Tag: City of York Council

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York Museums Trust receives £192,096 from National Heritage Memorial Fund to save Melsonby Hoard for the nation

Dr Adam Parker, curator of Archaeology at York Museums Trust, handling an object in the Melsonby Hoard collection. Picture: Gareth Buddo for York Museums Trust

THE Yorkshire Museum, in York, has received £192,096 from the National Heritage Memorial Fund alongside public fundraising to acquire the Melsonby Hoard for future generations.

Discovered by a metal detectorist in 2021, near the village of Melsonby, North Yorkshire, the collection of more than 800 Iron Age artefacts dates back 2,000 years.

The hoard is a groundbreaking discovery for Iron Age research, featuring objects such as chariot wheels, cauldrons, horse bridles and ceremonial spears.

The quantity and variety of objects are unusual and have important implications for reassessing our understanding of Iron Age life in the north of England.

The hoard was excavated by a team of archaeologists from Durham University who stabilised and began researching this extraordinary find with financial support of more than £120,000 from Historic England and expert advice from the British Museum.

The find was reported under the Treasure Act 1996, administered by the Treasure Registry at the British Museum on behalf of the Department for Culture Media and Sport, and recorded with the Portable Antiquities Scheme.

Dr Andrew Woods, left, and Dr Adam Parker

Thanks to the collective hard work of these organisations, alongside support from the National Heritage Memorial Fund, £54,000 in donations from the public, via the online crowdfunder, and a further £20,000 in other donations, the purchase of the hoard has been secured for the Yorkshire Museum.

Here, further research, conservation and analytical work will be carried out to learn more about its contents and ensure its long-term preservation. It will also become an important part of the Yorkshire Museum’s public programme, sharing the discovery with the museum’s visitors.

The Yorkshire Museum will be continuing its fundraising work to support the next steps for the hoard: conservation, display and research. Conservation will be undertaken to stabilise objects and prepare them for display.

The museum will work in partnership to undertake detailed research into the objects, their context and their significance for understanding life in the Iron Age.

The National Heritage Memorial Fund exists as a fund of last resort to support the acquisition, preservation and maintenance of the UK’s most outstanding heritage to create a publicly accessible and timeless collection as a memorial for those who have given their lives for the UK.

Kathryn Blacker, chief executive of York Museums Trust, said: “The Melsonby Hoard is a significant piece of Yorkshire’s history and York Museums Trust is delighted to have secured the funding to acquire the hoard for the nation.

Objects from the Melsonby Hoard, secured for the Yorkshire Museum. Picture: Gareth Buddo for York Museums Trust

“Thanks to the incredible support of the National Heritage Memorial Fund, as well as generous donations from members of the public, the hoard will remain here in Yorkshire, to be made available for everyone to see and to enjoy.

“We remain committed to researching and conserving these unprecedented finds to improve our understanding of our shared past and securing them for future generations.”

Simon Thurley, chair of the National Heritage Memorial Fund, said: “The Melsonby Hoard throws bright new light on Iron Age life in Yorkshire and beyond. We are pleased to support this acquisition, which will keep the hoard intact, in the county in which it was buried and enable research to take place to gain a deeper insight into its origin and history.

“We are delighted to count the Melsonby Hoard as part of the growing and timeless collection of UK heritage that belongs to all of us forever.”

Dr Andrew Woods, head of research and collections at York Museums Trust, said: “The support from the public, other heritage organisations and the National Heritage Memorial Fund means the Melsonby Hoard remains in Yorkshire for the public.

“This is only the beginning of the story. Next the Yorkshire Museum will work in partnership to undertake a careful programme of conservation to reveal more of the hoard’s beauty and to keep it protected for future generations.

Handle with care: A close-up of an object from the Melsonby Hoard. Picture: Gareth Buddo for York Museums Trust

“There will also be a research project to understand the stories of creation and deposition. Over the coming years the hoard will be put on display, and we cannot wait to share it with our visitors.”

Deputy leader of City of York Council and executive member for economy and culture, Councillor Pete Kilbane, said: “The huge level of public interest in the Melsonby Hoard, and support for keeping it in York, shows just how much people value our city’s role in showcasing the heritage of Yorkshire and these islands that we call home.  It’s a major addition to a fantastic collection in the heart of York. 

“Thanks to all the organisations and public who have supported the project so far.  It feels like we are writing the next chapter in understanding our shared history, and York is at the centre of that story.”

The Yorkshire Museum, Museum Gardens, Museum Street, York, is open Tuesday to Sunday, 10am to 5pm.

The Melsonby Hoard: the back story

IN 2021, a metal detectorist unearthed a vast array of Iron Age metalwork in Melsonby, North Yorkshire. More than 800 items were uncovered, including parts of vehicles such as chariots, weapons and cauldrons, as well as hundreds of individual items, in the largest hoard of Iron Age metalwork found in the UK.

The site is located next to the hillfort at Stanwick, the royal capital of Cartimandua, queen of the Brigantes tribe, and less than 50 miles from the Yorkshire Museum.

This hugely significant discovery is an archaeological time capsule from 2,000 years ago, buried in the first century around the time of the Roman conquest of southern Britain. The quantity and variety of objects found together are highly unusual for the Iron Age.

The hoard includes partial remains of more than seven wagons and chariots, elaborate harnesses for at least 14 horses, three ceremonial spears, two ornate cauldrons, and an iron mirror. Similarities to objects found in France and Denmark and coral imported from the Mediterranean reveal a community with international connections.

A large amount of the material within the hoard was either burnt or broken at the time of burial, suggesting a symbolic process of people showing their wealth and power by destroying the objects.

