Jess Steel, left, Heather Findlay, Annie-Rae Donaghy and Beth McCarthy committing to Murder On The Dancefloor big style. Picture: David Harrison
THIS was the 12th edition of Big Ian’s A Night To Remember, the eighth to fill York Barbican en route to raising more than £200,000 for York charities.
Early signs are that a record sum may have been collected from Wednesday’s three-hour fundraiser to boost St Leonard’s Hospice, Bereaved Children Support York, Accessible Arts & Media and York dementia projects.
You will know Big Ian, HUGE party band frontman Ian Donaghy, who won the Outstanding Contribution Award at the 2025 York Community Pride Awards, organised by The York Press, in recognition of his extensive charity work and efforts to tackle loneliness and raise dementia awareness in the city.
A Night To Remember master of ceremonies Big Ian Donaghy with Shed Seven’s Rick Witter, Big Ian’s pick for “the new Duke of York”
This is one ID who doesn’t need ID, but A Night To Remember really isn’t about Ian, even if he organises the event and finds sponsors to cover all the costs,so that all the ticket money goes to the charities, along with donations and raffle proceeds on the night.
Oh, and he secured an opening message on screen from Newcastle United legend Alan Shearer, arranged all the myriad participants – a hush-hush appearance by Shed Seven’s Rick Witter et al – in a late-changing set-list order, hosted the show with patter and swagger, and sung his lungs out too. No wonder he walked 17 kilometres on Wednesday.
He is frontman, showman, show opener too with Uptown Funk, but A Night To Remember is Big Ian’s night every two years for putting York’s diverse world of music on one stage: a night of York Helping York, a night of celebrating why music can be made by everyone for everyone. Where we became one big family, in unison for the finale of Sister Sledge’s We Are Family, as Ian sang “I’ve got all my sisters with me”. Sisters in soul and much more besides, brothers too.
Making A Night To Remember exactly that: Many, but not all, of the musicians who took part on Wednesday night. Picture: David Kessel
There are plenty of familiar performers that return each time: Las Vegas Ken, now 78, still in jeans, stiffer in leg, joined by fiddler Kieran O’Malley for a singalong Wild Rover; Graham Hodge, now 75, replacing his standard guitar with bow tie and suit for crooning Cry Me A River with full band accompaniment in Las Vegas manner; George Hall, leading the band from the keyboards; the HUGE brass section; Rob Wilson and Simon Snaize on guitar,
And Ian Chalk leading the bright young talents of York Music Forum, now so important to fledgling talent in the city when schools are finding it more and more difficult to fulfil that role.
Participants young and old had their moment in the spotlight. Responding to Big Ian’s challenge, Easingwold-based choir leader Jessa “Hurricane” Liversidge assembled the 10 Decade Choir, aged from seven to Shirley in her nineties, bonding in the joy of Labi Siffre’s Something Inside So Strong, a hymn to the power of music.
York Music Forum brass and woodwind players in action at A Night To Remember. Picture: David Harrison
Annie -Rae Donaghy: Solo rendition of Maneater at A Night To Remember. Picture: David Kessel
On the run: Beth McCarthy giving everything to Bat Out Of Hell in A Night To Remember. Picture: David Harrison
Suits you, sir: Graham Hodge taking on Las Vegas cabaret crooner mode for Cry Me A River at A Night To Remember. Picture: David Kessel
The ever-watchful young keyboard player in York Music Forum’s rendition of Dave Kemp’s Fryin, I learnt later, was playing his first ever gig at nine. Keep an eye on him.
Likewise, Big Ian had asked nascent talents to put themselves forward for a solo slot: he picked 12-year-old singer Lacey Hart, performing I Have Nothing to 1,400 people to the accompaniment of the full band, one mightily impressive debut after warm-up slots at a handful of HUGE gigs. Tackling Houston, Lacey had no problem matching Whitney’s dramatics.
North Eastern classical singer Sam Holden hit the heights early on in You’ll Never Walk Alone, ironically performed solo – but spectacularly – to a backing track, and later Y Street Band, their members peppered through other songs throughout, relished the spotlight in Peter Gabriel’s Sledgehammer, immediately followed by Scissor Sisters’ Take Your Mama.
Arms held aloft: Lacey Hart, 12, with A Night To Remember host Big Ian Donaghy, left, and her father, James Hart, after singing I Have Nothing. Picture: David Kessel
Back to those sisters in soul, who are so integral to A Night To Remember: Jess Steel, the singing hairdresser; Beth McCarthy, back in York after playing Glastonbury and an American tour; Annie-Rae Donaghy, soon to appear in Next Door But One’s Christmas show When Robins Appear, and Heather Findlay, long-standing folk and prog-rock queen.
They took solo turns, they sang backing vocals, all except Annie changed costumes more often than Cher. Jess’s Running Up That Hill set a high bar; Annie revamped Hall & Oates’s Maneater; Beth surpassed her Mr Brightside with Bat Out Of Hell, preceded by her duet with Annie, Britney at the double for Baby One More Time.
A Night To Remember master of ceremonies Big Ian Donaghy keeping eye on proceedings from the side of the stage, resting on a donations bucket for York charities. Picture: David Kessel
Best of all was Heather’s rendition of Led Zeppelin’s Stairway to Heaven, a stairway she not so much climbed as glided up with elan. It was only right they should do a climactic number together, Murder On The Dancefloor, and they nailed it.
What of Mr Witter, crowned the new Duke of York by Big Ian? The man in black might have been expected to conclude the show given his status in York, but no, just like Ian, he said the show was the star, not him.
Instead, his appearance kept quiet until the last minute, he ended the first half, singing It Takes Two with Jess, who has cut his hair all these years (“I’ve lived my dream,” she said “I’ve sung with Rick Witter”), followed, inevitably, by Sheds’ anthem Chasing Rainbows, brass accompaniment and all. Rick may not have closed the show, but he closes this review.
Shed Seven’s Rick Witter duetting with Jess Steel on It Takes Two, the 1966 Kim Weston & Marvin Gaye hit. Picture: David Harrison
Danny Horn’s Ray Davies leading The Kinks in Sunny Afternoon, on tour at Grand Opera House, York. Picture: Manuel Harlan
SUNNY Afternoon’s Kinks songs for dark nights, Dibley comedic delights and drag diva Velma Celli’s frock rock catch Charles Hutchinson’s eye.
Musical of the week: Sonia Freidman Productions and ATG Productions present Sunny Afternoon, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday, Friday and Saturday matinees
RETURNING to York for the first time since February 2017, four-time Olivier Award winner Sunny Afternoon charts the raw energy, euphoric highs, troubling lows, mendacious mismanagement and brotherly spats of Muswell Hill firebrands The Kinks, equipped with an original story (and nearly 30 songs) by frontman Ray Davies.
The script is by Joe Penhall, who says: “As a band The Kinks were the perennial outsider – punk before punk.” Box office: atgtickets.com/york.
Nicki Clay’s Reverend Geraldine Granger in MARMiTE Theatre’s The Vicar Of Dibley at Theatre@41, Monkgate, York. Picture: Paul Miles
Village drama of the week: MARMiTE Theatre in The Vicar Of Dibley, Theatre:41, Monkgate, York, until Saturday,7.30pm plus 2.30pm Saturday matinee
NICKI Clay is going doubly Dibley for MARMiTE Theatre in the new York company’s debut production of The Vicar Of Dibley, having played Geraldine Grainger for The Monday Players in Escrick in May.
Martyn Hunter directs Ian Gower and Paul Carpenter’s cherry-picking of the best of Richard Curtis and Paul Mayhew-Archer’s first two TV series, bringing together all the favourite eccentric residents of Dibley as the new vicar’s arrival shakes up the parish council of this sleepy English village. Box office: tickets.41monkgate.co.uk.
N’Faly Kouyaté: Dancing shoes recommended
African rhythms of the week: N’Faly Kouyaté, National Centre for Early Music, York, tonight, 7.30pm
AFTER gracing stages across the world with Afro Celt Sound System — where Celtic voices and instrumentation met the vibrant heartbeat of African rhythms — avant-garde griot N’Faly Kouyaté embarks on a profoundly personal journey.
