The cover artwork for Shed Seven’s Liquid Gold, released on Cooking Vinyl tomorrow
SHED Seven’s album of orchestral reworkings, Liquid Gold, arrives tomorrow on Cooking Vinyl as their 30th anniversary celebrations take to the road.
These gilded reinventions were recorded in collaboration with arrangers Fiona Brice and Michael Rendall, Rendall having teamed up with the Sheds for 2017’s Top Ten comeback album Instant Pleasures and 2024’s A Matter Of Time.
The track listing will be: Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch; Better Days; Parallel Lines; Disco Down; Ocean Pie; new composition All Roads Lead To You and Chasing Rainbows.
Already the York band have trailered the 12-track recording with a quintet of tasters: Speakeasy, Devil In Your Shoes, Getting Better, the BBC Radio 2 B-listed Waiting For The Catch duet with Issy Ferris, of UK folk/rock/Americana duo Ferris & Sylvester, and, most recently, Chasing Rainbows, their most streamed song of all time and perennial set closer.
Originally released on 1998’s Let It Ride, Chasing Rainbows has been reshaped with a string arrangement and plaintive piano before the Sheds furnish the song still further, giving its melancholy and yearning a deeper resonance.
Frontman Rick Witter says: “When we set out to re-record Chasing Rainbows for Liquid Gold, this particular track presented a different kind of challenge. We knew we were handling something with extreme care, as we understand just how significant Chasing Rainbows is to so many of you! It’s not just a song but a part of your lives and memories. We read your comments and felt the impact this song has had.
The artwork for Shed Seven’s Liquid Gold version of Chasing Rainbows
“In crafting this new version, we poured all that emotion and significance into it. As we worked in the studio, it became clear that this rendition embodies a collective spirit. It’s not meant to be better than the original but rather to stand as its sister, a cinematic alternative, like the closing scene of a movie. That’s why it sits proudly at the end of Liquid Gold. You can almost hear your voices singing long after the record has finished.”
On the heels of being named as ambassadors forNational Album Day, playing Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25, and BBC Radio 2 In The Park in Preston on September 8, the Sheds head out on a record store tour of short sets and record signings tomorrow.
They also will perform six intimate shows to mark the 30th anniversary of their 1994 debut album, Change Giver, before their full-scale headline tour starts on November 14.
A year that began with Shed Seven topping the album charts for the first time in January with A Matter Of Time will end with Witter and guitarist Paul Banks going back to where the Sheds’ story began, when the two former Huntington schoolboys play acoustic shows at the Huntington Working Men’s Club in York on December 21 and 22.
The Liquid Gold album campaign has been given further impetus with a Bootleg Edition, featuring stripped-back artwork hand-stamped by a band member and five bonus tracks, available as a specially priced CD and on black double-vinyl.
Other formats include signed yellow splatter double-vinyl and a Live At York 2CD that adds a live album recorded at the brace of York Museum Gardens 30th anniversary gigs in July. The Sheds’ official store also offers fans the chanced to build their own custom album bundles. All pre-orders are on sale at shedsevenn.lnk.to/LiquidGoldPR
Shed Seven’s gig diary: September 27 to December 22
Starry starry night: Rick Witter leading Shed Seven at York Museum Gardens in July. Picture: David Harrison
September 27, Manchester, HMV (1pm SOLD OUT)
September 27, Bury, Wax & Beans (6pm SOLD OUT)
September 28, Birmingham, HMV (1pm SOLD OUT)
September 28, Leamington Spa, Head Records (5pm SOLD OUT)
September 29, London, Rough Trade East (5pm SOLD OUT)
September 29, London, Rough Trade East (7pm SOLD OUT)
September 30, Southampton, Vinilo (1pm SOLD OUT)
September 30, Brighton, Resident Music (6.30pm SOLD OUT)
October 1, Bristol, Rough Trade (12 noon LOW TICKETS)
October 1, Bristol, Rough Trade (5pm SOLD OUT)
October 2, Nottingham, Rough Trade (12 noon SOLD OUT)
October 2, Nottingham, Rough Trade (6pm -SOLD OUT)
October 3, Sheffield, Bear Tree Records (12 noon SOLD OUT)
October 3, Liverpool, Jacaranda (7pm SOLD OUT)
October 4, Newcastle, Beyond Vinyl (6.30pm SOLD OUT)
October 10, Kingston-Upon-Thames, Pryzm, Change Giver show, hosted by Banquet Records (EXTRA SHOW ADDED)
October 11, Kingston-Upon-Thames, Pryzm, Change Giver show, hosted by Banquet Records (SOLD OUT)
October 12, Coventry, HMV Empire, Change Giver show (SOLD OUT)
October 16, Edinburgh, Assai Records (12 noon SOLD OUT)
October 16, Glasgow, HMV (5pm SOLD OUT)
October 17, Glasgow, SWG3, Change Giver show, hosted by Assai Records (SOLD OUT)
October 18, Manchester Academy 2, Change Giver show, hosted by Crash Records (SOLD OUT)
October 19, Leeds Beckett Student Union, Change Giver show, hosted by Crash Records (SOLD OUT)
30th anniversary party time: Shed Seven’s Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills. Picture: Chris Little
November 14, Sheffield Octagon (SOLD OUT)
November 15, Cardiff University Great Hall
November 16, Liverpool University Mountford Hall (LOW TICKETS)
November 18, Halifax, Victoria Theatre (LOW TICKETS)
November 19, Hull City Hall
November 21, Aberdeen Music Hall (SOLD OUT)
November 22, Glasgow O2 Academy (SOLD OUT)
November 23, Edinburgh O2 Academy (LOW TICKETS)
November 25, Leicester O2 Academy (LOW TICKETS)
November 26, Margate, Dreamland
November 28, Bristol O2 Academy (SOLD OUT)
November 29, Newcastle O2 City Hall (LOW TICKETS)
November 30, Leeds O2 Academy (SOLD OUT)
December 2, Oxford O2 Academy (SOLD OUT)
December 3, Lincoln, Engine Shed (LOW TICKETS)
December 5, Stockton Globe
December 6, Manchester O2 Victoria Warehouse (SOLD OUT)
December 7, Birmingham O2 Academy (SOLD OUT)
December 9, Norwich – The Nick Rayns LCR, University of East Anglia (SOLD OUT)
December 10, Cambridge, Corn Exchange (LOW TICKETS)
December 12, Bournemouth O2 Academy (LOW TICKETS)
December 13, Nottingham, Rock City (SOLD OUT)
December 14, London O2 Academy, Brixton (SOLD OUT)
December 21, Rick Witter & Paul Banks, Huntington Working Men’s Club, York, acoustic gig (SOLD OUT)
December 22, Rick Witter & Paul Banks, Huntington Working Men’s Club, York, acoustic gig (SOLD OUT)
For ticket availability, head to shedseven.com/gigs.
