IT was good to hear the Chapter House Choir under Benjamin Morris back in their rightful home, where they started nearly 60 years ago.
The lively acoustic of the Chapter House itself is a double-edged sword, wonderful for lending warmth to certain types of music, but equally relying on a decisive beat and keenly attentive singers who respond to it immediately.
Neither requirement was much in evidence during the first half of this programme devoted to ‘Queen of Heaven’, the Virgin Mary, and criss-crossing between the 12th century and the present day.
With a choir of 34 voices stretched out in two lines right across the stage, cohesion was made even more difficult. Almost all the early attacks were woolly, a series of mini-crescendos as voices joined in after the beat. All this was a pity because the choir’s essential sound was attractive and balance between parts generally pleasing.
Each half of the evening began with plainsong by Hildegard and Pérotin, given from the back by small female groups. Thereafter we had six pairs of settings of the same text, mostly old versus new, with motets by Cecilia McDowall and John Tavener thrown in for contrast. It might have been a heady mix, except that the majority of the settings were geared for meek adoration and thus mainly slow.
Grieg’s hymn-like setting of Ave Maris Stella was easily outpointed by James MacMillan’s, with its pedal points in the upper voices and an Amen that really took flight. Similarly, Rachmaninov’s treatment of the Russian ‘Hail, Mary’ was outshone by Cheryl Frances-Hoad’s version with its imitations over repeating underlay; its ending resolved sweetly, too.
Morris forsook his previously circular motions for a more incisive beat in Poulenc’s Salve Regina, which was much better co-ordinated as a result. So too was Victoria’s eight- voice version, although the top soprano line sounded effortful.
The best pairing after the interval involved two living composers, both female. Master of the King’s Musick, Judith Weir, was shown at her vigorous best in Ave Regina Caelorum, where Morris encouraged muscular treatment, which suited its quirky ending.
By contrast, the setting by Kerensa Briggs, who won the Early Music Young Composers Prize ten years ago, preferred a wash of sound from which a solo alto emerged mystically.
Bruckner’s marvellous Ave Maria left Stravinsky’s version sounding pallid: impassioned, deeply spiritual and bringing out a real sense of ensemble, right at the very end.
THE Chapter House Choir’s Carols By Candlelight concert was again set in the nave of York Minster, rather than the Chapter House of days past.
The Choir was augmented by the Chapter House Youth Choir – superbly directed by Benjamin Morris and Charlie Gower-Smith respectively – the choir’s Handbell Ringers and York organist William Campbell.
The concert, touchingly dedicated to the memory of Dr Alvan White, the choir’s Candlelighter-in-Chief for these concerts for so many years, opened with Tasmin Jones’s simple but affecting ceremonial procession.
The Choir’s delivery of Gaudete was a dancing delight but Yshani Perinpanayagam’s In Bethlehem Above did suffer slightly with jarring high soprano intonation. William Campbell clearly relished David Willcocks’s Postlude on Mendelssohn and so did we.
The performance of Eric Whitacre’s Lux Aurumque was one of the night’s highlights: beautiful soprano singing, nigh-perfect close-harmony pitching creating a delicate, musical glow.
Cecilia McDowall’s Of A Rose’s use of the Choir’s upper and lower voices came across very effectively, as did the linear singing and moments of rhythmic togetherness. Well written, well performed.
Darius Battiwalla’s Suo Gan was simply lovely, as were the gently falling musical snowflakes of John Hastie’s O Come, O Come Emmanuel for handbells. The Youth Choir’s performance of John Joubert’s ever-infectious Torches was very well judged, even understated, to suit the Minster acoustic and enhance both clarity and enjoyment.
For your reviewer, however, the most rewarding offerings were the two versions of Jesus Christ The Apple Tree: the famous Elizabeth Poston setting and the new one composed this year by the Choir’s founder, Andrew Carter.
Both embraced the freshness, simplicity and fluency of the anonymous 18th-century New England text, both had a sweet, seemingly effortless delivery and both stayed in the memory after the concert itself.
Personally, I prefer the intimacy of the Chapter House itself, but a huge audience seemed perfectly happy here and were richly rewarded by this ever-present Christmas event. An event that continues to embrace a spiritual counterpoint to the season’s materialistic saturation of today. Maybe.
A mouse on skis at the Fairfax House exhibition A Townmouse Christmas
A MOUSE house invasion, Christmas concerts galore, a much-loved musical and a cracking ballet are Charles Hutchinson’s festive fancies.
Exhibition of the week: A Townmouse Christmas, Fairfax House, York, until December 23, 11am to 4pm, last entry, 3.30pm
‘TWAS the night before Christmas, when all through the house, not a creature was stirring. Not true! In among the Georgian festive decor, hundreds of decorative town-mice have descended on Fairfax House.
Stealing the cheese and biscuits, running up and down the clocks, even skiing down the banisters, the charming magical mousey scenes complement the 18th-century-style festive foliage that evoke a Fairfax family Christmas of a bygone era in York. Tickets: fairfaxhouse.co.uk.