This masterful Guinean multi-instrumentalist, inspired vocalist and living bridge between ancestral heritage and future sounds returns with his album Finishing, whose songs stir the soul, provoke reflection, elicit smiles and set bodies moving. Bring your dancing shoes! Box office: 01904 658338 or ncem.co.uk.
Velma Celli: Rock Queen with a nod to David Bowie’s Aladdin Sane slash. Picture: Sophie Eleanor Photography
Drag night of the week: Velma Celli: Rock Queen, York Theatre Royal, tonight, 7.30pm
YORK’S international drag diva deluxe Velma Celli follows up her iconic October 1 appearance in Coronation Street soapland withan “overindulgent evening celebrating and re-imagining the best of rock classics” with her band.
The alter ego of West End musical star Ian Stroughair, who has shone in Cats, Fame, Rent and Chicago, cabaret queen Velma’s live vocal drag act has been charming audiences for 14 years, whether at Yorktoberfest at York Racecourse, her Impossible Brunches at Impossible York, or in such shows as A Brief History Of Drag, My Divas, God Save The Queens and Divalussion (with Christina Bianco). Box office: 01904 623568 or yorktheatreroyal.co.uk.
Beth McCarthy: Heading back home to play Big Ian’s A Night To Remember charity concert. Picture: Duncan Lomax., Ravage Productions
Charity event of the week: Big Ian’s A Night To Remember, York Barbican, tonight, 7.30pm
BIG Ian Donaghy hosts a “night of York helping York” featuring a 30-strong band led by George Hall with a line-up of York party band HUGE, Jess Steel, Beth McCarthy, Heather Findlay, Graham Hodge, The Y Street Band, Simon Snaize, Annie-Rae Donaghy, fiddler Kieran O’Malley, Samantha Holden, Las Vegas Ken and musicians from York Music Forum, plus a guest choir.
Proceeds from this three-hour fundraiser go to St Leonard’s Hospice, Bereaved Children Support York, Accessible Arts & Media and York dementia projects. Tickets update: Balcony seats still available at yorkbarbican.co.uk.
Staff woes: William Ilkley, left, Levi Payne and Dylan Allcock in John Godber’s Black Tie Ball, on tour at the SJT, Scarborough
One helluva party of the week: John Godber’s Black Tie Ball, Stephen Joseph Theatre, Scarborough, November 12 to 15, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
ON the glitziest East Yorkshire fundraising night of the year, everyone wants to be there. The Bentleys are parked, the jazz band has arrived, the magician will be magic, but behind the bow ties, fake tans and equally fake booming laughter lie jealousies and avarice, divorces and affairs, as overdressed upstairs meets understaffed downstairs through a drunken gaze.
The raffle is ridiculously competitive, the coffee, cold, the service, awful, the guest speaker, drunk, and the hard -pressed caterers just want to go home. Welcome to the Brechtian hotel hell of John Godber’s satirical, visceral comedy drama, as told by the exasperated hotel staff, recounting the night’s mishaps at breakneck speed in the manner of Godber’s fellow wearers of tuxedos, Bouncers. Box office: 01723 370541 or sjt.uk.com.
Ensemble 360: Performing works by Shostakovich and Dvořák at Helmsley Arts Centre. Picture: Matthew Johnson and Music in the Round
Classical matinee concert of the week: Ensemble 360, Helmsley Arts Centre, Sunday, 2.30pm
ENSEMBLE 360’s chamber musicians Benjamin Nabarro and Claudia Ajmone-Marsan, violins, Rachel Roberts, viola, Gemma Rosefield, cello, and Tim Horton, piano, perform the dramatic intensity and soaring lyricism of Dmitri Shostakovich’s Piano Quintet in G minor, Op. 57 and the radiant warmth and Czech folk-inspired melodies of Antonín Dvořák’s Piano Quintet No. 2 in A major, Op. 81, a piece cherished for its lush harmonies, spirited dances and seamless instrumental interplay. Box office: 01439 771700 or helmsleyarts.co.uk.
Rock’n’roll show of the week: Two Pianos, Pocklington Arts Centre, Thursday, 7.30pm
IN the words of Jerry Lew Lewis, “Two Pianos are awesome rockers”. Tomorrow night, David Barton and Al Kilvo bring their rock’n’roll piano show to Pocklington for a journey through the golden age of Elvis Presley, Chuck Berry, Fats Domino, Buddy Holly, Carl Perkins, Ray Charles, Wanda Jackson, Brenda Lee and, yes, the “The Killer” himself. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Lydia Hough and Joseph Taylor in London City Ballet’s Pictures At An Exhibition, on tour at York Theatre Royal
Dance show of the week: London City Ballet: Momentum, York Theatre Royal, Friday, 7.30pm (with post-show discussion); Saturday, 2.30pm and 7.30pm
LONDON City Ballet, former resident company of Sadler’s Wells, returns to York Theatre Royal with Momentum, a new repertoire that showcases artists rarely seen in the UK. Haieff Divertimento, an early George Balanchine work, was thought to be lost for 40 years after its premiere and remained unseen outside the USA until now. Emerging choreographer Florent Melac, premier danseur at Paris Opera Ballet, combines inventive transitions with intimate partnering in his fluid new work.
Alexei Ratmansky, New York City Ballet’s artist in residence, presents Pictures At An Exhibition, performed to Modest Mussorgsky’s eponymous score, set against a backdrop depicting Wassily Kandinsky’s paintings. Unseen in the UK since its 2009 premiere, Liam Scarlett’s Consolations & Liebestraum is a response to Franz Liszt’s piano score, depicting the life cycle of a relationship, its blossoming and later fracturing love. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Danny Horn’s Ray Davies leading The Kinks in Sunny Afternoon, on tour at the Grand Opera House, York, from next Tuesday. Picture: Manuel Harlan
SUNNY Afternoon’s Kinks songs for dark nights, Dibley comedic delights and drag diva Velma Celli’s frock rock catch Charles Hutchinson’s eye.
Musical of the week: Sonia Freidman Productions and ATG Productions present Sunny Afternoon, Grand Opera House, York, November 11 to 15, 7.30pm plus 2.30pm Wednesday, Friday and Saturday matinees
RETURNING to York for the first time since February 2017, four-time Olivier Award winner Sunny Afternoon charts the raw energy, euphoric highs, troubling lows, mendacious mismanagement and brotherly spats of Muswell Hill firebrands The Kinks, with an original story (and nearly 30 songs) by frontman Ray Davies.
The script is by Joe Penhall, who says: “As a band The Kinks were the perennial outsider – punk before punk.” Box office: atgtickets.com/york.
MarcoLooks: Exhibiting at Inspired – York Artists & Designer Makers Winter Fair at York Cemetery Chapel
Christmas presence of the week: Inspired – York Artists & Designer Makers Winter Fair, York Cemetery Chapel, Cemetery Road, York, today and tomorrow, 10am to 5pm
NINE York artists and designers will be selling their work for the Christmas season in the divine setting of York Cemetery Chapel. Among them will be collagraphy printmaker Sally Clarke, jewellery designer Jo Bagshaw, artist Adrienne French, printmaker Petra Bradley and illustrator MarcoLooks . Enjoy a winter walk in the beautiful grounds too. Free entry, free parking.
Clive Marshall RIP: York Railway Institute Band and York Opera perform in his memory at The Citadeltonight
Marshalling forces: York Railway Institute Band and York Opera, Clive Marshall Memorial Concert, The Citadel, Gillygate, York, tonight, 7.30pm
YORK Railway Institute Band and York Opera members come together tonight for a charity musical tribute to much-loved colleague Clive Marshall (1936-2025). Expect soaring choruses, heartfelt arias and the very best of operatic overtures in tonight’s programme of popular classics, in aid of St Leonard’s Hospice, where Clive spent the final days of his life in March this year.
He was chairman of the RI band, leading the trombone section for many years, and first performed for York Opera in 1968, going on to play multiple character roles and stage direct myriad productions too. Box office: https://tickets.yorkopera.co.uk/events/yorkopera/1793750 or on the door.
