REVIEW: Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale; the plot thickens until August 26 ****

Clara Darcy’s Jen takes on a new life in the North York Moors in Mark Stratton’s thriller drama Deals And Deceptions. Picture:Tony Bartholomew

YORKSHIRE countryside shapes lives, from Wuthering Heights to All Creatures Great And Small, Francis Lee’s God’s Own Country to…Mark Stratton’s debut thriller drama for Esk Valley Theatre, his moorland home for nigh on 20 years.

“The presence of the North York Moors looms large in the play,” said EVT’s director in his CharlesHutchPress interview.

Londoners Danny and Jen Stevens (Dominic Rye, Clara Darcy) have had to hurry north to an isolated cottage, finding little more than an echo, a bare light bulb, one picture at a tilt on the wall…and a loose floorboard that opens a cupboard when walked on. That quirk will go on to play a significant role…

Leaving behind a flash lifestyle, they set up home with the impermanence of camping equipment: fold-out beds, a small table and misbehaving fold-up chairs. Needs must, but what was the reason for the midnight flit? Only Danny knows why.

In the presence of Darcy’s Jen, Rye’s Danny is reassuring, jack the lad, everything will be OK. Alone, he is as twitchy as a malfunctioning kettle (or that cupboard door), on the lookout, because everything could be KO, not OK.

The clue is in the title: deals and deceptions are afoot, dark deeds at work, dark forces at play. Not wishing to give everything away, let’s just say Danny’s deals may not be as clean as the Yorkshire air, and off back to London he heads to sort things out. Only a few days, he says, in his latest act of deception to Jen. Before leaving, he will buy her a little runaround car, but tell her to keep her encounters with the locals brief and to the minimum.

Yorkshire, however, has a way of introducing itself to these incomers as Stratton relishes the chance to play to a home crowd with sounds and happenings familiar to us. The alarming screams of screech owls; peacocks from the neighbouring country house tapping at the door; the snuffling and shuffling of a farmyard pig. Not so much ‘introducing’ as intruding, you might say, but each one loosens the  release valve for humour, after the initial shot of fear, as the truth is revealed.

Stratton’s cameo role, rooted in two decades of encounters with the Esk Valley farming community, is the very personification of Yorkshire introducing/intruding. Without invitation, his frank-speaking farmer, Wink – short for Winston – Towson, arrives at the door. His accent and phraseology are a mystery to Jen, but this gentle giant is a helpful sort.

In dodgy Danny’s absence, Jen makes a deal with God’s own country and begins a deception of her own by necessity, creating the new persona of a Yorkshire lass from Barnsley, as she Teaches Thissen T’Talk Tyke in a delightfully humorous transition to begin a journey of shell-shedding self-discovery.

This North-South divide is superbly delineated by the impressive Darcy throughout the resulting scenes. Jen grows to love the new life, bonding with gardener Jed Winter (part two for Rye), her blossoming summer of content as she takes up gardening. Rye is so convincing in this second role that at the end, as the cast took its bows, a whisper could be heard enquiring ‘where’s Jed?’!

Stratton combines licorice-dark humour with Yorkshire wit as dry as a moorland stone wall, and even knowing nods to Four Yorkshiremen stereotypes, while revealing a storytelling sleight of hand and a feel for suspense, twists and timing of arrivals to recall the manipulative noose-tightening of Patrick Hamilton’s Gaslighting and the intrigue of Peter James’s psycho-dramas.

The last “arrival” is The Woman, a suitably evasive name for Elizabeth Boag’s climactic cameo in Milk Tray advert black and an accent not from around here. A hit performance, in every way, just like Stratton’s debut play. Replete with deceptions, new beginnings, intrigue, murky mystery, the joy of gardening, farming folk and a love of Yorkshire, it is the real deal.

Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale, near Whitby, until August 26; Monday to Saturday, 7.30pm; 2.30pm matinees on August 22 and 24. Box office: 01947 897587 or eskvalleytheatre.co.uk, 10.30am to 1pm; 3.30pm to 7.15pm.

What will Mark Stratton uncover in Esk Valley Theatre premiere of debut moorland ‘thriller drama’ Deals And Deceptions?

