Tag: Christmas Inn Trouble

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More Things To Do in and around York amid the Christmas merriment. Feast your mince pies on Hutch’s List No. 54, from The Press

Jared More and Katie Coen feeling stressed out at the Bethlehem Inn in Riding Lights’ Christmas Inn Trouble 

CHRISTMAS shows in myriad merry modes dominate Charles Hutchinson’s recommendations for the week ahead.

Magical new twist on the Nativity of the week: Riding Lights Theatre Company in Christmas Inn Trouble, Friargate Theatre, Lower Friargate, York, today, 1.30pm and 4pm, then December 21 to 24, 11am, 1.30pm and 4pm

BOTHER aplenty is afflicting The Bethlehem Inn and Spa, where taps are leaking, the rats are squeaking and the rooms are fit to burst. So many guests have arrived that parking your camel is impossible and, if things were not bad enough already, a rascally Roman soldier has come to make sure everything is above board.

Written by Rachel Price, directed by Riding Lights artistic director Paul Birch and starring Jared More and Katie Coen, festive farce Christmas Inn Trouble “turns the traditional tale on its head” in a slapstick comedy perfect for telling the Nativity story to primary-school aged children and their families. Box office: 01904 655317 or ridinglights.org/christmasinntrouble.

Eve Lorian: Conducting Prima Choral Artists’ Family Christmas Concert at St Olave’s Church, Marygate, York

Choral concert of the week: Prima Choral Artists, Family Christmas Concert, St Olave’s Church, Marygate, York, today, 4pm to 5pm

PRODUCED and conducted by Prima Choral Artists director Eve Lorian, today’s concert unites her choir with the New World String Quartet, organist James Webb and pianist Greg Birch in reflective and cheerful Christmas celebrations.

Here come high-spirited festive classics, modern choral arrangements and string and organ repertoire, including works by Tchaikovsky and Rawsthorne. Box office: primachoral.com and on the door.

The Queeries: Fun, frolicsome fiddling at Navigators Art’s As Yule Like It

All cracker, no cheese festive menu of the week: Navigators Art presents As Yule Like It, The Basement, City Screen Picturehouse, York, tonight, 7.30pm (doors 7pm)

NAVIGATORS Art promises “All cracker, no cheese” at As Yule Like It, tonight’s live, local and loud showcase of “some of York’s finest and most individual sounds”. On the bill are University of York music student Cast Beatbox, racing up the ranks in national contests; Knitting Circle, York’s socially conscious and urgent post-punk trio, and York St John University folkies The Queeries, purveyors of fun, frolicsome fiddling.

Performing too will be Tang Hall Smart tutor and passionate singer-songwriter Toemouse, offering an invitation to a mystical ride, and Weather Balloons with a set of Boschian vignettes and betrayals of guitar music from a soft-rock renegade off duty from regular band Fat Spatula. Some material may not be suitable for young children. Box office: https://www.ticketsource.co.uk/navigators-art-performance.

Hole Of Horcum, 2025, from Donna Maria Taylor’s This Rugged Earth exhibition at Rise@Bluebird Bakery

Exhibition of the week: Donna Maria Taylor, This Rugged Earth, Rise@Bluebird Bakery, Acomb, York, until February 12 2026

SOUTH Bank Studios resident artist Donna Maria Taylor’s latest collection of paintings, This Rugged Earth, is inspired by the world around her and her travels both in the United Kingdom and Europe.

“The majority of the new work nod to my love of rugged hillscapes and mountainous landscapes,” says Donna, who will be exhibiting at York Open Studios and York Hospital in 2026.

Hannah Christina’s Rosie and Emilio Encinoso-Gil’s Rex in Pocklington Arts Centre’s Christmas show, Jingle All The Way

Deer double act of the week: Jingle All The Way, Pocklington Arts Centre, today, tomorrow, 1.30pm; Monday, 4.30pm; Tuesday, 10.30am and 4.30pm  

FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.

Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie (Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Santa, however, has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Northern Ballet’s dancers in a flurry of snow in The Nutcracker at Leeds Grand Theatre. Picture: Sophie Beth Jones

Ballet of the week: Northern Ballet in The Nutcracker, Leeds Grand Theatre, until January 4 2026

LEEDS company Northern Ballet’s much-loved festive production of The Nutcracker – premiered in 2007 – is revived anew this winter, featuring lavish costumes and Charles Cusick Smith sets that capture the 19th century Regency England setting beautifully for the timeless story of Clara and her wooden Nutcracker doll. As the clock strikes midnight, she finds herself being whisked away on a magical adventure filled with dancing snowflakes and a whole host of colourful characters. 

Choreographed by former artistic director David Nixon CBE, the ballet is performed to the instantly recognisable music of Russian composer Pyotr Ilyich Tchaikovsky that first accompanied Marius Petipa and Lev Ivanov’s original choreography in 1892. Glory be, that score will be performed live under conductor Yi Wei. Box office: https://northernballet.com/the-nutcracker.

Gemma Curry and her Arctic Fox puppet in Yuletide Tales at Rise@Bluebird Bakery, Acomb

Where the Northern Lights dance and old tales come alive: Hoglets Theatre in Yuletide Tales, Rise@Bluebird Bakery, Acomb Road, Acomb, York, Sunday, doors 4pm

GATHER round as the snow begins to fall and step into a world of wonder, cheeky robins and enchanted polar bears in Yuletide Tales, York company Hoglets Theatre’s heartwarming festive show for families, full of original songs, puppetry and magical storytelling.

Join cheerful storyteller Gemma Curry and her mischievous Arctic Fox friend as they journey through wintery folktales from the icy kingdoms of the North to the shimmer of the Northern Lights. Re-imaginings of traditional stories East Of The Sun And West Of The Moon, The Arctic Fox And The Northern Lights and How The Moon Got Its Cloak are accompanied by gentle audience interaction and a message of warmth and togetherness. Box office: bluebirdbakery.co.uk/rise.

The poster for Anton Du Beke’s festive song-and-dance show with friends at York Barbican

Dandy dancing of the week: Christmas With Anton Du Beke & Friends, York Barbican, Sunday, 5pm

EMBARK on a dazzling journey into a festive wonderland as Strictly Come Dancing judge and ballroom king Anton Du Beke joins forces with his dynamic live band, vocalist Lance Ellington and  troupe of dancers for a magical evening of cherished Christmas songs, captivating dance and festive humour. Box office: yorkbarbican.co.uk.

Recommended but sold out already is Robert Plant’s Saving Grace gig, Ding Dong Merrily, at York Barbican on December 23 (doors 7pm), when Plant, co-vocalist Suzi Dian drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley and cellist Barney Morse-Brown showcase September 26’s Saving Grace album, “a song book of the lost and found”.

David Ward Maclean: Marking Winter Solstice with “iceberg songs with penguins on them”

Solo show of the week: David Ward Maclean Winter Solstice Concert, The Basement, City Screen Picturehouse, York, Sunday, 7.30pm

JOIN York singer-songwriting legend David Ward Maclean for a lovely night of songs to mark the Winter Solstice, drawing on material from the past 20 years for his two sets. “My songs are icebergs. With penguins on them,” he says. “All revenue will go straight to recording my new album Pilgrims.” Box office: https://wegottickets.com/event/668355/.

Copyright of The York Press.

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REVIEW: Riding Lights Theatre Company in Christmas Inn Trouble, on tour, then Friargate Theatre, York, Dec 20 to 24 ****

Jared More and the more-and-more-roles-playing Katie Coen in Riding Lights Theatre Company’s alternative Nativity play, Christmas Inn Trouble. All pictures: Tom Jackson, Jackson Portraiture

CHRISTMAS Inn Trouble is Riding Lights’ second festive show since the York faith theatre practitioners’ 2024 re-launch and the first since artistic director Paul Birch and executive director Oliver Brown teamed up as co-chief executive officers.

As is customary, Riding Lights are heading off around the country, this time taking in Barrow-in-Furness, Mold, Bulwell, Lliswerry, Cheltenham, Chiswick, Hadleigh, Colchester, South Benfleet, St Albans and closer to home, Easingwold, before a five-day finale back home at their Friargate Theatre headquarters.

