Nothing special happened in YORKshire’s artland in 2019…or did it? Time for the Hutch Awards to decide

Veteran Yorkshire arts journalist CHARLES HUTCHINSON doffs his cap to the makers and shakers who made and shook the arts world in York and beyond in 2019.

Alan Ayckbourn at 80 in Scarborough. Picture: Tony Bartholomew

New play of the year: Alan Ayckbourn’s Birthdays Past, Birthdays Present, at Stephen Joseph Theatre, Scarborough, from September 4

Sir Alan Ayckbourn penned one play to mark his 80th birthday, then decided it wasn’t the right one. Instead, writing more quickly than he had in years, he constructed a piece around…birthdays. Still the master of comedy of awkward truths.

Honourable mention: Kay Mellor’s Band Of Gold, Leeds Grand Theatre, November 28 to December 14.

Lili Miller (Catherine) and Pedro Leandro (Rodolpho) in A View From The Bridge at York Theatre Royal. Picture: Ian Hodgson

You Should Have Seen It production of the year: Arthur Miller’s A View From The Bridge, York Theatre Royal, September 20 to October 12.

Once more, the sage Arthur Miller bafflingly did not draw the crowds – a Bridge too far? – but Theatre Royal associate director Juliet Forster found resonance anew for this age of rising intolerance in Trumped-Up America and Brexit Britain.

Chris Knight as Donkey in York Stage Musicals’ Shrek The Musical

York’s home-grown show of the year: York Stage Musicals in Shrek The Musical, Grand Opera House, York, September 12 to 21

Nik Briggs swapped directing for his stage return after five years in the wind-assisted title role and stunk the place out in Shrek tradition in a good way. Jacqueline Bell‘s Princess Fiona and Chris Knight’s Donkey were terrific too.

Honourable mention: Pick Me Up Theatre in Monster Makers, 41 Monkgate, October 23 to 27

Rigmarole Theatre in When The Rain Stops Falling

Company launch of the year: Rigmarole Theatre in When The Rain Stops Falling, 41 Monkgate, York, November 14 to 16

MAGGIE Smales, a previous Hutch Award winner for her all-female Henry V for York Shakespeare Project, set up Rigmarole to mount Andrew Bovell’s apocalyptic Anglo-Aussie family drama. More please.

Comic capers: Mischief Theatre in The Comedy About A Bank Robbery

Touring play of the year: The Comedy About A Bank Robbery, Grand Opera House, York, February 5 to 12

Crime pays for Mischief Theatre with a riotous show, so diamond-cutter sharp, so rewarding, in its comedy, that it is even better than the original botched masterplan, The Play That Goes Wrong.

Honourable mention: Nigel Slater’s Toast, York Theatre Royal, November 19 to 23

Sarah Crowden and Susan Penhaligon in Handbagged at York Theatre Royal

Political play of the year: Handbagged, York Theatre Royal, April 24 to May 11

In a play of wit, brio and intelligence, Moira Buffini presents a double double act of 20th century titans, Margaret Thatcher and The Queen, one from when both ruled, the other looking back at those days, as they talk but don’t actually engage in a conversation.

Emma Rice: director of the year

Director of the year: Emma Rice for Wise Children’s Wise Children, in March,  and Enid Blyton’s Malory Towers, in September, both at York Theatre Royal

Emma Rice, once of Cornwall’s pioneering Kneehigh Theatre and somewhat briefly of Shakespeare’s Globe, has found her mojo again with her new company Wise Children, forming a fruitful relationship with York Theatre Royal to boot. Watch out for Wuthering Heights in 2021.

Director John R Wilkinson in rehearsals for Hello And Goodbye at York Theatre Royal

York director of the year: John R Wilkinson, Hello And Goodbye, York Theatre Royal Studio, November

Theatre Royal associate artist John R Wilkinson had long called for the return of in-house productions in the Studio and what he called “the blue magic of that space”. He duly delivered a superb reading of Athol Fugard’s apartheid-era South African work starring Jo Mousley and Emilio Iannucci.

