Young Composers Awards winners Kat Farn, left, Laura Kesiak and Edward Tait. Picture: Ben Pugh
KAT Farn, Edward Tait and Laura Kesiak have won the 19th National Centre for Early Music Young Composers Awards.
Presented in partnership with BBC Radio 3, the final took place on Thursday at the NCEM, St Margaret’s Church, Walmgate, York.
Kat Farn and Edward Tait were joint winners of the 19 to 25 years category with LABYRINTH and My Troubled Sense Doth Move respectively; Laura Kesiak’s In This Strange Labyrinth How Shall I Turn received the prize in the 18 years and under category.
Edward Tait: Composer of My Troubled Sense Doth Move. Picture: Charlie Kirkpatrick
The NCEM and BBC Radio 3 invited aspiring young composers to compose a new song setting for soprano, cornett and keyboard, to be performed by The Gonzaga Band (Jamie Savan, cornett, Faye Newton, soprano, and Steven Devine, keyboard), who are renowned for innovative programming underpinned by cutting-edge research.
The composers took inspiration from the experimental and innovative music of Claudio Monteverdi and his contemporaries, evoked in The Gonzaga Band’s recital programme Love’s Labyrinth, released on the Deux-Elles label in July 2025.
The song setting explored the theme of love through the relationship between the voice and instruments, setting a poem by Lady Mary Wroth, a contemporary of Shakespeare.
Kat Farn: Composer of LABYRINTH. Picture: Ben Pugh
The eight young finalists took part in a day of workshops at the NCEM, where the sessions were led by composer Professor Christopher Fox, honorary professor of music at the University of York, and The Gonzaga Band, who then performed the pieces in a public performance.
The concert was live-streamed and is available to view on the NCEM Young Composers Award website at https://www.youngcomposersaward.co.uk/
The shortlisted composers and pieces in the 19 to 25 category were: Kat Farn, LABYRINTH, Edward Tait, My Troubled Sense Doth Move, and Sequoia Ralph, In This Strange Labyrinth How Shall I Turn?
Laura Kesiak: Composer of In This Strange Labyrinth How Shall I Turn. Picture: Charlie Kirkpatrick
In the 18 and under category, the finalists were: Heath Thompson, HOW SHALL I TURN?; Ben Hadland, In This Strange Labyrinth; Laura Kesiak, In This Strange Labyrinth How Shall I Turn; Ernest Chui, In This STRANGE Labyrinth How Shall I Turn???, and Alma Nunez Debretzeni, In This Strange Labyrinth How Shall I Turn?
The 2026 panel of judges were: BBC Radio 3 producer Les Pratt, NCEM director Delma Tomlin and The Gonzaga Band’s Faye Newton.
Farn’s LABYRINTH, Tait’s My Troubled Sense Doth Move and Kesiak’s In This Strange Labyrinth How Shall I Turn will be premiered by The Gonzaga Band at the Royal Birmingham Conservatoire on Tuesday, October 27, when the lunchtime concert will be recorded for BBC Radio 3’s Early Music Show and BBC Sounds.
National Centre for Early Music director and Young Composers Awards judge Delma Tomlin
Delma Tomlin said: “The Young Composers Award is one of the most important elements of our work here at the NCEM and is recognised as an important stepping stone in the composers’ careers. The finalists spent an intensive day in York working on their compositions and sharing ideas with fellow participants before having the chance to hear their music performed on stage.
“It was wonderful to enjoy such an array of outstanding music, and my congratulations go to Kat Farn, Edward Tait and Laura Kesiak. It has been a pleasure to join forces with The Gonzaga Band, and I’d also like to say a huge thank-you to Dr Christopher Fox, my fellow judges and BBC Radio 3, who will be recording Kat, Edward and Laura’s pieces at their premiere in Birmingham for broadcast later this year.”
Les Pratt said: “BBC Radio 3 has been in partnership with our colleagues at the National Centre for Early Music for nearly 20 years now, supporting this award. As the home of classical music, nurturing young talent is one of our core missions, as well as encouraging audiences to discover the latest creations.
The Gonzaga Band soprano and Young Composers Awards judge Faye Newton
Giving a voice to young composers is so important for classical music, enabling the art form to always stay fresh, reflect present trends and look to the future. We’re very much looking forward to sharing these exciting new compositions with listeners on the Early Music Show.”
The Gonzaga Band said: “It has been such a joy to be the collaborating ensemble for the 2026 competition. The young composers have done such a brilliant job that we have eight wonderfully varied and imaginative pieces in the final, any and all of which we’d be delighted to perform in our future recitals.”
