Knock, knock, who’s there? Writer Martin Vander Weyer’s Dame Daphne and Oliver Clive’s undoubting Thomas in 1812 Theatre Company’s pantomime Robin Hood’s Helmsley Adventure. Picture: Florrie Stockbridge
MARTIN Vander Veyer is a British financial journalist, business editor of The Spectator and member of the British-American Project.
Polymath Martin is also a poet, playwright, amateur actor, former investment banker in London, Brussels and the Far East, ardent Francophile, music lover, proud Yorkshireman of Flemish ancestry and intrepid traveller to boot.
His Any Other Business column in The Spectator stirred Boris Johnson to crown him “the most oracular and entertaining business commentator in London”. And now, should you be wondering if he has room for any other business in his busy, busy life, Martin has added another string to his ever-expanding bow.
Already Helmsley’s fabulously high-brow, low-blow dame, with the delivery of Edith Evans by way of Victoria Wood, he has scripted 1812 Theatre Company’s properly traditional pantomime for the first time. Where else would you find “the Coalition of the Willing” in a script that is so eloquent, erudite yet mischievously entertaining too?
“I gave up plans for retirement and decided not only to get the frock on again this Christmas but to have a crack at writing a script myself,” he says in his programme notes, adding that he “loves pantomime because its mix of saucy jokes, slapstick, song and romance transports us to a simpler world – and because it brings together so many different skills and talents”.
Spot on, Martin, who captures the “theatre is a village” essence of a community pantomime, working in tandem with Helmsley Arts Centre artistic director and bracing panto director Natasha Jones to give so many their moment in the spotlight, while still being the leading light himself, except when he very noticeably scurries to the back in the song-and-dance ensemble routines.
From delayed grand entry to his obligatory tennis racket-projected rally of balls back and forth between dame and audience, to his meta-theatre commentary on the thin plotline, Vander Weyer’s classicist dame, amply bosomy Daphne, is an old-school theatrical delight.
His dame is a saucepot, but never crude. He gives you time to think where his punchline might land, then, like those tennis shots, having set up the double entendre, he volleys it away with panache.
This is typified by his third entry in the pick of Denise Kitchin’s exquisitely detailed designs for the dame’s frocks, throwing everything but the Kitchin sink at them. This one parades pink camouflage military jodhpurs, chest bedecked in medals. “Privates on parade,” he quips. Of course! What else could he say?! You’ll love his digs at neighbouring Pickering too.
Knock Knock jokes have become a staple of the Helmsley panto, along with the repartee, those bouncing balls and the singsong, and here panto daft lad Oliver Clive’s Thomas takes every opportunity to knock, knock out another one, while the audience is encouraged to send in its own suggestions in a Knock Knock competition. Don’t knock it until you have tried it.
Bec Silk’s Robin Hood and Martin Vander Weyer’s Dame Daphne promoting Robin Hood’s Helmsley Adventure
Knock, knock, who else is there? Bec Silk’s Robin Hood is a principal boy in the best tradition of thigh slaps, lusty singing and plucky leadership; Vicki Mason’s understated, girl-next-door Maid Marian has the weight of the world on her shoulders in the Sheriff’s captivity; Joe Gregory’s Sheriff of Pickering brings gravitas and a foie-gras thespian voice to the dark side.
Carolyn Potts’s Friar Tuck, forever nibbling from Tuck’s Tuck Bag, Robert Barry’s Little John, forever firing off his bow and arrow, Simon Read’s stoical Baron Robert of Helmsley and Sarah Barker’s declamatory Sharon, Town Crier of Helmsley, all relish their comic opportunities.
Meanwhile, Millie Neighbour’s Save The Planet Janet is forever popping out of a bin, making magic from her “rubbish” role. Lottie Robson and Daisy Lamb bring feisty bite to the Sheriff’s Savage Hounds.
Aided by Michaela Edens’ choreography, senior chorus trio Jeanette Hambridge, Edwin Youngman and Mani Brown’s Sheep are anything but sheepish in taking centre stage and the Green Team and Red Team’s duties as Maid Marian’s Animal Friends bring a smile to everyone’s face.
Set designer and scenic artist Holly Cawte maximises the compact space with plenty of colour and time-honoured panto structures, always with room aplenty at the front for Vander Weyer’s larger-than-life dame to poke fun, tongue ever further in cheek.
1812 Theatre Company in Robin Hood’s Helmsley Adventure, Helmsley Arts Centre, tonight, 7.30pm; Saturday, 2.30pm and 7.30pm; Sunday, 2.30pm. Box office: 01439 771700 or helmsleyarts.co.uk.
