Tag: All Saints Church Pocklington

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REVIEW: Paul Rhodes’s verdict on Teddy Thompson, supported by Blair Dunlop, All Saints Church, Pocklington, June 6

Teddy Thompson: Showcasing new album Never Be The Same at All Saints Church, Pocklington. Picture: Paul Rhodes

BOOKING a lover of period touches like Teddy Thompson into Pocklington’s beautiful All Saints Church was a good move.

This wonderful Hurricane Promotions concert was further helped by the fact that Thompson has happy memories of Pocklington, at least the fish and chips, and he was in good form. He has a well-spoken, dry and ironic sense of humour that provided the warmth between songs.

There was plenty of affection too for fan favourite Blair Dunlop. Dunlop sounds fully committed to his Americana sound and showed off new songs in his brisk opening set. Trilobite might be 500 million years out factually but was musically on the money, while Sweet On You could almost be a Teddy Thompson song with its charming surface and darker interior.

Blair Dunlop performing at All Saints Church, Pocklington. Picture: Paul Rhodes

Some singers close their eyes as they sing; Dunlop smiled often. Thompson, on the other hand, stared unnervingly straight ahead, which gave him and his material an edge.

On a casual introduction, Thompson’s new record, Never Be The Same, seems a fairly slight thing, full of short lovelorn songs that sound straight out of the 1960s’ gold era of country pop.

Listen more than once and you’ll be hooked by the clever lyrics, wonderful period production and some gorgeous melodies.

Teddy Thompson’s set list for June 6’s concert at All Saints Church, Pocklington. Picture: Paul Rhodes

As Thompson talked about in his interview with Miles Salter for York Calling, restraint is a key part of his songwriting approach, so each tune is a finely chiselled thing. In concert too, the songs were played straight by a three-piece band (with Mike Robinson on guitars and Chris Jones on drums).

By some sleight of hand, the drummer also was able to add in extra keys, strings and to this reviewer’s ears something at the bottom end.

The Pocklington crowd was treated to ten numbers off that record over the course of the 17-song set, which also revisited some older material. While the first three songs were taken at a clip and sounded a bit too bright, it grew much better.

Teddy Thompson, centre, and his band, guitarist Mike Robinson and drummer Chris Jones, on stage at All Saints Church, Pocklington. Picture: Paul Rhodes

The older songs revealed that Thompson hasn’t wandered too far stylistically in the intervening 26 years. Step Behind, from his first record, showed his style was essentially there from the get-go.

As the sun set and lit up the old stone columns that framed the band, Thompson was by this point fully warmed up, and the wonder that is his singing voice really shone.

I Remember, which sounds like it could have been a country hit for Skeeter Davis, was wonderful and what could have been a Buck Owens riff, while Same Old Song (ironic, but true in a set list that did rather sound the same and stick in the same tempos) was full of lovely period references.

All Saints Church lit up at Teddy Thompson’s concert. Picture: Paul Rhodes

The encore deserved to bring the house down, with a clever solo version of So This Is Heartache. The best song on the new record by a country mile, where it sounds like a lost Stax country classic, Pocklington saw it in naked, devastating form.

The band returned and the anthemic In My Arms rounded off the set. That this song only made it to number 107 tells you everything that is wrong with music charts. Like any number from his catalogue, you wonder when someone else will make it a hit. Until then Thompson remains a well-preserved cult figure ripe for a larger audience.

Review by Paul Rhodes

BLAIR Dunlop will be on the main stage at The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, on August 15. Full festival details can be found at https://www.themagpiesfestival.co.uk/.

The instruments set up for Teddy Thompson’s set at All Saints Church, Pocklington. Picture: Paul Rhodes

Miles Salter interviews Teddy Thompson

TEDDY Thompson loves country music.

As a child, he imbibed Everly Brothers songs that his father, Richard Thompson, slotted into the car’s cassette player. 

Teddy loved the playful lyrics. “I was amazed by songs that were funny and clever and had wry twists and turns of phrase,” he says. The songs appealed to Thompson’s English sense of humour. “A bit of irony, a bit of sarcasm”.

This kind of approach has marked Thompson’s own writing. His latest album is Never Be The Same, his 11th release since 2000. His critically-acclaimed albums have mined the joys and, more usually, frustrations of love, a subject that Thompson has personal experience of. His marriage to singer Kelly Jones (they made an album together) ended badly.

He was born into a musically prestigious family. Richard Thompson is the acclaimed folk-rock singer and songwriter (and mean guitar player). His mother is Linda Thompson, another respected singer, who knew the leaders of the folk-rock movement in the late 1960s and early 1970s. She had a brief dalliance with the now legendary Nick Drake.

Linda and Richard had an unusual lifestyle. Richard had an interest in Islam, which led to the couple living in a Sufi community in Norfolk where, ironically, Richard was not permitted to play music.

Linda does not have happy memories of that time. Women were not treated well. “We weren’t allowed to go shopping because you weren’t allowed to look a man in the eye,” she told the Guardian. 

The couple released one of the 1970s’ best singer-songwriter albums, I Want To See The Bright Lights Tonight, but split, acrimoniously, when Teddy was six years old. 

The Guardian observed that Linda sang “like someone who had been horribly wounded by life but resolved to carry on anyway”. The same might be said of her son. One senses that echoes of his parents’ painful split have provided a backdrop for Teddy’s persona and songs.

Following the split, he saw little of his father for some years. “I cry on the inside,” he sang on Altered State, and his songs tend to dwell in melancholy, often containing dark recesses.

“People ask how I am doing. I say ‘sore but happy. Tired…but grateful’,” says Teddy Thompson

He wrote a barbed break-up tune in I Wish It Was Over, from the 2006 album Separate Ways. The chords gave it the optimism of Here Comes The Sun but the words were vicious: “I don’t even like you, or can’t you tell”.’”.

There are allusions to unfortunate choices in his songs. “I’ve been drinking so much I can’t sing straight,” infer the lyrics on Can’t Sing Straight.  The track appeared on his fourth outing, A Piece Of What You Need, one of the best singer-songwriter albums of the past 20 five years. On the new album there’s another reference to drinking (and stopping drinking) on Worst Two Weeks Of My Life.

In conversation, Thompson comes across as thoughtful but guarded. In his songs he wears his heart on his sleeve but when he talks, he’s far more protective. It’s a slightly perplexing mixture, if an understandably defensive one. You can’t be emotional all the time. But he is thoughtful about the substance and source of songs.

“Songwriters are writing about the same thing all the time,” he reflects. “99 per cent of songs are about love in some way. It’s not because people lack emotion, it’s because it’s the most powerful emotion they can summon.”

Thompson explains that he writes about “different kinds of love” but they are “couched within a traditional love song”. “I have written songs about love for my parents, or frustration with friends, but have written it to sound like a love song,” he says.

Some years ago, he took part in a concert that celebrated the songs of Leonard Cohen. (On Thompson’s Spotify page, one of his top tracks is Cohen’s Tonight Will Be Fine. Both songwriters dwell in the land of longing, a sort of unrequited wish for things to be better.

When I put this to Teddy, he gets it straight away. “Longing is a good way of putting it,” he agrees. “I do feel that way, and I relate to it. It’s something that I have always been drawn to, and related to.” He mentions Hank Williams, who wrote songs with “lonesome” in the lyrics.

Read critics on Thompson and sometimes the word “restraint” comes up. He doesn’t overplay his hand and understands, as many great artists do, the value of “less is more”.

“I think I’ve always leaned that way,” he says. “Taste, to me, would be knowing how to do everything and then not doing it. Choosing carefully.  Good musicians know how to play all the notes but they know how to hold back.

“What makes them great is not playing too much. In the age of ‘max flavour’, I crave less more and more.” He is keen to credit producer David Mansfield, who helped to keep things uncomplicated.