The Young Composers Award is open to young composers resident in the UK up to and including the age of 25. The 2027 edition will be announced in late-autumn.
The Tallis Scholars: Performing Mysteries and Miracles at Beverley Minster on May 23. Picture: Hugo Glendinning
TICKETS are on sale for Beverley & East Riding Early Music Festival 2026, running from May 22 to 24 with the theme of Miracles & Mysteries.
Celebrating music and new partnerships in its 38th year, this annual festival is a ‘jewel in the crown’ of Beverley’s musical calendar, attracting visitors and residents to enjoy concerts and talks by experts and participate in workshops.
Each year, the festival attracts international musicians of the highest quality and is well known for seeking out and nurturing emerging talent, as well as drawing on this historic East Riding market town’s medieval musical tradition.
This year’s theme of Miracles & Mysteries intertwines the story of St John of Beverley, one of the most powerful miracle-workers in England in medieval times, with music by the world-renowned Tallis Scholars and a host of musicians from across the UK and Europe.
There are more ways than ever to participate in the music this year with young people invited to join in the fun both before and during the festival. In a new partnership with East Riding Libraries, the festival will be on the road with Baroque Around The Books, staging free concerts at Pocklington Library, on May 11, 11am, Market Weighton Library, May 11, 2pm, Goole Library, May 12, 11am, and Beverley Library, May 12, 4pm.
The scheme began in 2023 in York, where it has been a big success and has featured a variety of outstanding ensembles. This year, the Beverley festival is delighted to welcome Dowland’s Foundry lutenist Sam Brown and tenor Daniel Thomson, who will perform a free concert mixing music by Dowland and Morley with words by William Shakespeare. More details can be found at www.ncem.co.uk/baroque-around-the-books.
After a series of bespoke workshops in East Riding Schools, recorder wizards Palisander Recorder Ensemble will stage a pre-festival concert for all the family, Recorder Revolution!, at Beverley Memorial Hall on March 17 at 6.30pm. Cue magical music-making with an array of recorders ranging from six inches to six feet tall; more details at palisanderrecorders.com.
Rune: Lost In Contemplation concert on May 24
The three-day festival will open on May 22 with Près de Votre Oreille, directed by gamba specialist Robin Pharo, presenting Lighten Mine Eies as part of a European tour in this northern premiere by the French instrumental ensemble at St Mary’s Church at 7.30pm.
The evening will feature music by William Lawes, who enjoyed a brief but dazzling career as a singer and lutenist to Charles I.
Près de Votre Oreille’s European tour is backed by the Centre National de la Musique (CNM) with the support of Institut Français du Royaume-Uni. The ensemble’s main sponsor is the Société Générale Foundation, with further support from the Orange Foundation.
The Tallis Scholars, directed by Peter Phillips, will perform Mysteries and Miracles, a programme that highlights the festival theme through music inspired by the stories of the life of Christ, at Beverley Minster on May 23.
Suited to the Minster’s glorious acoustics, the 7.30pm concert will begin with a depiction of Christ’s birth as envisaged by two of the Renaissance’s most renowned composers, Gabrieli and Victoria.
The Telling will present Purcell: The Musical, featuring Niall Ashdown as Purcell, soprano Héloise Bernard and violinist Joanna Lawrence, in a return to the East Riding Theatre, Beverley, on May 24 at 7.30pm after performing Into the Melting Pot there previously.
This drama, based on the life of 17th-century London composer Henry Purcell, features assorted instrumental and vocal compositions by Purcell, from bawdy theatre ballads and joyful celebrations of love to slow airs and numbers from his semi-operas.
Beverley & East Riding Early Music Festival director Delma Tomlin
The festival’s focus on emerging young talent will complement three NCEM Platform Artists, Pseudonym, Intesa and Rune, with the newly appointed New Generation Baroque Ensemble, Bellot Ensemble, who are supported by BBC Radio 3, the Royal College of Music and the National Centre for Early Music, York.
On May 23, at St Mary’s Church, Pseudonym’s Liane Sadler, flutes, Maya Webne-Behrman, violin, Stephen Moran, gamba, and Gabriel Smallwood, harpsichord, will perform Discret et Distrait at 1pm.
After performing in York in 2024 and at an Antwerp showcase last summer, this endearing young ensemble will return to the UK to play 18th-century French music in a sophisticated intermingling of Italian virtuosity and Polish folk rhythms, featuring works by Couperin, Rameau and Telemann.
This concert is made possible thanks to EFFEA’s artist-in-residence Discovery programme, in partnership with AMUZ, Antwerp and Early Music Sweden.
On May 23, at St Mary’s Church, Intesa’s Nathan Giorgetti and Lucine Musaelian (viols and voice) will celebrate their union between Armenian and Italian traditions in Voices Of San Lazzaro at 4pm.
