environmental artist Steve Messam in the Guildhall courtyard. Known for his large-scale temporary installations that merge architecture and the natural environment – such as his permanent installation in Wonderlab: The Bramall Gallery at the National Railway Museum and the Aesthetica Art Prize-nominated Portico on the front of York Art Gallery in 2022 – he has designed Lantern I as an exploration of space and interaction.
Through its intricate play with light, the new work featuring 180 metres of festoon lights will transform the historic Guildhall setting into an immersive and ethereal environment.
The BBC will be filming Messam at the EXPO, in a focus on heritage and contemporary art, ahead of his joint exhibition in China with sculptor Sir Tony Cragg.
Cherie Federico has been the driving force behind the Reignite series of events in York focused on nurturing the future of the city’s creative industries. The sixth edition, Reignite VI: Culture Makes Places, will take place during the festival and EXPO, when York will be full of local, national and international attendees.
Representatives from three UNESCO Cities of Media Arts – Braga (Portugal), Linz (Austria) and Oulu (Finland) – will share how they leverage culture to drive transformative change in their cities.
This forum will be a chance to discover how culture enhances economic development, creates jobs and offers skills and opportunities for young people, “fostering growth and innovation across the urban ecosystem”.
The event will be opened by David Skaith, Mayor of the York and North Yorkshire Combined Authority, and addressed by Cherie. Presentations from each city will explore their unique approaches, followed by a panel discussion.
“I’ve been looking to raise the profile of the creative industries through the series of Reignite events, bringing all the different sectors together,” says Cherie. “We should use this UNESCO designation to elevate all of us, and with this year being the tenth anniversary of that designation we needed to celebrate that landmark and highlight the businesses of the future in York.
“That’s the purpose of the EXPO, where all are welcome to attend for free. To me, we should be focusing not on what there isn’t but what there is in York, and this is an opportunity for creative industries to make transformative changes.”
Cherie brings the positivity of New York – her home before settling in York 20 years ago – to her artistic pursuits. “If you beat yourself down, you’re going to be down. If you approach things with that mentality, you’re stuck in the past, but you have to give the creative industries the chance to rise because that attitude becomes infectious.
“People want things to change. This is a city that had nine million visitors in 2023; a city with history but modern culture too. We need to be living in a city that celebrates not just that cultural impact but the economic impact too because it boosts all sectors.”
Why will admission to the EXPO be free? “We want everyone in the city and beyond to be able to understand what it means to be a UNESCO City of Media Arts,” reasons Cherie. “This is the perfect time to highlight it, during an international film festival, when so many people will be coming to York already.”
For more details of the EXPO, head to: https://mediacityexpo.com/.
Aesthetica director Cherie Federico: Why UNESCO City of Media Arts status “positions York at the forefront of global creative discussions”
Cherie Federico
“YORK’S designation as a UNESCO City of Media Arts has profoundly impacted the city’s cultural and economic landscape, fostering a dynamic ecosystem where creativity, technology and education intersect.
“As an emerging sector, media arts is gaining momentum, creating pathways for future careers and educational opportunities. This designation not only attracts investment and talent but also positions York as a hub for digital innovation and creative industries, which benefits tourism, hospitality, retail and other sectors across the economy.
“Celebrating the tenth anniversary of York’s UNESCO designation marks a significant milestone, symbolising a decade of transformation driven by the media arts. Over these ten years, the designation has strengthened York’s global reputation, supporting local economic growth by driving job creation and developing crucial skills for the creative industries.
“The status encourages collaboration between cultural organisations, educational institutions and businesses, creating an environment where new ideas and projects can thrive. This collaborative culture is vital for retaining graduates and attracting skilled workers, making the city increasingly appealing to young talent and creatives from around the world.
“Additionally, the focus on media arts extends beyond economic impact, enhancing social cohesion and community involvement through cultural programming. Events, festivals and exhibitions celebrate new talent while promoting international collaboration, thus enriching York’s artistic landscape.
“The upcoming UNESCO City of Media Arts EXPO, part of Reignite VI: Culture Makes Places, exemplifies this commitment to cultural exchange. Held at the Guildhall, the EXPO will showcase cutting-edge exhibits from the creative industries, which celebrates the sector’s potential by exploring how media arts contributes to sustainable urban transformation.
“As the event coincides with the BAFTA-Qualifying Aesthetica Short Film Festival, it positions York at the forefront of global creative discussions, drawing attention to the city’s evolving cultural scene.
