Aesthetica Short Film Festival launch night at City Screen, York. Picture: Jim Poyner, 2019
BILLED as “York’s largest cultural event of the year”, the 12th edition of the six-day Aesthetica Short Film Festival combines 300 film screenings, social events, workshops and industry-led masterclasses at 15 venues across the city from November 1 to 6.
1. Opening Night Ceremony, City Screen Picturehouse, York, November 1, 6.30pm
THIS launch event for the 12th ASFF presents a special screening of outstanding, inspiring and thought-provoking works from the 2022 Official Selection. The Opening Night Ceremony, curated by festival director Cherie Federico, introduces audiences to the breadth of the programme with a screening that captures a taste of what to expect over the course of the festival.
2. Official Selection screenings
EXPERIENCE a vast range of film screenings with the Official Selection programme. This curated set of 300 films provides something for everyone, with the genres including comedy, drama, animation, documentary, family friendly, thriller and more, alongside feature-length documentaries and narratives. See the filmmakers of the future here.
3. Virtual Reality Labs
HELD daily from November 1 to 6 at City Screen Picturehouse, the Virtual Reality Labs offer opportunities to experience immersive storytelling. Explore new worlds and discover 360-degree cinema, held alongside panel discussions on the latest technologies at York Explore library.
Virtual Reality Lab at Aesthetica Short Film Festival
Do not worry if you will be joining the festival virtually: you can purchase an Aesthetica cardboard headset to experience expanded realities at home.
4. Family Friendly screenings and workshops
THE whole family can experience the best in independent cinema at Family Friendly film screenings, including comedies, engaging dramas and fun-filled animations.
New to the festival this year, children can attend workshops with creative professionals, where they can learn to direct, edit and make their own films. These workshops, designed to harness creativity and boost confidence, will offer young people a chance to tell and share their stories.
5. The Listening Pitch film premieres and live hardware performance, November 5, 6.30pm
AESTHETICA and Audible have teamed up to run The Listening Pitch, which aims to discover original stories that demonstrate how listening lets us understand different points of view. The premiere of three winning films will be complemented by the 2021 winner, Blind As A Beat. Drinks will be provided on arrival; the premieres will be followed by a live hardware performance.
A New Beginning, by Christophe Chudy, at Aesthetica Short Film Festival 2022
6. Fringe Exhibition, StreetLife project hub, Coney Street, York, throughout the festival
HEAD to the StreetLife hub to experience the transformative power of art. A free exhibition, Unite. Create. Transform, brings together ten award-winning artists, whose work invites viewers to explore, discover and engage with the contemporary world. Look out for a new commission too.
7. Sounds You’ve Never Heard Before, Bedern Hall
AUDIBLE, Aesthetica and London College of Communication have commissioned a new work by one of the UK’s most exciting sound artists: Jin Chia Ching Ho. Using five-channel Genelec speakers, this installation presents the audio of five natural materials: metal, wood, water, fire and earth.
Jin was asked to consider how we understand sound in a world that has changed the way people listen, creating a one-hour experience that invites you to sit back, lie on the cushions provided and listen deeply.
8. Pitching Sessions
IF you are developing a new short or feature project, or looking for advice to develop your next big idea, you had to apply for a one-on-one Pitching Session by October 14 to be invited to receive invaluable feedback on your work.
Elements, by Filip Fredrik, showing at Aesthetica Short Film Festival
These sessions are an opportunity to talk to top industry professionals and develop your ideas, with representatives from BBC Film, Film Four, StudioCanal and Guardian Documentaries, among others, taking part.
9. Hey, Sunshine Party, November 2, from 8pm
THE Hey, Sunshine Party, the festival’s first party, offers a throwback to the 1970s and 1980s in the perfect opportunity to grab a free gin and tonic, experience classics by The Stranglers, Blondie, David Bowie, Kate Bush, Abba and more, make new connections and ease into the week ahead.
10. Closing Awards Ceremony, November 6
DRAWING the in-person festival to a close, the Awards Ceremony welcomes filmmakers, delegates and audiences to watch the live prize-giving unfurl. Prizes are awarded for the best film in each genre, as well as the Audience Choice, Best of Fest and Special Guest awards. Take part in the celebration, to be followed by a drinks reception.
Did you know?
AESTHETICA Short Film Festival may take place in-person from November 1 to 6, but the event does not end there. A large selection of recorded screenings, events and virtual masterclasses will be available on the ASFF digital platform until November 30.
“So join in, be part of the largest cultural event in York this year and enjoy the best of independent new cinema,” says director Cherie Federico.
To book tickets, go to: asff.co.uk
To download the 2022 programme, go to: https://issuu.com/aesthetica_magazine/docs/aesthetica_short_film_festival_2022?fr=sMDgyODUyNTQxNzU
Cherie Federico: Director of the Aesthetica Short Film Festival
AESTHETICA Short Film Festival returns for 300 films in 15 venues over six days in York in its 12th edition from November 1 to 6.
The BAFTA-Qualifying event will have a hybrid format, combining the live festival with a selection of screenings, masterclasses and events on the digital platform until November 30.
New for 2022 will be York Days, a discount scheme with the chance to save 50 per cent on prices on the Tuesday, Wednesday and Sunday programmes. “This is our local push,” says director Cherie Federico. “We believe that film is for everyone, and now you can join in York’s very own film festival.
“Each year, we transform the city into a cinematic playground, showcasing the world’s best film, providing a platform for the very new directors and short films to reach audiences. York is the place where the filmmakers of the future are discovered. As a city, we play a major role in supporting new talent.”
Comedies, dramas, thrillers, animation, family-friendly films and documentaries all feature among the 300 films – from around 4,000 entries – in a festival “where you can engage with global stories”, enjoy film premieres, workshops, the Virtual Reality Lab, installations and the festival Fringe.
“The success of our eight Film Club nights in the York Theatre Royal Studio from April to July gave me the idea to do York Days because it showed there’s an appetite for independent cinema in York,” says Cherie.
“York Days is your opportunity to attend the festival, soak up as many films as you can, and join in our award-winning masterclasses and workshops. This festival is for you and we want you to join in with your friends and family.”
Picking her recommendations for York Days, Cherie suggests seeing films aplenty from the Official Selection; attending a masterclass or workshop; experiencing Virtual Reality in the VR Lab at City Screen Picturehouse, and visiting the StreetLife project hub, in Coney Street, to view the ASFF exhibition, Unite. Create. Transform. For children, she advises attending Family Friendly screenings and signing up for children’s filmmaking workshops.
“We’re running four three-hour children’s workshops on how to direct your own film, divided into two age groups, seven to ten and 11 to 14, with places for 80 children from York to participate, free of charge, as I want to encourage young people to make films,” says Cherie.
Looking ahead to the 2022 festival overall, Cherie says: “I think this year is going to be very, very busy. For example, for our 60 masterclasses and workshops, people are travelling from across the world because they’re world-class, featuring leading representatives from the film industry’s top organisations.”
The 2022 Official Selectiion has been curated into six broader categories: Life As We Know It; The Bigger Picture; We’ll Cross That Bridge When We Come To It; How Do You Do?; Be Yourself, Everyone Else Is Taken and The Present Was Their Idea Of The Future.
“I find with these themes, it’s not about being complex but accessible,” says Cherie. “The power of films is that they’re reflective of daily lives but cinema is transformative because it can introduce you to different cultures, languages, customs, but at the same time it’s about encapsulating human experiences.
“That’s really powerful because it enables you to understand things that you have in common rather than the things that you don’t. This festival celebrates the highs, the lows, the joy, the pain, what it means right now to be on Planet Earth, which is extraordinary because it reminds us of the humanity that binds us together. We take the world’s temperature with this festival.”