Shed Seven performing Throwaways with special guest Peter Doherty at York Museum Gardens on July 19. Picture: Barnaby Fairley
Step One: Night two of the Sheds’ 30th anniversary homecoming concerts, Live At York Museum Gardens, presented by Futuresound, on July 20
Set list: Let’s Go; Speakeasy; Where Have You Been Tonight?; High Hopes (with Duke Witter); Dolphin; Devil In Your Shoes; Tripping With You (with Laura McClure); Bully Boy (with Huntington School Choir); Ocean Pie; Parallel Lines; In Ecstasy (with Rowetta); On Standby; Going For Gold; Suspicious Minds; Talk Of The Town; Getting Better; Let’s Go Dancing.
Encores: Room In My House; Throwaways (with Peter Doherty); Disco Down; Chasing Rainbows (with choir, McClure, Rowetta and support acts Doherty, Brooke Combe and Apollo Junction).
CharlesHutchPress viewpoint: As central as a centre-spot, standing with a cluster of chanting York City fans, former manager Michael Morton (February-August 2023) at their core, and a bunch of Sheds-loving former University of York students, meeting up from all over the country for the first time since 1997.
Different set list? Out went She Left Me On Friday (they left it out on Saturday), People Will Talk and The Heroes. In came: Where Have You Been Tonight? and Parallel Lines.
Other differences?
*Shed Seven arrived on stage at 8.30pm rather than 8.40pm.
*Different members of Huntington School Choir sang Bully Boy.
*The Sheds’ friend Stuart Allan, guitarist and vocalist in York band Johnny And The Dunebugs, guested on guitar throughout the Sheds’ set, introduced by Rick Witter as “the fifth Beatle”.
The same on both nights:
*The show-opening recorded poetry reading of The Boys Are Coming Home – a hymn of praise to York’s “characters, cobbles and quirks” – by Matt Abbott, Wakefield poet, educator, activist and former frontman and lyricist of Skint & Demoralised. Commissioned by guitarist Paul Banks.
*Backing singers Mary Pearce and Beverly Skeete, as featured on the Shed Seven albums Instant Pleasures, A Matter Of Time and the upcoming Liquid Gold.
*Special guests Laura McClure, from Reverend And The Makers, Rowetta, from the Madchester Nineties’ scene, and The Libertines’ Peter Doherty, all reprising their contributions to the Sheds’ number one album, A Matter Of Time.
*Brass section of Tim Hurst, trombone; Andy Cox, saxophone; Jamie Brownfield, trumpet.
*The presence of a film crew, led off on Friday by the camera following Rick Witter from the Museum Street entrance, “walking towards the stage like a boxer entering the ring” (to quote Ste’s comment on CharlesHutchPress’s review of the first night.
Why filming?
“The idea of filming the weekend is trifold,” says Rick. “We wanted to make a video for the most recent Liquid Gold release, Getting Better, which came out on Monday evening (July 22). Worth a watch!
“We’re also releasing a ‘Live At Museum Gardens’ variant to coincide with the release of Liquid Gold on September 27. And then possibly we’ll release a DVD of the Museum Gardens gigs, along with all the promo vids from A Matter Of Time onwards and a small documentary about the Sheds. The year of the Sheds indeed.”
Final CharlesHutchPress thoughts: Loved Room In My House and Talk Of The Town becoming latter-day crowd favourites already. Rick’s “dad dancing” with son and Serotones singer Duke in High Hopes. The set – pre-encores – closing with Let’s Go Dancing’s a cappella coda, “Lonely words seek an empty page/Curtain call, time to leave the stage/ It’s time to stop…”.
Peter Doherty and his dapper chapeau – plonked briefly on Witter’s head – loving every minute, whether in Throwaways or the everything-plus-the-kitchen-sink Chasing Rainbows finale. The departing hordes still singing Chasing Rainbows as they crossed Lendal Bridge, homeward bound and euphoric.
Step two: New single Waiting For The Catch and new album Liquid Gold
Shed Seven with Issy Ferris, of Ferris & Sylvester, guest vocalist on Liquid Gold orchestral reworking of Waiting For The Catch. Picture: Andy Little
“HI MATE. Sorry just shooting a video to a new song. It’s all go.” So messaged Rick Witter, on July 22, explaining his delay in answering a handful of CharlesHutchPress questions.
That song is new single Waiting For The Catch, a duet with Issy Ferris, of UK folk/rock/Americana duo Ferris & Sylvester, who released their second album, Otherness, on March 1 on Arch Top Records.
Premiered on the Zoe Ball Breakfast Show on BBC Radio 2 on August 8, Waiting For The Catch is a new reworking of an Instant Pleasures bonus track from the York band’s career-spanning orchestral album Liquid Gold. Watch here: https://www.youtube.com/watch?v=_HKKvnD-tII.
“Waiting For The Catch fits perfectly alongside some of our biggest hits,” says Rick. “The song has the classic ‘Can’t live with you, can’t live without you’ sentiment and we felt making it a duet would fit perfectly with the lyrical theme.
“So we invited the amazing Issy Ferris to add her beautiful voice to the track, which gives it a yearning, but also vengeful energy. You want to hear Shed Seven arena-sized? No problem, it’s our pleasure.”
Liquid Gold’s orchestral reinventions were recorded in collaboration with arrangers Fiona Brice and Michael Rendall. Brice had worked previously with Liam Gallagher and Placebo, while Rendall had teamed up with the Sheds for 2017’s Top Ten comeback album Instant Pleasures and A Matter Of Time.
“This year we celebrate 30 years as recording artists and, after reminiscing about our career, we thought we’d celebrate the milestone by revisiting some key songs from our past,” says Rick.
“The idea being that if we cherry picked a hatful of songs and recorded them now, it would be a coherent stroll down memory lane but also sit sonically beside A Matter Of Time. A logical next step.”
Rick continues: “We see this record as a gateway into the world of Shed Seven. We also felt that adding an orchestra to each track would lend the whole project a unique slant. The songs have become widescreen, full of colour.
“The original recordings will always hold a special place in our hearts but re-recording the chosen songs was an exciting prospect for us. It’s a gift from the band to our loyal supporters and will hopefully introduce some golden moments throughout our career to a whole new audience. Enjoy, and here’s to the next 30 years!”
A signed copy of Liquid Gold: One of multiple formats of the new album
Set for release on Cooking Vinyl on September 27, Liquid Gold can be pre-ordered at shedsevenn.lnk.to/LiquidGoldPR, with formats ranging from signed copies and vinyl to CD and cassette versions.