“As a regional city, York recognises the need to operate on a national and international level to maximise the benefits of its UNESCO status. With over eight million visitors annually, the city is well positioned to reach beyond its borders, leveraging its unique offer — a blend of historic charm and modern creativity.”
Underscoring this ambition, Cherie says: “The economic potential of the creative sector on our city is phenomenal, and everyone benefits.
“The tenth anniversary celebrations, including Reignite VI and the UNESCO City of Media Arts EXPO, are pivotal in showcasing how cultural programming can propel York’s ambitions forward, driving growth and innovation while fostering a sense of shared purpose and a forward-thinking city.
“By investing in media arts and embracing its UNESCO designation, York aims not only to maintain its status as a leading cultural destination but also to expand its influence globally, ensuring a prosperous and inclusive future for the city.
“These efforts will help York aspire to more than just a visitor destination, transforming it into a thriving centre for creativity, education and economic development that stands out on the world stage.”
Did you know?
IN 2023, the Aesthetica Short Film Festival welcomed more than 26,000 visitors, bringing a £2 million economic boost to York.
Cherie Federico: Director of Aesthetica Short Film Festival
THE 2024 Aesthetica Short Film Festival takes over 15 venues in York from November 6 to 10, incorporating the UK’s first-ever UNESCO City of Media Arts EXPO.
The festival brings together filmmakers, industry leaders and audiences from around the world for screenings and events as York is transformed into a global stage for screen culture, attracting thousands of attendees and participants from more than 60 countries.
“I’m incredibly excited to open the 14th edition of the BAFTA-Qualifying Aesthetica Short Film Festival in York, a city rich in history and culture,” says director Cherie Federico. “The festival supports York’s designation as a UNESCO City of Media Arts. It’s a celebration of film, new technologies, art and creativity, operating on both national and international levels.
“We’re screening an expansive programme of 300 films across 12 genres from 60 countries and opening a Games Lab, VR Lab, countless panels and masterclasses, with some of the world’s leading talent arriving in York for the week. Aesthetica is an inclusive experience that invites everyone to participate, reinforcing York’s standing as a global hub for culture and media arts.”
In addition to the diverse film offerings, this year’s programme will showcase cutting-edge technologies with Virtual Reality (VR) and Gaming Labs, providing immersive experiences for both the curious and the tech-savvy.
“The VR and Gaming Labs are joined up in a new technology hub at the Hospitium, a new venue for this year’s festival in York Museum Gardens,” says New Yorker Cherie, who has lived in York for 20 years.
“Only in York would you put the cutting edge of new technology in a 14th century building, such as a game from Aardman about Wallace and Gromit trying to go on holiday. We’ll also have a VR and gaming Happy Hour in Thor’s Tipi in the gardens.”
The poster for the 2024 Aesthetica Short Film Festival
Throughout the festival, audiences will have the opportunity to learn from top professionals in the film, television and digital media industries. “Guests from renowned organisations such as the New York Times, Tribeca Film Festival, Aardman, BBC Film, Ridley Scott Associates, and Framestore will share their expertise through 60 panels, workshops, and discussions,” says Cherie.
“We’re delighted that the New York Times is coming this year to check out what we’re doing as a festival and that Tribeca Film Festival will be here because they’ve heard that Aesthetica is the festival for finding new British talent.”
In addition, aspiring filmmakers and creatives can engage in practical workshops, including sessions on stop-motion animation, filmmaking, coding and games development for children.”
Sessions are designed to offer insights into the industry’s inner workings, with contributions from prestigious creatives shaping the future of screen culture.
Among those hosting masterclasses will be Julian Foddy, from Industrial Light & Magic, who will highlight how the studio behind Star Wars has crafted iconic cinematic worlds; Nowhere Boy and Back To Black screenwriter Matt Greenhalgh, discussing his approach to storytelling and the art of screenwriting, and Ubisoft, creators of Assassin’s Creed Nexus VR, exploring the challenges of adapting storytelling for virtual reality platforms.
Abubakar Salim, actor and voice talent from Raised by Wolves and Assassin’s Creed: Origins, will take a deep dive into character development and voice acting and representatives from Ridley Scott Associates, founded by the legendary director of Blade Runner and Alien, will lead a session on documentary filmmaking and practical tips for film development.
A further festival highlight will be Aestheticax Audible’sThe Listening Pitch, a “cinematic exploration of the unheard” that funds documentaries that reveal how listening helps us to understand new points of view.
