Tag: Burn The Floor

Posted on

More Things To Do in York and beyond as a blaze of colour hits the streets. Here’s Hutch’s List No. 14, from The York Press

Sinead Corkery: Making her York Open Studios debut in Monkton Road, York

PERFECT weather greets the opening of studio doors as artists parade their skills while politics comes under the spotlight in Charles Hutchinson’s recommendations.

Art event of the month: York Open Studios, today and tomorrow; also April 12 and 13, 10am to 5pm

YORK Open Studios showcases 160 artists and makers at 117 locations in its largest configuration yet in its 24 years. Artists and makers, including 38 new participants, span ceramics, collage, digital art, illustration, jewellery, mixed media, painting, printmaking, photography, sculpture, textiles and wood, Full details and an interactive map can be found at yorkopenstudios.co.uk; brochures in shops, galleries, cafes and tourist hubs. Admission is free.

Rob Rouse: Headlining Laugh Out Loud Comedy Club’s bill at The Basement tonight

Comedy bill of the week: Laugh Out Loud Comedy Club, Rob Rouse, David Eagle, Ben Silver and Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm

ROB Rouse, from The Friday Night Project, Spoons, BBC3’s Comedy Shuffle, Mad Mad World, Upstart Crow and Rob And Helen’s Date Night self-help podcast, headlines tonight’s bill, hosted by Laugh Out Loud promoter Damion Larkin.

Support act David Eagle, a member of north eastern folk band The Young’uns, mines comedy from exploring how his blindness turns the most ordinary, commonplace events into surreal, convoluted dramas. Box office: 01904 612940 or lolcomedyclubs.co.uk.

Ged Graham: Leading the Seven Drunken Nights celebration of The Dubliners, on tour at the Grand Opera House, York. Picture: Prestige Productions

Irish craic of the week: Seven Drunken Nights: The Story of the Dubliners, Grand Opera House, York, Sunday, 2.30pm and 7.30pm

SEVEN Drunken Nights takes a trip down memory lane in celebration of The Dubliners’ 50-year performing career on a 2025 global tour of 300 shows across 42 weeks. The Irish Rover, The Town I Love So Well and Dirty Old Town will be joined by new additions Paddy On The Railway and The Lark In The Morning in a new production for this year’s travels.

The show’s 2017 founder, frontman and narrator, Dublin-born writer and director Ged Graham, says: “The connection we’ve built with the audience over the years is incredible; they know we’re keeping the iconic music of The Dubliners alive with the same passion that they have for it.” Box office: atgtickets.com/york.

Telling the whole story: Writer-performer Andrew Margerison in Dyad Productions’ That Knave, Raleigh

Historical play of the week: Dyad Productions in That Knave, Raleigh, Helmsley Arts Centre, Sunday, 7.30pm; Theatre@41, Monkgate, York, April 9, 7.30pm

DYAD Productions follow up I, Elizabeth with a return to the Elizabethan era in That Knave, Raleigh, writer-performer Andrew Margerison’s story of Elizabethan explorer, sailor, dandy and warrior Sir Walter Raleigh, Elizabeth I’s favourite and James I’s knave. 

The Huguenots, America, the Armada and execution: is that the whole story? “There is so much you don’t know,” says Margerison of Raleigh, father, husband, writer, poet, adventurer, philosopher, soldier, tyrant, egotist, lover, traitor, alchemist, visionary and victim.

“The final chapter of Raleigh’s life is perhaps the most daring, strange and utterly heart-breaking. See the fall from grace taken directly from historical record; marvel at the magnetism of a man who seized every opportunity.”Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; York, tickets.41monkgate.co.uk.

The Manfreds: Playing Joseph Rowntree Theatre for the first time this weekend

Sixties’ nostalgia of the week: The Manfreds, Joseph Rowntree Theatre, York, Sunday, 7.30pm

TICKETS are down to the last few for the chance to see The Manfreds in their Joseph Rowntree Theatre debut, featuring original Manfred Mann members Paul Jones and Tom McGuinness, both 83.