The Sheds have just launched a new bootleg edition, each with artwork individually hand-stamped by the band, that adds three songs from their BBC Piano Room session, a live recording of Casino Girl, and remix of In Ecstasy.
That Piano Room session in May saw the Sheds perform Chasing Rainbows, Talk Of The Town and a cover of Duran Duran’s Planet Earth with the BBC Concert Orchestra at Maida Vale studios.
The album track listing will be: Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch (featuring Issy Ferris); Better Days; Parallel Lines; Disco Down; Ocean Pie; new composition All Roads Lead To You and Chasing Rainbows.
A special Live @Museum Gardens 2CD edition can be pre-ordered at store.shedseven.com/product/148214?password=LG-YORK-EM. Featuring a bonus disc of live tracks recorded at the two shows, it comes with alternative artwork to commemorate the occasion.
In the immediate aftermath of the Museum Gardens shindigs, the Sheds released a video of the Liquid Gold version of Getting Better, filmed on and off stage over the two days, capturing the band, special guests Peter Doherty, Rowetta and Laura McClure and Friday support acts The Lottery Winners and Serotones, Huntington School choir and audience members…and Witter riding through York on a bike.
Or, as Black Arts PR’s press release puts it: “The video is a joyous celebration of one of the biggest highlights of Shed Seven’scareer. It captures every moment of the day: fans getting the party underway as they arrive; Rick Witter strolling through the audience and posing for photos and pinching a sip of beer; clips of friends including Peter Doherty, Lottery Winners, Rowetta, Laura McClure and Serotones (featuring Rick’s son Duke) all relishing the occasion; and the band embracing before they step on stage. The most emotional moment is saved until the end – the band taking their final bows in front of a sea of adoration.”
Post-gigs, The Shedsposted on social media: “Watch to the end, you won’t be disappointed… you might even feature. Enjoy and thanks once again for making this weekend so special.” Watch here: https://www.youtube.com/watch?v=mnJnjir47QE.
Already, the Sheds had previewed the album by releasing two tasters, Speakeasy and Devil In Your Shoes. Pre-orders for Liquid Gold have exceeded the numbers reached with January’s A Matter Of Time. Could Shed Seven notch up two number one albums in a year? Roll on September 27.
Step Three: T-T-T-Talk Of The Town in multiple towns and cities, 50 shows in all
Shed Seven doing a record store promotion for A Matter Of Time at HMV York in January
AFTER in-store performances and personal appearances, including HMV York, to launch A Matter Of Time in January and the 30th anniversary homecoming celebrations at York Museum Gardens in July, the Shed Seven boys are back in town after town over the rest of 2024.
First up comes a guest spot on Blossoms’ bill at Live From Wythenshawe Park Presents: Blossoms, Inhaler & More @ Wythenshawe Park, Manchester on August 25, followed by BBC Radio 2 In The Park at Moor Park, Preston, on September 8.
Next will be in-store appearances promoting Liquid Gold from September 8 to October 16 and a sextet of gigs in October combining playing 1994 debut album Change Giver in full with a greatest hits set too.
In the traditional biennial Shedcember slot will be a 23-date 30th Anniversary Tour, the Sheds’ biggest-ever winter itinerary, joined by special guests The Sherlocks. Back home in time for Christmas, Rick Witter and Paul Banks will bring down the curtain on the Sheds’ annus mirabilis with a brace of special acoustic duo performances at Huntington Working Men’s Club. Sheds’ bassist Tom Gladwin will do a DJ set each night
AUGUST
25th: Manchester, Wythenshawe Park (guests to Blossoms)
SEPTEMBER
8th: Preston, BBC Radio 2 In The Park
27th: Manchester, HMV (1pm – SOLD OUT)
27th: Bury, Wax & Beans (6pm – SOLD OUT)
28th: Birmingham, HMV (1pm – SOLD OUT)
28th: Leamington Spa, Head Records (5pm – SOLD OUT)
29th: London, Rough Trade East (5pm – SOLD OUT)
29th: London, Rough Trade East (7pm – SOLD OUT)
30th – Southampton, Vinilo (1pm – SOLD OUT)
30th: Brighton, Resident (6.30pm – SOLD OUT)
OCTOBER
1st: Bristol, Rough Trade (12 noon – LOW TICKETS)
1st: Bristol, Rough Trade (5pm – SOLD OUT)
2nd: Nottingham, Rough Trade (midday – SOLD OUT)
2nd: Nottingham, Rough Trade (6pm – SOLD OUT)
3rd: Sheffield, Bear Tree Records (midday – SOLD OUT)
3rd: Liverpool, Jacaranda (7pm – SOLD OUT)
4th: Newcastle, Beyond Vinyl (6.30pm – SOLD OUT)
10th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records)
11th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records – SOLD OUT)
12th: Coventry, HMV Empire (Change Giver show)
16th: Edinburgh, Assai Records (midday – SOLD OUT)
16th: Glasgow, HMV (5pm – SOLD OUT)
17th: Glasgow, SWG3 (Change Giver show, hosted by Assai Records)
18th: Manchester, Academy 2 (Change Giver show, hosted by Crash Records – SOLD OUT)
19th: Leeds, Beckett Student Union (Change Giver show, hosted by Crash Records – SOLD OUT)
Party time: Shed Seven’s Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills celebrate 30th anniversary on November and December tour
NOVEMBER – 30th ANNIVERSARY HEADLINE TOUR
14th: Sheffield Octagon (SOLD OUT)
15th: Cardiff University, Great Hall
16th: Liverpool University, Mountford Hall (LOW TICKETS)
18th: Halifax, Victoria Theatre (LOW TICKETS)
19th: Hull City Hall
21st: Aberdeen Music Hall (SOLD OUT)
22nd: Glasgow, O2 Academy (SOLD OUT)
23rd: Edinburgh, O2 Academy (LOW TICKETS)
25th: Leicester, O2 Academy (LOW TICKETS)
26th: Margate Dreamland
28th: Bristol O2 Academy (SOLD OUT)
29th: Newcastle O2 City Hall (LOW TICKETS)
30th: Leeds O2 Academy (SOLD OUT)
DECEMBER – 30th ANNIVERSARY HEADLINE TOUR
2nd: Oxford O2 Academy (SOLD OUT)
3rd: Lincoln Engine Shed (LOW TICKETS)
5th: Stockton Globe
6th: Manchester O2 Victoria Warehouse (SOLD OUT)
7th: Birmingham O2 Academy (SOLD OUT)
9th: Norwich, The Nick Rayns LCR, University of East Anglia (SOLD OUT)
10th: Cambridge Corn Exchange (LOW TICKETS)
12th: Bournemouth O2 Academy (LOW TICKETS)
13th: Nottingham Rock City (SOLD OUT)
14th: London O2 Academy Brixton (SOLD OUT)
DECEMBER – RICK WITTER & PAUL BANKS INTIMATE ACOUSTIC SHOWS
21st: York, Huntington Working Men’s Club (SOLD OUT)
22nd: York, Huntington Working Men’s Club (SOLD OUT)
Any remaining tickets are on sale via shedseven.com at https://gigst.rs/SS24.