Time marches on, and, at the start of his 50s, Teddy is conscious of the passage of time. “Now that I am starting to crack a bit…you realise these wrinkles are never going to go. The upside is that you become more grateful for everything. The downside is you look a bit crappier doing it all. People ask how I am doing. I say ‘sore but happy. Tired…but grateful’.”

Miles Salter is a writer, storyteller and musician based in York. He fronts the band Miles and The Chain Gang, is director of York Alive and co-host of the Yok Calling podcast.

The poster for Teddy Thompson’s Pocklington concert at All Saints Church

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Courtney Marie Andrews’ Valentine date: May 21 at All Saints Church, Pocklington CANCELLED

Courtney Marie Andrews: Completing hat-trick of Pocklington appearances on May 21. Picture: Wyndham Garnett

NEWSFLASH: 24/4/2026

VALENTINE’S day for Courtney Marie Andrews at All Saints Church, Pocklington, is OFF. The no-show is attributed to “unforeseen circumstances”, says Hurricane Promotions promoter James Duffy.

“She has just been announced as tour support for Glen Hansard across Europe,” he adds. That tour will take in Glasgow Barrowland Ballroom, May 20, Albert Hall, Manchester, May 22, and Roundhouse, London, May 23, on either side of what would have been Courtney Marie’s third appearance in Pocklington.

VALENTINE’S day falls on May 21 at All Saints Church, Pocklington, when Phoenix, Arizona singer, songwriter, poet, musician and artist Courtney Marie Andrews promotes her new album.

“Valentine is a record in pursuit of love,” says Grammy nominee Courtney Marie, 35.  Love, however is “a lot more than I gave it credit for. It’s built over years, it’s built with trust; with changes, it becomes something new and unrecognizable, the deeper you go”.

Released in January, Valentine is her most sonically explorative record: she plays flute, high-strung guitars and myriad synths, while drawing heavy inspiration from her art outside music.

Courtney Marie is a vivid poet and an accomplished painter, and across Valentine you can feel these disciplines interwoven, everything feeding the beauty and clarity of everything else.

Written at the junction of intense endings and beginnings in her life, Valentine demands more of those we love and reveals a stronger, wiser and more clear-eyed Courtney Marie in the process. The album is both lush and elemental, precise in its construction but rich with sonic and lyrical layers. In love and on Valentine, there is no quarter for empty gestures.

From her first recordings in 2008 to 2016’s breakthrough, Honest Life, 2020’s Grammy-nominated Old Flowers to her ninth studio album, Loose Future, Courtney Marie has challenged herself, finding new interplays of folk and Americana.

“As a songwriter, you can make the same record over and over again, and I’m not interested in that,” she says. “I make records to stand alone and stand apart from each other.”

Co-produced with Jerry Bernhardt and recorded almost entirely to tape, Valentine features complete in-studio performances. “We thought a lot about Lee Hazlewood, about Big Star’s Third and Fleetwood Mac’s Tusk,” says Courtney Marie.

“I was in one of the darkest periods of my life, and songs were the only way I could reckon with it. I felt cursed, and the only mental cure felt like songwriting and painting.”

The near-death of a loved one loomed over everything, and while that person eventually recovered from both sickness and psychosis, Courtney Marie was more sure that death was coming, rather than recovery.

Her grief was acute, volatile. The decline coincided with a new romance, but rather than lift her up, the two emotional poles seemed to bleed into each other to sow doubt, trouble, even obsession.

“I was grappling with what I felt sure was death, and with the end of that relationship, while I was also grappling with something new but quite unstable,” she says. “Here was this new relationship evolving alongside the collapse of another.”

The result was a feeling of “limerence, but a somehow empowered limerence,” she says: consuming and fierce, piled high with insecurity and fantasy, and filling every inch of a space she feared was hollowing out.

The poster artwork for Courtney Marie Andrews’ All Saints Church concert in Pocklington

It was painful, she says, and not far off from the pain of grief, but through her own exploration of music and art, Courtney Marie found a way to grow stronger inside this feeling. “I didn’t want to slink into my pain; I wanted to embrace it, own it,” she explains.

The songs that emerged are devotional in their lyrics but defiant in their energy: a high-wire balance that permeates Valentine, typified by lead single Everyone Wants To Feel Like You Do with its indictment of the type of man who feels he can move through the world whatever way he wants without consequence.

Here, Courtney Marie’s singing is classic honey-and-vinegar, sounding sweet but carrying a sting. “It’s this funny double-edged thing because you do want to feel like that person, but you’re not sure if you should, because it’s a person so disconnected, without a care in the world or a care for other people,” she says.

“I played the guitar solo like I didn’t care in that song. I thought ‘I’m just gonna play it like I don’t give a s**t what anyone else is doing.’”

Little Picture Of A Butterfly is another example, one where the reclamation of power in the lyrics (“Soulmates what a pretty thought/but either you do, or you do not”) mirrors the same in the music. “It’s such a trad song in a lot of ways but we added flute, we added organ and all these Brian Wilson harmonies,” she says.

Keeper is the only co-written song on Valentine, one whose back story reads like a short film. “I was at dinner with a dear friend [singer-songwriter Kate York] , and I was really going through it. I asked her if I’m a keeper, and we both just started crying,” recalls Courtney Marie. “We wrote the song then and there, line by line over dinner. I went home and put a melody over it after.”

As she releases her tenth studio set, only now is she appreciating the centrality of her power as a singer. “Historically my favourite artists weren’t looked at as singers. They were looked at as writers,” she says. “And I sort of dissociated myself from singing; I chose to use it when it behoved me, but I wasn’t connected with it.”

However, the more interdisciplinary her work became, the more that belief seemed to dissolve. “Singing is another stroke. The most direct line to your heart. Everything is colour, texture. The way you sing can change everything, for both you and the people listening,” she says.

In rejecting the objectification of love, the love filled with gestures and objects instead of trust, mess, and growth, Courtney Marie has delivered her most beautiful and loving album to date.

Come May 21, at 7.30pm, Courtney Marie will be completing a hat-trick of Pocklington appearances. She had been booked to follow up her December 2018 debut at Pocklington Arts Centre on June 17 2020, but the pandemic restrictions put paid to that show and its rearranged date of June 17 2021. Third time lucky, she finally returned on June 19 2022.

Promoted by Hurricane Promotions, tickets for Courtney Marie’s Valentine’s night in Pock are on sale at £25 via courtneymarieandrews.com.

Question: What is “limerence”?

Answer:  The involuntary state of intense romantic infatuation, obsession and emotional dependency on another person (the “limerent object”). The term was coined by psychologist Dorothy Tennov in 1979, defining a feeling that differs from love by being focused primarily on the uncertainty of reciprocation, often causing obsessive thinking, idealisation and emotional volatility, ranging from ecstasy to despair.

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REVIEW: Paul Rhodes’s verdict on The Unthanks At 20, All Saints Church, The Pavement, Pocklington, November 22

Becky Unthank, left, Rachel Unthank and Niopha Keegan in harmony at All Saints Church, Pocklington. All pictures: Paul Rhodes

SHOWING no signs of slowing, this tour marks 20 years in showbusiness for the Unthanks. Mercifully, these North Easterners are the perfect antidote to the shallow and throwaway nature of much of what’s spun out for popular entertainment.

All Saints Church in Pocklington is an ideal intimate venue for them. All 200 seats sold out quickly, and the welcome and sound were both warm and inviting.

The Unthanks have been prolific, with a range of releases including lots of diversions to cover the works of others. It made for a really varied evening, with 19 tunes drawn from all corners of their repertoire.

