Jack Savoretti: “A typically charismatic, energetic performance” at York Museum Gardens. Picture: Paul Rhodes
FUTURESOUND’S inaugural Live At York Museum Gardens festival got off to a stellar start on Thursday. Headliner Jack Savoretti gave a typically charismatic, energetic performance that had the sell-out crowd in the palm of his Anglo-Italian hand.
The setting framed the evening to a tee, the musicians played in front of the Yorkshire Museum, with St Mary’s Abbey off to the side. No-one was looking at the ruins, however, and Savoretti had everyone’s attention.
He has gained a large and passionate following, with back-to-back number one albums. The women in the audience especially adore him, and it’s easy to see why. Blessed with good looks and the ability to write songs with broad appeal, he’s also a natural showman.
Homeward bound: York-born Benjamin Francis Leftwich, now based in London, returns home to sing of New York in old York. Picture: Paul Rhodes
“Singing for strangers” may be his daughter’s way of describing her dad’s job, but he has the master’s gift of shrinking an arena so everyone in the audience feels he’s singing to them.
The evening had begun slowly with opener Ellur, from Halifax, starting proceedings early, followed by Benjamin Francis Leftwich. Originally from York (and conceived in a haunted house nearby, he told us, perhaps with a wink) Leftwich is not an obvious party starter. Yet he provided an ideal accompaniment to match the early evening vibe.
Playing with Jamie Squire (touring keyboard player for The 1975), Leftwich’s confident set was mellifluous and tuneful – with New York the highlight. Paul Simon he isn’t, but his hotel-room confessions were played with endearing conviction and the old York links went over well.
Foy Vance: “Performing solo, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance”
Foy Vance by comparison was a disappointment. On record, this Irish lothario’s songs, in Tom Waits/Joe Henry territory and bubble wrapped in Muscle Shoals high-quality packaging, are highly listenable.
Performing solo, however, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance. The audience chatter continued uninterrupted. The queue for beer and wine lengthened. Further back, someone did the crossword. Vance still got a big hand – but this was not his night.
The crowd (some having travelled from Swansea and beyond) wanted something, anything, to get them moving. An outdoor concert, after all, is as much an occasion as a gig, and it needs something special.
As the cloudy light slowly dimmed, the real star turn emerged. Savoretti’s performance was day to night compared to what came before.
Jack Savoretti: “His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing”. Picture: Paul Rhodes
His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing. We Are Bound was typical while The Way You Said Goodbye is everything Savoretti does best.
Well accustomed to playing concerts on this scale, the set list was a masterclass; mixing audience favourites with new material off this year’s Miss Italia album, even getting the crowd to sing in Italian at one point. The stories may not be new, but Savoretti told them like he meant it.
The 16-song set steadily built up to a wonderful finale. Tie Me Down was unrestrainable and Dancing Through The Rain superb. Then to close, and underline his star credentials, You Don’t Have To Say You Love Me. Made famous by Dusty Springfield, then Elvis Presley, the song began life as the Italian Lo Che Non Vivo (Senza Te).
Savoretti channelled all three to set the seal on a wonderful performance. Bringing his son on stage for the ovation melted even the coldest of hearts still intact. Un tocco perfetto, maestro.
The four doormen of the apocalypse: John Godber Company in Bouncers, on tour at York Theatre Royal
THE northern 1980s and Bath society in 1798, French park life and a canny tortoise stir Charles Hutchinson into heading out of the front door.
York play of the week: John Godber Company in Bouncers, York Theatre Royal, April 5, 7.30pm; April 6, 2.30pm and 7.30pm
MEET Lucky Eric, Judd, Les and Ralph, the original men in black, as they tell the torrid tale of one Eighties’ night in a Yorkshire disco in John Godber’s northern parody of Saturday Night Fever. All the gang are out on the town, the lads, the lasses, the cheesy DJ, the late-night kebab man, and the taxi home, under the watchful eyes of the Bouncers (Nick Figgis, George Reid, Frazer Hammill and newcomer Tom Whittaker).
“We’re delighted to be taking Bouncers back to the heyday of disco and the 1980s,” says Goober. “Looking back, there was so much wrong with the decade but also so much to celebrate; this new production dances a balance between what was great and what is cringe-worthy now!” Box office: 01904 623568 or yorktheatreroyal.co.uk.
Rebecca Banatvala, back, AK Golding, middle, and Sam Newton, front, in Northanger Abbey at the SJT, Scarborough. Picture: Pamela Raith
Play of the week outside York: Northanger Abbey, Stephen Joseph Theatre, Scarborough, until April 13
ZOE Cooper adapts Jane Austen’s coming-of-age satire of Gothic novels in a co-production by the SJT, Orange Tree Theatre, Richmond, Octagon Theatre, Bolton, and Theatre by the Lake, Keswick, starring Rebecca Banatvala (Cath), AK Golding (Iz) and Sam Newton (Hen) under Tessa Walker’s direction.
In a play fizzing with imagination, humour and love, Cath Morland knows little of the world, but who needs real-life experience when you have books to guide you? Cath seizes her chance to escape her claustrophobic family life and join the smart set in Bath. Between balls and parties, she meets worldly, sophisticated Iz, and so Cath’s very own adventure begins. Box office: 01723 370541 or sjt.uk.com.
Yu Wakizuka’s Hare in Northern Ballet’s Tortoise & The Hare, racing around York Theatre Royal. Picture: Sophie Beth Jones
Children’s show of the week: Northern Ballet in Tortoise & The Hare, York Theatre Royal, Tuesday, 2pm, 4pm; Wednesday, 11am (Relaxed Performance), 2pm, 4pm
CHOREOGRAPHED by former Northern Ballet dancers Dreda Blow and Sebastian Loe, Tortoise & The Hare is an introduction to live ballet, theatre and music for “little ones”. When cheeky Hare can’t stop boasting about his speed, thoughtful Tortoise, so tired of being teased for his slowness, decides to challenge him in a race. No-one thinks Tortoise can win, but once Hare is distracted by games and treats, Tortoise might surprise everyone.
Leeds company Northern Ballet’s 40-minute adaptation of Aesop’s fable features an original score by Bruno Merz, set designs by Ali Allen and live music performed by Northern Ballet Sinfonia members. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Benjamin Francis Leftwich: Opening his spring tour at Leeds Brudenell Social Club
Gig of the week: Benjamin Francis Leftwich, Leeds Brudenell Social Club, Thursday, 7.30pm
YORK singer-songwriter Benjamin Francis Leftwich follows up Dirty Hit Records’ February 9 release of his fifth album, Some Things Break, with a nine-date spring tour that opens in Leeds.
He will perform alongside The 1975’s guitarist and keyboard player Jamie Squire on a tour managed by Bradley Blackwell, former bassist and keyboards player in The York band The Howl & The Hum.