Paul Banks and Rick Witter: Concluding Shed Seven’s 30th anniversary celebrations on home turf at Huntington Working Men’s Club on December 21 and 22. Picture: David Harrison
Shed Seven’s Paul Banks and Rick Witter: Playing intimate acoustic sets at Huntington Working Men’s Club on December 21 and 22
SHED Seven will end their 30th anniversary celebrations with a brace of intimate acoustic concerts by frontman Rick Witter and guitarist Paul Banks at Huntington Working Men’s Club, York, on December 21 and 22.
“We are genuinely thrilled to announce a pair of very special homecoming shows,” says Rick. “And where better to end our 30th anniversary year than in Huntington, where me, Paul and Tom first met back in the ’80s and the story first began.” Tom, as in Sheds’ bassist Tom Gladwin, will do a DJ set each night.
Tickets will go on sale at store.shedseven.com at 9am on Wednesday (12/6/2024) for this York postscript to the Sheds’ 23-date November and December tour, their biggest ever “Shedcember” itinerary.
Yorkshire venues will be Sheffield Octagon, November 14 (sold out); Victoria Theatre, Halifax, November 18; Hull City Hall, November 19, and Leeds O2 Academy, November 30 (sold out).
The year began with the Sheds’ first ever number one album, A Matter Of Time, followed by vinyl chart-topping single Let’s Go Dancing, and next up will be two sold-out outdoor shows on July 19 and 20 as part of Futuresound Group’s four-day festival at York Museum Gardens.
On September 27, they will release Liquid Gold, an album of orchestral re-workings of 12 Shed Seven hits and live favourites, reimagined by the band in collaboration with arrangers Fiona Brice and Michael Rendall.
Brice’s credits include Liam Gallagher and Placebo, while Rendall worked with the Sheds on 2017’s Top Ten comeback album Instant Pleasures and A Matter Of Time.
Shed Seven’s 2024 line-up: Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills
For the richly reinventive recording sessions, Shed Seven teamed up with a full orchestra, brass section, gospel singers et al.
Released on Cooking Vinyl, Liquid Gold spans the band’s career, from Speakeasy and Ocean Pie, off 1994 debut album Change Giver, to Better Days, from Instant Pleasures, via a soaring, sweeping Disco Down.
It also revisits the Sheds’ landmark second album, 1996’s A Maximum High, for Getting Better, Going For Gold, On Standby and a dramatic new take on Parallel Lines, described playfully by Paul Banks as “sounding like Shed Zeppelin”.
The more luxuriant scale is encapsulated in Devil In My Shoes. Originally a slow-burning highlight of 1998’s Let It Ride, this new account adds a cinematic sheen: its new-found grandeur providing a shimmering contrast between the initially downbeat melancholy and the full force of optimism that beams through the crescendo.
Liquid Gold is completed by All Roads Lead To You, a new composition written specifically for this project, and a new version of Instant Pleasures-era bonus track Waiting For The Catch, now featuring Issy Ferris, from the UK Americana Award winners Ferris & Sylvester.
“This year we celebrate 30 years as recording artists and, after reminiscing about our career, we thought we’d celebrate the milestone by revisiting some key songs from our past,” says Rick.
“The idea being that if we cherry picked a hatful of songs and recorded them now, it would be a coherent stroll down memory lane but also sit sonically beside our recent number one album A Matter Of Time. A logical next step.”
The cover artwork for Shed Seven’s September 27 album of orchestral reinventions, Liquid Gold
Rick continues: “We see this record as a gateway into the world of Shed Seven. We also felt that adding an orchestra to each track would lend the whole project a unique slant. The songs have become widescreen, full of colour.
“The original recordings will always hold a special place in our hearts but re-recording the chosen songs was an exciting prospect for us. It’s a gift from the band to our loyal supporters and will hopefully introduce some golden moments throughout our career to a whole new audience. Enjoy, and here’s to the next 30 years!”
The Sheds gave a taster of Liquid Gold at their May 30 appearance on BBC Radio 2’s Piano Room, when they performed Chasing Rainbows, Talk Of The Town and a cover of Duran Duran’s Planet Earth live at Maida Vale with the BBC Concert Orchestra, conductor Chris George and arranger Fiona Brice.
Liquid Gold is available to pre-order at shedsevenn.lnk.to/LiquidGoldPR, where the Sheds’ official store offers exclusives in the shape of a splatter vinyl with unique artwork, a different colour CD and a cassette, while all bundles also add a signed postcard.
Other retailer-specific formats include silver vinyl, from Assai Records, blue vinyl, from HMV, and yellow vinyl, from select indie stores.
After their open-air summertime shows in York and at Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25, the 30th anniversary Tour will run from November 14 to December 14. Expect the Britpop-era hits, fresh favourites from A Matter Of Time and surprise guest appearances, plus support from special guests The Sherlocks. To check ticket availability amid a raft of sold-out shows, head to gigst.rs/SS24.
Liquid Gold track listing:
Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch, featuring Issy Ferris; Better Days; Parallel Lines; Disco Down; Ocean Pie; All Roads Lead To You; Chasing Rainbows.
The poster artwork for Shed Seven’s Rick Witter & Paul Banks gigs at Huntington Working Men’s Club
Katherine Priddy: “Always found myself wandering back, craving the comfort and nostalgia of the past,” she says.
KATHERINE Priddy grew up in the first house on the left, the title of the first single from her second album, The Pendulum Swing, whose title came from a lyric in that song.
“Despite its soft and dreamy sound, this song provides the cornerstone around which the album and its themes orbit,” says the Birmingham contemporary roots singer-songwriter and finger-picking guitarist, who plays at The Crescent, York, on Wednesday night (15/5/2024).
“It’s inspired by the little old house where I grew up and all the memories captured within those four walls – both for me and for all the other inhabitants who’ve lived there over the centuries. It might just be another terraced cottage to passers-by, but to those who’ve called it home, it’s everything.