The Unthanks’ musical director, Adrian McNally

The opening salvo of John Dead, On A Monday Morning and What Can A Song Do To You encapsulated this. The last of the three was a cover of Molly Drake’s home recordings (their last recorded diversion). Molly was the mother ofsinger-songwriter Nick Drake and an enormous musical influence on her son who took her inner journeys and piano tunings and made them darker, more abstract and universal.

With all its twists, the set was still steeped in the darkness that we have come to expect from the Unthanks. Their voices conjured a devastating account of The Trimdon Grange Explosion and it was a rare treat to hear Keen And Cry And Weep from the sisters’ musical score to the play Elmet (adapted and directed by Javaad Alipoor from York writer Fiona Mozley’s novel and performed at The Loading Bay, Bradford, as part of Bradford 2025 UK City of Culture).

The Unthanks are one of many, many folk groups, so why are they so beloved? It’s partly their natural North Eastern authenticity (not weakened a jot by adding London Irish Niopha Keegan, who sang and played fiddle).

The Unthanks’ set list for their November 22 concert at All Saints Church, Pocklington

There’s definitely their canny knack of choosing and arranging songs, and their sharp ears for a good story that can last. Most of all, however, it really comes down to the voices and our love of siblings harmony. Becky and Rachel really know how to make the most of what nature has given them.

The goose bump moments also happen when, rarely, all four sing together, bringing in musical director Adrian McNally’s voice at the low end. A grand example was King Of Rome, majestic in its new brass-less arrangement, which brought the second set to life after a less than diverting start.

Twenty years not out, and comparative striplings still, we can hopefully look forward to many more evenings in the Unthanks’ fine company.

The Unthanks performing under the lights at All Saints Church, Pocklington

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More Things To Do in York and beyond. Hutch’s List No. 50, from The York Press

Follow the Yellow Brick Road at Christmas at Castle Howard: The Wonderful Wizard Of Oz

FROM The Wizard Of Oz wonderland at Castle Howard to daytime dancing at York Barbican, Gothic tales to Dickensian ghost stories, ’tis the season to be out and about, reports Charles Hutchinson.

Christmas transformation of the week: The Wonderful Wizard Of Oz, Castle Howard, near York, until January 4 2026

CASTLE Howard becomes an immersive Christmas experience, dressed in set pieces, decorations, floristry, projections, lighting and sound for The Wonderful Wizard Of Oz, set to delight tens of thousands of visitors over seven weeks.

Created by CLW Event Design, headed up by Charlotte Lloyd Webber and Adrian Lillie, the show-stopping Emerald City High Street in the Long Gallery is the highlight of this winter’s transformation, with life-size fabricated shop fronts inspired by York’s Shambles, while the 28ft Christmas tree sparkles in the Great Hall. Leeds theatre company Imitating The Dog has provided the projections and soundscapes. Tickets: castlehoward.co.uk.

Day Fever co-founders Jonny Owen and Vicky McClure: Bringing the fun of daytime dancing to York Barbican on Saturday

Dance party of the week: Day Fever, York Barbican, Saturday, 3pm to 8pm

LAUNCHED in early 2024 by Trigger Point actress Vicky McClure, filmmaker and broadcaster Jonny Owen, Reverend & The Makers frontman Jon McClure (no relation), brother Chris McClure and Sheffield businessman James O’Hara, Day Fever has fast become a cultural sensation, built on people craving a space to let loose, laugh and dance, all before 8pm.

“It feels like a massive house party at your nan’s,” says Vicky. “No drama, no egos, just people acting daft, getting dressed up and having the best time.” No dress code, no pressure, only wall-to-wall feel-good tunes and an open invitation to dance like nobody’s watching. Box office: yorkbarbican.co.uk.

The Primitives: Playing The Crescent tonight

Indie gig of the week: The Primitives, The Crescent, York, Saturday, 7.30pm

COVENTRY band The Primitives emerged from the UK independent music scene in 1984 with a sound that distilled the shimmering guitar chime of The Byrds, the buzzsaw style of The Ramones and Sixties’ girl group melodies into quickfire pop gems. After debut album Lovely, breakthrough single Crash and further albums Pure and Galore, they split in 1992, only to re-form in 2009.

This year, Elefant Records released the double vinyl collection Let’s Go Round Again – Second Wave Singles & Rarities 2011-2025, adding new material to A sides, B sides and more besides from the past 14 years. Tonight they head to York with a line-up featuring original members Tracy Tracy, vocals, Paul Court guitar/vocals, and Tig Williams, drums. Box office: thecrescentyork.com.

Musical of the week: NE Theatre York in Roald Dahl’s Charlie And The Chocolate Factory, Joseph Rowntree Theatre, York, Saturday and Sunday, 2.30pm and 7.30pm; November 25 to 28, 7.30pm; November 29, 2.30pm and 7.30pm

DIRECTED by Steve Tearle, this musical will take you to a world of pure imagination in Roald Dahl’s devilishly delicious tale of young golden ticket winner Charlie Bucket entering the scrumptious chocolate factory. There, he and his grandpa Joe, along with five more children, will meet the mysterious confectionary wizard Willy Wonka for an adventure like no other.

“The story of chocolate is at the very heart and history of this amazing city and it is only fitting that NE Theatre York brings Charlie And The Chocolate Factory to York,” says Steve. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Mohammed Moussa: Headlining Say Owt’s bill on Sunday at The Crescent

Poetry gig of the week: Say Owt presents Mohammed Moussa, The Crescent, York, Sunday, midday

YORK spoken-word collective Say Owt welcomes Gaza Poets Society founder, Palestinian poet and podcaster Mohammad Moussa to The Crescent. Now living in Turkey, he writes with urgency, humour and hope, seeking to build connections across borders.

Supporting Mohammed on Sunday’s bill of shared personal stories will be York-based poets Nadira Alom and Minal Sukumar. Nadira writes about mental health and her experiences as a woman and a Muslim; Minal is a writer, performance poet and doctoral researcher at the Centre for Women’s Studies, University of York. Box office: thcrescentyork.com.

James Swanton: Returning to York Medical Society with a brace of Charles Dickens’ ghost stories

Storyteller of the week: James Swanton presents Charles Dickens’ Ghost Stories, York Medical Society, Stonegate, York, November 24 to 30, Monday, Tuesday, Thursday, Friday, 7pm; Sunday, 2pm and 6pm

YORK storyteller supreme and Gothic actor James Swanton returns to York Medical Society with two of Dickens’ seasonal ghost stories: A Christmas Carol, the famous saga of Scrooge (November 25 and 28, 7pm, and November 30, 2pm and 6pm), and The Haunted Man, a neglected Gothic classic (November 24 and 27, 7pm).

“Their words unlock a world teeming with chain-rattling spectres, with dark and shadowy doubles, with Ghosts of Christmases Past and Present and Yet To Come,” he says. “These tales chill the marrow and tickle the funny bone, but always they enchant, as only the works of a master storyteller can.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Meanwhile, Robert Lloyd Parry’s performance of three M R James ghost stories, Not Truly Dead, at Theatre@41, Monkgate, York, on November 23 (7.30pm) has sold out.

O’Hooley & Tidow: Playing NCEM

Folk gig of the week: O’Hooley & Tidow, So Long For Now, National Centre for Early Music, York, November 26, 7.30pm

AFTER 15 years of performing together, eight studio albums, four BBC Folk Award nominations, composing Gentleman Jack as the BBC/HBO drama theme tune and gigs at hundreds of UK and European venues and festivals, Yorkshire folk duo Belinda O’Hooley & Heidi Tidow have made the momentous decision to say farewell for now to explore other adventures.

To help their loving and loyal audiences process this news, they are embarking on one last tour of all their favourite venues from over the years, taking in the NCEM next Wednesday. Tickets update: Sold out. For returns only, ring 01904 658338.

