More Things To Do in York and beyond when feeling the earth move. Here’s Hutch’s List No. 37 for 2023, from The Press

Gracing the stage: Grace Lancaster in the role of Carole King in York Stage’s York premiere of Beautiful: The Carole King Musical. Picture: Charlie Kirkpatrick

FROM Carole King’s beautiful songs to Velma Celli’s pop queens, an artistic family to a poet’s biscuits, Charles Hutchinson adds to the September sunshine as cause for heading out and about.

Musical of the week: York Stage in Beautiful, The Carole King Musical, Grand Opera House, York, Friday to September 23

YORK, are you ready to feel the Earth move, asks director Nik Briggs, ahead of the York premiere of Beautiful: The Carole King Musical. “This show has taken the world by storm, and for good reason, with its inspiring story of Carole King, a woman who rose to fame in the music industry during a time when female songwriters were few and far between”.

Singer, actress and pianist Grace Lancaster takes the lead role in this celebration of perseverance, passion and the power of music to unite. Box office: atgtickets.com/york.

Damon Gough: Marking 25 years of Badly Drawn Boy

Treasured songwriter of the week: Badly Drawn Boy, The Crescent, York, Monday, 7.30pm

DAMON Gough is undertaking his Something To Tour About: 25 Years Of Badly Drawn Boy tour, playing a sold-out standing show in York with Liam Frost in support.

Chorlton singer, songwriter, guitarist and piano player Gough, who released Banana Skin Shoes as his first studio album in ten years in May 2020, first made his mark with the Mercury Prize-winning The Hour Of Bewilderbeast in 2000. Eight albums on, he has plenty to tour about.

Rosie Jones: Unadulterated joy in Triple Threat at Leeds City Varieties and York Theatre Royal

Comedy gig of the week: Rosie Jones: Triple Threat, Leeds City Varieties Music Hall, Wednesday, 8pm; York Theatre Royal, Thursday, 8pm

COMEDIAN Rosie Jones’s show is guaranteed to be full of unapologetic cheekiness, nonsensical fun and unadulterated joy from the triple threat herself.

Theatre@41 honorary patron Rosie has hosted Channel 4’s travel series Rosie Jones’ Trip Hazard and Mission: Accessible and made numerous appearances on The Last Leg, 8 Out Of 10 Cats, Hypothetical, Mock The Week, The Ranganation and Joe Lycett’s Got Your Back. Box office: Leeds, 0113 243 0808 or leedsheritagetheatres.com; York, 01904 623568 or yorktheatreroyal.co.uk. 

Jessica Steel: Powerhouse vocals at A Night To Remember

Fundraiser of the week: Big Ian Presents A Night To Remember, York Barbican, Thursday, 7.30pm

HUGE frontman Big Ian Donaghy hosts his annual charity fundraiser as George Hall leads a 20-piece All Star House Band with a 12-strong brass section in a night of cover versions of Kate Bush, Bill Withers, Take That, Fleetwood Mac, Tina Turner, Queen, Wham!, Elvis and more.

Taking part will be Jessica Steel, Heather Findlay, Beth McCarthy, Graham Hodge, The Y Street Band, Boss Caine, Gary Stewart, Simon Snaize, Annie Donaghy, Kieran O’Malley, Las Vegas Ken, the Huge Brass Boys, Hands & Voices, musicians from York Music Forum and Jessa Liversidge’s fully inclusive group Singing For All. Box office: yorkbarbican.co.uk.

John Hegley: Biscuits all round at Stillington Mill

Poet of the week: John Hegley: Biscuit Of Destiny, At The Mill, Stillington, near York, Friday, 7.30pm

POET John Hegley, star of radio, television and school assemblies, heads north with a clutch of new verses, a few older favourites and a cardboard camel with a moving jaw.

The biscuits in the show derive Romantic poet John Keats’s phrase: “a scarcity of buiscuit”. Not the sort of phrase nor spelling you expect from a Romantic poet, notes Hegley, who delves into the more eccentric side of Keats, alongside everyday goings-on in the Hegley homes of now and yesteryear. Expect drawings of elephants, myths, discos, daleks, optional community singing and the search for a sense of self-worth. Box office: tickettailor.com/events/atthemill/939591.