The set list takes in such Sixties R&B hits as 5-4-3-2-1, Pretty Flamingo, The Mighty Quinn and Do Wah Diddy Diddy, intermixed with jazz and blues covers from their solo albums. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Al Murray: Rolling out his barrel of laughs at York Barbican as the Guvnor puts you right on Sunday night

Political insights of the week: Al Murray, Guv Island, York Barbican, Sunday, 7.30pm

THE people have spoken. The Pub Landlord is back for another round of Guv Island with “New Extra Brew Material”in 2025, having pulled pints and punters at the Grand Opera House in March 2024.

Standing up so you don’t have to take it lying it down anymore, the Guvnor will “make sense of the questions you probably already had the answers to”. “Country, the UK, lost its way, seeks life partner/mentor/inspiration. Good sense of humour essential. No timewasters, tedious show-offs or offend-o-trons need apply. HR free zone,” says Murray. Box office: yorkbarbican.co.uk.

Inspired By Theatre’s principal cast for Jonathan Larson’s musical Rent at the Joseph Rowntree Theatre, York. Picture: Dan Crawfurd-Porter

Musical of the week: Inspired By Theatre in Rent, Joseph Rowntree Theatre, York, April 10 to 12, 7.30pm plus 2.30pm Saturday matinee

YORK company Inspired By Theatre – the new name for Bright Light Musical Productions – follow up Green Day’s American Idiot with another groundbreaking rock musical, Jonathan Larson’s Tony Award-winning story of love, resilience and artistic defiance. 

Set in New York City’s East Village at the height of the AIDS epidemic, Rent follows a group of young artists struggling to survive, create and hold on to hope in the face of uncertainty. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Jan Noble in his verse drama Body 115. Picture: jannoble.co.uk/body115

Odyssey of the week: Jan Noble in Body 115, Theatre@41, Monkgate, York, April 11, 7.30pm

EVER wished you were somewhere else? Ever wished you were someone else? Escaping the rain, a journey on the London Underground becomes a descent into the underworld in Body 115, 2023 winner of the London Pub Theatre Award for Best Innovative Play.

Written and performed by Jan Noble, directed by Justin Butcher, this tale of broken hearts, old flames and open roads follows Noble’s down-and-out poet-hero through the sewers and tubes of King’s Cross Station to the heart of Italy. Part invocation, part rain dance, this poetic odyssey is delivered with a contemporary kick. From the terraces at Millwall to fashionable Milan, expect shadowy encounters, dodgy connections and chance meetings with a host of poet ghosts.

“Body 115 is an epic poem, a tale of inner and outer journeys in explicit homage to Dante’s Divine Comedy,” says Noble. “From the rain-washed, subterranean underworld of King’s Cross, ‘Body 115’ – the long-unidentified victim of the 1987 fire – becomes Virgil to my Dante in a rhapsodic paean to the trammelling ecstasy of loss: a trans-European odyssey turned safari of the soul.” Box office: tickets.41monkgate.co.uk.

Dianne Buswell & Vito Coppola: Strictly Come Dancing professionals team up for Red Hot And Ready

Show announcement of the week: Burn The Floor presents Dianne Buswell & Vito Coppola in Red Hot And Ready, York Barbican, July 6, 7.30pm; Leeds Grand Theatre, July 18, 7.30pm, and July 19, 2.30pm and 7.30pm

STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2023 victor Vito Coppola, will star in the new show from the Burn The Floor stable, created by Strictly creative director Jason Gilkison.

Billed as “a dynamic new dance show with a difference”, Red Hot And Ready brings together Buswell, Coppola and a cast of multi-disciplined Burn The Floor dancers from around the world, accompanied by vocalists and a band. Expect “jaw-dropping choreography, heart-pounding music and breathtaking moves, from seriously sexy to irresistibly charming”. Box office: York, yorkbarbican.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

John Simpson: BBC News world affairs editor puts leaders and lunatics in the dock at the Grand Opera House, York, on Monday

In Focus: More political insights of the week: John Simpson: The Leaders & Lunatics Tour, Grand Opera House, York, April 7, 7.30pm

IN his bold, unflinching look at leadership, veteran BBC journalist and broadcaster John Simpson CBE ponders why some inspire while others descend into tyranny. “And…are all tyrants ‘lunatics’,” he asks.