Intesa will explore the connections between sacred and secular love, both in their pain and redemption, highlighting the Armenian story of faith and the women’s story of misunderstanding.
On May 24, in The Quire at Beverley Minster, Rune will perform Lost In Contemplation with a line-up of Angela Hicks soprano, Daniel Thomson tenor, May Robertson voice and vielle, Jean Kelly harp, and Daniel Scott, recorder and positive organ.
Bellot Ensemble: From The Sound Of Battle To The Silence Of Peace
At 3pm, four remarkable medieval miracle stories will be paired with music from across Europe. From the contemplative vision of Ero the monk and Saint Elizabeth’s Miracle of the Roses, to English songs honouring the Virgin Mary and the extraordinary life of Joseph of Schönau, these tales reveal the medieval imagination at its most profound, accompanying stories that explore faith, transformation and the intersection of the miraculous with human experience.
On May 24, at Toll Gavel United Church, Bellot Ensemble will undertake a vivid journey from the clamour of conflict to the quiet miracle of peace in From The Sound Of Battle To The Silence Of Peace.
Edmund Taylor and Maxim Del Mary, violins, Nathan Giorgetti and Lucine Musaelian, viola da gambas, Daniel Murphy, theorbo, baroque guitar and lute, and Matthew Brown, keyboards, will perform music by Lawes, Schmelzer, Biber and Falconieri in a 5pm concert to be recorded for broadcast by BBC Radio 3.
Festival director Delma Tomlin says: “We’re very excited to be returning to Beverley for what promises to be a spectacular weekend of music in one of the UK’s most beautiful settings, celebrating the extraordinary wealth of the medieval musical traditions of the town.
“This year’s theme is Miracles & Mysteries, presenting a line-up of international concerts of the highest quality, including our opening concert by Près de Votre Oreille, made possible by our partnership with France.
“The festival also provides a showcase for young talent with Bellot Ensemble, the current New Generation Baroque Ensemble, and NCEM Platform Artists, Pseudonym, Intesa and Rune. Finally, thanks to a new partnership with East Riding Libraries, we’ll be ‘on the road’ for the very first time in Beverley, with Baroque Around The Books, when music lovers can enjoy free concerts by Dowland’s Foundry in several of the region’s libraries.”
Find the full programme at https://www.ncem.co.uk/whats-on/bemf/. Tickets are on sale on 01904 658338, at ncem.co.uk, via email to boxoffice@ncem.co.uk or in person from Beverley Tourist Information Centre, Customer Service Centre, Champney Road, Beverley, HU17 8HE.
The artwork for Beverley & East Riding Early Music Festival 2026
Professor Phil Wood outside the National Centre for Early Music
PROFESSOR Phil Wood is the new chair of the National Centre for Early Music’s charitable arm, the York Early Music Foundation.
Phil worked for the National Health Service for more than 30 years as a doctor, consultant and medical leader in Newcastle, Birmingham and Leeds, most recently as chief executive of Leeds Teaching Hospitals and chair of the Leeds Academic Health Partnership.
He is a member of the international advisory board of the Business School at the University of Leeds, where he holds an honorary professorship, and a longstanding York resident with a passionate belief in the contribution of the arts and culture in enhancing societal wellbeing.
The NCEM, in the renovated church of St Margaret’s, Walmgate, stages a year-round programme of concerts and educational opportunities in York, three festivals of early music annually in Yorkshire (two in York, one in Beverley) and a nationwide artists’ development programme.
Representing UK’s early music scene on the European stage, the NCEM is a core member of the European Early Music Network, REMA, with established partnerships in Flanders, Spain and France.
Highlights of the calendar include the biennial York Early Music International Young Artists Competition and the annual NCEM Composers Award, run in association with BBC Radio 3.
NCEM director Dr Delma Tomlin says: “We feel very honoured to have Phil as our new chair as we begin an important year at the National Centre for Early Music, when we’ll be celebrating the 50th anniversary of the creation of the York Early Music Festival.
“Phil brings with him a wealth of skills and experience and a great passion for our work promoting early music to the widest possible audiences and nurturing the development of emerging talent.”
Professor Wood says: “I’m thrilled to take on the role of chair at the National Centre for Early Music at this exciting time. This award-wining organisation is world renowned as a centre of excellence and innovation, celebrating not just early music but many different genres and with a broad commitment to community engagement and widening participation.
“I look forward to working with them as chair and of course enjoying some wonderful music with our audiences.”