UNESCO City of Media Arts EXPO: Part of the 2024 Aesthetica Short Film Festival
On November 9, at City Screen Picturehouse, the festival will premiere 2024’s winning films, Liberty Smith’s Greensound and Ornella Mutoni’s The Things We Don’t Say, complemented by Old Lesbians and Speed Of Sound, winners from previous years.
This year marks the tenth anniversary of York’s designation as a UNESCO City of Media Arts, a milestone that the film festival will mark with a series of events that highlight the city’s dynamic role in the global creative industries.
The UNESCO EXPO will bring together leading media arts cities from across Europe, including Braga (Portugal), Linz (Austria), and Oulu (Finland), who will showcase how their designation as UNESCO Cities of Media Arts has driven cultural investment and spurred creative opportunities.
“The EXPO promises to be an invaluable platform for cross-cultural exchange, collaboration and innovation in the media arts space,” says Cherie.
“I’ve been looking to raise the profile of the creative industries through a series of Reignite events in York, bringing all the different sectors together. We should use this UNESCO designation to elevate all of us, and with this year being the tenth anniversary of that designation we needed to celebrate that landmark and highlight the businesses of the future in York.
“The question is, how do we establish a thriving creative industry with an educational pathway, and how do we make this a city for a cutting-edge media arts industry? That’s why we’re putting on the EXPO, an exhibition with free entry to highlight York businesses that are operating on a national and international level, to make people aware of the film, visual effects, gaming, VR and experiential design work already going on in the city.
“York’s UNESCO City of Media Arts designation has solidified the city’s position as a national and international leader in the creative industries. Over the past decade, York has become a vibrant hub for digital and media innovation, attracting significant investments and fostering a thriving creative community.”
For the full 2024 festival programme and to book tickets, head to: asff.co.uk.
Skylights: York band headline York Barbican for the first time tonight
FROM Skylights to Ghosts After Dark, a fiesta of film to a musical dog show, Charles Hutchinson spots plenty to light up these November nights.
York gig of the week: Skylights, York Barbican, tonight, doors 7pm
ANTHEMIC York indie band Skylights play their biggest home-city gig to date this weekend with support from Serotones and Pennine Suite.
Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the Barbican. It’s always been a dream of ours to play here. So to headline will be the perfect way to finish a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.” Box office update: Standing tickets still available at ticketmaster.co.uk.
Rob Rouse: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse, tonight
Comedy gig of the week: Laugh Out Loud Comedy Club, Rob Rouse, Peter Brush, Faizan Shan and Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm
PEAK District comedian, television regular, Upstart Crow actor and self-help podcaster Rob Rouse, who trained as a geography teacher at the University of Sheffield, makes a rare York appearance with his hyperactive, loveable brand of comedy.
Harrogate Comedian of the Year 2012 Peter Brush combines a slight, bespectacled frame and scruffy hair with quirky one-liners and original material, delivered in an amusingly awkward fashion. Manchester comic Faizan Shah’s material makes light of growing up in an immigrant household with the mental health challenges it brings. Organiser Damion Larkin hosts as ever. Box office: 01904 612940 or lolcomedyclubs.co.uk.
Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York
Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16
ART Of Protest is the first gallery to show CJP’s work The Majestic Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.
“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”
Pride And Prejudice * (*Sort Of): Making merry mayhem with Jane Austen’s novel at York Theatre Royal. Picture: Mihaela Bodlovic
Theatrical high spirits of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, November 4 to 9, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as Young Hearts Run Free, Will You Love Me Tomorrow and You’re So Vain.
Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy and Emerging Talent Award winner in the Evening Standard Theatre Awards, now featuring University of York alumna Georgia Firth in the cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.
On the spot: 101 Dalmatians The Musical takes up canine residence at the Grand Opera House from Tuesday. Picture: Johan Persson
Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, November 5 to 9, 7pm plus 2pm Wednesday, Thursday and Saturday matinees
KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London.
When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york.
3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024
York festival of the week: Aesthetica Short Film Festival, York city centre, November 6 to 10, and UNESCO City of Media Arts EXPO, Guildhall, York, November 7 to 9
THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.
The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.
Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens
Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, November 7 to 10, 6.30pm to 9.30pm; last entry, 8.30pm
YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.
Ticketholders will have the exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.
Rag’n’Bone Man: Returning to Scarborough Open Air Theatre next summer
Gig announcements of the week: TK Maxx presents Scarborough Open Air Theatre, UB40 featuring Ali Campbell, July 6, and Rag’n’Bone Man, July 11 2025
“I THINK I’ve got the best reggae band in the world,” says UB40 legend Ali Campbell, who last played Scarborough OAT in 2021. “They are all seasoned musicians, who have spent all their lives in professional bands, and I feel so confident with them.” Support acts will be Bitty McLean and Pato Banton.
