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Extra! Extra! Pickering Musical Society adds two more Aladdin shows at Kirk Theatre

John Brooks’s Abanazar, left, Stephen Temple’s Wishee Washee, Marcus Burnside’s Widow Twankey and Danielle Long’s Aladdin in Pickering Musical Society’s Aladdin

PICKERING Musical Society has added extra performances to this month’s pantomime run of Aladdin at Kirk Theatre, Pickering.

This winter’s spectacular show, charting Aladdin’s rise from humble beginnings to riches beyond his wildest dreams, now opens with a 7.15pm performance on January 18, while a Sunday matinee on January 21 is a new addition too.

“With the success of ticket sales this year, it looks like an additional night will have to be added next year too,” says director Luke Arnold.

Setting out on his quest with a magical lamp, a trusty genie and wishes aplenty, only Aladdin can take on his evil uncle Abanazar. Can he conquer the magical cave and who will win the heart of the princess in the most spellbinding battle of good versus evil?

Jack Dobson, Danielle Long, centre, and Millie Fisher in a scene from Pickering Musical Society’s Aladdin

The 2024 cast features Pickering panto favourites such as Marcus Burnside as the dame, Widow Twankey, and Stephen Temple as simple son Wishee Washee.

Panto regulars Danielle Long and Courtney Brown reunite as the principal boy and girl, Aladdin and Princess Lotus Blossom, while Paula Paylor and Rachel Anderson play comedic double act Minnie Wong and Winnie Wong. John Brooks, a relative newbie to the society, reprises the villain’s role, this year playing Abanazar. 

The principals will be supported by a large chorus of society members, along with students from the Sarah Louise Ashworth School of Dance, accompanied as always by a live band, directed by resident musical director Clive Wass. 

All in for Aladdin: The full cast for Pickering Musical Society’s 2024 pantomime

“Last year’s pantomime broke all box-office records and was a real high watermark for us,” says Luke. “This year we took the decision to add an extra performance to our production run and amazingly, with the support we have received already, we are once again on track to beat last year’s record!

“Working with a combined cast and production team of over 100 people, it really has been a joy to direct, and audiences can be assured of a fantastic, fun-filled production.”

Pickering Musical Society in Aladdin, Kirk Theatre, Pickering, January 18 to 28. Performances: 7.15pm, except January 22; 2.15pm, January 20 (four tickets left), 21 (sold out), 27 (six tickets) and 28 (nine tickets). Box office: 01751 474833 or thelittleboxoffice.com/kirktheatre.

Pickering Musical Society pantomime’s principal boy and girl: Danielle Long’s Aladdin and Courtney Brown’s Princess Lotus Blossom
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Pickering Musical Society to stage Aladdin panto at Kirk Theatre from January 18 to 28

Stephen Temple, who will play Wishee Washee, in rehearsal for Aladdin with Imogen Smith and Poppy Coulson-Arnold. All pictures: Robert David

PICKERING Musical Society cast members are deep into rehearsals for next month’s pantomime run of Aladdin at the Kirk Theatre, Pickering.

Once more the production will be directed by resident director Luke Arnold, who has teamed up again with musical director Clive Wass and welcomes a new choreographer, Leah Nichols, to his production team.

Leah is no stranger to the Kirk Theatre, having performed with the Sarah Louise Ashworth School of Dance in many of the society’s pantomimes.

“It’s been an exciting few weeks, welcoming Leah to our team,” says Luke. “We’re all really enjoying working with her and the energy she has brought to the production.”  

Comic duo Rachel Anderson, left, and Paula Paylor: Playing sisters Minnie and Winnie Wong in Aladdin

As in previous years, the society has chosen a script by Ron Hall, who was a life member of the society and who wrote many scripts over the years. This one follows the usual tale of Aladdin, transporting audiences to Old Peking, where the story unfolds.

One of the most popular pantomimes of all, the thrilling story of a boy, a lamp and a genie has kept panto-goers spell-bound for generations. Families visiting the Kirk Theatre next month can look forward to a fun-packed show full of comedy, singing, dancing, slapstick, dazzling special effects, beautiful costumes and audience participation aplenty.

The cast will feature society regulars Danielle Long as Aladdin, Courtney Brown as Princess Lotus Blossom and Millie Fisher as Slave of the Ring. Linda Tester will return to the stage as the strong-willed ruler, the Empress of China; Will Smithson will play her bodyguard, One Long Pong; comic duo Paula Paylor and Rachel Anderson will appear as sisters Minnie and Winnie Wong and Jack Dobson will be the Genie.