Velma Celli: Reigning over York Theatre Royal on Friday in a celebration of British pop royalty, God Save The Queens. Picture: Sophie Eleanor Photography

Brit icons of the week: Velma Celli’s God Save The Queens, York Theatre Royal, Friday, 7.30pm

YORK cabaret superstar Velma Celli, the vocal drag diva alter ego of musical theatre actor Ian Stroughair, introduces her new celebration of British pop royalty.

Accompanied by Scott Phillips’s band, Velma’s night of rapturous music, risqué comedy and fabulous entertainment features the songs of Adele, Amy Winehouse, Annie Lennox, Florence Welch, Leona Lewis, The Spice Girls, Kate Bush, Shirley Bassey, Cilla Black and Bonnie Tyler, plus a tribute to Sinead O’Connor.

Katya Apekisheva: Russian-born pianist playing at York Chamber Music Festival, sometimes solo, sometimes in the company of string players

Festival of the week: York Chamber Music Festival, September 15 to 17

FESTIVAL artistic director and cellist Tim Lowe is joined by John Mills and Jonathan Stone, violins, Hélene Clément and Simone van der Giessen, violas, Jonathan Aasgaard, cello, Billy Cole, double bass, and British-based Russian pianist Katya Apekisheva for three days of concerts.

Highlights include Mendelssohn’s String Quartet Op. 13, Dvořák’s String Sextet, Elgar’s late Piano Quintet, Strauss’s Metamorphosen, Brahms’s Cello Sonata No. 1 and Schubert’s last Piano Sonata in B flat major. For the full programme and venues, head to: ycmf.co.uk/2023-programme. Box office: 01904 658338 or ycmf.co.uk.

Ewa Salecka: Conducting Prima Vocal Ensemble in Songs From The Heart

Choral concert of the month: Prima Vocal Ensemble, Songs From The Heart, National Centre for Early Music, Walmgate, York, September 30, 7.30pm

ARTISTIC director and producer Ewa Salecka leads York choir Prima Vocal Ensemble in an intimate evening of contemporary classical and popular choral music with Greg Birch at the piano.

Works by Randall Thompson, René Clausen, Stephen Paulus and Elizabeth Alexander will be followed by a second half of moving and energetic arrangements of George Gershwin, Duke Ellington and Freddie Mercury songs. Ahead of their 2024 New York City reunion, Prima perform a Christopher Tin number too. Box office: primavocalensemble.com.

Copyright of The Press, York

Hannah Arnup and Ben Arnup with bowls by Mick Arnup and a bronze dog by Sally Arnup at the Arnup Centenary exhibition, opening today at Pyramid Gallery

In Focus: Exhibition launch of the week

Hannah Arnup, Ben Arnup, Tobias Arnup and Vanessa Pooley, Arnup Centenary, Pyramid Gallery, Stonegate, York, 11am today to October 30

THE Arnups, two generations of artists with roots in York, work in pottery, painting, wildlife sculpture, figurative sculpture and ceramic sculpture. The late Mick and Sally Arnup set up home and studio in Holtby in the 1960s, and three of their family, Ben, Hannah and Tobias, have followed careers in the arts.

This exhibition by the three second generation artists and Tobias’s wife, Vanessa Pooley, coincides with the centenary of their father’s birth in 1923. In recognition of their parents’ influence on their own artistic journeys, a few pieces by Mick and Sally will complement the new works.

Gallery visitors can expect to see new work by ceramist Ben Arnup, who specialises in slab-made flattened boxes and vessels that play with the viewer’s sense of form and space, alongside Hananh Arnup’s wheel-thrown bowls and plates with sgraffito decoration and Vanessa Pooley’s gently curvy female forms in ceramic and bronze. On the walls, the still life paintings by Tobias Arnup will sit alongside ceramic wall pieces by Ben and Hannah.

Ben’s intriguing Trompe L’Oeil forms are well known to collectors of ceramics and visitors to Pyramid Gallery. Formerly a landscape designer, he creates shapes that explore drawn perspective using coloured clay slab-constructed stoneware, “having fun with the way we see form”.

After studying sculpture at Kingston Art School and specialising in ceramics at Goldsmith College, London, Hannah has lived and worked for much of her adult life in Ireland where she owns and runs Ballymorris Pottery. Latterly, she has set up a new studio in the family home in Holtby near York, re- purposed as a community of artists’ studios.

Vanessa works with bronze and ceramic to create sculpture of mostly female forms with an individual and distinctive style that takes inspiration from the work of Henri Laurens and his studio assistant Balthazar Lobo, as well as Marino Marinni and the sculptures of Picasso and Matisse. Her work is to be found in collections around the world.