Triple BRIT Award and Ivor Novello Award winner Rag’n’Bone Man, alias Rory Graham, will follow up his 2023 Scarborough OAT show with a return next summer in the wake of his third album, What Do You Believe In? entering the charts at number three last Friday. His special guest will be Elles Bailey. Box office: ticketmaster.co.uk.
Show announcement of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, April 14 to May 17 2025
Gary Oldman reflecting on his first steps in professional theatre in the York Theatre Royal dressing rooms on his March visit
OSCAR winner Gary Oldman will return to York Theatre Royal, where he began his career as a pantomime cat, to direct himself in Krapp’s Last Tape next spring: his first stage appearance since the late-1980s.
The April 14 to May 17 2025 production of Samuel Beckett’s one-act monodrama was set in motion when Slow Horses star Oldman paid a visit to the St Leonard’s Place theatre in March, when he met chief executive Paul Crewes.
“When Gary visited us at the beginning of the year, it was fascinating hearing him recount stories of his time as a young man, in his first professional role on the York Theatre Royal stage.,” says Paul.
“In that context when we started to explore ideas, we realised Krapp’s Last Tape was the perfect project. I am very happy that audiences will have this unique opportunity to see Gary Oldman return to our stage in this brand new production.”
Making plans: Actor and director Gary Oldman in discussion with York Theatre Royal chief executive Paul Crewes in the York Theatre Royal main house auditorium
Ticket prices start at £25, with priority booking for the York Theatre Royal Director’s Circle opening on November 6, YTR Members’ priority booking from November 11 and public booking on November 16, all from 1pm. To become a member and access priority booking, head to: https://www.yorktheatreroyal.co.uk/support-us/.
After graduating from Rose Bruford College of Speech and Drama, Londoner Oldman started out in the repertory ranks at York Theatre Royal in 1979 in such plays as Privates On Parade and She Stoops To Conquer and playing the Cat in Berwick Kaler’s third York pantomime, Dick Whittington, that Christmas.
Dame Berwick later told the Guardian in an interview in 2018: “Gary has gone on to become one of our greatest screen actors but I’m afraid he was a bit of a lightweight when it came to pantomime.
“He kept fainting inside the costume. On at least three occasions I had to turn to the audience and say, ‘Oh dear, boys and girls, I think the poor pussy cat has gone to sleep’!”
Gary Oldman as the Cat with dame Berwick Kaler, centre, in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal
Oldman, now 66, posted on Instagram: “My professional public acting debut was on stage at the York Theatre Royal. York, for me, is the completion of a cycle. It is the place ‘where it all began’. York, in a very real sense, for me, is coming home.
“The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.”
After cutting his teeth in York, New Cross-born Oldman went on to act at the Glasgow Citizens Theatre, the Royal Court, London, and the Royal Shakespeare Company. He then swapped theatre for film with break-our roles as Sid Vicious in Sid And Nancy (1986), Lee Harvey Oswald in JFK (1992) and Dracula in Bram Stoker’s Dracula (1992).
He later played Sirius Black in the Harry Potter film franchise and Commissioner Jim Gordon in Batman Begins, The Dark Knight and The Dark Knight Rises, won the 2018 Oscar, BAFTA and Golden Globe awards for Best Actor for his portrayal of Winston Churchill in Darkest Hour, and is now starring as obnoxious MI5 boss Jackson Lamb in the latest Apple+ series of British spy thriller Slow Horses.
Gary Oldman (third from the left in hat and glasses) in Privates On Parade at York Theatre Royal in 1979: one of his first professional performances after graduating from Rose Bruford College of Speech and Drama, in Sidcup, Kent, with a BA in Acting. Picture: York Theatre Royal
Oldman has been considering going back to the stage for a long time. “I have never been far from the theatre and, in fact, have been discussing plays and my return to the theatre for nearly 30 years,” he posted.
What happens in Krapp’s Last Tape, Samuel Beckett at his most theatre of the absurd? Each year, on his birthday, Krapp records a new tape reflecting on the year gone by.
On his 69th birthday, Krapp, now a lonely man, is ready with a bottle of wine, a banana and his tape recorder. Listening back to a recording he made as a young man, Krapp must face the hopes of his past self.