First up was a brace of performances at St Peter’s Church, Norton, playing to 600 children from Norton Community Primary School, perched two child per chair, in the afternoon before a public show at 5pm, when plenty of children were present again, introduced with delightedly expressive enthusiasm by Reverend Jenny Buckler, who moved to God’s Own Country from Somerset in 2021.

Last winter, Birch wrote A Christmas Cracker, his first play since taking the Riding Lights reins, rooted in the transformative power of storytelling, delivered with Birch’s trademark comedy plus puppetry aplenty.

Katie Coen’s shepherd in Christmas Inn Trouble

Description and detailed plot progression played a stronger hand than visual, magical wonder under Erin Burbridge’s direction. This time, Birch is in the director’s chair, at the helm for Rachell Price’s fast-moving, fun, physical, fizzing two-hander for all the family that is a definite upgrade on A Christmas Cracker in its comedic impact while being as strong as ever on delivering “a magical new twist on the Nativity that turns the traditional tale on its head”.

After soothing the white-noise technical gremlins that stopped the start in its tracks – handled  with admirable aplomb by cast members Katie Coen and University of York-educated Jared More – the hour-long show quickly finds its rhythm as bother aplenty afflicts The Bethlehem Inn and Spa.

The taps are leaking, the rats, squeaking, the rooms, fit to burst as the Bible story meets Fawlty Towers in the sparring of More’s hotel manager and the multi-role playing Coen’s dogsbody, doing all the graft. If she is more Polly than Sybil, More definitely has the flavour of Basil, from moustache, gait and height to oversized tie, temperament and oleaginous air.

His performance, however,  is not mere Fawlty pastiche. Instead, he makes his manager a befuddled, exasperated character of his own as he awaits the arrival of a special guest.

Over-stretched: Jared More’s manager tries to handle multiple phone calls when the inn is already fully booked for Christmas

Given the date, we know who that “guest” might turn out to be, even if the manager is none the wiser, as all the clues build up in Coen’s portfolio of characters, turning herself into a grouchy, rascally Roman guard, Joseph (good with a hammer and wood), Mary (only too happy to take over the cow shed), a shepherd and a “Professor”, Price’s variation on the (un)Wise Men.

All are played with comic zest, all the better for Coen’s interaction with More that clicks instantly. They make for a highly humorous double act, but More reveals another side when, spoiler alert, cradling the baby.

Writer Price is alive to the power of puppetry and pooping noises being guaranteed to bring the young house down, and how they laugh at a cheeky donkey popping out of the myriad cupboards doors to bite More on the backside or grab and eat his bookings diary. The more the donkey does so, the louder the laughs grow. Likewise, the squelching boots of Coen’s shepherd are irresistibly comical, the more she walks.  

Caitlin Mawhinney’s set is colourful and playful. The Spa sign is a loose-fitting add-on for a new facility, sure to fall off; the manager’s desk revolves around the stage at pace; the phone is sky blue, old-fashioned, but with a modern ring tone for the children to recognise. In the tradition of farce, two doors are in constant use; the cupboard ones even more so.

Riding Lights Theatre Company’s co-chief executive officers Oliver Brown and Paul Birch, director of Christmas Inn Trouble

“Our aim is to make theatre make a difference by creating unforgettable, entertaining theatre in response to current issues and the hopes and fears of the world we share,” says Brown. Christmas Inn Trouble does exactly that, not in a preachy, heavy-handed way, but with lightness and a sense of wonder at the abiding message of the magical Christmas story.

Mawhinney’s set and costume design are a joy, complementing the tone of Price’s storytelling with a palette of matching pleasures, while Patrick Burbridge’s songs are as much fun for the performers as they are for the audience.

Christmas Inn Trouble lives up to its vow to “bring you the Nativity like you’ve never seen it before!”, setting up families so joyfully for Christmas Day.

