Donna Maria Taylor’s paintings of rugged hills and mountain landscapes rise high at Bluebird Bakery, Acomb from Thursday

Artist Donna Maria Taylor at work in her “bright and airy” Studio 1 at South Bank Studios, York. Picture: Paul Oscar Photography

SOUTH Bank Studios resident artist Donna Maria Taylor’s latest collection of paintings will be on display at Rise@Bluebird Bakery, Acomb Road, Acomb, York, from Thursday, when she will attend the 6pm to 9pm launch.

At the invitation of Bluebird artistic curator Jo Walton and bakery co-owner and poet Nicky Kippax, her This Rugged Earth exhibition will run for eight weeks until February 12 2026.

Inspired by the world around her and her travels both here in the United Kingdom and Europe, the majority of the new work nods to her love of rugged hillscapes and mountainous landscapes.

Donna exhibits regularly, this year taking part in York Open Studios, North Yorkshire Open Studios and the Saltaire and Staithes art festivals, as well as exhibiting in Skipton, Danby, Scarborough and Lincoln.

Her Bluebird Bakery exhibition, however, brings her work much closer to home. “Therefore I’m thrilled to have my paintings exhibited here,” she says.

Alongside her professional art practice, Donna is a fully qualified and experienced tutor, offering  regular art workshops in York, as well as art retreats to Southern Morocco, Andalusia in Spain and Tuscany in Italy.

Next year, she will be opening her South Bank studio for the seventh consecutive year for  York Open Studios (April 18/19 and 25/26 2026), and she will exhibit in the main gallery space of York Hospital, Wiggington Road, York, from September 2026 onwards.

The poster for Donna Maria Taylor’s launch of This Rugged Earth at Rise:@Bluebird Bakery

Here, Donna discusses This Rugged Earth, her highly productive 2025 and plans for next September’s York Hospital show with CharlesHutchPress.

Does the look of Rise/Bluebird Bakery influence your choice of artworks to be shown there?

“Only in terms of scaling up the size of some of my paintings to fill the space. Given that I’m used to painting large backdrops in the theatre though, going a little bigger is no real problem. It just means more paint and bigger brushes!

“I do think that the colour palette I’ve been using recently compliments Bluebird’s interiors, but I’m not someone who creates original artwork to match a room. My work is personal to me and hopefully forms a cohesive collection, no matter where it’s shown.”

What draws you to rugged hillscapes and mountainous landscapes? 

“Something within me I guess – maybe it stems from walks I used to enjoy as a child in the Peak District…or family holidays in the Lake District and North Wales? I also spent three  winter seasons working as a ski instructor in the Austrian Alps when I was younger, so maybe that’s it?

Loch Long, 2025, by Donna Maria Taylor

“I love the drama of rugged landscapes, the fresh air and the connection you have with nature. Although I don’t think I could live permanently in the countryside, I’ll often spend my spare time there – sketching, en-plein-air painting, walking or mountain biking with family and friends.”

Where have you travelled in Europe recently?

“I’ve been lucky enough to travel through quite a few places – Germany, France, Switzerland, Austria – mainly because I chose the ‘slow travel’ option to reach my art retreat destinations.

“I also came back from Italy via Slovenia this time: a place I’ve never visited before. The scenery there is stunning, although you do have to be aware of bears – not something we have to worry about when wandering around in this country…”

How do the opportunities to teach in Morocco, Andalusia and Tuscany come about? What do your sessions cover? 

“They come via word of mouth and recommendations really. My first Moroccan holiday came about when I tripped and broke my foot whilst working on stage in the theatre back in 2018, meaning I couldn’t walk for several months.

Hole Of Horcum, 2025, by Donna Maria Taylor

“I had a lot of time on my hands and was stuck at home all day, so what was I to do? Make exciting plans for the future, of course!

“I’d already run a couple of art holidays in the UK, so going further afield and combining my love of art and travel felt like the perfect next step. By that point, I’d also had more than 20 years’ experience teaching adults, so I was used to working with a wide range of groups and abilities.