At your service, in the French style: Nicki Clay’s Reverend Geraldine Granger in MARMiTE Theatre’s The Vicar Of Dibley
Village drama of the week: MARMiTE Theatre in The Vicar Of Dibley, Theatre@41, Monkgate, York, November 11 to 15,7.30pm plus 2.30pm Saturday matinee
NICKI Clay is going doubly Dibley for MARMiTE Theatre in the new York company’s debut production of The Vicar Of Dibley, having played Geraldine Granger for The Monday Players in Escrick in May.
Martyn Hunter directs Ian Gower and Paul Carpenter’s cherry-picking of the best of Richard Curtis and Paul Mayhew-Archer’s first two TV series, bringing together all the favourite eccentric residents of Dibley as the new vicar’s arrival shakes up the parish council of this sleepy English village. Box office: tickets.41monkgate.co.uk.
Velma Celli: Rock Queen, with a nod to David Bowie’s Aladdin Sane slash make-up, at York Theatre Royal
Drag night of the week: Velma Celli: Rock Queen, York Theatre Royal, November 12, 7.30pm
YORK’S international drag diva deluxe Velma Celli follows up her iconic October 1 appearance in Coronation Street soapland with an “overindulgent evening celebrating and re-imagining the best of rock classics” with her band.
The alter ego of West End musical star Ian Stroughair, who has shone in Cats, Fame, Rent and Chicago, cabaret queen Velma’s live vocal drag act has been charming audiences for 14 years, whether at Yorktoberfest at York Racecourse, her Impossible Brunches at Impossible York, or in such shows as A Brief History Of Drag, My Divas, God Save The Queens, Equinox, Velma Celli Goes Gaga, Show Queen and Divalussion (with Christina Bianco). Box office: 01904 623568 or yorktheatreroyal.co.uk.
The poster for Toby Lee’s 2025 tour show, An Evening of Blues & Soul, at The Crescent
Blues gig of the week: Toby Lee & James Emmanuel plus Isabella Coulstock, An Evening of Blues & Soul, The Crescent, York, November 12, 7.30pm
BLUES prodigy Toby Lee’s musical journey started at only four years old when his grandmother bought him a yellow and green ukulele. This little instrument went everywhere with him, and he played it constantly, mainly tunes by Elvis and Buddy Holly. At eight, he received his first electric guitar for Christmas while staying at a Cornish. By chance, staying there too was Uriah Heep’s Mick Box, who duly gave him tips and picks. From that moment, Lee knew precisely what he wanted to do when he grew up.
Now 20, he has shared stages with Buddy Guy, Billy Gibbons, Peter Frampton, Slash, Lukas Nelson, Kenny Wayne Shepherd and his hero, Joe Bonamassa, at the Royal Albert Hall, as well as touring as Jools Holland and His Rhythm & Blues Orchestra’s special guest. On Tuesday, he is joined by James Emmanuel and Isabella Coulstock. Box office: thecrescentyork.com.
Beth McCarthy: Heading back home to York to play Big Ian’s A Night To Remember at York Barbican. Picture: Duncan Lomax, Ravage Productions
Charity event of the week: Big Ian’s A Night To Remember, York Barbican, November 12, 7.30pm
BIG Ian Donaghy hosts a “night of York helping York” featuring a 30-strong band led by George Hall with a line-up of York party band HUGE, Jess Steel, Beth McCarthy, Heather Findlay, Graham Hodge, The Y Street Band, Simon Snaize, Annie-Rae Donaghy, fiddler Kieran O’Malley, Samantha Holden, Las Vegas Ken and musicians from York Music Forum, plus a guest choir.
Proceeds from this three-hour fundraiser go to St Leonard’s Hospice, Bereaved Children Support York, Accessible Arts & Media and York dementia projects. Tickets update: Balcony seats still available at yorkbarbican.co.uk.
Staff woes: William Ilkley, left, Levi Payne and Dylan Allcock in John Godber’s Black Tie Ball, on tour at the SJT, Scarborough
One helluva party of the week: John Godber’s Black Tie Ball, Stephen Joseph Theatre, Scarborough, November 12 to 15, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
ON the glitziest East Yorkshire fundraising night of the year, everyone wants to be there. The Bentleys are parked, the jazz band has arrived, the magician will be magic, but behind the bow ties, fake tans and equally fake booming laughter lie jealousies and avarice, divorces and affairs, as overdressed upstairs meets understaffed downstairs through a drunken gaze.
The raffle is ridiculously competitive, the coffee, cold, the service, awful, the guest speaker, drunk, and the hard -pressed caterers just want to go home. Welcome to the Brechtian hotel hell of John Godber’s satirical, visceral comedy drama, as told by the exasperated hotel staff, recounting the night’s mishaps at breakneck speed in the manner of Godber’s fellow wearers of tuxedos, Bouncers. Box office: 01723 370541 or sjt.uk.com.
Amit Mistry: Topping the Funny Fridays bill
Comedy gig of the week: Funny Fridays, Patch@Bonding Warehouse, Terry Avenue, York, November 14, 7.30pm to 9.30pm
Big Ian Donaghy leading HUGE in Halloween action. Picture: David Harrison
HUGE news! Here comes York party band HUGE’s fancy-dress spooktacular at Huntington WMC, North Moor Road, Huntington, York on October 31.
Looking forward to next Friday’s event, frontman Big Ian Donaghy says: “Halloween has come a long way since the days of carving out turnips and sticking a candle in it. Now pumpkin sales are through the roof as everyone buys into the fancy-dress festival each October.
“So, to get all generations out having fun together in a safe environment without needing babysitters will be a welcome change as HUGE put on our family-friendly Halloween Bash. Fancy dress is optional but will be the popular choice of many”
What a blast: HUGE trombonist Stu Wilkinson. Picture: David Harrison
Among those in the HUGE line-up as ever will be Rob Wilson on guitar, Stu Wilkinson on trombone, Ian Chalk on trumpet and Dave Kemp on saxophone.
“This will be nine-piece Huge’s last live outing before hitting the stage our big charity show, A Night To Remember at York Barbican on Wednesday, November 12 for a night of York helping York,” says Big Ian.
“We’ll be joined by 12-year-old Lacey Hart, who won the chance to perform at the sold-out Barbican. Lacey has performed at three events at Stamford Bridge, Sandburn Hall and Harrogate Candlelighters Ball in the lead-up to the Barbican show and has been exceptional. What a talent she is. Completely fearless.”
Pumpkin up the volume: HUGE Halloween Bash poster for October 31
There also will be prizes for adults and children for best costume as well as a dance off and on the spot Halloween themed tricks and treats.
Adult tickets for the Halloween Bash cost £16 from Huntington WMC or from https://events.liveit.io/white-house-creative/huge-halloween-bash/. Children can attend for free with an accompanying adult but no unaccompanied under-16s will be admitted. Doors open at 7pm; the event finishes at 11pm.
Adult and children’s prizes will be given for best costume; further attractions will be a dance-off and on-the-spot Halloween-themed tricks and treats.
Big Ian’s A Night To Remember will be celebrating its 12th anniversary with a huge production on November 12. “The event started back in 2013 and sold out Leeds City Varieties, York Theatre Royal and the Grand Opera House before finding its home nine years ago at York Barbican,” says master of ceremonies Big Ian.
Halloween beckons for HUGE saxophonist Dave Kemp. Picture: David Harrison
Taking part will be a 30-piece house band, led by George Hall, featuring event regulars Huge, Jess Steel, Heather Findlay, Beth McCarthy, Simon Snaize, Graham Hodge, The Y Street Band, Las Vegas Ken, Annie Donaghy, fiddle dynamo Kieran O’Malley and soprano Samantha Holden.
“Our concert raises much-needed funds for St Leonard’s Hospice, Bereaved Children Support York and Accessible Arts and Media to get people with learning difficulties into performing,” says Big Ian. To check late ticket availability, keep an eye on yorkbarbican.co.uk.
Did you know?
