Tag: Beppe Lombardo

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What’s On in Ryedale, York and beyond. Hutch’s List No. 40, from Gazette & Herald

Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb, York

FROM the terrors of Paranormal Activity to circus art, York’s four-day jazz festival to Brian Bilston’s egg-laying poetry, Charles Hutchinson looks ahead to October cultural opportunities.

Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19

YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.

Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.

James Bye’s James arms himself with a baseball bat in Paranormal Activity. Picture: Credit: Johan Persson

Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.

When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.

Roham Bayat’s poster for the inaugural YorkJazzFest

Festival of the week: YorkJazzFest, tomorrow to Sunday

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.

Masked up: Pop Yer Clogs Theatre in Doctor Faustus. Picture supplied

Devil in the detail of the week: Pop Yer Clogs Theatre in Doctor Faustus, Theatre@41, Monkgate, York , tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

YORK company Pop Yer Clogs Theatre delivers a devilishly clever new twist on Doctor Faustus, placing a woman, Doctor Joan Faustus, at the epicentre of Christopher Marlowe’s late-16th century cautionary tale of ambition, temptation and damnation.

Director Lydia McCudden plays Faustus, who strikes a terrible deal by selling her soul to Lucifer in exchange for knowledge, power and worldly pleasures, only to encounter the Seven Deadly Sins.  Cue masks, commedia dell’arte, dark comedy and gothic tragedy as Hell awaits. Box office: tickets.41monkgate.co.uk.

Ben Portsmouth: Performing Presley’s pearls with his Taking Care Of Elvis Band at York Barbican

King of The King tribute shows: Ben Portsmouth: This Is Elvis, York Barbican, Friday, 7.30pm

REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.

This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band.  Box office: yorkbarbican.co.uk.

The Bar-Steward Sons Of Val Doonican: Satirical comedy lyrics on folk instruments from Barnsley

“Sexy knitwear” gig of the week: The Bar-Steward Sons Of Val Doonican, Milton Rooms, Malton, Friday, 7.30pm

FOUNDED in Barnsley Rock City in 2006 by their outspoken and energetic ringleader Scott Doonican, The Bar-Steward Sons Of Val Doonican are on a mission.

Anything but a typical folk ensemble, this collective of like-minded knitwear enthusiasts – Scott, Mo-Jo Doonican, Dave Doonican and the Reight Reverend Jeremiah Rickenbacker III – are determined to follow in their spiritual father’s immortal footsteps, keeping his legacy alive while Bar-Stewardising other famous people’s songs with satirical comedy lyrics on folk instruments, from Jump Ararnd to Goat Yoga. Box office: 01653 696240 or themiltonrooms.com.

Mark Harrison Band: Songs and stories at Helmsley Arts Centre

Where folk meets the blues: Mark Harrison Band, Helmsley Arts Centre, Saturday, 7.30pm

MARK Harrison writes original songs for today in the spirit of the great troubadours, coupled with stories to make you smile, move and think in a world where blues, roots and folk collide.

Finger-picking and slide guitarist Harrison is joined by Charles Benfield on double bass and Ben Welburn on drums and percussion to create a rhythm section that defies convention, as heard on eight albums to date. Box office: 01439 771700 or helmsleyarts.co.uk.

Alchemy Live: Performing the songs of Dire Straits at Kirk Theatre, Pickering

In Dire Straits: Alchemy Live, Kirk Theatre, Pickering, Saturday, 7.30pm

ALCHEMY Live were formed in 2020 by life-long Mark Knopfler fans and full-time musicians Martin Ledger and Neil Scott, who used the Covid pandemic and resultant lockdowns to put their Dire Straits tribute project in motion. Rehearsals started in 2021 after the worst of the pandemic was over, their first show being scheduled in York for Friday the 13th of May 2022 (what could possibly go wrong)?

They have never looked back, progressing to playing theatres since 2023. “It’s always been our ethos to concentrate on getting the music and sound right, rather than just putting on headbands and shiny jackets,” says frontman Ledger. Box office: 01751 474833 or kirktheatre.co.uk.