Benjamin has released a 15-minute film of Some Things Break, directed by Harvey Pearson, that combines documentary footage of the recording process with interviews and four live videos of album tracks featuring Squire on keyboards and backing vocals. You can watch the film at https://www.youtube.com/watch?v=VqAUE3jrp6w
Now based in Tottenham, London, Benjamin will be returning to York on July 18 to open the bill for Jack Savoretti’s open-air concert in York Museum Gardens on July 18. Box office: Leeds, brudenellsocialclub.seetickets.com; York, jacksavoretti.com/events.
Jessica Fostekew: On her mettle at Pocklington Arts Centre
Comedy gag of the week: Jessica Fostekew, Mettle, Pocklington Arts Centre, Thursday, 8pm
IN her new stand-up show of passion, pace and purpose, Jessica Fostekew’s son has joined a cult and her cat has learnt to talk. Nevertheless, she feels fine. In fact she is hurtling faster and hustling harder than ever for the things that she wants and needs.
Fostekew appeared in the sitcom Motherland and Sundance Festival Grand Jury prize-winning film Scrapper and is a regular co-host of The Guilty Feminist podcast, host and creator of her own podcast about eating, Hoovering, and the star and writer of BBC Radio 4’s Sturdy Girl Club. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Savva Zverev: Russian-born violinist, playing York Late Music concert on April 6. Picture: Mixei & TunaPutting themselves in the picture: Pick Me Up Theatre cast members James Willstrop (as Jules), left, Neil Foster (as Soldier), Natalie Walker (as Dot) amd Sanna Jeppsson (as Yvonne), front, set the scene for Sunday In The Park With George
York musical of the week: Pick Me Up Theatre in Sunday In The Park With George, Theatre@41, Monkgate, York, April 5 to 13, 7.30pm except April 8; 2.30pm, April 6, 7 and 13
STEPHEN Sondheim and James Lapine’s musical follows painter Georges Seurat (played by Adam Price) in the months leading up to the completion of his most famous painting, A Sunday Afternoon On The Island Of La Grande Jatte.
Consumed by his need to “finish the hat”, Seurat alienates the French bourgeoisie, spurns his fellow artists and neglects his lover Dot (Natalie Walker), not realising that his actions will reverberate through the next 100 years. Box office: tickets.41monkgate.co.uk.
Fairground Attraction: Mark Nevin, left, Roy Dodds, Eddi Reader and Simon Edwards reunite after 35 years for a York-bound tour and new album
Gig announcement of the week: Fairground Attraction, York Barbican, October 1
AFTER an absence of nigh on 35 years, all four original members of short-lived late-Eighties’ band Fairground Attraction are reuniting for a 14-date British tour and an as-yet-untitled new studio album, preceded by first single What’s Wrong With The World?, out now.
Best known for their chart-topping debut, Perfect, winner of the Best Single prize at the 1988 Brit Awards, Fairground Attraction return with their country-pop line-up of singer Eddi Reader, guitarist Mark Nevin, guitarrón bassist Simon Edwards and drummer Roy Dodds. Box office: axs.com/York.
In Focus: A triple bill of York Late Music concerts, Unitarian Chapel, St Saviourgate, York, April 5 and 6
Violinist Savva Zverev. Picture: York Late Music
THREE York Late Music concerts promise compositions by Bach, Bartok, Brahms, Bryars, Webern, Pärt, Farrenc and Debussy, new works and old works, York composers and even a York Suite, Richard Stoker’s Eboracum.
First up, on April 5 at 1pm, pianist David Hammond plays William Baines’s Pictures Of Light, Drift-light, Bursting Flames and Pool-lights, Steve Crowther’s Michael Dances, Ruth Karn’s The Loneliness Of Now and Gavin Bryars’ Ramble On Cortona.
Richard Stoker’s aforemtioned work A York Suite, Eboracum comprises Vale Of York, chorale prelude; Micklegate, interlude 1; Minster and the Five Sisters, lullaby; River Ouse, scherzo; Bootham Bar, interlude 2; Station and Railway Museum Castleand Clifford’s Tower, nocturne.
Hammond’s programme is completed by Matt Dibble’s Prelude in B minor, Hammond’s own work Variations On A Scottish Jig and William Baines’s Tides, The Lone Wreck and Goodnight To Flamboro’.
At 1pm on April 6, Amabile’s trio of Lesley Schatzberger, Nicola Tait Baxter and Paul Nicholson bring the distinctive blend of clarinet, cello and piano to life with a combination of trios by Brahms and performer, composer and equality campaigner Louise Farrenc, complemented by a new Steve Crowther work.
In the evening, at 7.30pm, Russian-born violinst Savva Zverev and pianist Sid Ramachander combine Bach’s Violin Concerto No 1 in G minor and Preludes by Debussy with works by Webern, Lutoslawski, Bartok, Pärt and Franz Waxmann. Tickets: latemusic.org or on the door.
Jack Savoretti: First Italian-speaking album at 40. Picture: Chris Floyd
AHEAD of his York Museum Gardens concert on July 18, Anglo-Italian singer Jack Savoretti will be reconnecting with his roots on his first Italian-speaking album Miss Italia.
Released on May 10, it is preceded by first singleSenza Una Donna (Without A Woman), Londoner Savoretti’s collaboration with Italian superstar singer-songwriter Zucchero. First released in 1991 as a five million-selling duet between Zucchero and Paul Young, the 2024 version is enriched by new arrangements and production.
Over a 30-year career, blues musician Zucchero has sold more than 60 million records, played world tours and collaborated with Luciano Pavarotti, Andrea Bocelli, Eric Clapton, Joe Cocker, Miles Davis, B.B. King and Sting.
In turn, singer-songwriter Savoretti has chalked up collaborations with Bob Dylan, Kylie Minogue, Shania Twain, Sophie Ellis-Bextor and Nile Rodgers, among others. However, although bi-lingual from birth, writing in Italian was uncharted territory for Savoretti until now in a 16-year recording career that has delivered seven albums, his last two, 2019’s Singing To Strangers and 2021’s Europiana, both topping the official UK album charts.
The cover artwork for Jack Savoretti’s Miss Italia album
Over the years, his songwriting has been informed by his musical upbringing, with its combination of 1960s/1970s’ California singer-songwriters and European chansonniers such as Charles Aznavour and Lucio Battisti. For Miss Italia, Savoretti sought to hone his craft even further, in a different language to boot.
Sourcing a who’s who from the contemporary songwriting scene in Italy, he found a group of fellow craftsmen and women for collaborations. The resulting album came at an important moment in 40-year-old Savoretti’s life, following the death of his Italian father.
“My father was the anchor that tied me to Italy, the connection to my roots that I felt I was at risk of losing without him,” says Jack, whose full name is Giovanni Edgar Charles Galletto-Savoretti.
The poster for Jack Savoretti’s outdoor concert in York Museum Gardens, promoted by Futuresound
“So I went back to school. I didn’t want to imitate Italian music; I wanted to make it my own, combining everything I had learned over almost 20 years of experience from working in America, England, and Italy, merging Anglo-Saxon singer-songwriting with Italian to create something unique. I first had to learn to write in Italian before making MY album in Italian.”
