Why Angus Vasili finds cause for optimism in his Brutalist architecture screenprint exhibition at According To McGee

J B Morrell Gallery, screenprint, by Angus Vasili, at According To McGee , York

ARCHITECTURE is the focus of Angus Vasili’s Optimism and Brutalism exhibition at According To McGee, York.

“Since the first Lockdown we found that nature does more than heal,” says Greg McGee, the Tower Street gallery’s co-director. “It can provoke and galvanise, and a lot of that energy can be found in the new seascapes or moorscapes that collectors have been buying or commissioning.

“We’ve had more collectors asking about cityscapes and depictions of architecture; something about the definition of hard angles and the certainty of edges is chiming with tastes. We thought it was about time we gave Angus Vasili a ring – and that’s how this Optimism and Brutalism show came about.”

Yorkshire Sculpture Park, screenprint, by Angus Vasili

The McGees are of the mind that Brutalism’s reputation is in need of rehabilitation. “It goes beyond subjective opinions,” says co-director Ails McGee. “These buildings were once loved for their linear honesty but now they’re often derided. Vasili pulls them out from ‘Architectural Cancel Culture’ and to re-evaluate them.”

By using titles such as Central Hall, Hayward Gallery and JB Morrell Library, Vasili’s latest collection gives an idiosyncratic overview of Brutalism’s greatest hits.

“They are more than mere portraits of their stark subject matter,” says Greg. “His silkscreens are at heart playful experiments. There are blushes of hot colour, dancing, broken lines, white slices of negative space deliberately alone.

Artist Angus Vasili with gallerists Ails and Greg McGee at According To McGee

“These come from a love of the process and the accidents it throws up, as much as the focused observation of a building style that most people think leaves no room for flexibility.”

Angus explains: “My fascination with concrete, industrial landscapes and what I recently came to know as ‘brutalism’ has triggered this series of screenprints. I’m combining photography, texture and printmaking to create a raw aesthetic that resonates with the fundamental material of brutalism.

“I use a combination of bold colour and texture to help convey the optimism that these architects strived to achieve with this period of architecture.’’

Hayward Gallery, screenprint, by Angus Vasili

Optimism and Brutalism will be on show in According To McGee’s front room until November 14. “It’s a sharp reminder that there’s room for more than ancient history in York,” says Greg. “There have been calls to demolish York’s Stonebow and replace it with faux Georgian gentility, which would be even more irksome, because of its sleight of hand.

“We’re opposite Clifford’s Tower, arguably York’s most famous landmark. We can see for ourselves how Vasili’s art contributes to the discussion of York’s architectural continuum, and we’re finding that our clients and collectors are in agreement.”

Gallery opening hours are: Monday to Friday, 11am to 3pm; Saturdays, 11am to 4pm, or by appointment on 07973 653702. For more information on Angus Vasili, go to: accordingtomcgee.com/collections/angus-vasili.

Spectrum Haze II, screenprint, by Angus Vasili