Death Of Gesualdo: Bringing together The Gesualdo Six, Tableaux Vivants and a puppet for new drama of jealousy, murder and sublime madrigal music at NCEM
THE Gesualdo Six are reuniting with director Bill Barclay for the world premiere of Death Of Gesualdo, a daring new successor to their international hit Secret Byrd.
Premiered at St Martin-in-the-Fields, London, tomorrow and on Saturday, the haunting theatrical concerto, exploring the tormented life and music of Renaissance composer Carlo Gesualdo, will then head north to the National Centre of Early Music, Walmgate, York, for 6.30pm performances on Sunday and Monday.
Commissioned by St Martin’s as part of its 300th anniversary and produced by Concert Theatre Works, this collaboration with the NCEM and Music Before 1800 in New York City utilises the sextet of Gesualdo singers, six Tableaux Vivants actors and a puppet in “living tableaux to illuminate the forces that shaped the violent life, psyche and visionary work of innovative madrigalist Carlo Gesualdo (1566–1613), Prince of Venosa.
He may be infamous for murdering his unfaithful wife and her lover in an explosive fit of jealousy, but among composers he is revered for anticipating chromaticism – the musical technique of using notes outside the main diatonic scale to add colour, tension, and expression – by 200 years.
Choreographed by Will Tuckett, the dancers enact tableaux vivant – vivid images, like paintings brought to life –filled with iconography to superimpose Gesualdo’s psyche on to his most chilling music. The result will be “the boldest look yet at how the life and music of this enigmatic prodigy must function together for the true Gesualdo to emerge from the shadows”.
Director Bill Barclay says: “Gesualdo’s tortured mind led him into a life of violence and suffering, concluding in astonishing tales of witchcraft and malfeasance and appalling tales of sorcery and flagellation. However shockingly macabre his biography is, the Prince of Venosa’s malignant narcissism can be traced to key incidents from his upbringing in the zero-sum game of Catholic politics.”
Opening on the composer’s deathbed, Death Of Gesualdo promises to be a visceral “Stations of the Cross” for the composer’s tortured conscience as much as a bold study of his inseparable life, psyche and music.
Bill says: “I want people to hear the brilliance of Gesualdo’s music, but also to feel the immense human suffering that shaped it. This staging seeks to reveal the guilt and retribution woven through his extraordinary music, brought to life by The Gesualdo Six – some of the finest polyphonic singers in the world.”
The creative team brings together Barclay, Gesualdo Six director Owain Park, Olivier Award-winning choreographer Will Tuckett, best known for his work with The Royal Ballet and his visionary cross-disciplinary approach; former Handspring Puppet Company director Janni Younge and American costume designer Arthur Oliver.
“We so enjoyed doing Secret Byrd with Bill, and when we see Bill, we like to throw around a few ideas, and this is what’s emerged next – as we’re really well positioned to sing Gesualdo’s music,” says Owain.
He suggests Death Of Gesualdo has three layers: musical, dramatic and another layer that “provokes discussion and thoughts without necessarily coming up with the answer to the questions asked”.
“Bill is more interested in providing more questions than answers,” he says, highlighting the need for a balance between what is said and left unsaid. “When we debut the project in London and York, we will know more about that, but for now I can say it’s something we’ve never done before.
“It will be interesting to see how we present music differently, where it will heighten things in a way that you wouldn’t in concert. It becomes more sensory, like smell and touch, as we create pictures to be discovered. I think there’s going to be space for more development – which is interesting – and maybe audiences will need to come again.
“There’s more chance for spontaneity, and that’s exciting, like in sport, where you never know what the result will be, if the formula is right, whereas in music you do, but you can take different routes to the same result, but Death Of Gesualdo is more of a change from that, with the chance to be different each time.”
Secret Byrd visited more than 25 cities, with plans afoot to revisit it in the UK, Ireland and USA. “Last time, the NCEM was at the end of the first tour, so how lovely this time that Delma [NCEM director Delma Tomlin] and the NCEM are at the forefront of this new project, as we’ve built up such a wonderful relationship with them,” says Owain.
For creator-director Barclay, when St Martin’s wanted a “splashy” production to mark its 300th anniversary and suggested Gesualdo, his instinct was to resist at first. “I wasn’t drawn to the murder of his wife and her lover, the central event of his life,” he recalls, “I cherish the music, like anyone else, but I wasn’t just going to do a concert because I knew I had to reckon with the man.”
He enjoys counterpointing singers with other artists, and once he found a video of Tableaux Vivants, he saw the possibilities in Death Of Gesualdo. “I found their work whimsical and beautiful and was struck by how this artform could re-create horrible things in beautiful ways,” he says.