Brian Bilston: Showcasing his latest poetry collection at Milton Rooms, Malton

Poet of the week: Brian Bilston, How To Lay An Egg With A Horse Inside, Milton Rooms, Malton, Sunday, 7.30pm

BRIAN Bilston, a poet with more than 500,000 followers on social media, returns to the stage this autumn with his latest book, How To Lay An Egg With A Horse Inside, as he takes a journey through the hows, whys and whats of reading, writing and enjoying poetry every day.

Bilston has published such collections as You Took The Last Bus Home, Alexa, What Is There To Know About Love? and Days Like These, along with debut novel Diary Of A Somebody, poetry for younger readers and his 2025 album of poetry set to music, Sounds Made By Humans, recorded in collaboration with The Catenary Wires. Box office: 01653 696240 or themiltonrooms.com.

Olly Murs: Enjoying a Knees Up at Live At York Museum Gardens next July

Gig announcement of the week: Futuresound presents Olly Murs, Live At York Museum Gardens, July 9 2027

ESSEX singer-songwriter and The Voice UK coach Olly Murs is the first headline act to be confirmed for next summer’s Live At York Museum Gardens 2027 season, when the event will be expanded to two weekends for the first time. Special guests for that day’s bill are still to be announced.

Murs, 42, returns to the York outdoors after his hat trick of appearances at York Racecourse in 2010, 2017 and 2024. He rose to fame on The X Factor in 2009, since when he has released eight studio albums of pop, indie, ska and disco, the latest being last November’s Knees Up. Box office: York postcode pre-sale from today at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256?pre=postcode; general sale from Friday, 10am, at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256.

In Focus: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm

Acosta Danza in Cuban Baroque. Picture: Johan Persson

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first-ever visit to the wonderful York Theatre Royal.”

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A Q&A with the company will follow tomorrow’s performance. In addition, Acosta Danza will hold an Open Class on Saturday at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class on Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

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Trinacria restaurateur Beppe Lombardo cooks up first YorkJazzFest from October 1 to 4. UPDATED 1/10/2026

Trinacria restaurateur and YorkJazzFest promoter Beppe Lombardo

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinacria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest from Thursday to Sunday.

No fewer than 28 acts will celebrate jazz in all its forms in a festival that vows to  “bring together classic sounds, contemporary sounds, great venues and live music lovers across York”.

YorkJazzFest adds up to Four Days, Six Venues, One City. “Jazz is not one sound, one age, one room or one crowd,” says Beppe, who has put together a diverse programme with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by the Fergus Quill Quintet and Dennis Rollins’ Funky-Funk, followed by Ian Chalk at the Phoenix.

Dennis Rollins: Promising Funky-Funk! at the Bishopthorpe Road Car Park Finale to YorkJazzFest on Sunday

In part inspired by his father-in-law, Jim Morgan, who runs Catwick Live folk music nights at Catwick Village Hall, near Beverley, Beppe decided to launch YorkJazzFest, noting how his adopted home city had never previously held a city-wide dedicated jazz festival.

“Jim went to Celtic Connections in Glasgow and told me about how impressed he was by this multi-venue festival,” he says. “I thought it was a brilliant idea, so that’s where I started getting inspiration for a festival with lots of venues and a big finale at the Bishy Road car park.”

Beppe already had received more than £4,000 funding for an open-sided marquee – now to be used in the Bishopthorpe Road Christmas Bazaar on November 28 – when he decided on staging the YorkJazzFest finale on a 42 square ft trailer, again open-sided, framed in decorative lighting too, supplied by Event Equipment Hire. “I’ll be co-ordinating the bar on the last day,” he adds.

“The first idea for running a festival came just after Covid, when the council put up some funds to refresh the high street, providing Christmas lights and summer bunting for Bishopthorpe Road.

Lo Vu: Playing YorkJazzFest at Young Thugs Studio at 9.15pm on Thursday

“Then David Skaith came along as the Mayor [of the York & North Yorkshire Combined Authority] and created the [Sustainable] High Street Fund. His office has provided £11,600 funding to enable this festival to go ahead.”

