Tag: Andy Nyman

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What’s On in Ryedale, York and beyond. Hutch’s List No. 17, from Gazette & Herald

Kristian Barley’s Adam, left, Steve Tearle’s Bernadette and Matthew Clarke’s Tick in NE Theatre York’s Priscilla, Queen Of The Desert

FROM Priscilla in the outback to dark thriller The Psychic, the Romanian Richard III to Neon Crypt’s Holmes and Watson, Charles Hutchinson picks the week ahead’s best shows and gigs.

Musical of the week: NE Theatre York in Priscilla, Queen Of The Desert The Musical, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

STEVE Tearle, creative director of NE Theatre York, plays Bernadette, joined by Matthew Clarke as Tick and Kristian Barley as Adam, in the adventure of two drag artists and a trans woman embarking on a life‑changing road trip across the Aussie outback in their battered tour bus, discovering the power of love, identity, acceptance and true friendship.

“As they head west through the Australian desert to chase a dream aboard their lavender bus, our three terrific travellers come to the forefront of a comedy of errors,” says Tearle, whose high-energy production also features Helen Greenley as Shirley, Ben Rich as Jimmy, Steve Perry as Bob, the mechanic, Ali Butler-Hind as his wife Cynthia, plus disco divas Perri Ann Barley, Melissa Boyd and Aileen Hall. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Andy Nyman, left, and Jeremy Dyson in rehearsal for their world premiere of The Psychic at York Theatre Royal. Picture: Manuel Harlan

World premiere of the week: The Psychic, York Theatre Royal, today to May 23

“IS any of it real,” ask Jeremy Dyson and Andy Nyman in The Psychic, the latest spook-fest from the writer-director duo behind Ghost Stories. In their twisted new thriller, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees.

When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed and leads her on a journey into the darkest corners of her life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Gemma Curry in Hoglets Theatre’s Spooky Shakespeare Suitcase Theatre

Children’s show of the week: Hoglets Theatre presents Spooky Shakespeare Suitcase Theatre, York International Shakespeare Festival, York St John University Creative Centre Auditorium, today, 6.30pm

HAGS, hauntings, hobgoblins and more emerge from the spooky suitcase owned by Lady Macbeth (Dotty to her friends). These spectres from performances past must retell their stories before they can find peace in the literary afterlife, but are they friends or will we need to be vanquished back into the supernatural suitcase?

Written, crafted and performed by Hoglets Theatre founder, director, writer and performer Gemma Sharp, this funny, energetic children’s theatre experience presents a world of hand-made puppets, music and storytelling, all performed from a single suitcase. “No prior knowledge of Shakespeare is required,” she says. Box office: https://yorkshakes.co.uk/programme-2026/spooky-shakespeare-suitcase-theatre/.

Dirty Ruby: Playing the blues at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Dirty Ruby, Milton Rooms, Malton, tomorrow, 8pm

SPECIALISING in sharp-edged blues rock, East Midlands five-piece Dirty Ruby have drawn comparison with 1970s’ acts Stone The Crows and Vinegar Joe with their energetic combination of  Hammond organ, beautiful bluesy guitar, tight rhythm section and soulful  lead vocals. After a five-track EP and debut single, they are working on completing their debut album. Box office: 01653 696240 or themiltonrooms.com.

Paulus The Cabaret Geek in the Victoria Wood tribute Looking For Me Friends

Tribute of the week: Looking For Me Friend: The Music Of Victoria Wood, Milton Rooms, Malton, Friday, 7.30pm

PAULUS The  Cabaret Geek and pianist Michael Roulston marks the tenth anniversary of Victoria Wood’s death in Looking For Me Friend. Directed by Sarah-Louise Young (from An Evening Without Kate Bush), the show is filled with  Wood’s best-loved songs, such as Ballad of Barry & Freda’ (Let’s Do It) and It Would Never Have Worked. Box office: 01653 696240 or themiltonrooms.com.

Sarah McQuaid: Playing Helmsley Arts Centre on Friday

Folk gig of the week: Sarah McQuaid, Helmsley Arts Centre, Friday, 7.30pm

SINGER and songwriter Sarah McQuaid draws on her seven albums of velvet-voiced folk songs, performed with wit and warmth in concert on acoustic and electric guitars, keyboards and occasionally drums.

Born in Spain, raised in Chicago, holding dual Irish and American citizenship and now settled in rural England, she brings the eclecticism of her background to  her contemplative ballads, playful blues and atmospheric instrumentals, her  music inviting reflection, connection and a deep appreciation of the quiet power of a well-crafted song. Box office: 01439 771700 or helmsleyarts.co.uk.

Liviu Cheloiu in Richard III – The Man at York International Shakespeare Festival. Picture: Teatrul Tony Bulandra

Discontented son of York of the week: Tony Bulandra Theatre in Richard III – The Man, York International Shakespeare Festival, Theatre@41, Monkgate, York, Friday, 7.30pm

SHAKESPEARE’S “most captivating character” returns to York in Targoviste company Tony Bulandra Theatre’s Richard III – The Man, performed in Romanian with English surtitles by versatile actor and festival director Liviu Cheloiu, celebrated in the Eastern European country for his film roles and theatre work.