After six decades of unparalleled access to world leaders – and lunatics – Simpson explores the personalities that have shaped history. From notorious figures such as Assad, Saddam, Mugabe and Gaddafi to admired leaders Gorbachev, Mandela, Havel and Zelensky, he reveals their common threads, unique quirks and lasting impact.

Drawing on his first-hand encounters and personal dealings, Simpson will unravel the enigmatic personas of Putin, Xi Jinping, bin-Laden and Thatcher, while pondering what links Mandela and Princess Diana or Zelensky and Mugabe.

In an increasingly volatile world, BBC News world affairs editor Simpson will navigate the intricate web of international relations, delving into the complexities of the most pressing global challenges of our time – conflicts, war, famine, economic crises and climate change – to reveal how the actions and decisions of leaders, from despots to visionaries, have shaped these crises and continue to influence our world today.

Simpson, now 80, has spent all his working life with the BBC, reporting from more than 120 countries, including 30 war zones, and interviewing myriad world leaders on his foreign correspondent beat.

As a household name who has covered almost every major event in the world from the 1960s to present day in his fearless journalism, he will turn from interviewer to interviewee to take questions from the audience in the second-half Q&A.

What on earth is going on, John? Hear his answers at this talk “truly for our troubled times”, when Simpson promises to entertain, enlighten, and inspire as he provides “insights into past and present events, with no doubt some focus on Trump and the shifting global order”. Box office: atgtickets.com/york.

.

world affairs editor of BBC News. He has spent all his working life with the BBC, and has reported from more than 120 countries, including thirty war zones, and interviewed many world leaders.

In an increasingly volatile world, John will also examine the most pressing challenges of our time – war, famine, economic crises, and climate change – to reveal how the actions and decisions of leaders, from despots to visionaries, have shaped these crises and continue to influence our world today.

In the second half, the floor is yours. Ask your questions as John offers sharp insights into past and present events, with no doubt some focus on Trump and the shifting global order.


John Simpson: Leaders and Lunatics Tour

After a sell-out tour in 2024, legendary journalist and broadcaster John Simpson CBE is returning to the stage for an exclusive evening packed with unparalleled insights from one of the most distinguished foreign correspondents of our time.

With decades of first-hand encounters and personal dealings, John will explore the enigmatic personas of global figures such as Putin, Xi Jinping, bin-Laden and Thatcher.

John will navigate the intricate web of international relations, delving into the complexities of our global issues – from conflicts, war and famines, to world economies and climate change.

What links Mandela and Princess Diana? Or Zelenskiy and Mugabe? John will reveal the common threads linking these figures, and offer a unique perspective on the impact they’ve had on world affairs.

As a household name who has covered almost every major event in the world from the 1960’s to present day, you will have an opportunity to ask John your questions – what were these leaders and lunatics really like, and what on earth is going on? Don’t miss John for an evening that promises to entertain, enlighten, and inspire with his fearless journalism and captivating storytelling.

What on earth is going on? An event truly for our troubled times – don’t miss this enlightening and compelling evening.

Posted on

Dianne & Vito to star in Burn The Floor’s new show Red Hot And Ready at York Barbican and Leeds Grand Theatre in July

The poster for Dianne Buswell & Vito Coppola’s Red Hot And Ready, presented by Burn The Floor at York Barbican and Leeds Grand Theatre in July

STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2024 runner-up Vito Coppola, will head to York Barbican on July 6 on their Red Hot And Ready tour.

Created by Jason Gilkison, the new show will dance its way round the UK in June and July, visiting 30 venues including Leeds Grand Theatre on July 18 and 19.


The tour will be presented by Burn The Floor in the international company’s return to the UK as part of its 25th anniversary celebrations. 


Billed as “a dynamic new dance show with a difference”, Red Hot And Ready brings together Buswell, Coppola and a cast of multi-disciplined Burn The Floor dancers from around the world, accompanied by vocalists and a band.


Red Hot And Ready will be “the ultimate high-voltage dance extravaganza, exploding with jaw-dropping choreography, heart-pounding music and breathtaking moves, from seriously sexy to irresistibly charming, and celebrating the pure joy of dance”. 