Ross Noble: Geordie surrealist tapping into his Cranium Of Curiosities at the Grand Opera House, York

Comedy gig of the week: Ross Noble, Cranium Of Curiosities, Grand Opera House, York, November 26, 8pm

THE Wizard of Waffle, the Rambler Royale, the Noodlers’ Noodler is touring a tornado of tangents. “What the show will be about is anybody’s guess, but that’s all part of the fun when you look inside my Cranium of Curiosities,” says Newcastle-upon-Tyne stand-up comedian and actor Ross Noble, who cut his comedy teeth in York as the bygone Comedy Shack’s master of ceremonies at The Bonding Warehouse. Box office: atgtickets.com/york.

Rebecca Vaughan: Telling haunting tales of the festive season in Dafyd Productions’ Christmas Gothic at Theatre@41, Monkgate

Frailties of human nature of the week: Dafyd Productions in Christmas Gothic, Theatre@41, Monkgate, York, November 27, 7.30pm

REGULAR York frequenters Dafyd Productions return with Christmas Gothic, an invitation to come in from the cold and enter into the Christmas spirit as a dark and spectral woman (Rebecca Vaughan) tells haunting tales of the festive season, lighting a candle to the frailties of human nature and illuminating the chilling depths of the bleak, wintry dark. Box office: tickets.41monkgate.co.uk.

What’s On in Ryedale, York and beyond. Hutch’s List No. 49, from Gazette & Herald, 19/11/2025 onwards

Adrian Lillie and Charlotte Lloyd Webber, of CWL Design, standing by the 28ftChristmas tree in the Great Hall at Castle Howard, where their Wonderful Wizard Of Oz immersive experience enchants until January 4. Picture: Tom Arber

SNOW storms with clowns, Castle Howard’s immersive Wonderful Wizard Of Oz and Count Arthur Strong and Adam Z Robinson’s solo takes on A Christmas Carol put the ‘yes’ into November for Charles Hutchinson.

Christmas transformation of the week: The Wonderful Wizard Of Oz, Castle Howard, near York, until January 4

CASTLE Howard becomes an immersive Christmas experience, dressed in set pieces, decorations, floristry, projections, lighting and sound for The Wonderful Wizard Of Oz, set to delight tens of thousands of visitors over a seven-week period.

Created by CLW Event Design, headed up by Charlotte Lloyd Webber and Adrian Lillie, the show-stopping Emerald City High Street in the Long Gallery is a highlight of this winter’s transformation, with life-size fabricated shop fronts inspired by York’s Shambles, while the 28ft Christmas tree sparkles in the Great Hall. Leeds theatre company Imitating The Dog has provided the projections and soundscapes. Tickets: castlehoward.co.uk.  

Slava’s SnowShow: Arrival in York coincides with forecasts of snow across the North

Weather forecast of the week: Slava’s SnowShow, Grand Opera House, York, 7.30pm, today to Saturday; 2.30pm, tomorrow and Saturday; Sunday, 2pm and 6pm

ENTER an absurd and surrealistic world of “fools on the loose” in Slava Polunin’s  work of clown art, wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons. The finale is an “out-of-this-world snowstorm”. Box office: atgtickets.com/york.

Kerry Godliman: Welcome to the life of a middle-aged woman who has outsourced her memory to her phone in Bandwidth. Picture: Aemen Sukka, of Jiksaw

Straight-talker of the week: Kerry Godliman: Bandwidth, York Theatre Royal, tonight, 7.30pm

WHILE parenting teenagers, bogged down with knicker admin and considering dealing HRT on the black market, Kerry Godliman can’t remember what was in her lost mum bag after outsourcing her memory to her phone. Welcome to the life of a middle-aged woman who lacks the bandwidth ​for any of this.

Godliman, comedian, actor, writer, podcaster and broadcaster, from Afterlife, Taskmaster and Trigger Point, builds her new stand-up show on straight-talking charm and quick wit. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York artist Lesley Birch at work in her studio for her Flower Power exhibition at Pyramid Gallery, York. Picture: Esme Mai Photography

Blooms of the week: Lesley Birch: Flower Power and Jacqui Atkin: Ceramics, Pyramid Gallery, Stonegate, York, until mid-January 2026, Monday to Saturday, 10am to 5pm  

LESLEY Birch is showing 22 paintings from her Flower Power series in an exhibition that coincides with the publication of her small artbook of the same title by independent York publisher Overt Books, also featuring Esme Mai’s photographs of Lesley’s home studio and the York artist’s free-verse musings. On show too are Pottery Showdown potter Jacqui Atkin’s ceramics.

Dickens of a good show: Count Arthur Strong Is Charles Dickens in A Christmas Carol, York Barbican, tomorrow, 8pm; Whitby Pavilion Theatre, November 23, 7.30pm; Scarborough Spa Theatre, November 27, 8pm  

IN response to public pressure, doyen of light entertainment and raconteur Count Arthur Strong is extending his fond farewell with new dates aplenty for his one-man interpretation of A Christmas Carol, performing his own festive adaptation in the guise of literary great and travelling showman performer Charles Dickens. Box office: York, yorkbarbican.co.uk; Whitby, whitbypavilion.co.uk; Scarborough, scarboroughspa.co.uk.

Gerard Hobson: Cut out for three days of Christmas art

Christmas exhibition of the week: Gerard Hobson, 51, Water Lane, Clifton, York, Friday and Saturday, 10am to 4pm; Sunday, 12 noon to 4pm

YORK printmaker Geard Hobson’s artwork comprises hand-coloured, limited-edition linocut prints and cut-outs focused on nature and wildlife, inspired by the countryside around where he lives in York.

As well as prints and bird, animal, tree and mushroom cut-outs, he creates anything from cards, mugs, cushions and coasters to chopping boards, lampshades, tea towels, notepads and wrapping paper. This week’s festive exhibition focuses on Christmas gifts, cards, prints and cut-outs.

Mexborough poet Ian Parks holding a copy of his new book The Sons Of Darkness And The Sons Of Light. The Basement at City Screen Picturehouse awaits on Friday

Word-and-song gathering of the week: Navigators Art presents An Evening with Ian Parks and Friends, The Basement, City Screen Picturehouse, York, Friday, 7.30pm

YORK arts collective Navigators Art plays host to An Evening with Ian Parks and Friends, where Parks reads from his new collection, The Sons Of Darkness And The Sons Of Light, and will be in conversation with Crooked Spire Press publisher Tim Fellows.

Joining Parks will be award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail. Tickets: £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.

Rant: Scottish quartet of fiddle players heads for Helmsley Arts Centre

Fiddlers of the week: Rant, Helmsley Arts Centre, Friday, 7.30pm

SCOTTISH chamber-folk fiddlers Rant return to the road after releasing third album Spin last year, featuring their ambitious, bold and reflective reinterpretation of influential tracks by bands and players from across the globe from their formative years.

In the line-up are Bethany Reid, from Shetland, Anna Massie and Lauren MacColl from the Highland peninsula of the Black Isle, and Gillian Frame, from Arran, whose live set reflects years of honing their sound together and their love for the music of each home region through their writing, repertoire and stories. Box office: 01439 771700 or helmsleyarts.co.uk.

Adam Z Robinson: Playing Scrooge and 27 more characters in A Christmas Carol at Helmsley Arts Centre

Ryedale solo show of the week: The Book of Darkness & Light Theatre Company in A Christmas Carol, Helmsley Arts Centre, Saturday, 7.30pm

MARLEY was dead.. to begin with. So starts The Book of Darkness & Light Theatre Company’s ghostly staging of Charles Dickens’s festive tale, performed by Adam Z Robinson, whose solo adaptation “teases out the gothic aspects” and requires him to play 28 characters.