The fundraising campaign

THE Melsonby Hoard is a game-changing discovery, shedding new light on Iron Age Britain’s technological skill, artistry, trading links and society. Without urgent action, however, this treasure could have been lost to private collections or dispersed beyond the UK.

The value of the hoard was assessed at £254,000. Raising this amount was sufficient to save the hoard from private sale, keeping it in a public museum where it will be available for research and public display.

The objects are all 2,000 years old and require professional conservation to prevent deterioration of the fragile metalwork, enamel and coral. To protect the hoard into the future, additional funds for conservation are needed, so the fundraising continues.

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Return Of The Oaks mural and tree-inspired benches launched by Art Of Protest’s return to nature project in Front Street, Acomb

The launch of the Return Of The Oaks mural in Acomb

THE launch of Art Of Protest’s new mural and street benches drew a big community turnout to Front Street, Acomb, York, last Saturday .

The Return Of The Oaks mural is part of the wider project designed to return nature to the high street. 

Eight public benches have been painted to denote the trees in Acomb, each featuring a carved-out leaf emblem. The trees’ names feature on the benches, serving as a reminder of the diverse ecology in the area. 

In the week leading up to last Saturday’s launch, residents and visitors praised the installation for its brightness and welcoming vision.

The views of the Acomb community were central to the designs. A comprehensive engagement programme featuring 17 events and street art workshops at locations in Acomb captured residents’ wishes. This conveyed the community’s strong voice, now reflected in the geometric design. 

An innovative Street Art Academy trained up the community and four residents were chosen to take part in the talent development programme and assist on the mural. This has created a legacy, boosting the skills and confidence of the participants.

Art Of Protest creative director Jeff Clark said: “I’m beyond pleased to say that this public art project has been a huge success. Getting to know the Acomb community was not only paramount to influencing the design of the artwork but also a real pleasure in itself.”

Art Of Protest lead artist Tom Jackson said: “Working on a project in the place where I live is a privilege. My children and I will walk past this mural almost every day, and I’m fortunate that the people of Acomb have embraced it in such a positive way.”  

A mood of celebration and excitement marked the weekend event at the mural. The Lord Mayor of York, Sheriff and councillors took part in the pop-up street art workshops.

Art Of Protest organised an exhibition of the community art produced from the engagement sessions, held at Rise@ Bluebird Bakery in Acomb Road.

The Rt Hon Lord Mayor of York, Councillor Margaret Wells, said: “It was great to be at the event at the weekend to see the amazing new artwork and other changes around Acomb. This is an incredible piece of work which speaks volumes about working together as a community.

“It is wonderful to see the links to Acomb’s heritage and the local woodland within the paintings. Thank you to everyone involved.”

Councillor Katie Lomas, City of York Council executive member with responsibility for finance and major projects, said: “I am very proud of Acomb and the way the local community has come together to shape these recent changes. This new artwork is a fantastic addition and really pulls together all the work that has been going on to improve the area.

“The wider scheme, funded through the Government’s UK Shared Prosperity Fund, has seen some real investment in the area over recent months. It has brought not only this incredible artwork but also upgraded seating, planting, wayfinding and many other improvements to help ensure Front Street is a great place to be for years to come.

“I would like to thank everybody involved in making this happen and anyone who has got involved along the way. I especially want to pay tribute to the wider engagement work done by the Art Of Protest team to engage and inspire young people across the Acomb area, making sure they know that art is for them too.”

Acomb resident Kat Hunt, mother of one of the talent development students, said: “Throughout the project and the community engagement sessions, my daughter has developed new skills and she has so much more confidence in her artwork as a result. It’s really inspired her. It’s fantastic that Acomb now has such vibrant artwork, inspired by the views of the community.”

Art Of Protest, York’s urban art and engagement specialists, are experts in ‘placemaking’ and approved ‘Alternative Providers’, offering a Street Art Academy through the Danesgate Community Pupil Referral Unit. “We are driven by partnering with the local community, public sector and businesses to transform spaces through public art,” says Jeff. “If you would like to work with us, please contact us at info.aopprojects@gmail.com.”  

The Return Of The Oaks art project is part of the broader scheme to improve Front Street and create a more accessible, vibrant, people-friendly space. City of York Council received £570,000 of UK Shared Prosperity Funding to deliver Phase 2 improvements that include new seating and planters, improved Blue Badge parking, wide and level pedestrian crossings, wayfinding signs and upgraded public loos.

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Art Of Protest nature-inspired bench art and mural revealed ahead of Front Street celebration in Acomb on Saturday

Art Of Protest creative director Jeff Clark with Gemma Waygood-Senior, project manager for the Return Of The Arks project in Front Street, Acomb. All pictures: Jeff Clark

ART Of Protest has installed the Return Of The Oaks benches in Acomb, York, ahead of Saturday’s  mural and bench “reveal” and celebration event in Front Street and Cross Street.

That afternoon comes the opportunity to meet the artists, join in creative spray paint activities and see the unveiling of the mural from 4pm. Further celebrations will follow with a DJ set and community art show at Rise@Bluebird Bakery, in Acomb Road, from 6pm.

Eight wooden benches have been transformed, each painted with a leaf design from the woodland to reflect links to nature.

Return Of The Oaks mural artist Tom Jackson and Art Of Protest workshop leader Chloe Mae. “Both live within a mile of the mural, and this is the closest paint project to their homes they have ever done,” says Jeff Clark

This follows an extensive programme of engagement events and workshops, led by Chloe Mae  where Art of Protest gathered the views and ideas of the Acomb community and gained an understanding of what people would like to see.

Alongside the benches, Art of Protest has been working on the new mural that aims to capture the spirit and sense of community in Acomb.