The melancholic, tragicomic role was premiered in 1958 by Patrick Magee and has been played by the likes of Albert Finney, Harold Pinter, John Hurt, Stephen Rea and Kenneth Allan Taylor, the long-running Nottingham Playhouse pantomime dame, writer and director, at York Theatre Royal in 2009.
Gary Oldman’s Cat in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal
Samuel Beckett (1906 – 1989): the back story
IRISH writer, dramatist and poet, specialising in theatre of the absurd. Wrote in English and French. Principal works for the stage included Endgame, Krapp’s Last Tape and Waiting For Godot. Awarded Nobel Prize for Literature in 1969.
Gary Oldman: Further screen appearances
TINKER, Tailor, Soldier, Spy (Academy Award and BAFTA nominations); Mank (Academy Award and Golden Globe Award nominations); Oppenheimer; The Book Of Eli; Meantime; The Firm; Prick Up Your Ears; Rosencrantz And Guildenstern Are Dead; State Of Grace; Romeo Is Bleeding; True Romance; Leon/The Professional; The Fifth Element; Immortal Beloved and Dawn Of The Planet Of The Apes, among many others.
Worked with directors Stephen Frears, Oliver Stone, Frances Ford Coppola, Luc Besson, Alfonso Curon, Chris Nolan, Tony Scott, Ridley Scott, Steven Soderbergh, David Fincher and Paulo Sorrentino.
Did you know?
IN 1995 Gary Oldman and producing partner Douglas Urbanski founded a production company, producing Oldman’s screenwriting and directorial debut, Nil By Mouth, winner of nine majot awards from 17 nominations.
Selected to open the main competition for the 1997 50th Anniversary of the Cannes Film Festival, where Kathy Burke won Best Actress. The same year, Oldman won Channel Four Director’s Prize at Edinburgh International Film Festival, British Academy Award (shared with Douglas Urbanski) for Best Film and BAFTA for Best Original Screenplay.
In Focus:Other Lives Productions in How To Be Brave, Theatre@41, Monkgate, York, Sunday, 7.30pm, and on tour
Livy Potter as Katy, left, and Alice Rose Palmer as mum Natalie in Louise Beech’s How To Be Brave
ON March 19 1943, just after midnight, Merchant Seaman Colin Armitage’s cargo ship, the Lulworth Hill, was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later HMS Rapid rescued him.
Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive.
The story inspiring ten-year-old Katy to be brave in the face of her diabetes is a true one. She has said that Grandad Colin’s experience made her determined to carry on when she wanted to give up and die: “If Grandad Colin can survive an ordeal like that, I can do anything. I can do these injections,” she said. And she has never faltered.
Director Kate Veysey with Rose’s seagull Gilbert
“We hope that by presenting this story we can inspired audiences in the East Riding and beyond,” says director Kate Veysey, a familiar name from both York Theatre Royal Youth Theatre and Next Door But One productions.
Scenes alternate between the life raft and Katy’s house in Hull as York actors Jacob Ward and Livy Potter take the roles of Colin Armitage and Rose (Katy, given a pseudonym), joined by Lex Stephenson as carpenter Ken Cooke, on the raft, Alice Rose Palmer as Natalie (alias mum Louise) and Alison Shaw as nurse Shelley. Age guidance: ten upwards (the show contains moderate bad language). Box office: tickets.41monkgate.co.uk.
Lex Stephenson, as Ken Cooke, left, and Jacob Ward, as Colin Armitage, in Other Lives Productions’ How To Be Brave
A still from the 2024 Aesthetica Art Prize main prize winner Maryam Tafakory’s film, Nazarbazi [the play of glances]
MARYAM Tafakory has won the main award in the Aesthetica Art Prize 2024 in York and Gala Hernández López is the Emerging Prize winner.
Tafakory takes home £10,000 prize money, Hernández López, £1,000, plus exhibition, publication and further opportunities for development, although ‘take home’ would be a misnomer as the winners were among only three out of 21 shortlisted finalists who were not present at last Thursday evening’s awards ceremony in the Burton Gallery at York Art Gallery.
Tafakory’s artist film, Nazarbazi [the play of glances], explores love and desire in Iranian cinema, where depictions of intimacy between women and men are prohibited.
Artist, researcher and filmmaker Hernández López’s film, The Mechanics of Fluids, travels the internet in search of the digital trace of an incel [an involuntary celibate], finding troubling signs of isolation and solitude along the path of doom-scrolling in the dark web.
The winners were chosen by jurors from key institutions such as IKON, Serpentine Gallery, Turner Contemporary and the V&A from a shortlist of 21 trailblazing contemporary artists whose works are on view at York Art Gallery until April 21, alongside three screens showcasing work by 280 longlist artists picked from the 5,117 works entered.