“There’s something magical about past inhabitants. That was something that intrigued me as a child, digging in the garden, finding old toy soldiers and bits of china: it’s a reminder you’re not the first to live there and you won’t be the last. It’s a comforting thought, how a house can look like any old terraced house outside but inside a scratch on the wall means everything.”
Explaining the album title, Katherine says: “It describes the urge to leave and the even stronger urge to return. Something I’ve felt a lot in recent few years as I’ve tried to carve out a corner for myself elsewhere, but always found myself wandering back, craving the comfort and nostalgia of the past.”
Released in February on Cooking Vinyl as the follow-up to 2021’s The Eternal Rocks Beneath, The Pendulum Swing is a step forward for Katherine. “My songs have matured since my debut, seeing as most of those were written in my childhood, but despite moving forward and feeling the need to do something different with this second release, I still can’t help but return to those fundamental, unchanging things at the root of it all: home, family, love,” she says.
“Overall, I wanted this song and the album to feel lived in, and this is captured in part by the ghostly atmospheres, mechanical clockwork sounds, creaking floorboards, indistinct whispers and old tape recordings of my family that are littered throughout. I want to invite the listener to come in, sit down and inhabit the album for a little while, and First House On The Left is right at the heart of that.”
Describing the rural village house, Katherine says: “It’s an old terraced house in Alvechurch, 11 miles from Birmingham, quite a few hundred years old with a lot of history. It’s where I grew up; I’ve moved out, moved back in again, moved out, then moved back in again with my parents over lockdown, with mixed feelings.
“When rapidly approaching 30, you feel you must move out, move on, but at the same it’s really hard to deny the pleasure of being back home with your parents.”
Katherine reflects on the itinerant nature of a singer-songwriter’s life. “Being a musician, it’s always about picking the most scenic route. I will find my home,” she says, having moved out again. “At the moment I’ve found a lovely little flat in Birmingham by the river.”
Will she write about it? “Who knows! Maybe I will. Probably I have another house song in me,” she says.
The cover artwork for Katherine Priddy’s sophomore album The Pendulum Swing
Katherine wrote her first album in her teens. “It dealt with mythology, which I was more interested in then. Now I’ve turned back to more fundamental things because they are there all the time and I’m trying to find myself. When everything else seems unstable, these things stay the same, and I wanted to capture that nostalgia, which is something I crave.”
Craving comfort in the past, Katherine says: “I’ve picked a fairly unstable career, which is very much about being in the moment, planning but not sure if things will come to fruition, but I feel very lucky to have a family that’s an unchanging bedrock and are always so supportive.
“Sometimes you just want to go back and feel like a kid again, and I think it’s fine that I feel grateful to have that feeling of nostalgia. It’s impossible not to want to still be back there and re-live those moments – and I can do that in song.”
She returned to the same producer, Simon J Weaver, who had recorded her first album at his Rebellious Jukebox studio in Birmingham, joined by guest musicians John Smith (lead guitar), Harry Fausing Smith (strings), Marcus Hamblett (brass and double bass), George Boomsma, from Northallerton (guitar and backing vocals), and Polly Virr (cello).
“This album feels like a step up in being more cinematic in places and taking me out of my comfort zone,” says Katherine. “I really like it on albums where you can hear things that take it from being a song to be more immersive, and that what’s we’ve done for The Pendulum Swing
“I wanted it to feel like you are entering a house, but also bookending the album with instrumentals that convey returning to the house and then leaving again at the end. It’s that urge to stay and that urge to leave that I’ve been doing battle with.
“Some of the songs are very personal to me, like when I’ve featured clips throughout of me and my dad talking from a tape that I found at my parents’ house – and I’ve squeezed my family into a cameo on the last track.
“I thought there’d be more resistance, but my dad loves his vinyl and a credit on an album is something he couldn’t resist, so it’s a family affair with my brother and parents on there.”
Katherine’s 14-date tour finds her expanding from a duo format to a trio with support act George Boomsma and Harry Fausing Smith joining her on stage. “It’s lovely to have Harry for this tour, capturing some of the soundscapes from the album, as well as integrating some of the samples into the set,” she says.
“It’s really emotive to have the strings. I’ve been getting goosebumps listening to these musicians adding their beautiful skills to songs that have been occupying my head for so long.”
Katherine Priddy plays The Crescent, York, on May 15, supported by George Boomsma, 7.30pm; The Live Room, Saltaire, May 16, 7.30pm. Both sold out. Box office for returns only: katherinepriddy.co.uk/
Katherine Priddy: the back story
Katherine Priddy: Singer, songwriter, guitarist
First set foot on stage to play Dorothy in school play The Wizard Of Oz, aged nine.
Wrote first song at 14/15.
Love of language, literature and poetry rooted in English Literature studies at University of Sussex, Brighton. Favourite novel Wuthering Heights would later inspire her first album title: “I loved how Cathy described her love for Heathcliff as being ‘the eternal rock beneath’,” she says.
Folk luminary Richard Thompson chose her as “The Best Thing I’ve Heard All Year” in Mojo magazine on the strength of her 2018 EP, Wolf.
Received airplay on Guy Garvey, Gideon Coe, Tom Robinson, Cerys Matthews, Radcliffe & Maconie, Steve Lamacq and the late Janice Long’s radio shows.
2021 debut albumThe Eternal Rocks Beneath (Navigator Records) drew glowing reviews from the Observer, the Sun, Uncut, Songlines and Folk Radio UK with its songs of mythology, childhood and growing up. Charted at number one in Official UK Folk Chart and number five in Official UK Americana Chart, rounded off the year on Mojo’s Folk Albums of the Year list.
Played Cambridge Folk Festival, winning Christian Raphael Prize; Glastonbury, appearing on BBC Two’s coverage; Green Man; End Of The Road; Beautiful Days and BBC Proms.
Katherine Priddy and John Smith performing together at Selby Town Hall in November 2022. Picture: Paul Rhodes
As well as headline tours, she has supported Richard Thompson, The Chieftains, Loudon Wainwright III and Vashti Bunyan.
In 2022, she played in Australia, including Port Fairy Folk Festival, plus showcase in Kansas City, USA, as part of Folk Alliance International.
In 2023, she recorded I Think They’re Leaving Me Behind for double album The Endless Coloured Ways – The Songs Of Nick Drake, on Chrysalis Records, featuring alongside Self Esteem, Aldous Harding, John Grant, Bombay Bicycle Club and more.
Supported Guy Garvey at The Roundhouse, London.
In February 2024, she released second album The Pendulum Swing on Cooking Vinyl.
Past shows around here: The Magpies Festival, Sutton Park, near York, August 2021; National Centre for Early Music, York, June 2022; Selby Town Hall, with John Smith, playing 14 songs together over 100 minutes, November 2022.