“They can create quite grotesque images but because they’re created right in front of you, there’s a sense they can be done both playfully and beautifully. It struck me as a way I could thread the story of the murder into the performance without all the violence, taking Gesualdo’s music as a framing device, not for the murder, but to explore what’s going through his mind and then opening up the topical subject of odious men.
“It made me think about cancel culture today…and what lessons have we learnt from the social media accelerant that can force someone to be treated as guilty until proven innocent?”
Citing composer Richard Wagner and jazz musician Miles Davis as further examples of “odious” creative talents, Bill says: “What I’m trying to get at is, can you separate the art from the man?
“With Death Of Gesualdo, I’m suggesting that if you consider his life over the music he created, a different picture emerges of this tortured soul, who was probably bisexual. I’m not trying to inspire pity in my audience as to whether he was forced to commit an honour killing or not, but with a sensitive artist such as Gesualdo, he was tortured by various ailments, from bulimic narcissism to bipolarity.”
Bill is thrilled to be teaming up with Owain Park and The Gesualdo Six again. “Owain is a genius, he’s a treasure, and his star burns very brightly. He’s young and he’s just at the beginning of what we expect to be a wonderful career,” he says.
“Working with these wonderful singers at this point benefits everybody, most of all the audience, and we now have two pieces that we can tour around the world as the arts become more interdisciplinary. It’s fun!
“I’m delighted that they [The Gesualdo Six] have trusted me to work with them, rehearsing for longer than they normally would for concerts – and putting on make-up for the performances!”
The Gesualdo Six and Tableaux Vivants, Death Of Gesualdo, National Centre for Early Music, St Margaret’s Church, Walmgate, York, January 18 and 19, 6.30pm to 7.40pm. Box office: 01904 658338 or ncem.co.uk.
The Gonzaga Band members Jamie Savan, Steven Devine and Faye Newton: Teaming up with National Centre for Early Music, York, and BBC Radio 3 for Young Composers Award 2026
THE deadline to register online entries for the National Centre for Early Music Young Composers Award 2026 in York is 12 noon on Friday, February 2 2026.
Launched on BBC Radio 3’s Early Music Show, this annual award is presented by the NCEM in association with regular partners BBC Radio 3.
For the 2026 instalment, young composers will be working with The Gonzaga Band, specialists in late-Renaissance and early-Baroque repertoire.
The deadline for submission of scores will be Friday, March 2. Successful shortlisted candidates will be informed on Monday, March 1 and then be invited to attend the award day at the NCEM, St Margaret’s Church, Walmgate, York, on Thursday, April 16. The NCEM will meet reasonable travel and accommodation costs from within the UK.
Young composers are invited to compose a new song setting for soprano, cornett and keyboard, to be performed by Gonzaga Band musicians Jamie Savan, cornett, Faye Newton, soprano, and Steven Devine, keyboards, who are renowned for innovative programming, underpinned by cutting-edge research.
The song should take inspiration from the experimental and innovative music of Claudio Monteverdi and his contemporaries, evoked in The Gonzaga Band’s recital programme Love’s Labyrinth, released as a recording on the Deux-Elles Classical Recording label in July 2025.
On this album, The Gonzaga Band navigate a path between the ardour and anguish of love, from the most exquisitely wrought madrigals of Monteverdi to the lively and sensuous dance rhythms of popular canzonettas.
Owain Park, right: Former winner of NCEM Young Composers Award, now director of the BBC Singers and The Gesualdo Six
In the process, they explore the development of a new style in Italian composition and performance practice, through which musicians were striving to find new ways of expressing and heightening the emotional power of their poetic texts.
Their distinctive arrangements, drawn from sources connected to the ducal court of Ferrara as well as Venice and Florence, heighten the intimate connection between the cornett and the human voice, interweaving in duet.
Award candidates should write a song setting that explores the theme of love through the relationship between the voice and instruments, setting a poem by Lady Mary Wrath, a contemporary of Shakespeare.
Composers selected for the final are invited to a collaborative workshop day in York on April 16 2026, led by composer Christopher Fox and Gonzaga Band members. This will be followed by a public performance of all the selected compositions at the NCEM.
The winning entries will be premiered by The Gonzaga Band in a lunchtime concert at the Royal Birmingham Conservatoire on Tuesday, October 27 2026, to be recorded for broadcast on BBC Radio 3’s Early Music Show and BBC Sounds.
This major national annual award is open to young composers up to the age of 25 resident in the UK and is divided into two categories: age 18 and under and age 19 to 25.
NCEM director Dr Delma Tomlin says: “The Young Composers Award is one of the annual highlights at the NCEM, and we always enjoy welcoming and nurturing the extraordinary array of talent these young composers have to offer.