Within the six overarching themes are a selection of ten fitting films that span the festival’s 12 genres, complemented by feature-length narratives, documentaries and Virtual Reality experiences.
Alongside, ASFF runs Guest Programmes from around the world, including Queer East’s spotlight on LGBTQ+ cinema from East and Southeast Asia; the Scottish Documentary Institute highlighting East African and Pakistan Stories, and this year’s country in focus, Norway. Look out too for the New Wave strand, showcasing graduate filmmakers.
The masterclasses and panel sessions with industry leaders take in such topics as sustainability and diversity, the ethics of cinema and human rights. Representatives from BBC Film, Sky, Film4, Canon and Ubisoft discuss every stage of film production, the latest film technologies, cinematography, film scoring, scripting, editing and directing.
New too for 2022 is the ASFF Fringe, whose highlights include the aforementioned Unite. Create. Transform group exhibition by ten award-winning contemporary artists, not least Aesthetica Art Prize finalists, at StreetLife, and the ASFF’s £5,000 commission of an immersive sound installation by Jin Chia Ching Ho, Sounds We Have Never Heard Before, presented in partnership with Audible, to be enjoyed on giant pillows at Bedern Hall.
For the Fringe, York Dungeon will be providing walking tours of the city (as well as running one of the festival workshops on make-up for the screen). “A walking tour at a film festival might seem a bit off-piste, but why not!” says Cherie.
To book festival tickets, whether for In-Person, Virtual or Hybrid packages, go to: asff.co.uk/tickets. Tickets for York Days can be booked at asff.co.uk/yorkdays or in person from November 1 at City Screen.
Jean Toussaint: Performing with his jazz quintet at the NCEM tomorrow
THE National Centre for Early Music’s autumn season of jazz, folk, global and early music and films opens today with the return of Making Tracks at St Margaret’s Church, Walmgate, York.
First set up by a network of British venues in 2010 and re-launched in 2019, the project selects young world music professionals, bringing them together for a two-week residency and national tour designed to reach across social, cultural and geographical divides and to foster a deeper appreciation of musical and cultural diversity.
Eight musicians will be performing as soloists and collaboratively. In the line-up will be oud player Alaa Zouiten, from Morocco/Germany; Swedish fiddler Anna Ekborg; Scottish lever harpist and composer Lucie Hendry, based in Denmark, and Scottish Highlands smallpipes, whistle, pedals and fiddle player, composer, instrument maker, educator and musical director Malin Lewis.
So too will Cherif Soumano, the rising star of the kora from Mali, now living in Paris; Leeds folk singer, folklore songwriter, guitarist and shruti box player Iona Lane; Iranian-born tar, setar and daf player and vocalist Shabab Azinmehr, from Belgium, and Ranjana Ghatak, a London singer, composer and tanpura player embedded in the classical and devotional Hindustani vocal tradition, who is also part of the Yorkston/Thorne/Ghatak trio with James Yorkston and Jon Thorne.
As part of their residency, the Making Tracks musicians also will be hosting a free music workshop for young people.
Saxophonist Jean Toussaint, who came to prominence in Art Blakey’s Jazz Messengers in 1982 and moved to London in 1987, will be showcasing his latest album tomorrow.
Songs For Sisters Brothers And Others reflects on the turbulent Covid-19 years. “The pandemic caused me to focus on the fragility of life and the fact we’re here one moment and gone the next,” he says of penning songs as a “tribute to my wonderful siblings while they were still around to enjoy it”.
Zoe Rahman: Giving a foretaste of her 2023 album on November 9
Joining him in his quintet in York will be Freddie Gavita, trumpet, Jonathan Gee, piano, Conor Murray, bass, and Shane Forbes, drums.
THE NCEM is offering a reduced ticket price for those who book simultaneously for Toussaint’s gig and the Zoe Rahman Trio’s NCEM debut on November 9, when the exuberant British/Bengali pianist and composer steeped in jazz and classical music will be introducing compositions from her forthcoming album, set for release next year.
Rahman has worked with George Mraz, Courtney Pine and Jerry Dammers’ Spatial AKA Orchestra music and won the Ivor Novello Impact Award at the 2021 Ivors Composer Awards, a MOBO award and British Jazz Award and has been nominated for the Mercury Prize. In York, she will be performing with Gene Calderazzo on drums and Andrea Di Biase on bass and will be working with York Music Forum too.
Fresh from the BBC Proms, Welsh harpist Catriona Finch teams up once more with Senegalese kora specialist Seckou Keita on Saturday in their multi-award-winning duo to mark May’s release of their third album, Echo, on Rough Trade.
Combining classical and folk, traditional and contemporary, Finch and Keita’s tender musical alliance explores different cultures and shared humanity “as their fingers flow like opposing tributaries into a single river of sound”.
The folk programme takes in co-promotions with the Black Swan Folk Club for Irish singer and bouzouki player Daoirí (pronounced ‘Derry’) Farrell, performing songs from album True Born Irishman and A Lifetime Of Happiness, on October 12 and performers and authors John Watterson (aka Fake Thackray) and Paul Thompson presenting Beware Of The Bull, The Enigmatic Genius Of Jake Thackray on October 28 at 8pm.
They will be combining humorous Thackray songs with stories of the late Jake in the wake of publishing their biography charting the life of the Leeds topical comedy songwriter, poet and journalist.
Catrin Finch and Seckou Keita: Welsh harp and Senegalese kora
THE NCEM’s own folk promotions will be led off by Scottish multi-instrumentalist, composer and producer John McCusker & Friends on November 2, after the former Battlefield Band fledgling marked his 30th anniversary as a professional musician by releasing his Best Of compilation from solo records and television and film soundtracks in 2021.
Lady Maisery, the innovative award-winning English vocal harmony trio of Hazel Askew, Hannah James and Rowan Rheingans, play on November 16.
All composers and multi-instrumentalists in their own right, they perform intelligent and thoughtful folk arrangements of both trad repertoire and original compositions, whether unearthing a feminist twist hidden in a traditional tale, delivering a poignant anti-war ballad or drawing on myriad influences in their own songs.
On December 2, The Furrow Collective – Lucy Farrell viola, saw, voice, Rachel Newton, harp, fiddle, voice, Emily Portman, banjo, concertina, voice, and Alasdair Roberts guitars, voice – present Winter Nights, a spine-tingling evening of harmony and storytelling, bringing light into the wintry gloom.
On December 17, Green Matthews evoke the spirit of Christmas past in Gaudete, spanning 600 years of music that brings the festive season to life in a riot of sound and colour. In the line-up are Chris Green and Sophie Matthews, cittern, English border bagpipes, shawm, guitar, flute and piano accordion; Chris Matthews and Emily Baines, woodwinds, and Richard Baines, violin.
Bookers for any two of Lady Maisery, The Furrow Collective and Green Matthews will receive a £5 discount; book all three for an £8 saving.
The NCEM’s Family Friendly show “for a while” presents Mish Mash Productions in a return to York with Strange Creatures, a musical adventure for children aged four to seven and families alike, on Sunday, October 16 at 1.30pm and 3pm.
Lady Maisery: English vocal harmonies on November 16
Violin, viola and cello combine to create a magical world inspired by the book Beegu, written and illustrated by Alexis Deacon and performed by arrangement with Penguin Random House.
On the film front, Victor Sjöström’s 1921 Swedish silent movie The Phantom Carriage will be shown with live musical accompaniment on October 26 as part of York Ghost Week 2022.
In this 100-minute Dickensian ghost story and deeply moving drama that inspired a 12-year-old Ingmar Bergman to make films, the last person to die before the clock strikes midnight on New Year’s Eve is doomed to ride Death’s carriage, collecting souls for the year ahead.