Tobias studied at Camberwell School of Art and went on to teach at Blackheath School of Art before a change in career to be an art therapist.

“I was helping run a course at Blackheath School of Art and I found I was more interested in the people that sat in my office at lunchtime complaining about their fellow students or about their parents or about not getting their art right or wondering what they were going to do, or who were just not really coping with life very well,” he says.

After his training, Tobias started an art therapy department at Holloway Prison, which was in existence until the women’s prison closed in 2016. 

During his 35-year career, he also worked in secure units in mental health hospitals, finding that art could engage traumatised people when other methods of therapy had not.  

In his art, Tobias has evolved an individual style that begins with a black outline of still life objects and flowers, drawn in ink with a goose quill. He then adds colour in gouache, filling the spaces between or on top of the black lines.

Depending on what he feels is necessary, he might add more black ink lines, or redo the original lines, then more colour and maybe finish with more black lines. This layering of lines and colour is done slowly and carefully in a process that he describes as meditative. The result is intriguing, distinctive and joyful, with pastel colours contrasting with the black outlines, that have a bold and purposeful feel mixed with occasional random unevenness.

Gallery owner Terry Brett has worked with Ben and Hannah for many years, as well as with Mick and Sally, and looks forward to his inaugural showing of paintings by Tobias and bronze and ceramic sculpture by Vanessa.

“‘For me, this is one of the most satisfying moments in my time as an exhibition curator,” he says. “Not only for the quality of the work and diversity of styles, but also because I am pleased to be representing Vanessa and Tobias for the first time.

“To be hosting the family with an exhibition that is paying respect to Mick and Sally in a collective show is a very special moment for both myself and the gallery.”

Tobias Arnup with his gouache and ink paintings

Tobias Arnup on his artistic practice

THE play between line and colour has always been central to Tobias’s work as a painter.
“Undoubtedly my main influence of this has been that of my father, Mick,” he says. “However, I still remember the impact of being taught by the wonderful art master at Pocklington School, Nigel Billington, who encouraged a proper attention to composition and to drawing, particularly with ink.

“It was hardly a surprise when I chose Camberwell School of Art, in London, as the place to study for my Fine Art degree and where I was lucky enough to teach drawing myself for a while.”

Only relatively recently has Tobias experimented more with different media. “For many years my favourite was egg tempera, which I learnt about at Camberwell and used to
mix up myself,” he says.

“Depending on how much it was diluted, tempera has both the ‘gloopy’ quality of gouache and the richness of a watercolour glaze. It was working on paper, though, that has allowed me to work more flexibly.

“Using water-soluble pencil, Indian ink, watercolour and gouache – although not necessarily in that order – I seem to be forever swinging between creating chaos and trying to excerpt some sort of order on the composition.”

He continues: “These days the chaos of my ink marks is being brought under some sort of control by the flat, mat gouache. When things get a bit too tidy, out comes the ink bottle again.

“There cannot have been many options for school teachers at the time. Mr Billington’s huge
set-ups suited me perfectly, however. They were there ready for me – a constant resource,
I realise now, that is currently replicated in my own studio.

“Although they stray into more abstract concerns, I regard all these works as still-lives. When I am a bit stuck, it’s the ink and the goose-feather quills that I turn to, although I have used up my store of Chinese geese quills that I collected up from the garden when I was young.”

Pyramid Gallery opening hours are: Monday to Saturday 10am to 5pm. The displays can be viewed at pyramidgallery.com too.

If you buy only one “comeback” album during lockdown, make it…

Badly Drawn Boy, Banana Ski Shoes (AWAL) ****

THERE is something deeply satisfying when an artist long missing in action re-appears with great songs.

Badly Drawn Boy, Damon Gough to his mum and bank manager, was always an interesting character. His anti-rock star demeanour contrasted with his early success.

Like Elliot Smith, here was a songwriter that didn’t fit the commercial juggernaut. There were always flashes, like Space Between Your Ears from his 2012 soundtrack to Being Flynn.

After a decade-long hiatus, Gough re-emerges at 50 with a fistful of tunes that are at once familiar but cleverly good. He has always had a flair with melody; it rarely goes where you think it is heading.