Exploring themes of power and its corrupting allure, the nature of evil, the manipulation of language and the thin lines between reality and fiction, the show delves into Richard III’s psyche while attempting to relate the Bard’s description – or character assassination? – with the historical truth about the Yorkist Plantagenet king in a series of scenes inspired by the Bard’s plays, showcasing Richard’s chameleon-like personality to reveal how he utilises those around him to achieve his goals. Box office: yorkshakes.co.uk or tickets.41monkgate.co.uk.

Laura Castle’s Dr Watson, left, and Laura McKeller’s Sherlock Holmes in Neon Crypt’s The Hound Of The Baskervilles

Mystery thriller of the week: Neon Crypt in The Hound Of The Baskervilles, Theatre@41, Monkgate, York, May 5 to 9, 7.30pm plus 2.30pm Saturday matinee

JOIN York company Neon Crypt for side-splitting stupidity, hot dog disguises and absolute terror in Jamie McKeller’s staging of Peepolykus co-artistic director John Nicholson’s incredibly high-brow adaptation of Sir Arthur Conan Doyle’s mystery The Hound Of The Baskervilles.

Sherlock Holmes (Laura McKeller) and Dr Watson(Laura Castle) are summoned to investigate the ancient curse of the Hound of the Baskervilles and unravel the mysterious death of Sir Charles Baskerville, found dead on his estate with a look of terror still etched on his face and the paw prints of a gigantic hound beside his body. Look out for Michael Cornell popping up as Sir Henry Baskerville and Yokel 2. Box office: tickets.41monkgate.co.uk.

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More Things To Do in York and beyond as Shakespeare and Rocky Horror shine on. Hutch’s List No. 16, from The York Press

Collage and mixed-media artist Donna Maria Taylor: Participating in York Open Studios at South Bank Studios

FROM Rocky Horror film stars to Shakespeare in a suitcase, Bowie to Boe, Priscilla to The Psychic premiere, Charles Hutchinson is spoilt for choice again.

Art event of the week: York Open Studios, York and beyond, today and Sunday, 10am to 5pm

FOR a second weekend, 150 artists and makers within York and a ten-mile radius of the city are welcoming visitors to 107 workplaces and studios.

This annual event offers the chance to gain a sneak peek into where the artists work, their methods and inspirations, whether a regular contributor or the 27 new participants, spanning traditional and contemporary painting and print, illustration, drawing, ceramics, mixed media, glass, sculpture, jewellery, textiles and photography. For more information, visit yorkopenstudios.co.uk; access the interactive map at yorkopenstudios.co.uk/map.

Weather Balloons’ Anne Prior: Playing Navigators Art’s YO Underground #7 bill at The Basement, City Screen Picturehouse

Arts collaboration of the week: Navigators Art/Projects presents YO Underground 7, The Basement, City Screen, York, tonight, 7.30pm

CONTINUING its mission to present adventurous left-field music and words from York and the region, Navigators Art plays host to a mixed bill of uniquely styled indie song-writing from Weather Balloons’ Anne Prior, the Joe Douglas Trio’s North African-inspired free jazz and a collaboration between audiovisual projections and Ben Hopkinson’s quartet Synaefonia. Box office: bit.ly/nav-events.

Blue: In full bloom at York Barbican tonight

Limited ticket availability: Blue and special guests 911, York Barbican, tonight, 7.30pm; Alfie Boe, York Barbican, April 28, 7pm

REVITALISED boy band Blue have released the single Flowers, penned by good friend Robbie Williams and Boots Ottestad, ahead of their 25th anniversary tour date at York Barbican.

“Robbie reached out to me a while back and said ‘I’ve got a song for Blue’,” says Blue’s Antony Costa, who will be joined as ever by Duncan James, Lee Ryan and Simon Webbe. “We only got to record it recently and thought it would be perfect to release for the anniversary tour. We can’t wait for you all to hear Flowers.”

Tenor Alfie Boe plays York on Tuesday and Harrogate Royal Hall on Wednesday on his 35-date tour, combining his most iconic hits and fan-favourite classics with material from new album Face Myself. Box office: yorkbarbican.co.uk; for Boe, https://gigst.rs/AB26.

Alfie Boe: Tenor dramatics at York Barbican. Picture: Ray Burmiston

Book event of the week: Rivers, Water and Wildness, A Talk by Amy-Jane Beer, St Chad’s Church, Campleshon Road, York, April 28, 7.30pm to 9pm

THE Friends of Nun Ings invite you to Rivers, Water and Wildness, Our Rivers and Their Landscapes, a talk by biologist-turned-writer and former South Bank resident Amy-Jane Beer, author of The Flow, winner of the Wainwright Prize for Nature Writing 2023, who now lives on the Derwent.