IAN Donaghy, affectionately known as Big Ian, took the top honour at The York Press Community Pride Awards in September, scooping the Outstanding Contribution Award in recognition of his work over many years to make York and the wider community a kinder place.
Jessica Steel: Soul and blues at A Night To Remember at York Barbican
TEN decades will sing together in an unforgettable night at York Barbican on November 12.
This year, Big Ian Donaghy’s big charity concert, A Night To Remember, will celebrate its 12th anniversary after selling out Leeds City Varieties Music Hall in 2013, York Theatre Royal in 2014 and Grand Opera House in 2015, en route to finding its home at York Barbican nine years ago.
“Over the years, these nights have taken community charity concerts to another level as every detail is focused on giving the York audience a night they truly deserve where no corner is cut for this unique event,” says Big Ian.
“The level of production surpasses most touring shows, from outstanding sound from Craig Rothery to thought-provoking films on vast video walls and a 30-piece band’s level of musicianship.”
Big Ian Donaghy working the crowd at A Night To Remember. Picture: Karen Boyes
Host Big Ian will seek to make the audience laugh, cry, sing, dance and part with money as he shows why he is so in demand as an event speaker and host, filling venues such as London Excel and Birmingham NEC regularly.
“No other show has musicians from ten decades on stage,” he says. “The format is unlike other shows too as everyone guests on everyone else’s songs with a wall of rich, lush harmonies.”
As ever, George Hall will lead the 30-piece house band, containing members of York party band Huge, to accompany contributions by Jessica Steel, Heather Findlay, Simon Snaize, Graham Hodge, The Y Street Band, Las Vegas Ken, Annie Donaghy, fiddle dynamo Kieran O’Malley and soprano Samantha Holden.
“After eight years of shows together, this unlikely bunch has now become more like family,” says Big Ian.
Heather Findlay performing at A Night To Remember. Picture: David Kessel
York Music Forum Big Band will be performing under conductor Ian Chalk, celebrating a year of success when these young York musicians were crowned Big Band of the Year at the Northern Jazz Awards, as well as winning numerous individual plaudits for solo musicianship.
Look out too for a bespoke choir created for the Barbican show by Easingwold singer and choir workshop leader Jessa Liversidge. “Featuring singers from ten decades, it will show the magic that happens when generations come together,” says Big Ian.
As always, A Night To Remember is priced affordably with all ticket money going to good causes in York as the community sings with one voice.
“The concert raises much-needed funds for St Leonard’s Hospice, Bereaved Children Support York and Accessible Arts and Media to get people with learning difficulties into performing,” says Big Ian.
Beth McCarthy on stage at A Night To Remember. Picture: Duncan Lomax, Ravage Productions
Beth McCarthy, the York singer now based in London with 481,000 Instagram followers, will be joining the show before her European tour takes her to theatres in Amsterdam, Paris, Rome and Barcelona.
“We are so lucky to still have Beth as part of the team,” says Big Ian, her former school teacher at The Mount. “She’s come a long way since she played our first school concert when she was 12 and I was brought in as Jack Black for their summer School Of Rock-style festival Mountstock.
Beth, who competed on BBC One’s The Voice at the age of 16, has played the main stage at BBC Big Weekend and recorded live sets for BBC Radio 1 at Maida Vale Studio.
“Beth owned the stage the last time we did A Night To Remember,” says Big Ian. “Her level of performance has reached a whole new level. She’s a fully formed performer with so much talent and energy.”
Kieran O’Malley: On the fiddle at A Night To Remember at York Barbican. Picture: David Kessel
Looking forward to November 12’s set list of favourite anthems, Jo Cole, of Bereaved Children Support York, says: “A Night To Remember was our biggest contributor when we started out and has been invaluable in allowing us to provide one-to-one counselling for families. They have helped us for nine years.
“But it’s not just the money that’s raised at these nights, it’s how it raises the profile of the charities and brings everyone together.”
A Night To Remember has become the UK’s biggest concert to raise dementia awareness, drawing people from all over the country.
“The night also funds some bespoke dementia projects in the city, including art classes with Sue Clayton, singing, gardening groups and Xmas Presence to combat loneliness in our older community,” says Big Ian.
Graham Hodge: Regular participant in A Night To Remember. Picture: David Kessel
“This is a unique evening of York helping York. Already I’ve filmed some surprise films from very well-known names from TV to surprise the crowd.”
Fewer than 100 tickets are still available for the stalls. “Be quick,” advises Big Ian. “We also ask everyone to bring a raffle prize and some money for raffle tickets for York’s biggest raffle on the night.
“Who knows how much we can add to the £200,000 raised since we started A Night To Remember?”
Tickets cost £20 from yorkbarbican.co.uk. “Don’t just save the date. Get a group of friends out and book your tickets for Wednesday, November 12 2025 to avoid disappointment,” says Big Ian.
Kieran Whiteat the keyboard, his sublime skills to be heard at events, restaurants, weddings, clubs, pubs, street corners, theatres, cinemas, care homes, wherever, whenever
YORK composer, pianist, busker, teacher, university tutor and Buster Keaton aficionado Kieran White has died suddenly.
His wife Kate posted on Facebook last Thursday “I am writing with the sad news that my beautiful husband Kieran died last night [19/2/2025] after a sudden heart attack on Monday and a few days in the ICU [Intensive Care Unit] at York Hospital.
“He was the love of my life and he will be greatly missed. He was a sweet, loving, funny, clever and talented man. Please leave your thoughts and wishes here.”
In response, so far, more than 200 tributes have poured into Facebook from fellow musicians, former piano pupils and friends, one recalling how Kieran would wheel his piano to his favourite busking spot, outside St Michael le Belfrey, even in the snow, that spot being on York’s windiest corner to boot.
York singer, event promoter and public speaker Big Ian Donaghy has posted two videos, one taken at a care home for dementia patients, where a curve-ball request for Kieran to play Queen’s Bohemian Rhapsody had Kieran mopping his brow, exhaling , then saying “Go on then, let’s have a go…what could possibly go wrong?!”. He duly tamed that wild rock opera behemoth off the cuff.
“Kieran had a gentle way and a rare empathy with folks living with dementia,” wrote Big Ian, whose second video showed Kieran and a man who had played piano all his life until the onset of dementia seated side by side, responding to each other’s handiwork.
Kieran had featured too in Donaghy’s story A Fish Out Of Water in his book A Pocketful Of Kindness, charting the day Kieran coaxed a former GP and school concert pianist, now 80 and sitting frostily at a distance in a care home, into joining him on the stool. You will find the full chapter on a Donaghy Facebook post.
“He is Quirky with a capital Q but with a heart of gold,” wrote Donaghy on Page 185. “In a world of horses for courses, many don’t fit him. Social situations…he can just get up and wander off. He is more gas or liquid than a solid. He sees life differently…
Kieran White, in 2020, holding a copy of Ian Donaghy’s book A Pocketful Of Kindness, open at the chapter entitled A Fish Out Of Water that charted Kieran’s nursing-home encounter with a former school concert pianist
“But behind all the quirks and eccentricities is a phenomenal musician with a kind heart,” Donaghy continued. “Kieran started calling for people to call out their favourite songs as he took on the role of dexterous jukebox. There was nothing he couldn’t play. Even if he had never heard something before.
“He would ask, ‘Sing it to me’, and within a few seconds he could play it. If he can hear it, he can play it. A mixture of a natural gift and hours of toil with the lid up.”
Fellow York composer Steve Crowther, administrator of York Late Music, has posted: “I have known Kieran for 30+ years. He was a genuinely remarkable musician and composer. And he possessed very little ego, a rare quality these days.
“I remember bumping into him in the city centre. We chatted about stuff. He was working on some silent movie project. Related to that, I think, was the idea of a fugue, which he then went on to improvise. Who the hell improvises a fugue? ‘Something like this…’ off he went, ‘no that’s not right…like this.”
Steve continued: “It was a bl**dy remarkable experience. The result was like Bach via Blues on speed. He was a constant: busking, singing & performing in pubs, always good for a catch-up and chat. But not any more. I will miss him.”