Chapter House Choir: Candle-lit carol singing in the nave of York Minster
Christmas institution of the week in York: Chapter House Choir’s Carols By Candlelight, York Minster, tonight, 7.30pm; doors, 6.45pm
DIRECTED by Benjamin Morris, the Chapter House Choir will be joined in the central nave by the Chapter House Youth Choir, the choir’s Handbell Ringers and York organist William Campbell for a feast of festive music, combining familiar carols with new and exciting compositions.
Jesus Christ The Apple Tree, a carol composed for the choir by founder Andrew Carter, will be premiered. The 90-minute concert with no interval will be dedicated to the memory of Dr Alvan White, the choir’s Candlelighter-in-Chief for these concerts from 2003 to 2018, who died in August. Tickets: “Selling very well” at yorkminster.org.
Sanna Jeppsson’s Maria Rainer sings to the von Trapp children in Pick Me Up Theatre’s The Sound Of Music
Musical of the week: Pick Me Up Theatre in The Sound Of Music, Theatre@41, Monkgate, York, until December 30.
COMMONWEALTH Games squash gold medallist and Harrogate man of the musicals James Willstrop plays Captain von Tropp opposite Swedish-born Sanna Jeppsson’s trainee nun turned free-spirited nanny, Maria Rainer, in Robert Readman’s production of Rodgers & Hammerstein’s final collaboration.
Three teams of von Trapp children, Team Vienna, Team Graz and Team Linz, will share out the performances at 7.30pm tonight, then December 19, 21, 23, 27, 28 and 29, and at 2.30pm, today, tomorrow, then December 20, 22, 27, 29 and 30. Box office: tickets.41monkgate.co.uk.
Holly head: Kate Rusby crowned in festive foliage for her Christmas celebrations
Festive folk concert of the week: Kate Rusby At Christmas, York Barbican, tomorrow, 7.30pm
AFTER marking her 30th anniversary in the folk fold with 30: Happy Returns, an album of collaborations with Ladysmith Black Mambazo, Richard Hawley and KT Tunstall, Barnsley folk nightingale Kate Rusby ends the year with her customary Christmas tour.
Joined by her regular folk band, led by husband Damien O’Kane, and her Brass Boys quintet, Rusby draws on South Yorkshire’s Sunday lunchtime pub tradition of singing carols once frowned on by Victorian churches for being too jolly, complemented by festive favourites and her own winter songs. Box office: yorkbarbican.co.uk.
Merry Christmas from The Howl & The Hum
Christmas fancy dress of the week: Please Please You presents The Howl & The Hum, The Crescent, York, Monday and Tuesday, 7.30pm, both sold out
DEMAND was so high for York band The Howl & The Hum’s now traditional Yuletide celebration at The Crescent that a Monday show was added to the fully booked Tuesday gig. All tickets have gone for that night too.
What will frontman Sam Griffiths wear after raiding the Nativity Play dressing-up box for angel wings in 2019 and bedecking himself as a lit-up Christmas tree in 2021? And which Christmas classic will they reinvent in the wake of The Pogues’ Fairytale Of New York last time when joined by fellow York combo Bull?
The New York Brass Band’s two Xmas Party gigs on December 22 and 23 at 7.30pm have sold out too.
Christmas revival of the week: Northern Ballet in The Nutcracker, Leeds Grand Theatre, Tuesday to January 7 2023
The Nutcracker: Northern Ballet’s festive delight returns to Leeds Grand Theatre. Picture: Emily Nuttall
LEEDS company Northern Ballet’s touring revival of former artistic director David Nixon’s festive favourite heads home for a three-week finale at the Grand, replete with gorgeous Regency-style sets by Charles Cusick Smith.
“The Nutcracker is not just a ballet, it is a tradition for many families and generations, a way of having shared memories at a time of year when togetherness turns to the fore,” says Nixon. “I believe that The Nutcracker offers the perfect festive escapism for every generation, a chance to revel in the child-like magic of Christmas.” Box office: 0113 243 0808 or leedsheritagetheatres.com.
The York Waits: Christmas music on shawms, sackbuts, curtals, crumhorns, bagpipesand more
The wait is almost over for…The York Waits’ Christmas concert: The Waits’ Wassail: Music for Advent and Christmas, National Centre for Early Music, York, Tuesday, 7.30pm
THE York Waits, now in their 45th year of re-creating the historic city band, present Mirth & Melody Of Angels, music for Christmas and the festive season from medieval and renaissance Europe, performed by Tim Bayley, Lizzie Gutteridge, Anna Marshall, Susan Marshall and William Marshall with singer Deborah Catterall.
Angels abound, from the 1350’s Angelus ad Virginem to Orlando Gibbons’ Thus Angels Sung from the late-Elizabethan era. Familiar German chorales are followed by French Noels and Mediterranean folk songs, played on shawms, sackbuts, curtals, crumhorns, bagpipes, recorders, flutes, fiddles, rebec, guitar, hurdy gurdy and portative organ. Box office: 01904 658338 or ncem.co.uk.