Riding Lights Theatre Company in Christmas Inn Trouble, The Galtres Centre, Easingwold, December 13,  2pm; Friargate Theatre, Lower Friargate, York, December 20, 1.30pm and 4pm, December 21 to 24, 11am, 1.30pm and 4pm. Box office: Easingwold, https://www.ticketsource.co.uk/booking/select/mbbjvlpojddg; York, 01904 655317 or ridinglights.org/christmasinntrouble.

Behind you: The scene-stealing donkey brings a smile to Katie Coen’s Professor, one of the (un)Wise Men by another name in Christmas Inn Trouble

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Riding Lights set off on festive tour of Christmas Inn Trouble. Friargate Theatre shows follow from December 20 to 24

Jared More and Katie Coen in Riding Lights Theatre Company’s Christmas Inn Trouble. Picture: Tom Jackson, Jackson Portraiture

RIDING Lights Theatre Company launches its 2025 festive show, Christmas Inn Trouble, at St Peter’s Church, Malton, today at 5pm.

Billed as “a magical new twist on the Nativity”, the York Christian theatre practitioners’ follow-up to last winter’s A Christmas Cracker is written by Rachel Price and directed by artistic director Paul Birch.

 Set to bring Yuletide joy to families in Yorkshire and beyond, Christmas Inn Trouble promises to “turn the traditional tale on its head”.

Bother aplenty is afflicting The Bethlehem Inn and Spa, where taps are leaking, the rats are squeaking and the rooms are fit to burst. So many guests have arrived that parking your camel is impossible and, if things were not bad enough already, a rascally Roman soldier has come to make sure everything is above board.

Management problems for Jared More in Christmas Inn Trouble. Picture: Tom Jackson, Jackson Portraiture

“Join Riding Lights as we bring a Christmas comedy filled with silly shepherds, some very (un)wise men and a young family who have no idea what they have let themselves in for,” says says Oliver Brown, Riding Lights’ executive director and co-chief executive officer.

“Christmas Inn Trouble is a fast and friendly festive farce and the perfect way to start your holiday cheer! It’s a funny slapstick comedy perfect for telling the story of the Nativity to primary-school aged children and their families.”

Riding Lights is one of Great Britain’s most productive and long-established independent theatre companies. Founded in York in 1977, the company continues to take innovative, accessible theatre into all kinds of communities far and wide.

Katie Coen’s shepherd in Rachel Price’s play Christmas Inn Trouble. Picture: Tom Jackson, Jackson Portraiture

“Our aim is to make theatre make a difference by creating unforgettable, entertaining theatre in response to current issues and the hopes and fears of the world we share,” says Oliver.

Christmas Inn Trouble will be performed by a cast of Jared More and Katie Coen, with set and costume design by Caitlin Mawhinney and compositions and sound design by Patrick Burbridge.

The tour will take in Barrow-in-Furness, Cumbria; Mold, North Wales; Bulwell, Nottinghamshire; Lliswerry, South Wales; Cheltenham, Gloucestershire; Chiswick, West London; Hadleigh, Colchester and South Benfleet, all Essex; St Albans, Hertfordshire, and, closer to home, The Galtres Centre, Easingwold, concluding the travelling itinerary on December 13 at 2pm.

Behind you! Donkey brings a smile to Katie Coen’s (Un)wise Man in Christmas Inn Trouble. Picture: Tom Jackson, Jackson Portraiture

On the home front, Christmas Inn Trouble will play Riding Lights’ headquarters, Friargate Theatre, Lower Friargate, York, on December 20, 1.30pm and 4pm, then December 21 to 24, 11am, 1.30pm and 4pm.

“We are so excited to bring this fantastically fun and joyful show to the Friargate Theatre this festive season,” says Oliver. “It’s jam packed with puppets, magic, song and story, bringing you the Nativity like you’ve never seen it before!”

Riding Lights prides itself on offering “affordable and accessible arts experiences to everyone”,  so tickets for Christmas Inn Trouble are priced accordingly at £12.50 each or £40 for four people.

To book tickets for the York dates, visit ridinglights.org/christmasinntrouble or call the box office on 01904 655317. Easingwold tickets are on sale at https://www.ticketsource.co.uk/booking/select/mbbjvlpojddg.

Riding Lights Theatre Company’s poster for the festive tour of Christmas Inn Trouble