He will be playing York in a month that will take him to Italy to perform at the Tener-A-Mente Festival, Gardone Riviera, on July 7 andTeatro La Versiliana, Marina Di Pietrasanta, on July 31, either side of his Museum Gardens show.
Will he sing any of Miss Italia’s songs in York? Find out on July 18. Tickets are on sale via www.jacksavoretti.com/events/2024-07-18-jack-savoretti-york-museum-gardens. His special guests that day will be Irish storytelling songwriter Foy Vance and York singer-songwriter Benjamin Francis Leftwich. Gates open at 5pm.
Seeking the light: York singer-songwriter Benjamin Francis Leftwich. Picture: Harry Pearson
YORK singer-songwriter Benjamin Francis Leftwich will play a home-city concert this summer, but make sure to arrive early.
He will be opening Futuresound’s 5pm triple bill at York Museum Gardens on July 18 as the first of two special guests for headlining Scottish-Italian singer-songwriter Jack Savoretti, with Irish blues and folk musician Foy Vance as the other.
First comes tomorrow’s release of his fifth studio album in 13 years, Some Things Break, the follow-up to 2021’s To Carry A Whale as Ben continues a fruitful partnership with Dirty Hit Records, the label that made him its first signing in 2011 at the age of 21.
“Given the way the music industry is shaping up, maybe I’ll release albums more regularly than I do now, but I’ll just release them when I’m proud of something, though I definitely need guidance to say, ‘time to go, it’s ready’,” he says.
“In this case, we wrote about 20 to 30 songs, done at different stages. Some artists will just write ten songs and release them all on a record, but for me, I need to make mistakes along the way, try things out, and the more I write, the clearer my goal is.”
He kept Dirty Hit in the loop all the way, as the recordings progressed with Grammy Award-winning producer Jimmy Hogarth and the album became more focused.
The cover artwork for Benjamin Francis Leftwich’s new album, Some Things Break, out tomorrow on Dirty Hit Records
When judging a song, “my fear has got less thanks to God over the last few years,” says Ben. “But I’m not immune to needing friends, people who aren’t in the industry, to say what they think, feeding off their energy, because they’re less invested in the music industry politics. Ultimately, I want a song to be in everyone’s heart.”
Some Things Break was composed over two years, at locations across the globe, from Ben’s adopted home of Tottenham, London, to Nashville, Washington to Stockholm.
The recording sessions found him collaborating with fellow songwriters Mikky Ekko, The 1975’s Jamie Squire and Jon Green for an album with a broader range, both musically and vocally, combining his acoustic guitar at times with piano, choirs, drumbeats and effects in a layered soundscape.
“I do think these are the most emotional, spiritual songs I’ve done, where I thought I’d sing them in a higher range, but actually the voice has gone down – a bit of crooning! – and it’s nice to have those two voices,” says Ben, 34.
“The song always guides me, especially at the point of the vocal delivery or the choice of key. My thing is ‘whatever is best for the song’, if a friend is way better at playing the piano or Jimmy being better for a guitar part.
“Just by sheer chance, I did all the first album [2011’s Last Smoke Before The Snowstorm] in York, but now I have access to musicians all over. It’s been a long, long journey, starting 15 years ago, but I now feel God puts people in my path and I’ve got so lucky that people come my way.”
“I keep my head in the clouds but my feet on the ground,” says Benjamin Francis Leftwich. Picture: Harry Pearson
Take The 1975’s Jamie Squire, for example. “I had a message 12 years ago from Jamie saying ‘I’m a friend of Matt Healy [The 1975’s lead singer]…I really love your music,” Ben recalls. “I invited him to work with me, and he’s one of the best musicians I’ve ever met.”
Latterly Ben and Jamie have been working in London with Scottish singer-songwriter Katie Gregson-MacLeod, and Ben will link up with The 1975 pianist Jamie for his eight-date spring tour in support of the new album, opening at Leeds Brudenell Social Club on April 4.
Ben’s songwriting wanderlust took him to Nashville twice last year for three weeks each in April and October. “That’s where I met Mikky Ekko – best known for writing that beautiful song Stay, the Rihanna hit – and we wrote the most explicit song I’ve ever done, about my father [the late University of York politics lecturer Adrian Leftwich].
“I love writing songs that move people, and I was lost for so long that I feel like I’m almost making up for the time that I wasted. My diary is busy, busier than ever. I’m so lucky. I keep my head in the clouds but my feet on the ground.”
Tickets for April 4 at Leeds Brudenell Social Club: www.benjaminfrancisleftwich.com
Tickets for July 18 at York Museum Gardens: https://futuresound.seetickets.com/event/jack-savoretti/york-museum-gardens/2929799
Jack Savoretti: First York appearance since 2017. Picture: Supplied
JACK Savoretti is to headline July 18’s triple bill at York Museum Gardens with support from special guests Foy Vance and York singer-songwriter Benjamin Francis Leftwich.
London-born acoustic singer-songwriter Savoretti, 40, has released seven studio albums and one compilation, Songs From Different Times, since 2007.
Savoretti, whose exotic full name is Giovanni Edgar Charles Galletto-Savoretti, previously played York in an intimate gig at Fibbers on July 16 2017, when promoter Mr H, alias legendary York club boss Tim Hornsby, enthused: “He’s a class act, a modern-day troubadour, a thrilling performer, a giant.
“Our hero may have started as a lonely acoustic troubadour, relying on not much more than his songs and that careworn growl, but we’re now witnessing a gorgeous widescreen sweep, drawing on a rich Italian heritage, with Morricone-like flourishes and battlefield last stands.”
Storytelling Bangor bluesman Foy Vance
Such sentiments still stand, rubber-stamped by the chart accolade of Savoretti hitting number one with his past two studio albums, March 2019’s Singing To Strangers, recorded at Ennio Morricone’s studio in Rome, and June 2021’s Europiana, conceived in lockdowns at Jack’s Oxfordshire home. A deluxe edition, Europiana Encore, followed in 2022.
In an Instagram post last November, Savoretti revealed he was “in the studio, where we are putting the final touches to the new album”.
The title and release date details are yet to be announced but CharlesHutchPress’s early request for an interview elicited this response from Chelsea Bakewell, marketing manager for concert promoters Futuresound: “Jack’s team mentioned they are pausing on interview until the album is out so this isn’t something which can be facilitated at this moment in time I’m afraid.” Watch this space!
Northern Irish storytelling bluesman, survivor, rocker and folk hero Foy Vance, 49, will be returning to York for the first time since headlining York Barbican on his Signs Of Life tour in August 2022.
Now living in Tottenham, London, York singer-songwriter Benjamin Francis Leftwich, 34, will release his fifth studio album, Some Things Break, next Friday on Dirty Hit Records, his regular home since becoming the label’s first signing at the age of 21 in 2011.
Composed over the past two years at locations across the globe, from London to Nashville, Washington to Stockholm, Some Things Break was produced by Grammy Award-winning Jimmy Hogarth and features collaborations with fellow songwriters Mikky Ekko, Jamie Squire and Jon Green.