Originally from Colchester, Essex, where Kieran attended Colchester Royal Grammar School, he studied at the University of York. He would go on to busk prodigiously in the city, run White Rose Opera, play solo in pubs, restaurants and care homes, at weddings and with function bands too, as well as accompanying theatrical productions and being a piano teacher and tutor at York St John University.
Ultra-bright, knowledgeable, unconventional and witty, he was a dab hand at chess too, as well as displaying his trademark ability to play anything on the keys by ear.
On February 11, he had posted on Facebook of his health “deteriorating rapidly in the last year”, leading to Kieran “giving up playing piano as a result of ‘Trigger thumb’ and uncontrollable hand shaking”. Tests had revealed those tests were “purely down to stress. Thank God,” he wrote, but he revealed he had not been able to play, compose or even teach for almost a year and a half.
Kieran’s post went on to quote in full his interview with CharlesHutchPress, published on January 23 2020 under the headline “Pianist Kieran White to ‘break the silents’ at Helmsley Arts Centre screening of Buster Keaton’s Steamboat Bill, Jr”.
Kieran White, pencil illustration by Ian Donaghy, from A Pocketful Of Kindness, 2020
Here it is again, to add CharlesHutchPress’s voice to myriad recollections of Kieran’s talent for conjuring magic from the ivories.
ACCOMPANIED by Kieran White’s expressive, playful, gag-driven piano score, the Stoneface silent classic Steamboat Bill, Jr, will be shown “as it was originally intended to be seen in an authentic re-creation of the early cinema experience in the picture houses of the 1920s”.
Let Kieran make his case for why someone would want to see a black-and white, silent 1928 Buster Keaton film in 2020, the age of endless reheated Disney classics and myriad Marvel movies.
“We live in an instant world. A world governed by consumerism and technology. What we want, we can get just by clicking a mouse. We have forgotten how to slow down. How to breathe,” he says.
“But Buster takes us back to a time when time itself was a different thing entirely. A time when moments were savoured, rather than squandered.”
From past experience of his Breaking The Silents shows, White anticipates a largely middle-aged and older audience, but he believes Keaton’s comedic elan should appeal to “anyone with a love of history, a nostalgia for days of yore and an unfettered imagination”.
“Breaking The Silents offers a wonderful evening for all the family,” he says. “A lot of belly laughs. An appreciation of Buster’s incredible athleticism and craftmanship but, most of all, a reawakening of that state of wonderment that children have but never know they have.”
The relentless pace of Keaton’s comedy on screen leaves no gap, no rest, no breath, in White’s score, but still he finds room for quickfire references to the Steptoe And Son theme music, Porridge and The Barber Of Seville.
“The joy of Steamboat Bill, Jr is the raw energy,” says Kieran. “You know that if the stunts went wrong there would be no take two.”
White’s piano has accompanied screenings of Keaton’s 1927 film The General at locations as diverse as Helmsley Arts Centre, the Yorkshire Museum of Farming at Murton Park and City Screen, Fairfax House and the Joseph Rowntree Theatre in York.
Last September [2019], he presented a Breaking The Silents double bill of The General in the afternoon and Steamboat Bill, Jr in the evening at the JoRo. White’s labours of love had necessitated 11 days of writing for The General, a little longer for Steamboat Bill, Jr, drawing on his love of both Keaton’s comic craft and the piano.
“I was very inspired by my grandfather,” he says, explaining why piano was his instrument of choice. “He was a superb pianist and made the most complex music sound effortless.
“Ever since a very early age, I’ve been fascinated by puzzles too, particularly chess. Watching Pop play was like sitting inside a gigantic engine, seeing gears mesh, listening to the sound of tiny hammers. Music chose me!”
Where next might Breaking The Silents venture? “I think what I do is unique. Ultimately, I’d love to perform all over the world,” says Kieran.
In the meantime, here is a recommendation from York filmmaker Mark Herman, director of Brassed Off and Little Voice, to head to Helmsley Arts Centre on February 1 for the Keaton and White double act.
“Kieran White’s score and his live accompaniment raises an already almost perfect film to fresh heights,” he said after seeing The General. “It’s a shame that Buster Keaton never knew that his flawless performance could actually be enhanced.”
Rest in peace, Kieran Michael White, December 10 1961 – February 19 2025.
The arrangements for Kieran White’s funeral are yet to be announced.
Gracing the stage: Grace Lancaster in the role of Carole King in York Stage’s York premiere of Beautiful: The Carole King Musical. Picture: Charlie Kirkpatrick
FROM Carole King’s beautiful songs to Velma Celli’s pop queens, an artistic family to a poet’s biscuits, Charles Hutchinson adds to the September sunshine as cause for heading out and about.
Musical of the week: York Stage in Beautiful, The Carole King Musical, Grand Opera House, York, Friday to September 23
YORK, are you ready to feel the Earth move, asks director Nik Briggs, ahead of the York premiere of Beautiful: The Carole King Musical. “This show has taken the world by storm, and for good reason, with its inspiring story of Carole King, a woman who rose to fame in the music industry during a time when female songwriters were few and far between”.
Singer, actress and pianist Grace Lancaster takes the lead role in this celebration of perseverance, passion and the power of music to unite. Box office: atgtickets.com/york.
Damon Gough: Marking 25 years of Badly Drawn Boy
Treasured songwriter of the week: Badly Drawn Boy, The Crescent, York, Monday, 7.30pm
DAMON Gough is undertaking his Something To Tour About: 25 Years Of Badly Drawn Boy tour, playing a sold-out standing show in York with Liam Frost in support.
Chorlton singer, songwriter, guitarist and piano player Gough, who released Banana Skin Shoes as his first studio album in ten years in May 2020, first made his mark with the Mercury Prize-winning The Hour Of Bewilderbeast in 2000. Eight albums on, he has plenty to tour about.
Rosie Jones: Unadulterated joy in Triple Threat at Leeds City Varieties and York Theatre Royal
Comedy gig of the week: Rosie Jones: Triple Threat, Leeds City Varieties Music Hall, Wednesday, 8pm; York Theatre Royal, Thursday, 8pm
COMEDIAN Rosie Jones’s show is guaranteed to be full of unapologetic cheekiness, nonsensical fun and unadulterated joy from the triple threat herself.
Theatre@41 honorary patron Rosie has hosted Channel 4’s travel series Rosie Jones’ Trip Hazard and Mission: Accessible and made numerous appearances on The Last Leg, 8 Out Of 10 Cats, Hypothetical, Mock The Week, The Ranganation and Joe Lycett’s Got Your Back. Box office: Leeds, 0113 243 0808 or leedsheritagetheatres.com; York, 01904 623568 or yorktheatreroyal.co.uk.
Jessica Steel: Powerhouse vocals at A Night To Remember
Fundraiser of the week: Big Ian Presents A Night To Remember, York Barbican, Thursday, 7.30pm
HUGE frontman Big Ian Donaghy hosts his annual charity fundraiser as George Hall leads a 20-piece All Star House Band with a 12-strong brass section in a night of cover versions of Kate Bush, Bill Withers, Take That, Fleetwood Mac, Tina Turner, Queen, Wham!, Elvis and more.
Taking part will be Jessica Steel, Heather Findlay, Beth McCarthy, Graham Hodge, The Y Street Band, Boss Caine, Gary Stewart, Simon Snaize, Annie Donaghy, Kieran O’Malley, Las Vegas Ken, the Huge Brass Boys, Hands & Voices, musicians from York Music Forum and Jessa Liversidge’s fully inclusive group Singing For All. Box office: yorkbarbican.co.uk.
John Hegley: Biscuits all round at Stillington Mill
Poet of the week: John Hegley: Biscuit Of Destiny, At The Mill, Stillington, near York, Friday, 7.30pm
POET John Hegley, star of radio, television and school assemblies, heads north with a clutch of new verses, a few older favourites and a cardboard camel with a moving jaw.