One last question
Do you consider herself to be a folk musician, Katherine?
“I THINK I’m just outside, with one foot in folk and one foot elsewhere, but what I appreciate about folk songs is that they tell stories.”
FOLK renovator and innovator Sam Lee showcases his fourth studio album, songdreaming, at The Old Woollen, Farsley, Leeds, tonight, on his 17-date tour.
Released on March 15 on Cooking Vinyl, songdreaming represents the latest stage in the development of Londoner Lee’s music, from its roots in curating ancient song to a new way of imagining and performing reworked old songs, making them relevant anew.
The follow-up to 2020’s Old Wow was recorded throughout 2023, when Sam continued his work with producer Bernard Butler and long-term collaborator, arranger, and composer James Keay in creating an album rich in musicality and invention.
In taking songs directly related to the nature of the British Isles, he reinvents and contemporises a tradition of communion with the land through song. “songdreaming is a mosaic of the emotions felt in my time outdoors, that artistically emerge in reflective moments when I’m permitted to recount and articulate the complexity of all I witness and thus feel responsible for,” he says.
Explaining the album title, Sam says: “’songdreaming is a neogilism [a newly coined word or expression], that came out of the work that I do rooted in nature, through the idea of how we can connect with the land, and our relationship with nature through music. It goes back to the Aboriginal idea of songlines…”
…Songlines, Sam? “The short answer is I will never truly understand it, as you have to live in that culture, but from my time spent with Aborogines and from reading [English travel writer] Bruce Chatin’s book [Songlines], it’s to do with map orientation to our sense of not just place but ancestry, identity, sovereignty, all wrapped in feelings of adoration and commitment,” he says.
“That’s something we’ve had in this country, working with the landscape to chart who we are, but our experiences have severed that relationship. The concept of this album is to reinvigorate that idea, hence I’ve borrowed old folk songs, our ancient narratives, reworking them to tell of our beautiful relationship, our enchantment, our illicit joy, in nature.”
Illicit joy, Sam? “I’m so involved with the Right To Roam movement, but I didn’t want to make a protest album. I wanted to create a vision,” he says.
“Music can be such a bridge builder into a new sense of possibilities. I don’t think what we have in this age, unlike what we had for thousands of years, is an adoration of nature. Music was inspired by nature for so many years, and yet we’ve now become like a barren land in our attitude.
“How have we ended up with poisoned rivers, barren lands that are so depleted? Most important to that is the severance of connection to nature in our children, who find it more difficult to make that connection because of the urban lives we live.”
Sam regrets the loss of stewardship, grandparents no longer passing on knowledge of nature to grandchildren. “We don’t know the names of our rivers, our fungi, our flowers, anymore,” he says. “Nature has become an exiled realm. What we see is a war of attrition and nature is not winning that war.”
What role can music play to change that? “Where we are completely cut off, music can conjure the emotion of what it’s like to walk in a field, to be in a canoe, and that’s always been the purpose of music: to connect with the visceral sense of place. In my case, to distil all my work in nature to be something that is shared.”
Across songdreaming’s ten tracks, Sam delivers an album that ranges from acoustic songs to drone soundscapes through to the electric guitar and gospel choir-propelled lead single Meeting Is A Pleasant Place, featuring the recording debut of transgender London choir Trans Voices.
songdreaming incorporates the balladry of Sweet Girl McRee alongside the gospel tinges of Leaves Of Life, while also housing the whiteout noise of Bushes And Briars, a song that details Sam’s rage at the treatment and condition of the natural world.
Summing up his bond with nature in song, Sam says: “Those people who are and were singing the old songs here at home were also looking after the land. When we stop singing to the land, the land stops singing back.”
Sam Lee’s songdreaming tour visits plays The Old Woollen, Sunny Bank Mills, Town Street, Farsley, Leeds, tonight (24/3/2024), 8pm; doors, 7pm. Box office: samleesong.co.uk or oldwoollen.co.uk. songdreaming is available on Cooking Vinyl on vinyl, CD and digital download.
Folk musician Sam Lee at Stonehenge. Picture: Andre Pattenden
FOLK renovator Sam Lee will showcase his fourth studio album, songdreaming, on a 17-date tour with Yorkshire gigs at Hebden Bridge Trades Club on March 17, Crookes Social Club, Sheffield, on March 20 and Old Woollen, Farsley, on March 24.
Released on March 15 on Cooking Vinyl, songdreaming represents the latest stage in the development of Londoner Lee’s music, from its roots in curating ancient song to a new way of imagining and performing reworked old songs, making them relevant for a modern audience.
The follow-up to 2020’s Old Wow was recorded throughout 2023, when Lee continued his work with producer Bernard Butler and long-term collaborator, arranger, and composer James Keay in creating an album rich in musicality and invention.
songdreaming may be built on the backbone of double bass, percussion, and violin but is infused with pan-global instrumentation, taking in the Arabic Qanun, Swedish Nyckelharpa, small pipes and more.
Across the ten tracks, Lee delivers an album that ranges from more immediately identifiable acoustic songs to drone soundscapes through to the electric guitar and gospel choir-propelled lead single Meeting Is A Pleasant Place, featuring the recording debut of transgender London choir Trans Voices.
The cover artwork for Sam Lee’s new album, songdreaming
songdreaming incorporates the balladry of Sweet Girl McRee alongside the gospel tinges of Leaves Of Life, while also housing the whiteout noise of Bushes And Briars, a song that details Lee’s rage at the treatment and condition of the natural world.
In taking songs directly related to the nature of the British Isles, he continues to reinvent and contemporise a tradition of communion with the land through song. He duly characterises songdreaming as: “A mosaic of the emotions felt in my time outdoors, that artistically emerge in reflective moments when I’m permitted to recount and articulate the complexity of all I witness and thus feel responsible for”.
Taking an “evocative journey through the complex emotions created for Sam by his engagement with nature and his deep-felt affinity for it”, the album draws on sources as diverse as the sacred music of European and global mystic traditions, the work of neo-classical contemporary composers and the simple effectiveness of a well-delivered vocal melody.
Summing up his connection with nature in song, Lee says: “Those people who are and were singing the old songs here at home were also looking after the land. When we stop singing to the land, the land stops singing back.”
Tour tickets are on sale samleesong.co.uk. songdreaming will be released on Cooking Vinyl on March 15 on vinyl, CD and digital download. Pre-order link: https://SLee.lnk.to/songdreamingPR
Shed Seven’s Tim Wills, left, Paul Banks, Rick Witter, Rob ‘Maxi’ Maxfield and Tom Gladwin announce hitting number one for the first time in a post on X
SHED Seven have become the first York band to top the album charts, 30 years since their Change Giver debut surfed in on the crest of the Britpop wave.
