Newly wedded bliss amid wedding-day blisters: Darren Barrott as Marek and Joy Warner as Sylvia in York Actors Collective’s Till The Stars Come Down
YORK Actors Collective founder and director Angie Millard moved quickly to acquire the amateur performing rights for Beth Steel’s Till The Stars Come Down.
“The West End run only closed at the end of last September, after transferring from the National Theatre,” she says as she prepares to present this contemporary British family drama at Theatre@41, Monkgate, York, from April 14 to 18.
“I applied very early, because I liked the sound of the play, but didn’t think I’d get the rights, but no touring company jumped on it, so my application was successful.”
Premiered at the National Theatre’s Dorfman Theatre from January 2024, the Olivier Award-nominated Till The Stars Come Down is set at the wedding of Sylvia and Marek in a former mining town in Steel’s exploration of the tumultuous dynamics of a working-class family.
Long-held secrets, passions, tensions and social changes transform the celebration into a chaotic blend of humour and tragedy in a play with “themes of racism and xenophobia, reference to suicide, scenes of a sexual nature and depictions of mild violence”.
“When I started reading the play, it resonated with me, because not only am I one of three sisters – like in the play – but also there’s very little I haven’t come across at weddings or funerals, such as deciding who should sit at the top table,” says Angie. “So, in one rehearsal, I did a game of ‘Status’, asking each of the cast to say what they thought their character’s status was.
“The other thing that resonated the most was the emotional problems that happen in the family – and I’ve encountered all of them in the emotional conflicts of sisters.”
Clare Halliday in the role of eldest sister Hazel – the bigoted one- painting her toe nails in Till The Stars Come Down
Angie continues: “There are a lot of things to think about in this play, and as everything in set out in the first half, the audience will have plenty to reflect on in the interval.
“There is stress throughout, which is covered by the humour that the cast are finding ever more ways to express, but because Sylvia is marrying a Polish man, it brings out racial issues.
“They are a dysfunctional family, though they think they’re not, but the sisters come together at the end, turning their back on their relationships to put the sisters first, which makes it even more dysfunctional. It’s a little bit like Alan Ayckbourn in style because it embraces farce as well as the clever use of language.”
Angie did not see the London production – “I purposely never do that,” she says – but was aware that it was staged in the round with a revolving stage. “I thought, ‘put that to one side, look at the text’. That was my first job.
“I wanted to do it with a rake stage, with everyone looking in the same direction, as frankly I’ve been to too many productions where I haven’t been able to see all the actors’ faces, seeing them with their back to you or in profile. I wanted to do it ‘old style’ and make it work that way.
“I thought, why should how it was done in the West End stop me from doing such a well-written play?’. I was determined to see the play staged my way, starting with getting ready in the house for the wedding, with one door for that, then the pub for the wedding breakfast, in the middle, and then Hazel’s house at the end, with two doors because you can get to the kitchen via the sitting room.”
Three sisters: Clare Halliday’s Hazel, left, Joy Warner’s Sylvia and Victoria Delaney’s Maggie lining up for York Actors Collective’s Till The Stars Come Down
Angie adds: “I also had to re-think some of the characterisation as Beth [who grew up in the colliery town of Shirebrook, near Mansfield] set the play in Nottinghamshire but we’ve moved it to Yorkshire, because I’m from Sheffield originally and went to a Catholic primary school in a mining village, Spinkhill, and found myself speaking two languages, one at school, one at home. So I’ve set it in South Yorkshire in the middle of Thatcher’s dispute with the miners.”
Angie’s cast includes three actors new to the company: Laura Haynes-Bury as Leanne, Leeds actor Darren Barrott as Marek and Daniel Wilmot as Uncle Pete. “Laura has just finished her drama degree in York and she’s so dynamic,” says the director.
“This is the first time she’s worked with non-student adults and she brings so much to this play. I’ve never worked with someone so young and so talented. She has this wonderfully expressive non-expressive face, if you know what I mean.
“Darren caught the eye in Settlement Players’ Party Piece last October. We’re seeing an actor who’s just open to trying anything and his own personality doesn’t come into it at all. He’s fitted in very well with us.
“Daniel is a York actor and writer who has his own company, Baron Productions, and he’s joining us to play the small role of Uncle Pete, a miner who didn’t cross the picket line.”
Together they add to expanding roster of York Actors Collective in Angie Millard’s fifth production, one that she will mine to its deepest seam.
York Actors Collective presents Till The Stars Come Down, Theatre@41, Monkgate, York, April 14 to 18, 7.30pm, Tuesday to Friday; 2pm and 6pm, Saturday. Box office: tickets.41monkgate.co.uk.
Lucinda Rennison’s Aunty Carol and company debutante Laura Haynes-Bury’s Leanne in rehearsal for York Actors Collective’s Till The Stars Come Down
Who is in York Actors Collective’s cast for Till The Stars Come Down?
DARREN Barrott, as Marek; Victoria Delaney, Maggie; Clare Halliday, Hazel; Laura Haynes-Bury, Leanne; Chris Pomfrett, Tony; Lucinda Rennison, Aunty Carol; Neil Vincent, John; Joy Warner, Sylvia, and Daniel Wilmot, Uncle Pete.
Victoria, last seen in York Settlement Community Players’ Blue Remembered Hills at York Theatre Royal Studio in February, has taken over the role of Maggie in a late change of cast. “As always, Vic has proved to be a wonderful replacement,” says director Angie Millard.
York Actors Collective founder and director Angie Millard, left, with stage manager Em Peattie
Angie Millard: Back story
INVOLVED with theatre since her teens, this continued as a drama student at Warwick University and at Jim Haine’s Arts Lab in Drury Lane, London.
Worked in Theatre in Education groups at Phoenix Theatre, Leicester, and Greenwich Theatre, London.
After moving north 20 years ago, she joined the casts of many York Theatre Royal community productions and the York Mystery Plays. Then, via York Settlement Community Players, she returned to directing, launching York Actors Collective in 2023.
This independent group has come together to perform plays and to offer thought- provoking and entertaining theatre, staging Joe Orton’s Entertaining Mr Sloane in 2023, Alexander Zeldin’s Beyond Caring in 2024 and Nina Raine’s Tiger Country last year at Theatre@41, Monkgate, as well as J. M. Barrie’s Mary Rose at York Theatre Royal Studio in Autumn 2024.