The biscuits in the show derive Romantic poet John Keats’s phrase: “a scarcity of buiscuit”. Not the sort of phrase nor spelling you expect from a Romantic poet, notes Hegley, who delves into the more eccentric side of Keats, alongside everyday goings-on in the Hegley homes of now and yesteryear. Expect drawings of elephants, myths, discos, daleks, optional community singing and the search for a sense of self-worth. Box office: tickettailor.com/events/atthemill/939591.
Velma Celli: Reigning over York Theatre Royal on Friday in a celebration of British pop royalty, God Save The Queens. Picture: Sophie Eleanor Photography
Brit icons of the week: Velma Celli’s God Save The Queens, York Theatre Royal, Friday, 7.30pm
YORK cabaret superstar Velma Celli, the vocal drag diva alter ego of musical theatre actor Ian Stroughair, introduces her new celebration of British pop royalty.
Accompanied by Scott Phillips’s band, Velma’s night of rapturous music, risqué comedy and fabulous entertainment features the songs of Adele, Amy Winehouse, Annie Lennox, Florence Welch, Leona Lewis, The Spice Girls, Kate Bush, Shirley Bassey, Cilla Black and Bonnie Tyler, plus a tribute to Sinead O’Connor.
Katya Apekisheva: Russian-born pianist playing at York Chamber Music Festival, sometimes solo, sometimes in the company of string players
Festival of the week: York Chamber Music Festival, September 15 to 17
FESTIVAL artistic director and cellist Tim Lowe is joined by John Mills and Jonathan Stone, violins, Hélene Clément and Simone van der Giessen, violas, Jonathan Aasgaard, cello, Billy Cole, double bass, and British-based Russian pianist Katya Apekisheva for three days of concerts.
Highlights include Mendelssohn’s String Quartet Op. 13, Dvořák’s String Sextet, Elgar’s late Piano Quintet, Strauss’s Metamorphosen, Brahms’s Cello Sonata No. 1 and Schubert’s last Piano Sonata in B flat major. For the full programme and venues, head to: ycmf.co.uk/2023-programme. Box office: 01904 658338 or ycmf.co.uk.
Ewa Salecka: Conducting Prima Vocal Ensemble in Songs From The Heart
Choral concert of the month: Prima Vocal Ensemble, Songs From The Heart, National Centre for Early Music, Walmgate, York, September 30, 7.30pm
ARTISTIC director and producer Ewa Salecka leads York choir Prima Vocal Ensemble in an intimate evening of contemporary classical and popular choral music with Greg Birch at the piano.
Works by Randall Thompson, René Clausen, Stephen Paulus and Elizabeth Alexander will be followed by a second half of moving and energetic arrangements of George Gershwin, Duke Ellington and Freddie Mercury songs. Ahead of their 2024 New York City reunion, Prima perform a Christopher Tin number too. Box office: primavocalensemble.com.
Copyright of The Press, York
Hannah Arnup and Ben Arnup with bowls by Mick Arnup and a bronze dog by Sally Arnup at the Arnup Centenary exhibition, opening today at Pyramid Gallery
In Focus: Exhibition launch of the week
Hannah Arnup, Ben Arnup, Tobias Arnup and Vanessa Pooley, Arnup Centenary, Pyramid Gallery, Stonegate, York, 11am today to October 30
THE Arnups, two generations of artists with roots in York, work in pottery, painting, wildlife sculpture, figurative sculpture and ceramic sculpture. The late Mick and Sally Arnup set up home and studio in Holtby in the 1960s, and three of their family, Ben, Hannah and Tobias, have followed careers in the arts.
This exhibition by the three second generation artists and Tobias’s wife, Vanessa Pooley, coincides with the centenary of their father’s birth in 1923. In recognition of their parents’ influence on their own artistic journeys, a few pieces by Mick and Sally will complement the new works.
Gallery visitors can expect to see new work by ceramist Ben Arnup, who specialises in slab-made flattened boxes and vessels that play with the viewer’s sense of form and space, alongside Hananh Arnup’s wheel-thrown bowls and plates with sgraffito decoration and Vanessa Pooley’s gently curvy female forms in ceramic and bronze. On the walls, the still life paintings by Tobias Arnup will sit alongside ceramic wall pieces by Ben and Hannah.
Ben’s intriguing Trompe L’Oeil forms are well known to collectors of ceramics and visitors to Pyramid Gallery. Formerly a landscape designer, he creates shapes that explore drawn perspective using coloured clay slab-constructed stoneware, “having fun with the way we see form”.
After studying sculpture at Kingston Art School and specialising in ceramics at Goldsmith College, London, Hannah has lived and worked for much of her adult life in Ireland where she owns and runs Ballymorris Pottery. Latterly, she has set up a new studio in the family home in Holtby near York, re- purposed as a community of artists’ studios.
Vanessa works with bronze and ceramic to create sculpture of mostly female forms with an individual and distinctive style that takes inspiration from the work of Henri Laurens and his studio assistant Balthazar Lobo, as well as Marino Marinni and the sculptures of Picasso and Matisse. Her work is to be found in collections around the world.
Tobias studied at Camberwell School of Art and went on to teach at Blackheath School of Art before a change in career to be an art therapist.
“I was helping run a course at Blackheath School of Art and I found I was more interested in the people that sat in my office at lunchtime complaining about their fellow students or about their parents or about not getting their art right or wondering what they were going to do, or who were just not really coping with life very well,” he says.
After his training, Tobias started an art therapy department at Holloway Prison, which was in existence until the women’s prison closed in 2016.
During his 35-year career, he also worked in secure units in mental health hospitals, finding that art could engage traumatised people when other methods of therapy had not.
In his art, Tobias has evolved an individual style that begins with a black outline of still life objects and flowers, drawn in ink with a goose quill. He then adds colour in gouache, filling the spaces between or on top of the black lines.
Depending on what he feels is necessary, he might add more black ink lines, or redo the original lines, then more colour and maybe finish with more black lines. This layering of lines and colour is done slowly and carefully in a process that he describes as meditative. The result is intriguing, distinctive and joyful, with pastel colours contrasting with the black outlines, that have a bold and purposeful feel mixed with occasional random unevenness.
Gallery owner Terry Brett has worked with Ben and Hannah for many years, as well as with Mick and Sally, and looks forward to his inaugural showing of paintings by Tobias and bronze and ceramic sculpture by Vanessa.
“‘For me, this is one of the most satisfying moments in my time as an exhibition curator,” he says. “Not only for the quality of the work and diversity of styles, but also because I am pleased to be representing Vanessa and Tobias for the first time.
“To be hosting the family with an exhibition that is paying respect to Mick and Sally in a collective show is a very special moment for both myself and the gallery.”
Tobias Arnup with his gouache and ink paintings
Tobias Arnup on his artistic practice
THE play between line and colour has always been central to Tobias’s work as a painter. “Undoubtedly my main influence of this has been that of my father, Mick,” he says. “However, I still remember the impact of being taught by the wonderful art master at Pocklington School, Nigel Billington, who encouraged a proper attention to composition and to drawing, particularly with ink.
“It was hardly a surprise when I chose Camberwell School of Art, in London, as the place to study for my Fine Art degree and where I was lucky enough to teach drawing myself for a while.”
Only relatively recently has Tobias experimented more with different media. “For many years my favourite was egg tempera, which I learnt about at Camberwell and used to mix up myself,” he says.
“Depending on how much it was diluted, tempera has both the ‘gloopy’ quality of gouache and the richness of a watercolour glaze. It was working on paper, though, that has allowed me to work more flexibly.
“Using water-soluble pencil, Indian ink, watercolour and gouache – although not necessarily in that order – I seem to be forever swinging between creating chaos and trying to excerpt some sort of order on the composition.”
He continues: “These days the chaos of my ink marks is being brought under some sort of control by the flat, mat gouache. When things get a bit too tidy, out comes the ink bottle again.
“There cannot have been many options for school teachers at the time. Mr Billington’s huge set-ups suited me perfectly, however. They were there ready for me – a constant resource, I realise now, that is currently replicated in my own studio.