A Matter Of Time, released last Friday on their new home of Cooking Vinyl, has hit the chart peak after a concerted campaign that began last autumn with pre-sale packages and has continued with myriad versions of the album on vinyl, CD, cassette and digital download packages, accompanied by an on-going ten-venue tour of record stores for meet & greet and signing sessions and stripped-back performances.
Outselling Lewis Capaldi and Taylor Swift over the past seven days, the Sheds celebrated the success of their sixth studio album by posting on X (Twitter) in the past hour: “We’ve waited 30 years for this announcement, but the stars have finally aligned, and we’re thrilled to announce that our album ‘A Matter Of Time’ is number one on the official UK album charts!”
The Sheds have secured their place in offical UK chart history by becoming the British rock group with the longest gap between their debut release and first number one album: a total of 29 years and three months from September 5 1994’s Change Giver to January 5 2024’s A Matter Of Time.
Shed Seven notched 15 Top 40 hits between 1994 and 2003, while their albums A Maximum High (1996), Let It Ride (1998), Going For Gold: The Greatest Hits (1999) and Instant Pleasures (2017) all made the Top Ten.
A Matter Of Time, the Sheds’ first studio release in six years, also was the best-selling album of the week in British independent record shops.
Feel the heat: Shed Seven could be hot news this week in the album chart
YORK band Shed Seven are on the cusp of hitting the maximum high after 30 years of chasing rainbows. New album A Matter Of Time is standing proud at number one in the midweek chart.
Their sixth studio album and first for their new home of Cooking Vinyl is on course to see the Britpop alumni become the first York group to top the UK album chart, giving them the perfect start to their 30th anniversary celebrations. Come Friday afternoon, all will be revealed.
Earlier today, the Sheds posted on Facebook: “We’re over the moon to confirm that A Matter Of Time is #1 in the midweek album chart!! Thank you all SO MUCH for buying the album and getting us to this amazing position.
“It’s not a done deal yet as we’re against the usual major label artists, so now more than ever, if you can buy a copy or download the album, it makes a huge difference to our chart position. Unfortunately streaming doesn’t make a big difference. https://shedsevenn.lnk.to/AMOT”
“We’d also be the first ever artist from YORK to get a #1 album, so let’s bring it home!!!!” they added.
That claim is not strictly true, however: All of 60 years ago, York-born composer John Barry wrote the score for the James Bond film Goldfinger, whose soundtrack album topped both the British and American charts, knocking The Beatles’ A Hard Day’s Night off its perch in July 1964.
The promotional campaign has caught fire from the pre-sale start last autumn. All test pressings? Sold out. Limited-edition Blood Records vinyl edition? Sold out. Live edition of the album? Sold out.
Album release shows at Pryzm, Kingston upon Thames, on January 25, HMV Empire, Coventry, on January 26 and Project House, Armley Road, Leeds, on January 27 – the only times the Sheds will play A Matter Of Time in its entirety, coupled with a greatest hits set – all sold out too.
Timed to coincide with the album’s release last Friday, a ten-day record store tour began with meet & greet and signing appearances at HMV York, in Coney Street, and earlier that day at The Vinyl Whistle, in Headingley, Leeds, where the Sheds performed in stripped-back mode.
Shed Seven’s Paul Banks, left, Tim Wills, Rick Witter, Tom Gladwin and Rob ‘Maxi’ Maxfield in York Museum Gardens, where they will play two sold-out 30th anniversary shows this summer
The tour takes vocalist Rick Witter, guitarist Paul Banks, bassist Tom Gladwin and 2022 recruits Tim Wills, keyboards, and Rob ‘Maxi’ Maxfield, drums, to London, Southampton, Brighton, Bristol, Birmingham, Leamington Spa, Nottingham, Manchester, Liverpool, Glasgow and back to London.
At the weekend, Witter and Gladwin joined hosts Tim Lovejoy and Simon Rimmer in Channel 4’s Sunday Brunch studio, “chatting and cooking on gas”, followed later by a full band performance at the end of the show. “It will be the talk of the town!” they promised beforehand, in a reference to one of the album tracks.
Time matters, but it is not too late to support Shed Seven’s quest for the number one spot. A Matter Of Time is available to buy at shedsevenn.lnk.to/AMOTPR, with a range of album bundles and a new Going For Gold coloured vinyl LP format, exclusive to Banquet Records and limited to 300 copies.
Standing on the edge of achieving a new peak, the Sheds have returned to their roots with a deluxe digital download format that combines A Matter Of Time with Changed Giver, a stripped-back unplugged re-make of their 1994 debut album, Change Giver, recorded at Reel Studios in Elvington.
While Shed Seven have been a mainstay on the album charts over the past 30 years, their highest-charting record to date is 1999’s Going For Gold. That greatest hits collection peaked at number seven although 1996’s A Maximum High, 1998’s Let It Ride and 2017’s Instant Pleasures all made the Top Ten.
This summer, the Sheds will mark their 30th anniversary by playing two homecoming shows in York Museum Gardens on July 19 and 20 that sold out rapidly. Their special guest will be Peter Doherty, who contributes harmonies to the new album’s closing song, Throwaways.
Sheds’ vocalist Rick Witter enthuses: “Can you believe that after 30 years in the business, this album will be our highest-charting entry? We are also within reach of potentially getting our first number one album – we’d be the first band from York to reach the top! Thank you for all the support over the years and for A Matter Of Time. It’s genuinely appreciated. We have lots more planned throughout the year.”
Confirmed already is Shed Seven’s appearance at Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25.
Expect more anniversary celebrations to be announced soon.
Shed Seven at last Friday’s meet & greet and signing session upstairs at HMV York
Shed Seven band members Paul Banks, left, Tim Wills, Rob ‘Maxi’ Maxfield, Rick Witter and Tom Gladwin at today’s meet & greet and signing session upstairs at HMV York
LET’S go. Shed Seven launched their 30th anniversary celebrations today with the release of sixth studio album A Matter Of Time, an accompanying video for opening track Let’s Go and an hour-long late-afternoon meet & greet, photo opportunity and signing session at HMV York.
Earlier in the day, the York band played in stripped-back mode at The Vinyl Whistle, in Headingley, Leeds, signing copies there too.
Released on their new home of Cooking Vinyl, A Matter Of Time has achieved a “phenomenal” amount of pre-orders, resulting in all copies of the live edition, Blood Records vinyl and all test pressings selling out months in advance.
The Sheds are marking the album’s release with a ten-date record store tour as A Matter Of Time looks set to become their highest-charting album ever: a record held by their 1999 compilation, Going For Gold: Greatest Hits, which peaked at number seven.