Benjamin Francis Leftwich: New album to be released on February 9. Picture: Harry Pearson
The track listing will be: I’m Always Saying Sorry; Moon Landing Hoax; Break In The Weather; New York; Some Things Break; Spokane, Washington; God’s Best; A Love Like That; Only You and Don’t Give Up on The Light.
“Learning to hold onto certain things and let go of others, with as much grace as possible, I feel like I’m hiding less on this record,” says Leftwich. “Ultimately, I think it’s a record about a kind of slow acceptance that some things break and, for me, sometimes that’s necessary for healing.”
Singer, songwriter and guitarist Leftwich will open his eight-date spring tour at Leeds Brudenell Social Club on April 4, where he will be accompanied by The 1975’s Jamie Squire on piano. For tickets, head to: www.benjaminfrancisleftwich.com
Leftwich has played myriad concerts in York over the past 15 years, none more contrasting than an exclusive, intimate album launch gig for Gratitude at the 50-capacity FortyFive Vinyl Café, Micklegate, on March 15 2019, followed only a fortnight later by York Minster, the largest Gothic cathedral in Northern Europe.
Savoretti’s concert will be part of a four-night run of Futuresound promotions at York Museum Gardens. York’s revitalised Britpop survivors, Shed Seven, will ride in on a crest of a wave for sold-out 30th anniversary gigs on July 19 and 20, with The Libertines’ Peter Doherty in support, after topping the album charts for the first time with A Matter Of Time on January 12.
The fourth concert will be announced soon.
The poster for Jack Savoretti’s July 18 concert at York Museum Gardens
Making Mischief: Peter Pan Goes Wrong at Leeds Grand Theatre. Picture: Pamela Raith
FROM Peter Pan mishaps to pantomime, rabbit obituaries to classic rock, prawn cocktail comedy to Eighties’ pop star nostalgia, Charles Hutchinson delights in all manner of arts events.
Theatrical calamity of the week…but in a good way: Mischief Theatre’s Peter Pan Goes Wrong, Leeds Grand Theatre, January 16 to 20, 7.30pm plus 2.30pm Thursday and Saturday matinees
FROM the mayhem-makers of The Play That Goes Wrong and the BBC television series The Goes Wrong Show comes Mischief Theatre’s riotous spin on a timeless classic in the West End hit Peter Pan Goes Wrong.
As the hapless members of the Cornley Polytechnic Drama Society return to the stage, once more they must battle technical hitches, flying mishaps and cast disputes as they strive to present J M Barrie’s awfully big adventure, but will they ever make it to Neverland? Box office: 0113 243 0808 or leedsheritagetheatres.com.
RIP Lee Scratch Perry from Bertt deBaldock’s book Good Rabbits Gone Volume Three
Book signing launch of the week: Bertt deBaldock’s Good Rabbits Gone Volume Three, Pyramid Gallery, Stonegate, York, January 16, 4.30pm to 7pm
PYRAMID Gallery owner, curator and artist Terry Brett launches his latest collection of cartoon rabbit portrait tributes to celebrities and remarkable individuals who have passed away in the 108-page book Good Rabbits Gone Volume Three.
The cartoons are drawn by Bertt deBaldock (Terry’s alias) at the time of the individual’s death and assembled with Terry’s tributes or memories of the person in a volume covering September 2021 to December 2022. The book is free but donations are invited in aid of Refugee Action York.
All in for Aladdin: The cast for Pickering Musical Society’s 2024 pantomime
Pantomime extra time: Pickering Musical Society in Aladdin, Kirk Theatre, Pickering, January 18 to 28, 7.15pm, except January 22; 2.15pm, January 20, 21, 27 and 28
PICKERING Musical Society has added two extra performances of Aladdin, now opening on January 18, rather than January 19, while a Sunday matinee on January 21 is a new addition too.
Director Luke Arnold’s cast includes Pickering panto favourites Marcus Burnside as Widow Twankey, Stephen Temple as simple son Wishee Washee, Danielle Long as principal boy Aladdin, Courtney Brown as principal girl Princess Lotus Blossom, Paula Paylor and Rachel Anderson as comedic double act Minnie Wong and Winnie Wong and John Brooks as the villainous Abanazar. Box office: 01751 474833 or thelittleboxoffice.com/kirktheatre.
The poster for One Night Of Classic Rock at the JoRo, York
New collaboration: The BJMC & Steve Coates Music Productions, One Night Of Classic Rock, Joseph Rowntree Theatre, York, January 20, 7.30pm
THE long-established BJMC (Bev Jones Music Company) is teaming up with new company Steve Coates Music Productions. Their first collaboration draws on Coates’s jukebox for a night of thunderous anthems from everyone’s favourite rock bands, such as AC/DC, Queen, Tina Turner, Status Quo, Eagles, Meat Loaf, Led Zeppelin and Fleetwood Mac.
Guitarist Mickey Moran combines leading a six-piece band with joining Annabel Van Griethuysen, Clare Meadley, Jack Storey-Hunter, Chris Hagyard and Ruth McNeill as the show’s lead singers. Box office for returns only: 01904 501935 or josephrowntreetheatre.co.uk.
Olga Koch: Prawn Cocktail on the menu at Theatre@41, Monkgate
From Russia with love of comedy on Valentine’s Day: Olga Koch: Prawn Cocktail, Theatre@41, Monkgate, York, February 14, 8pm
RUSSIAN-BORN Olga Koch turned 30, achieved a master’s degree, went on an adult gap year, suffered salmonella, lost herself, found herself and washed it all down with a delicious prawn cocktail. “Think less Eat Pray Love and more Shake Scream Cry,” she says, ahead of her return to Theatre@41 after previous visits with Homecoming in October 2021 and Just Friends in October 2022. Box office: tickets.41monkgate.co.uk.
B C Camplight: Playing The Crescent after releasing his break-up album The Last Rotation Of Earth
Gig announcement of the week: BC Camplight, presented by Please Please You & Brudenell Presents, The Crescent, York, March 15, 7.30pm
DOES a curse dictate that Brian ‘BC Camplight’ Christinzio cannot move forward without being knocked back? Or that the greatest material is born out of emotional trauma? While making his 2023 album, The Last Rotation Of Earth, Christinzio’s relationship with his fiancé crumbled after nine inseparable years.
This break-up amid long-term struggles with addiction and mental health led to an extraordinary album of heartbreak, “more cinematic, sophisticated and nuanced than anything” that New Jersey-born BC has done before. Hear the results in York. Box office: thecrescentyork.com.
Martin Kemp: Trading in his bass guitar for taking to the decks for a night of Eighties’ pop hits and dancing
Nostalgia on the horizon: Martin Kemp, The Ultimate Back To The 80’s DJ Set, York Barbican, March 29, doors, 7.30pm
SPANDAU Ballet bassist and EastEnders star Martin Kemp takes to the decks to spin “all the best of the hits” from the Eighties in an unstoppable singalong. Dig out your best Eighties’ attire, grab your dancing shoes and prepare to enjoy a night of pure Gold! Yes, fancy dress is encouraged, he advises.