Baaaaaarrrrgggghhhhhhbican frustration! Ricky Gervais’s brace of Armageddon dates at York Barbican sold out in 27 minutes
Apocalypse next month: Ricky Gervais, Armageddon, York Barbican, January 10 and 11 2023, 7.30pm precisely
ARMAGEDDON is not the end of the world as we know it but the name of grouchy comedian, actor, screenwriter, director, singer, podcaster and awards ceremony host Ricky Gervais’s new tour show.
Gervais, 61, will be torching “woke over-earnestness and the contradictions of modern political correctness while imagining how it all might end for our ‘one species of narcissistic ape’,” according to the Guardian review of his Manchester Apollo gig. Box office? Oh dear, you’re too late for Armageddon; both nights have sold out.
Also recommended but selling out fast: The Shepherd Group Brass Band Christmas Concert, Joseph Rowntree Theatre, York, tonight, 7.30pm
ONLY the last few tickets remain for this Christmas concert featuring all the bands that make up the Shepherd Group Brass Band, from their Brass Roots absolute beginners to the championship section Senior Band, playing a variety of Christmas and seasonal music with plenty of audience participation. Box office: josephrowntreetheatre.co.uk.
The Chapter House Choir, with director Benjamin Morris in the foreground
CHAPTER House Choir’s Carols By Candlelight concert returns to York Minster on Saturday night.
Directed by Benjamin Morris, the choir will be joined in the nave by the Chapter House Youth Choir, directed by Charlie Gower-Smith, the choir’s Handbell Ringers and York organist William Campbell for a feast of festive music, combining familiar carols with new and exciting compositions.
The 7.30pm programme with no interval includes the premiere of Jesus Christ The Apple Tree, a carol composed specially for the choir this year by distinguished founder Andrew Carter.
Andrew Carter: Premiere of new carol Jesus Christ The Apple Tree
The 90-minute concert will be dedicated to the memory of Dr Alvan White, the choir’s Candlelighter-in-Chief for these concerts from 2003 to 2018. He died in August 2022, having suffered for some years with Lewy body disease.
To mark his long and happy association with the choir, the collection at the end will be in aid of the Lewy Body Society, the British specialist charity that raises awareness and funds research into this poorly understood and often misdiagnosed disease.
Dr White’s daughter, choir member Rachel Hicks, says: “When we needed someone to light the candles for our concerts almost 20 years ago, I knew this would be the perfect job for my Dad.
Dr Alvan White, who died in August, undertaking his Candlelighter-in-Chief duties, a post he held for the Chapter House Choir from 2003 to 2018
“He was a retired chemistry lecturer, who had learned the skill of glassblowing to mend lab equipment, so my childhood memories of visiting him at work were of him working with fire!
“Who better to come to the Minster and light hundreds of candles for our concerts? Dad loved classical music, so this was an ideal combination. As a family, we are honoured that his contribution to the life of the choir is being recognised in this way and that we can support further research into what we know, first-hand, to be a challenging and complex condition.”
Jacqueline Cannon, the Lewy Body Society’s chief executive, adds: “We are very grateful to the Chapter House Choir for the opportunity to raise awareness of Lewy body dementia. There are around 130,000 people living with the disease in the UK, yet it is often described as the most common disease you’ve never heard of.
Donations at the Chapter House Choir’s Carols by Candlelight concert will be given to the Lewy Body Society, in memory of the late Dr Alvan White
“Through our research programme, we support studies that help us to better understand, diagnose and treat the disease, and to date we have funded more than £2 million in grants. The donations made at the concert will help us to continue this work, as well as providing specialist information and support to families, like Alvan’s, who are affected by the disease.”
Tickets are available at: yorkminster.org/whats-on/event/chapter-house-choir-carols-by-candlelight. Doors open at 6.45pm.
Did you know?
The Chapter House Choir first performed Carols by Candlelight in York Minster in 1965, when the choir was formed to raise funds for the York Minster Appeal.
Chapter House Choir musical director Benjamin Morris
WITHDRAWAL symptoms were widespread last year when Carols By Candlelight succumbed to Covid. For it has become a tradition without which no York Yuletide is complete.
This year it was back with a vengeance, transplanted from the Chapter House to the Nave of the Minster to allow a larger audience. Even if the candles did not flicker quite so intimately, the move was a resounding success: the building’s wide-open spaces were encouraged to co-operate.
Musical director Benjamin Morris had chosen a typically eclectic programme. Admirably, more than half of the 18 choral pieces were either composed or arranged by living musicians. In addition to the main choir, we enjoyed the Chapter House Youth Choir, conducted by Charlie Gowers-Smith, the traditional Handbell Ringers and three organ interludes from Asher Oliver.
The combined choirs opened with Andrew Carter’s tasteful arrangement of the Advent plainsong hymn, Veni Emmanuel, sung in procession. The Advent responsory that followed featured a beautifully crystalline soprano soloist (unnamed). Muscular contrasts came with Joubert’s Torches and in the crisp syncopation of Matthias’s arrangement of Sir Christèmas, the oldest carol here and reaching back to the 15th century.