Flamboyant  chef  and restaurateur he may be, but music has always played a part in Beppe’s life too. “I used to play saxophone in a brass band in Sicily, the Vittoria Youth Brass Band, which was set up to get kids off the streets, with the local council providing funds for free music lessons in schools, studying theory first  from [age] nine or ten and paying 75 per cent towards the cost of an instrument,” he says.

“I wanted a tenor sax, but I was told ‘for my height, you should have a soprano saxophone’ as I was 11. It was a bit harder to play, because it has a higher pitch, and it’s easier to get wrong, but I played for seven or eight years, at festivals and funerals, and I loved it.”

Beppe continues: “My father loved reggae, blues and soul, not really jazz, but because I had a sax, I started listening to Charlie Parker and John Coltrane, and I really got into jazz, Miles Davis, Stan Getz, Sonny Rollins, Gerry Mulligan, Chet Baker  – and I did like Kenny G too.

Olivia Cuttill: Leading her quintet at York Arts Barge on Saturday at 8.30pm

“But then I went into the Italian army and let the music go, and afterwards I started working on the family farm, in my father’s greenhouses.. He was a strict dad, teaching me a lot – and growing up in Sicily in the 1980s, with the Mafia bosses there, you learn to look after yourself and stay on the straight path.”

Beppe did not want to be a farmer – “I thought it was too risky” – and instead took on a job as a waiter in a Vittoria, learning the skills of making customers comfortable and relaxed, telling jokes: social skills that still apply in running Trinicria and promoting a jazz festival.

Drawing on his mother’s cookery prowess, he became a chef, picked for one of 30 jobs from 1,000 applicants by ClubMed  to work in France and Sardinia. York beckoned. “I knew I wanted to learn English, and a friend had done the Erasmus course in York and said it was the Florence of England,” Beppe recalls.

“I arrived on 21st October 2001 at five minutes to midnight and didn’t have anywhere to sleep. My first experience was these four English guys helping me to find a hostel.”

SwanNek: Booked into Young Thugs Studios for 7pm on Saturday

Looking out over Lendal Bridge the following morning, Beppe thought, “Oh my God, this is a beautiful city. It took me only a few days to fall in love with it.”

He has never left, working at Bari, in Shambles, Silvano’s, where he met his wife, and The Dormouse, in Clifton Park Avenue. “That’s where I really learnt English, covering every role, and became ‘the star’ of the place!”

Emboldened, he opened Trinacria in 2012, its name taken from the ancient name of the island of Sicily (whose roughly triangular shape is defined by three headlands). His restaurant runs on a triple bill of “best ice cream, best pizza, best ingredients). “I will not save on ingredients,” says. “I only use ingredients that I would eat.” 

As a Sicilian, by the way, he prefers to use semolina as 33 per cent of the pizza base to complement the flour, referring to the softer Neapolitan version as “wet paper”!

After watching gigs at The Crescent and the Phoenix Inn and running a regular Thursday  jazz night at his restaurant – now discontinued – he is staging his first jazz festival.

Alina Bzhezhinska: Whispers Of Rain concert at York Arts Barge on Friday at 8.30pm

From Jonny Hooker at Young Thugs Studio to Christian Topman, who runs the York Bargestra Big Band, New York Brass Band trombonist Will Osborne to spreadsheet maestro Philip Thornhill and Miles Lindley, with his contact book of York acts, Beppe has received support for his venture.

Ouroboros promoter Harkirit Boparai helped him to set up the festival website and secured Dennis Rollins and Ukrainian-born harpist and composer Alina Bzhezhinska for the event, while graphic designer Roham Bayat designed the neo-vintage festival poster. Beppe himself signed up Newcastle jazz collective SwanNek and up-and-coming cabaret-style act Rivkala after spotting their talent at Manchester Jazz Festival in May.

Already Beppe has plans for expansion next year, when he may look to switch the festival to early September. “The vision is to make this a legacy event, thinking ‘why have Scarborough, Leeds, Manchester run jazz festivals for so long, but not York?’. York has never had a proper jazz festival. I want to change that,”  he says.

“This year we wanted to focus on the South Bank and Bishopthorpe Road area, but my vision is to expand over the city, maybe to church halls, venues that already do jazz concerts, like the National Centre for Early Music, and The Crescent definitely wants to be involved next year.