This art project is part of the wider scheme to improve Front Street and create a more accessible, vibrant, people-friendly space. City of York Council received £570,000 of UK Shared Prosperity Funding to deliver these Phase 2 improvements, including new seating and planters, improved Blue Badge parking, wide and level pedestrian crossings, wayfinding signs and upgraded public loos.

The Oak bench from Art Of Protest’s Return Of The Oaks project in Front Street, Acomb

Councillor Katie Lomas, executive member with responsibility for Finance and Major Projects, said: “This is an incredibly exciting part of the project and it is great to see even more improvements take shape on Front Street.

“This scheme is funded through the government’s UK Shared Prosperity Fund and is helping to create a more accessible and attractive space for people to live, work, shop or visit.

“The newly painted benches are a very welcome addition and do a fantastic job of brightening up the area. The designs for both the artwork and wider Phase 2 improvements are based on significant engagement with the local community, so it will be great to be able to celebrate the progress with local people this weekend.

“I am very much looking forward to seeing the finished mural and would encourage those who live or spend time in Acomb to come along and get involved.”

Chloe Mae and Tom Jackson take advantage of Thursday’s sunny, dry weather to work on the Return Of The Oaks mural in Acomb

Art Of Protest creative director Jeff Clark said: “It was great to see the evolution of the project, taking the community on the journey and developing local talent through the Street Art Academy and artist Tom Jackson, Art Of Protest’s production manager and one half of the Static street art duo with Craig Evans. The feedback was inspirational and there is so much love and pride in the community.

“We are celebrating the return of local trees and a wonderful idea of each bench having a local leaf emblem, so visitors to the area can say ‘see you at the oak bench’.

“Each bench also has a carved-out leaf emblem so they are accessible and engaging. The return of the oaks is then incorporated into the mural design. We are so grateful to the Acomb community, the support and great ideas. Please come and celebrate as this is your hard work.”

Find more information about the Front Street improvement scheme at:  https://www.york.gov.uk/AcombFrontStreet.

Taking shape: Art Of Project workshop leader Chloe Mae, centre, working on the mural with Art Of Protest production manager and Static artist Tom Jackson and Sarah, from the Street Art Academy

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Next Door But One takes next steps to help creative talent with The Producing Hub

Next Door But One’s leadership team: creative engagement manager El Stannage, left, producer Joshua Goodman, artistic director Matt Harper-Hardcastle, associate director Kate Veysey and communications coordinator Anna Johnston

HOT off winning two York Enterprise Awards, Next Door But One is launching The Producing Hub to expand its provision of professional development for creative talents in the city.

Over the past year, the York community arts collective has supported 68 performing arts professionals to nurture their skills and achieve career goals through a series of workshops, one-to-one mentoring and by providing micro-commissions for new work, such as the Yorkshire Trios showcase at York Theatre Royal Studio in late-March.

“Seventy-five per cent have started a new project or developed an existing one; 68 per cent have applied for and secured new jobs or commissions; 50 per cent have applied for funding for their work, and have showcased that work too,” says Next Door But One (NDB1) chief executive officer and artistic director Matt Harper-Hardcastle.

“As one participant described their involvement: ‘The biggest impact from engaging in NDB1’s professional development is how much confidence I’ve gained. I’ve since secured further professional work, I have less imposter syndrome and feel like I belong in this industry.

“The experience of working with NDB1 made me feel validated that I have the skill to pursue acting professionally, and what my USP [unique selling point] is in the industry. I’m able to effectively communicate what I can offer the industry and NDB1 has been instrumental in helping me understand this’.”

James Lewis-Knight, artistic director of Clown Space, recipients of Next Door But One support for professional development

Matt reflects: “We’ve always said that NDB1 is a place where creatives can hang their hat. Being a freelance artist can often feel very lonely, isolating and a bit discombobulating,” he says. “We saw this acutely during Covid. As the world started to open up again following the pandemic, we had an influx of local creatives getting in touch for advice.

“Sixty-seven per cent had had a large proportion of their work cancelled; 50 per cent had struggled to secure the same amount of work since; 42 per cent had considered leaving the industry and their chosen career altogether, and 58 per cent have felt a significant disconnection from the industry as a whole. Local freelancers are the lifeblood of NDB1’s work, so we knew we had to do something about it.”

Since those shockwaves of 2021, NDB1 has provided 28 micro-commissions to writers, directors and actors, run three programmes of professional development workshops, a full year’s coaching for emerging companies and countless one-to-ones with York artists to provide bespoke advice and signposting.

“Now we are launching our most ambitious and robust programme of support for creatives through The Producing Hub Next Door But One,” says Matt. “‘It’s a way to pull together and formalise all the responsive support we’ve been providing into something we can really shout about and invite more people into.”

Firstly, backed by funding from City of York Council (through the UK Shared Prosperity Fund) and Arts Council England, over the next year NDB1 will provide producing support for Thunk-It Theatre’s next tour of New Girl and for the company development of Clown Space, the York company run by professional clown James Lewis-Knight and Emily Chattle that specialises in teaching clowning, full mask and physical theatre.

“Clown Space are at a point where they need support with their creative business plans, vision values and funding mechanisms,” says Matt.

Creative 1:1s. Seed Funding.Seminars. Next Door But One has help and advice on hand for York arts talents

Thunk-It Theatre artistic director Becky Lennon says: “We are thrilled to be joining The Producing Hub. We’ve been lucky to be supported by NDB1 since we first began in 2020 and are excited to be co-producing our now Arts Council England-funded production, New Girl, this autumn with the wonderful support from the NDB1 Team.

“The Producing Hub is a great way for us to learn how to produce our own work in a supported professional set-up. We cannot wait to see how we develop with the amazing backing from the team.”

Secondly, in partnership with York Theatre Royal, NDB1’s Opening Doors will return from November 2024 to provide a series of free professional development workshops built from the needs expressed by York creatives.