Launched to coincide with the Future: Now symposium, the Aesthetica Art Prize competition and exhibition is run by York art magazine Aesthetica as “a testament to shared creativity in a time of immense change”.
The annual competition for new talent shines a light on artists who are redefining the parameters of contemporary art, “giving York a first look at a who’s who list of practitioners who will start to appear in major collections and exhibitions worldwide”.
La Chute, a waterfall of bodies made from cut-outs of X-rays, paper and tracing paper by Brigitte Amarger, from the 2024 Aesthetica Art Prize exhibition at York Art Gallery. Picture: Charlotte Graham
Director Cherie Federico says: “Contemporary art can change the world and here in York, which is one of 22 global UNESCO City of Media Arts cities, we are doing just that.
“It’s unexpected for York to be the destination for global conversations around contemporary artistic practice, but we are pushing the envelope with powerful works and bold programming that looks at every facet of life in the 21st century. The pieces on display are timely, immediate and necessary.”
The artists address such themes as the climate crisis, colonial legacies, the impact of technology and artificial intelligence, inequality across society, racism, white supremacy, the patriarchy and gender diversity.
“The Aesthetica Art Prize is about art being a conduit to make sense of the world around us. As we progress – and that’s a term for debate – we must look at what we gain and what we lose,” says Cherie.
“The world of augmented and virtual reality, constant connections, instant access, the metaverse, phones, selfies and satellites is loud and intrusive. We need to look at the balance of things and understand that there needs to be an equilibrium. We must look humanity straight in the eye and not be afraid to ask hard questions.”
Under the Future: Now title, the prize exhibition confronts life in the 21st century, from beautiful universal human moments to a lack of regulation of internet culture and the destruction of our planet’s oceans. Elsewhere, audiences can discover work spanning the boundaries of painting, photography, sculpture, video, mixed-media and installation.
“The artists on both the short and long lists are reminding us of the challenges we face on a global scale: the residue of colonialism; the Anthropocene geological age; war; the destruction of the climate on such a grand scale that I don’t even think we can truly grasp it; gender inequalities and ongoing discrimination which still exists,” says Cherie.
Aesthetica director Cherie Federico: Turning obstacles into stepping stones and challenges into opportunities”
“Art is a powerful agent of change. Throughout history it has influenced societies, challenged norms, questioned the status quo, raised awareness and prompted new perspectives. It reflects the cultural context in which it is created, and, by capturing the essence of our times, the artists in the Aesthetica Art Prize are contributing to society’s ongoing evolution.”
Among the 21 artists from across the world offering creativity as a form of expression in this exhibition are Sony World Photographer of the Year Edgar Martins, British-Ghanaian artist and actress Heather Agyepong and Ukrainian photographic artist Yevhen Samuchenko, recommended by CNN.
“They are tapping into poignant emotions and motivating you to act, inspiring a collective response to challenges facing us right now,” says Cherie. “They remind us that the connection between artist and viewer can drive transformation, fostering empathy and understanding.
“These creatives are making their mark by encouraging us to think differently. Everything begins with an idea, and, while the works give us the broadest possible view of the world today, they are also asking you to interrogate established belief systems and see different versions of the future.”
Cherie’s mantra for 2024 is to seek to turn obstacles into stepping stones and challenges into opportunities. “For all the negative, there is the positive too, like kinship, love and resilience of the human spirit,” she says.
“This is our time, right now, here on. We must make the most of it. We must remember to be kind to each other. Kindness is a lot like the butterfly effect – situations can be instantly altered, and life can play out differently by the choices we make.”
In a rallying call to artists and the wider world of creatives, Cherie says: “I know what it means to be passionate, determined, and resilient. It takes guts. Sometimes you are the only one who believes in what you are doing – keep believing.”
The Aesthetica Art Prize exhibition runs at York Art Gallery until April 21. Tickets: yorkartgallery.org.uk. To discover all 280 longlisted artists, visit the online gallery at artprize.aestheticamagazine.com.
Chronicles Of An Emerging Diversity, by Ukrainian-German rocket engineer, artist and diver Alexej Sachov, who merges photography and painting to highlight the beauty and fragility of the underwater world. Picture: Charlotte Graham
Sleuth and sidekick: Fergus Rattigan’s Matthew Shardlake, left, with Sam Thorpe-Spinks’s Jack Barak in Sovereign at King’s Manor. Picture: Charlotte Graham
Community show of the year: Sovereign, King’s Manor, York, July
YORK Theatre Royal’s best show of the year was not at the Theatre Royal, but across Exhibition Square in the courtard of King’s Manor, the setting for C J Sansom’s Tudor sleuth yarn, adapted typically adroitly by the golden pen of York playwright Mike Kenny.