“This is just a vision, though we don’t know what path we will take yet, but maybe one day we could have a two-day finale with a big headliner at the racecourse? This is only the beginning, but slowly, slowly, we will get bigger and stronger, watering the seeds we’ve sown, and hopefully attracting Arts Council England support.” Watch this space, but watch this week’s festival acts first.

 For full listings and tickets, go to: yorkjazzfestival.com.

Roham Bayat’s poster design for the inaugural YorkJazzFest

YorkJazzFest programme, October 1 to 4

Venues: Angel On The Green, Bishopthorpe Road; York Arts Barge, Foss Basin Moorings, Tower Street; Young Thugs Studios, South Bank Social Club, Ovington Terrace; The Phoenix Inn, George Street; The Winning Post, Bishopthorpe Road, and Bishopthorpe Road Car Park for Sunday finale.

Thursday

6pm, Balanco Malandra, Young Thugs Studios

7pm to 8.15pm, Harrison & Morrison Duet, Angel On The Green. Admission free

8pm to 10pm, Brendan Duffy Band, The Phoenix Inn. Admission free

8.30pm, Alligator Gumbo, York Arts Barge

9pm to 10.15pm, The Shandog Swingers, Angel On The Green. Admission free

9.15pm, Lo Vu, Young Thugs Studios

Rivkala: Performing at Young Thugs Studios on Friday at 7pm

Friday

6pm, DB Trio, Angel On The Green. CANCELLED

6pm, York Bargestra Big Band, The Winning Post

6.30pm, Danny Lowndes Hot Club, York Arts Barge

7pm, Rivkala, Young Thugs Studios

8pm, Stephen Swing Wilson, The Winning Post

8pm, Karl Mullen & Friends, The Phoenix Inn. Admission free

8.30pm, Alina Bzhezhinska: Whispers Of Rain, York Arts Barge

9pm, Mike Conliffe Trio, Angel On The Green. Admission free

9.15pm, Afrodesia, Young Thugs Studio

Saturday

6pm, Flowerden, The Winning Post

6pm, Mutant DJ Jazz, Angel On The Green. Admission free

6.30pm, Emma Foulds Quintet, York Arts Barge

7pm, SwanNek, Young Thugs Studios

8.30pm, Al Morrison Quartet, The Winning Post

8.30pm, Olivia Cuttill Quintet, York Arts Barge

9pm, Borgia, Angel On The Green. Admission free

9pm, Lovedancin’ DJ, Young Thugs Studio

Sunday

Bishopthorpe Road Car Park Finale. FREE ENTRY, no ticket required.

12 noon, YorkJazzFest Orchestra

1pm, Vipertime

2.15pm, Big Bamboo

4.15pm, Fergus Quill Sextet

6pm, Dennis Rollins’ Funky-Funk!

8pm to 10.30pm, Ian Chalk, The Phoenix Inn. Admission free.

Ian Chalk: Closing YorkJazzFest at The Phoenix Inn on Sunday at 8pm

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More Things To Do in York and beyond when circuses at the double pitch up. Here’s Hutch’s List No. 39 from The York Press

Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb

FROM the terrors of Paranormal Activity to circus art and entertainment, Tony Blackburn’s Sixties’ celebration to the debut York Jazz Fest, Charles Hutchinson heads into a fruitful autumn.

Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19

YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.

Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.

Russells International Circus: Intent on delivering in-tent entertainment on Knavesmire this weekend

While on the subject of circuses: Russells International Circus, Knavesmire, York, today, 3pm and 6pm, and tomorrow, 12 noon

ROLL up, roll up, as Russells International Circus, voted Britain’s best circus six years running, brings its new show for 2026 to York. Each two-hour performance is jam-packed with mesmerising aerial displays, jaw-dropping stunts, comedy and more besides. Box office: russellscircus.co.uk.

The Jake Leg Jug Band: Songs of murder, betrayal, gambling, liquor and redemption at Kirk Theatre, Pickering 

Ragtime gig of the week: The Jake Leg Jug Band, Kirk Theatre, Pickering, tonight, 7.30pm 

THE Jake Leg Jug Band delivers the authentic sounds of 1920s and 1930s’ America – jazz, blues, ragtime and gospel – in songs of murder, betrayal, gambling, liquor and redemption.