“We’re also really excited to take our informal one-to-one surgeries and the ‘cuppa catch-ups’ we regularly have with creatives to provide regular opportunities for creatives to sit with members of the NDB1 team and get the advice they need,” says Matt.

NDB1 associate director Kate Veysey adds: “I think it’s down to our approachability, but we regularly have creatives getting in touch to ask our advice on new projects, to look over applications and even just to be a friendly face to artists who are new to the city.

Thunk-It Theatre in New Girl: Receiving Next Door But One support for next tour

“We really see the value in these quick, responsive interventions and happily go offering space, support and coffee, but as a small team ourselves we were reaching capacity.

“From September, however, NDB1 will be offering bookable slots around the city, for York creatives to set the agenda and receive the headspace of our leadership team on whatever is needed.”

This 1:1 service has been made possible with a grant from YOR4Good, partnering with the University of York’s School of Arts and Creative Technologies, and with the support of Explore York library service and Theatre@41, Monkgate.

Kate continues: “We’re excited by this as we can offer seed funding to support creatives to overcome particular barriers to their desired career progression. This could be affording fees for training courses, hiring space to have a table-read of a new script or even covering access costs to take up new opportunities.”

In addition, a casting call is open until September for NDB1’s May 2025 production of How To Be A Kid. “We’ll be casting from new graduates from the past two years, who’ll do a three-week rehearsal process, incorporating professional training as part of a touring production, with advice on, for example, acquiring professional headshots and talking to casting agents,” says Matt.

To stay up to date with these opportunities and to learn how to engage NDB1’s services, creatives are advised to sign up to the mailing list and fill out Expression of Interest forms, available via the website: nextdoorbutone.co.uk.

Double winners: Kate Veysey, second left, El Stannage, Matt Harper-Hardcastle amd Anna Johnston, of Next Door But One, with Warrick Dent, left, from LNER, after receiving the Community Changemaker and Inclusive Business awards at the 2024 York Enterprise Awards. Picture: Alex Holland
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Which cult classics, music, drama and animated films will feature in The Groves Community Cinema festival at Theatre@41?

The poster for The Groves Community Cinema week

THE Groves Community Cinema returns to Theatre@41, Monkgate, York, from May 5 to 11 for its third film festival with some “pay what you feel” ticket prices.

Looking to build on last year’s success, the event is supported by an ARG (Additional Restrictions Grant) Events and Festivals grant, Make It York and City of York Council.

Next month’s festival promises a wide variety of films, from cult classics and music to drama and animated fun.

“We have nine great films in the programme,” says Theatre@41 chair Alan Park.  “Some famous titles and some less-known works…from Arnold Schwarzenegger’s Terminator to Sir Ian McKellen’s Hamlet, via Spiderman.”

The grants not only enable the festival to take place but also to keep tickets to a reasonable price, and in the case of the two children’s animated films, “pay what you feel”.

“It means families can come along and watch a great animated film on the big screen without spending a fortune,” says Alan.  “There was a wonderful buzz last time and we hope this festival will become a regular event.”

Films showing at the Groves Community Cinema festival will be:

Sunday, May 5

CATCH Arnold Schwarzenegger in action in the 40th anniversary release of his legendary sci-fi classic The Terminator at 6.30pm and stay on for T2 Judgement Day at 8.45pm.

Monday, May 6

FOLLOW the adventures of Marcel The Shell With Shoes On in a big screen debut for this internet sensation at 2.30pm. Pay what you feel.

Rather more serious matters unfold that evening in Anatomy Of A Fall, Justine Triet’s Palme d’Or-winning legal drama that investigates the death of Samuel, found in the snow beneath the secluded chalet he shared with author wife Sandra. Did he fall or was he pushed? Find out if Sandra dunnit at 6.30pm.

Tuesday, May 7

“TO be or not to be” is the question at 7.30pm when the inimitable Ian McKellen appears in Hamlet, filmed using nearly every room of the Theatre Royal, Windsor, to recreate Elsinore Castle, from the basement dungeon to the roof-top battlement.

Wednesday, May 8

IN a 6.30pm programme of Social Cinema shorts from the Yorkshire Film Archive, the films explore everything from social and political issues – including gender equality, homelessness and poverty – to isolation and climate justice. An evening of thought-provoking topics that resonate with the present and question the future.

Friday May 10

HEAR the story of Hedwig’s life through her punk anthems and power ballads and be part of the action by putting your “head in a wig” at the 8pm screening of the cult classic musical Hedwig And The Angry Inch. Free glass of fizz for the most outrageous and inventive wigs!

Saturday, May 11

HOLD tight as Brooklyn teen Miles Morales discovers his new Spidey powers, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask in the animated Spider-Man: Into The Spider-Verse at 2.30pm. Pay what you feel.

At 7.30pm, Jonathan Demme’s documentary Talking Heads: Stop Making Sense captures David Byrne’s legendary New York band in one of the greatest concert films of all time at Hollywood’s Pantages Theater in December 1983. What’s more, the music doesn’t stop when the film does. Stay on afterwards for a drink and a dance to the hits of Talking Heads and fellow 1980s’ greats.

For more info and to book tickets visit Theatre@41 website: https://tickets.41monkgate.co.uk/venue

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Innovative art to bolster summer fayre as New Visuality charity collaborates with Bluberry Academy on June 8 event

Artwork by Alex Utley for Blueberry Academy Summer Fayre

YORK charity New Visuality is bringing newly designed innovative artworks to the Blueberry Academy Summer Fayre the Melbourne Centre, Escrick Street, York, on June 8.