Anna Disley-Simpson: Alumna of NCEM Young Composers Award
“Alumni of the award include: Owain Park, now director of BBC Singers and The Gesualdo Six; Sarah Cattley; Kristina Arakelyen; Kerensa Briggs and Anna Disley-Simpson, whose new work was performed last year as part of the York Early Music Festival.
“The award truly makes a difference to young composers’ career paths – it has proved to be an important stepping stone in the careers of these young people. We are very proud of our success to date and look forward to welcoming composers from across the UK to join with us in partnership with The Gonzaga Band.”
Les Pratt, producer of BBC Radio 3’s The Early Music Show, says: “We’re delighted to continue to support this award here at BBC Radio 3, now looking ahead to its 19th edition. It’s hugely important to challenge and nurture young talent, and what’s most gratifying is seeing past winners and entrants who are now making their way in the professional world.
“We are really looking forward to sharing next year’s compositions for The Gonzaga Band with our audiences at home on The Early Music Show.”
Jamie Savan, of The Gonzaga Band, enthuses: “We’re excited to collaborate with the NCEM and BBC Radio 3 on the Young Composers Award for 2026. We’re passionate about expanding the contemporary repertoire for cornett (the most ‘vocal’ of instruments), together with soprano voice and historical keyboards, and we can’t wait to work with the next generation of composers on this project.”
Terms and conditions and details of how to take part in the NCEM Young Composers Award 2025 are available at: https://www.youngcomposersaward.co.uk or by emailing info.composers@ncem.co.uk.
The Gonzaga Band: back story
The Gonzaga Band’s Faye Newton, Jamie Savan, centre, and Steve Devine
FORMED by cornettist Jamie Savan in 1997 with a mission to explore the intimate relationship between vocal and instrumental performance practice in the Early Modern period.
The ensemble takes its name from the ducal family of Mantua: the Gonzagas were powerful and influential patrons of the arts in the late Renaissance, who employed Claudio Monteverdi as their maestro della musica at the turn of the 17th century.
Monteverdi wrote some of his most innovative music for the Gonzagas: his third, fourth and fifth books of madrigals, the operas Orfeo and Arianna and the Vespers of 1610.
Performing most often as a chamber ensemble with a core of soprano voice, cornett and keyboards, and expanding on occasion according to the particular requirements of each programme, The Gonzaga Band can perform in a variety of combinations, ranging from a trio to a full period-instrument orchestra and vocal consort.
The Gonzaga Band is renowned for its innovative programming, underpinned by cutting-edge research, shining new light on the repertoire and its interpretation.
The band has five internationally acclaimed recordings to its credit, including Sacred Garland on Chandos/Chaconne and Venice 1629 on the Resonus Classics label. Its latest release is Love’s Labyrinth on the Deux-Elles label (2025). For more information, visit www.gonzagaband.com.
Apollo’s Cabinet: Playing opening concert at 2025 York Early Music Christmas Festival on December 5
THE 2025 York Early Music Christmas Festival will open on December 5 for a Yuletide feast of music spanning the centuries complemented by contemporary tunes.
Most concerts take place in the home of the National Centre for Early Music (NCEM), in the medieval setting of St Margaret’s Church, in Walmgate, where audiences can enjoy warming mulled wine and mince pies in “the perfect recipe for a heart-warming Christmas experience”.
NCEM Platform Artists Apollo’s Cabinet will kick off the festival with their Christmas edition of Apollo’s Jukebox Menu, where the audience will call the shots in this musical menu of Baroque favourites, bawdy ballads, delightful dances and streetwise scandals from 7pm to 8.15pm.
“Following their prize-winning successes over the past year, when they won the 2024 Friends Prize at our International Young Artists Competition ,and the launch of their debut album [Musical Wanderlust], we’re delighted that Apollo’s Cabinet are returning to the NCEM stage,” says festival director Delma Tomlin.
“They’re having a fantastic career already, appealing to a broad market, where they hit the sweet spot of entertaining as well as engaging audiences.
Mezzo-soprano Helen Charlston: Presenting A Lyrical Interlude on December 6
“At December 5’s concert, you should forget stuffy concerts with velvet seats and polite applause. Apollo’s Jukebox takes you back to the 18th-century music rooms where tunes weren’t just played – they were ordered. It’s all about good music, great stories and a proper pint.”
Rory McLeery, artistic director of festival act The Marian Consort, will host December 8’s 10.15am Choral Workshop at Bedern Hall , where he will take a journey through music by members of the Bach family, Schutz and Palestrina, to be followed at 4pm by an informal concert performance by the participants, who have been sent music online to practise in advance.