Since self-releasing debut album Cotton Mouth, Duncan Wilcox, vocals and double bass, and Warren James,  vocals, guitar and banjo, have released a further eight albums in 12 years, among them Next Stop!, Everythin’s Jake, Break A Leg, Fifth Avenue, Goodbye Booze, Hello Central and 2024’s spirituals collection Some Glad Morning. Box office: kirktheatre.co.uk.

Thompson Twins’ Tom Bailey: Heading to York Barbican tonight

Eighties’ double bill of the week: Thompson Twins’ Tom Bailey and Blancmange, York Barbican, tonight, doors 6.30pm

REMEMBER the Thompson Twins, makers of such 1980s’ hits as Hold Me Now, Doctor Doctor, In the Name Of Love, Love On Your Side, If You Were Here, Lies, Lay Your Hands On Me and King For A Day? Tom Bailey, the Sheffield-founded group’s lead vocalist and instrumentalist, now performs under the name Thompson Twins’ Tom Bailey, revisiting his past and showcasing debut solo album Science Fiction.

Tonight he closes his autumn tour at York Barbican, the only Yorkshire location on his 14-date itinerary, when fellow 1980s’ chart act Blancmange support. Box office: yorkbarbican.co.uk.

Hannah Sinclair Robinson’s Lou and James Bye’s James on terror alert on the stairs in Paranormal Activity, on tour at Grand Opera House, York. Picture: Johan Persson Credit: Johan Persson

Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, September 29 to October 3, 7.30pm plus 2.30pm Wednesday and Saturday matinees

IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.

When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.

Sounds Of The 60’s Live: Sensational Sixties show at York Barbican

Sixties’ celebration of the week: Sounds Of The 60’s Live, hosted by Tony Blackburn, York Barbican, September 29, 7.30pm

BBC Radio 2 presenter Tony Blackburn hosts an evening of stories and songs from “perhaps the most iconic ten years in music, fashion and popular culture” on the Sounds Of The 60’s tour, 62 years since his first broadcast on pirate radio station Radio Caroline South in 1964.

The Sounds Of The 60’s All Star Band and Singers perform hits by The Everly Brothers, Elvis Presley, The Drifters, Marvin Gaye, a Rolling Stones medley, The Walker Brothers, Diana Ross & The Supremes, The Beatles, The Beach Boys, Stevie Wonder and more besides. Box office: yorkbarbican.co.uk.

Roham Bayat’s poster design for the four-day York Jazz Fest

Festival of the week: York Jazz Fest, October 1 to 4

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural York Jazz Fest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale next Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.

Katy Cawkwell in the poster for Lilith at Rise@Bluebird Bakery

“Shocking, seductive and entertaining” show of the week: Katy Cawkwell in Lilith, Rise@Bluebird Bakery, Acomb, York, October 1, 8.30pm

BEFORE Eve, there was Lilith, as revealed in Katy Cawkwell’s uplifting one-woman storytelling showin an exploration and celebration of female power through the mythological figure of Adam’s first wife.

Lilith was not prepared to lie down and accept what was given to her. Thrown out of Eden, she slithered back in to take her revenge and wake up Eve to what her body could do.

“Viewed as a demon, worshipped as a goddess, adored as the Queen of Sheba, Lilith slips out of the Bible, reclaims the narrative and is dancing with us still, forever free,” says Cawkwell, who mixes myth from Arabia, Ethiopia, Mesopotamia and Jewish tradition with a dash of feminist flavouring and a large dollop of her own wild dreaming. Box office: bluebirdbakery.co.uk/rise.

Ben Portsmouth: Presenting This Is Elvis with the Taking Care Of Elvis Band at York Barbican

Tribute gig of the week: Ben Portsmouth: This Is Elvis, York Barbican,  October 2, 7.30pm

REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.

This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band.  Box office: yorkbarbican.co.uk.