“It’s amazing! People absolutely lose themselves, singing to every word,” Kemp told ITV’s Good Morning show. “It’s the most euphoric atmosphere I have ever been in, in my life!” Box office: yorkbarbican.co.uk.
Benjamin Francis Leftwich: York singer-songwriter, now based in London, returns to Yorkshire to play Leeds. Picture: Harry Pearson
New year, new album, new tour: Benjamin Francis Leftwich, Leeds Brudenell Social Club, April 4, 7.30pm
YORK singer-songwriter Benjamin Francis Leftwich follows up Dirty Hit Records’ February 9 release of his fifth album, Some Things Break, with a nine-date spring tour that opens in Leeds.
First up is Ben’s new single, New York, a song that came from a writing session with labelmate Matty Healy, from The 1975. Healy asked his permission to perform it at a one-off show, opening for Phoebe Bridgers in 2021, and now comes Ben’s version. Box office: brudenellsocialclub.seetickets.com.
In Focus: Blue Light Theatre Company’s pantomime, Nithered!, Acomb Working Men’s Club, Acomb, January 18 to 26
The Three Pigs in Blue Light Theatre Company’s Nithered!: Simon Moore, left, Kevin Bowes and Kristian Barley
BLUE Light Theatre Company’s tenth anniversary pantomime, Nithered!, is a frosty fairytale adventure by regular writer Perri Ann Barley to match the wintry weather in York.
Formed by Yorkshire Ambulance Service staff, they performed their debut pantomime in 2013. “It was supposed to be a ‘one-off’ production to raise funds for a colleague who had been diagnosed with Motor Neurone Disease but was so successful that it’s still going to this day, and we’ve even branched out into performing plays too,” says Nithered! director Craig Barley.
“Since that first panto, more than £22,000 has been raised for our chosen charities: the Motor Neurone Disease Association (York) and York Against Cancer. Extra performances have been added over the years to accommodate more people, due to our shows’ ever-growing popularity, and there’s also a waiting list for people wanting to join the cast.
Acomb Working Men’s Club has housed the show since 2013. “It’s been our home for so long as they gave us the space for free for so many years, so we could maximise our charitable donations,” says Craig.
“We can seat 200 and offer use of the bar, meaning a relaxed performance which has received so much good feedback. New audience members are pleasantly surprised when they arrive and see the size, layout and the room all dressed up accordingly – putting them immediately at ease and into the panto spirit.”
All ten pantomimes have utilised the same production team: co-producers Perri and Craig, alongside choreographer Devon Wells and stage manager Dave Holiday. “Between us, so much has been achieved on the tiny stage at Acomb Working Men’s Club, from magic carpets to levitating witches!” says Craig.
The (Riding) Hoods in Nithered!: Kathryn Donley, left, Chelsea Hutchinson and Kalayna Barley
The cast still consists of Yorkshire Ambulance staff along with other talented performers from in and around York.
“We like to do things a little differently, creating a brand-new storyline every year, among other things,” says Craig. “But at the same time adding some traditional elements, such as the Dame, played by Steven Clark, who writes additional script material too, and the villain, Glen Gears, who has been with the company since the very beginning. Both of them are very much audience favourites.”
Introducing the storyline in Nithered!, Craig says: “The usually bright and happy village has been shrouded in a permanent frost by the evil Snow Queen (played by Perri Ann Barley), who has enlisted the Big Bad Wolf’ (Glen Gears) to govern the land on her behalf and to keep the population down.
“Mother Goose (Brenda Riley) and the villagers are struggling to cope with the never-ending winter and, with the Wolf around, they are living in constant fear for their safety. Things take a dramatic turn when one of the Three Pigs (Simon Moore, Kevin Bowes, Kristian Barley) is kidnapped by the Wolf.”
Whereupon the villagers decide to take matters into their own hands and head out on a very risky rescue mission. They enlist the help of the Fairy Godmother (Steven Clark), who finds herself in a face-off with the Snow Queen herself, but who will prove to be the most powerful?
“Will the villagers overcome the Big Bad Wolf? Will the everlasting winter come to an end? To find out, come join us and step right into the weird but wonderful world of Nithered!,” says Craig.
The Three Bears in Blue Light Theatre Company’s pantomime: Linden Horwood, left, Harry Martin and Richard Rogers
The cast also features Richard Rogers, Linden Horwood, Julie Shrimpton, Nicky Moore, Pat Mortimer, Zoe Paylor, Chelsea Hutchinson, Kalayna Barley, Kathryn Donley and Harry Martin, plus new members Aileen Stables and Audra Bryan.
“With this being our tenth anniversary, the team have really gone all out to give the audience an amazing experience and cannot wait for everyone to see it.”
Looking ahead, this summer Blue Light will present Murder At Reptilian Park, a new comedy murder mystery by Perri Ann Barley, to be staged in conjunction with the Galtres Centre in Easingwold. “It will run there from June 20 to 22, including a Saturday matinee, bringing us a whole new audience and new challenges,” says Craig. Tickets will be on sale soon on 01347 822472 or at galtrescentre.org.uk.
“Perri masterfully crafts our unique pantos, giving audiences new and interesting storylines featuring some familiar characters, which take them away from some of the other tired classic panto stories to give our audiences an experience like no other, ” says Craig. “That’s why so many return year after year.
“Perri is now working with London Playwrights [a resource for emerging playwrights] as she branches out to try and make her passion for writing a career. Not only this, but she’s also in talks with another professional theatre in Yorkshire, but more about that later.”
Blue Light Theatre Company in Nithered!, Acomb Working Men’s Club, Front Street, Acomb, York, January 18, 19, 24, 25 and 26, 7.30pm; January 20, 1pm matinee. Tickets: £12 adults, £10 concessions, £8 children. Box office: 07933 329654 or bluelight-theatre.co.uk. All proceeds go to Motor Neurone Disease Association York and York Against Cancer.
The poster artwork for Blue Light Theatre Company’s 2024 pantomime, Nithered!
Benjamin Francis Leftwich: New album, richer sound, candid lyrics. Picture: Harry Pearson
YORK singer-songwriter Benjamin Francis Leftwich will embark on an eight-date headline tour next spring, opening at Leeds Brudenell Social Club on April 4, in support of his new album.
Set for release on February 9 on his regular label since becoming Dirty Hit Records’ first signing, Some Things Break follows 2021’s To Carry A Whale, 2019’s Gratitude, 2016’s After The Rain and 2011’s Last Smoke Before The Snowstorm.
All written and performed by London-based Benjamin, the track listing will be: I’m Always Saying Sorry; Moon Landing Hoax; Break In The Weather; New York; Some Things Break; Spokane, Washington; God’s Best; A Love Like That; Only You and Don’t Give Up On The Light.
The cover artwork for Benjamin Francis Leftwich’s fifth album, Some Things Break, out on February 9 2024
Composed over the past two years at locations across the globe, from London to Nashville, Washington to Stockholm, Some Things Break was produced by Grammy Award-winning Jimmy Hogarth, who can name Amy Winehouse, Sia and Antony And The Johnsons among his production clients.