“Sketchbooks have always played an important role on the retreats because they allow you to get out and explore. When you’re somewhere new, that’s essential – so that you really get a sense of the place.

“The sketchbook becomes a sort of visual diary; a real record of your time spent there. Sketchbooks also make the retreats accessible to everyone, from complete beginners onwards.

“I encourage the use of a range of media in them, including watercolour, collage and acrylics. Of course, some people prefer to focus on more finished pieces, and that’s absolutely fine too. As an experienced educator you learn to adapt to each person’s needs.”

La Tania, 2025, by Donna Maria Taylor

What do your art classes and workshops cover?

“There’s a wide range of media and techniques: watercolours, inks, acrylic, print, collage, pastels and oils. I try to encourage learners to experiment, play with the mediums and really develop their own style, but observational drawing is also an important and fundamental part of it all too. It’s all about ‘learning to see’ and creating your own visual language.

“I think coming from a theatre background really has given me a multi-disciplinary approach to both my art and my teaching.”

How did your exhibitions in 2025 compare and contrast: Skipton, Danby, Scarborough, Lincoln, York Open Studios, North Yorkshire Open Studios (NYOS), Saltaire, Staithes and York Hospital (from November 2025 to February 2026)? It sounds like a very busy, very productive year. 

“Yes, I perhaps packed a little too much into my calendar this year, but I do like to keep busy. The exhibitions organised through NYOS, York Hospital and the gallery were fantastic for getting my work out in front of new audiences, but festivals and events are quite different because you get to meet and engage with the people who want to talk to you about your work, so it becomes far more interactive and personal.

Les Chenus, 2025, by Donna Maria Taylor

“Also, you’re often working alongside other artists at events too, which I love. It’s harder work but very rewarding.”

Looking ahead, what will you exhibit in the York Hospital main gallery space from next September?

“New work that hopefully doesn’t exist yet! As an artist, I’m always striving to stretch myself and find new ways of expressing myself, so the answer to that really is ‘watch this space’…”

What is the function of art in a hospital? 

“Having art in hospitals genuinely makes a difference to the lives of patients, visitors and staff alike. I know this from personal experience but also from the lovely messages people sometimes send me to tell me how much seeing my work has meant to them or made their day.”

Donna Maria Taylor: back story

ORIGINALLY from South Yorkshire, Donna completed Art Foundation course after A-levels, followed by degree in Multi-disciplinary Design.

Began career in Stoke-on-Trent as textile and ceramic tile/mural designer before gaining  a distinction in her Postgraduate Diploma in Theatre Design.

Led to long and varied career in theatre design and production, allowing her to draw on wide range of creative skills. Worked in theatres across UK and abroad before moving to York in 2000 to take up post of full-time scenic artist at West Yorkshire Playhouse, Leeds.

Continues to work regularly with Yorkshire theatres, including Leeds Playhouse and York Theatre Royal, where she served as prop maker and workshop facilitator for this summer’s community production, His Last Report.

Well known for creating large-scale animal puppets that first appeared in the York Minster Mystery Plays, From Darkness Into Light, in 2016.

Alongside her theatre work, Donna contributes to community art projects, including  two pieces inspired by the work of artist John Piper, now on display at Southlands Methodist Church.

Based at Studio 1, South Bank Studios, Southlands Methodist Church, Bishopthorpe Road,
York, where you can visit her by appointment (donnataylorart@icloud.com) .

Join her  mailing list at https://donnamariataylor.us20.list-manage.com/subscribe?u=f53feedf07e7c7ef532cecaba&id=a9ce963475 to be the first to learn of her latest art news, including information on new courses, workshops and art holidays to Morocco, Spain and Italy.

View Donna’s paintings and learn more about her extensive career in the arts at: www.donnamariataylor.com. She is on Facebook: @DonnaTaylorArt; Instagram: @donnataylorart.