“This annual event is increasingly popular with its learners, learners’ families, and its staff,” says charity co-founder Greg McGee. “Traditionally it has consolidated the work of Blueberry Academy’s commercial arm, Blueberry Academy Pop Up Shop, now at 108 Walmgate,York. Now organisers are keen to widen the net to attract the wider community.”

Curriculum manager Laura Kent says: “The promise of lovely items available for purchase, plenty of tea and coffee and as much cake as you can eat has served us well in the past and is a good reflection of the positive energy created at our events.

“However, we’d like to see members of the public attend, so if people could please spread the word, that would be great. Our collaboration with New Visuality has meant that we have been able to work on the exhibitions we have here on display, as well as items for sale that have been designed using AI software.”

Alex Utley: Artist and activist

Formed in 2007 by Andy Bucklee and Andrew Cambridge, Blueberry Academy provides specialist support for young people and adults with learning differences, autism, social, emotional and mental health needs and/or other disabilities, with employability and independence as educational priorities.

New Visuality, directed by artist husband-and-wife team Greg and Ails McGee, has collaborated on visual arts projects since the beginning. “We received funding from Arts Council England’s National Lottery project grants to work with York’s wheelchair-using community,” says Greg.

“The project, Better Wheels, has gathered a groundswell after working with wheelchair-using residents in Acomb, Westfield, Rawcliffe and Clifton Without. Our plan is to integrate York’s wheelchair-using community with artists in sessions and exhibitions, interfusing traditional skills with innovation, celebrating access to cultural sites.

“It’s been a great success with art displays at Sanderson House, Take5 and Dalton Terrace’s Art Camp. When it comes to Blueberry Academy’s Summer Fayre, we thought, ‘this is an opportunity to build on the work we’ve been doing and to bring in some humour, AI technology and a game-changing exhibition’.”

Be Your Best Planet, by Alex Utley

New Visuality invited digital artist Alex Utley to participate. “Alex is an activist and artist, whose vision on accessibility provides the perfect portal for what Better Wheels has become,” says Ails. “The paintings I created were inspired by him, and the title, Shot In The Dark, a tribute to the Ozzy Osbourne song, was his idea.

“Basically, it’s a series of paintings shot through with positivity. That’s what we got from Alex, and the curatorial decisions were in the main part taken by him, with help from other Blueberry learners.”

Shot In The Dark will be on view for visitors to the summer fayre, alongside stalls selling prints, candles, jewellery, cards and much more, including coasters designed by Alex using innovative AI software, Canva.

He is pleased with the results. “Accessibility is such a massive issue in York, and though I and thousands like me have frustrations, there has been a lot of good work over the past few years,” he says.

 Blueberry Academy learner Joe P curating the summer fayre exhibition 

“I thought it would be better to focus on the humorous side of what it is to be a resident like me in a heritage city in 2023. The coasters incorporate my ideas visually, I’m really proud of them and I’m looking forward to the next limited-edition series.”

Greg is confident the project will continue to engage. “We have kiosks around Acomb where members of the public can leave ideas in a light-hearted way on what access means to them. We have plans to exhibit art based on access with the Bar Convent Living Heritage Centre in Blossom Street.

“We’re set to sit down with policy makers from City of York Council on how we can continue to make progress on York’s accessibility. In the meantime, the summer belongs to Blueberry Academy. We hope to see you there.”

Blueberry Academy Summer Fayre, Melbourne Centre, Escrick Street, York, June 8, 1pm to 3pm. Please note: no parking is available.

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Next Door But One take storyteller version of Philip Pullman’s The Firework-Maker’s Daughter to York libraries at half-term

Ceridwen Smith: Performing The Firework-Maker’s Daughter at York libraries next week

NEXT Door But One are teaming up with Explore York Libraries to bring a magical storyteller performance of Philip Pullman’s The Firework-Maker’s Daughter to four York libraries over half-term.

The award-winning York theatre company originally created their theatrical adaptation as a Zoom performance during lockdown, reaching hundreds of young families desperate for creative projects to engage young ones stuck at home.

The online version was such a hit that Pullman gave permission for a solo storyteller version to be developed for community touring, performed last year by Emma Liversidge .

Backed by City of York Council and Make It York, Next Door But One’s show is to visit Acomb, Tang Hall, New Earswick and York libraries during October half-term, the story now told by Ceridwen Smith .

The poster for Next Door But One’s half-term performances of The Firework-Maker’s Daughter

The show tells the story of Lila’s journey across lakes and over mountains as she faces her biggest fears, learning everything she needs to know to become the person she has always wanted to be.

Next Door But One’s production has been designed to be accessible to all young people and their families, including those with additional sensory needs and learning difficulties. It features Makaton [a language programme that uses symbols, signs and speech to enable people to communicate], magic and loads of audience participation.

Lyndsay Glover, of Explore York said, “We’re so delighted to be bringing this beautiful and magical version of The Firework-Maker’s Daughter to four of our libraries this half-term. We hope to reach a wide range of young families across York with daytime performances at local Explore sites and tickets at just £2.50.”

Sir Philip Pullman, best known for the His Dark Materials trilogy, has been vocal in his support of Next Door But One’s production. Recognising the cost-of-living crisis, he has waived all royalties for these performances, in lieu of a donation to the Trussell Trust, in support of a network of more than 1,200 foodbanks across Great Britain.

Emma LIversidge performing The Firework-Maker’s Daughter on Next Door But One’s 2021 tour. Picture: James Drury

Emma Revie, the Trussell Trust’s chief officer, says: “We’re really grateful to Philip Pullman and Next Door But One for their support. Soaring food and fuel costs are affecting us all, but for families on the very lowest incomes, this crisis means so much more and more people are likely to need a food bank’s help.

