Twirlywoos Live!: Expect mischief, music and surprises aplenty at York Theatre Royal
TOODLOO, Great BigHoo, Chick and Peekaboo set sail for York next week on board the Big Red Boat for their Theatre Royal theatrical adventure Twirlywoos Live!.
These CBeebies TV favourites will be brought to life with inventive puppetry on stage from June 11 to 13 when mischief, music and plenty of surprises are in store for “little ones”.
For the uninitiated, the Twirlywoos are “four small, bird-like characters who are inquisitive, enthusiastic and always looking to learn something new about the world. Ever curious, they seek adventure and fun wherever they go. Whether in the real world or on their big red boat, they love to hide, imitate and be surprised as they discover fresh things”.
Twirlywoos was first broadcast on CBeebies in 2015 and celebrated its 100th episode in 2017. The series was co-created by Teletubbies devisor Anne Wood, and Steve Roberts, Wood’s co-creator of the BAFTA-winning CBeebies series Dipdap.
Inquisitive, enthusiastic and always looking to learn something new: the world of the Twirlywoos
Twirlywoos Live! is brought to the stage by MEI Theatrical, the producers behind CBeebies favourite Sarah And Duck Live On Stage and the smash hit The Very Hungry Caterpillar Show.
Written by by Zoe Bourn, whose stage-transfer credits include Thomas And Friends and Fireman Sam Live!, Twirlywoos Live! is recommended for ages 1+. Babes in arms are welcome.
Performances will be at 1.30pm and 4pm on June 11, then 10am and 2pm, June 12 and 13, with a running time of 55 minutes and no interval. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
York artist Marc Godfrey-Murphy: Launching MarcoLooks Print Swap for artists on Friday
YORK illustrator, printmaker and erstwhile CBeebies animator Marc Godfrey-Murphy, alias MarcoLooks, is launching a Print Swap from Friday to bring together artists across Yorkshire and beyond.
Marc is inviting peers and fellow illustrators and artists who sell their work online – “even if it’s just an Etsy shop with two or three listings,” he says – to take part in the MarcoLooks Print Swap to share and support each other’s work.
Applications to join the Print Swap will be open from April to June. Artists involved should send Marc a batch of their prints, then in return, they will receive a selection of new prints from the other artists taking part.
To celebrate, at the end of summer, when the swap finishes, the Courthouse at Rural Arts, North Yorkshire’s only professionally run cross-discipline arts centre, in Thirsk, will be home to an exhibition of all the prints in the Print Swap.
Marc has been selling his prints, cards and stationery items in York since 2018. Now, sensing there sometimes can be a turf war among artists who might create similar work, he felt inspired to set up the print swap to encourage and strengthen the sense of community over competition.
“The lack of events over the past year has driven me to create something community focused for indie artists to get involved with,” he says. “It’s also my 40th birthday this week, so what better way to celebrate than all coming together to share our work with each other, and what better way to finish the swap than by showing all the prints that have taken part at the beautiful Rural Arts in Thirsk?
“I’ll be co-ordinating the print swap, so everyone taking part receives a portfolio of prints from the other artists taking part. They can hang them in their studio and hopefully be inspired by them and connect with the other artists whose work they might be unfamiliar with.”
The Print Swap is launching on April 16. Any artist can take part in the print swap, providing they sell their work either on their own website, at events, or through a platform such as Etsy or Folksy. For more information, visit Marc’s website at marcolooks.com and click on “Print Swap” from the top menu.
Here CharlesHutchPress learns more from MarcoLooks about his Print Swap.
How widely will you be spreading the reach of Print Swap?
“The MarcoLooks Print Swap is really aimed at indie artists based in the UK. That being said, I belong to a couple of international art groups, and I know that some of my artist friends from across the world would be keen to get involved.
“Leaving them out feels against the spirit of the connection and collaboration I’m trying to create. So, it will be open for anyone wishing to get involved regardless of location. I’m hoping, though, that I’ll be seeing a lot of my York-based artist friends getting involved to help represent one of the best cities in the world!”
What made you choose this model for the Print Swap: straight swaps, as with football stickers, rather than any financial exchange?
“I often swap my work with other artists. It creates a heavier sense of value on the work somehow, like it’s become more of a gift exchange, than anything to do with money. It feels more special.
“Having taken part in similar exchanges before, it’s really exciting when you look through the prints you’ve been sent and the thrill of falling in love with an artist’s work who you’ve never heard of before. It’s like a Secret Santa for art prints.
“There will be a small admin fee to take part, which largely covers return postage costs. In the past, I’ve taken part in exchanges which have charged up to £20 to get involved, but I wanted to make it as accessible as possible.
“Being a small business, I know that every expense counts so I didn’t want to create any financial barriers to stop other artists – with their own indie businesses – from getting involved too.”