This eerie and innovative Swedish classic also was a showcase for ground-breaking special effects as well as haunting visuals, now to be complemented by the spontaneous performance of Frame Ensemble, a quartet of northern musicians – Irine Røsnes, violin, Liz Hanks, cello, Trevor Bartlett, percussion, and Jonny Best, piano, specialising in improvised silent film.
The Aesthetica Short Film Festival will be returning to the NCEM during its November 1 to 6 run, showcasing 300 films in a celebration of independent cinema that connects audiences through powerful storytelling.
The international festival spans comedies to dramas, immersive virtual realities to family-friendly animations, alongside masterclasses.
The NCEM may be the National Centre for Early Music but its brief under director Delma Tomlin is far broader. Three examples are Singlr An Appera on October 23 at 8pm, klezmer and Balkan band She’Koyokh on October 30 at 6.30pm and Manasamitra’s Slumber Stories and Dusk Notes on November 11 at 5pm and 7.30pm respectively.
She’Koyokh: Klezmer and Balkan band from London
Organised by Lydia Cottrell of SLAP, Loré Lixenberg’s Singlr An Appera is a dreamlike musical evening in the Singlr salon where ambient electronic tracks and live musicians accompany the vocalised conversations of the Singlr app participants.
London’s international seven-piece klezmer and Balkan band She’Koyokh will be presenting Klezmer With Nightingales, a night of energetic klezmer combined with ancient Sephardic songs, reflecting the diversity of Jewish heritages, the history of migration and the musical integration that has taken place across Europe and beyond over hundreds of years.
In the band are Çiğdem Aslan, vocals, Susi Evans, clarinet, Meg Hamilton, violin, Matt Bacon, guitars, Živorad Nikolić, accordion, Paul Moylan, double bass, and Christina Borgenstierna, percussion.
In Leeds-based Manasamitra’s Slumber Stories, stories from around the world swirl together with semi-improvised music to create the background to a restful, rejuvenating and meditative rest-time story ritual for adults and children alike.
For Dusk Notes, vocalist Supriya Nagarajan and musician and soundscape artist Duncan Chapman unite with designer Pritpal Ajimal in a spiritual work that speaks to the Hindu gods, particularly Krishna, the god of compassion, tenderness and love.
Combining songs whose melodies date back to the 2nd and 3rd century, Dusk Notes has ragas to suit the mood of a mellow winter evening at the time of twilight just before the sun goes down.
Early music enthusiasts should look out for the young Spanish instrumental group El Gran Teatro del Mundo, who head to the NCEM on November 20 at 6.30pm after a week-long debut British tour. These rising stars of the EEEmerging programme promise a sparkling concert of 17th and 18th century works by Vivaldi, Telemann and Fasch.
Leveret: Springing into spontaneous action next March
Organised by the NCEM, the 2022 York Early Music Festival’s run from December 8 to 17 features such guest artists as Solomon’s Knot, the Orlando Consort and Bojan Cicic. Full details can be found at ncem.co.uk/yemcf.
Still on the Christmas theme, The York Waits – Tim Bayley, Lizzie Gutteridge, Anna Marshall, Susan Marshall, William Marshall and singer Deborah Catterall – focus on The Mirth & Melody Of Angels, Music for Christmas and The Festive Season from Medieval and Renaissance Europe, as they celebrate the 45th anniversary of their re-creation of York’s historic city band, on December 20.
Booked into the diary for 2023 already are two folk nights: The Rheingans Sisters on March 3 and Leveret on March 15. Book for both concerts by October 31 to save £5.
The Rheingans Sisters make playful, powerful music that is contemporary yet deeply anchored in folk traditions, performed on myriad instruments, many made by their luthier father. Nominated for Best Duo/Group at the 2019 BBC Radio 2 Folk Awards, in 2020 they released their fourth album, Receiver.
Leveret brings together three of England’s finest folk musicians, fiddle player Sam Sweeney, button accordionist Andy Cutting and concertina player Rob Harbron, whose natural, relaxed musicianship is not arranged in the conventional sense. Instead, they rely on mutual trust and spontaneous musical interaction to create new settings of their repertoire in the moment, with no two performances ever alike.
The NCEM is supported by City of York Council, Make it York, Arts Council England, Creative Europe and Mayfield Valley Arts Trust.
All concerts start at 7.30pm unless stated otherwise. Tickets can be booked on 01904 658338 or at ncem.co.uk.
Spanish ensemble El Gran Teatro del Mundo to play York as finale to first UK tour promoted by NCEM in November
El Gran Teatro del Mundo: First UK tour concludes at NCEM in York
SPANISH baroque ensemble El Gran Teatro del Mundo will embark on their debut British tour in November, organised by the National Centre for Early Music, York, in its first venture as promoters.
The tour is supported by the Creative Europe EEEmerging+ programme [whose bridge-building work concludes next summer alas] and the Ministry of Culture of Spain through INAEM, the National Institute for Performing Arts and Music.
Winners of the Diapason d’Or for their first album, Die Lullisten, the six-piece ensemble previously won theCambridge Early Music Prize at the 2019 York Early Music International Young Artists Competition.
The ensemble comprises Claudio Rado, violín, Michael Form, recorders, Miriam Jorde, oboe, Bruno Hurtado, cello, Jonas Nordberg, archlute, and directorJulio Caballero, harpsichord.
Rising stars of the EEEmerging+ programme, El Gran Teatro del Mundo have performed at prestigious venues and festivals all over Europe, such as: Festival Oude Muziek Utrecht; Festtage Alter Musik Basel; Musikinstrumentenmuseum Berlin; Musica Antica Urbino; Festival d’Ambronay; Centro Botìn Santander; the Riga Early Music Festival and the Festival Baroque de Tarantaise in France.
Specialising in music from the 17th and 18th centuries played on oboe, recorders, cello, theorbo and harpsichord, the ensemble will celebrate the genius of Vivaldi, Telemann and Fasch in a tour programme of work entitled The Art Of Conversation.
“We are delighted to be initiating this exciting UK tour,” says NCEM director Delma Tomlin
El Gran Teatro del Mundo will appear at St John Smith’s Square, London, November 14; Turner Sims Concert Hall, University of Southampton, November 15; Cambridge Early Music, November 16; Lakeside Arts, Nottingham, November 17, and St George’s, Bristol, November 18. The grand finale, at the NCEM on November 20, will be filmed.
El Gran Teatro del Mundo say: “The 2019 York Early Music competition was a wonderful experience for us and we were really looking forward to coming back to the UK. After a very long wait, we can finally share with the British public the wide range of emotions and feelings that our energetic programme conveys.
“We are especially grateful to the NCEM for their support and dedication in making this tour possible. We are working to make it a great artistic and human experience for everyone.”
NCEM director Delma Tomlin says: “We are delighted to be initiating this exciting UK tour and to work with promoters from across the country as we welcome this impressive young instrumental group.
“We first welcomed El Gran Teatro del Mundo to York in 2019 when they took part in the York Early Music International Young Artists Competition. We were impressed with their talent and artistry, and they have continued to go from strength to strength, recently winning the coveted Diapason d’Or.
“This is the first chance to invite them post-Covid restrictions, and we can’t wait for them to return to the NCEM this autumn.”
Tickets for the 6.30pm York concert are on sale on 01904 658338 or at ncem.co.uk.
Alfie Barker’s Hanging On: Best Of Festival Award winner at November’s Aesthetica Short Film Festival
ALFIE Barker’s docu-drama Hanging On has won the Best of Festival Award at the 2021 Aesthetica Short Film Festival in York.
Barker’s film, spotlighting the strength of community in a neighbourhood that unites when forced to the edge of extinction, also received the Best Documentary Award at November 7’s awards ceremony at the Yorkshire Museum.