“Although they stray into more abstract concerns, I regard all these works as still-lives. When I am a bit stuck, it’s the ink and the goose-feather quills that I turn to, although I have used up my store of Chinese geese quills that I collected up from the garden when I was young.”
Pyramid Gallery opening hours are: Monday to Saturday 10am to 5pm.The displays can be viewed at pyramidgallery.com too.
Alan Leach: “Like a boxer, he has had the bravery and confidence to drop his hands to wield an unexpected knockout punch”
Alan Leach, I Wish I Knew Now What I Thought I Knew Then, released on November 4
“DON’T get fooled again…”
Whoever thought that Alan Leach was the quirky, cooky Peter Tork character in Shed Seven or just a fantastic Keith Moon-esque drummer who did handsprings over his kit with varying degrees of landing success are so wrong…
Alan has to be one of the most talented, bright people I have ever met with a rare mix of aptitude and creativity.
Basically, in whatever he does, he gets s**t done.
A great drummer…
A proven songwriter…
A cracking studio engineer who never believed he was…
But he WAS!
Then, with his family, they have created Speed Quizzing, which has an ever-growing empire worldwide.
I remember once telling him as he came to my pub quizzes to be tortured…
“Al, it’s a lovely idea but not everyone has these fancy phones!”
I wonder if these ‘fancy phones’ caught on!
Al has always surprised me…
Ever since he managed to get with his amazing wife Jane Leach.
Best deal he ever sealed.
But this new twist has taken me by surprise…
I never saw this coming…
It may surprise you too.
After taking an indefinite break from the Sheds since last year, Alan has made a solo album.
Like a boxer, he has had the bravery and confidence to drop his hands to wield an unexpected knockout punch.
This nine-track album of his self-penned songs are first-listen beautiful…
Like nine peeks behind his curtains, they show you so much.
A Dozen Of Me will enter your head and never leave. The most gentle of earworms with a lifetime of squatters’ rights ahead.
The true joy of these short stories is they don’t try too hard…
Nothing is desperately pioneering, ground-breaking, edgy or clever…
All of the playing is understated – there only to cradle the song…
To fit in…not stand out.
They make me smile and almost teary as they are steeped in growing up in the ’70s and ’80s…a melting pot of 90s’ pop blended with my Mam’s early 70s’ record collection.
In no time, these songs, laden with gentle hooks, feel like old friends without being derivative.
Charming short stories that nonchalantly roll a hand grenade across the table to deliver a poignant killer line when you least expect it.
I Wish I Knew Now What I Thought I Knew Then track listing:
A Dozen Of Me; Clouds Behind The Moon; Erica; Going For A Song; The One Love Generation; If This Comes Off; Anthem For The Here And Now; Things Like This; Clouds Behind The Moon (orchestral version).
Fact file:
Album engineered and mixed by Mickey Dale.
Former Shed Seven cohort Joe Johnson plays guitar on three numbers, including the co-written Erica.
Alan’s son, Sonny, plays guitar on various tracks. York singer-songwriter Hayley Hutchinson duets on the ballad If This Comes Off.
Alan Leach says:
“ONE small step for everyone else, one giant leap for Alankind. I’ve written, recorded and finally released my solo studio album and it’s available to hear on all the obvious places. It’s a big deal to me as it’s pretty much taken over the last 18 months of my life.
“If you do one thing for me ever, please listen to it from start to finish, tell your friends if you like it and tell absolutely nobody if you don’t. Thanks to everyone who has helped me with this and a big thanks in advance to anyone who takes the time out to listen and share it for me. Cheers all. X”
Alan Leach, Shed Seven drummer from 1990 to 2021, will play two all-seated home-city gigs at The Crescent, York, on December 2 and 3 with a full band in tow. Doors: 7.30pm; on stage, 8.30pm. Tickets: thecrescentyork.seetickets.com/event/alan-leach-friday-show/the-crescent/2427117.
The poster for Alan Leach’s brace of full-band gigs at The Crescent, York, next month to promote his debut solo album
Master of ceremonies Big Ian Donaghy pays tribute to Her Majesty The Queen at the start of A Night To Remember. Picture: Karen Boyes
THE wait had been all too long. 922 days since the last blast of A Night To Remember, Big Ian Donaghy’s fundraising concerts for York charities at York Barbican.
Then, suddenly, Thursday afternoon’s focus turned northwards to Balmoral as the nation waited for updates on The Queen’s health, BBC news presenter Huw Edwards already in black tie.
Her Majesty’s passing was announced shortly after 6.30pm. “We’d had a day of chaos, setting up such a big show, uncertain what would happen,” said Big Ian post-show. “Would the show go on? Would it be pulled? Thankfully…the show must go on.”
A Night To Remember would be unthinkable without Jess Steel: Picture: Dave Kessell
Indeed it did, albeit with a few seats now empty as some ticket holders preferred to stay at home to take in the news. Out went the planned opening, a Boris Johnson satirical routine et al . Instead, a photograph of The Queen, against the backdrop of the Union Flag, filled the screen as a sombre Big Ian took to the stage to join the band, 12-strong brass section and multitude of singers.
“Right, I don’t care if you are a monarchist; I don’t care if you are an anarchist, I care that she was someone’s mam,” pronounced Ian, adding “grandmam” and “great grandmam” as he called on his conference-honed public-speaking skills to be the people’s laureate in that moment.
A minute’s silence and a spontaneous round of applause followed. Then, exit the regal elephant in the room, last respects paid, for one Queen to be succeeded so soon by another: Mercury’s Queen. What else could master of ceremonies Big Ian declaim but The Show Must Go On. Right song, right time, right note struck.
Annie Donaghy and Graham Hodge in tandem for Time After Time. Picture: David Harrison
The way these fast-moving nights work, songs are covered, if not in glory, then often spectacularly, affectionately, surprisingly, humorously, always heartily, and invariably with a wall of harmony from participants readily guesting on everyone else’s songs. As many as 30 can be performing at one time, never better than when the young players of the York Music Forum join Huge’s brass section.
In between come Big Ian’s rallying calls for donations, bonny lad bon-mots, quips and jests, and expressions of appreciation for the work of the night’s backers, Nimbuscare, and good causes, St Leonard’s Hospice, Bereaved Children Support York and Accessible Arts and Media.
Raising dementia awareness is another driving force, after the death of both Big Ian’s mother-in-law and father, his own work for this cause highlighted in a series of shorts films, two featuring women with dementia, one being introduced to playing pool, the other singing Yesterday with Ian as she was having her hair done.
Las Vegas Ken becomes York Barbican Ken. Picture: David Harrison
Later, he dug out a video clip of daughter Annie, then aged nine, paying lyrical tribute to her grandma at an earlier A Night To Remember at York Theatre Royal.
York’s very own best football commentator bar none, Guy Mowbray, popped up on screen from Old Trafford with a message of support, signing off with “dementia is a team game”. Lovely touch, Guy.
The hits kept on coming: Jess Steel, blowing away any remaining cobwebs with Ironic; Dan (Boss Caine) Lucas’s country take on Dire Straits’ Walk Of Life; Graham Hodge, Annie Donaghy and a saxophone solo for Time After Time; Big Ian leading the audience finger clicks and hand claps for Wham’s Edge Of Heaven.
Jessa Liversidge and Singing For All lap up the applause. Picture: David Harrison
First-half favourite? How about Heather Findlay, Jess Steel, Annie Donaghy and Beth McCarthy’s rendition of Abba’s Dancing Queen, the one song title of the night with resonance anew. Next, Las Vegas Ken brought the house down, as comprehensively as that Mecca Bingo demolition job across the road.
Kate Bush was an in-vogue choice after her Stranger Things resurrection, but rather than Running Up That Hill, Heather Findlay brought a shawl, fan flicks and theatricality to Babooshka. Musical director George Hall’s keyboard then brought out the crooner in Big Ian in Elton’s Your Song.
Such is the all-inclusive philosophy of these joyous concerts that performers’ ages range from 13 to 96, heralded at the start to the second half by Big Ian introducing Jessa Liversidge’s Singing For All choir, a breath of fresh air in song, with Jessa on keyboard and neighbour Gary Stewart on guitar for You’ve Got A Friend and Lean On Me.