Some Things Break also features collaborations with fellow songwriters Mikky Ekko, The 1975’s Jamie Squire and Jon Green and reveals a broader range in Benjamin’s voice, while calling on richer instrumentation by comparison with the more stripped-back sound of his earlier work.
His acoustic guitar remains present throughout, but at times is backed with piano, choirs, drumbeats and effects that create a dense and layered soundscape for his vocal candour and vulnerability.
“It’s a record about a kind of slow acceptance that some things break and, for me, sometimes that’s necessary for healing,” says Benjamin. Picture: Harry Pearson
Reflecting on this new direction, with its subtle reinvention in his sound and honesty laid bare in his lyrics, 34-year-old Benjamin says: “It feels like a new voice, in a way. I guess a more human and perhaps a more surrendered voice.
“Learning to hold onto certain things and let go of others, with as much grace as possible, I feel like I’m hiding less on this record. Ultimately, I think it’s a record about a kind of slow acceptance that some things break and, for me, sometimes that’s necessary for healing.”
Some Things Break is preceded by the single Moon Landing Hoax, out now with a live video Landing directed by Harvey Pearson and starring Jamie Squire performing alongside Benjamin (https://www.youtube.com/watch?v=KCG83YjC15U).
“It feels like a new voice, in a way. I guess a more human and perhaps a more surrendered voice,” says Benjamin. Picture: Harry Pearson
“To me this song is about healing, sometimes quickly, sometimes slowly, and about all the mad sh*t one can get up to or into on that winding road,” says Benjamin. “I’m so excited to be back on the road next year and to play many new and old songs live again.”
His fellow York musician, The Howl & The Hum bassist and keyboards player Bradley Blackwell, was overheard at the close of the third and final night of the original line-up’s farewell Crescent shows this week that he would be working with Benjamin on the tour. Watch this space.
As ever, Benjamin will be giving his material a fresh perspective when adapting both seasoned fan favourites and songs from Some Things Break in an intimate setting in his shows at Leeds Brudenell Social Club on April 4; Brewery Arts Centre, Kendal, April 5; Summerhall, Edinburgh, April 6; Band On The Wall, Manchester, April 8; Lantern, Bristol, April 9; Earth Theatre, London; Acapela Studio, Cardiff, April 11, and Workman’s Club, Dublin, April 13. Tour tickets are on sale from www.benjaminfrancisleftwich.com
The poster for Benjamin Francis Leftwich’s April 2024 tour
Did you know?
BENJAMIN Francis Leftwich’s songwriting, co-writing and collaborations with other artists have grown over the past few years, writing with The 1975, Nick Mulvey, CMAT (Irish singer-songwriter Ciara Mary-Alice Thompson), Holly Humberstone and Rachel Chinouriri.
Did you know too?
BENJAMIN was the first act to be signed by Dirty Hit Records, to be followed by The 1975, Wolf Alice, Beabadoobee, Pale Waves and Bleachers. Debut album Last Smoke Before The Snowstorm reached number 35 in the UK charts in July 2011.
Benjamin Francis Leftwich: Looking to a higher power as a conduit for his songwriting. Picture: Harvey Pearson
NOW living in North London, singer-songwriter Benjamin Francis Leftwich heads back home tomorrow (25/2/2022) to play The Citadel, his second church gig in York after his sold-out Minster concert in 2019.
The 7.30pm show is part of a 26-date tour from February 1 to March 4, showcasing To Carry A Whale, his fourth album for Dirty Hit Records, released last June.
Recorded over four months in his Tottenham home, at Urchin Studios in Hackney, in a hotel room in Niagara and in a Southend studio owned by Get Cape. Wear Cape. Fly’s Sam Duckworth, who shared production duties with Adele collaborator Eg White, it was the first record to be made by Ben entirely sober.
He has maintained that state since spending 28 days in rehab in January 2018, and it is reflected in the album title. “To Carry A Whale is an observation on what it’s like to be a sober alcoholic addict several years in,” he says. “A whale is heavy to carry. It’s gonna hurt you to carry it, but it’s also beautiful, and it’s a miracle to be able to carry all that at all.”
Carry it he does, but Ben is thriving on his creativity at 32. “I’m very lucky to do this, to write songs. I’ve been given a gift and I’m the custodian of it for now,” he says.
At the time of this interview – pre-tour in January – he was in a West Hampstead studio. “I’m working with Jimmy Hogarth and Bonnie Kemplay, a new artist with Dirty Hit,” he said. “We’re just jamming, writing a bit with Jimmy, who’s a legendary producer who’s also worked with Sam Griffiths [Ben’s fellow York songwriter and frontman of The Howl & The Hum].”
The artwork for Benjamin Francis Leftwich’s fourth album, To carry A Whale, released last June
Ben is now on the road, playing solo around the country. “That’s been a been a big conversation with my managers and label: should I play with musicians or go it alone – and we decided I’d do it totally solo, with just my tour manager James Kellegher and a sound engineer,” he says.
“I kind of like it this way. It gives me freedom with the set list and logistically it’s easier to tour this way. That’s how my bread is buttered. That’s how I started.”
Add the support acts Elanor Moss and Wounded Bear (alias Josh Finn), and “it will be three musicians singing from the heart and hopefully breaking hearts too,” says Ben.
Expect a few piano-based numbers in an acoustic set where all four albums – 2011’s Top 40 debut Last Smoke Before The Storm, when he was Dirty Hit’s first signing, 2016’s After The Rain, 2019’s Gratitude and last year’s To Carry A Whale – will be represented.
“Of course, I want to do songs from the latest record, but I have four to pick from and I’m under no illusion that people aren’t coming to see me for the songs they first loved,” says Ben. “If I play songs they don’t know, then the line between disrespect and a musician’s right to autonomy is a fine one, but it should always be an opportunity to play new songs.”
Whereas actors and dancers must be disciplined team players, always on time for rehearsals and performances, rock musicians tend to be born out of rejecting rules, codes of conduct and 9 to 5 rituals.
“I’m very lucky to do this, to write songs,” says Ben. “I’ve been given a gift and I’m the custodian of it for now”
“It’s funny; I’ve got really into musical theatre – randomly but now I love it – and that’s a world where you train hard, you’re on a contract, whereas the life of a musician…you turn up when you want, you might turn up high, you might be drunk; you might cancel the gig if you don’t feel like playing, but that’s why so many great songs have come out of that madness!” says Ben.
“Artists are very difficult to be around. We’re very prideful; we’re a nightmare to be in a relationship with; we want to be the centre of attention.”
Yet, for all the baggage that goes with the outsider’s role, at the same time he feels a calling, a responsibility even, to create songs. “I believe that the songs are above us, to reach for, and if we limit a higher power, a god, when we can pluck magic out of nothing, then we limit the potential for beauty,” says Ben.