Maria Martinez Bayona won a hattrick of awards for Such Small Hands – Best Thriller, Best Director and Best Cinematography – with its account of an unchecked pack mentality alienating a new arrival at a girls’ orphanage, whereupon she invents a manipulative game to swing the balance of power.
Best Advertising Award winner: Fiona Jane Burgess’s The North Face X Gucci
The Best Advertising Award went to the director’s cut of Fiona Jane Burgess’s The North Face X Gucci, Presented By Highsnobiety, in which a new generation of birdwatching enthusiasts are breaking the stereotypes of what outdoor recreation looks like and who it is for.
Frédéric Schuld’s The Chimney Swift won the Best Animation Award with its 19th century European tale of a child climbing up a chimney while a bird sails down into it to build a nest in an encounter with no way back.
The Best Artists’ Film Award went to Aleksander Johan Andreassen for Centarium, a film he staged and filmed in shopping centres during mostly normal opening hours as a chain of events is sparked by a mannequin coming to life. Andreassen’s camera follows two characters’ movements.
Best Comedy Award winner: David Dearlove’s Taj Mahal Presents…A Short Film
David Dearlove’s Taj Mahal Presents…A Short Film, a “short film for people who don’t like short films”, was very much liked by the judging panel, who gave it the Best Comedy Award. BAFTA-nominated actor and director Phil Davis stars in this humorous swipe at a genre that “often seems longer than it is short.”
Clap hands for Joshua Ben-Tovim and Roseanna Anderson’s Blast, winner of the Best Dance Award for a film that takes its cue from the growth of radical ideologies and modern art in London, 1914. From here on, they consider the ways in which we “progress” as a species.
The Best Documentary Feature, Daniel Edelstyn and Hilary Powell’s Bank Job, focuses on an unlikely team, seemingly insurmountable odds, even explosions, as they take steps towards a future wherein money works for us all. This mischievous film follows a community making its own currency.
Best Documentary Feature winner: Daniel Edelstyn and Hilary Powell’s Bank Job
The Best Drama Award winner, Romain Dumont’s See You Garbage!, is a dramatic comedy about garbage collectors Élie, Nino and Belz being surprised to be invited for Christmas at the house of the Prime Minister and the First Lady.
The Best Experimental Award, Michelle Williams Gamaker’s The Bang Straws, considers the violent mechanisms of 20th century studio films, taking Anna May Wong as its starting point to revisit the casting discrimination that she experienced.
The Best Fashion Award winner, Elisha Smith-Leverock’s Rejoice Resist “celebrates and shows Black pleasure as the ultimate form of resistance”, highlighting the importance of allowing yourself to feel joy in the face of adversity.
The Best Fashion Award winner: Elisha Smith-Leverock’s Rejoice Resist
Leah Vlemmiks’s Best Music Video Award winner, Tesfay, uses dance, narrative and documentary to tell the story of Witch Prophet’s late grandfather, Tesfay, who raised five daughters as a single father in Ethiopia.
Ta Pu Chen’s The Cleaner shone out at the awards ceremony with prizes for Best Narrative Feature and Best Screenplay. In the film, death-scene cleaner Yan-Ting and ex-convict Ah-Chun team up with En-Ya, who was born with a silver spoon attached, to not only scrub places but also clear uneasiness and grudges.
In the Best VR & 360 Award winner, Joséphine Derobe’s Meet Mortaza, 24-year-old Mortaza had to flee Afghanistan because he was sentenced to death by the religious authorities. Forced into exile, Mortaza will strive to reach Europe to ask for asylum.
Best Animation Award winner: Frédéric Schuld’s The Chimney Swift
The Best Editing Award was awarded to Wang Yuyan’s One Thousand And One Attempts To Be An Ocean, a film with the advice: “If you don’t want to drown, be an ocean” as it reflects on the experience of being unable to see the world with depth perception.
The ASFF’s Hybrid and Virtual pass-holders have a deadline of November 30 to vote for their favourite film online, via the festival’s virtual platform, for The People’s Choice Award. “Just look out for the ‘Vote Now’ button when streaming great independent cinema this month,” comes the advice.
All the prize-winning films can be watched on ASFF’s Stream On Demand online service until November 30. For more details on how to watch, go to: asff.co.uk/tickets.
Aesthetica Short Film Festival director Cherie Federico
NEXT year will mark the 20th anniversary of Cherie Federico moving from New York to York.
By then, the founder of Aesthetica Magazine, the Aesthetica Short Film Festival and Aesthetica Arts Prize will have lived longer in her adopted home city than her native United States.
In 2002, she came to York to study at York St John University and…stayed, seeing possibilities within these historic city walls for artistic innovation.
This is her busiest week of the year, hosting the Aesthetica Short Film Festival, now in its 11th year and bigger than ever, running from Tuesday to Sunday – and online until November 30 – with a remarkable 500 films; themed strands and guest programmes; masterclasses; an industry marketplace; VR (virtual reality) lab; interactive media lab; a celebration of the New Wave of filmmakers; mentoring sessions; networking opportunities and a Sunday awards ceremony.
“It’s become a very significant British film festival, and our ticket sales are healthier than ever,” says Cherie, as the festival restores live screenings in 2021 after last year’s entirely digital event for home viewing only. This year, you can watch in person or online or a hybrid combination of the two each day.
“People are buying hybrid passes to be able to soak up everything in the city – films, masterclasses, panels and discussions – over the six days and also to have full access to the virtual platform to catch up on films and masterclasses until the end of the month.
“There are more films showing than ever before because we’re offering the chance to experience them in different ways; some programmes are online only, some are in-person only, so there are some distinctive programmes, but there’s also cross-pollination between the two formats.
“The thing that has changed this year is that we’ve organised the films into six strands, which came about in response to the pandemic.”
ASFF’s films span documentary; advertising; narrative; animation; artists’ film; comedy; dance; drama; experimental; family friendly; fashion; music video and thriller. “The programme is still organised thematically by genre, but these films now move into different strands too,” says Cherie.
“I was thinking, ‘what are the key things that unite the films in this year’s programme?’, and I came up with How It Was, How It Is, How It Will Be, thinking about the past, present and future, focusing on extraordinary stories in the everyday.
“Strand Two, Humanity On The Edge, addresses ‘Crisis’, whether looking at the effect of climate change or the pandemic; Black Lives Matter; LGBTQ+ issues; human rights; women’s safety. There is no more ‘normal’. It’s an idea that’s become redundant. Crisis has become a defining characteristic of life in the 21st century.”
Cherie continues: “Strand 3, When Life Gives You Lemons, Make Lemonade, is about hope, optimism, positivity. The glass is half full, as we take a lighter look at life to remind us of all the joy and beauty around us, as we take a moment to admire the power and resilience of the everyday person.
“Strand 4, Pleased To Meet You, explores Connections, how relationships are formed, and considers how the digital age has altered the way we build, maintain and cut ties, maybe irrevocably.
“Strand 5, Mirror, Mirror, looks at identity, how we decide who we are or, perhaps, who we want to be; how you see yourself, whether you’re holding a mirror up to society or to yourself, and how the way you see yourself is often very different to the way other people see you.”
The sixth strand, Nobody’s Free Until Everybody’s Free, addresses how segregation, racism, marginalisation and discrimination are systemic issues deep-rooted within society. “They are part of many people’s daily experiences,” says Cherie. “We must recognise that in the fight to establish true equality.”
In further festival highlights, New Wave introduces the next generation of filmmakers, with ASFF being the only British festival to offer a strand dedicated to graduate filmmakers, under such titles as The Art Of Limitation: Creativity Under Constraints (Saturday, City Screen, 3.30pm to 5.30pm).