Heather Findlay performing Babooshka. Picture: Dave Kessell
Gary, playing percussion throughout the night as he does for Hope & Social, later took the microphone with sweet-voiced swagger for Paul Simon’s 50 Ways To Leave Your Lover, and Lean On Me made an unexpected comeback as George Hall’s party piece at the impromptu invitation of Big Ian.
The Y Street Band turned Shania Twain’s Man! I Feel Like A Woman on its head; Simon Snaize stepped out of the band to front Rod Stewart’s Maggie May, accompanied by Kieran O’Malley’s violin, whose beauteous impact on a song rivals The Waterboys’ Steve Wickham.
Hodge, O’Malley and The Y Street Band bonded over Stuck In The Middle With You; Findlay’s 13-year-old son, Harlan, took over the keyboard for her rendition of Fleetwood Mac’s Dreams.
Having a blast: Young musicians from York Music Forum playing in the 12-piece brass section
Into the final straight, Beth McCarthy pulled off yet another costume change for Tina Turner’s Simply The Best; Big Ian busted out his Travolta moves for Stayin’ Alive; Jess Steel celebrated seeing Diana Ross in Leeds with a supreme Chain Reaction, and Beth hurriedly found one more pink number for the Lulu part in the finale, Relight My Fire, alongside cheerleader Big Ian.
September 8 re-lit the fire for A Night To Remember in the most challenging circumstances. “How we did that, I’ve no idea. Less than an hour after The Queen’s death was announced. Making a silk purse out of a sow’s ear,” said Big Ian the next morning.
“A lifetime of standing up in front of people came to my rescue for a night to remember that no-one will ever forget.
Beth McCarthy giving it her all in Simply The Best. Picture: Dave Kessell
“I know some people love the monarchy and others do not. Yet I was given 1,400 people and a minute’s silence. I needed an angle to make it not about that.”
Big Ian found one; the audience, band and singers alike responded. The show did go on and how! Watch this space to learn the funding total raised for the three charities.
“The only thing local about this show is the postcode,” concluded Big Ian. “The talent on stage and the generosity they show to one another is something quite unique.”
“How we did that, I’ve no idea,” reflected organiser and host Big Ian Donaghy in the aftermath of going ahead with A Night To Remember only an hour after The Queen’s passing was announced . Picture: David Harrison
Unforgettable York Barbican night raises £24,000. Big Ian Donaghy says Thank You
“WHEN money is at its tightest and families are struggling to make ends meet, our community and some of the finest musicians with the kindest hearts came together on September 8 at A Night To Remember to raise money for local causes,” says Big Ian.
“The final figure raised was a staggering £24,311. Not bad for a gang show and a big raffle with a group of mates!
“The night, now in its eighth year, has shone the spotlight on local causes and groups to not only provide much needed funds but also raise their profiles.
“The show featured a 30-piece house band made up of Huge, Kieran O’Malley, Gary Stewart and Simon Snaize and musicians from York Music Forum as they accompanied the likes of Jess Steel, Heather Findlay, Beth McCarthy and Graham Hodge.
“The night saw an 80-year age range of performers on stage as Singing for All -a fully inclusive singing group – had the auditorium sing with one voice.
“Who will benefit from this? St.Leonards Hospice, Bereaved Children’s Support York and Accessible Arts and Media, of which the Hands & Voices Choir are part.
“Rather than give money to larger charities, A Night To Remember supports smaller, local, bespoke projects that help people living with dementia and combatting loneliness.
“These include the gardening project York Hull Road Park Volunteers; bespoke dementia-friendly side-by- side art classes for people living with dementia and their carers, run by York artist Sue Clayton; Singing for All and Xmas Presence, giving older people who live alone a family Christmas and delivering lunches and hampers.
“We were uncertain if the show would even happen as it fell on the day the Queen died, but after having to make the official announcement, we opened with The Show Must Go On.
“This is York helping York. Thank-you to Nimbuscare for their invaluable support and to everyone on stage, back stage, front of house and in the audience.
A Night To Remember will return to York Barbican on Thursday, September 14 2023.
Light show: Big Ian Donaghy surveys the crowd’s torch display at A Night To Remember. Picture: Karen Boyes
WHEN Big Ian Donaghy shouted “See you next year!”, as he and the team took their final bow to a standing ovation at A Night To Remember on February 29 2020, they could never have envisaged what was just around the corner.
“A total lockdown. Schools closed. The only place to get a beer was your fridge and theatres stood in darkness because apparently ‘The show mustn’t go on’,” he laments. “Guitars were forbidden to come out of their cases for more than 500 day as crowds at gigs were deemed far more ‘dangerous’ than those watching sport.”
Roll on to 7.30pm, September 8 2022 and, thankfully, the return of A Night To Remember, the charity fundraising concert at York Barbican.
Banding together: Every musician and singer on stage at the finale to A Night To Remember. Picture: Duncan Lomax
“It will be 922 days since this unique group of performers has shared a stage to bring the community together and they promise to live up the name A Night To Remember more than ever,” vows organiser and master of ceremonies Big Ian, whose skills as a speaker and host are in demand at such venues as Birmingham NEC and ExCel, London.
“Over the years, these nights have taken community charity gigs to another level as every detail is focused on giving the York audience a night they deserve. No corner is cut for this unique event, from brilliant sound from Craig Rothery, through thought-provoking films on huge video walls, to a 30-piece band.
“On top of that, this year’s concert has been sponsored by Nimbuscare, who have provided invaluable support in putting on this event.”
On song: Another belter from Jess Steel. Picture: Duncan Lomax
The format is “unlike others shows”, says Big Ian, as it requires “everyone to guest on everyone else’s songs with a wall of harmony”.
“No other show has an 83-year age range in performers from 13 to 96 year olds. Previous years saw the line-up take on the near impossible and succeed with Queen’s Bohemian Rhapsody, despite never playing it together beforehand. Somehow it came together!
“A Night To Remember is like Avengers Assemble as the unlikely bunch have now become more like family after eight years together.”
The A Night To Remember crowd having an unforgettable night at York Barbican
In the 30-piece house band will be members of York party band Huge; Jess Steel; Heather Findlay; Beth McCarthy, on her return to her home city from London; Simon Snaize; Gary Stewart; Graham Hodge; The Y Street Band; Boss Caine; Las Vegas Ken; Kieran O’Malley and young musicians from York Music Forum, all led by George Hall and Ian Chalk.
Singer and choir director Jessa Liversidge will present her inclusive singing group, Singing For All, who previously took part in 2020.
The setlist will take in songs by Kate Bush, Queen, Paul Simon, Wham, Elton John, Fleetwood Mac, Rod Stewart, The Bee Gees, Elvis Presley, Bill Withers, Take That, Tina Turner, Diana Ross and Alanis Morisette.
Heading home: Beth McCarthy at A Night To Remember. Picture: Duncan Lomax
“Now in its eighth outing, A Night To Remember promises to be an evening of singalongs as the city sings with one voice to raise much-needed funds for St Leonard’s Hospice, Bereaved Children Support York and Accessible Arts and Media, who get people with learning difficulties into performing,” says Big Ian.
“This has become the UK’s largest live concert to raise dementia awareness and will be funding some bespoke dementia projects in York, including art classes with York artist Sue Clayton and singing and gardening groups to combat loneliness.”
Big Ian Donaghy with Annie Donaghy, left, Beth McCarthy, Heather Findlay and Jess Steel at A Night To Remember. Picture: Karen Boyes
Two weeks ago, Big Ian took the challenge with four friends to sell 1,000 tickets for the show in one day. “Somehow we achieved it,” he says. “Now we can’t wait to get everyone back together. Expect a night filled with emotion and fantastic music.
“There are some tickets left but be quick to book at www.yorkbarbican.co.uk, and we ask everyone to bring a raffle prize, if possible, and some money for raffle tickets. Who knows how much we can add to the £150,000 we’ve raised since we started these concerts?
“Remember, remember, the 8th of September, not just a night, but A Night To Remember!”