Pickering Musical Society cast and crew in rehearsal for Aladdin

“We’ve got everything that you could wish for in our spectacular production of Aladdin,” says Luke. “A fantastic script by the fabulous Ron Hall; the most boo-able of baddies in the form of John Brooks, and dame extraordinaire Marcus Burnside returning to the Kirk Theatre stage.

“Oh and of course, the one and only Stephen Temple himself as Wishee Washee. With lavish sets and costumes, sensational song-and-dance numbers and lamp loads of laughs, your wish is our command!”

Pickering Musical Society in Aladdin, Kirk Theatre, Pickering, January 18 to 28, 7.15pm nightly except January 22; 2.15pm, January 20, 21, 27 and 28. Box office: 01751 474833 or via kirktheatre.co.uk. 

Danielle Long, left, and Courtney Brown rehearsing their roles as Aladdin and Princess Lotus Blossom
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Boom! Boom! Michael Lambourne and that voice is back up north, on the dark side in Harrogate’s panto, as Abbanazar in Aladdin

Abbanazar, Rock God: Michael Lambourne’s pantomime villain performing George Thorogood And The Destroyers’ Bad To The Bone… or Bad To The Boom in Michael’s stentorian growl

CASTING an eye over the cast list for Harrogate Theatre’s pantomime, Aladdin, what a delight to espy the name of one Michael Lambourne.

Once a mainstay of the York professional theatre scene, whether at York Theatre Royal or in Alexander Flanagan Wright’s work with The Flanagan Collective and the Guild of Misrule’s immersive The Great Gatsby during eight years of living in the city, he had since returned to his native Fenlands with wife Katie Posner, co-artistic director of Paines Plough, and daughter Heidi.

Now, at the behest of Harrogate Theatre pantomime director Marcus Romer (founder and former artistic director of York Theatre Royal company-in-residence Pilot Theatre), Michael’s unmistakable voice – the “Lam-boom” – can be heard across North Yorkshire as he takes on the villainous role of Abbanazar. Yes, you read that right, Abbanazar with a double B. More of that later.

But first, “I’d worked with Marcus on The Twits at Bolton Octagon and Fungus The Bogeyman at ArtsDepot in London, written while he was at Pilot,” recalls actor, director, teacher and writer Michael.

“That was the show where I met Katie, when I was painted green! Ebony [Feare] did both those productions with me as well, so Marcus has brought to Harrogate two people who he knows will thrive in the pantomime here.”

He first experienced pantomime as a child at the Cambridge Corn Exchange, and he has seen plenty since, but maybe surprisingly, given his outlandish stage presence and natural bond with young audiences, Aladdin will be only his third panto production.

“I did Alice In Wonderland at Darwen, near Blackburn, in the early 2000s, a loose pantomime, rather than a classic one, where I played the Mad Hatter. Later I was Igor, the evil henchman, and Daddy Bear in Goldilocks And The Three Bears at the Georgian Theatre Royal in Richmond,” he recalls.

“Harrogate Theatre’s show is very much in the classic pantomime style, like the villain always entering from the left. There’s a sense of legacy too, after Phil Lowe, the long-time director and co-writer, died last year, and what you try to foster with your audience is a sense of community, as we did at York Theatre Royal.”

He is relishing the villain’s role. “I love playing the baddie, because the audience straightaway knows what you’re up to,” says Michael. “I have that sense of what they expect from me, want from me, and as a performer I can really play off that.

Michael Lambourne, centre, as another baddie, Chief Weasel, in The Wind In The Willows at York Theatre Royal in 2014 

“To already have that dialogue with the audience and to know how they’re going to respond is a wonderful feeling, whereas a comedian worries about how they’ll react. With the baddie, you know they’re going to boo, and it’s all the better if the booing gets louder and louder.

“I’m naturally positive, but Abbanazar is definitely not, so that means I can luxuriate in the boos, especially at the children’s shows, where I’ve just lapped up the wall of sound. The more they give, the more I’m going to give back!”

Michael “doesn’t really like insulting people”. “That’s why you insult the collective as the baddie, rather than picking on any individual,” he says. “It’s about them all being idiots, all being fools. Why take on one person? I’ll take on 500.”