McCleery will direct The Marian Consort in their December 8 concert with the English Cornett & Sackbut Ensemble, directed by Gawain Glenton, in a festive 6.30pm programmed entitled Looking Bach To Palestrina, marking Palestrina’s 500th birthday.
York Early Music Festival artistic advisor and mezzo-soprano Helen Charlston will team up with her regular pianist, Sholto Kynoch, for A Lyrical Interlude at the NCEM on December 6, when her 12.30pm programme will embrace 18th century works by Fanny Hensel, Felix Mendelssohn and Carl Loewe.
This will lead to Robert Schumann’s song cycle Dichterliebe as Charlston explores themes of love, loss, longing and the power of memory and imagination to shape experiences of love, its joy and pain.
The Marion Consort: Teaming up with English Cornett & Sackbut Ensemble for December 6 concert. Picture: Ben Tomlin
Festival stalwarts Yorkshire Bach Choir & Yorkshire Baroque Soloists will unite once more under conductor Peter Seymour for Hayden’s 1798 magnus opus, The Creation, at the Sir Jack Lyons Concert Hall, University of York, on December 6 at 7.30pm.
“From its revolutionary ‘Representations of Chaos’ and the ensuing, electrifying arrival of light, the oratorio unfolds with boundless musical invention, painting vibrant sonic landscapes of land, sea, flora, celestial bodies, fauna and ultimately, humankind,” says Delma.
“Brimming with humanity and life-affirming joy, this work stands as a towering testament to the illuminating spirit of the Enlightenment.”
Reflecting on The Marian Consort’s December 8 programme, John Bryan, Emertitus Professor of Music at the University of Huddersfield, will give a 10.15am talk on December 7 on Contrast and Continuity: From the Renaissance to the Baroque.
The Dowland’s Foundry duo of tenor Daniel Thomson and lutenist Sam Brown will present Facets Of Time at a sold-out Bedern Hall on December 7, when their 2pm performance will combine music by Dowland, Daniel, Ferrabasco and Morley and words by William Shakespeare.
Irish folk singer Cara Dillon: On song in Upon A Winter’s Night on December 13
The Chiaroscuro Quartet and the BBC New Generation ArtistsConsone String Quartet will make a rare appearance together at the NCEM on December 7 for a 6.30pm programme featuring one of the 19th century’s most remarkable works, Mendelssohn’s Octet in E flat major Op 20, composed when he was 16, preceded by Haydn and Beethoven string quartets.
“Effectively this is the highlight of the festival. Having these two absolutely world-class quartets play together is extraordinary on what will be a magical night,” says Delma.
“Both quartets have played here before, so we have a great relationship with them, and I’ve wanted to programme the Mendelssohn Octet in the festival forever.”
Apollo5 will conjure the wonder of the winter’s changing landscape through contemporary choral writing for the season, interwoven with early music favourites by William Byrd and Guerrero in The Crimson Sun at the NCEM on December 9 at 6.30pm.
Lowe Ensemble, a Spanish family group, will perform Handel’s rare Spanish cantata No Se Emendara Jamas plus Iberian-Baroque festive music in Echoes Of The Baroque at the NCEM on December 12 at 12 noon.
Lowe Ensemble: Performing Echoes of the Baroque at York Early Music Christmas Festival on December 12
Fieri Consort Singers and Camerata Øresund will perform From the Church to the Tavern: Christmas Cantatas by Christopher Graupner and English Tavern Songs at the NCEM on December 12 at 6pm. Expect festive jollity as heard in the taverns of 17th and 18th centuries at this exclusive concert for the 2025 Christmas festival.
Irish folk singer Cara Dillon’s beloved Christmas concert, Upon A Winter’s Night , will blend ancient carols with modern songs and and Celtic rhythms at a sold-out NCEM on December 13 at 7.30pm.
The festival will conclude with Joglaresa’s Here We Come A’Carolling at the NCEM on December 14 at 6.30pm. “We’re delighted to welcome back this effervescent ensemble with a programme of music guaranteed to chase out the Christmas chill,” says Delma.
Summing up the 2025 festival, she says: “Once again, we look forward to welcome friends old and new to our Christmas festival, which is always a very special time for all of us here at the NCEM.
“The York Early Music Christmas Festival was created in 1997 to introduce audiences to the extraordinary wealth of music associated with Advent, Christmas and Epiphany, from the Medieval to the Baroque, intertwined with the sagas, stories and tales of the north. We hope you will enjoy this year’s wonderful line up of artists performing an array music through the ages.” Box office: 01904 658338 or https://ncem.co.uk/yemcf/.