Join miserly misery Ebenezer Scrooge on a supernatural journey into the past, present and yet-to-come. The chilly atmosphere of Victorian London is brought to life and the spirits of Christmas return from the dead, all through the spellbinding art of storytelling that combines gripping narration with eerie recorded voices and an immersive soundscape. Box office: 01439 771700 or helmsleyarts.co.uk.

Becky, left, and Rachel Unthank: Playing All Saints Church, Pocklington, this weekend

Recommended but sold out already: The Unthanks At 20, All Saints Church, Pocklington, Saturday, 7.30pm

POCKLINGTON’S Hurricane Promotions bring North Eastern folk band The Unthanks to All Saints Church as part of their 20th anniversary scaled-back, intimate series of shows in support of “today’s best small venues”.

 The Unthanks play Pocklington fresh from singing sisters Rachel and Becky Unthank and pianist Adrian McNally being part of the cast of eight for the October 22 to November 2 theatre piece for Bradford UK City of Culture 2025, creating and performing the music for Javaad Alipoor’s staging of York author Fiona Mozley’s Booker Prize-shortlisted novel, Elmet.

The show poster for The Sounds Of Simon at the Kirk Theatre, Pickering

Tribute show of the week: The Sounds Of Simon, The Music of Paul Simon and Art Garfunkel, Old Friends, Kirk Theatre, Pickering, Saturday, 7.30pm

THE Sounds Of Simon, the UK’s longest-running tribute to Paul Simon and Art Garfunkel, takes a musical journey from their years as Simon and Garfunkel to the successes of their solo careers, as they explore the friendship that led to songs such as Mrs Robinson, The Sound Of Silence and Bridge Over Troubled Water,   onwards to You Can Call Me Al, Graceland and Garfunkel’s Bright Eyes.

The show incorporates elements of the duo’s famously fractious relationship, as well as replicating their beautiful harmonies, complemented by video clips, stories and memories from more than 50 years. Box office: 01751 474833 or kirktheatre.co.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 47, from Gazette & Herald

Luxmuralis’s Echoes Of Yorkshire: Art, light and sound in harmony in York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

GARDEN art & light installations, wartime memories and Dracula and Cinderella retellings spark Charles Hutchinson’s interest.

Installation of the week: Echoes Of Yorkshire, York Museum Gardens, until Sunday, 6pm to 8.20pm

LET light, colour and music surround you at Luxmuralis’s light and sound installation as artist Peter Walker, composer David Harper and lighting designer Steve Rainsford bring the story alive of the Yorkshire Museum and York Museum Gardens from 1,000 images. 

Immerse yourself in the story of the historic site with contemporary light and music showcasing York Museum Trust’s age-defining artefacts and extraordinary exhibits. Tickets: yorkshiremuseum.org.uk.

David Barrott, Catherine Edge and Adam Marsdin in rehearsal for Settlement Players’ production of Party Piece

Calamitous comedy misadventure of the week: York Settlement Community Players in Party Piece, Theatre@41, Monkgate, York, until Saturday, 7.30pm and 2.30pm Saturday matinee

AMERICAN director, writer, producer, historian and stuntman Martin T Brooks directs Settlement Players for the first time in Richard Harris’s calamitous 1992 comedy Party Piece.

Michael and Roma Smethurst are preparing meticulously for their fancy-dress housewarming party as Mrs Hinson, not the biggest fan of her upper-class new neighbours, keeps a criticising eye on the attendees. Then disasters strike: an embarrassing lack of guests, a burning barbeque, a marauding Zimmer frame and a corpse showing up at the front door. Cue chaos. Box office: tickets.41monkgate.co.uk.

Cassie Vallance, left, and Jane Bruce in Story Craft Theatre’s Bat, Cackle And Pop! at York Theatre Royal

Children’s Halloween show of the week: Story Craft Theatre in Bat, Cackle And Pop!, York Theatre Royal Studio, today until Friday, 10.30am and 1pm

WINIFRED the Witch thinks everyone has forgotten her birthday. Not so. There will be a big surprise party, but first, a special birthday cake must be made.

“We just need the last three rather spooky ingredients,” say York company Story Craft Theatre’s Cassie Vallance and Jane Bruce. “Our show is bubbling with all sorts of ghosts and ghouls – more silly than scary – and there’s plenty of opportunities to dabble in some spell making, as well as flying with luxury BAT Airways.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jimmy Regal & The Royals: Playing Ryedale Blues Club at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Jimmy Regal & The Royals, Milton Rooms, Malton, tomorrow, 8pm

JIMMY Regal & The Royals are a tough and howlin’ harmonica-led three piece from South London, brandishing a sound from Mississippi to New Orleans, Mali to Canvey Island. Signed to Lunaria Records, they are touring to promote latest album Well Boss, a live set recorded at the Temperance in Leamington Spa. Box office: 01653 696240 or themiltonrooms.com.

Stage Hammer: Revamping Bram Stoker’s Dracula

High stakes of the week: Stage Hammer in Bram Stoker’s Dracula, Joseph Rowntree Theatre, York, tomorrow and Friday, 7.30pm; Kirk Theatre, Pickering, Saturday, 7.30pm

WOLVES howl in the forests of Transylvania. Waves crash violently against the cliffs below Whitby Abbey. The infection is spreading. Count Dracula (Stuart Sellens) walks among us. Yorkshire solicitor Jonathan Harker (Callum Mathers) travels to a castle in the Carpathian Mountains to finalise the sale of property for a reclusive nobleman.

When he seemingly vanishes, fiancée Mina (Jennifer Jones) and her closest friend Lucy (Kathryn Lay) fall into the grip of a sinister force. Their only hope for survival is the mysterious vampire slayer Professor Van Helsing (Christopher C Corbett) in East Yorkshire troupe Stage Hammer’s new account of Bram Stoker’s vampire story, adapted by Corbett and directed by Lydia Baldwin. Box office: York, 01904 658338 or josephrowntreetheatre.co.uk; Pickering, 01751 474833 or kirktheatre.co.uk. 

Fizzy with the singers in Pick Me Up Theatre’s Bugsy Malone: Theo Rae, Isla Lightfoot, Olivia Swales and Beau Lettin

Musical of the week: Pick Me Up Theatre in Bugsy Malone, Grand Opera House, York, October 31 to November 8, 7.30pm, except Sunday and Monday; 2.30pm, both Saturdays and Sunday

LESLEY Hill directs and choreographs York company Pick Me Up Theatre’s cast of 40 young performers in  Alan Parker and Paul Williams’s musical, replete with the film songs You Give A Little Love,  My Name Is Tallulah, So You Wanna Be A Boxer?, Fat Sam’s Grand SlamandBugsy Malone.

In Prohibition-era New York, rival gangsters Fat Sam and Dandy Dan are at loggerheads. As custard pies fly and Dan’s splurge guns wreak havoc, penniless ex-boxer and all-round nice guy Bugsy Malone falls for aspiring singer Blousey Brown. Can Bugsy resist seductive songstress Tallulah, Fat Sam’s moll and Bugsy’s old flame, and stay out of trouble while helping Fat Sam to defend his business? Box office: atgtickets.com/york.

Little Seeds Music: Refreshing the fairytale world in Cinderella Ice Cream Seller

Fairytale retelling of the week: Little Seeds Music in Cinderella Ice Cream Seller, Helmsley Arts Centre, Saturday, 2.30pm

OVER the past four decades, Cinderella’s has become the kingdom’s most beloved ice cream company, with a parlour on every street corner, but how did this humble maker become a multimillionaire business woman with her own empire?

Prepare your dessert spoons for a tale of perseverance, princes, palace balls, glass slippers and, yes, ice cream in writer-composer David Gibb’s hour-long family musical, wherein loyal Cinderella’s employees Talvi and Caldwell share her rags-to-riches tale and confront their own desires, hopes and the magic that lies within each scoop. Suitable for age five upwards. Box office: 01439 771700 or helmsleyarts.co.uk.