The Guest Programmes have been curated by Rachel Pronger, originally from Bradford and now living and working in Berlin after deciding “it’s now or never to move”. 9/11, Twenty Years On is the subject of three programmes at Bootham School: Memories, Monuments (earlier today); In Search Of (Saturday, 3.30pm) and The Fallout (Sunday, 2pm).
“Part One looks at how did we get to the point where people steered planes into the Twin Towers; Part Two covers the day itself; Part Three considers how that moment led to a rise in populism and nationalism, and how you end up with Trump in the White House,” says Cherie. “That moment, 9/11, galvanised some very dangerous attitudes harking back to 1939.”
Look out for a sound installation at Spark: York, a new location for the 2021 festival, where the sound of a rainforest is accompanied by a CO2 monitor. “The more people that fill the room, the quieter the room becomes,” says Cherie.
For the first time since the first lockdown in March 2020, The Basement at City Screen, York, is open, playing host to the VR Lab for ten 360-degree films and six immersive experiences each day from 11am to 8pm.
The week’s masterclasses are welcoming the likes of filmmaker Peter Strickland (Katalin Vargo, Duke Of Burgundy); rising director Prano Bailey-Bond (Best Experimental Film winner for Man vs Sand at 2013 ASFF; debut feature film Censor); Hyena writer-director Gerard Johnson; actor Maxine Peake, discussing “acting as authorship”, and The Father producer David Parfitt.
So too are: stop-motion director Anthony Farquhar-Smith (Fantastic Mr Fox, Corpse Bride); rising star Gamba Cole (from Stephen Merchant’s BBC series The Outlaws ); Industrial Light & Magic’s VFX supervisor Julian Foddy and feminist filmmaker Sally Potter (Orlando, The Road Not Taken).
Still to come are: Senna, Amy and Diego Maradona documentary filmmaker Asif Kapadia (Yorkshire Museum, Saturday, 3pm); God’s Own Country and Ammonite writer-director Francis Lee, the Yorkshireman who “doesn’t often do” such Close Up encounters (Yorkshire Museum, Saturday, 6pm) and Alice Seabright, who has written and directed episodes of Netflix hit Sex Education (Yorkshire Museum, Saturday, 6.30pm).
A Sunday streaming at 1pm brings together actor and Primetime founder Victoria Emslie and Lizzy Talbot, intimacy coordinator for Bridgerton, who will discuss the tasks and techniques involved when working with an intimacy coordinator, one of the stage and screen’s increasingly important new roles.
“It’s quite remarkable how many big names we have taking part in the festival,” says Cherie. “It’s a huge, huge festival and it’s really important for people in York to realise the scope and the breadth of a festival that takes place in their city.
“It’s major cultural programming, and I’m proud of the dynamic we bring to the city’s cultural agenda. It’s extraordinary to be able to do this and we’re proud that we brought £2 million to the York economy in 2019, the last time we had a live festival.
“This festival is a unique experience that you can’t get anywhere else, and that’s what makes it so special: the combination of films, the masterclasses and the venues around the city; the union of the historic and the contemporary.”
Please note, ASFF is applying a stringent Covid-safety policy. “For admission, if you have had two jabs, you must show your NHS Covid pass; if not, you must have proof of a negative Lateral Flow Test that day. There are no exemptions,” says Cherie. “We’re determined to mitigate the risk of Covid-19 at the festival.”
For full details on the 2021 Aesthetica Short Film Festival programme, go to: asff.co.uk.
Cherie Federico: Aesthetica Short Film Festival director
THE 11th Aesthetica Short Film Festival is running in York this week and online until November 30. No better time for Two Big Egos In A Small Car podcasters Chalmers & Hutch to invite director Cherie Federico for a chat about York’s fiesta of film.
Under discussion too in Episode 63 are: Adele’s algorithms; The Young’uns’ gig theatre in The Ballad Of Johnny Longstaff at York Theatre Royal, and are Public Service Broadcasting’s powers of Bright Magic fading?
David Blank feat. Pinksand: Foreplay, music video, directed by Delia Simmonetti, showing at the 2021 Aesthetica Short Film Festival
THE 2021 Aesthetica Short Film Festival opens in York tomorrow with the invitation to “discover new cinema”.
In its 11th year, the BAFTA-recognised festival takes the form of a hybrid event after being entirely online in Covid-impeded 2020, now combining a live festival in York this week with a longer-running virtual event online.
Cinema screenings and live events, such as masterclasses, are taking place from tomorrow until Sunday, spread across multiple venues, while the digital platform offers live-streamed events from York, a range of virtual masterclasses and On Demand film programmes, available until November 30.
Under the hybrid umbrella, the festival can be attended in three ways: in person, virtually or through a mixture of both, with tickets on sale at asff.co.uk/tickets/.
Aesthetica Short Film Festival director Cherie Federico
Here are director Cherie Federico’s Ten To See recommendations for the 2021 Aesthetica Short Film Festival:
1. Daily film programmes: Official Selection ASFF has six thematic film strands this year, released online and screening in cinemas. Each strand features multiple genres of film, including comedy, drama, documentary, animation and thriller. Short films, feature films and VR (virtual reality) films are available to watch On Demand and in cinemas. For more details, go to: and copy: asff.co.uk/film-programme/.
2. VR Lab and associated panel discussions: ATTENDEES can experience virtual reality and 360 films at the VR Lab in York or at home with a headset. Festival panels with industry experts offer the chance to learn more about cutting-edge technologies in filmmaking. Go to: asff.co.uk/vr-lab/.
3. Masterclasses
EVERY year, ASFF welcomes industry leaders from assorted disciplines to discuss their craft, offering the opportunity to gain first-hand insights in direction, animation, VFX (visual effects), documentary production and cinematography. This year’s line-up includes speakers from the BBC, Film4, Channel 4 and the Guardian.
From Adaption To Oscar Nomination: Sally Potter OBE, November 5, Yorkshire Museum and live-streamed LEGENDARY English director Sally Potter’s ground-breaking films have earned her a rightful place in cinema history. Trained as a dancer, Potter moved into film in the 1970s, forging a reputation as a fiercely feminist filmmaker with The Golddiggers, Orlando and The Party.
Filmmaker Sally Potter
Her latest non-linear drama, 2020’s The Road Not Taken, demonstrates how she remains a filmmaker of rare vision and imagination. Potter’s discussion with host Mia Bays, of Birds’ Eye View, will span five decades. For more details, visit: asff.co.uk/all-masterclasses/.
4. Masterclass: Industrial Light & Magic: Fantastic Universes, November 5, Yorkshire Museum and live-streamed
AS the visual effects and animation studio for Lucasfilm, Industrial Light & Magic has been responsible for building some of the most memorable and magical worlds in modern cinema. VFX supervisor Julian Foddy, who has worked on blockbusters such as Fast & Furious 9, The Mandalorian and the forthcoming Doctor Strange In The Multiverse Of Madness, presents a masterclass that will illuminate this fascinating area of post-production.
For more details on Foddy’s compelling insight into the hard work and innovation that it takes to build captivating and convincing universes, head to: asff.co.uk/all-masterclasses/.
5. Masterclass: Striking Portraits: Documentaries That Change The World, Asif Kapadia, November 6, Yorkshire Museum and live-streamed
ACADEMY Award, four-time BAFTA-winning and Grierson Award-garlanded filmmaker Asif Kapadia has worked across both fiction and documentary, with credits such as The Warrior (starring the late, great Irrfan Khan), Senna, Amy and 2019’s Diego Maradona.
In this illustrated masterclass with Jason Wood, Kapadia discusses his extensive career, his influences, his hopes for a more diverse industry and his pioneering work in creating influential portraits of often flawed and troubled icons. More details can be found at: asff.co.uk/all-masterclasses/.