Buswell has been a two-time finalist during her seven Strictly years, winning the 2024 Glitter Ball trophy with comedian Chris McCausland and is noted for her fun, quirky personality, dynamic dance style and flaming red locks.

Coppola, the 2023 winner with actress Ellie Leach and 2024 runner-up with actress Sarah Hadland, has become a favourite with audiences in his two Strictly years, marked by both his terpsichorean flair and cheeky humour. 

Buswell says: “I am truly excited to be going on tour with our magnificent new show with the most phenomenal partner, Vito, and to sharing the love and the energy as we dance for you.” 

Coppola says: “I can’t wait to be on tour with the amazing, beautiful, vibrant Dianne Buswell. It’s going to be Red, it’s going to be Hot, and we are going to be super Ready to bring to you so much joy and smiles and happiness.” 

Show creator and choreographer Jason Gilkison says: “I am feeling blessed to be coming home to Burn The Floor and creating a new show for the first time in ten years. To have Dianne and Vito leading this dynamic cast really guarantees an unforgettable experience for our audience.”

Burn The Floor is credited widely with kick-starting the modern ballroom dance revolution following its 1999 world premiere in Bournemouth. The explosive show was ahead of its time in combining the art and tradition of ballroom with rock’n’roll technology. 


Heading into its in 26th year, Burn The Floor has revolutionised ballroom style on stages around the world with its mesmerising choreography, ground-breaking moves, dazzling costumes and sets and infectious, rebellious energy.

 
Italian-born Coppola began dancing at seven and is a three-time World Championship finalist and a European Cup winner. Buswell, former Australian Open champion and four-time Amateur Australian Open finalist,  joined Burn The Floor in 2007.


Choreographer and BAFTA award recipient Gilkison’s involvement with Burn The Floor began as lead dancer in 1999. He took up the role of choreographer and artistic director in 2001, leading the show on several world tours and visiting more than 40 countries, including a box office-smashing season on Broadway in 2009/2010, followed by a West End season in London.

He became creative director for Strictly Come Dancing (BBC One) and is a judge and choreographer on So You Think You Can Dance in Australia and the USA.

Over the years, Gilkison has choreographed for Cher, Celine Dion, Robbie Williams, Andrea Bocelli, Kylie Minogue, Take That, Lady Gaga & Tony Bennett and many more.

Dianne Buswell & Vito Coppola in Red Hot And Ready, York Barbican, July 6, 7.30pm; Leeds Grand Theatre, July 18, 7.30pm, and July 19, 2.30pm and 7.30pm. Box office: York, yorkbarbican.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

Posted on

REVIEW: Kevin Clifton’s ‘dream role’ in Baz Luhrmann’s Strictly Ballroom The Musical, at Grand Opera House, York ****

Kevin Clifton’s Scott Hastings and Faye Brookes’s Fran in Baz Luhrmann’s Strictly Ballroom The Musical

Baz Luhrmann’s Strictly Ballroom The Musical plays Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm, Wednesday and Saturday. Box office: atgtickets.com/york. Also Leeds Grand Theatre, July 3 to 8, 7.30pm and 2.30pm Wednesday and Saturday matinees. Box office: 0113 243 0808 or leedsheritagetheatres.com.

NOT to be confused with the glitterball dazzle of the BBC’s Strictly Come Dancing, the 2023 tour of Baz Luhrmann’s Strictly Ballroom nevertheless has Strictly royalty at its core, like writing running through a stick of rock.

Australian-born judge Craig Revel Horwood both directs Luhrmann and Craig Pearce’s musical and reactivates his Aussie roots for the voiceover introduction, delivered with camp exaggeration and frank humour.

2018 Strictly champ Kevin Clifton is “thrilled to finally be fulfilling a lifelong ambition to play Scott Hastings”, donning the golden matador-dandy jacket for the ten-month tour.

“When I was ten years old, I first watched the movie that would become my favourite film of all time. This is my dream role,” he enthused – and boy, does it show in his every move, back leading the cast after missing a couple of shows with a foot injury.