Marc Godfrey-Murphy at a York Printmakers show
On which date is your birthday?
“I’ll be turning 40 on Thursday 15th. Eeek! I really wanted to do something special to mark the occasion, so this is it! Age is just a mindset though, right?”
What exhibitions do you have coming up this year?
“Right now, my focus is on getting back to art markets and making a success of the MarcoLooks Print Swap. I always update my Instagram with any shows that I’ll be taking part in, so be sure to follow me over there (@marcolooks) for all the latest updates from me.”
Will you be taking part in York Open Studios again in July?
“Sadly, I didn’t get accepted into Open Studios this year. The pieces I submitted ‘for the judging panel’ were from an ongoing set of monotone, abstract line illustrations based around the themes of body image and eating disorders among men in the LGBTQ+ community.
“They told me the idea didn’t feel developed enough. That feedback stung a bit, to be honest, especially considering the issue is seldom brought to the table, but hey.
“So here I am now, creating more art-based opportunities, for more artists, with no auditions. Everyone can get involved, the only prerequisite is that you are a professional artist, which, for these purposes I’m defining as you sell your work, either in an Etsy shop, somewhere else online, or at live markets.”
What MarcoLooks works will you be looking to swap?
“Ah ha! I haven’t created it yet. I know what it’s going to be, though. The Print Swap is open until the end of June, so there’s plenty of time to get creative. Each artist will send me six copies of the same print. Five will be distributed to the other artists, with the sixth featuring in the show at the end of summer/in the autumn.”
Will works be for sale at the Thirsk exhibition?
“Yes. I’m keen to support our community of artists wherever I can, so all artists taking part will have the opportunity to sell their print. They will have their details available for anyone looking to buy more work by an artist who caught their eye. It’s going to be great!
“The exact exhibition dates are yet to be announced.”
The logo for MarcoLooks Print Swap
This is how MarcoLooks Print Swap will work:
WHAT: The Print Swap is open to all artists within the UK. The only caveat is you must be selling your work somewhere online, either Etsy, Folksy, your own website or at markets.
ACCEPTED MEDIA: Art print. Any paper is fine. There is no theme. Your name and social media handle should be on the back of each print, so your recipient will know where to find you.
PAPER: A5 (210 by 148 mm). Printed image size is up to you. You must provide six prints. If you want to submit part of a limited edition, that is completely up to you.
THE SWAP: A portfolio of five randomly selected prints will be mailed to each participant at the end of Summer 2021 (exact dates TBC). MarcoLooks will keep one print from each participant submitted to the exchange for exhibition and promotional purposes. Participants will be notified when all print swaps have been shipped.
DEADLINE: Prints and all participation fees must be received by Wednesday, June 30 2021.
EXHIBITIONS: All submitted prints will be exhibited, in the autumn, in the Courthouse at Rural Arts, in Thirsk. Additional venues and exhibitions may be added along the way…watch this space!
REPRODUCTION: All participating prints will be put in a web gallery and may be reproduced digitally to promote additional exhibitions or future exchanges. Proper credit will be given to the artist on reproduction; no monetary value will be associated with reproduction.
IMPORTANT: All prints must conform to the guidelines. Any prints that do not fit the guidelines will be returned to the artist. *£6 GBP participation fee is not refundable.
SHIPPING: Your complete edition of six prints should be posted in a hard-backed envelope. Prints should be mailed to MarcoLooks, Blake House, 18 Blake Street, York, Yo1 8QG, along with your order number and legible entry form. Prints will not be accepted without £6 payment. Payment is due no later than June 30.
SOCIAL MEDIA: As prints arrive, Marc will be uploading images to the MarcoLooks Instagram, showcasing the variety of work and artists joining the exchange. Follow the exchange on social media: Instagram @Marcolooks. Social media savvy? Hashtag your works in progress or completed works using the hashtag #MLPrintSwap.
From Mr Tumble to…Peter the Clown in Romeo And Juliet: Justin Fletcher does Shakespeare for CBeebies. Picture: CBeebies Presents: Romeo And Juliet
JULIET Forster has cut it as a director of Romeo And Juliet many times. Now she has sliced Shakespeare’s “two the two hours’ traffic of our stage” to 45 minutes, maybe 50, for CBeebies’ show tomorrow morning.
“I did joke about that at rehearsals because my previous production, at Blenheim Palace, ran to three hours and 15 minutes,” says Juliet, York Theatre Royal’s creative director.
She had been lined up for the children’s television production as long ago as December 2019. “Anna Perowne, who has produced the performance, had newly taken over BBC Shakespeare, having worked previously for the Royal Shakespeare Company,” says Juliet.
“It was partly that thing of a new producer looking at it in a new way, wanting to work with a director who would allow more input from the actors.