“For me, I have so many situations where songs come together in different ways. I think it’s like, ‘I’m not God, I can’t do this on my own’, but sometimes songs land on my lap, like when I was writing my first album on my own out of necessity.
“But so many wonderful songs come out of collaborations, though it takes a long time to be open hearted enough to entertain the thought that my ideas might not be my best just on their own.
“Allowing someone like Sam Duckworth to be the co-captain of the ship gave To Carry A Whale a cohesive energy that really benefited it.”
Benjamin Francis Leftwich in contemplative mood at York Minster ahead of playing the Nave in April 2019
Artists are sensitive, says Ben, to the point where “sadly it’s no secret that lots of us decide we don’t want to be alive anymore”, as he struggled after his father, University of York politics professor Dr Adrian Leftwich, died from cancer in April 2013.
“It’s hard to explain. Single parents, teachers, are the real rock stars, but we do have things we struggle with, and it’s good to talk about it. There’s a lot of witchcraft around, but the only touchstone to spiritual growth that I’ve experienced is suffering.”
From there, as well as “from above”, come the songs of To Carry A Whale. “It was an honest record; I surrendered to it, I said what I wanted to say, people are discovering it, and I’m really looking forward to playing the songs at The Citadel,” he says.
“I last went there for a religious ceremony when I was at school [he attended Bootham School], so I know it’s a magical place to play.”
Looking to the future, Ben already has a producer lined up for his next album. “It’s half written, but whether it’s a year or ten, it will be finished when it is,” he says. “I’ll colour it in as it goes along.”
Benjamin Francis Leftwich plays The Citadel, Gillygate, York, tomorrow (25/2/2022), supported by Elanor Moss and Wounded Bear, at 7.30pm. Box office: thecrescentyork.com. Also playing The Foundry, Sheffield, tonight; The Parish, Huddersfield, Saturday.
Amy Hall, left, Victoria Delaney and Neil Vincent in masked rehearsals at Southlands Methodist Church for York Settlement Community Players’ production of Woman In Mind. Picture: John Saunders
CLASSIC Ayckbourn, club classics, a homecoming songwriter, a Dracula discovery and choirs galore make Charles Hutchinson’s list of recommendations, any way the wind blows.
Play of the week: York Settlement Community Players in Alan Ayckbourn’s Woman In Mind, York Theatre Royal Studio, tonight (19/2/2022) until February 26, 7.45pm and 2.45pm last-day matinee
HOUSEWIFE Susan’s growing disillusionment with everyday life in her humdrum marriage is brought to a head when she steps on a garden rake and is knocked unconscious.
Such is the impact of her minor concussion, suddenly she finds herself surrounded by the ideal fantasy family, handsomely dressed in tennis whites as they sip champagne.
When her real and imaginary worlds collide, however, those fantasies take on a nightmarish life of their own as Alan Ayckbourn applies both humour and pathos to his 1985 portrait of a woman on the verge. Victoria Delaney, on stage throughout as Susan, leads Angie Millard’s cast. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
James Gaddas: Digging deeper into Bram Stoker’s Dracula in his one-man show at the Grand Opera House, York
So much at stake: James Gaddas in Dracula – One Man’s Search For The Truth, Grand Opera House, York, Monday, 7.30pm
WHEN actor James Gaddas comes across Bram Stoker’s original handwritten copy of Dracula while working on a satellite channel television show, he finds it contains pages never published, leading him to a terrifying discovery.
What if everything we thought we knew was only the beginning? What if it is not so much a story as a warning? What if the legend is real?
Gaddas brings the original version to life before sharing his discovery on a night of one actor, 15 characters and one monumental decision: are some things better left buried? Box office: 0844 871 7615 or at atgtickets.com/York.
Babybird’s Stephen Jones: Revisiting his landmark Ugly Beautiful album in full at Leeds Brudenell Social Club
Yorkshire gig of the week: Babybird, Ugly Beautiful 25th Anniversary, Leeds Brudenell Social Club, February 23, doors, 7.30pm
MARKING the silver anniversary of his smart, piercing pop album Ugly Beautiful and its misunderstood ubiquitous single You’re Beautiful – pay attention to its dark criticism of men’s behaviour beyond the shiny chorus – Babybird is taking to the road for four shows built around that pioneering record. The one he said had “songs to annoy, enjoy and employ God with”.
Up front as ever will be Stephen Jones, 59, the songwriter, singer, musician and novelist who first emerged as a purveyor of low-fi recordings made in his Sheffield bedroom over six years for release in 1995-96. Box office: seetickets.com/event/babybird/Brudenell
Benjamin Francis Leftwich: Heading home to York to perform at The Citadel for the first time. Picture: Harvey Pearson
Homecoming of the week: Benjamin Francis Leftwich, The Citadel, Gillygate, York, February 25, 7.30pm
NOW living in Tottenham, North London, singer-songwriter Benjamin Francis Leftwich heads back home to play The Citadel, his second church gig in York after his sold-out Minster concert in 2019.
Last June he released his fourth album, To Carry A Whale, and he has been song-writing as prolifically as ever since then, so maybe a new number will be aired. Support comes from Elanor Moss and Wounded Bear. Box office: thecrescentyork.com.
Soul II Soul: Rolling out the Club Classics at York Barbican
Club night of the week: Soul II Soul, Club Classics, York Barbican, February 25, 7.30pm
SOUL II Soul’s postponed York gig comes back to life on Friday, with tickets still valid from the original October 2020 date.
Jazzie B’s London soul, R&B and rap collective will be reviving the vibe of their 1989 number one Back To Life, top five hit Keep On Movin and their debut album Club Classics Vol. One. Box office: yorkbarbican.co.uk.
That singing feeling at York Community Choir Festival
On song at large: York Community Choir Festival 2022, Joseph Rowntree Theatre, York, February 27 to March 5
EIGHT shows, with a different line-up every time, go into York’s celebration of community choral music.
Taking part will be three primary school choirs (Osbaldwick, Robert Wilkinson and Headlands), Huntington Secondary School gents and ladies’ choirs and 30 adult choirs.
Despite there being close to 200 song choices, in only one concert will the same song be sung by two choirs, in very different styles. Each concert ends with everyone singing I’d Like To Teach The World To Sing. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Madness: Playing York Racecourse Music Showcase Weekend for a second time in July
Under starter’s orders: York Racecourse Music Showcase Weekend, Madness, July 22, evening; Sugababes, July 23, late-afternoon
CAMDEN’S Nutty Boys, Madness, are on course for the Music Showcase Weekend for the second time this summer, having first played the Knavesmire track in July 2010.
Once more, Suggs and co will roll out such ska-flavoured music-hall hits as Our House, One Step Beyond, Baggy Trousers, It Must Be Love, House Of Fun and Michael Caine.