The Flow is a book about water, and, like water, it meanders, cascades and percolates through many lives, landscapes and stories. From West Country torrents to Levels and Fens, rocky Welsh canyons and the salmon highways of Scotland to the chalk rivers of the Yorkshire Wolds, Beer follows springs, streams and rivers to explore tributary themes of wildness and wonder, loss and healing, mythology and history, cyclicity and transformation. Tickets are available via eventbrite; admission is free but donations are welcome.

Nell Campbell (Columbia), Barry Bostwick (Brad Majors) and Patricia Quinn (Magenta) celebrating the 50th anniversary of The Rocky Horror Picture Show

Let’s do the Time Warp…again: The Rocky Horror Picture Show 50th Anniversary Spectacular Tour 2026, York Barbican, Sunday, 7pm

JOIN the original Brad Majors (Barry Bostwick), Magenta (Patricia Quinn) and Columbia (Nell Campbell) for this once-in-a-lifetime screening event with a live shadow cast. Jim Sharman’s 1975 film of Richard O’Brien’s musical will be shown in a 4K remastered edition, preceded by a Q&A with the movie stars. Expect a costume contest, memorabilia display with film artefacts and a participation prop bag for every ticket holder. Box office: yorkbarbican.co.uk.

Jim Henson’s Labyrinth: In Concert: David Bowie on screen at York Barbican

Fantastical film and music event of the week: Jim Henson’s Labyrinth: In Concert, York Barbican, April 27, 7.30pm

JIM Henson’s musical fantasy film Labyrinth is on tour in concert in celebration of its 40th anniversary, transporting audiences to Goblin City in a fusion of film on a large HD cinema screen and live music on stage, performed by a band playing David Bowie and Trevor Jones’s soundtrack score and songs in sync with Bowie’s original vocals.

Taking on an ever-growing cult status since its release on June 27 1986, Labyrinth stars Bowie as principal antagonist Jareth the Goblin King, who rules the goblin kingdom, kidnaps protagonist Sarah’s baby brother and presents a charming yet menacing challenge, appearing as a rock star-like figure who lures and influences her journey. Box office: yorkbarbican.co.uk.

Degrees Of Error’s poster for you-do-it whodunit Murder She Didn’t Write

Sleuthing opportunity of the week: Degrees Of Error in Murder She Didn’t Write, Grand Opera House, York, April 28, 7.30pm

DON your deerstalker, grab your magnifying glass and prepare your “finger of suspicion” as Edinburgh Fringe favourites Degrees Of Error return for your sleuthing pleasure, creating a classic murder mystery on-the-spot in this ingenious improvised comedy.

You, the audience, become the author as the cast acts out your very own Agatha Christie-inspired masterpiece live on stage. At each show, the company uses your suggestions to create an original and comical murder mystery. All you have to do is solve it. Ms Gold poisoned at a synchronised swimming gala? Dr Blue exploded by cannon during a hot air balloon race? Professor Violet crushed to death at a Love Island re-coupling? You decide – but will you guess whodunit before the killer is revealed? Box office: atgtickets.com/york.

Kristian Barley’s Adam, left, Steve Tearle’s Bernadette and Matthew Clarke’s Tick in NE Theatre York’s musical Priscilla, Queen Of The Desert

Musical of the week: NE Theatre York in Priscilla, Queen Of The Desert, Joseph Rowntree Theatre, York, April 28 to May 2, 7.30pm plus 2.30pm Saturday matinee

STEVE Tearle, creative director of NE Theatre York, plays Bernadette, joined by Matthew Clarke as Tick and Kristian Barley as Adam, in the adventure of two drag artists and a trans woman embarking on a life‑changing road trip across the Aussie outback in their battered tour bus, discovering the power of love, identity, acceptance and true friendship.

“As they head west through the Australian desert to chase a dream aboard their lavender bus, Priscilla, Queen of the Desert, our three terrific travellers come to the forefront of a comedy of errors,” says Steve, whose high-energy production also features Helen Greenley as Shirley, Ben Rich as Jimmy, Steve Perry as Bob, the mechanic, Ali Butler-Hind as his wife Cynthia, plus disco divas Perri Ann Barley, Melissa Boyd and Aileen Hall. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Eileen Walsh, left, Jaz Singh Deol, Megan Placito, Andy Nyman, Nikhita Lesler and Jeremy Dyson in rehearsal for the world premiere of The Psychic at York Theatre Royal. Picture: Manuel Harlan

World premiere of the week: The Psychic, York Theatre Royal, April 29 to May 23

“IS any of it real,” ask Jeremy Dyson and Andy Nyman in The Psychic, the latest spook-fest from the writer-director duo behind Ghost Stories. In their twisted new thriller, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees.

When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed and leads her on a journey into the darkest corners of her life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Pulling Shakespearean strings: Gemma Curry in Hoglets Theatre’s Spooky Shakespeare Suitcase Theatre at York International Shakespeare Festival

Children’s show of the week: Hoglets Theatre presents Spooky Shakespeare Suitcase Theatre, York International Shakespeare Festival, York St John University Creative Centre Auditorium, April 29, 6.30pm

HAGS, hauntings, hobgoblins and more emerge from the spooky suitcase owned by Lady Macbeth (Dotty to her friends). These spectres from performances past need to retell their stories before they can find peace in the literary afterlife, but are they friends or will we need to be vanquished back into the supernatural suitcase?