Henry VIII was given the Yorkshire cold shoulder by a cast of 100 led by Fergus Rattigan and Sam Thorpe-Spinks, complemented by Madeleine Hudson’s choir.
Livy Potter in Iphigenia In Splott at Theatre@41, Monkgate
Solo performance of the year: Livy Potter in Black Treacle Theatre’s Iphigenia In Splott, Theatre@41, Monkgate, York, March
GREEK myth is smacked in the chops by modern reality in Gary Owen’s scabrous, “horribly relevant” one-woman drama Iphigenia In Splott, a stark, dark 75-minute play, played out on a single blue chair, with no props, under Jim Paterson’s direction.
Livy Potter kept meeting you in the eye, telling you the bruised, devastating tale of Cardiff wastrel Effie, and her downward spiral through a mess of drink, drugs and drama every night, with shards of jagged humour and shattering blows to the heart.
Crowded in: Comedian Rob Auton’s artwork for The Crowd Show
Comedy show of the year: Rob Auton in The Crowd Show, Theatre@41, Monkgate, York, February 24
COMEDIANS tend to play to a room full of strangers, hence the subject matter of Rob Auton’s The Crowd Show, with its discussions of crowds, people and connection.
Except that the crowd for this (London-based) York comedian, born in Barmby Moor and educated in Pocklington, was made up of friends, family, extended family, and loyal local enthusiasts. The home crowd, rather than the in-crowd, as it were. Auton revelled in a unique performing experience, even more surreal than usual.
Honourable mention: Stewart Lee, Basic Lee, York Theatre Royal, March 20. Serious yet seriously amusing dissection of the rotten state of the nation and comedy itself.
Christmas In Neverland at Castle Howard. Picture: Charlotte Graham
Exhibition of the year: Christmas In Neverland, Castle Howard, near York, running until January 7
IS it a Christmas event, an installation or an exhibition? All three, in that Charlotte Lloyd Webber Event Design makes an exhibit of the 300-year-old stately home at Castle Howard each winter.
This time, the theme is a Peter Pan-inspired festive experience, transforming rooms and corridors alike with floristry, installations, props, soundscapes, and projections, conjuring a Mermaid’s Lagoon, Captain Hook’s Cabin and the Jolly Roger with new innovations from Leeds company imitating the dog.
Honourable mention: Austrian artist Erwin Wurm’s absurdist sculptures in Trap Of The Truth, his first UK museum show, at Yorkshire Sculpture Park, near Wakefield, bringing a whimsical smile until April 28 2024.
Kevin Rowland leading Dexys through The Feminine Divine and old hits sublime at York Barbican
Favourite gigs of the year?
SPOILT for choice. At York Barbican: Suzanne Vega, vowing I Never Wear White in droll delight on February 22; James, bolstered by orchestra and gospel choir, hitting heavenly heights, April 28; Dexys’ two sets, one new and theatrical, the other laden with soul-powered hits, September 5; Lloyd Cole’s two sets, one ostensibly acoustic, the other electric, both eclectic, on October 22.
At The Crescent: The Go-Betweens’ Robert Forster, performing with his son; March 14; Lawrence, once of Felt and Denim, now channelling Mark E Smith and the Velvet Underground in Mozart Estate, October 7; The Howl And The Hum’s extraordinary, deeply emotional three-night farewell to the York band’s original line-up in December.
The long-dormant Pulp’s poster for their This Is What We Do For An Encore return to performing live
Outdoor experience of the year: Pulp, Scarborough Open Air Theatre, July 9
THE rain swept in on the Eighties’ electronic nostalgia of Being Boiled at the Human League’s Music Showcase Weekend at York Racecourse on July 28 too, but that was a mere watering can by comparison with the deluge that befell the Open Air Theatre half an hour before fellow Sheffield legends Pulp took to the Scarborough stage. “Has it been raining?”, teased Jarvis Cocker, but huddled beneath hastily purchased sheeting, the night was still plastic fantastic.