We knew he could dance, not only from his seven seasons in Strictly, but when blazing a trail across the Grand Opera House stage in Burn The Floor. Should you have seen him in Dirty Dancing The Musical in London, or on tour as Cosmo Brown in Singin’ In The Rain, Stacee Jaxx in Rock Of Ages or The Artillery Man in The War Of The Worlds, you will know he can sing too.

Now comes a corking Aussie accent as Kevin from Grimsby becomes Scott Hastings, the ballroom wild card from a dance family (like Clifton himself), who falls foul of the Australian Federation with his radical, rebellious moves.

The Open champion-in-waiting instead finds himself dancing with Fran (Faye Brookes, so pink and perky and perfect in her previous York visit in Legally Blonde The Musical). At the outset, Fran is handier with the cleaning regime than as a Bambi novice on the dancefloor, but she is plucky beneath the reserved, bespectacled surface, and step by step, the unlikely pair inspire each other to defy both family expectation and ballroom convention, casting specs and fear alike aside.

Set in 1990, Luhrmann’s funny yet furious, glitzy but gritty, sometimes silly and often highly camp work is a gorgeous romantic comedy, Cinderella tale and rebel with a cause story rolled into a dance drama of the kind beloved by  Bollywood. In Revel Horwood’s hands it revels in that campery, being fruitier than Drew McOnie’s 2016 British premiere at the West Yorkshire Playhouse, putting you as much in mind of The Rocky Horror Show or Rock Of Ages.

Clifton’s Scott is on the edge, his dancing so electric, to the point where if you touched him you would receive a shock, such is his frustration with the strictures of his obsessive mother Shirley (Nikki Belsher).

A grotesque diva of a ballroom teacher with a shark’s smile, her ruthlessness has shrunk husband Doug (a rather too young-looking James McHugh on press night, understudying Mark Sangster) to taciturn timidity.

Amid the battle of Hastings, rule-breaker Scott is also determined to defy the bent judging of Barry Fife (Benjamin Harrold, understudying Gary Davis as more of a reprobate young spiv than a seedy old stickler).

Scott must follow his heart, answer to his true calling and find true love. Out of the shadows steps Coronation Street star and Dancing On Ice runner-up Brookes’s Fran in a typically terrific demonstration of her triple threat skills as singer, dancer and actor. Her duet of Beautiful Surprise with Clifton is a second-half high point.

Shirley and Barry are not their only barriers, so too are Danielle Cato’s aptly named dancer Tina Sparkle and, at first, Fran’s protective Hispanic dad, Rico (Stylianos Thomadakis, the best of the first-night understudies, again for an older-looking Jose Agudo).

From disdain to guiding light, he shows Scott how the paso doble should be danced, leading into a wonderful, pedal-to-the-floor ensemble finale to the first half. This turns into the show’s best routine, shot through with machismo but leavened by humour and ultimately glee, under the spell of Revel Horwood and Jason Gilkison’s witty, swish, elegant, sleek and fun choreography.

As with fellow very Australian musical movie The Adventures Of Priscilla, Queen Of The Desert, Strictly Ballroom is rampantly ripe to bear full fruit on the musical theatre stage.

It does so by bolstering the film’s hit songs, such as Time After Time, a swoon of an Hispanic take on Perhaps Perhaps Perhaps by Karen Mann’s Abuela, and the climactic Love Is In The Air, with new musical numbers by David Foster, Sia Furler, Mozzela Neff-U, Linda Thompson and Luhrmann himself.

Mark Walters, best remembered in York for his set on the tracks for Berwick Kaler’s Dick Whittington (And His Meerkat) at the National Railway Museum in 2015, excels here too, both in set design and costumes.

Beautifully lit by fellow York Theatre Royal alumnus Richard G Jones, the domed set evokes the glamour of the ballroom dancefloor, while the clever insertion of boards that pull out enables swift changes of scene to bars, homes and a dance studio.

Barry Fife’s boudoir cameos are an amusing pop-up too and a screen backdrop is put to good use in depicting Australian skies, townscapes and landscapes.