Clara Darcy’s Jen Stevens in Esk Valley Theatre’s premiere of Mark Stratton’s Deals And Deceptions. Picture: Tony Bartholomew

IN artistic director Mark Stratton’s first play for Esk Valley Theatre, Danny and Jen leave London and head to an isolated cottage in the North York Moors. City clashes with country, dark forces are at work and humorous situations arise.

“We may think we know the person we are married to, but do we?” asks Stratton, who is joined in the cast by Clara Darcy, Dominic Rye and late addition Elizabeth Boag at the Robinson Institute, Glaisdale, near Whitby. “What someone chooses to show the world is not always who they are. If they trade in deals and deceptions, then a day of reckoning will surely come.”

Here Mark discusses triple threats, London versus Yorkshire, debut plays and the impact of making a house move with CharlesHutchPress.

What prompted you to write a play for Esk Valley Theatre and why now, Mark?

“Ever since Esk Valley Theatre was formed, we’ve looked for a contemporary play that reflected something of life in the North York Moors and haven’t discovered anything suitable in nearly 20 years! So, I thought it was time for me to have a go at writing one and Deals And Deceptions is the result.”

Does your experience as a director and actor help you to write a play?

“Certainly. Actors and directors probably absorb more knowledge of play writing than they realise. I think it was Stephen Joseph who thought that all actors should have a go at writing. It definitely makes you appreciate the craft and gives a greater understanding of what makes a play work.”

A Rye look: Dominic Rye as investment company boss Danny Stevens in Deals And Deceptions. Picture: Tony Bartholomew


What inspired you to write Deals And Deceptions?

“Over the years I’ve had a growing fascination with the way people manipulate their personality to suit a particular situation.  Deals And Deceptions looks at some of the ways people shift personality and that is the driving force behind the play.”

What is the style of the piece?

“Good question. I personally find it difficult to put a label on it, but some people have described it as a thriller drama. Having said that, it generates good amounts of laughter and if you have any knowledge of farming and life in the Moors then I think it reflects something of the dry Yorkshire humour that exists in our communities.”

What is the tone? Gravely serious or darkly humorous or both?

“A bit of both, although the tone is lighter to begin with and gradually shifts to a darker place as the narrative unfolds.”

Leaving London for the North York Moors…dare CharlesHutchPress mention American Werewolf In London?!

“I guess leaving London for the North York Moors is where the similarities end and there are no attacking wolves!”

Mark Stratton as North York Moors farmer Wink Towson in Deals And Deceptions. “He’s an amalgamation of a number of farmers that I’ve met over the years,” says Mark. “He’s got a twinkle in his eye and a wry sense of humour”. Picture: Tony Bartholomew


Why do people learn more about themselves when they change their living environment?

“I’m pleased you’ve asked that, because one of the central themes is about the journey of self-discovery that Jen goes on. She’s forced to adapt to a new way of life and finds joy and enlightenment through leaving her past behind.”

How much does the isolated North York Moors setting add an extra character to the play?

“The North York Moors is definitely an additional character and the presence of the Moors looms large throughout the play.”

What attracts people to move from London to Yorkshire?

“The dream of a better way of life with cleaner air to breathe? A romantic vision of country life? I guess there are many reasons, but in Deals And Deceptions Danny and Jen leave because they have to. They are on the run, but only Danny knows why.”

Elizabeth Boag: Answering the late call to return to Esk Valley Theatre for summer 2023


Describe the characters of Danny and Jen Stevens…

“When we first meet them, they appear as a thirty-something city couple who’ve done well for themselves, and it seems that Danny runs some kind of investment company. But is Danny speaking the truth? They have to leave London in a hurry… and I can’t give away any more than that!”

Why pick Dominic Rye and Clara Darcy for these roles?

“We held our usual round of auditions and Dominic had all the attributes we were looking for. They are tremendous.

“We also had a late addition to the cast with Elizabeth Boag stepping in at the last minute to play ‘The Woman’. Liz is a phenomenal actor who was in our production of Same Time Next Year and luckily for us, she was able to join the company at a moment’s notice.”

How much does the isolated North York Moors setting add a fifth character to the piece?

“The North York Moors is definitely an additional character and the presence of the Moors looms large throughout the play.”

Esk Valley Theatre’s poster for the premiere of Mark Stratton’s debut play Deals And Deceptions

Writing, directing and performing the role of farmer Wink Towson: the triple threat, Mark Stratton style! Discuss…

“It’s something I always said I would never do! I guess I always thought it would signify an out-of-control ego. However, I wrote the play initially with two actors in mind to play five characters and we’ve now ended up with four actors. Because Wink is older than the others it made sense for me to take it on. It’s very much a cameo and I hope the ego remains firmly in control.”