Back to that name, Michael, Abbanazar with the double B. How come? “Well, he’s the brother of the Emperor of Peking, relocated to Scandinavia, and he’s now Abba’s number one fan,” he reveals.

“So there are ‘subtle’ references to Sweden’s best pop export, and there’s an Abba number in there that’s very appropriate to Abbanazar – Money, Money, Money – as he’s so materialistic.” No opportunity for a reference to an Abba song title is knowingly turned down in the script too.

This year, Michael has appeared in Shakespeare’s The Comedy Of Errors at Colchester’s Mercury Theatre and filmed his role as The Messenger in Warchief, Stuart Brennan’s fantasy feature film, made  in Bury St Edmunds and set for release next September.

For now, his acts of deception and the dark arts are focused on Abbanazar. “This is the longest I’ve ever grown my moustache! I’ve gone from the baddie [a Victorian whiskered Chief Weasel] in The Wind In The Willows at York Theatre Royal to now playing the ultimate panto baddie with more curl to the moustache, still using Captain Fawcett’s moustache wax to shape it!” says Michael.

“If you think of what a baddie should have, a curly moustache is a must. Twiddling a moustache in that vaudevillian way tells you ‘he must be the villain’!”

Looking ahead to next year, walking and cycling enthusiast Michael will be turning his attention to running. Running the London Marathon, more precisely, in aid of Lymphoma Action, having come successfully through chemotherapy and radiotherapy for the blood cancer at 40.

Donations can be made at https://www.justgiving.com/fundraising/michael-lambourne3

Michael Lambourne is appearing in Aladdin at Harrogate Theatre until January 15 2023. Box office: 01423 502116 or harrogatetheatre.co.uk.

Colin Kiyani’s Aladdin, Stephanie Costi’s Pandora, Tim Stedman’s Wishee Washee and Howard Chadwick’s Widow Twankey in Harrogate Theatre’s Aladdin. All pictures: Karl Andre

REVIEW: Aladdin, Harrogate Theatre, until January 15 2023 *****

PANTOMIME matters to Harrogate Theatre, all the more so after the “disappointment” – I would have used a stronger word – of Arts Council England’s bewildering decision to drop this high-achieving theatre from National Portfolio funding status for 2023 to 2026 after many years.

This is the northern home of a comedy festival with headline names, the wonderful HT Rep season of three plays in three weeks, a big community play on a topical theme, concerts, touring shows, children’s theatre and performances by long-established Harrogate thespian troupes, overseen by the  canny management of chief executive David Bown and the increasing artistic input of ever-progressive Pilot Theatre founder Marcus Romer as associate producer.

Oh, and the pantomime, THE pantomime, the one that Bown and the late Phil Lowe have made so special with wit, inventiveness and the magic ingredient of daft lad Tim Stedman (who set the benchmark for fast-rising Pannal-raised comedian Maisie Adam, she says, never one to miss a show each Christmas, by the way). What more do you want, ACE?

Anyway, clear-headed thinking by the board is assured, as testified by chair Deborah Larwood’s November statement: “Following this news, the board and leadership team will take some time to reflect and reimagine our plans from April 2023, as we continue to support the Let’s Create agenda and ensure that Harrogate Theatre continues to deliver a vibrant cultural offer for people of all ages across the Harrogate district.”

In the meantime, Harrogate Theatre has been delivering the Harrogate Theatre pantomime at its best, 78 performances in all by the time it closes on January 15.

For the 2021-2022 season, experienced hand Joyce Branagh stepped in to direct Cinderella after the sudden death of long-time director and co-writer Phil Lowe, and did so with panache.

Tim Stedman: Not as daft as he looks in Aladdin!

This time, Marcus Romer is at the helm, steering a script that retains a credit for Phil Lowe alongside regular writing cohort David Bown. Romer, who has written additional material alongside Stedman, has made one decision that struck a false note, changing the walkdown song from the long-standing exhilaration of Let Me Entertain You to a reprise of the opening number.  Symmetry, yes, but finale impact lessened.

On the other hand, however, as soon as he heard Sam Ryder’s Eurovision galactic belter, Space Man, Romer knew he had found the song for Aladdin’s carpet-ride out into the Harrogate night sky.

Beautiful, magical and unexpected – your reviewer has seen no other panto use 2022’s most uplifting big number – it is sung with a lovely sense of wonder by Colin Kiyani, modern-day principal boy par excellence in his fifth Harrogate panto.

