Wharfemede Productions to stage Little Women – The Broadway Musical at Theatre@41, Monkgate. Who’s in the cast?

Rachel Higgs, left, Connie Howcroft, Tess Ellis and Catherine Foster in rehearsal for Wharfemede Productions’ Little Women – The Broadway Musical. Picture: Helen Spencer

WHARFEMEDE Productions will stage their first solo production, Little Women – The Broadway Musical, at Theatre@41, Monkgate, from February 18 to 22.

Based on Louisa May Alcott’s 1868–1869 semi-autobiographical two-volume novel, Allan Knee, Mindi Dickstein and Jason Howland’s show focuses on the four March sisters – traditional Meg, wild, aspiring writer Jo, timid Beth and romantic Amy – and their beloved Marmee, at home in Concord, Massachusetts, while their father is away serving as a Union Army chaplain during the American Civil War.

Vignettes wherein their lives unfold are intercut with several recreations of the melodramatic short stories that Jo writes in her attic studio in a musical featuring a book by Knee, lyrics by Dickstein and music by Howland.

“Rarely produced in the UK since its Broadway debut in 2005, this is a unique opportunity for musical and literary lovers to see this fabulous adaptation,” says director Helen “Bells” Spencer, Wharfemede Productions’ chief artistic director and co-founder.

Connie Howcroft (Jo March) and Steve Jobson (Laurie) in the rehearsal room. Picture: Matthew Warry

“Little Women is a character-driven musical with family and friendship at the heart of this beloved story. I fell in love with this musical the first time I listened to it and having never seen it on stage. The score is beautiful, rousing and reflects the traditional setting of the piece, with spectacular group numbers and heartfelt solos.”

Helen continues: “As Wharfemede’s first independent production, it was the perfect size company and we are incredibly lucky to have some of the best performers in York in our ten-strong cast.

“Leading our cast as the passionate and fiery Jo March will be the incredible Connie Howcroft. I knew that Connie had sung Astonishing, the most famous song from the show, in her graduation ceremony several years ago so, ‘some things are meant to be’.

“Having performed with Connie several times, there was no doubt in my mind that she was perfect for this challenging role, with her incredible vocals and strength as an actor.”

Andrew Roberts (Mr Brooke) rehearsing a scene from Little Women. Picture:Matthew Warry

 The rest of the cast was “honestly, just as easy to fall into place”, reveals Helen. “I was extremely lucky that they all said Yes!”

Joining Connie in the company will be Catherine Foster as Meg; Rachel Higgs as Beth; Tess Ellis as Amy; Spencer herself as Marmee; Rosy Rowley as Aunt March; Steven Jobson as Laurie; Nick Sephton as Professor Bhaer;  Andrew Roberts as Mr Brooke and Chris Gibson as Mr Lawrence.

“We have spent a lot of time working on the rich characters and building a bond in the cast that shines through on stage. I am so excited for our audiences to see this moving and funny show,” says Helen, who is working alongside musical director Matthew Clare, assistant directors Rosy Rowley and Henrietta Linnemann and choreographer Rachel Higgs in the production team.

Formed by Helen and chief operating officer Nick Sephton, Wharefemede Productions made their debut last October, staging Jason Browne’s The Last Five Years in tandem with fellow York company Black Sheep Theatre Productions at the National Centre for Early Music, York.

Wharfemede Productions present Little Women – The Broadway Musical, Theatre@41, Monkgate, York, February 18 to 22, 7.30pm plus 2.30pm Saturday matinee. Box office:  tickets.41monkgate.co.uk.

Who are Wharfemede Productions?

Wharfemede Productions chief operating officer Nick Sephton and chief artistic director Helen Spencer at last September’s company launch in the Wharfemede garden

CO-FOUNDED by chief artistic director, musical actress and psychiatrist Helen “Bells” Spencer and chief operating officer, musical actor and former Joseph Rowntree Theatre Company chair Nick Sephton last September, the innovative company takes its name from their home in Thorp Arch and is dedicated to bringing high-quality musical productions and events to Yorkshire, with respect and openness at the heart of its work.

Having gained a drama degree from Manchester University and then co-founded and company managed Envision Theatre Company, this new company marks a return to her roots for Helen.

Calling on decades of logistics, managerial and computing experience, Nick is excited to be founding a company that uses these skills, combined with his love for music and theatre.