Written, crafted and performed by Hoglets Theatre founder, director, writer and performer Gemma Sharp, this funny, energetic children’s theatre experience presents a world of hand-made puppets, music and storytelling, all performed from a single suitcase. “No prior knowledge of Shakespeare is required,” she says. Box office: https://yorkshakes.co.uk/programme-2026/spooky-shakespeare-suitcase-theatre/.

The poster for Scott Bradley’s premiere of A Kingdom Jack’d at York International Shakespeare Festival

The poster for Scott Bradley’s premiere of A Kingdom Jack’d at York International Shakespeare Festival starring Rosy Rowley, whose birthday coincides with the opening night

Shakespeare spin-off of the week: 1st Zanni Theatre in A Kingdom Jack’d, York International Shakespeare Festival, Merchant Adventurers’ Hall, York April 29 and 30, 7.30pm

IN A Kingdom Jack’d, American playwright Scott Bradley re-imagines an iconic moment in political and Shakespearean history: what if disgraced knight Jack Falstaff (Rosy Rowley) somehow found his way onto the throne of England in 1399, instead of serious warrior-king Henry IV?

Stupid, lecherous, selfish but humorous, Shakespeare’s most (in)famous clown must somehow fund the army, balance the budget and make foreign policy between naps. His government is drunk, his enemies are plotting,his allies are scheming, and even his girlfriend wants a piece of the action. Falstaff is king but for how long? Box office: yorkshakes.co.uk.

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How a chance chat led to York Theatre Royal premiere of Jeremy Dyson and Andy Nyman’s supernatural thriller The Psychic

Andy Nyman, left, and Jeremy Dyson in rehearsal for their world premiere of The Psychic at York Theatre Royal. Picture: Manuel Harlan

IT began with a chance conversation at a University of York honorary degree ceremony in 2024.

York Theatre Royal chief executive Paul Crewes found himself next to actor, writer and comedy talent Steve Pemberton, who was in York with The League Of Gentlemen and Inside No. 9 collaborator Reece Shearsmith to be honoured with doctorates by the department  of theatre, film and television.

Crewes, who had taken up his post in October 2023, said he was seeking new work for the Theatre Royal: the perfect opportunity for Pemberton to reveal that League Of Gentlemen cohort Jeremy Dyson and regular writing partner Andy Nyman were working on a new play and looking for a theatre to stage the premiere.

“Finding creative partners is the secret to doing good work,” says Jeremy, seated in the Theatre Royal foyer alongside Andy in a break from co-directing rehearsals for their twisted dark thriller The Psychic, whose world premiere will open with previews from April 29.

“It was a moment of fate that Steve happened to be sitting next to Paul. To Paul’s credit, he contacted me straightaway and we arranged to meet in Leeds the next day as I live in Ilkley. We met at Paranormal Activity, which was having its premiere at Leeds Playhouse.”

Crewes read the script, loved it, and a new partnership was born in a city that has become a creative haven for Dyson and Nyman.

“I’m fascinated by [Carl] Jung’s Synchronicity, his concept of ‘meaningful coincidences’,” says Jeremy. “Anyone who does creative work knows it’s a phenomenon different from serendipity. It’s more mystical than that, like how me and Andy had taken to coming to York when we had creative problems, first when we were working on our novel The Warlock Effect [a Cold War spy thriller] that came out in 2023.

“We were a couple of years on from Covid, we both had lots on, and we thought, ‘let’s get away’. As Andy lives in London, I’m in Ilkley, we said, ‘let’s come to York’. I loved coming to York on day trips, growing up  in Yorkshire; but Andy had never been.”

They stayed at The Principal York, now The Milner, for two or three days and did so again when working on one of the drafts for The Psychic. “York has taken on this special meaning for us, and when we were looking for somewhere to stage The Psychic, somewhere outside of London that ‘got’ it, York Theatre Royal was that place,” says  Jeremy.

“It meant so much to us as York has become our problem-saving place, and it’s worth saying that Paul and his team have been fantastic, being so supportive and so enabling, and their ambition for the show is even greater than ours.”

Andy adds: “We also believe, as we did with Ghost Stories, starting that show at Liverpool Playhouse and the Lyric Hammersmith and going around the world for 16 years now, that we want to pay back those theatres.

“We deeply believe in subsidised theatre, how important it is for the city. Theatres are not for ‘posh people’’; they’re essential for all, and we love producing something new that can help put coffers back in the community.”

As Andy notes, York is a city “drenched in the supernatural”, making the Theatre Royal the perfect location for The Psychic,  wherein TV psychic Sheila Gold loses a high-profile court case, branding her a charlatan. 

It costs her not only her reputation, but a fortune in legal fees. When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, Sheila senses an opportunity to bleed them for money. What follows makes her question everything she  ever believed and leads her on a journey into the darkest corners of her life.