The campaign to take the Sheds to a maximum chart high has been bolstered by today’s announcement of a new Digital Deluxe edition of the new album that adds a re-recorded version of their September 1994 debut album, Change Giver, now retitled Changed Giver, available at store.shedseven.com.
“Let’s Go is the Sheds’ inner rock animal rearing its head and showing its teeth,” says Rick Witter
“2024 marks the 30th anniversary of our debut album,” says the Sheds’ website. “’To mark the occasion, we’ve taken a trip down memory lane and revisited the entire album in recording sessions at Reel Studios in Elvington, giving it a stripped-back, unplugged vibe that we think sounds amazing.
“We’ve poured our hearts into re-recording these songs, rediscovering the magic of the songs that started it all. It’s been a fantastic journey, and we’ve fallen in love with them all over again.”
Physical formatsof A Matter Of Time can bought at shedsevenn.lnk.to/AMOTPR, available as signed copies, vinyl and cassette editions in various colours, a regular CD and a deluxe edition with three extra tracks, Watch Out World, Feels Like Heaven and Starlings (demo).
The video for the raucous, punk-tinged rock’n’roller Let’s Go captures incendiary footage from July 15’s sold-out 6000-capacity headline show at Leeds Millennium Square last summer.
Hot news: The cover artwork for Shed Seven’s new album, A Matter Of Time, out today
Frontman Rick Witter, 51, says: “Let’s Go was always intended to be the grand opener to the album. It shows a statement of intent. It’s the Sheds’ inner rock animal rearing its head and showing its teeth. It’s an invite for us all to hold hands and travel the globe. It’s tight, frenetic and a potential punch in the gut. Let’s go!”
A Matter Of Time features Sheds stalwarts Witter on vocals, Paul Banks on guitar and Tom Gladwin on bass, joined by 2022 recruits Rob ‘Maxi’ Maxfield, from Audioweb, on drums and Tim Wills, from Ian Brown’s band, on keys.
The recording sessions in Spain reunited the Sheds with Youth, the Grammy Award-winning producer of their 2017 comeback album Instant Pleasures, and mixing was by Cenzo Townshend, whose credits include Florence + The Machine and Inhaler.
The singles In Ecstasy (featuring Happy Mondays’ Rowetta), Starlings, F:K:H and Talk Of The Town were introduced to a rapturous reception on last autumn’s headline tour. Further tracks include the sky-scraping melancholia of Let’s Go Dancing, the dreamy folk-rock of Tripping On You, complete with backing vocals from Reverend & The Makers’ Laura McClure and the buoyant, vintage Britpop vibes of Ring The Changes.
The curtain comes down with a special collaboration with long-term Shed Seven fan Peter Doherty, who contributes vocal harmonies to Throwaways.
The artwork for Changed Giver, Shed Seven’s re-recording of 1994 debut album Change Giver, available to download with the digital edition of A Matter Of Time
This month’s Stripped Back, Signing and Meet & Greet record store tour will take the Sheds to London, Southampton, Brighton, Bristol, Birmingham, Leamington Spa, Nottingham, Manchester, Liverpool, Glasgow and back to London.
They will end the month with a series of sold-out album release shows at Pryzm, Kingston upon Thames, on January 25; HMV Empire, Coventry, on January 26 and Project House, Armley Road, Leeds, on January 27 at 7pm, promoted by Leeds record store Crash Records. Each night, the Sheds will play A Matter Of Time in its entirety – for the only time, exclusive to these gigs – plus a greatest hits set.
This summer’s special 30th anniversary concerts at York Museum Gardens on July 19 and 20 have sold out too. Peter Doherty will be the guest act on both nights. “We discussed adding a third night but thought selling out two so quickly was a good look – and we’re going to announce a big Shedcember tour sometime soon,” says Rick. “We’re conscious of overkill, even though I’m sure a third night would have gone pretty quick.”
Look out too for Shed Seven’s appearance at Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25. Box office: ticketmaster.co.uk/blossoms-tickets.
Expect further 30th anniversary plans to be announced in the near future. Watch this space.
“We’re going to announce a big Shedcember tour sometime soon,” says Shed Seven’s Rick Witter. Picture: Barnaby Fairley
Shed Seven: 30th anniversary celebrations in 2024. Picture: Barnaby Fairley
SHED Seven will mark their 30th anniversary next year with a brace of “extraordinary” outdoor concerts in York Museum Gardens on July 19 and 20. Tickets go on sale on Friday (3/11/2023) at 9am at seetickets.com.
“It’s been a long time coming, and now we can finally announce two special homecoming shows,” says the York band’s website.
“We’re already planning something truly extraordinary for these shows, so you can expect special guests and grand ideas galore. It’s going to be a jubilant celebration of the last 30 years of Shed Seven and a performance like nothing we’ve done before.”
The announcement continues: “We’re thrilled to be joined by special guests Peter Doherty, The Lottery Winners, Brooke Combe, Serotones and Apollo Junction throughout the weekend.”
Doherty recorded a guest vocal for Throwaways, the closing track of Shed Seven’s upcoming sixth studio album, A Matter Of Time, when his band, The Libertines, were at work on new recordings in their Margate studio.
Throwaways is an anything-but-throwaway duet with Sheds’ singer Rick Witter. “We played Bingley Festival a couple of summers ago when The Libertines were headlining the main stage, and as we played, there was Peter at the side of the stage, singing along to all our songs,” recalls Rick.
“When I met him afterwards, he said he used to sit on his bed learning our guitar parts, so I said, ‘would you sing on our new album?’.
“We sent Peter the song Throwaways and he did some harmonising and ad-libbing. It’s a song about outsiders. We’ve always been outsiders, and The Libertines have that about them too.”
A Matter Of Time will be released on Shed Seven’s new label, Cooking Vinyl, on January 5 2024 and can be pre-ordered from shedseven.com.
This will be the first Sheds’ album to feature new members Rob ‘Maxi’ Maxfield, from Audioweb, on drums and Ian Brown band member Tim Willis on keys, along with Witter, guitarist Paul Banks and bass player Tom Gladwin, band stalwarts from the Britpop era.
Did you know?
SUPPORT act Serotones feature Rick Witter’s son, Duke, on vocals, alongside original Sheds’ drummer Alan Leach’s son, Sonny, on guitar.
Did you know too?
SHED Seven’s Museum Gardens shows will be celebrating the 30th anniversary of their debut single for Polydor Records, the double A-side Mark and Casino Girl (March 7 1994), and debut album Change Giver (September 5 2024), rather than the 30th anniversary of the year they formed in York (1990).