Bomb Happy: Film and live performance double bill for VE Day at Milton Rooms, Malton

Theatre memorial of the week: Everwitch Theatre in Bomb Happy VE Day double bill, Milton Rooms, Malton, Sunday, 3pm

PRESENTED in the lead-up to Remembrance Sunday, whose focus this year falls on 80th anniversary of VE Day, Bomb Happy has been created by writer-performer Helena Fox and actor-vocalist Natasha Jones, of Everwitch Theatre.

From D-Day to VE Day, this powerful one-hour double bill of live performance (30 minutes) and short film (30 minutes) brings to life the verbatim accounts of two working-class Yorkshire Normandy veterans, highlighting the lifelong impact of post-traumatic stress disorder and sleep trauma, not only on war veterans but on their families too. Box office: 01653 696240 or themiltonrooms.com.

Chris Smither: Playing All Saints Church, Pocklington tonight

In Focus: Chris Smither, All Saints Church, Pocklington, tonight, 7.30pm

CHRIS Smither, truly an American original, returns to the UK to perform songs from his vast catalogue on his 2025 UK and Irish tour as he approaches his 81st birthday on November 11.

Honing his synthesis of folk and blues for more than 50 years, this profound songwriter and captivating performer, from Miamai, Florida, melds the styles of his two major influences, Lightnin’ Hopkins and Mississippi John Hurt, into his own signature guitar sound.

His music draws deeply from the blues, American folk music, modern poets and humanist philosophers. His songs have featured in films and TV shows and been covered by John Mayall, Emmylou Harris,  Bonnie Raitt and Diana Krall, among others.

Smither continues to tour festivals, music clubs and concerts halls all over the world. Now he showcases his 20th studio album, 2024’s All About The Bones, produced by long-time friend and producer David Goodrich, which complements eight new compositions with Smither’s renditions of Eliza Gilkyson’s Calm Before The Storm and Tom Petty’s Time To Move On.

The recording sessions took place at Sonelab Studios in Easthampton, Massachusetts, where Smither was joined by Goodrich, Zak Trojano, BettySoo and Chris Cheek.

The New York Times said of All About The Bones: “With a weary, well-travelled voice and a serenely intricate finger-picking style, Mr Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate.”

Singer-songwriter BettySoo is Smither’s guest on the tour. Tickets for tonight cost £21.50 at www.smither.com.

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REVIEW: The Coal Porters, All Saints Church, Pocklington, September 19

The Coal Porters at All Saints Church, Pocklington. Picture: Paul Rhodes

THE evening after the night before, plus a bad head cold. On the face of it, the signs weren’t encouraging for The Coal Porters’ Pocklington show, (hardly) fresh from Sid Griffin’s 70th birthday concert bash at The Water Rats, in King’s Cross, London – a show Griffin himself put in his top three.

We need not have worried, thanks to the power of bluegrass and Griffin’s ‘the-show-must- go-on’ attitude. A double whisky whisked in and down at the interval certainly helped as well.

Griffin assembled The Coal Porters, billed as alt. bluegrass, primarily to entertain. There is something life affirming about the way banjo and fiddle sound together, with double bass and mandolin floating over the top on a round of harmonies.

Griffin is a musician and writer, one of the founding fathers of today’s alt. country genre with The Long Ryders. Like his hero Gene Clark (who featured later in Looking For Lewis And Clark), he is critically acclaimed but has never troubled the hit parade despite lifting roofs off venues all over.

Alongside him were three extroverts, Kerenza Peacock on exuberant fiddle and vocals, Andrew Stafford on bass and Neil Robert Herd on guitar and vocals, going strong after two decades. In the more reflective camp, but out front anyway, was Paul Fitzgerald on banjo and vocals.

The band’s red jackets and black over-long trousers gave them the appearance of trad bluegrass, but the set list blew such notions away. Griffin’s jacket would end up hung over the church pulpit.

Across 23 songs and some 100 minutes the band threw themselves into a wide range of music. From the traditional bluegrass of Bill Monroe to ‘Porterised’ punk and rock songs reborn as country.

Heroes, by David Bowie, too ubiquitous, can rarely have sounded better, while Another Girl, Another Planet, by The Only Ones, confirmed that the best tunes can work in any genre if handled with care and again topped the original.

Griffin’s own songs could also make the journey back to punk rock. The Day The Last Ramone Died worked best (although Pocklington scored low for Ramones T-shirts in the audience).

The Coal Porters’ sincerely sung love of the material was clear, and also for one another. With their leader ailing and singing with teacup in hand (would one more song of souls in restless agony see him off?), the others took a number of turns. Peacock received  the biggest hand for her instrumental Chopping The Garlic while Fitzgerald showed us his love of Chuck Berry.

Talking to charleshutchpress.co.uk  earlier in the week, Griffin, a man who knows a thing or two about a good line, memorably said: “It’s what I do, it’s what we do, as Robbie Robertson said of The Band. Good times, bad times, I make music. I don’t have riches or fame. I’m just happy.”

All Saints Church is a venue that brings the best out of performers, with clear sightlines and lovely sound. It inspired Griffin to set aside his solo album in favour of a rousing version of I Am A Pilgrim (a stand-out single from The Byrds’ Sweetheart Of The Rodeo).

Played for the love of the music and despite illness, Griffin and his friends gave us a wonderful night of feelgood music.

Review by Paul Rhodes

Coming up at All Saints Church, Pocklington are Chris Smither on October 29, 7.30pm, and The Unthanks At 20 – already sold out – on November  22, 7.30pm. Box office: ticketsource.co.uk/whats-on/pocklington/all-saints-church/chris-smither/e-moryao.

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Bluegrass band The Coal Porters play ‘church-based entertainment venue’, All Saints in Pocklington, tonight

The Coal Porters: Led by Sid Griffin at All Saints Church, Pocklington, on September 19

THE Coal Porters, the world’s first “alt-bluegrass” act, play All Saints Church, Pocklington, tonight as one of “two (count ’em) encounters with church-based entertainment venues” on their nine-date tour.

Prominent figures in the UK Americana and bluegrass scene for 17 years, Sid Griffin’s band are back in the saddle throughout this month, performing one Yorkshire concert already at Filey Americana Festival at Filey Evron Centre on September 7.

In a further highlight, eighth-generation Kentuckian Griffin marked his 70th birthday with a special gig at the Water Rats, London, last night.

2025 has been quite a year for Long Ryders and Coal Porters frontman Griffin, both on the road and in the recording studio. “The Long Ryders have made a record and now The Coal Porters are firing up again for this tour,” he says.

Tonight AMA Award winner Griffin leads The Coal Porters at All Saints Church on vocals, mandolin, harmonica and autoharp, accompanied by Grammy winner and Adele string section leader Kerenza Peacock on fiddle and vocals; Paul Fitzgerald on banjo and vocals; Andrew Stafford on bass and Neil Robert Herd on guitar and vocals.

“We’ve played St Mary’s Creative Space, an absolutely beautiful church in Chester, and a deconsecrated church in Glasgow, so we love playing civic buildings of interest in any form or shape, which are worth their weight in plutonium,” says Sid. “If they can’t hear a choir singing the praises of the Lord, they can hear us.”

How does Sid know which of his songs will suit the his long-running American alternative country band The Long Ryders or the fiddle, mandolin, banjo, acoustic guitar and doghouse bass, four-part harmonies and melodies of The Coal Porters’ alt. bluegrass?

“Some of the acoustic songs are really written in the singer-songwriter/troubadour tradition, and are not right for the scale of The Long Ryders, and likewise some songs need those drums and bass,” he says. “I can tell upon writing a song where it should go – and the audiences hardly ever disagree!