Hooray for the Hollywood Sisters as they raise funds for York Mind at Friday concert with musical friends at Theatre@41

The Hollywood Sisters: Cat Foster, left, Rachel Higgs, Helen ‘Bells’ Spencer and Henrietta Linnemann

THE Hollywood Sisters will be joined by friends for a night of musical cabaret in aid of York Mind at Theatre@41, Monkgate, York, on Friday at 7.30pm.

The luscious close harmonies of the Hollywood Sisters will be complemented by guest appearances from “the finest talent York has to offer”: The Rusty Pegs, Jennie Wogan-Wells, Richard Bayton, Nicola Holliday, Matthew Clare, Connie Howcroft, John Haigh and Mark Lovell.

“Expect an evening of music, song and sprinkle of festive cheer to kick off December,” says Hollywood Sister Helen ‘Bells’ Spencer. “All profits from the evening will go to mental health charity York Mind.”

Richard Bayton, left, and John Haigh: Guest singers at the Hollywood Sisters And Friends charity concert

The Hollywood Sisters, Cat Foster, Henrietta Linnemann, Rachel Higgs and Bells, met in 2020 when they were cast together in York Musical Theatre Company’s Hooray For Hollywood, Paul Laidlaw’s nostalgic, whirlwind journey through the sounds of a bygone era from the MGM, Warner Bros, RKO and Universal studios, staged that November at the Joseph Rowntree Theatre.

“We instantly forged a special bond and after the show finished, we kept in close contact,” says Bells. “Many meet-ups over tea and cake later, the Hollywood Sisters were devised.

“In honour of the show we met on, and because we all have a shared love of vintage glamour, we kept the Hollywood part of our name and style as a group. Now we’re delighted to be welcoming back John Haigh and Richard Bayton, who were also in Hooray For Hollywood. We can’t wait to all be singing together again!

“Added to these crooners, we couldn’t be more thrilled to have guest appearances from three phenomenal female vocalists, Jennie, Connie and Nicola, and we’ll all be accompanied by the brilliant Rusty Pegs, Matthew Clare on piano and Mark Lovell on double bass.”

“We instantly forged a special bond,” says Helen ‘Bells’ Spencer, left, one that led to the Hollywood Sisters’ formation

Friday promises a relaxed cabaret-style event with the bar open throughout. “There’ll be music from across genres but always featuring gorgeous harmonies and a few festive numbers to get December started with some cheer!” says Bells.

“We also have a raffle with some amazing prizes to be won: £100 meal voucher, Tea for Two in Malton, art prints, Prosecco and much more. If you can’t make the gig but would like to buy a raffle ticket to support York Mind, please head to our just giving page and leave your email address.”

https://www.justgiving.com/page/hollywoodsisters-1700920962362?utm_medium=fundraising&utm_content=page%2Fhollywoodsisters-1700920962362&utm_source=copyLink&utm_campaign=pfp-share

“Due to popular demand, we’ve added a few extra tickets, so grab them before they’re gone,” advises Bells. Box office: tickets.41monkgate.co.uk.

The poster artwork for Hollywood Sisters And Friends at Theatre@41, Monkgate on Friday night

REVIEW: Joseph Rowntree Theatre Company in Musicals In The Multiverse, Joseph Rowntree Theatre, York ****

Guitarist Mickey Moran hits the histrionic heights in Bat Out Of Hell’s Dead Ringer For Love, the first-half climax to Musicals In The Multiverse. Pictures: Holly Brighton

JOSEPH Rowntree Theatre Company’s summer show is restricted to only two performances. Big cast, bags of energy and enthusiasm, fun idea for a show, and it would surely have merited a longer run.

Decent house last night, and an even bigger audience is expected tonight, with all proceeds going to the JoRo Theatre, as is the case with all JRTC productions.

This one is directed by Helen ‘Bells’ Spencer, who played the lead in Hello, Dolly! in February and now pulls the strings with aplomb.

Steven Jobson welcoming the audience to the Multiverse

She pops up in two numbers too (Beauty And The Beast’s Tale As Old As Time with Catherine Foster and an amusing pyjama party revamp of City Of Angels’ What You Don’t Know About Women with Foster, Connie Howcroft, Nicola Strataridaki, Jennie Wogan-Wells and Tessa Ellis).

Meanwhile, her children, Tempi and Lao Singhateh, enjoy a sweet, humorous cameo in Matilda’s When I Grow Up, where adults sing the children’s lines.

