Tag: Animal Farm

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More Things To Do in York and beyond when seeking cultural nourishment. Here’s Hutch’s List No 42, from The York Press

York oboe player Desmond Clarke: Performing on Navigators Art’s YO Underground #5 bill at The Basement, City Screen Picturehouse

FOOD for thought for heading out and about as York Food & Drink Festival opens and Inspector Morse is on the case in Charles Hutchinson’s recommendations.

Navigators Art presents YO Underground #5, The Basement, City Screen Picturehouse, York, tonight, 7.30pm

YORK arts collective Navigators Art’s regular fulcrum of left-field new music, words and performance returns this weekend with a focus on ethnic instruments, acoustic-electronic improvisation, words and guitar-based fusion, plus passionate new songwriting.

Expect bold, beautiful and adventurous sounds from flautist Carmen Troncoso, York oboe player Desmond Clarke and Osc~, No Spinoza and a new York ‘supergroup’, the NSC Sound Union, combining members of Soma Crew and Namke Communications. Admission is £6 at www.ticketsource.co.uk/navigators-art-performance) or £10 on the door.

Sam Blythe: Taking on a multitude of roles in George Orwell’s Animal Farm at Theatre@41, Monkgate

Solo show of the week: Sam Blythe in Animal Farm, Theatre@41, Monkgate, York, tonight, 7.30pm

CELEBRATING 70 years of its publication on August 17 1945 and 30 since the first performance of Guy Masterson’s solo adaptation of George’s Orwell’s satirical allegorical dystopian novella, Sam Blythe takes up Masterson’s mantle on stage.

Bringing all of Orwell’s multiple characters to vivid life, Blythe transforms into Snowball, Napoleon, Squealer, Boxer, Clover, Mollie, Benjamin, Muriel, the Sheep, Dogs, Cows, Hens and the Cat in a performance designed to shock, enchant, bewitch and bewilder, ringing out Orwell’s prescient warning that politicians through the ages, and of all creeds and colours, will often let power corrupt them. Box office: tickets.41monkgate.co.uk.

Rebecca Vaughan’s Lady Susan in Dyad Productions’ Austen’s Women: Lady Susan. Picture: Seamus Flanagan

Magnificently crafted tale of manipulation and manners of the week: Dyad Productions in Austen’s Women: Lady Susan, York Theatre Royal Studio, today, 2pm; Helmsley Arts Centre, Sunday, 7.30pm

DYAD Productions return with a new solo comedy show, Jane Austen’s 1794 tale of manipulation and manners. Directed by Andrew Margerison, company regular Rebecca Vaughan plays devil-may-care widow Lady Susan, oppressed, rebellious daughter Frederica, long-suffering sister-in-law Catherine, family matriarch Mrs De Courcy and insouciant best friend Alicia.

At the vanguard of Vaughan’s wickedly humorous adaptation is the charming, scheming and witty Lady Susan, taking on society and making it her own, but has this coquette met her match? Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.

Skosh chef-proprietor Neil Bentinck: Cookery demonstration at St Crux Hall on September 27 at 1pm at York Food & Drink Festival

Festival of the week: York Food & Drink Festival, cooking until September 28

HIGHLIGHTS of this autumn’s York Food & Drink Festival include 70 street food and produce stands in Parliament Street; the Entertainment Marquee on Parliament Street, serving a bill of Live for St Leonard’s Hospice music acts; more live music in St Sampson’s Square, and demonstrations, events, tastings, and sampling at St Crux Hall.

Further events will be two taste trails; the Food Factory in St Crux Hall and Museum Gardens; the Pork Pie competition in Bedern Hall; Curry & Comedy at the NCEM; Yahala Mataam’s refugee pop-up restaurant night and cookery school; Tang’s festival debut; Jorvik Viking Centre’s activities with an historic twist and the Meet The Makers drinks fair. For the full festival programme, head to: yorkfoodfestival.com.