“One of the fascinating things about ghost stories, and spirituality in general, is that it exists, whether you believe it or not, in whatever form,” says Andy.

“So our play is exploring the questions without giving definitive answers, but looking at it from all sides,” says Jeremy.

“Pilate asked Jesus this question 2,000 years ago: What is truth? It’s a perennial question, and here we are 2,000 years later with Trump in power. In this play we are asking the deeper question about what really matters in life – and ghost stories are a very helpful lens to look at that because they give you a bridge to eternity as there are ultimate truths around mortality.”

Jeremy Dyson and Andy Nyman’s The Psychic runs at York Theatre Royal from April 29 to May 23. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Copyright of The Press, York

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Full cast confirmed for Jeremy Dyson & Andy Nyman’s world premiere of twisted thriller The Psychic at York Theatre Royal

York Theatre Royal’s cast and creative team for Jeremy Dyson and Andy Nyman’s world premiere of The Psychic

THE full cast is in place for York Theatre Royal’s world premiere of The Psychic, a twisted thriller written and directed by Jeremy Dyson and Andy Nyman.

Joining the already announced Frances Barber (as Rosa) and Eileen Walsh (Sheila Gold) are Megan Placito (Tara), Dave Hearn (Robert Hamm), Jaz Singh Deol (Deepak), Nikhita Lesler (Nisha) and East Yorkshire actor Charlie Blanshard (Mark).

After the international success of Ghost Stories, Dyson and Nyman return with a dark thriller that follows the story of popular TV psychic Sheila Gold. The production will open on May 6, preceded from April 29, and will run until May 23 with its combination of thrills, laughs and shocks.

The Psychic co-writers and co-directors Jeremy Dyson, left, and Andy Nyman

Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation, but also a fortune in legal fees. When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money.

What follows makes Sheila question everything she has ever believed and leads her on a journey into the darkest corners of her life.

Joining Dyson and  Nyman in the production team will be designer Rae Smith; illusion designer Chris Fisher; lighting designer Zoe Spurr; sound designer Nick Manning; video designer Duncan Mclean; casting director Arthur Carrington;  associate director Andy Room and design assistant Will Fricker.

The poster for York Theatre Royal’s world premiere of The Psychic

Award-winning Leeds-born writer and director Dyson’s writing credits include Ghost Stories, nominated for Olivier Award for Best Entertainment; The League Of Gentlemen Are Behind You, The League Of Gentlemen: A Local Show For Local People, nominated for Olivier Award for Best Entertainment, and The League Of Gentlemen.

His co-writing credits for television include Psychobitches, winner of Rose d’Or for Best TV Comedy and nominations for two British Comedy Awards; The Armstrong & Miller Show, BAFTA Award winner for Best Comedy; Billy Goat; Funland, nominated for BAFTA Award for Best Drama Serial and The League Of Gentlemen, winner of BAFTA Award for Best Comedy, Golden Rose of Montreux and RTS Award for Best Entertainment. Co-writing credits include Ghost Stories and The League Of Gentlemen’s Apocalypse.

 Nyman is an award-winning actor, director and writer. As an actor, his theatre work includes The Producers(Menier Chocolate Factory/Garrick Theatre); Assassins; Terrible Advice(Menier Chocolate Factory); Fiddler On The Roof (Menier Chocolate Factory/Playhouse Theatre – Olivier Award nomination for Best Actor in a Musical); Abigail’s Party (Menier Chocolate Factory/Wyndham’s Theatre); Hello, Dolly! (London Palladium) and Hangmen (Wyndham’s Theatre/Golden Theatre, New York City).

Charlie Blanshard: Appeared on the York stage in 2025 in his debut full-length play Jorvik and York company Next Door But One’s How To Be A Kid

He starred in Ghost Stories (Duke of York’s Theatre/Arts Theatre),  co-written and co-directed with Jeremy Dyson and later adapted into a film, in which he also starred.

His television credits include Hanna, Wanderlust, The Eichmann Show, Campus, Crooked House, Dead Set and Peaky Blinders. Among his film credits are Wicked: Part 1, Jungle Cruise, Judy, The Commuter, Death At A Funeral, Kick-Ass 2, Black Death, The Brothers Bloom, Severance and Shut Up & Shoot Me (Best Actor Award at the Cherbourg Film Festival).

Nyman has collaborated with Derren Brown for almost 20 years, co-writing and co-creating much of Brown’s early TV work. He has co-written and directed six of Brown’s stage shows, winning the Olivier Award for Best Entertainment for Derren Brown – Something Wicked This Way Comes and a New York Drama Desk Award for Best Unique Theatrical Event in 2017 for Derren Brown – Secret.

Tickets are on sale on 01904 623568 or at yorktheatreroyal.co.uk.