More Things To Do in and around York? Here come Halloween screams and Noises Off. Hutch’s List No. 44, from The Press

Noises Off: Michael Frayn’s on-stage and off-stage comedy on York Theatre Royal’s main stage from Tuesday. Picture: Pamela Raith

HALLOWEEN films and double bills, classic comedy and a time-travelling York legend, a Disney deep freeze and a punk/jazz collision help Charles Hutchinson leave behind October for November frights and delights.  

Play of the week: Noises Off, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

MATTHEW Kelly, Liza Goddard and Simon Shepherd lead the cast in Theatre Royal Bath’s touring revival of Michael Frayn’s riotous Noises Off, directed by Lindsay Posner, who staged Richard III and Romeo And Juliet for York’s first season of Shakespeare’s Rose Theatre productions in 2018.

Structured as a play within a play, this cherished 1982 farce follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On, from shambolic final rehearsals to a disastrous matinee, seen silently from backstage, before the catastrophic final performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Nick Naidu and Imogen Wood in Punch Porteous – Lost In Time at All Saints North Street

York legend of the week: Punch Porteous – Lost In Time, All Saints North Street, York, tonight, 7pm.

HAVE you heard or indeed seen the eccentric, evasive York legend Punch Porteous: soldier, philosopher, worker (when absolutely unavoidable), husbandman, connoisseur of ale and now the subject of poet Robert Powell, creative practitioner Ben Pugh and producer John Beecroft’s “multi-media drama experience”?

York Theatre Royal creative director Juliet Forster directs Powell, Nick Naidu and Imogen Wood in Powell’s story of an ordinary man with an extraordinary predicament, lost in time in York. While the city shape-shifts around him, he is catapulted unpredictably into different eras of its history from c.70 to c.2023. Box office: yorktheatreroyal.co.uk/show/punch-porteous-lost-in-time/.

The poster for Navigators Art & Performance’s Punk/Jazz explorations at The Basement, City Screen Picturehouse, York

Music, poetry and comedy bill of the week: Navigation Art & Performance present Punk Jazz: A Halloween Special, The Basement, City Screen Picturehouse, York, tonight, 7.30pm

COMPLEMENTING the ongoing Punk/Jazz: Contrasts and Connections exhibition at Micklegate & Fossgate Socials, Navigators Art & Performance bring together energetic York punk band The Bricks;  intense improvisers Teleost; the Neo Borgia Trio, formed for the occasion from a University of York big band; grunge-influenced Mike Ambler and the experimental Things Found And Made.

Taking part too will be firebrand polemical poet Rose Drew and comedians Isobel Wilson and Saeth Wheeler. Box office: https://bit.ly/nav-punkjazz.

The Gildas Quartet: Presenting the String! concerts at the NCEM

Children’s concerts of the week: MishMash presents String!, National Centre for Early Music, Walmgate, York, tomorrow, 11.30am and 2pm

THE Gildas Quartet lead tomorrow’s double celebration of the string quartet in informal 40-minute performances featuring a diverse programme from Haydn to Jessie Montgomery, Joseph Bologne, Chevalier de Saint-Georges to Dvorak, and everything in between.

Staged creatively to bring the audience into the music, these fun concerts are suitable for ages seven to 11 and their families. Box office: 01904 658338 or ncem.co.uk.

Community film event of the week: The Witches (PG), Theatre@41, Monkgate, York, tomorrow, 2.30pm

MAKE It York and The Groves Community Centre team up for a Halloween screening of Robert Zemeckis’s visually innovative 2020 film The Witches. Based on Roald Dahl’s novel, it tells the darkly humorous, heartwarming tale of an orphaned boy who goes to live with his loving Grandma in late-1967 in the rural Alabama town of Demopolis, where they have an run-in with the Grand High Witch (Anne Hathaway). Box office: tickets.41monkgate.co.uk.

Emily Portman & Rob Harbron: Delving into folk traditions to emerge with a fresh sound

Folk concert of the week: Emily Portman & Rob Harbron, National Centre for Early Music, Walmgate, York, Tuesday, 7.30pm

EMILY Portman, from The Furrow Collective, and Rob Harbron, who performs with Leveret, Fay Hield and Jon Boden, have formed an inspired collaboration to delve into English folk traditions with an intricately woven contemporary sound.