Have you sought any advice on writing a play from esteemed Esk Valley Theatre supporter Sir Alan Ayckbourn?

“Not directly, but I have had the great pleasure of working with Alan as an actor and also working with him as an assistant director last year. I’ve seen a huge number of his plays over the years and he remains the foremost influence on everything I do in the theatre. He is a giant in the industry and a master of his craft. It would be a fool who couldn’t learn something from him.”

Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale, Whitby, until August 26; Monday to Saturday, 7.30pm; 2.30pm matinees on August 10, 12, 15, 17, 22 and 24. Box office: 01947 897587, 10.30am to 1pm; 3.30pm to 7.15pm, or eskvalleytheatre.co.uk.

Cast: Clara Darcy asJen Stevens; Dominic Rye as Danny Stevens and gardener Jed Winter; Elizabeth Boag, The Woman; Mark Stratton, Wink Towson. Writer and director: Mark Stratton.

More Things To Do in York & beyond, from musical mischief to hen night shenanigans. Here’s Hutch’s List No.32, from The Press

Bull: Headlining The Boatyard Festival at Bishopthorpe Marina today

SHAKESPEARE in gardens, music and magic by the riverside, an LGBTQ musical premiere and a riotous hen party on stage are among Charles Hutchinson’s eye-catchers for upcoming entertainment.

Festival of the week: The Boatyard Festival, The Boatyard, Bishopthorpe Marina, Ferry Lane, Bishopthorpe, York, today, 10am until late

THIS family-friendly music festival will be headlined by ebullient York band Bull. Look out too for Bonneville, Tymisha, London DJ Zee Hammer, Yorky Pud Street Band, The Plumber Drummer, City Snakes, Rum Doodle and Hutch.

Further attractions will be stilt walkers, a hula-hoop workshop, a giant bubble show, magic, face painting, fayre games, stalls, food and drink, with free admission for accompanied children. Box office: head to the-boatyard.co.uk/events/ for the QR code to book.

Four Wheel Drive director Alfie Howle and cast member Alison Gammon park up at the National Centre of Early Music for a garden of delights in A Midsummer Day’s Dream

Crazy chaos of the week: Four Wheel Drive presents A Midsummer Day’s Dream, National Centre for Early Music, York, today at 11am, 12.30pm and 2.30pm

FOUR Wheel Drive, producers of “off-road theatrical experiences” in York, invite children aged seven to 11 and their families to a musical, magical and mystical diurnal reimagining of William Shakespeare’s romcom in the NCEM gardens (or indoors if wet).

Four Athenians run away to the forest, only for the sylvan sprite Puck to make both the boys fall in love with the same girl while also helping his master play a trick on the fairy queen. Will all this crazy chaos have a happy ending? Anna Gallon and Alfie Howle’s interactive 45-minute adaptation will allow children to engage in the mischief-making Midsummer action, performed by Gallon, Katja Schiebeck and Esther Irving. Grab a boom-wacker and book tickets on 01904 658338 or necem.co.uk.

Three in one: Esk Valley Theatre writer, director and actor Mark Stratton

Debut of the week: Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale, Whitby, until August 26

IN artistic director Mark Stratton’s first play for Esk Valley Theatre, Danny and Jen leave London and head to an isolated cottage in the North York Moors. City clashes with country, dark forces are at work and humorous situations arise.

“We may think we know the person we are married to, but do we?” asks Stratton, who is joined in the cast by Clare Darcy and Dominic Rye. “What someone chooses to show the world is not always who they are. If they trade in deals and deceptions, then a day of reckoning will surely come.” Box office: 01947 897587 or eskvalleytheatre.co.uk.

Is this the hen party from hell? Will best friends fall out in Bridesmaids Of Britain? Find out tomorrow night

Hen party comedy heads to hen party haven: Bridesmaids Of Britain, Grand Opera House, York, tomorrow, 7pm

BILLED as “the girls’ night out to remember”, welcome to Diana Doherty’s Bridesmaids Of Britain. Becky is the overly loyal maid-of-honour whose life unravels as she leads best friend Sarah on a wild ride down the road to matrimony.