One of Simon Baxter’s photographs from All The Wood’s A Stage, his joint exhibition with Joe Cornish at Nunnington Hall. Picture: Simon Baxter

Ryedale exhibition launch of the week: All The Wood’s A Stage, Nunnington Hall, near York, from today to March 29 2026

ALL The Wood’s A Stage will continue the 2022 showcase Woodland Sanctuary, exhibited originally at the Moors Centre in Danby. This latest chapter features predominantly new photographs that celebrate the beauty and vital significance of trees, woodlands and forests across the UK.

Photographers Joe Cornish and Simon Baxter depict trees as silent performers on nature’s stage, encouraging us to observe, listen and reflect. Trees provide joy, peace and inspiration, being lungs of the Earth, guardians of biodiversity and a crucial part of our mental and physical well-being. Through changing seasons, they symbolise life, death and renewal. Tickets: nationaltrust.org.uk/visit/yorkshire/nunnington-hall.

The poster for The Return Of The Legends, featuring Strictly Come Dancing alumni Brendan Cole, James Jordan, Pasha Kovalev, Vincent Simone and Ian Waites, at York Barbican

Dance show of the week: The Return Of The Legends, starring Brendan, James, Pasha, Vincent and Ian, York Barbican, today, 7.30pm

STRICTLY Come Dancing alumni Brendan Cole, James Jordan, Pasha Kovalev, Vincent Simone and Ian Waite follow up 2024’s  Legends Of The Dancefloor with new Latin, tango, rumba and ballroom routines and more Strictly stories in The Return Of The Legends. Joined by a supporting cast, they deliver a night of dancing, camaraderie, music and laughter. Box office: yorkbarbican.co.uk.  

Robert Took, Georgina Liley, Catherine Warnock and James McLean in Mikron Theatre’s Hush Hush!, on tour at Clements Hall, York

Touring play of the week: Mikron Theatre in Hush Hush!, Clements Hall, York, Sunday, 4pm

IN a daring theatrical mission, Marsden’s Mikron Theatre Company infiltrates the clandestine world of wartime code-breaking in Lucie Raine’s Hush Hush!, exposing the vital contributions of the unsung heroes of Bletchley Park’s Hut 3, whose ingenuity and unwavering resolve helped secure victory.

Peggy Valentine arrives at Bletchley in 1940, 18 years old, headstrong and gifted. Finding herself in a world of boffins, soldiers and debutantes, Peggy must shoulder the burden of high-pressure war work while navigating a new world of feuds, friendships and growing up in a frame of absolute secrecy. Mikron’s crack team of actor-musicians, Georgina Liley, Robert Took, Catherine Warnock and familiar face James McLean, blends original songs, live music and compelling storytelling. Box office for returns only: 01484843701 or email admin@mikron.org.uk.

Tom Chambers as Detective Chief Inspector Morse in the first Inspector Morse original stage play, House Of Ghosts, at Grand Opera House, York

Murder mystery of the week: Inspector Morse: House Of Ghosts, Grand Opera House, York, September 23 to 27, 7.30pm plus 2.30pm Wednesday and Saturday matinees

BIRMINGHAM Repertory Theatre and Simon Friend Entertainment are touring the Inspector Morse franchise’s debut original stage play, House Of Ghosts, penned by Alma Cullen, directed by Anthony Banks and starring Tom Chambers.

A chilling mystery unfolds when a young actress dies suddenly on stage during a performance, prompting Detective Chief Inspector Morse to embark on a gripping investigation. What begins as a suspicious death inquiry takes a darker turn when the legendary inspector, in tandem with Detective Sergeant Lewis, uncovers a connection to sinister events in his own past, 25 years earlier. Box office: atgtickets.com/york.

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Theatre@41, Monkgate, lines up autumn of Edinburgh Fringe comedy and theatre hits

Hal Cruttenden: Dishing it out at Theatre@41, Monkgate, but can he take it?