Portman (voice, banjo and piano) and fellow composer Harbron (concertina, guitar and voice) released their debut album, Time Was Away, last November, comprising eight English folk songs and two 20th century poems set to music. Box office: 01904 658338 or ncem.co.uk.

Chris Green accompanying FW Murnau’s Nosferatu

Halloween screaming/screening of the week: Nosferatu: Live Silent Cinema, Theatre@41, Monkgate, York, Tuesday, 7.30pm

CHRIS Green’s score was commissioned by English Heritage for an outdoor screening of FW Murnau’s 1922 German Expressionist vampire film at Dracula’s spiritual home of Whitby Abbey. Now the composer plays his haunting blend of electronic and acoustic instruments for the first time in York to accompany the first cinematic interpretation of Bram Stoker’s Dracula, one that gave birth to the horror movie. Box office: tickets.41monkgate.co.uk.

Please Please You’s poster for Steve Gunn’s Rise solo concert

Double bill of the week: Please Please You presents Steve Gunn & Brigid Mae Power, Rise@Bluebird Bakery, Acomb, York, Wednesday, doors 7.30pm

EXPERIMENTAL Brooklyn guitarist and songwriter Steve Gunn’s “forward-thinking” songwriting draws on the blues, folk, ecstatic free jazz and psychedelia, suffused with a raga influence. His website says he is “currently somewhere working on new music”, although York will be the first of 12 solo gigs in Britian, Spain and Poland in November.

Wednesday’s gig will be opened by Irish singer-songwriter Brigid Mae Power, whose latest folk-tinged dreampop album, Dream From The Deep Well, arrived in March. Box office: seetickets.com/event/steve-gunn/rise-bluebird/.

Meet York Stage’s young princesses in Disney’s Frozen Jr

Musical of the week: York Stage in Disney’s Frozen Jr, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

IN a story of true love and acceptance between sisters, Disney’s Frozen Jr follows the journey of Princesses Anna and Elsa, based on the 2018 Broadway and West End musical set in the magical land of Arendelle, with all the Kristen Anderson-Lopez and Robert Lopez songs from the animated film.

Producer Nik Briggs directs a cast led by Megan Pickard, Bea Charlton, Matilda Park and Esther de la Pena as the princesses. Malachi Collins plays the Duke of Weselton, Lottie Marshall, Bulda, and Oliver Lawery, King Agnarr. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

In Focus: Say Owt Slam, with special guest Polarbear, The Crescent, tonight, 7.45pm

Spoken word artist and writer Polarbear: Making an apperance at tonight’s Say Owt Slam at The Crescent, York

SAY Owt, York’s loveably gobby gang of performance  poets, take over The Crescent community venue twice a year for a raucous night of spoken word and poetry in the form of a stellar slam.

Fast, frantic and fun, a slam gives each poet three minutes to wow the audience. Regular host Henry Raby enthuses: “We love doing Say Owt on a Saturday night, because it’s a party! A poetry party!

“Although one poet will be crowned a Say Owt Slam Champion, this isn’t a bitter battle. It’s a celebration as poets bring a variety of styles and forms. In the past, we’ve had tender personal reflections, hilarious laugh-out-loud comedy poems and fiery political tirades.”

Special guest at tonight’s Say Owt Slam in York will be Polarbear. “The last time he graced our city, Polarbear (a.k.a Steven Camden) was supporting Scroobius Pip and Kae Tempest,” says Henry. “He’s an internationally acclaimed spoken word artist and award-winning writer from Birmingham, whose poetry drips with gorgeous storytelling.

“He talks about people and places with a unique ear for language: celebrating the tiny human characteristics.”

Since first stepping on stage in 2004, Polarbear has performed his work and led creative projects from Manchester to Melbourne and Kuala Lumpur to California, as well as featuring on BBC Radio1, 3 and 6Music, attracting 155,000 views on YouTube and releasing a live album on Scroobius Pip’s Speech Development record label.