“The support of Philip Pullman and Next Door But One will help food banks within our network continue to provide the lifeline of emergency support for local people, while we work in the long term to end the need for food banks, for good. Thank you so much.”

NDB1 artistic director Matt Harper-Hardcastle says: “This project encapsulates everything that Next Door But One stands for. Brilliant, original theatre made in York, for York audiences, with York artists… but also targeted at an audience that might not otherwise get to access theatre and, thanks to Sir Philip’s generous donation to the Trussell Trust, making a wider social impact. I couldn’t be prouder to be bringing this show to York families this half-term.”

Next Door But One present The Firework-Maker’s Daughter at Acomb Library on October 24 at 10am and 11.30am; Tang Hall Library, October 24, 2pm and 3.30pm; New Earswick Library, October 25, 10am and 11.30am, and York Explore, October 25, 2pm and 3.30pm. Tickets: £2.50, family tickets £8.50, at nextdoorbutone.co.uk.

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Navigators Art’s art intervention Coney St Jam goes on show at StreetLife project hub

A collage of artwork from Navigators Art’s Coney St Jam: An Art Intervention exhibition at StreetLife’s project hub in Coney Street, York

TWELVE artists from York collective Navigators Art are opening their mixed-media exhibition at StreetLife’s project hub in Coney Street, York, this evening (17/10/2022).

Drawing inspiration from the city’s rich heritage and vibrant creative communities, the project explores new ways to revitalise and diversify Coney Street, York’s premium shopping street but one blighted with multiple empty premises.

In a creative response to Coney Street’s past, present and future, Navigators Art have made new work for StreetLife, designed to enhance and interpret its research, under the title Coney St Jam: An Art Intervention.

On show from today to November 19 will be painting, drawing, collage, photography, textiles, projections, music, poetry and 3D work. Entry to the exhibition space is accessible by one set of stairs. 

Taking part are: Steve Beadle, figurative painting and drawing; Michael Dawson, mixed-media painting; Alfie Fox, creative photography; Alan Gillott, architectural and scenic photography; Oz Hardwick, creative photography, and Richard Kitchen, collage, abstract drawing, prints and poetry.

So too are: Katie Lewis, textiles; Tim Morrison, painting and constructions; Peter Roman, figurative painting; Amy Elena Thompson, prints and tattoos; Dylan Thompson, composer, and Nick Walters, painting, video and sculpture.

A painting by Nick Walters at Navigators Art’s Coney St Jam show

Here, CharlesHutchPress puts questions to Navigators Art co-founder, artist and poet Richard Kitchen.

How did the exhibition come about?

“I heard talk of this project rather belatedly in April this year. After our Moving Pictures show at City Screen and providing art for York Theatre Royal’s Takeover Festival, I was looking for a community project the group could really get to grips with and actively support.

“I rather cheekily offered our services to the StreetLife project leaders and, after a bit of convincing, they agreed to let us devise an exhibition for them.”

What relationship have you established with StreetLife?

“A very good one. They were a bit wary at first, as we hadn’t been part of the initial set-up, but we convinced them we were genuinely interested in the project and wanted to interpret and enhance their research and findings creatively for a wider audience. That’s one of our missions as Navigators Art. This isn’t just another art exhibition!

“They’ve been really helpful with practical arrangements, allocated us a budget and agreed to let us put on an evening of live performance in aid of the homeless to mark the end of the show on November 19. That’s going to be very exciting.”

Torrents (Willow Herald Speak), by Michael Dawson, from Coney St Jam

In turn, what relationship have you established with project participants University of York, City of York Council, Make It York, My City Centre, York Civic Trust, York Music Venues Network and Thin Ice Press?

“The project leaders are all from the university, so we’ve got to know them, and also Bethan [cultural development manager Bethan Gibb-Reid] at Make It York. We’re not directly involved with the other agents as such, but we’re all part of the same enterprise and hopefully we can continue to develop existing relationships and make new ones.

“Collaboration is what we’re all about, now and in the future. Making project-specific and even site-specific work has been a very positive creative challenge, from which we’ve all learnt something, and we’re looking forward to further opportunities.”

How do you foresee the future of Coney Street?

“It’s in an interesting state of flux. I can’t speak for the StreetLife project itself or even fellow artists, but personally I regret that a future seems securable only through the involvement of giant property developers.

“I wish a more grassroots solution could be sought and found. But the Helmsley Group’s plans are on show to all at the StreetLife hub in Coney Street and there are public feedback forms by way of consultation.

“It looks positive enough, with provision for new green spaces and so on; I just hope it’s not all about financial interest at the expense of those who live here, or about economics over culture and wellbeing. Naturally, I’d love to see a cheap, Bohemian cultural quarter there, but I doubt that’s top of the agenda!

“Whatever the plans, serious thought needs to be given to social issues such as the question of accessibility. If the street is to be traffic-free, it also has to be accessible to all. The present system of bollards means that some people are unable to use the street at all. That doesn’t make sense.”

An exhibit by Tim Morrison, purveyor of paintings and constructions

How much should the past of Coney Street feed into its future?

“Its past was very much involved with the river, and future plans include developing the river area as a public space and retying lost connections between the river and the street in general. The thriving, lively street of yore is a model for what it may become again. And no future is sustainable without a foundation in history.

“The past can be celebrated and kept alive. It doesn’t have to be enshrined as a museum piece; certainly not one that people have to pay to enjoy! That’s something artists can offer.

Who should be taking the lead in envisioning the future? Looking at that list of who’s involved already, how do you establish joined-up thinking?

“That’s a question for them rather than us, I think. We’re only putting up some pictures! But all walks of life and all sectors should be having an equal say. I don’t think any of those groups is acting independently of the others. There is consultation, including with the developers.”