Evie Pickerill as Juliet in CBeebies’ Romeo And Juliet, Picture: CBeebies Presents: Romeo And Juliet
“She’d found the Shakespeare’s Rose Theatre production of Romeo And Juliet I’d just done at Blenheim that summer, and when we met, we got on immediately. Then, put that together with the fact I’ve done a lot of children’s theatre and plenty of Shakespeare.”
The list runs deep for Romeo And Juliet alone. “In 2005, I did a Family Day at the RSC with children and parents taking part in a Shakespeare workshop,” says Juliet. “I’ve done an interactive version of Romeo And Juliet with some very young children and a youth theatre version at York Theatre Royal.
“I’ve adapted it for five to seven year olds in a way for them to tell the story; I adapted it for a Pilot Theatre production and I’ve directed it with a teenage cast in a play-in-a-week school project I ran with my old company years and years ago in the Midlands.”
Who better, then, to direct yet another variation on Shakespeare’s tragic story of young love and feuding families than Juliet? “We were supposed to record it last May, but the pandemic delayed it until we could kick off working on it again in December,” she says.
Zach Wyatt as Romeo in CBeebies’ Romeo And Juliet. Picture: CBeebies Presents: Romeo And Juliet
CBeebies’ Romeo And Juliet combines Shakespeare’s characters with the additional roles of William Shakespeare himself and a librarian. “What the producer wanted was a good cohort of recognised CBeebies faces and actors, so I watched the other two CBeebies’ Shakespeare shows, A Midsummer Night’s Dream and The Tempest, to see how they were done,” says Juliet.
“We talked about ‘why do a complicated play for such little ones?’, but then we talked about the positive messages in there: the families putting an end to their feud and the importance of not giving in to bad things too easily, instead looking to live in peace and to put a stop to the fighting.
“That made it a show very much for the CBeebies audience, in this case for two to seven year olds…though lots of older children watch it too; they just don’t admit it!”
Juliet worked with Nathan Cockerill on the script, calling on her past experiences of adapting the text. “I looked back at what I’d left in and taken out for the five to seven-year-olds’ script I wrote and fleshed it out from there, also looking at my Pilot Theatre script to see how I’d edited it down for that show,” she says.
Juliet Forster: York Theatre Royal creative director and director of CBeebies Presents: Romeo And Juliet
“Nathan was someone who’d worked with CBeebies before, and we worked on a script knowing that Shakespeare and a companion or companions always feature in a CBeebies Shakespeare show. This time Shakespeare is much more involved.”
Juliet has directed a cast of 15, featuring such CBeebies names as Andy Day, Chris Jarvis, Jennie Dale, Gemma Hunt, Rebecca Keatley and Justin Fletcher, of Mr Tumble fame, as Peter the Clown. Zach Wyatt, from Shakespeare’s Globe, will play Romeo; Evie Pickerill, Juliet.
“We rehearsed it and filmed it at Leeds Playhouse, all done and dusted two weeks ago, with just one day of filming with three runs of the show, making it like a piece of live theatre, though we couldn’t have an audience, of course,” says Juliet.
Joining Forster in the production team were designer Rhys Jarman, renewing their creative partnership from A View From The Bridge and The Machine Stops at York Theatre Royal, choreographer Hayley Del Harrison, lighting designer Will Evans and costume designer Mary Lamb.
The Librarian and William Shakespeare in CBeebies’ Romeo And Juliet. Picture: CBeebies Presents: Romeo And Juliet
“We then rehearsed from March 9, five days, then four days of tech and rehearsals, then filming,” says Juliet. “It was absolutely joyful because we were always keeping the young television audience in mind, how to carry them through such a tricky story.
“To have those experienced CBeebies performers and Shakespeare actors was invaluable. They set the tone. That was part of what was interesting for me as I’ve never made anything specifically for the telly before, but at the same time thinking about making something for a live audience, though that wasn’t the case!
“What we had to do was to get the best ‘blocking’ [the cast’s positions on stage], trying to make it as right as possible for the camera, but still making it very theatrical as Shakespeare is theatre.”
CBeebies Presents: Romeo And Juliet will be shown on CBeebies tomorrow (2/4/2021) at 9.30am and soon after on BBC iPlayer.
Copyright of The Press, York
Jennie Dale as the Nurse in CBeebies’ Romeo And Juliet. Picture: CBeebies Presents: Romeo And Juliet
One hat, one coat, one monologue: Chris Hannon rehearsing Samuel Beckett’s First Love for the Park Bench Theatre season at Rowntree Park, York. Pictures: Northedge Photography
CHRIS Hannon’s diary for 2020 had all the makings of being a dream year for the Lunch Monkeys and Topsy And Tim actor.