6. Guest Programme: Imperial War Museum
IMPERIAL War Museum presents a programme of archive footage under the title of How The Past Is Presented: Geopolitics in Iraq and the Gulf. More details: asff.co.uk/film-programme/#GuestProgrammes.
Vocalist and sound artist Yifeat Ziv: Sound installation at Aesthetica Short Film Festival
7. Guest Programme: 9/11, Twenty Years On AESTHETICA marks 20 years since the attack on the Twin Towers, New York, with a three-part programme of films examining its impact and aftermath. More details: asff.co.uk/film-programme/#GuestProgrammes.
8. Family Friendly Screenings
AESTHETICSA believes film is for everyone. These family-friendly programmes are designed for four to 12-year-olds, although they touch on emotions and offer layers of meaning for adults and carers alike, featuring animations, comedies and age-appropriate dramas. More details: asff.co.uk/film-programme/#FamilyFriendly
9. Sound Installation, November 5 and 6, Spark:York
UNIQUE to ASFF, the Industry Marketplace is a vital meeting space for established and aspiring filmmakers, industry professionals, academics, students and film-lovers. The 2021 event welcomes representatives from film festivals, universities and casting companies as well as strategists, consultants and mentors, in person on November 5 and online until November 30. More details: asff.co.uk/industry-marketplace/.
Aesthetica Short Film Festival: York’s trendiest fest returns
YORK’S annual short film festival keeps growing longer as Charles Hutchinson surveys a week ahead of multiple choices.
Festival of the week and beyond: Aesthetica Short Film Festival, York, from Tuesday
THE 11th edition of the Aesthetica Short Film Festival runs in York from November 2 to 7 and online from November 2 to 30 in a new hybrid format that combines in-person events and the virtual platform.
ASFF 2021 offers six carefully curated film programmes, such as animation, drama, family friendly and dance, along with industry sessions and marketplace, masterclasses, guest screenings, the VR Lab, social events and an awards ceremony in this showcase for a new wave of cinematic talent. Full details can be found at asff.co.uk.
They Cud be so good for you: Leeds band pop over to York tonight
Heritage gig of the week: Mr H presents Cud, plus Percy, The Crescent, York, tonight, 7.30pm
HERE’S the history bit: Leeds art students form band in 1985, create cult indie-pop and funk sensation, tour with the Pixies and record sessions with John Peel.
Emerging from the same art/design cauldron that produced fellow Leeds legends Soft Cell, Scritti Politti and The Mekons, Cud were the pre-Britpop answer to sad-eyed shoegaze, reckons promoter Tim Hornsby. Here come Carl Puttnam and co with the still infectious indie rock of Rich And Strange and Purple Love Balloon. Box office: thecrescentyork.com.
David Baddiel: Taking on the trolls
Comedy gig of the week: David Baddiel, Trolls: Not The Dolls, Grand Opera House, York, Monday, 7.30pm
IN his follow-up to My Family: Not The Sitcom and Euro 2020 return to number one with Three Lions, comedian David Baddiel turns his quizzical gaze to trolls: “the terrible people who spend all day insulting and abusing strangers for no other reason than to fill the huge gaps in their souls”.
Baddiel tells stories of the dark, dreadful and absurd cyber-paths that interacting with trolls has led him down. Box office: 0844 871 7615 or at atgtickets.com/York.
Shobna Gulati’s Ray and Layton Williams’s Jamie New in Everybody’s Talking About Jamie at Leeds Grand Theatre
Musical of the week: Everybody’s Talking About Jamie, Leeds Grand Theatre, Tuesday to Saturday.
EVERYBODY’S talking about Everybody’s Talking About Jamie, but stop talking and start rushing to the box office as tickets are hotter than a climate-changed world amid COP26 fever.
Jamie New, 16, lives on a Sheffield council estate, where he doesn’t fit it in and is terrified of the future, but he will be a sensation in this award-winning musical, “specially updated for the times we live in”.
Layton Williams reprises his West End role, starring alongside Shane Richie and Shobna Gulati. Box office: 0844 848 2700 or at leedsheritagetheatres.com.
Heather Watts’s Queen of the Night and Alexandra Mather’s Pamina in York Opera’s The Magic Flute. Picture: John Saunders
Nights at the opera: York Opera in The Magic Flute, York Theatre Royal, Tuesday, Wednesday, Friday, 7.15pm; Saturday (6/11/2021), 4pm
YORK Opera returns to York Theatre Royal after a pandemic-enforced two-year gap with Mozart’s The Magic Flute, sung in English to orchestral accompaniment.
The story follows Prince Tamino (Hamish Brown) on his quest to rescue Pamina (Alexandra Mather) from the grasp of her mother, the evil Queen of the Night (Heather Watts), and return with her to the world of light presided over by Sarastro (Mark Simmonds), the High Priest of Isis and Osiris.
David Valsamidis makes his York Opera debut as Papageno, the Queen of the Night’s bird catcher; John Soper is the stage director; Derek Chivers, the musical director. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Feat of Peake: Tim Peake discusses the life of a British astronaut at York Barbican
In space, no-one can hear you scream, but at York Barbican they can hear you talk: Tim Peake, My Journey To Space, Tuesday, 7.30pm
IN December 2015, Tim Peake became the first British astronaut to visit the International Space Station to conduct a spacewalk while orbiting Earth.
Back on terra firma, he is on his first British tour, sharing his passion for aviation, exploration and adventure as he brings unprecedented access, photographs and fresh footage to his guide to life in space, from European Space Agency astronaut training to launch, spacewalk to re-entry.
Peake will be revealing the secrets, the science and the everyday wonders of how and why humans journey into space. Box office: yorkbarbican.co.uk.
The Battersea Poltergeist: From podcast to night terrors at the Grand Opera House, York
Fright night of the week: The Battersea Poltergeist – Live, Grand Opera House, York, Tuesday, 7.30pm
FROM a BBC Radio 4 series, The Battersea Poltergeist became a multi-million, genre-busting download phenomenon, mixing documentary and drama to tell the terrifying true story of the 1956 haunting of the Hitchings family at 63 Wycliffe Road, London, at the hands of a poltergeist they nicknamed Donald.
Now, The Battersea Poltergeist goes live as writer, playwright and journalist Danny Robins, the show’s creator, and his podcast guest experts delve deeper into this paranormal cold case, bringing the investigation to life on stage, sharing exclusive footage of Shirley Hitchings and other witnesses and revealing chilling new evidence. Box office: 0844 871 7615 or at atgtickets.com/York.
Off into the sunset: Clannad bid farewell on rearranged 2021 tour
Long goodbye of the week: Clannad: In A Lifetime, The Farewell Tour, York Barbican, Wednesday, 8pm
CLANNAD were booked to play York Barbican on March 10, but you-know-what intervened, delaying Moya Brennan and co’s Farewell Tour to the autumn.
The tour takes its name from the career-spanning March 2020 anthology In A Lifetime, drawn from 16 studio albums since 1970 that fuse elements of traditional Irish music with more contemporary folk, new age and rock. Box office: yorkbarbican.co.uk.
Duncan Honeybourne: Lockdown piano soundbites at Late Music concert
York Late Music at the double:Duncan Honeybourne, 1pm to 2pm; Elysian Singers, 7.30pm to 9.30pm, St Saviourgate Unitarian Chapel, York, November 6
IN the afternoon, Duncan Honeybourne presents pieces from his collection Contemporary Piano Soundbites: Composers In Lockdown 2020, after commissioning more than 30 piano miniatures from distinguished senior figures and emerging composers alike. Works by John Casken, John McLeod, David Power, David Lancaster, Sadie Harrison and Adam Gorb feature.
For the evening concert, Elysian Singers director Sam Laughton has devised a programme of choral music where a contemporary work is paired with an earlier piece based on words from the same poet or source, such as Cheryl Frances-Hoad and Rachmaninov’s settings of All-Night Vigil. Box office: latemusic.org.