Christina Harris returns too for her third Harrogate show – “a place that feels like home,” she says – now playing a not-so-shy Princess So-Shy with plenty of principal girl pluck.

Romer has called on two trusted lieutenants from his past shows to make their Harrogate panto bows: Ebony Feare’s fun, high-energy Caribbean-accented Genie and A Line Of Duty-spoofing DCI Kate, and Michael Lambourne, he of the booming voice so cherished over the years by York audiences.

The “Lam-boom” is in mighty good form here, venturing deep into the dark side for a rumbustious, roaring Abbanazar, an Abba-loving, humanity-hating villain since his exile to Sweden.

Ebony Feare’s Genie and Colin Kiyani Aladdin in a song-and-dance number with the ensemble in Aladdin

Mamma mia, no chance to dig out an Abba song title is knowingly missed in the script (until the titles run out), and of course he sings Money, Money, Money, although his thunderous, rock-god rendition of George Thorogood & The Destroyers’ Bad To The Bone surpasses it.

In his 22nd Harrogate show – where have those years gone? – the clowning Tim Stedman’s Wishee Washee is anything but wishy-washy. From his strawberry cheeks to a voice that somehow combines a state of near-constant perplexity with the not-so-daft-after-all wit of a Shakespearean Fool, he is the crowd-pleasing, crowd-teasing lead yet totally the team player too.

The cracker jokes may be absent this time, but this is a crackerjack of a Stedman performance, all the better for being reunited for slapstick with Howard Chadwick, a stalwart actor with Richard III in his repertoire but so comfortable in the roly-poly guise of the unruly, frolicsome dame, Widow Twankey in his 11th Harrogate winter of panto contentment. His costumery, courtesy of costume designer Morgan Brind, is fab-u-lous throughout.

Look out too for topical Harrogate references, nods to I’m A Celebrity, dance captain Stephanie Costa’s lovable panda Pandora and David Kar-Hing Lee’s zesty choreography.

Roll on next winter when Dick Whittington and his cat will head to London from November 22 to January 14 2024. Box office: 01423 502116 or harrogatetheatre.co.uk.

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More Things To Do in York and beyond as ghosts loom and pantomimes bounce back. Hutch’s List No. 107, from The Press

Winter’s chill: Rebecca Vaughan in Dyad Productions’ Christmas Gothic

GHOST stories, pantomimes and Jools’s annual visit top Charles Hutchinson’s list of winter essentials to keep warm and alert.

Ghost stories of the week, part one: Dyad Productions in Christmas Gothic, Theatre@41, Monkgate, tonight (27/11/2022), 7.30pm

FROM the creators of I, Elizabeth, A Room Of One’s Own, Female Gothic and Austen’s Women comes a dark celebration of Christmas, adapted and performed by Rebecca Vaughan.

Come in from the cold and embrace the Christmas spirit as a spectral woman tells haunting tales of the festive season, lighting a candle to the frailties of human nature and illuminating the chilling depths of the bleak, wintry gloom at this time of feasts and festivities, visits and visitations, ghosts and more ghosts. Box office: tickets.41monkgate.co.uk.

A Dickens or three of a scary night: James Swanton in his Ghost Stories For Christmas

Ghost Stories For Christmas, part two: James Swanton, York Medical Society, Stonegate, York, select dates from November 29 to December 20, 7pm

YORK’S gothic ghost storyteller supreme, James Swanton, presents his most ambitious Dickensian schedule yet, with 12 shows back home and around 20 more around the country, transferring to London’s Charles Dickens Museum in the run-up to Christmas.

Ghost Stories For Christmas is made up of Swanton’s hour-long solo renditions of A Christmas Carol (eight performances) and the lesser-known The Chimes and The Haunted Man (two nights each). Box office: 01904 623568 or yorktheatreroyal.co.uk/show/ghost-stories-for-christmas/.

The Stylistics: Soul power at York Barbican

Good for the soul show of the week: The Stylistics, York Barbican, tonight (27/11/2022), 7.30pm

SOULFUL Philadelphia harmony veterans The Stylistics “can’t wait to be back in the UK, performing all our hits, bringing back great memories and having a great evening with you all” on their 27-date tour.