Mischief Theatre co-founder Dave Hearn: Last appeared on the York Theatre Royal stage in Original Theatre’s The Time Machine in March 2023

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York Theatre Royal to stage world premiere of Jeremy Dyson and Andy Nyman’s twisted thriller The Psychic in Spring 2026

Andy Nyman and Jeremy Dyson: Writers of The Psychic, premiering at York Theatre Royal in 2026

YORK Theatre Royal will stage the world premiere of Jeremy Dyson and Andy Nyman’s twisted thriller The Psychic at York Theatre Royal next year. Tickets go on general sale from 1pm on January 15.

In the wake of the success of Ghost Stories, which spooked the Grand Opera House, York, in March 2020, Dyson and Nyman are to reunite for this electrifying new production. Show dates will be April 29 to May 23 2026, with the first week being previews.

Leeds-born Dyson and Nyman say: “We are so thrilled to have the world premiere of our new play at York Theatre Royal and to be part of their exciting next chapter. We cannot wait to unleash The Psychic at this remarkable venue.”

Theatre Royal chief executive Paul Crewes says: “We are very proud to be producing the world premiere of The Psychic here at York Theatre Royal. Andy and Jeremy have created this wonderful edge-of-your-seat script that we can’t wait to bring to life on our stage in 2026.”

The poster for The Psychic at York Theatre Royal

In The Psychic, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan. It costs her not only her reputation, but also a fortune in legal fees. 

When wealthy parents ask Sheila to conduct a séance to attempt to make contact with their late child, Sheila senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed, leading her on a journey into the darkest corners of her life. Cue thrills, shocks…and laughs.

The Psychic adds to York Theatre Royal’s bill of produced and co-produced work in 2025 and 2026. In the diary for this year are the co-production of North By Northwest with Emma Rice’s Wise Children, HOME Manchester and Liverpool Everyman & Playhouse from March 18 to April 5 and erstwhile pantomime cat Gary Oldman’s return to the Theatre Royal in Samuel Beckett’s Krapp’s Last Tape from April 14 to May 17.

To book tickets, ring 01904 623568 or head to yorktheatreroyal.co.uk.

The night-watchman on his guard in Jeremy Dyson and Andy Nyman’s Ghost Stories (pictured in the 2019 London production)

Jeremy Dyson: the back story

Award-winning Leeds-born writer and director.

Writing credits for theatre include Ghost Stories (Lyric Hammersmith, nominated for Olivier Award for Best Entertainment); The League Of Gentlemen Are Behind You (UK tour); The League Of Gentlemen: A Local Show For Local People (UK tour, Theatre Royal Drury Lane – nominated for Olivier Award for Best Entertainment) and The League Of Gentlemen.

Co-writing credits for television include Psychobitches (winner of Rose d’Or for Best TV Comedy and nominated for two British Comedy Awards); The Armstrong & Miller Show (winner of BAFTA Award for Best Comedy); Billy Goat; Funland (nominated for  BAFTA Award for Best Drama Serial) and The League Of Gentlemen (winner of BAFTA Award for Best Comedy, Golden Rose of Montreux and RTS Award for Best Entertainment).

Co-writing credits for film include Ghost Stories and The League Of Gentlemen’s Apocalypse.

Andy Nyman: the back story

Award-winning actor, director and writer.

As an actor, his theatre work includes The Producers; Assassins (Menier Chocolate Factory); Fiddler On The Roof (Menier Chocolate Factory and Playhouse Theatre – Olivier Award nomination for Best Actor in a Musical); Abigail’s Party (Menier Chocolate Factory and Wyndham’s Theatre); Hello, Dolly! (London Palladium); Martin McDonagh’s Hangmen (Wyndham’s Theatre/Broadway), and the original production of Ghost Stories (Duke of York’s Theatre/Arts Theatre), which he starred in, co-wrote and co-directed with Jeremy Dyson. Later adapted into a film, in which he also starred.

Television credits include Lockerbie; Wanderlust; The Eichmann Show; Campus and Dead Set, as well as playing Winston Churchill in Peaky Blinders. 

Film credits include Jungle Cruise; Judy; The Commuter; Death At A Funeral; Kick-Ass 2; Black Death; The Brother’s Bloom; Severance and Shut Up & Shoot Me, for which he won Best Actor award at Cherbourg Film Festival in 2006.

Collaborated with Derren Brown for almost 20 years, co-writing and co-creating much of Brown’s early TV work.  Co-written and directed Brown’s stage shows, winning Olivier Award for Best Entertainment for Derren Brown – Something Wicked This Way Comes and New York Drama Desk Award for Best Unique Theatrical Event 2017 for Derren Brown – Secret. 

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REVIEW: The Hound Of The Baskervilles, Original Theatre Company/Bolton Octagon Theatre, at York Theatre Royal, until 23/10

Double act: Niall Ransome’s Dr Watson and Jake Ferretti’s Sherlock Holmes shake up The Hound Of The Baskervilles

MYSTERY and murk have abounded in York Theatre Royal’s hit and mist Haunted Season.

That mist descends once more, over a desolate Dartmoor of spectral trees and a grand house, looming in the distance, where the lights seem to twitch nervously. Except, this time, the foggy haze is emanating from Sir Charles Baskerville’s newly lit cigar in the country air, his face matching the contentment of a bygone Hamlet advert.