At the other end of the spectrum, we had Master of the Queen’s Music Judith Weir’s setting of William Blake’s My Guardian Angel, with its cleverly repeating Alleluia, sung by the combined choirs. Even more atmospheric was Holst’s In The Bleak Midwinter, with the alternating choirs widely spaced. The sweet harmonies of Sally Beamish’s In The Stillness stood up well alongside Warlock’s tasty Bethlehem Down.
The choir’s final group was the best of all. After tenderly caressing The Shepherds’ Farewell, from Berlioz’s ‘L’enfance du Christ’, there was a lovely calm in Nicola LeFanu’s Saint Ita’s Lullaby and much feeling in Rutter’s melodious Candlelight Carol. We finished as we began, with founder-director Andrew Carter’s Make We Merry, spirited and heart-warming.
Along the way, the Handbell Ringers brought their mystifying skills to bear on four numbers, with Carter’s arrangement of Good King Wenceslas and John Hastie’s of We Wish You A Merry Christmas drawing especially warm applause.
The Youth Choir launched into the Vaughan Williams arrangement of the Yorkshire Wassail with special vigour. Oliver’s three contributions were gracefully restrained – we might have had a little more in the way of fireworks – although he had to do battle with a reed stop on the newly-restored organ speaking rather less than cleanly.
At ten minutes less than two hours despite no interval, the concert might have been a touch shorter for audience comfort in the chill, but it was wonderfully energising to have this great tradition back where it belonged.
Review by Martin Dreyer
Next performance by Chapter House Choir: Festival of Carols, St Michael-le-Belfrey, York, December 18, 7.30pm.
CHRISTMAS shows, Christmas concerts, Christmas plays, ‘tis the season for Charles Hutchinson’s diary to be jolly full.
Jason Manford: “Exercising the old chuckle muscle”
Busy week for comedy: Jason Manford: Like Me, York Barbican, Thursday and Friday, 7.30pm.
SALFORD’S Jason Manford revives his funny-bloke-next-door schtick for Like Me, his follow-up to “the fun we had on my last tour”, Muddle Class, a show about turning from working class to middle class that played York Barbican in February and October 2018.
“In these trying times, it’s always important to be able to get away for a couple of hours and exercise the old chuckle muscle,” reckons Manford, 40, who has tickets available for both nights at yorkbarbican.co.uk.
Meanwhile, Jack Dee’s Off The Telly gig, moved from April 25 2020 to tomorrow night, has sold out. So too have Alan Carr’s Regional Trinket shows on December 18 and 19.
Filey Brigg, seascape, by Rosie Dean at Village Gallery, York
Exhibition of the week: Rosie Dean, Seascapes, Village Gallery, Castlegate, York, until January 22, open 10am to 4pm, Tuesday to Saturday.
SEASCAPE artist Rosie Dean has taken part in York Open Studios for the past ten years. Now she is exhibiting at Simon Main’s Village Gallery through the winter months.
“I feel total peace breathing the ozone, staring out to sea and focusing on the horizon line, sensing all around me and feeling the elements around me, the sights and sounds, the salt in the air. Pure contentment,” says Rosie.
Levellers: Part of York Barbican’s busy week for concerts. Picture: Steve Gullick
Curiosity concert of the week: The Magical Music Of Harry Potter Live In Concert With The Weasleys, York Barbican, Monday 8pm.
POTTY about Potter? Then exit those Shambles shops and head to York Barbican for a night of music from Harry’s films and the West End musical, performed by the London Symphonic & Philharmonic Film Orchestra with the Weasley brothers in tow.
Original actors, magic, star soloists, a choir and the orchestra combine in the debut European tour’s programme of John Williams, Patrick Doyle, Nicolas Hooper and Alexander Desplat’s soundtrack magical moments, plus selections from the Harry Potter And The Cursed Child score.
More music in York Barbican’s crammed pre-Christmas diary comes from Levellers, Brighton’s folk-rock stalwarts, tonight and Steve Steinman’s tribute show, Anything For Love: The Meat Loaf Story, on Wednesday, both at 7.30pm. Box office: yorkbarbican.co.uk.
Steve Mason: Solo gig at Stockton on the Forest Village Hall
If you seek out one gig, make it: Steve Mason, Stockton on the Forest Village Hall, near York, Tuesday, doors, 8pm; start, 8.30pm.
STEVE Mason was the frontman of The Beta Band, cult Scottish exponents of folktronica, a blend of folk, psychedelia, electronica, experimental rock and trip hop.
He first dipped his toe into solo work on Black Gold, his mournful 2006 album under the guise of the short-lived King Biscuit Time and has since released Boys Outside in 2010, Ghosts Outside with Dennis Bovell in 2011, Monkey Minds In The Devil’s Time in 2013, Meet The Humans in 2016 and About The Light in 2019.
Presented by All Off The Beaten Track, Mason will play solo on Tuesday. Box office: seetickets.com/event/steve-mason/stockton-on-the-forest-village-hall.
The poster for The Arts Barge Christmas Party! at The Crescent, York
Christmas jamboree of the week: The Arts Barge Christmas Party!, The Crescent, York, Tuesday, 7.30pm.