Oh what a knight: Sir Ian McKellen

Comedy show of the year: Sir Ian McKellen in Ian McKellen On Stage With Tolkien, Shakespeare, Others…And You, Grand Opera House, York, June 17

A delightful variation on the An Evening With…format, wherein Sir Ian McKellen celebrated his 80th birthday with a tour through his past. His guide to Shakespeare’s 37 plays was a particular joy.

Honourable mention: John Osborne in John Peel’s Shed/Circled In The Radio Times, Pocklington Arts Centre bar, March 27

Bonnie Milnes of Bonneville And The Bailers

Event launch of the year: Live In Libraries York, York Explore, autumn

In the wood-panelled Marriott Room, veteran busker David Ward Maclean and Explore York mounted a series of four intimate, low-key concerts, the pick of them being Bonnieville And The Bailers’ magical set on October 25. Along with The Howl & The Hum’s Sam Griffiths, Bonnie Milnes is the blossoming York songwriter to watch in 2020.

Meet The Caravan Guys:Theo Mason Wood, left, and Albert Haddenham discuss masculinity in How To Beat Up Your Dad at The Arts Barge’s Riverside Festival

Festival of the Year: The Arts Barge’s Riverside Festival, by the Ouse, July and August

Under the umbrella of Martin Witts’s Great Yorkshire Fringe, but celebrating its own identity too, The Arts Barge found firm footing with two locations, an ever-busy tent and, hurrah, the newly docked, freshly painted barge, the Selby Tony. The Young Thugs showcase, Henry Raby, Rory Motion, Katie Greenbrown, jazz gigs, a naked Theo Mason Wood; so many highs.

Honourable mentions: York Festival of Ideas, June; Aesthetica Short Film Festival, November.

Terry Hall: leading The Specials at York Barbican. Picture: Simon Bartle

York Barbican gig of the year: The Specials, May 9

Still The Specials, still special, on their 40th anniversary world tour, as the Coventry ska veterans promoted their first studio album in 39 years, Encore, still hitting the political nail on the head as assuredly as ever.

Honourable mentions: David Gray, March 30; Art Garfunkel, April 18; Kelly Jones, September 14.

Mocking Malvolio: Cassie Vallance’s Fabian, back left, Andrew Phelps’s Sir Andrew Aguecheek and Fine Time Fontayne’s Sir Toby Belch wind up Claire Storey’s Malvolio in Twelfth Night. Picture: Charlotte Graham

Happiest nights of the year: Shakespeare’s Rose Theatre in Twelfth Night, Castle car park, York, July 4 and September 1

JOYCE Branagh, Kenneth’s sister, set Shakespeare’s comedy in the Jazz Age, serving up “Comedy Glamour” with a Charleston dash and double acts at the double. “Why, this is very midsummer madness,” the play exhorts, and it was, gloriously so, especially on the last night, when no-one knew what lay just around the corner for the doomed Shakespeare’s Rose Theatre.

Samuel Edward Cook in Glory Dazed

Most moving night of the year: Glory Dazed, East Riding Theatre, Beverley, January 26

Cat Jones’s play, starring York actor Samuel Edward Cook, brings to light issues surrounding the mental health of ex-servicemen as they seek to re-integrate into civilian society while struggling with Post-Traumatic Stress Disorder. The post-show discussion with ex-soldiers from Hull spoke even louder.

Serena Manteghi in Build A Rockdet. Picture: Sam Taylor

Solo show of the year: Serena Manteghi in Build A Rocket, autumn tour

NO sooner had she finished playing Ophelia in Shakespeare’s Rose Theatre’s Hamlet than Serena Manteghi revived her remarkable role as a seaside resort teenage single mum in Christopher York’s award-winning coruscating  play.

Honourable mention: James Swanton in Irving Undead, York Medical Society, October 10 to 12.