A bewhiskered, elegantly dressed Serena Manteghi has entered David Woodhead’s nocturnal set in the first guise of a hatful of such roles – putting the ‘Man’ into Manteghi as it were – on a fright-night when she will be playing men only.

Just as we are appreciating her miming – with immaculate timing to the sound-effect accompaniment of the opening and closing of gates and striking of a match – suddenly a ghastly howl quickens the heart.

Taking on 20 roles? Bring it on, say Niall Ransome, Jake Ferretti and Serena Manteghi

A look of terror, a futile attempt to escape, and Sir Charles and his cigar have snuffed it.

So far, so scary, albeit in the exaggerated manner of a silent film, in a startling start where the titular hound is but a sound. Spooky, melodramatic, beyond immediate explanation: this is the perfect Conan Doyle recipe for the arrival of Holmes and Watson.

On bound Jake Ferretti’s superior Sherlock and Niall Ransome’s hearty doctor, promptly shattering theatre’s fourth wall as they demand applause for Serena’s miming, then introduce themselves and how the show will work.

Here comes the “howlarious” version of The Hound Of The Baskervilles penned in 2007 for comedy clowns Peepolykus by John Nicholson and Steven Canny and now, 150 productions down the line, picked up by Bolton Octagon Theatre artistic director Lotte Wakeham and the Original Theatre Company.

In the frame: Jake Ferretti, Niall Ransome and Serena Manteghi in The Hound Of The Baskervilles

It still carries its original health warning for “anyone suffering from a heart condition, a nervous disorder, low self-esteem or a general inability to tell fact from fiction”. In truth, the cast and indeed the characters are most at risk. The audience, by comparison, needs only sit back, laugh loudly and burst regularly into applause.

The facts are that Ferretti, Ransome and Manteghi must play 20 characters between them, multifarious accents et al. Isn’t the heir, Sir Henry Baskerville, supposed to be Canadian, Serena is asked. “Yes, but I can’t do that accent,” she replies.

In the original, the cast of three were all men and Holmes suddenly turned Spanish in the handsome form of Javier Marzan. Such is the strength yet flexibility of Canny and Nicholson’s format that we now have the added pleasure of watching Serena Manteghi as she deepens her voice, mirrors male movements and tropes, breaks out of character under emotional duress at the first act’s finale, and once more confirms what an outstanding talent this former University of York student is.

This time it is Ferretti’s Costa Rican Miss Stapleton who brings an Hispanic flourish to the production, directed crisply and crunchily for the tour by Tim Jackson.

Funny business: Niall Ransome’s Dr Watson, Serena Manteghi’s Sir Henry Baskerville and Jake Ferretti’s Sherlock Holmes make light of tackling the mystery

Comedy, yes, but send-up or spoof, no. Canny and Nicholson are true to Conan Doyle’s story, re-imagining scenes rather than inventing new ones, but always with the fourth wall in danger of needing new bricks again.

“We wanted to be as faithful as possible to the drama and intrigue of Conan Doyle’s masterpiece, while setting about discovering how to use a company of three actors to tell the story as inventively as we could,” said the writers.

“It became clear very quickly that simple props, rapid costume and scene changes, precision comic timing and a determined commitment to stupidity were going to play a significant part in our version.”

Think of the works of Lip Service’s Maggie Fox and Sue Ryding, Nobby Dimon’s North Country Theatre and Mikron Theatre, or Patrick Barlow’s “touching up” of John Buchan’s The 39 Steps, or Mischief’s The Play That Goes Wrong, as Ferretti, Ransome and Manteghi keep veering off the straight and narrow but somehow still reach their intended destination.

Niall Ransome’s Dr Watson has a blast in The Hound Of The Baskervilles

In this case, this is the art of making a drama out of staff-shortage crisis – how very 2021 – but not needing to make a silk purse out of a sow’s ear because the source material is from the top drawer.

Canny and Nicholson have it right in saying the “determined commitment to stupidity” is crucial too: a characteristic that benefits from Ferretti’s Holmes, in particular, taking everything so seriously, or the pathos in Ransome’s even straighter-faced Watson having a propensity to draw his pistol on anyone and anything, especially woodland animals.

This peaks at the outset of the second act after a Tweet “complaint” from an audience member – it was a letter in the original! – about Holmes’s lack of commitment to solving the crime prompts Ferretti to demand the right to re-enact the entire first half. A breathless snapshot replay ensues.

Someone so bright acting so dumb and supercilious is but one of the delights of seeing the Holmes and Watson partnership being poked out of its comfort zone, a shift as rewarding in its comedic interplay as Morecambe and Wise’s jousting.

The Hound Of The Baskervilles goes barking mad in this amiably daft comedy, at the cost of Woman In Black or Jeremy Dyson and Andy Nyman’s Ghost Stories scares, but that sacrifice of bite is a price well worth paying. Howlarious indeed.

Performances: 7.30pm, plus 2.30pm Saturday matinee. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Review by Charles Hutchinson

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Are you ready for extreme terror, tension and ghost tremors at Grand Opera House?