Too late! Beth Hart’s York Barbican gig on Sunday has sold out
Recommended but sold out already
FEMALE Gothic, tonight and tomorrow, and Nightwalkers storytellers Jan Blake and TUUP, Saturday, both at York Theatre Royal Studio; York band The Howl & The Hum, Leeds Brudenell Social Club, Saturday and Sunday; American singer-songwriter Beth Hart, York Barbican, Sunday.
Grayson Perry: Two shows in York in 2021; one an exhibition of “Lost Pots” at York Art Gallery, the other, his existentialist gig, A Show For Normal People, at York Barbican
AFTER a year where killjoy Covid-19 re-wrote the arts and events diary over and over again, here comes 2021, when the pandemic will still have a Red Pen influence.
Armed with a pantomime fairy’s magic wand rather than Madame Arcati’s crystal ball from Blithe Spirit, when what we need is a jab in the arm pronto, Charles Hutchinson picks out potential highlights from the New Year ahead that York will start in Tier 3.
Velma Celli: Had planned to present A Brief History Of Drag at Theatre @41 Monkgate in January; now heading online at home instead
Back on screen: Velma Celli, Large & Lit In Lockdown Again, streaming on January 8
AFTER his “Fleshius Creepius” panto villain in York Stage’s Jack And The Beanstalk, Ian Stroughair was planning to pull on his drag rags for a live Velma Celli show in January, and maybe more shows to follow, at his adopted winter home of Theatre @41 Monkgate.
Instead, he writes: “Darlings, as we head back into a lockdown in York, I am back on the streaming! My first show is next Friday at 8pm. I would love you to join me for an hour of camp cabaret fun! Get those requests and shout-outs in!” Tickets for Virtual Velma start at £10 via http://bit.ly/3nVaa4N; expect an online show every Friday from Ian’s new riverside abode.
Shed Seven: Headlining all-Yorkshire bill at The Piece Hall, Halifax, in the summer
Open-air one-off event of the summer: Shed Seven, The Piece Hall, Halifax, June 26
FRESH from releasing live album Another Night, Another Town as a reminder of what everyone has had to miss in 2020, Shed Seven have confirmed their Piece Hall headliner in Halifax has been rearranged for next summer.
The Sheds have picked an all-Yorkshire support bill of Leeds bands The Wedding Present and The Pigeon Detectives and fast-rising fellow York act Skylights. For tickets, go to lunatickets.co.uk or seetickets.com.
Cocktail Party 1989, copyright of Grayson Perry/Victoria Miro, from the Grayson Perry: The Pre-Therapy Years exhibition, opening at CoCA, York Art Gallery, in May
Most anticipated York exhibition of 2021: Grayson Perry: The Pre-Therapy Years, York Art Gallery, May 28 to September 5
CHANNEL 4’s champion of people’s art in lockdown, Grayson Perry, will present his Covid-crocked 2020 exhibition of “lost pots” at the Centre of Ceramic Art (CoCA) next spring and summer instead.
The Pre-Therapy Years reassembles Perry’s earliest forays into ceramics; 70 “explosive and creative works” he made between 1982 and 1994. Look out too for the potter, painter, TV presenter and social commentator’s existentialist September 6 gig at York Barbican: Grayson Perry: A Show For Normal People, wherein he will “distract you from the very meaninglessness of life in the way only a man in a dress can”.
Chris Moreno: No festive cheer at Christmas, but now he looks forward to presenting The Great Yorkshire Easter Pantomime, Aladdin, on Knavesmire, York, in spring 2021
A pantomime in the spring? Yes, The Great Yorkshire Easter Pantomime in a tent on Knavesmire, York, March 19 to April 11
CHRIS Moreno, director of Three Bears’ Productions four pantomimes at the Grand Opera House from 2016 to 2019, will direct York’s first ever “tentomime”, Aladdin, this spring with a cast of “21 colourful characters”.
The Great Yorkshire Easter Pantomime will be presented in the luxurious, heated Tented Palace, Knavesmire, in a socially distanced configuration compliant with Covid-19 guidance.
The big top will have a capacity of 976 in tiered, cushioned seating, while the stage will span 50 metres, comprising a palace façade, projected scenery and magical special effects. Look out for the flying carpets.
Going solo: Julie Hesmondhalgh in The Greatest Play In The History Of The World at York Theatre Royal from February 16
Falling in love again with theatre: The Love Season at York Theatre Royal, February 14 to April 21
ON December 15, York Theatre Royal announced plans to reopen on St Valentine’s Day for The Love Season, with the audience capacity reduced from 750 to a socially distanced 345.
Full details will be confirmed in the New Year with tickets going on sale on January 8, and that remains the case, says chief executive Tom Bird, after hearing yesterday afternoon’s statement to the House of Commons by Health Secretary Matt Hancock.
“We’re carrying on with our plans, including presenting Coronation Street and Broadchurch actor Julie Hesmondhalgh in husband Ian Kershaw’s one-woman play, The Greatest Play In The History Of The World, from February 16 to 20,” he confirmed.
Van Morrison: A brace of bracing nights at York Barbican in May
Six of the best at York Barbican in 2021
YORK Barbican has remained closed since the March lockdown, foregoing even the UK Snooker Championships in November and December.
A reopening date is yet to be announced but mark these shows in your diary, if only in pencil: Rob Brydon, A Night Of Songs & Laughter, April 14; Jimmy Carr, Terribly Funny, May 2; country duo The Shires, May 23; Van Morrison, May 25 and 26; Paul Weller, June 29, and Rufus Wainwright, Unfollow The Rules Tour, October 13.
Ceramicist Beccy Ridsdel: Looking forward to the 20th anniversary of York Open Studios
Anniversary celebration of the year: York Open Studios, April 17 and 18; 24 and 25, 10am to 5pm
2020 turned into a virtual Open Studios with displays online and in windows, but already 140 artists and makers are confirmed for the 20th anniversary event in the spring when they will show and sell their work within their homes and workspaces.
Many of 2020’s selected artists have deferred their space to 2021, but new additions will be announced soon, the website teases. “We’re channelling the optimism and enthusiasm from all our artists to ensure this year’s 20th show is one of the best,” says event co-founder and ceramicist Beccy Ridsdel.
Dr Delma Tomlin: Administrative director of the 2021 York Early Music Festival, running from July 9 to 17
And what about?
Festivals galore, as always, in the self-anointed “City of Festivals”. Coming up are the Jorvik Viking Festival; York Fashion Week; York Literature Festival; York Early Music Festival; York Festival of Ideas, the Aesthetica Short Film Festival and more besides.
Double winner: Maija Blåfield’s The Fantastic won both the Best Of Fest and Best Documentary awards on Sunday at the 2020 Aesthetica Short Film Festival
MAIJA Blåfield’s aptly named The Fantastic has won the Best of Fest at the 2020 tenth anniversary online edition of the Aesthetica Short Film Festival.
More than 300 films competed for the awards in the BAFTA Recognised festival in York, ranging from poignant documentaries that tap into the climate crisis to touching dramas about loss and forgiveness.
At Sunday evening’s close of the six-day festival, the live-streamed awards ceremony was hosted by regular master of ceremonies Greg McGee, following the judging by experts from Film4, BFI Network, ICA London and Nowness.
Winning awards at ASFF can bolster the success of the stand-out films, as shown by past winners going to receive Oscars, such as Chris Overton’s sweet-natured The Silent Child and Benjamin Cleary’s Stutterer.
The Conversation: Winner of the Best Dance award
Keep an eye out for The Fantastic after Maija Blåfield’s film garnered both the Best of Fest and Best Documentary awards. In this short, eight former North Koreans discuss illegal foreign movies they watched in their homeland. How did they imagine the reality based on fictional films? The Fantastic is not about North Korea, Blåfield says.