The life knocks he’s endured – it transpires he hasn’t been sitting in a pool lapping up adoration all these years – have given him a rich vein of material to write about, and there’s a more direct edge to the lyrics. Looking over his shoulder at the exit, I Just Want To Wish You Happiness is affecting, while I’ll Do My Best ushers Gough into a new relationship.

Badly Drawn Boy: “A fistful of tunes that are at once familiar but cleverly good”

Fortunate, too, that Gough has not sunk into tuneless gloom. On the contrary, I’m Not Sure What It Is features a glorious Technicolor production, full of sunlight and hard-won wisdom. Rightly, Like Tony Wilson Says has been singled out for praise and may yet be a hit. Taking a Manchester cultural icon, Tony Wilson, and his Hacienda nightclub, it’s an uplifting tribute that even seems to have left space for the crowd’s roar.

You can never tell whether Gough is being ironic, but it does seem that he is now foot-sure about which musical path to pursue. As he told the Guardian, this record presents “a more focused version of what I’ve tried to achieve in the past”.

Fly On The Wall captures Gough’s worldview to perfection, married to another joyous melody that both harks back and looks more hopefully ahead to what tomorrow brings.

Compared with these heights, the quality does ebb in the middle. For example, Colours feels dated and the Eighties touches are overdone, but these slips are few and the overall upbeat mood makes for the pleasing contrast to the pallor of our economic sky. Definitely Gough’s best record since his debut, the Mercury Prize-winning The Hour Of Bewilderbeast, 20 years ago.

Review by Paul Rhodes 

https://www.theguardian.com/music/live/2020/may/18/badly-drawn-boy-webchat-banana-skin-shoes?page=with:block-5ec523a48f0886ce4f5d70f6#liveblog-navigation

Badly Drawn Boy to mark turning 50 with first studio album in a decade on May 22

The artwork for Badly Drawn Boy’s new album, Banana Skin Shoes

BADLY Drawn Boy, alias woolly-hatted Damon Gough, will release his first studio album in a decade, Banana Skin Shoes, on May 22 on the AWAL label.

Trailered as a “truly personal and heartfelt collection that skips between musical idioms and emotional extremes”, the 14 tracks were completed last year by Gough at Eve Studios, Stockport, with producer Gethin Pearson, who also mixed the recordings.

Earlier, Gough had worked on tracks for the album with legendary producer Youth at his London studio; Keir Stewart (ex-Durutti Column) at Inch Studios and Seadna McPhail at Airtight Studios.

Badly Drawn Boy last released a studio set, It’s What I’m Thinking Pt 1, Photographing Snowflakes, in October 2010, since when he has composed the soundtrack for Being Flynn, Paul Weitz’s 2012 American film starring Robert DeNiro and Julianne Moore.

This month’s album spans the opening blast of forthcoming single Banana Skin Shoes, with its riotous Beck-meets-Beastie Boys “cartoony” hip hop throw-down, to the immaculately tailored closer I’ll Do My Best, a nod to Gough’s failings, a prayer to his partner and a lyrical tip of the hat to his hero Bruce Springsteen. Take a look at the animated video for the single by award-winning film directors Broken Antler at https://badlydrawnboy.lnk.to/bss-vid

Badly Drawn Boy, alias Damon Gough

In between the two bookends are the retro-futurist pop of Fly On The Wall, evoking the Eighties’ pop-soul of Hall & Oates; the lush piano-and-strings ballad Never Change and the Motown-echoing soul stomper Tony Wilson Said, a celebration of the late, great fixer of the Manchester music scene.

I Need Someone To Trust begins with a nod to Chicago’s soft-rock 1976 chart topper If You Leave Me Now, branching into a spiritual song of salvation-seeking, while the beautiful, loving I Just Wanna Wish You Happiness sees 50-year-old Gough “dig deep to alchemise the trauma of a break-up into a song of salutation to his ex”.

The track listing on Badly Drawn Boy’s eighth studio album will be: Banana Skin Shoes; first single Is This A Dream?; I Just Wanna Wish You Happiness; I’m Not Sure What It is; Tony Wilson Said; You And Me Against The World; I Need Someone To Trust; Note To Self; Colours; Funny Time Of Year; Fly On The Wall; Never Change; Appletree Boulevard and I’ll Do My Best.

After his sold-out London show at The Roundhouse in January, the 2000 Mercury Music Prize winner will announce more live dates over the coming months. He played Yorfest at York Racecourse in September 2017.