In a week shadowed by the death of Australia’s greatest comic export, Barry Humphries, whose The Man Behind The Mask tour opened at this very theatre last April, Luhrmann and Revel Horwood combine to put an Aussie smile on the face once more with razzle dazzle aplenty, aided by Clifton and Brookes, as lovable as Fred and Ginger.

Posted on

Strictly dance star Johannes Radebe finds Freedom at last in debut solo tour show

FREEDOM. What better title could South African dancer and ground-breaking Strictly Come Dancing star Johannes Radebe give his debut British tour.

“It is the freedom to dance to my own tune for the first time,” says 34-year-old Johannes, ahead of his itinerary opening with a Yorkshire show at Bridlington Spa on Wednesday (16/3/2022) before playing the Grand Opera House, York, on April 12.

“I’ve danced in many productions around the world but I’ve never been able to capture on stage where I came from, and I never thought I’d be able to go on my own tour, so it’s a very welcome surprise.”

Radebe (pronounced Ra-dee-bay) was catapulted to new heights of popularity by bonding so exhilaratingly with 2012’s The Great British Bake Off winner and TV chef John Waite as the first all-male couple in 2021’s series of Strictly, pipped for the Glitterball by first deaf contestant Rose Ayling-Ellis and professional partner Giovanni Pernice.

“It was liberating and healing as well,” says Johannes. “I’ve got a better relationship with my mum now, as we can talk about my sexual orientation – and people’s lives have changed for the better too.

“In a world where two men still can’t be free to be  together, I hope to be able to educate the masses, and if people had a glimpse of that with me and John dancing together, then they can think about it.”

Such was the appeal and dancing brio of both partnerships, each marking a first for Strictly, that many would have loved them to have been declared first equal. “I’m with you!” says Johannes, bursting into laughter. “John kept saying, ‘it’s fine if we don’t win’, and yes, it is s fine! At the finale, we both stood there as couples thinking ‘it’s fine’. That’s the friendship that comes through the show.”

After touring the world in Burn The Floor, Joahannes was head-hunted to join the Strictly professionals for the 2018 series, first moving to Britain that year. In his second season, when partnering Catherine Tyldesley in 2019, he danced the first same-sex routine with fellow Strictly pro Graziano Di Prima.

The tour poster for Johannes Radebe’s Freedom show

Last year was to be even more significant. “My decision to finally dance with another man in the competition came about after I lost a friend of mine within our community. He was murdered, and the last words that were uttered to him by his killer was that he was a ‘faggot’,” says Johannes.

He paused, consumed again by the pain of what his friend had suffered, then said: “I get a moment to highlight it in the show. This is something that needs to be done, to give it that platform, and it’s important to keep being flamboyant – but that does require bravery.”

Freedom marks Johannes’s return to the Grand Opera House for the first time since sharing the York stage with Strictly alumni Kevin Clifton and Graziano Di Prima in Burn The Floor in July 2019.

On tour from March 16 to May 1, Johannes Radebe: Freedom is billed as “a celebration of music and dance, from African fusion to fiery Latin, from classic dance arrangements to huge party anthems”, as Radebe and his dancers take the audience on his personal journey, from starting to dance at seven to leaving South Africa at 21 to travel the world, winning international titles and electrifying Strictly Come Dancing.

Now he will be expressing himself to the full in Freedom. “I’ve been on a quest to find Black dancers in this country that are versed in all dance styles, but not many of them are ballroom dancers, whereas where I come from everyone can do the Cha-cha-cha,” says Johannes.

“I’ve chosen everyone through auditions. I had to be in the room to feel their energy, to see if they move me as a dancer, so I’ve found beautiful, individual dancers, which will make it feel a different show.

“It’s a show designed to be representing everyone, and it will be so beautiful to have audiences that support our artform – and I know we have that privilege because of the Strictly audience.”

Johannes has a theory as to why dance and TV audiences feel such a strong connection with him. “It’s because I have no inhibitions. I know that I come alive when I dance. Something takes over. It’s a feeling as an artist that I can’t explain but people connect with it,” he says.