THREE York community musical groups, Bargestra, The Stonegate Singers and The Blind Tiger Dance Band, unite for the Arts Barge Christmas bash.
Bargestra, the 20-piece Arts Barge band skippered by Christian Topman, play jazz, swing, Beatles, ska and more. The Stonegate Singers, a community choir open to anyone, is directed by Jon Hughes, who teaches the music by ear, one part at a time, so that anyone can do it.
The Blind Tiger Dance Band, Arts Barge’s 16-piece Lindy Hop swing band with Rinkadon Dukeboy up front, brings together seasoned professionals and rising young instrumentalists. All three groups will join together to make a 50-piece ensemble for the festive finale.
Recommended but alas sold out already at The Crescent are Christmas shows by Mostly Autumn on Sunday and fellow York band The Howl & The Hum on Wednesday, both at 7.30pm.
Chapter House Choir at the double: Carols by Candlelight, York Minster, Wednesday; Festival of Carols, St Michael-le-Belfrey, York, December 18, both at 7.30pm.
THE Chapter House Choir’s Carols by Candlelight at York Minster has sold out, but a second chance to hear the York choir and its bell ringers comes at St Michael-le-Belfrey.
Tickets for a Festival of Carols are available via Eventbrite, but do hurry because they are limited in number and selling fast.
Danny Mellor and Meg Matthews in Badapple Theatre Company’s The Snow Dancer. Picture: Karl Andre Photography
Global warming alert of the week: Badapple Theatre Company in The Snow Dancer, Joseph Rowntree Theatre, York, Thursday, 7pm; Green Hammerton Village Hall, December 20, 2pm
GREEN Hammerton’s Badapple Theatre Company has revived artistic director Kate Bramley’s magical eco-fable, The Snow Dancer, for its latest rural tour.
Bramley’s original story blends festive family entertainment with an important eco-message and an original score by Jez Lowe, as actors Meg Matthews and Danny Mellor tell the story of the animals of The Great Wood, who are desperate for a long sleep, but find it too warm because something is awry.
The intrepid heroes in this fairy tale with a furry tail must search for the mysterious Snow Dancer to make it snow if they are ever to sleep. Box office: York, 01904 501935 or at josephrowntreetheatre.co.uk; Green Hammerton, 01423 339168.
York Mystery Plays Supporters Trust’s artwork for A Nativity For York…Out Of The Darkness
Christmas plays of the week: York Mystery Plays Supporters Trust in A Nativity For York…Out Of The Darkness, Spurriergate Centre, Spurriergate, York, December 17, 7pm; December 18, 2pm, 4pm, 6.30pm. A Christmas Carol, Mansion House, York, December 17 to 19, 7pm.
TERRY Ram directs the second York Mystery Plays Supporters Trust community production for Christmas, drawn from the York Cycle of Mystery Plays in the old church atmosphere of the Spurriergate Centre. Box office: ticketsource.co.uk/york-mystery-plays-supporters-trust.
The Penny Magpie Theatre Company, from York, have sold out all three Mansion House performances of director Samantha Hindman’s adaptation of Dickens’s A Christmas Carol, a version seen through the eyes of modern-day schoolboy Jon, who is gradually welcomed into Scrooge’s redemptive tale. Carols, mince pies, mulled wine and a house tour complete the festive experience.
Freedom is…Johannes Radebe’s debut tour show at at the Grand Opera House, York, next spring
Leaping into 2022: Johannes Radebe, Freedom, Grand Opera House, York, April 12, 7.30pm.
MAKING swish waves with baker John Whaite in Strictly Come Dancing’s first all-male coupling, South African dancer Johannes Radebe has announced his debut tour, Freedom.
Radebe will lead a company of dancers in classic Ballroom and Latin arrangements, scorching South African rhythms and huge party anthems, as he takes you on his journey from growing up in Zamdela, to travelling the world, winning competitions and becoming a Strictly professional.
“Leave your inhibitions at the door and get ready for a night of energy, passion and freedom,” he says. Box office: 0844 871 7615 or at atgtickets.com/York.
St Michael-le-Belfrey: Playing host to the Chapter House Choir on December 18
THE Chapter House Choir’s ever-popular Carols by Candlelight at York Minster has once again sold out, two weeks before the 7.30pm performance on December 15.
“However, if you have missed out on obtaining a ticket for this wonderful occasion, you have a second chance to hear the choir and the bell ringers of the choir,” says honorary secretary David Frith.
The second concert , a Festival of Carols with the Chapter House Choir, will take place at St Michael-le-Belfrey, York, on December 18 at 7.30pm. Tickets are available via Eventbrite, “but hurry because they are limited in number and selling fast,” advises David.
Composer Lillie Harris: “Commissioned piece will stand alone well as an introit or anthem”
ON the eve of Remembrance Sunday, there could be no more perfect choice of repertory than A German Requiem, Brahms’ non-liturgical memorial to the dead. It was given in the original German to the composer’s own piano-duet version, alongside a short unaccompanied new work commissioned from Lillie Harris.