THE best of the Edinburgh Fringe, from stand-up comedy to new theatre, is bound for Theatre@41, Monkgate, York, this autumn.

 Comedy performers will be led off by Have I Got News For You and Would I Lie To You panellist Hal Cruttenden in Hal Cruttenden Can Dish It Out But Can’t Take It on September 6, followed by four-time Edinburgh Award nominee Kieran Hodgson in Voice Of America on September 27, when he explores how a scared world feels about the USA and impersonates a bunch of old prospectors and former Presidents.

Creepy Boys were nominated for this year’s Edinburgh Comedy Award for their show Slugs. Now they bring their original madcap self-titled show to York on October 3. John Robertson Plays With His Audience, on November 16, is the latest show from the cult Dark Room host, packed with unpredictable improv and crowd work.

Kieran Hodgson: Voicing fears prompted by the USA

Innovative theatre comes in the form of a one-man Animal Farm, solo adaptation of Orwell’s prophetic novel, performed by Sam Blythe on September 20.

Theatre@41 chair Alan Park says: “Prior to the Edinburgh Fringe, we welcomed a number of stand-ups previewing their shows in the Halfway To Edinburgh season in July, including eventual Edinburgh Comedy Award winner Sam Nicoresti, and it’s great to see more of these artists having success at the Fringe.

“The ethos of the Edinburgh Fringe resonates with our own belief in supporting new and emerging performers, so we’re really pleased to be welcoming these brilliant shows to our theatre this autumn.”

John Robertson: Playing with his York audience on November 16 Picture: Mark Dawson

Running from July 13 to 19, Halfway To Edinburgh featured Sam Nicoresti, Josie Long, Lulu Popplewell, Molly McGuinness, Phil Ellis, Hayley Ellis, Susan Riddell, Kate Dolan, Barmby Moor surrealist Rob Auton and Chloe Petts, plus Nina Gilligan in her 2024 Fringe show
Goldfish.

“We were absolutely thrilled to bring such a fantastic calibre of comedic talent to York with Halfway To Edinburgh,” says Alan. “The festival was a unique opportunity for York audiences to experience the excitement and innovation of the Edinburgh Fringe without leaving the city. It was the perfect chance to see some incredible shows before they hit the big stage in Scotland.”

Tickets for the autumn season are on sale at tickets.41monkgate.co.uk.

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Yorkshireman Joe Layton heads home as trouble-making Iago in Frantic Assembly’s Othello on tour at York Theatre Royal

What’s he plotting next? Joe Layton’s Iago in Frantic Assembly’s Othello, on tour at York Theatre Royal. Picture: Tristram Kenton

JOE Layton returns to his native Yorkshire from tonight to play Iago in Frantic Assembly’s electrifying reimagining of Shakespeare’s Othello at York Theatre Royal.

Once more he will confirming his English teacher’s hunch at a parents’ evening that Ilkley lad Joe “had some talent for acting”.

“He said, ‘I don’t say this very often, but I would encourage Joe to apply for drama school’,” he recalls.

He duly did so, supported by teacher Tony Johnson, who provided not only encouragement but help in preparing audition speeches. “I owe him a huge amount,” says Joe. “He came to see the last show I did in Leicester and hope he’s in the audience for Othello.”

This is Frantic Assembly’s third staging of their award-winning account of Othello, Shakespeare’s tragedy of paranoia, sex and murder, set in a volatile 21st century wherein Othello’s passionate affair with Desdemona becomes the catalyst for jealousy, betrayal, revenge and the darkest intents.

Shakespeare’s muscular yet beautiful text combines with the touring company’s own bruising physicality in a world of broken glass and broken promises, malicious manipulation and explosive violence, previously staged in 2008 and 2014 and now updated for 2022.

On the wind-up: Joe Layton’s Iago has a word with Michael Akinsulire’s Othello. Picture: Tristram Kenton

Frantic Assembly have had a marked effect on his career and aspirations already, as he was part of their Ignition programme – a free nationwide talent development programme for young people aged 16 to 24 – in 2009 and later appeared in Frantic’s The Unreturning.