A few surprises might be in store tonight too. Box office: thecrescentyork.com/events/say-owt-slam-featuring-polarbear/ or on the door.

More Things To Do in York and beyond when truth will out for tips for trips on days ahead. Hutch’s List No. 38, from The Press

Dawn French: Frank confessions of a comedian at York Barbican

FRENCH comedy, a very English murder thriller, state-of-the-nation politics and police procedures stir Charles Hutchinson into action for the week ahead.

Comedy gigs of the week: Dawn French Is A Huge Twat, York Barbican, tonight and tomorrow, 7.30pm

HER show is so named because, unfortunately, it is horribly accurate, says self-mocking comedian and actress Dawn French. “There have been far too many times I have made stupid mistakes or misunderstood something vital or jumped the gun in a spectacular display of twattery,” she explains. 

“I thought I might tell some of these buttock-clenching embarrassing stories to give the audience a peek behind the scenes of my work life.” Tickets update: Limited availability at yorkbarbican.co.uk.

Tonight, meanwhile, Sarah Millican plays a Work In Progress gig at Pocklington Arts Centre at 8pm. Sold out already alas.

A scene from Original Theatre Company’s touring production of Torben Betts’s new play, Murder In The Dark, starring Tom Chambers and Susie Blake. Picture: Pamela Raith

Thriller of the week: Original Theatre Company in Murder In The Dark, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

TOM Chambers and Susie Blake star in Torben Betts’s new ghost story chiller cum psychological thriller, set on New Year’s Eve, when a crash on a deserted road brings washed-up singer Danny Sierra and his dysfunctional family to an isolated holiday cottage in rural England.

From the moment they arrive, inexplicable events begin to occur…and then the lights go out, whereupon deeply buried secrets come to light. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Robin Simpson: Pantomime dame and storyteller, bringing Magic, Monsters and Mayhem to York tomorrow afternoon. Picture: Joel Rowbottom

Children’s show of the week: Magic, Monsters and Mayhem with Robin Simpson, Bluebird Bakery, Acomb Road, Acomb, tomorrow, 4.30pm

YORK Theatre Royal pantomime dame Robin Simpson – he will be playing Dame Trott in Jack And The Beanstalk this winter – switches to storyteller mode to journey back to magic school on Sunday afternoon.

He will be telling stories of wonderful creatures, exciting adventures and “more magic than you can wave a wand” as he places the audience in charge of an interactive show ideal for Harry Potter fans.  Suitable for Key Stage 2, but smaller siblings are welcome too, along with Potter-potty grown-ups. Box office: bluebirdbakery.co.uk.

Hannah Baker, left, Harvey Badger, Eddie Ahrens and Rachel Hammond in Mikron Theatre’s A Force To Be Reckoned With. Picture: Anthony Robling

Police spotted operating in the vicinity: Mikron Theatre in A Force To Be Reckoned With, Clements Hall, Nunthorpe Road, York, tomorrow, 4pm

IN Amanda Whittington’s new play for Marsden travelling players Mikron Theatre, fresh from police training school, WPC Iris Armstrong is ready for whatever the mean streets of a 1950s’ northern market town can throw at her.

Joining forces with fellow WPC Ruby Weston, they make an unlikely partnership, a two-woman department, called to any case involving women and children, from troublesome teens to fraudulent fortune tellers. Box office: 07974 867301 or 01904 466086, or in person from Pextons, Bishopthorpe Road, York.

Kathryn Williams and Polly Paulusma: Songwriters at the double at Pocklington Arts Centre

Songwriting bond of the week: Kathryn Williams & Polly Paulusma: The Big Sky Tour, Pocklington Arts Centre, Tuesday, 8pm

AS label buddies on One Little Independent Records, Kathryn Williams and Polly Paulusma met on a song-writing retreat. They wrote songs together and tutored courses at Arvon Foundation and as their friendship developed and strengthened, they supported each other over lockdown.

It seemed a foregone conclusion that they would tour together at some point. Finally, those Thelma and Louise dreams – hopefully without the killing or the cliff finale – come true on a month-long itinerary, playing solo sets and uniting for a few songs. Box office: pocklingtonartscentre.co.uk.