Things go awry, however, as competition between Becky and Tiffany – Sarah new BFF (best friend forever, obvs) – over who is the bride’s bestie threatens to upend the wedding planning that has been in the making since primary school. Be prepared for dance-offs, sing-offs and eventually shout-offs at the “hen do of the year”, held in a caravan. Will this wedding story have a happy ending, or will these best friends rip each other apart? Box office: atgtickets.com/york.

Dan Crawfurd-Porter’s Whizzer and Chris Mooney’s Marvin in rehearsal for Black Sheep Theatre Productions’ Falsettos, opening at the JoRo on Wednesday

York premiere of the week: Black Sheep Theatre Productions in Falsettos, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee.

YORK company Black Sheep Theatre Productions has been granted an exclusive British licence by Concord Theatricals and composer/lyricist William Finn to stage Finn and James Lapine’s “very gay, very Jewish” musical Falsettos, thanks to the persistence of director Matthew Clare.

In its late-Seventies, early-Eighties American story, set against the backdrop of the rise of Aids, Marvin has left his wife Trina and son Jason to be with his male lover Whizzer, whereupon he struggles to keep his Jewish family together in the way he has idealised. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Pennine Suite: Topping Friday’s bill of York bands at The Crescent

York music bill of the week: Northern Radar presents Pennine Suite, Sun King, Everything After Midnight and The Rosemaries, The Crescent, York, Friday, 7.30pm to 11pm

PENNINE Suite play their biggest headline gig to date in an all-York line-up on a rare 2023 appearance in their home city. The five-piece draws inspiration from the alternative rock movements of the 1980s and 1990s, interlaced with shoegaze and pop melodies, typified by the singles Far and Scottish Snow. Box office: thecrescentyork.com.

Garden secrets: Which character will York Shakespeare Project veteran Frank Brogan play in Sonnets At The Bar? It’s all hush-hush until August 11

Bard convention: York Shakespeare Project in Sonnets At The Bar, Bar Convent Living Heritage Centre, Friday to August 19 (except August 14), 6pm and 7.30pm plus 4.30pm Saturday performances

YORK Shakespeare Project returns to the secret garden at Bar Convent for another season of Shakespeare sonnets, this time directed by Tony Froud. Reprising the familiar format, the show features a series of larger-than-life modern characters, each with a secret to reveal through a sonnet.

Inside writer Helen Wilson’s framework of the comings and goings of hotel staff and guests, the characters will be played by Diana Wyatt, Judith Ireland, Sarah Dixon, Frank Brogan, Maurice Crichton, Nigel Evans, Harold Mozley, Froud and Wilson. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ceridwen Smith in Next Door But One’s The Firework-Maker’s Daughter . Picture: James Drury

Talking elephants of the week: Next Door But One in The Firework-Maker’s Daughter, York Theatre Royal patio, August 12, 11am and 2pm

YORK theatre-makers Next Door But One’s adventurous storyteller travels to Lila’s Firework Festival in this intimate, inclusive, accessible and fun stage adaptation of Philip Pullman’s novel, replete with talking elephants, silly kings and magical creatures.

As Lila voyages across lakes and over mountains, she faces her biggest fears and learns everything she needs to know to become the person she has always wanted to be. Makaton signs and symbols, puppetry and audience participation play their part in Ceridwen Smith’s performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Grace Petrie: Switching from folk musician to stand-up comedy act on tour in York, Leeds and Sheffield

Change of tack: Burning Duck Comedy Club presents Grace Petrie: Butch Ado About Nothing, The Crescent, York, September 17, 7.30pm

FOLK singer, lesbian and checked-shirt-collector Grace Petrie has been incorrectly called “Sir” every day of her adult life. Now, after finally running out of subject matter for her “whiny songs”, she is putting down the guitar to work out why in her debut stand-up show, Butch Ado About Nothing, on her return to The Crescent.

Finding herself mired in an age of incessantly and increasingly fraught gender politics, the Norwich-based Leicester native explores what butch identity means in a world moving beyond labels, pondering where both that identity and she belong in the new frontline of queer liberation. Petrie also plays Old Woollen, Leeds, on August 31 (8pm) and The Leadmill, Sheffield, on September 10 (7.30pm). Box office: gracepetrie.com; York, thecrescentyork.com; Leeds, oldwoollen.co.uk; Sheffield, leadmill.co.uk.