In a nutshell, Freedom. “Absolutely! Nothing is going to stop me. It’s about the joy that my dancing has brought to my mother. Nothing was more important to me than to see my mum be happy when often she would be sad,” says Johannes.

“I was only a child and so I didn’t understand the magnitude of it when she carried me on her back, telling everyone I’d got a prize in a dance competition. She was so proud, even though it wasn’t first place. But that’s the thing. That talent was nurtured from a young age, and though my mum couldn’t support it financially, everyone else contributed.”

Johannes Radebe’s pathway to Freedom was set in perpetual motion, and hopefully another Strictly series awaits too. “We haven’t had the phone-calls yet, but I’ll gladly do it for as long as they will have me,” he says.

Might he look to do another all-male coupling? “Well, you never now. I’m just glad to have kicked down that door.”

Johannes Radebe: Freedom, Bridlington Spa, Wednesday, 7.30pm; Grand Opera House, York, April 12, 7.30pm. Box office: Bridlington, 01262 678258 or bridspa.com; York, 0844 871 7615 or atgtickets.com/York. Further Yorkshire performances: Sheffield City Hall, April 3, sheffieldcityhall.co.uk; Bradford St George’s Hall, April 9, bradford-theatres.co.uk; Hull City Hall, April 23, 01482 300306 or hulltheatres.co.uk.

Copyright of The Press, York

Posted on

Kevin Clifton to turn up the heat again in Burn The Floor at Grand Opera House

Kevin Clifton in Burn The Floor, returning to the Grand Opera House next January

STRICTLY champ Kevin Clifton will return to the Grand Opera House, York, in the hot hit ballroom dance show Burn The Floor on January 21 2022.

“Kevin from Grimsby”, who left BBC1’s Strictly Come Dancing professional roster after seven seasons at the end of 2019, last scorched the Opera House boards in May 2019.

After announcing his Strictly exit to make a full-time move into the world of musical theatre, he was set to play there too on the 2020/2021 UK and Ireland tour of Baz Luhrmann’s Strictly Ballroom The Musical, directed by Strictly judge Craig Revel Horwood, but the Covid pandemic put paid to the York run from November 23 to 28.

Clifton should have been on tour from September 26 2020 to June 26 2021 in his “dream role” of Scott Hastings, having been inspired by watching Luhrmann’s 1992 Australian film at the age of ten.

Dream role: Kevin Clifton should have played Scott Hastings in Strictly Ballroom The Musical but the pandemic put a stop to the 2020-2021 tour

He is thrilled to be rejoining his “dance family” once again for next January and February’s tour of Burn The Floor, a show with a “mix of eclectic live music, jaw-dropping choreography and ground-breaking moves, performed by an international ballroom dance company with an abundance of infectious, rebellious energy and passion”.

Clifton, 38, enthuses: “Burn The Floor is the show that ignited a spark in me and changed me forever as a performer. Through Broadway, West End and touring all over the world, this show has ripped apart the rule book, revolutionised our genre and inspired and shaped me as the dancer I am today.”

Billed as a “fiery, energetic and revolutionary ballroom production”, Burn The Floor has been packing a punch for more than two decades with its combination of Tango, Waltz and Rhumba routines.

In the heat of the moment: Kevin Clifton with the Burn The Floor company of international ballroom dancers

The 2022 tour has been rescheduled from spring last year, when it was only a week away from opening until Lockdown 1 cast theatres into darkness.

Clifton joined Strictly Come Dancing in 2013, performing in the final five times, missing out only in 2017 and 2019, and was crowned Strictly champion in 2018 with celebrity partner Stacey Dooley, the BBC documentary filmmaker, presenter and journalist.

A former youth world number one and four-time British Latin Champion, Clifton has won international open titles all over the world. After making his West End musical theatre debut in 2010 in Dirty Dancing, he starred as Robbie Hart in The Wedding Singer at Wembley Troubadour Park Theatre and as rock demigod Stacie Jaxx in the satirical Eighties’ poodle-rock musical Rock Of Ages in the West End, a role that also brought him to Leeds Grand Theatre in August 2019.

Tickets for Burn The Floor are on sale on 0844 871 3024 or at atgtickets.com/york.

Proudly powered by WordPress