It promised a TV series, a summer of open-air theatre and a winter of writing the Theatre Royal, Wakefield pantomime and playing the dame there, as he has done for the past decade.
Then the world stopped, sent into lockdown by the Coronavirus pandemic. The TV job never happened, Chris’s pencil had to cross out the summer of theatre work, and the fate of the Wakefield panto, like so many across the country, hangs in the balance.
From today, however, Chris can be found sitting on a bench every evening in the Friends Garden at Rowntree Park in York and, glory be, he will be working – performing Samuel Beckett’s monologue First Love to a socially distanced audience as part of the Park Bench Theatre triple bill that runs until September 5.
First Love director Matt Aston working in rehearsal with actor Chris Hannon
Written in 1946 and published in French in 1970 and in English in 1973, the rarely performed First Love is a 45-minute short story of a man, a woman, a recollection, told with Irish playwright Beckett’s trademark balancing act of comedy and tragedy
The first time Chris encountered Beckett’s work was through a production of his more famous 1958 monologue Krapp’s Last Tape and he has also taken part too in a rehearsed reading of Beckett’s magnus opus, Waiting For Godot.
First Love, he suggests, feels like a young man’s version of Krapp’s Last Tape, whose elderly character is described as “slightly clownish with red nose and white cheeks”. “That’s a big part of the way Beckett writes characters: people looking back on their lives and realising that the life they lived had a comical absurdity, where they end up as sad clowns. It’s quite accessible for audiences,” says Chris.
He finds the prospect of holding the attention of an audience on his own both “exciting and absolutely terrifying”. “It’s just you on your own for an hour, which is quite daunting. On a technical level, there’s a lot of words to learn. I’ve never done a one-man show and am excited to do it.
“It’s a universal, relatable story,” says Chris Hannon of Beckett’s First Love. “The story of a young man coming of age”
“I found the text intimidating at first but as I started to pick it apart, I quickly realised that it’s a universal, relatable story. The story of a young man coming of age.”
Chris is delighted to be acting again after an enforced six-month absence and believes audiences share that feeling. “People are ready to see something live and have a shared experience,” he says.
First Love will be one of the three solo shows presented by Engine House Theatre, whose artistic director Matt Aston responded to his daily exercise around Rowntree Park by putting together the outdoor season, once the easing of Covid-19 restrictions enabled live performances in the open air.
Chris had first worked with First Love director Matt in his debut year in the Wakefield pantomime. Matt was directing, a task undertaken in recent years by Chris’s wife, Rhiannon, the head of learning and participation at the West Yorkshire theatre.
Going bananas: Chris Hannon in discussion with director Matt Aston in rehearsal for First Love
Chris had always wanted to play panto dame but imagined he was too young. “I thought you had to be a theatrical veteran to do it. I just loved it when I did it,” he says.
Now 39, the Runcorn actor does not recall seeing many pantomimes when growing up. “I have a memory of going to one panto as a child: Peter Pan. All I can remember is the spectacle. Then, as an actor in my 20s, I saw some of the panto greats. I thought ‘that looks so much fun’ – and it is.”
He had written the first draft for this winter’s Beauty And The Beast when the pandemic took up its unremitting residence. “I write the script for the Theatre Royal Bury St Edmunds as well as for Wakefield. I start writing the scripts in February. It’s first draft, second draft, the rehearsal process and sorting out the music. It’s the rhythm of my year,” says Chris.
“I love panto and playing the dame. It’s become a really big part of my life. Ours is a proper traditional family pantomime. We put so much care into it.”
Dame for a laugh: Chris Hannon as Sarah the Cook in Dick Whittington at the Theatre Royal, Wakefield
If making his one-man show debut is a challenge, so too is working with children, as he did when playing Dad in the BAFTA-winning CBeebies series Topsy And Tim for 34 episodes from 2013 to 2015.
“They wanted to get very spontaneous performances from the kids, so you would never do take after take after take. The adults would work on set with crew, then the kids would come on set – and what happened, happened,” recalls Chris, who has a three-year-old son, Ben, by the way.
“If they dropped a line, the adults had to pick it up. You had to know their lines and your lines. Scenes were never played as written on the page. You just had to keep it going. A huge amount of improvisation was involved.”
That series still brings him recognition, with parents demanding he poses for a picture with their children. “The kids are mortified by this. They don’t want a picture taken with me, so there are lots of pictures of me with unhappy-looking kids,” says Chris.
No children will be present at First Love, however. Beckett’s monologue comes with a Very Strong Language warning!
Chris Hannon performs Samuel Beckett’s First Love, August 12 to 22, at 7pm, and August 15, 4pm, as part of Engine House Theatre’s Covid-secure Park Bench Theatre season in the Friends Garden, Rowntree Park, York. Tickets must be bought in advance at parkbenchtheatre.com.