Like so many performers during lockdown, Chapter House Choir under Benjamin Morris has struggled to stay together and survive. So this was a test of its mettle, as well as being the first post-lockdown ticketed musical event at York Minster itself.
While it is true that Brahms intended a “human” requiem, he did not mean a humanist one, as implied by the programme note. The two words are not interchangeable. He selected exclusively biblical texts for his work – as did Miss Harris, who used only texts selected by Brahms, understandably but also courageously, given that comparisons were bound to be made between old and new.
Her motet, entitled Comfort, began with a prolonged hum incorporating a three-note motif. At first this seemed to be the link between the five brief sections of text. But like the grass withering, it faded and the tonality became more diffuse, in a manner reminiscent of Eric Whitacre, with a slight loss of focus.
Alex Ashworth. “Forthright at the top of his range”. Picture: Debbie Scanlan
The ending – “so will I comfort you” – resolved beautifully, speaking of a technique capable of offering more challenges than were on offer here. My feeling is that this piece will stand alone well as an introit or anthem but will tend to be overshadowed in the company of a whole requiem, like a tugboat sheltering beside an ocean liner, largely overlooked.
Commercial nous was what drove Brahms to write this four-hands at one piano version of his Requiem, which was quickly demanded after the success of the orchestral original. It makes for a more intimate atmosphere but should not be regarded as a complete replacement.
A smooth line was immediately apparent in the choir, with sopranos pinging their high notes satisfyingly. In ‘For all flesh is as grass’, each return of the opening unison was progressively firmer and the closing fugato appeared in a crisp staccato.
Soprano Susan Young: “Maternal, consolatory tone”
In the first of his two contributions, baritone Alex Ashworth was forthright at the top of his range while sustaining an impressive legato. The mood-change at “the souls of the righteous” was almost jaunty; no reason why not, given Brahms’ positive attitude and keenness to avoid prolonged lugubriousness.
It was in “How lovely are thy dwellings” that it became clear that the pianists, Eleanor Kornas and Polly Sharpe, who were otherwise unfailingly tasteful, needed to come to the fore at moments when the choir was not involved rather than remain in the background. They were not, it should be added, blessed with a piano in ideal shape: it sounded particularly tinny in the upper reaches.
The maternal, consolatory tone that soprano Susan Young found for “You now therefore have sorrow”, suggesting that a silver lining lay round the corner, was just about ideal. She polished it off with a beautifully controlled piano that distilled the very essence of Isaiah’s words of comfort.
If the last trump fell slightly short of sending shivers down the spine and the fugue that followed it lacked clarity because individual entries were not given enough prominence, there was considerable compensation in the finale, ‘Blessed are the dead’, which was clean, confident and comforting. The Chapter House Choir is back and in fine fettle.
Seasick Steve: Just him, his home-made guitar and you at York Barbican tonight
CHARLES Hutchinson recommends veteran blues at the double, quilts, a dating show, chaotic Hitchcockian comedy capers, a Brahms Requiem and a Geordie comic out to dazzle.
Solo show of the week: Seasick Steve, Just Steve, A Guitar And Your Tour, York Barbican, tonight, 8pm
LAST year, American DIY blues veteran Seasick Steve released two albums, July’s Love & Peace and November’s Blues In Mono, his tribute to trad acoustic country blues recorded with a microphone from the 1940s as Steve performed the songs direct to an old tape machine.
Now, York-bound Steve says: “I‘m lookin’ forward to coming and playing for y’all. Just gonna be me, you and my guitar. A few songs and a few stories, kinda like we just hangin’ out together! Gonna be fun. See ya there.” Tickets update: limited availability at yorkbarbican.co.uk.
Sanna Buck, Stephen Wright and Aran MacRae look on as a prone Daniel Boyle takes centre stage in rehearsal for York Settlement Community Players’ The 39 Steps. Picture: John Saunders
Play of the week: York Settlement Community Players in The 39 Steps, Theatre@41, Monkgate, York, tonight until Sunday
PATRICK Barlow’s riotous West End comedy hit marks the Settlement Players’ return to live performance for the first time since March 2020.
Harri Marshall’s cast of eight takes on the challenge of combining John Buchan’s 1915 novel with Alfred Hitchcock’s 1935 film scenes in a blend of virtuoso performance and wildly inventive stagecraft, playing 150 characters between them as the mysterious 39 Steps chase Aran MacRae’s Richard Hannay’s on a nationwide manhunt. Box office: tickets.41monkgate.co.uk.
Hey, it’s The Manfreds: Playing the Grand Opera House, York, tonight
Nostalgia ain’t what it used to be? It’s even better at Maximum Rhythm N’ Blues with The Manfreds and Georgie Fame, Grand Opera House, York, tonight, 7.30pm
THE Manfreds and Georgie Fame team up for a celebration of Sixties rhythm & blues in an all-star line-up with hits galore to match.