Where do the arts and art fit into that future?

“The arts are essential to public, cultural and personal wellbeing, despite efforts to ignore, undermine, underfund and generally devalue them to a shocking and highly unintelligent extent. The arts should be central to every decision-making process in government and to education at every level.

“In the times we’re living through, we need creative solutions on a gigantic scale and we need the sheer energy of the arts to help us survive and adapt. Those things aren’t going to be provided by bureaucracy or petty squabbling between political parties.

Ana Alisia, Big Issue Seller, by Peter Roman

“I’d say give artists the kudos they deserve and let us help to turn things around. Pay us. Give us space to work in: let us use those empty buildings! Art isn’t just about old monuments. There are many living artists in York who could successfully take on social responsibilities because of the nature of what they do. We’re an asset to the city and should be valued and promoted as such.

“Make Coney Street a flagship enclave for creatives and independent small retailers and an affordable, inspiring resource for the public to enjoy. That’s something we provided when we were based at Piccadilly [Piccadilly Pop Up] and we came to realise more and more how much that environment meant to people and benefited them. Offer that on a much wider scale and we’ll see real change for the better in society.”

What else is coming up for Navigators Art? Are you any closer to finding a new home?

“From January to March next year, some of us will be exhibiting at Helmsley Arts Centre, and we’ll be at City Screen again in March and April. We may be involved with Archaeology York’s Roman dig next year too.

“We’re eager to take on future community projects and commissions. We’re all artists in our own right but collectively we’re about much more than making and selling. We want to make a difference to the city and its people.

“We’ve grown from being just Steve Beadle and myself in 2020 to a trio last spring with Tim Morrison, and now we’re 12, including writers and musicians, as well as visual artists. The group is fluid, though, and we won’t all be involved in every venture. Some will come and go, others will join.

“Many of us have jobs and families and we’ve all worked on this show voluntarily, but I think we can continue to match the size of the group to the size of the project. Clearly, we’re not going to find one home for all and that’s fine. It would be wonderful to have a studio identity but we don’t have the funds for it at the moment.

Cavern, by Richard Kitchen, from Navigatgors Art’s show in Coney Street, York

“Others are welcome to join us any time. Steve and I want to develop the other strand of Navigators Art’s mission statement, which we started at Piccadilly Pop Up last year: to mentor young and under-represented emerging artists. Not everyone at Piccadilly shared that vision but I think we’re better prepared to do it now.

“Apart from anything else, we’d like to shake things up a bit culturally for ourselves. The initial longlist for Coney St Jam artists was quite diverse, but for health-related and other reasons we’ve ended up with a bunch of mostly white males. We’re working on that!”

Coney St Jam: An Art Intervention by Navigators Art, at StreetLife Project Hub, 29-31 Coney Street, York, opening tonight, 6pm to 8pm; then 10am to 5pm, Monday to Saturday, except Wednesdays; 11am to 4pm, Sundays. Free entry.

Free tickets for tonight can be booked via https://streetlifeyork.uk/events/coney-st-jam-navigators-art-exhibition-launch-and-press-night

A live performance event on November 19, from 7pm to 10pm, will mark the end of the show.

What is StreetLife?

FUNDED by the UK Government Community Renewal Fund, StreetLife explores new ways to revitalise and diversify Coney Street, drawing inspiration from York’s history, heritage and creative communities and involving businesses, the public and other stakeholders in shaping the future of the high street.

The project is led by the University of York, in partnership with City of York Council, including Make It York/My City Centre, York Civic Trust, York Music Venues Network and creative practitioners, such as Thin Ice Press.

The poster for Navigators Art’s art intervention at StreetLife
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Stranded in France, Kyiv City Ballet’s first show since Russia’s invasion of Ukraine at York Theatre Royal on June 14 has sold out

Poised: Kyiv City Ballet are heading to York Theatre Royal for one night

KYIV City Ballet’s first British performance since Ukraine came under attack from Russia at York Theatre Royal on June 14 has sold out.

One hundred per cent of ticket sale proceeds will be donated to UNICEF’s Ukraine Appeal from the two-and-a-half-hour special performance that will be split into two parts under the direction of Ivan Kozlov and Ekaterina Kozlova. A class from the Kyiv City Ballet company will be followed by excerpts from ballets such as Swan Lake and The Nutcracker. 

York Theatre Royal chief executive Tom Bird personally invited Kyiv City Ballet to perform in York after learning of the company being stranded in France, where they were on tour as the war broke out in Ukraine. The dancers have stayed there ever since, given that it is too unsafe for them to return home to Ukraine.

“We are proud that York is able to stand in solidarity with Kyiv,” says York Theatre Royal chief executive Tom Bird, who has invited Kyiv City Ballet to the Yorkshire city

“It’s a huge honour to be hosting Kyiv City Ballet at York Theatre Royal,” says Bird. “This is the company’s first UK appearance since their city came under attack, and we are proud that York is able to stand in solidarity with Kyiv by supporting these extraordinary dancers for this one-off visit.” 

City partners in York have come together to make this fundraising performance a reality. Make It York, City of York Council and York BID are all supporting the Theatre Royal with organisation and logistics to bring Kyiv City Ballet to the city. 

Eurostar and LNER have stepped in to arrange the company’s return travel from France to York; Visit York members Elmbank Hotel, Malmaison, Middletons, Sandburn Hall, The Grand, The Principal and York Marriott have offered to accommodate the company and crew during their stay, while City Cruises and Bettys will be providing additional hospitality. A Civic welcome awaits at Mansion House.

Class act: Kyiv City Ballet will combine a dance class with excerpts from Swan Lake and The Nutcracker in June 14’s fundraising show

First Bus will support on the visa costs to bring the company to York; remaining costs and company fees for the performance will be covered through corporate sponsorship. 