The tour poster for The Coal Porters’ September travels

“There’s a danger that you start writing songs that you know the band can play, and that’s a mistake as you have to challenge them to get out of their comfort zone. You really have to watch that. It’s one of the pitfalls.

“You have to extend yourself, but not too far, you have to be different, but not too far, which seems contradictory. The Ramones and Credence Clearwater Revival managed to do that, but it’s usually the point at which bands split.

“The Temptations changed, ZZ Top changed, but sometimes you can’t do that – and that’s the thing. I’ve always tried to traverse, with The Long Ryders experimenting and The Coal Porters being entertaining – and being told  we’re too entertaining for hillbilly!”

Sid takes his point further. “We’ll take songs by Bob Dylan or David Bowie and we’ll ‘Porterise’ them, knowing we’re playing a Dylan/Bowie song but in a bluegrass form, being true to the idiom.

“The bluegrass police don’t like it. It’s like The Stanley Brothers again. People always want it to be better but different, and it’s pretty impossible to square the circle,” he says. “Traditionalists don’t like it but Coal Porters fans love us to death, so the question is, how do you make things better than yesterday?”

Should he shed the optimism in The Coal Porters’ performances, ponders Sid.  “That would be a mistake when you have to entertain but also give the audience a mirror of what’s going, but are we giving them respite, an escape, from what’s going on?” he says.

“I take performances at least as seriously as recording. They’re staring at you; you have their complete, undivided attention. They’ve paid their money, they’re facing you, whereas at home they’re not paying as much attention to a screen.

“Live gigs are now so important because no-one’s making money out of albums. Merch stands are important too. People come up to ask me questions  when it’s their moment to have that conversation with someone that has influence and they really want to give me their opinion.”

Singer, songwriter, band leader, musicologist, broadcaster and author Sid Griffin has lived in London for 33 years, where music will continue to frame his life. “It’s what I do, it’s what we do, as Robbie Robertson said of The Band. Good times, bad times, I make music. I don’t have riches or fame. I’m just happy,” he says, as he turns 70.

“It’s what I’ve been doing for a long time and I’ll keep doing it. I’m very pleased anyone wants to hear what I have to say. It’s very touching that these middle-aged guys, usually in their Clash and Ramones T-shirts, come with their wives and their kids and say what our music has done for them.”

Coming up next will be The Long Ryders’ sixth studio album, the follow-up to 2023’s September November. “It’ll be out in March/April. No title yet,” says Sid. “We recorded in a little town in the desert with producer Ed Stasium [who has worked with the Ramones, Talking Heads, Motörhead and the Smithereens, among others].

“It was a really great experience to get together with the guys again. It’ll possibly be our last one but it was a lot of fun to do.  Now we’ve got to be mix it for release in the spring.”

Hurricane Promotions present The Coal Porters, All Saints Church, Pocklington, tonight, 7.30pm. Box office: sidgriffin.com/tour; Pocklington, ticketsource.co.uk/hurricane-promotions/the-coal-porters/2025-09-19/19:30/t-eaoqmak.

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Martha Wainwright finds her voice anew at All Saints Church in Pocklington tomorrow

Martha Wainwright: 20th anniversary tour show at All Saints Church, Pocklington

MARTHA Wainwright plays All Saints Church, Pocklington, tomorrow on her 18-date 20th Anniversary Tour.

The Montreal-born singer-songwriter will be marking 20 years since she released her self-titled debut album, when she stepped out of the shadow of her illustrious North American musical family (father Loudon Wainwright III; mother Kate McGarrigle; brother Rufus Wainwright and aunt Anna McGarrigle).

“Twenty years ago my life as an artist took shape when my first record was released,” recalls Martha, now 49. “In many ways that record defined me, as well as launched me into a now over-20-year-long career that has made me who I am.

“It was after ten years of playing in bars, making cassettes and EPs to sell at my shows, singing back-up for my brother Rufus, falling in love and out of love, practising, writing, singing until I could barely sing anymore, partying, playing with musicians and listening to great artists, working with my ex-husband [producer and bassist Brad Albetta] in the studio for two years, all that created this first record.”

Martha continues: “Labels wouldn’t sign me when I started and I had to craft, with the help of many people, an album that would finally be licensed and released in 2005. My first record tells my story and when it was finally released I was able to work and tour and have a career in music – something that I always wanted but wasn’t sure would happen. 

“Twenty years later, with six other albums under my belt, two kids and a career that is chugging along, I can safely say my first record paved my way forward.”

In May, [PIAS] (CORRECT) released Martha’s debut on vinyl for the first time, alongside CD and digital versions with extra tracks and a bonus disc of 14 rarities and alternate versions: unheard songs, outtakes and early material from ten years of discovery that led to her first record. Gems include Bring Back My Heart, featuring Rufus Wainwright, Our Love with Kate & Anna McGarrigle and Far Away, featuring the late Garth Hudson, of The Band.

“In the years before my first album was released, I was doing my own version of ‘artist development’ – playing a lot of gigs and going into the studio to make demos,” says Martha. “I got to New York City in 1998. It was a magical blur of fun and discovery, meeting musicians, playing and seeing shows and going into the studio. Hopping from bar to bar in the Lower East Side and Williamsburg.

“These are some of the recordings that came out of that time. Some were released as EPs that I would sell at shows but others have never been released. These are the ones that best reflect that time and the wild eclecticism I’ve always had, for better or worse, as an artist.”

Why did she call her first album “Martha Wainwright”? “That’s a very classic singer-songwriter thing to do. It’s your introduction, and the world’s introduction to you, and it also means there is not necessarily one song that defines the record. It’s not saying ‘this is the single’; it’s not creating an image. That’s how eponymous works for me,” says Martha.

“Also, I think, for my first record, as is the case for some artists, this one was a long time in the making as I couldn’t get a record contract, thought I released my first cassette in 1997, then moved to New York, made some EPS and tried to discover myself musically.

“Coming from a musical family, I needed to discover myself when there’s a lot of shadow to come out of, and these were songs that I wrote over many years as a young person defining myself.”

Was she ever tempted not to use her family name? “Well, it’s interesting, because I come out of a tradition of songwriters who use their own name as they had an interesting name and didn’t need to change it or didn’t want to,” says Martha.

“Artistically, it could be silly to change my name, though not necessarily so, because people will inevitably draw comparisons, but we’re all bogged down  by our families, whether we want to be or not.

“My family chose songwriting to be the big subject in life, and I guess I was leaning to that, but it was also about love and unrequited love.

“It was this acceptance of where I came from, but also maybe that I would have to push and shove , and you can hear that edge, that youthful resentment, to make you different to Kate and Anna, Rufus and Loudon.

“Every artist is trying to find their spot, trying to find that centre, and maybe we are trying to do that not only as artists but as people: to find our voices.”

Now comes her 20th anniversary tour with “a few great musicians”, when Martha will be playing her debut record in its entirety, complemented by a few new songs. “There’s no 49-year-old me without the 28-year-old me,” she says.

Martha Wainwright, supported by Michele Stodart (of The Magic Numbers), All Saints Church, Pocklington, August 27, 7.30pm. Also The Foundry, Sheffield, August 28, 7.30pm. Tour tickets are on sale at marthawainwright.com.

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Martha Wainwright to play All Saints Church, Pocklington, and The Foundry, Sheffield, on 20th anniversary tour

Martha Wainwright

MARTHA Wainwright will play All Saints Church, Pocklington, on August 27 (7.30pm) and The Foundry, Sheffield, on August 28 (7.30pm) on her 18-date 20th Anniversary Tour.

The Montreal-born singer-songwriter will be marking 20 years since she released her self-titled debut album, when she stepped out of the shadow of her illustrious North American musical family (father Loudon Wainwright III; mother Kate McGarrigle; brother Rufus Wainwright).