Further awards went to:
Hijack Visionary Filmmaker Award
Thinking About The Weather, directed by Gardar Thor Thorkelsson
DESPERATE to resolve his anxieties about the looming climate apocalypse, the filmmaker embarks on an odyssey around Britain, speaking to coastal inhabitants resting on a rising coastline, as well as Extinction Rebellion protestors.
Safe Water: Winner of the Best Advertising Award
Best Advertising
Safe Water, directed by Mario Dahl
A GIRLl walks right to the edge of the board, breathing deeply, ready to make the biggest jump of her life, but what awaits her down there? Safe water is more important than ever.
Best Animation
The Passerby, directed by Pieter Coudyzer
ON a summer’s day, the paths of two boys cross unexpectedly. The Passerby considers what happens when two lives become intertwined and the possibilities emerge of a new journey together.
The Passerby: Winner of the Best Animation award
Best Artists’ Film
Factory Talk, directed by Lucie Rachel and Chrissie Hyde
FACTORY Talk is an intergenerational conversation about identity, sexuality and masculinity. Through the clanging of metal, they make small talk, but the dialogue turns away from mere nostalgia.
Best Comedy
Maradona’s Legs, directed by Firas Khoury
DURING the 1990 World Cup, two Palestinian boys are looking for Maradona’s Legs: the last missing sticker they need to complete their World Cup album and win a free Atari.
Maradona’s Legs: Winner of the Best Comedy award
Best Dance
The Conversation, directed by Lanre Malaolu
THROUGH a dynamic fusion of movement and dialogue, The Conversation explores the challenges black people experience when communicating their racial experience to white partners.
Best Drama
The Present, directed by Farah Nabulsi
ON his wedding anniversary, Yusef and his daughter Yasmine set out to the West Bank to buy a gift. Between the soldiers, roads and checkpoints, how easy is it really to go shopping?
Softer: Winner of the Best Experimental award
Best Experimental
Softer, directed by Ayanna Dozier
DOZIER examines the demands that black women’s bodies be made “softer” – be that in their voice, manners, or, critically, their hair. This experimental short plays on grooming rituals.
Best Fashion
Baba, directed by Sarah Blok and Lisa Konno
A COMBINATION of design and documentary, blending elements of truth, fiction and constructed narrative. Baba provides a surreal but nonetheless light-hearted portrait of a Turkish immigrant.
Night Bus: Winner of the Best Thriller award
Best Music Video
Adventure, directed by Zak Marx
ADVENTURE explores the world of competitive moto-racing in finely textured, surreal miniature. It follows the #2 rider as he ruminates in the shadows of world champion Jammin’ Jackie Hudson.
Best Thriller
Night Bus, directed by Jessica Ashworth and Henrietta Ashworth
DRIVING through the nocturnal streets of London on the eve of her 30th birthday, a night-bus driver discovers a supernatural entity who has boarded her vehicle and threatens to stay.
VR Free: Winner of the Best 360 Film award
Best 360 Film
VR Free, directed by Milad Tangshir
VR Free explores the nature of incarceration while capturing the intimate reactions of inmates as they encounter virtual reality and immersive videos of life outside of prison.
Best Feature – Documentary
Neighbors, directed by Tomislav Zaja
AN observational documentary about people who experience mental illness but are leaving their institution after decades spent in isolation. Zaja’s film follows the individuals as they venture out into the big unknown.
Neighbors: Winner of the Best Feature – Documentary award
Best Feature – Narrative
How To Stop A Recurring Dream, directed by Edward Morris
FACED with a split custody break up, a family’s older daughter kidnaps her hostile sister in order to embark on a journey and reconnect before they are forced to part. Shot in and around locations pertinent to the director’s childhood.
York Youth Award
Talia, directed by Cara Bamford
TALIA loves nature. She’s always looking for new ways to slip out of the house, exploring the world beyond her front garden. But after being caught, her father forbids her to leave without permission.
One award is yet to decided: Festival Pass Holders can vote for the People’s Choice Award until November 30. To do so, they must choose their favourite film by clicking the “Vote Now” button within each ASFF programme.
“So pleased with the films this year”: Aesthetica Short Film Festival director Cherie Federico
In her closing speech on Sunday, ASFF director Cherie Federico said: “I am so pleased with the films this year: they are talking about topics that are so important to me, as a person, a mother, a friend…a festival director.
“Equality. It’s just one word but, for me, it is the most important word in all languages. It means that the world has equilibrium and that we are joined rather than divided.
“There is only one future and one way out of this pandemic and that is it: we just break down all barriers and remember we are one. This is our time, right now on Planet Earth. It’s incredibly powerful when you digest it.”
American Cherie, a New Yorker who crossed the Big Pond to study at York St John University and never left York, turned her thoughts to the fractious US election. “I didn’t realise how much Trump’s presidency affected me until Biden won. I cried. It was an overwhelming sense of relief that we could turn a corner, we could end a fascist regime masquerading as a democracy.
The Present: Winner of the Best Drama award
“We could overcome all the injustices, racism and prejudice. I am be proud of who I am and where I come from again.”
Cherie continued: “I cannot even begin to explain how this makes me feel. We were heading somewhere that mirrored 1930s’ Europe and I found it terrifying. It would keep me awake at night.
“I am so very grateful that the hate will now end. I know it’s just the beginning because you can’t undo some of that which has been done, but we can try and that gives me hope.”
Returning to matters ASFF, Cherie had wanted to host a street party in York to mark the tenth anniversary. “Instead, it’s me in my office by myself, but I know that you are there and have been enjoying our masterclasses, film programmes and everything that is on offer,” she said after Covid-19 enforced the online edition. All of those session are On Demand until the end of the month.”
Thinking About The Weather: Winner of the Hijack Visionary Filmmaker Award
Looking ahead to ASFF 11, Cherie signed off: “Until 2021, when we can hug, kiss, dance and laugh in the streets! We must all come together in person and celebrate equality, creativity and diversity.”
Greg McGee, ever lyrical co-owner of According To McGee, hosted the live-streamed awards ceremony from his Tower Street gallery.
Introducing the event, he said: “This year, the pandemic has subordinated everything in its path. Most of the consequences have been dreadful. Some have been tentatively positive and conversely more human.
“Nowhere else has that been more explicit than cinema. It’s your creativity and new narratives that are making life in Lockdown bearable. In terms of quality, this has been the best ASFF yet, and never has it been more crucial or vital.”
Greg McGee: Hosting the live-streamed Aesthetica Short Film Festival awards ceremony from his gallery, According To McGee on Sunday evening
Greg continued: “The tenth-year anniversary is not the Great Gatsby party we would have liked, but the films themselves vindicate what has been a decade of evolving, striving quality. “One of the most sensitive litmus tests of any genre is how well it exports. There are approximately 50 countries represented in this year’s ASFF, such as USA, Canada, Australia, Israel, Lebanon, France, Spain, Denmark, China.
“Every one of the films have connected and have lost none of their power through the intimacy of being watched at home. This year’s festival has really shown us the power of modern film, and how it can sensitise us, change us, enhance us, or quicken the beat of your heart, and I have to say nowhere is that more elegantly distilled than in Aesthetica Short Film Festival. Here’s to the next 10 years.”
Addressing the online audience of film-makers and film industry personnel, Greg concluded: “If anyone is going to successfully bequeath a multi-faceted celebration of culture, cinema and, ultimately, optimism, it’s ASFF, and it’s you, of course, with your hard work and your vision that provides the building blocks upon which this global event can continue to thrive.
“Here’s to ASFF21. The 11th one will be the biggest one. Slainte! Salute! And ba-da-bing.”