A Blessed encounter: interviewing Yorkshireman Brian

Favourite interview of the year: Brian Blessed, giving oxygen to his An Evening With Brian Blessed show at Grand Opera House, York, in August

The exuberance for life in Brian – Yorkshire man mountain, actor, mountaineer and space travel enthusiast – at the age of 83 would inspire anyone to climb Everest or reach for the stars.

Old soul in a Newman: John Newman’s hot, hot gig at The Crescent

Gig of the year: John Newman, The Out Of The Blue Tour, The Crescent, York, June 30

THE unsettled Settle sound of soul, John Newman, and his soul mates parked their old camper van outside the almost unbearably hot Crescent, threw caution to the wind and burnt the house down  on a night that must have been like watching Joe Cocker or Otis Redding on the rise in the Sixties.

Honourable mentions: Nick Lowe’s Quality Rock’n’Roll Revue, Pocklington Arts Centre, June 25; The Howl & The Hum, The Crescent, York, December 14

Van Gogh: ‘ere, there and everywhere at York St Mary’s

Exhibition of the year: Van Gogh: The Immersive Experience, York St Mary’s, York, now extended to April 2020

This 360-degree digital art installation uses technology to create a constantly moving projected gallery of 200 of Vincent Van Gogh’s most famous 19th century works in the former church. Breathtaking, innovative, and, yes, worth the admission charge.

Honourable mention: Ruskin, Turner and The Storm Cloud, Watercolours and Drawings, York Art Gallery, from March 28

Agatha Meehan, centre, as Dorothy in The Wizard Of Oz at Leeds Playhouse

Christmas production of the year: The Wizard Of Oz, Leeds Playhouse, until January 25

AFTER its £15.8 million transformation from the West Yorkshire Playhouse to Leeds Playhouse, artistic director James Brining gave West Yorkshire’s premier theatre the grandest, dandiest of re-opening hits. Still time to travel down the Yellow Brick Road with Agatha Meehan, 12, from York, as Dorothy.

Dame Berwick Kaler’s fina;l wave at the end of his 40 years of pantomimes at York Theatre Royal. Picture: Anthony Robling

Exit stage left: Berwick Kaler, retiring on February 2 after 40 years as York Theatre Royal’s pantomime dame; Tim Hornsby, bowing out from booking acts for Fibbers on June 29, after 27 years and 7,500 shows in York; Damian Cruden, leaving the Theatre Royal on July 26 after 22 years as artistic director; James Cundall’s Shakespeare’s Rose Theatre, in September, after hitting the financial icebergs .

Richard Bainbridge R.I.P.

Gone but not forgotten:  York Musical Theatre Company leading man, director, teacher, chairman, bon viveur and pub guvnor Richard Bainbridge, who died on July 6.

A fete worse than death on the way in Ayckbourn’s Ten Times Table

The Classic Comedy Theatre Company in Alan Ayckbourn’s Ten Times Table, on tour at the Grand Opera House, York, next year. Picture: Pamela Raith

ALAN Ayckbourn’s Ten Times Table, the debut production by the Classic Comedy Theatre Company, will play the Grand Opera House, York, from February 10 to 15 next year.

This touring show is produced by impresario Bill Kenwright and his team behind the Agatha Christie, Classic Thriller and Classic Screen To Stage theatre companies for more than 15 years.

Premiered in January 1977, Ten Times Table is “the one with the committee from hell and a fete worse than death”. 

In the long-since grand ballroom of the Swan Hotel, a most miscellaneous assemblage gathers to conduct the business of the Pendon Folk Festival.

A tense moment in the Classic Comedy Theatre Company’s Ten Times Table. Picture: Pamela Raith

Unfortunately for excitable chairman Ray, his calamitous committee quickly divides as his wife, Helen, has a bone to pick.

Add a Marxist schoolteacher, a military dog breeder and an octogenarian secretary, and the table is set for a tumultuous comedy by committee.

In the cast will be Robert Dawes, Deborah Grant, Mark Curry, Robert Duncan, Elizabeth Powers, Gemma Oaten and Craig Glazey.

Tickets are on sale on 0844 871 3024 or at atgtickets.com/york.