Original Manfred Mann members Paul Jones, Mike Hugg and Tom McGuinness are joined by Family’s Rob Townsend on drums, Marcus Cliffe on bass and Simon Currie on saxophone and flute, plus former member Mike D’Abo to share lead vocals, and Blue Flames leader Fame on keyboards. Box office: atgtickets.com/york.
Ready to dazzle: Sarah Millican kicks off a three-night run at York Barbican tomorrow
Three-night run of the week: Sarah Millican: Bobby Dazzler Tour, York Barbican, tomorrow to Sunday, 8pm
SOUTH Shields humorist Sarah Millican’s new show, Bobby Dazzler, is doing the rounds on her sixth international tour.
“You’ll learn about what happens when your mouth seals shut, trying to lose weight but only losing the tip of your finger, a surprisingly funny smear test, and how truly awful a floatation tank can actually be,” says Millican, who has “spent the last year writing jokes and growing her backside”. Tickets update: limited availability at yorkbarbican.co.uk.
Masks, of the non-Covid protection variety, will be worn by participants in ventriloquist Nina Conti’s dating show. Picture: Matt Crockett
Game show of the week: Nina Conti: The Dating Show, Grand Opera House, York, tomorrow, 7.30pm
FAST-TALKING, faster-thinking ventriloquist Nina Conti and her cheeky Monkey host a pioneering new dating show for participants picked from the York audience.
What’s in store for the chosen ones? Apparently “she’ll be like Cilla Black with masks. Derailed. Not so much a Blind Date as a re-voiced one.” In a nutshell, they wear masks, she/Monkey talks, with no promise that true love will be found. Box office: atgtickets.com/york.
Matthew Miller’s Golden Bird quilt from his Cloth & Colour installation at York Theatre Royal from Saturday
Exhibition launch of the week: Matthew Miller’s Cloth & Colour quilts, York Theatre Royal foyer, from Saturday to November 30
BASED in London, but from York, multi-media artist Matthew Miller launches his debut quilt installation in the first Beyond The Gallery Walls pop-up project to be mounted by Lotte Inch Gallery.
Artist Matthew and curator Lotte will be hosting the launch from 11.30am to 1.30pm on Saturday, happy to discuss his Cloth & Colour quilt designs. Interested in the ecological use of fabric in quilting, Matthew has used end-of-roll and pre-worn fabrics throughout his series of vibrant collages in cloth.
Alex Ashworth: Baritone soloist for Brahms’s Ein Deutsches Requiem at Saturday’s concert by the Chapter House Choir. Picture: Debbie Scanlan
Classical choral concert of the week: Chapter House Choir, York Minster, Saturday, 7.30pm
THE Chapter House Choir performs Brahms’s Ein Deutsches Requiem at York Minster in a rare opportunity to hear Brahms’s own arrangement written for piano – more intimate and transparent – with baritone Alex Ashworth, soprano Susan Young and pianists Eleanor Kornas and Polly Sharpe as the soloists.
This will be complemented by the world premiere of Lillie Harris’s Comfort, specially commissioned for Saturday’s concert. Box office: 01904 557200 or at yorkminster.org.
Open on Saturday: Carolyn Coles’s studio at South Bank Studios
Christmas shopping? Present opportunity at South Bank Studios’ Art & Craft Winter Fair, Southlands Methodist Church, Bishopthorpe Road, York, Saturday, 10am to 5pm
THE South Bank Studios artists’ group open their doors and studios to the public this weekend, when 28 artists will be exhibiting jewellery, ceramics, lino prints, textile art and fine art paintings and prints, all available to buy, just in time for Christmas. Entry is free.
Among those taking part are Carolyn Coles, Caroline Utterson, Jane Dignum, Lincoln Lightfoot, Richard Whitelegg, Mandi Grant and Fiona Lane. York Music Centre’s Senior Concert Band, Guitar Ensemble, Senior Folkestra and Big Band will be playing, and the icing on the cake will be the church team’s homemade refreshments.
Voila! C’est La Voix
Most glamorous show of the weekend:La Voix, Grand Opera House, York, Saturday, 7.30pm
FEISTY, flame-haired Royal Family favourite La Voix – the drag artiste creation of Chris Dennis – takes on the big divas and makes them her own in her Grand Opera House debut in The UK’s Funniest Redhead.
Billed as her “most glamorous show yet”, the 2014 Britain’s Got Talent semi-finalist will be combining stellar songs and saucy gags, high energy and diva impersonations, glamour and gowns – eight of them – as she switches between the vocal tropes of Tina Turner, Shirley Bassey, Liza Minnelli, Judy Garland and Cher at the click of a finger. Box office: atgtickets.com/york.
Millie Manders and The Shutup: Definitely not shutting up at the Fulford Arms on Sunday night
Gig with attitude of the week: Millie Manders & The Shutup, Fulford Arms, York, Sunday, 8pm
MILLIE Manders & The Shutup spark up cross-genre punk with a lyricism that pokes fun, draws you in or leaves you questioning social norms, teamed to vocal dexterity, grinding guitars, irresistible horn hooks and a pumping rhythm section.
The Londoners will be airing songs from October 2020’s debut album, Telling Truths, Breaking Ties. Box office: seetickets.com/event/millie-manders.
