OPINION: Is Martin at his Witts’ end or could the Great Yorkshire Fringe rise again?

EVERY gag has a punchline, but sometimes, as Morrissey once sang, that joke isn’t funny anymore, and so the Great Yorkshire Fringe has had its last laugh in York after five years.

Founder and director Martin Witts, a hugely experienced impresario who runs the Leicester Square Theatre and Museum of Comedy in London, but whose home and heart are in York, cuts a frustrated figure in his reasoning.

“Our experience of sponsoring, curating and managing an event in this small city of ours has led us to the conclusion that until a well-managed and efficient city-centre management is implemented, a festival of our size cannot thrive and does not have a place in York,” he said in his formal statement.

Loosely translated, that means red tape, whether applied by the City of York Council or its cultural ambassador, Make It York.

Were his grievances insurmountable? Did they leave him at his Witts’ end? Or is there more to it than that?

Last summer, there was no longer enough room at the St Sampson’s Square end of Parliament Street to accommodate The Turn Pot tent to complement the White Rose Rotunda spiegeltent and The Teapot tent on the festival village green, and so the festival spread out to more locations than ever before across the city. On the one hand, that increased the festival profile; on the other, crucially it dissipated its central meeting ground.

Some people said the ticket prices were high, some reckoned the quality of the acts had lowered, especially among the newer, burgeoning acts making their way to the Edinburgh Fringe; others felt the same names kept returning.  

In other words, festivals have a natural cycle, and the fickle world of comedy is particularly prone to “the new rock’n’roll” going in and out of fashion.

Could Martin Witts take the Great Yorkshire Fringe to another Yorkshire city? Possibly, but more likely he will deliver on his promise to continue to invest in the cultural scene of York with high-quality individual events, although a spiegeltent festival would be most welcome too.

Charles Hutchinson

Copyright of The Press, York

A fete worse than death on the way in Ayckbourn’s Ten Times Table

The Classic Comedy Theatre Company in Alan Ayckbourn’s Ten Times Table, on tour at the Grand Opera House, York, next year. Picture: Pamela Raith

ALAN Ayckbourn’s Ten Times Table, the debut production by the Classic Comedy Theatre Company, will play the Grand Opera House, York, from February 10 to 15 next year.

This touring show is produced by impresario Bill Kenwright and his team behind the Agatha Christie, Classic Thriller and Classic Screen To Stage theatre companies for more than 15 years.

Premiered in January 1977, Ten Times Table is “the one with the committee from hell and a fete worse than death”. 

In the long-since grand ballroom of the Swan Hotel, a most miscellaneous assemblage gathers to conduct the business of the Pendon Folk Festival.

A tense moment in the Classic Comedy Theatre Company’s Ten Times Table. Picture: Pamela Raith

Unfortunately for excitable chairman Ray, his calamitous committee quickly divides as his wife, Helen, has a bone to pick.

Add a Marxist schoolteacher, a military dog breeder and an octogenarian secretary, and the table is set for a tumultuous comedy by committee.

In the cast will be Robert Dawes, Deborah Grant, Mark Curry, Robert Duncan, Elizabeth Powers, Gemma Oaten and Craig Glazey.

Tickets are on sale on 0844 871 3024 or at atgtickets.com/york.