Mike Skinner: The Streets’ composer-turned-filmmaker discusses his debut film in Q&A appearances at Everyman Leeds and Everyman York

Streets ahead: Mike Skinner’s film The Darker The Shadow The Brighter The Light and Q&A, Everyman Leeds, September 21, 8pm; Everyman York, September 25, 7pm

THE Streets’ Mike Skinner presents his debut feature film, the “neo-noir” clubland thriller The Darker The Shadow The Brighter The Light, in an exclusive Q&A tour to Everyman cinemas.

Birmingham multi-instrumentalist and vocalist Skinner funded, wrote, directed, filmed, edited and scored his cinematic account of the seemingly mundane life of a DJ whose journey through London’s nightclubs turns into a tripped-out modern-day murder mystery. Each screening will be followed by a live question-and-answer session with Skinner, giving an insight into the music and story behind the film. Box office: thestreets.co.uk.

Mark Thomas: Comedian stars in Ed Edwards’s one-man play England And Son at York Theatre Royal Studio

Political drama of the week: Mark Thomas in England And Son, York Theatre Royal Studio, September 22, 7.45pm; September 23, 2pm and 7.45pm

POLITICAL comedian Mark Thomas stars in this one-man play, set when The Great Devouring comes home: the first he has performed not written by the polemicist himself but by playwright Ed Edwards.

Edinburgh Fringe award winner England And Son has emerged from characters Thomas knew in his childhood and from Edwards’s lived experience in jail. Promising deep, dark laughs and deep, dark love, Thomas undertakes a kaleidoscopic odyssey where disaster capitalism, Thatcherite politics and stolen wealth merge into the simple tale of a working-class boy who just wants his dad to smile at him. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Rowntree Park, by Jo Rodwell, one of 26 printmakers taking part in the York Printmakers Autumn Fair

Print deadline: York Printmakers Autumn Fair, York Cemetery Chapel and Harriet Room, September 23 and 24, 10am to 5pm

IN its sixth year, the York Printmakers Autumn Fair features work by 26 members, exhibiting and selling hand-printed original prints, including Russell Hughes, Rachel Holborow, Michelle Hughes, Harriette Rymer and Jo Rodwell.

On display will be a variety of printmaking techniques, such as linocut, collagraphs, woodcut, screen printing, stencilling and etching. Artists will be on hand to discuss their working methods and to show the blocks, plates and tools they use.

Sir Alan Ayckbourn: The truth will out when he takes to the SJT stage tomorrow afternoon. Picture: Tony Bartholomew

In Focus: Theatre event of the week: Alan Ayckbourn’s Truth Will Out, Stephen Joseph Theatre, Scarborough, tomorrow, 2.30pm

IN a rare stage appearance, Sir Alan Ayckbourn plays Jim in a rehearsed reading of his Covic-crocked 2020 SJT premiere Truth Will Out, joined by John Branwell, Frances Marshall and the cast of his 89th play, Constant Companions.

Truth Will Out is an up-to-the-minute satire on family, relationships, politics and the state of the nation, wherein everyone has secrets. Certainly former shop steward George, his right-wing MP daughter Janet, investigative journalist Peggy and senior civil servant Sefton do.

Enter a tech-savvy, chippy teenager with a mind of his own and time on his hands to bring their worlds tumbling down, and maybe everyone else’s along with them, in Ayckbourn’s own “virus” storyline, written before Coronavirus stopped play.

“It’s ‘the one that got away’, with most of the cast in place, and we even did a season launch,” says Sir Alan. “The play was one of my ‘What ifs’: what if a teenager invented a virus that brought the whole thing down. A ‘virus’ play, like Covid, with the virus escaping and the play ending in the dark, waiting till dawn.”

Racism, trade unionism and infidelity all play their part in Truth Will Out too. “It’s a melting pot of wrongdoings,” says Sir Alan. Tickets update: limited availability on 01723 370541 or sjt.uk.com.