In the line-up will be founder members Arrion Love and Herb Murrell, complemented by  ‘Bo’ Henderson and Jason Sharp, as the 2004 inductees into the Vocal Group Hall of Fame sing I’m Stone In Love With You,  You Make Me Feel Brand New, Let’s Put It All Together, You Are Everything et al. Box office: yorkbarbican.co.uk.

Robert Hollingworth: Director for University of York Choir & Baroque Ensemble’s concert at Central Hall. Picture: Frances Marshall

Christmas concert of the week: Long, Long Ago, Messe de Minuit pour Noel, University of York Choir & Baroque Ensemble, Central Hall, University of York, Wednesday, 7.30pm

UNIVERSITY of York Choir & Baroque Ensemble are joined by The 24 for a Christmas concert of Marc-Antoine Charpentier’s Messe de Minuit for voices, strings and flutes, Howells’ four jazz-inflected Carol Anthems and Bo Holten’s First Snow.

Director Robert Hollingworth also will be donning his dressing gown for a reading of Dylan Thomas’s magical A Child’s Christmas In Wales. “All in all, it’s a strange alchemic mix but we know it works!” he says. “Trust us – and come and have your first mince pie of the season.” Box office: yorkconcerts.co.uk.

Bad to the bone: Michael Lambourne’s ABBAnazar in Harrogate Theatre’s Aladdin. Picture: Karl Andre

Yorkshire welcome back of the week: Aladdin, Harrogate Theatre, until January 15 2023

MICHAEL Lambourne, the booming-voiced thespian who needs no introduction to York Theatre Royal audiences, can probably be heard all the way from York when he plays the evil ABBAnazar in his Harrogate Theatre pantomime debut.

Lambourne joins daft lad Tim Stedman’s Wishee Washee and fellow Harrogate panto returnees Christina Harris(Princess Jasmine), Colin Kiyani (Aladdin) and Howard Chadwick, back on spa-town dame duty, as Widow Twankey, for the first time since Snow White in 2019. Ebony Feare’s Genie and Stephanie Costi’s Pandora the Panda are the new faces in Marcus Romer’s cast. Box office: 01423 502116 or harrogatetheatre.co.uk.

From CBeebies to York Theatre Royal: Maddie Moate’s Tinkerbell in All New Adventures Of Peter Pan

Putting the Pan into pantomime: All New Adventures Of Peter Pan, York Theatre Royal, December 2 to January 2 2023

CBEEBIES favourite Maddie Moate and three stars of last year’s Cinderella – Faye Campbell, Paul Hawkyard and Robin Simpson – fly into action for York Theatre Royal’s third collaboration with Evolution Productions.

Moate plays naughty fairy Tinkerbell, Campbell, Elizabeth Darling, Hawkyard, Captain Hook and Simpson, Mrs Smee, joined by Jason Battersby’s Peter Pan and Jonny Weldon’s pirate Starkey in creative director Juliet Forster’s production, scripted by Evolution’s Paul Hendy. Look out for acrobats Mohammed Iddi, Karina Ngade and Mbaraka Omari too. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jools Holland: Returning to York Barbican with Vic Reeves as his specual guest

Jools et Jim show: Jools Holland and His Rhythm & Blues Orchestra, with Vic Reeves, York Barbican, Thursday, 7.30pm

ON the back of notching the 30th anniversary of his Later…With Jools Holland shows on BBC Two, the boogie-wooogie piano man joins up with fellow Squeeze alumnus Gilson Lavis, vocalists Ruby Turner and Louise Marshall and his exuberant big band.

The special-guest star turn goes to comedian, artist and chart-topping all-round performer Vic Reeves (aka Jim Moir), Holland’s Leeds-born podcast partner on Jools & Jim’s Joyride, fresh from his Yorkshire Rocks & Dinghy Fights exhibition at RedHouse Originals, Harrogate. Box office: yorkbarbican.co.uk.

Long wait: Diversity bring Supernova to York in…2024

Looking and booking ahead: Diversity: Supernova, York Barbican, March 7 and 8 2024

LONDON street dance troupe Diversity’s 66-date Supernova tour to 40 cities and towns in 2023-2024 will take in a return to York.

Winners of the third series of ITV’s Britain’s Got Talent in 2009, Ashley Banjo’s dancers will be switching to the Grand Opera House from York Barbican, where they presented Connected, a show full of playful, comedic routines with powerful statements on human connectivity, in April this spring. Box office: 0844 871 7615 or atgtickets.com/York.