Willy Mason: Nine-year gap after he made a record called Carry On, but carry on he does at last with Already Dead album and tour date in York. Picture: Ebru Wildiz
Overdue return of the week: Willy Mason, supported by Voka Gentle, The Crescent, York, Tuesday, 7.30pm; standing show
NEW York singer-songwriter and lovely chap Willy Mason returns with Already Dead, his fourth album of characterful, sharp left-field pop, folk and Americana but his first since 2012’s Carry On.
“Magic, miracles, ghosts, world leaders; these days it seems there’s little left to believe in,” says Mason. “Lies outweigh truth and even truth can be dangerous.
“Already Dead explores honesty and deception, anonymity in the digital age, good intentions with unexpected consequences, freedom, colonialism, love, God and purpose, because now is the time to restore some much-needed faith.” Box office: thecrescentyork.seetickets.com/event/willy-mason.
Soft Cell: 40th anniversary home-coming concert in Leeds. Picture: Andrew Whitton
Oh, and amid all these York events, here is the gig of the week outside the city walls: Soft Cell, Leeds 02 Academy, Saturday, doors, 6pm
IN 1981, Leeds synth-pop pioneers Soft Cell topped the charts with their Northern Soul cover, Tainted Love. This weekend, they play a 40th anniversary home-coming gig with an early start, kicking off with a DJ from 6pm.
LGBTQ icon Marc Almond and producer/instrumentalist Dave Ball will play two sets: the first from 7pm embracing songs from their back catalogue and previewing their first album in 20 years, Happiness Not Included, out on BMG on February 25 2022.
In the second, from 8.20pm, they will perform 1981 debut album Non-Stop Erotic Cabaret in full for the first time. Cue Say Hello, Wave Goodbye, Bedsitter, Memorabilia et al. Box office: myticket.co.uk/artists/soft-cell
Baritone Alex Ashworth: Soloist for Brahms’s Ein Deutsches. Picture: Debbie Scanlan
THE Chapter House Choir performs Brahms’s Ein Deutsches Requiem at York Minster on Saturday night.
This 7.30pm concert is a rare opportunity to hear Brahms’s own arrangement written for piano duet (the ‘London version’ premiered in 1873), revealing the work in a new light: more intimate and transparent, exposing a wider variety of choral timbres and textures.
Baritone Alex Ashworth, who also teaches singing at the Royal Academy of Music, joins soprano Susan Young, who has sung notable roles at English National Opera and Opera Holland Park, to perform the Brahms work alongside pianists Eleanor Kornas and Polly Sharpe.
Soprano Susan Young
“Hearing the Chapter House Choir is never just about the music; it’s about the whole experience,” says choir publicist Richard Long. “That’s why this performance of Brahms’s German Requiem promises to be a remarkable concert, combining one of the best-loved choral works of all time with the magical ambience of York Minster, four outstanding soloists – and a world premiere too.”
Musical director Benjamin Morris, York Minster’s assistant director of music, says: “The opportunity to explore this piece in its more intimate version for piano with four hands accompaniment has been really exciting for all of us.
“Together with the unique acoustics and incredibly grand architecture of York Minster’s Nave, this will offer an exhilarating and emotional experience of the German Requiem.”
Chapter House Choir musical director Benjamin Morris
The world premiere will be Comfort by award-winning emerging composer Lillie Harris, specially commissioned for Saturday’s concert.
Lillie says: “Reflecting the strong themes in Ein Deutsches Requiem of love, loss, acceptance, and human mortality, I have sought to bring these ideas together in Comfort: music to create an embrace of warmth, love and understanding, that acknowledges the sadness of loss but also celebrates the joy and memories in a life well lived, and that brings voices together to express support and comfort.”
This weekend’s concert will be dedicated to the victims of the Covid-19 pandemic. Ticketscan booked on 01904 557200 or at yorkminster.org.
Composer Lillie Harris: Commission for Chapter House Choir
Who is composer Lillie Harris?
LILLIE graduated from the Royal College of Music in 2016, studying composition with Haris Kittos and winning the Elgar Memorial prize for her final portfolio.
Musical from a young age, her interest in composing grew out of learning instruments, a flair for languages and a love of creative writing. Narrative ideas and complex emotions are often a core element in her compositions, and perhaps explain her increasing interest in choral music.
Her pieces have been workshopped and performed by ensembles such as York’s Ebor Singers, the Assembly Project, Florilegium and Ensemble Recherche, and she has participated in young composer schemes with Psappha, the Royal Scottish National Orchestra, London Philharmonic Orchestra, National Youth Choir of Great Britain and London Symphony Orchestra, who commissioned her to write new pieces for its Elmer’s Walk Under-5s concert.
In 2017, she was awarded the Tenso Young Composers Award for her song cycle setting poems by August Stramm; in 2019, she was the joint-winner of Echo Choir’s composition competition for her setting of an Alice Oswold poem; in 2020, two choral works written on the NYCGB’s Young Composer Scheme were released on NMC Recordings.