The show’s concept is playful, radical too, and has the potential to be rolled out again. Imagine alternative worlds – a multiverse – where musical favourites take on a new life with a change of gender, era, key or musical style, arranged with glee, joy and flourish after flourish by musical director Matthew Peter Clare for his smart band.

Connie Howcroft: A major transformation of Frozen’s Let It Go in a foreboding minor key

The opening ensemble number Pure Imagination, from Charlie And The Chocolate Factory, is an invitation for the audience to use exactly that, as songs are freed from the chains of their usual presentation.

Blood Brothers’ That Guy, without a change of lyrics, is now sung by two females, Ashley Ginter and Scarlett Rowley, who later thrives on Jennie Wogan-Wellss’ choreography in the dance number Electricity from Billy Elliot.

In His Eyes, from Jekyll & Hyde The Musical, makes the reverse switch, given to James Willstrop and Ryan Richardson in a stand-out first half duet.

High point: Scarlett Rowley is held aloft in the Billy Elliot dance number Electricity

Porgy & Bess’s Summertime blossoms anew in a barbershop setting, Jennifer Jones leads the dance ensemble in a swish Luck Be A Lady from Guys And Dolls, and Nicola Strataridaki has the last word in her slick duet with Chris Gibson in Lady Is A Tramp.

In a shift from major key to foreboding minor, Connie Howcroft deep-freezes Frozen’s Let It Go, the closing line, “The cold never bothered me anyway”, now so chilling.

In the oh-so-right choice of first-half climax, Rosy Rowley rivals Meat Loaf’s braggadocio in Dead Ringer For Love (from Bat Out Of Hell), while a series of men take on Cher’s swaggering responses. Always an over-the-top number, it becomes a company pile-on as everyone joins in, beer bottles in hand, and heavy metal-haired guitarist Mickey Moran strides to the front for a rock god solo. Moran, by the way, is outstanding throughout.

A mother’s plea: Jennie Wogan-Wells sings Les Miserables in a First World War setting

The second half opens in Matilda’s classroom before Jennie Wogan-Wells delivers the night’s most moving solo: transforming Les Miserables’ Bring Him Home into a mother’s prayer for her son to return safely from the First World War trenches.

Nick Sephton’s It’s All Coming Back To Me Now (from Bat Out Of Hell) is powerfully, sombrely reflective, Rachel Higgs’s Part Of Your World, from The Little Mermaid, is the second belter to benefit from the switch from major to minor; Steven Jobson and Richardson make you know I Know Him So Well in a new way and Rosy Rowley and Abi Carter likewise transform La Cage Aux Folles’ Song On The Sand.

The most impactful reinvention of all, made all the punchier by Wogan-Wells’s choreography, is Cell Block Tango, where Richard Goodall, Gibson, Richardson, Jack James Fry, Jobson and Willstrop’s murderers in toxic orange prison overalls brag about their deeds, as the dancers strut around them in familiar Chicago style.

Murdering a song…most entertainingly: the orange-overalled prisoners (Richard Goodall, Chris Gibson, Ryan Richardson, Jack James FRy, Steven Jobson and James Willstrop) brag of their crimes to the Dancers in Chicago’s Cell Block Tango

Tessa Ellis turns Beauty And The Beast’s Evermore into a Sixties ballad in Dusty Springfield or Petula Clark style; Howcroft, superb again, and Wogan-Wells vie for centre stage in The Wild Party’s Let Me Drown, and Rosy Rowley has the audience on its feet, after some insistent cajoling, for the finale, as she deepens Frankie Valli’s lead vocal in Jersey Boys’ Who Loves You?

Musicals In The Multiverse turns out to be out of this world. A sequel will surely follow.

Joseph Rowntree Theatre Company in Musicals In The Multiverse, Joseph Rowntree Theatre, York, tonight (30/6/2023) 7.30pm. Box office: 01904 501395 or josephrowntreetheatre.co.uk.

Helen Spencer directing a rehearsal of Musicals In The Multiverse. Picture: Jenny Jones

Coming next from Joseph Rowntree Theatre Company

JOSEPH Rowntree Theatre Company will present a full-scale production of the musical whodunit Curtains, from the creators of Cabaret and Chicago, Fred Ebb and John Kander, at the Joseph Rowntree Theatre, York, from February 7 to 10 2024.

British-American composer, singer-songwriter, dramatist and author Rupert Holmes wrote the book for this 2006 comedy mystery set in the 1950s. Ebb ebbed away (RIP September 11 2004) before its completion.

The song What Kind Of Man? attacks theatre critics. Ouch!