“It’s for all genders now but Ignition started out as an all-male programme and was a space where sensitivity and masculinity were explored in a non-toxic way, which I hadn’t experienced before,” says Joe, one of no fewer than five Ignition graduates involved in Othello this season.

He saw Frantic Assembly’s original production in 2008 but it was another of the company’s shows that was particularly influential: Bryony Lavery’s two-hander Stockholm. “I must have been 15 years old,” says Joe. “It was one of those mind-blowing moments that gave you goosebumps. That was the moment I said to myself, ‘I want to work with Frantic one day’.”

His professional debut came two years later in Nikolai Foster’s production of George Orwell’s Animal Farm at West Yorkshire Playhouse. As a 17-year-old schoolboy, he was given special dispensation to leave early several days a week to do the Leeds show.

Looking back at his first encounter with Frantic Assembly’s Othello, Joe recalls how “it really leapt off the page for me and made it accessible, especially for teenagers. It was real, visceral and immediate”.

Honest, Iago? Joe Layton keeps at arm’s length from the truth in Othello. Picture: Tristram Kenton

Now he is playing Iago, the poison-dripping baddie of the piece, or is he possibly misjudged? Psychopath or “a bit of a villain”, Joe must ask himself. “As an actor, you have to get inside them, understand them, what makes them tick, and do the things they do which, in Iago’s case, is hideous, unforgivable things,” he says.

Movement becomes as important as words in Frantic Assembly’s style book. “The way Frantic work, you are creating a physical sequence, finding a physical connection between characters. Then story and characters are layered in on top of that. You throw yourself in and trust the director [Scott Graham]. You have to give yourself and trust the process,” he says.

“We begin rehearsals with a one-hour workout and high intensity training. The rest of the morning is given over to movement sequences. Everything is really highly choreographed. There’s nothing that happens on stage that’s not choreographed.”

Joe grew up in Ilkley, moved to London for drama school, met his wife in New York and now lives in the United States, while working on both sides of the Atlantic.

He headed to America after being scouted by a top actors’ agency. “I don’t regret moving to Los Angeles because it was a really interesting period of my life, although challenging in a lot of ways. I moved away from family and friends and all that sort of stuff.

Turning the tables: Joe Layton’s Iago plays his mind games on Michael Akinsulire’s Othello as Chanel Waddock’s Desdemona looks on. Picture: Tristram Kenton

“I couldn’t work for six months because I was waiting for my work visa to come through. I was a 21-year-old with not much money just sitting around.”

One role to emerge from his USA move was Marvel’s Agents of SHIELD. He was not picked for the role for which he auditioned but was offered a different one. He took part in the series for only a few weeks but found working in the Marvel superhero world to be “a whole different ballgame”.

“I have an agent in the US and the UK,” he says. “One of the things that really changed through the pandemic is that everything, including casting, went online, which means there’s even less need to be in London. It seems the industry is getting less London-centric. You can audition on film anywhere, read a scene and be cast off the tape. That’s been great for me in terms of quality of life and being able to live in America.”

During lockdown, Joe spent an enforced period back in Leeds while visiting family for Christmas celebrations. Unable to go home, he spent six months living in his grandmother’s cottage near Pateley Bridge.

He will return to the USA during a break in the Othello tour. “My wife is at home in America. She’s a writer and working on a new book, so she’s pleased to have me out of the house and have time for herself and her writing.”

Frantic Assembly’s Othello runs at York Theatre Royal from tonight until Saturday, 7.30pm plus 2pm, Thursday; 2.30pm, Saturday. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Did you know?

Joe Layton (Iago), associate director David Gilbert, co-choreographer Perry Johnson, Oliver Baines (Montano) and Felipe Pacheco (Roderigo) have all taken part in Frantic Assembly’s Ignition programme.