On May 23, [PIAS] released this album on vinyl for the first time, alongside CD and digital versions with extra tracks and a bonus disc of 14 rarities and alternate versions: unheard songs, outtakes and early material from ten years of discovery that led to her first record. Gems include Bring Back My Heart, featuring Rufus Wainwright, Our Love with Kate & Anna McGarrigle and Far Away, featuring the late Garth Hudson, of The Band.

“In the years before my first album was released, I was doing my own version of ‘artist development’ – playing a lot of gigs and going into the studio to make demos,” recalls Martha. “I got to New York City in 1998. It was a magical blur of fun and discovery, meeting musicians, playing and seeing shows and going into the studio. Hopping from bar to bar in the Lower East Side and Williamsburg.

“These are some of the recordings that came out of that time. Some were released as EPs that I would sell at shows but others have never been released. These are the ones that best reflect that time and the wild eclecticism I’ve always had, for better or worse, as an artist.”

Vinyl track list: Far Away; G.P.T.; Factory; These Flowers; Ball & Chain; Don’t Forget; This Life;  When The Day Is Short; Bl**dy Mother ******* Asshole; TV Show; The Maker and Who Was I Kidding.

Digital/CD track list: Disc 1, 20th Anniversary: Far Away; G.P.T.; Factory; These Flowers; Ball & Chain; Don’t Forget; This Life;  When The Day Is Short; Bl**dy Mother ******* Asshole; TV Show; The Maker; Who Was I Kidding; Whither Must I Wander; Bring Back My Heart (featuring Rufus Wainwright); Baby and Dis, Quand Reviendras-Tu?

Disc 2, Outliers: Can You Hear Me *; The Sex Song *; The Dead *; Factory #2 *; Our Love *; Far Away (with Garth Huson) *; Pretty Good Day; The Car Song; It’s Over; I Will Internalize; Bye Bye Blackbird; New York, New York, New York; When the Day is Short (Demo) * and Year of the Dragon. *Never before released.

“Twenty years ago my life as an artist took shape when my first record was released,” says Martha. “In many ways that record defined me, as well as launched me into a now over-20-year-long career that has made me who I am.

“It was after ten years of playing in bars, making cassettes and EPs to sell at my shows, singing backup for my brother Rufus, falling in love and out of love, practising, writing, singing until I could barely sing anymore, partying, playing with musicians and listening to great artists, working with my ex-husband in the studio for two years, all that created this first record.”

Martha continues: “Labels wouldn’t sign me when I started and I had to craft, with the help of many people, an album that would finally be licensed and released in 2005. My first record tells my story and when it was finally released I was able to work and tour and have a career in music – something that I always wanted but wasn’t sure would happen. 

“Twenty years later, with six other albums under my belt, two kids and a career that is chugging along, I can safely say my first record paved my way forward.

On her tour with “a few great musicians”, Martha will be playing her debut record in its entirety, complemented by a few new songs. “There’s no 49-year-old me without the 28-year-old me,” she says.

Tour tickets are on sale at marthawainwright.com.

MICHELE Stodart, multi-award-winning singer, songwriter, producer, musical director and multi-instrumentalist, will be the special guest at Martha Wainwright’s Pocklington concert.

She is best known as bassist, vocalist and co-songwriter of the Mercury-nominated, double-platinum-selling The Magic Numbers, who have five studio albums to their name and have supported Neil Young, Radiohead, Brian Wilson, U2, The Who, Flaming Lips and Bright Eyes.

She continues to tour worldwide in the London band alongside brother Romeo and fellow siblings Sean and Angela Gannon, with a new album set for release next year. 

Born in Trinidad, she spent her early childhood there until she and her family fled a military coup attempt, leading them to Queens, New York, and eventually to London.

Inspired by Karen Dalton, Judee Sill, Emmylou Harris and Gillian Welch, she has always pursued her own writing, nurturing a love for folk, country and Americana music. This can be heard on three solo albums, 2016’s Pieces, 2022’s The Hug and 2023’s Invitation, a confessional, melodic set of songs with an orchestral, cinematic feel that won the UK Album of the Year at the 2024 UK Americana Awards, where Michele scooped the coveted award for UK Artist of the Year too.

In addition to her Magic Numbers and solo commitments, away from recording and touring, she has built a name for herself as a musical director, collaborator and producer. She has been invited to curate stages at festivals and events and she curates and directs an annual multi-artist show marking International Women’s Day, as well as promoting and hosting regular nights at the Green Note in Camden Town, celebrating both established and emerging talent.

The cover artwork for Michel Stodart’s 2023 album, Invitation

Michele has worked as a tutor and held songwriting masterclasses at creative workshops and songwriting retreats, both for adults and children.

In 2019, Michele appeared in the Danny Boyle/Richard Curtis film Yesterday, having been chosen for her role for her melodic bass playing and electric, enigmatic stage presence. Working alongside Boyle, Curtis and musical composer Daniel Pemberton, Michele’s bass and vocals are featured on the Abbey Road Studios movie soundtrack, reinterpreting The Beatles’ most beloved hits. 

In 2022, she was awarded the AMA-UK Instrumentalist Of The Year Award. In 2023, she was invited back as musical director at the UK Americana Awards, where she put together an all-female house band and played with the likes of The Waterboys’ Mike Scott, Allison Russell and Lifetime Achievement award-winner Judy Collins, who took a moment on stage to compliment Michele on her “incredible” talent.

Since then, she has continued in the musical director’s role at the annual awards show, where she has collaborated with many different musicians and worked with Candi Staton, Billy Bragg, Lyle Lovett and many more.  

Michele’s diverse skills have led to many collaborative projects on stage and in the studio with Kathryn Williams, David Ford, Bernard Butler, Hannah White, Julian Taylor, Natalie Imbruglia, Charlie Dore, David Kitt, Rachel Sermanni, Bill Fay, Ren Harvieu, Emily Barker and O’Hooley & Tidow, among many others.

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The Coal Porters to play All Saints Church, Pocklington, and Filey Americana Festival

The Coal Porters: Led by Sid Griffin at All Saints Church, Pocklington, on September 19

THE Coal Porters, who claim to be the world’s first “alt-bluegrass” act, will play All Saints Church, Pocklington, on September 19 at 7.30pm.

Prominent figures in the UK Americana and Bluegrass scene for 17 years, Sid Griffin’s band are back in the saddle this autumn for nine dates that include a second Yorkshire concert at Filey Americana Festival at Filey Evron Centre on September 7 at 7.30pm.

Further highlights will be a first visit to Edinburgh in ten years at Leith Depot on September 6 and a special gig to mark Griffin’s 70th birthday at the Water Rats, London, on September 18. All Saints will be  one of  “two (count ‘em) encounters with church-based entertainment venues”.

The Coal Porters’ songs showcase the power of fiddle, mandolin, banjo, acoustic guitar and doghouse bass, all harmonised with four-part vocals and melodies.

The poster artwork for The Coal Porters’ September itinerary

Led by AMA Award winner and The Long Ryders luminary Griffin on vocals, mandolin, harmonica and autoharp, the line-up features Grammy winner and Adele string section leader Kerenza Peacock on fiddle and vocals; Paul Fitzgerald on banjo and vocals; Andrew Stafford on bass and Neil Robert Herd on guitar and vocals.

The Coal Porters have featured on NPR’s Morning Edition in the USA, performed live sessions for Bob Harris on BBC Radio 2 and Marc Riley for BBC 6 Music and made festival appearances at Glastonbury, SXSW (South By South West) and MerleFest.

“This is a rare opportunity to see a pioneering band – don’t miss it!” says promoter James Duffy. Box office: sidgriffin.com/tour; Pocklington, ticketsource.co.uk/hurricane-promotions/the-coal-porters/2025-09-19/19:30/t-eaoqmak; Filey, wegottickets.com/event/643969.