Sarah Loftus, managing director of Make It York, says: “We are so proud of our city pulling together to bring the Kyiv City Ballet to York. This is a special opportunity to celebrate world-class performers, while raising vital funds for the people of Ukraine. The generosity of businesses and residents in York has made this possible.”

Councillor Darryl Smalley, executive member for culture, leisure and communities, says: “In what are incredibly dark times, it has been heartening to see York’s response as the city has come together to show our support and solidarity with our Ukrainian friends here in York and in Ukraine.

“Art has a unique way of uniting people and that’s certainly what we need more now than ever ,” says Councillor Darryl Smalley as he welcomes Kyiv City Ballet to York

“From donations and heart-warming signs of solidarity to housing refugees, it’s clear that we as a city are united and ready to do all we can to stand with Ukraine and its people.

“Art has a unique way of uniting people and that’s certainly what we need more now than ever. I’m grateful to all those involved for their support in setting up this amazing event. It will certainly be an emotional and wonderful evening for a crucial cause.”

Andrew Lowson, executive director of York BID, says: “It is always good to hear of high-quality cultural offerings coming to York, but for our city to attract the Kyiv City Ballet will feel really special.

“We are so proud of our city pulling together to bring the Kyiv City Ballet to York,” says Sarah Loftus, Make It York’s managing director

“Many of us feel helpless on how we can support Ukraine, but I know residents and businesses will want to show support and solidarity, as well as celebrate the visit of a world-renowned group of performers.” 

Adam Wardale, chair of Hospitality Association York (HAY) and general manager at Middletons Hotel, said: “The members of HAY are incredibly proud to be able to offer Ukraine’s Kyiv City Ballet performers accommodation throughout their stay in York.

“This is a fantastic opportunity to support Ukraine, showing solidarity while also celebrating the arts.”

Kyiv City Ballet: York to host first UK appearance since Russia’s invasion of Ukraine
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Young talents’ work to go on digital display at According To McGee after Easter’s New Visuality art camp at Bar Convent

Director Greg McGee, right arm raised, leads the cheers at New Visuality’s Easter Art Camp for York school children

YORK charity New Visuality is to illuminate the wall of its gallery window space at According To McGee with the artwork of the city’s young talent.

After holding creative workshops for 25 participants over Easter and renewing its collaboration with University of York’s SplashBy, New Visuality will mount a showcase of digital projections of art, films, and slogans at the Tower Street art space from early May to early June.

“Not only do we want to get the projections up and running before the summer evenings take over,” says charity director Greg McGee. “But also the artwork has been so good, and the links made between grassroots football clubs, community cafés and the city’s heritage so healthy, that a digital exhibition in our window opposite the newly refurbished Clifford’s Tower makes perfect sense, especially if it’s to be done in a timely manner.”

New Visuality’s Art Camp sessions, funded by City of York Council’s Holiday Activities and Food (HAF) programme, focused on healthy eating, physical exercise and how to reflect these issues in painting and digital art.

New Visuality Art Camp participants at Bar Convent at Easter

Teenage art ambassadors from York High School, All Saints School, Millthorpe School, and Archbishop Holgate’s School led the sessions. “Generally, the younger people came from the west of York,” says Greg, “So the visual reference points were West Bank Park, Hob Moor, Acomb Front Street and Acomb Green, but there was also a York-wide conversation to be had.

“One thing we found was that there are so many young people who haven’t experienced heritage in their city, so we organised a trip to Bar Convent Living Heritage Centre.

“As ever, the welcome was warm and the experience was a real buzz, especially the reading session we had with internationally published author Karen Langtree.”

Bar Convent staff were delighted to see the young artists sit down and draw, take photos with professional cameras and listen to the excerpts.

“I Hope We Can Play Footy”: Artwork by Erin from the New Visuality Art Camp, soon to feature among the digital projections at According To McGee

Volunteers manager Lauren Masterman says, “It was a joy to welcome these young artists to the Bar Convent. They brought great energy and enthusiasm as they explored the chapel and the collections in our exhibition, and it was lovely to see how much they enjoyed Karen Langtree’s interactive storytelling session. We’re very much looking forward to seeing the artwork they have produced.”

The activities were fuelled each day with fresh food from Choose 2 Cafe, a not-for-profit social enterprise based in Hull Road. “The food was great and led to lots of discussions on how fast-food outlets manipulate catchy slogans and attractive colour schemes to reel you in,” says Greg.

“To help hammer home how important a healthy lifestyle is, we knew we had to get in someone who the young people could relate to, so we gave grassroots football club York RI a call.”

Step forward Under-14s players Matteo and Niall. “Their careful guidance and knowledgeable overview of what to eat and how to make fresh fruit as attractive an option as fast food were humbling,” says Greg.

Food, football and now art ambassadors: Niall, left, and Matteo, from the York RI Football Club’s Under-14s team, dispensing healthy tips and fodder at the New Visuality Art Camp

“As far as we’re concerned, Matteo and Niall can proudly call themselves art ambassadors and can count on similar paid opportunities in the future. I’m looking forward to watching them continue to help develop the creativity of the young people we work with.”

Matteo was delighted to take part in the activities, “It was great to be around creative people and help inspire them with how to draw art linked with sport and to give advice on what to eat and how to exercise.” 

Look out for the digital projections in the window of According To McGee from May 5, every night from 5pm to 10pm, for a month. “The artwork itself is excellent, and now we have the technology we can get it out in an elegant, immersive way and allow it to develop with the artwork from future art camps,” says Greg.

“Watching this project evolve from a school holiday art camp into a far-reaching collaboration with York schools, Bar Convent, and York RI Football Club has been a highlight of my career.”