In Focus: Say Owt Slam, featuring Kirsty Taylor and KG, The Crescent, York, tonight, 7.30pm to 10pm

Bradford writer and educator Kirsty Taylor. Picture: Carolyn Mendelsohn

SAY Owt, York’s loveable gang of loveable gang of performance poets, brings the best working-class poets and rappers from Bradford tonight to complement the Say Owt Slam clash of the verbals.

“Since 2014, we’ve hosted high-energy nights of words and verse, bringing together poets, musicians, spoken-word artists, rappers and anyone with a story to tell,” says artistic director Henry Raby.

“We’re always proud of our line-ups, but this could be our most exciting parade of poets yet. It wouldn’t be possible without buzzy audiences showing up and being loud and demanding more and more shows! And it wouldn’t be a Say Owt season without a poetry slam!”

Henry continues: “Say Owt Slam is an energetic battle of words where judges in the audience score the poets and the top-scoring poet is crowned Say Owt Slam champion at the end of the night. Tonight, as well as a top crop of York poets, we have slammers from Glasgow, Manchester and Halifax hoping to win the competition.”

Kemmi Gill: Rapper, poet and youth worker

Tonight’s bill also features  two guests from guests from  Bradford, Kirsty Taylor and KG (Kemmi Gill). “Kirsty is a writer and educator inspired by her beloved home city of Bradford,” says Henry. “She is passionate about storytelling through poetry and has performed all over the country telling tales about people, class and the realities of Broken Britain.”

Taylor was a BBC Verb New Voice in 2017 and was awarded the Apples and Snakes & Jerwood Arts Poetry in Performance award in 2020. She is the creator of Front Room Poetry, which takes nanna-style living rooms and world-class poets to unusual settings such as car parks and housing estates.

Kirsty opened Bradford’s year as UK City of Culture 2025 in January last year when she performed her words to 20,000 people over the first weekend.

KG (Kemmi Gill) is a Bradford-born rapper, poet and youth worker, hailed by Wordplay Magazine as “one of the sharpest lyricists” in the UK rap scene. “Kemmi combines lyrical storytelling and wordplay to explore themes of struggle and hope and has contributed writing and performance work to major civic projects, such as  the open-air spectacular Rise and Common/Wealth’s sell-out show Public Interest,” says Henry.

To book tickets, go to: sayowt.co.uk

In Focus Too: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm

Acosta Danza in Cuban Baroque. Picture: Johan Persson

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first ever visit to the wonderful York Theatre Royal.”

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class next Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Acosta Danza in Cuban Baroque: the intersection of Baroque lush artistry with the energy, creativity and vibrancy of Cuban dance. Picture: Johan Persson
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Festival launch of the week: York Jazz Fest, Thursday October 1 to Sunday October 4

York Jazz Fest: Four days, six venues, one city

THE inaugural York Jazz Fest will run from October 1 to October 4.

Spanning four days of live performances, discovery and community, the festival will highlight the full spectrum of jazz, ranging from timeless, classic standards to forward-thinking, contemporary sounds.

Designed to celebrate both Yorkshire and national talent and to promote grassroots venues, the new event will take place at five cultural and music spaces: The Phoenix, George Street; The Arts Barge, Foss Basin; Angel On The Green, Bishopthorpe Road; Young Thugs Studio,  Ovington Terrace;  The Winning Post, Bishopthorpe Road, and Pop-Up Festival Site at Bishopthorpe Road Car Park.

The festival will reach its climax on Sunday, October 4 with an all-day grand finale at the specially constructed Pop-Up Festival Site, transforming the car park into an open-air hub of live music on the main stage, complementing headline jazz acts with street food vendors, craft beers and wine and spirits bars.

“Our aim is to bring world-class live music directly into the heart of York’s community while showcasing the incredible heritage and intimate charm of our independent venues,” says festival  promoter Beppe Lombardo. “Whether you are a lifelong jazz enthusiast or just looking to discover something new, York Jazz Fest offers something for everyone.”

The full 2026 festival programme, line-up announcements and ticketing details will be released in the coming days. For updates, early access to tickets and venue information, visit: www.yorkjazzfestival.com or follow @YorkJazzFest on Instagram.

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