The original Sugababes line-up of Keisha Buchanan, Mutya Buena and Siobhán Donaghy will perform chart toppers as Freak Like Me, Round Round, Hole In The Head and Push The Button and plenty more. The London girl group last played York in a Barbican Centre show in 2003. For race-day tickets, go to: yorkracecourse.co.uk
Guvnor’s rules: Al Murray puts the world to rights through the bottom of an English glass or two in the Pub Landlord’s new tirade, Gig For Victory
Bar-room bawl: Al Murray, The Pub Landlord, Gig For Victory, Grand Opera House, York, September 1, 7.30pm
THE Guvnor, Al Murray, sets off on his 86-date tour on February 24 and will still be having a word on November 13. York will play host to the first show after a summer re-charge for the Pub Landlord, whose Gig for Victory agenda promises answers to questions that the “men and women of this great country never knew existed”.
“Who better to show the way than the people’s man of the people, steeped in the deep and ancient bar-room wisdom of countless slock-ins,” says Murray, ever ready to offer a full pint of the good stuff to a nation thirsty for common sense. Box office: 0844 871 7615 or at atgtickets.com/York.
York Minster, west front, by Susan Brown at Kentmere House Gallery, York
THE Roadmap route to recovery is becoming ever busier, like the roads into York. This has prompted Charles Hutchinson to resume his weekly, rather than fortnightly, eerie to spot what’s happening.
Exhibition launch of the week: Susan Brown, Kentmere House Gallery, Scarcroft Hill, York, until July 4
HUDDERSFIELD artist Susan Brown has returned to York Minster, one of her favourite locations for her architectural paintings, for her spring and summer show at Kentmere House Galllery, York.
Her artistic focus is on city life and our relationship with our environment, exploring the rhythm and movement within buildings and interiors, along with creating beautiful abstract paintings, inspired by still-life subjects and landscapes, with an emphasis on texture and pattern.
“Susan’s paintings are bold and striking, predominantly worked in watercolour and acrylic,” says gallery owner Ann Petherick. “The gallery is open anytime by prior arrangement or chance: you can ring 01904 656507 or 07801 810825 or email ann.petherick@kentmerehouse.co.uk, or just take pot luck by ringing the bell. Please ring in advance if travelling any distance.”
Kentmere House Gallery’s next open weekend will be on June 5 and 6, 11am to 5pm; the gallery has a weekly late-evening opening on Thursdays to 9pm.
Jonty Ward: Recital organist and director of music at St Lawrence Parish Church, York
Festival of the week: St Lawrence Trinity Festival, St Lawrence Parish Church, Lawrence Street, York, May 29 to June 5
A £410,000 restoration has perked up the 1885 Denman organ transferred from St Michael-le-Belfrey for installation by organ-building firm Nicholson & Co at St Lawrence Parish Church.
A celebratory festival programme will include a demonstration by Nicholson & Co ahead of the inaugural recital by Robert Sharpe, York Minster organist and director of music, on May 29 at 10.30am.
Further organ recitals will be performed by musicians associated with St Lawrence and the City of York: William Campbell, May 31, 4pm; David Norton, June 1, 4pm; St Lawrence director of music Jonty Ward, June 3, 4pm, and Timothy Hone, music and liturgy administrator at York Minster, June 4, 4pm. The Black Sheep Consort will give a 7pm recital on May 31.
Attendance is free, but booking is required for the Inaugural Recital at festival@stlawrenceparishchurch.org.uk.
A T-shirt to mark the Super Cool Drawing Machine exhibition at The Crescent, York
Hippest exhibition of the week in York: Yuppies Music presents Super Cool Drawing Machine, The Crescent, York, today (26/5/2021) until Sunday
YUPPIES Music’s touring exhibition of musicians’ “other” work, will run at The Crescent community venue for four days from today. This celebration of art created by international touring independent musicians is billed as a “much-needed exploration of fun stuff”, on show each day from 11am to 9pm with Covid-secure measures in place.
Under social distancing restrictions, attendees will have to book in advance, choosing a specific time slot to view the exhibition. Consequently, only a small number of tickets are available at £5 for each time slot at seetickets.com.
Among the artists will be will be trailblazing jazz saxophonist Shabaka Hutchings; Welsh singer/producer Cate Le Bon; experimental folk musician Richard Dawson; African-American experimentalist Lonnie Holley and drummer/composer Seb Rochford, plus members of This Is The Kit, Mammal Hands, Haiku Salut, Snapped Ankles and more besides.
Ben Caplan: Singer-songwriter, from Halifax, Nova Scotia, playing Pocklington Arts Centre in November. Picture: Jamie Kronick
Gig announcement of the week outside York: Ben Caplan, Pocklington Arts Centre, November 11, 8pm
CANADIAN folk-rock singer-songwriter Ben Caplan will play Pocklington on his European autumn tour.
His extensive itinerary will mark the tenth anniversary of his October 2011 debut, In The Time Of The Great Remembering, and will follow hot on the heels of Recollection, a retrospective collection of stripped back re-interpretations of songs from his back catalogue, out in October.
Venue manager James Duffy says: “I saw Ben perform at Cambridge Folk Festival in 2019 and was blown away. He has a fantastic stage presence and mixes a wonderful blend of musical styles from folk to gypsy through to rock. Imagine the love child of Tom Waits and Gogol Bordello and you’re getting somewhere close.”
Caplan’s support act will be fellow Canadian Gabrielle Papillon. Tickets are on sale at pocklingtonartscenytre.co.uk.
The girl next door in The Girl Next Door: Naomi Petersen in rehearsal for Alan Ayckbourn’s 85th premiere. Picture: Tony Bartholomew
Premiere of the week ahead: Alan Ayckbourn’s 85th play, The Girl Next Door, Stephen Joseph Theatre, Scarborough, June 4 to July 3
THE SJT’s first in-house production of 2021 will be director emeritus Alan Ayckbourn’s The Girl Next Door, a lockdown love story.
Veteran actor Rob Hathaway is stuck at home during the summer of 2020 with only his sensible older sister for company. Rob has little to do but relive his glory days as fire-fighting wartime hero George “Tiger” Jennings in the nation’s favourite TV period drama, National Fire Service.
Then, one day, Rob spots a stranger hanging out the washing in the adjoining garden, when the neighbours have not been around for months. Who is the mysterious girl next door? And why is she wearing 1940s’ clothing?
“The Girl Next Door is an affirmation of love across the generations,” says Ayckbourn. “I hope it’s positive and hopeful for those today crawling out of their metaphorical Anderson shelters blinking into the light.”
Benjamin Francis Leftwich: Playing The Citadel in his home city next February
Gig announcement for next year: Benjamin Francis Leftwich, The Citadel, Gillygate, York, February 25 2022
YORK singer-songwriter Benjamin Francis Leftwich, now resident in Tottenham, London, will return to his home city to play The Citadel on his 26-date British and Irish tour next year.
The tour will follow the June 18 release of his fourth album, To Carry A Whale, on June 18 on the Dirty Hit label.
His first to be written and recorded entirely sober, it was made over four months last year at home, at Urchin Studios in Hackney, in a hotel room in Niagara and at a Southend studio owned by Sam Duckworth, of Get Cape. Wear Cape. Tickets are on sale at benjaminfrancisleftwich.com.