Cherie Federico: At the helm of all things Aesthetica in York
Driving force of the year in York: Cherie Federico, Aesthetica
2023 marked the 20th anniversary of Aesthetica, the international art magazine set up in York by New Yorker and York St John University alumna Cherie Federico. The Aesthetica Art Prize was as innovative and stimulating as ever at York Art Gallery; the 13th Aesthetica Short Film Festival, spanning five days in November, was the biggest yet. On top of that came the Future Now Symposium in March and the launch of Reignite to bolster York’s focus on being a fulcrum for the arts, media arts and gaming industry innovations of the future.
A star performance: Andy Cryer in The Comedy Of Errors (More Or Less) at Stephen Jospeh Theatre, Scarborough. Picture: Patch Dolan
Best Shakespeare of the year: The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough, April
THE SJT teamed up with Shakespeare North Playhouse, Nick Lane paired up with co-writer Elizabeth Godber, and Eighties’ pop guilty pleasures rubbed shoulders with Shakespeare’s rebooted comedy as Yorkshire clashed with Lancashire and everyone won. This Comedy Of Errors got everything right. Not more or less. Just right. Full stop.
Nuno Queimado and Rumi Sutton in Gus Gowland’s Mayflies at York Theatre Royal
New musical of the year in York: Mayflies, York Theatre Royal, May
YORK Theatre Royal resident artist Gus Gowland deserved far bigger audiences for the premiere of the intriguing Mayflies, as confirmed by no fewer than nine nominations in the BroadwayWorldUK Awards.
O, the app-hazard nature of modern love under Covid’s black cloud, as two people meet up after two years of tentative communication online. In Tania Azevedo’s flexible casting, you could pick any configuration of Rumi Sutton, Nuno Queimado or Emma Thornett for the couple of your choice. Better still, you should have seen all three; the songs, the nuances, the humour, grew with familiarity.
Leigh Symonds’ engineer Winston and Naomi Petersen’s automaton house maid ED in Alan Ayckbourn’s Constant Companions. Picture: Tony Bartholomew
Still delivering the goods in Yorkshire
ALAN Ayckbourn’s visions of AI in Constant Companions, Stephen Joseph Theatre, Scarborough; John Godber’s Northern Soul-powered Do I Love You?, on tour into 2024; Barnsley bard Ian McMillan’s Yorkshire take on The Barber Of Seville, St George’s Hall, Bradford; Robin Simpson’s dame in Jack And The Beanstalk, York Theatre Royal.
Tom Berkeley & Ross White’s The Golden West: Winner of the Best of Festival and Best Drama awards at the Aesthetica Short Film Festival 2023
TOM Berkeley & Ross White’s The Golden West has won the Best of Festival Award at the Aesthetica Short Film Festival 2023 in York.
Award winners in the 13th festival were announced in a ceremony on Sunday at the Yorkshire Museum, Museum Gardens, spotlighting outstanding storytelling across multiple genres.
Winner of the Best Drama Award too, The Golden West is set in November 1849, when two warring Irish sisters seek their fortune in the gold rush after fleeing the Great Famine. However, with winter fast approaching, their feud soon threatens to become deadly.
Other award winners were:
Best Advertising Award: RNIB/See Differently, directed by Jesse Lewis-Reece.
Best Animation Film: Letter To A Pig, directed by Tal Kantor.
Best Artists’ Film Award: The Song, directed by Bani Abidi.
Best Comedy Award: Festival Of Slap, directed by Abdou Cissé
Best Dance Award: Spicy Pink Tea, directed by Aqsa Arif.
Best Documentary Award: Nail Nai & Wai Po (Grandma & Grandpa), directed by Sean Wang.
Best Documentary Feature: After The Bridge, directed by Davide Rizzo & Marzia Toscano.
Best Experimental Film: Thieves, directed by Michelle Williams Gamaker.
Best Fashion Award: An Ode To Procrastination, directed by Aleksandra Kingo.
Best Family Friendly Award: I’m Not Afraid, directed by Marita Mayer.
Best Music Video Award: Debbie featuring Berwyn, Cousin’s Car, directed by Relta.
Best Narrative Feature: Black Moon, directed by Tonatiuh Garcia.
Best Thriller Award: Hide Your Crazy, directed by Austin Kase.
Best VR & 360 Award: From The Main Square, directed by Pedro Harres.
Best Game: Paper Trail, by Newfangled Games.
Best Cinematography Award: The Red Suitcase, directed by Cyrus Neshvad.
Best Director Award and Best Screenplay Award: Safe, directed by Debbie Howard.
Best Editing Award: Outlets, directed by Duncan Cowles.
All the films from the five-day festival can be streamed online at asff.co.uk until November 30, along with the 60 masterclasses.