The lecturer in Ghost Stories: “The supernatural is purely a trick of the mind,” he says…but is it?

THE Grand Opera House, York, already has its own ghost, one said to call out the first name of a new member of staff in the quiet of the auditorium on first acquaintance.

No doubt that will intrigue Professor Goodman, ahead of the lecturer’s visit to the Cumberland Street theatre from March 10 to 14 as the investigative fulcrum of writer-directors Andy Nyman and Jeremy Dyson’s “supernatural sensation”, Ghost Stories, on its first national tour.

On the road since January 7 after completing its latest West End run at The Ambassadors Theatre, London, the Lyric Hammersmith Theatre production should feel at home in York, the self-proclaimed most haunted city in Europe.

What’s more, with the Grand Opera House’s proximity to the York Dungeon, “York’s scariest tourist attraction”, where better for Nyman and Dyson’s global hit to be spooking?

Premiered a decade ago and turned into a film too, Ghost Stories invites its captive audience to “enter a nightmarish world, full of thrilling twists and turns, where all your deepest fears and most disturbing thoughts are imagined live on stage”.

Expect a “fully sensory and electrifying encounter in the ultimate twisted love-letter to horror, a supernatural edge-of-your-seat theatrical experience like no other”, as Professor Goodman strives to prove the supernatural is “purely a trick of the mind” in the face of three stories that beg to differ.

“Ghost Stories has never really gone away, running in various incarnations since the original production a decade ago, going into the West End, then Canada, Moscow,” says co-writer Jeremy Dyson, best known for his work with those twisted humourists The League Of Gentlemen.

“It was done in Russian in Russia but we had to maintain that it was set in Britain because apparently no Russian is afraid of a ghost.”

Andy Nyman and Jeremy Dyson: co-writers and directors of Ghost Stories

The latest British incarnation opened at the Lyric Hammersmith last March, whereupon it was picked up by commercial producers keen to take it on the road. “We’d always wanted to do that but never been able to do so, even though we knew just how much people wanted to see it, but we were told it ‘wasn’t tourable’.”

Until now, until Jon Bausor came up with a design that could play both The Ambassadors Theatre and theatres around the country.

“He’s made it possible to squash the set into a van!” says Jeremy, who lives in Ilkley, by the way. “Each time we’ve staged the play, we’ve been able to solve another problem, get rid of another niggle, and finally we have the production that is totally to our satisfaction.

“The show’s been going down really well on tour, and it will fit perfectly into York with all its ghost stories and the York Dungeon opposite the Grand Opera House.”

Why are we so drawn to ghost stories, Jeremy? “I think there are lots of reasons,” he says. “One of them is obvious: death and the afterlife, which is a personal concern to all of us, and ghost stories are a way to approach such an overwhelming concern.

“That’s particularly so in our increasingly secular society, where there’s a hunger for the mysterious, the uncanny, the inexplicable, which once upon a time would have come under the auspices of the church and religion.

“That’s part of it, and also when it comes to a show like Ghost Stories, there’s the entertainment and the thrill, the fairground element.”

Nyman, London actor, director and writer, and Dyson, screen and stage writer and author, have been friends for a “very long time”. “Since we were teenagers, in fact,” says Jeremy. “We met when we were 15 and one of the things we bonded over was horror movies at the dawn of the video age, renting those films to watch them together.

The Caretaker: one of the three Ghost Stories to be told at the Grand Opera House, York

“We’ve had our individual careers and we’d never thought of working together, but out of the blue Andy called me with this idea of having three men sitting telling ghost stories after he saw The Vagina Monologues [Eve Ensler’s show with three women telling stories].

“It was a very intriguing idea that was enough to hook me straightaway, though we then veered away from that initial construction over a long gestation period.

“Creating Ghost Stories was very much a case of sitting in a room together, talking about it for a year, and then getting together, bashing out the outline, working every day for a week, when we pretty much hammered it out, because we’d been thinking about it for so long.”

Ghost Stories has drawn comparisons with Stephen Mallatratt’s stage adaptation of Susan Hill’s The Woman In Black, premiered at the Stephen Joseph Theatre, Scarborough, in 1987 and still running in the West End, but Jeremy was keen that Ghost Stories should stand in its own right.

“We wanted very much to create a theatre experience that we hadn’t had before, in terms of being a very immersive piece of theatre, and we also like the challenge of taking things that you’re familiar thematically from horror films and seeing if we could transfer them to the stage.”

A further element is at play in Ghost Stories. “Andy and I both have a love of conjuring and magic; Andy has worked with Derren Brown for 20, so we wanted to build that into the show’s structure,” says Jeremy. “We wanted to look at how you can create a magical effect with a combination of storytelling and technology, and that’s what we’ve achieved.”

Ghost Stories promises “moments of extreme shock and tension” at the Grand Opera House, York, from March 10 to 14. Box office: 0844 871 3024 or at atgtickets.com/york. Unsuitable for anyone under 15 years old.

Copyright of The Press, York