Dowland’s Foundry to play free Baroque Around The Books shows in Explore York community library tour on Dec 8 and 9
Dowland Foundry’s Sam Brown, left, and Daniel Thomson
IN the latest National Centre for Early Music cultural wellbeing initiative, the NCEM and Explore York library service are bringing award-winning tenor Daniel Thomson and Sam Brown, “the Eric Clapton of the lute”, to York for Baroque Around The Books.
On December 8 and 9, the Dowland’s Foundry duo will present a mini-tour of Facets Of Time, a dramatic performance based around Elizabethan England’s most iconic artists, William Shakespeare and John Dowland.
Daniel and Sam will be staying in York for this short residency and musical tour of community libraries after their December 7 appearance at the 2025 York Early Music Christmas Festival at a sold-out Bedern Hall, when their 2pm performance will combine music by Dowland, Daniel, Ferrabasco and Morley with words by Shakespeare.
Dowland’s Foundrywill play Tang Hall Explore on December 8 at 11am; Clifton Explore, December 8, 2pm; Haxby & Wigginton Library, December 9, 11am, and York Explore, December 9, 2pm.
Tickets are FREE for these informal concerts – and no booking is required – thanks to this NCEM initiative, working in association with Explore York, supported by the Mayfield Valley Arts Trust and funds raised in the 2025 Christmas Big Give Campaign.
Thomson and Brown have performed widely across the UK. Originally from Melbourne, Australia, Thomson is known for his expressive text-based performance with major groups across the UK, Europe and Australia.
Flutes & Frets’ Beth Stones and Dan Murphy: Played Baroque Around The Books tour shows in York in 2024
Brown is a graduate of London’s Royal College of Music and one of the leading chordophonists of his generation, admired for his sensitive interpretation of Elizabethan music in performances across Europe, China and Kenya.
Dowland’s Foundry are undertaking the third Baroque Around the Books tour, after successful tours in 2024 by Flutes & Frets (flautist Beth Stones and frets player Dan Murphy) and Intesa(European viol and vocal musicians Lucine Musaelian and Nathan Giorgetti).
Each one brings free and accessible Early Music performances to the communities of York in a unique opportunity to celebrate and discover Early Music with two talented young performers.
“The NCEM is dedicated to promoting the extraordinary array of talent from Europe’s vibrant Early Music scene and Baroque Around The Books reinforces our ongoing commitment to support, encourage and nurture the skills of emerging artists in the UK and beyond,” says NCEM director Delma Tomlin.
“It’s wonderful to be working with our partner Explore York Libraries & Archives once again. Sam and Daniel have developed a sincere love and understanding of lute song that we look forward to sharing with new audiences from York communities.”
Explore York chief executive Jenny Layfield enthuses: “This partnership with NCEM is truly inspiring. There’s something wonderful about bringing such talented musicians into library spaces, offering our communities the chance to stumble upon a high-quality experience.
“I had the pleasure of attending one of the Baroque Around The Books sessions organised by the NCEM last year, and I absolutely loved it. If you have the opportunity to attend a performance at one of our Explore Centres this December, I wholeheartedly recommend it.”
Reactions to 2024’s Baroque Around The Books tours by Flutes & Frets and Intesa
Intesa musicians Lucine Musaelian and Nathan Giorgetti
“Uplifting, beautiful. Exquisite singing and playing. I felt privileged to experience this in a local library.”
“It was an unexpectedly moving experience.”
“I cannot tell you how glorious the last 20 was. I called in to collect a book and thought I’d gone to heaven.”
“It was truly beautiful and amazing that we could see this at our local library!”
“This was a delightful surprise as I just popped in to get a book. Even though I had other things to do, I stayed for the whole performance, which I loved. A quality experience.”
‘‘It was wonderful, it felt like it was a gift to York. Thank you so much. Thes are difficult times for many of us. This really felt so positive and generous.”
Saxophonist Jean Toussaint: First blast of brass in the NCEM’s autumn season on October 1
THE National Centre for Early Music autumn season will open next Wednesday with Grammy-winning saxophonist, composer and bandleader Jean Toussaint’s 7.20pm concert at St Margaret’s Church, Walmgate, York.
Born on the Dutch Antilles island of Aruba, Toussaint grew up in St Thomas, US Virgin Islands, and studied at Berklee College of Music in Boston, Massachusetts.
He moved to London in 1987, since when he has used the capital as his base. For his return to York with his latest project, JT5, he will share the stage with emerging British jazz talent, performing material from his latest album, JT5 Live At The Vortex 10/08/2024, recorded at the London jazz club last summer.
Supported by Ronnie Scott’s Charitable Trust, York Music Forum students will be working with Toussaint earlier in the day to share their work on the NCEM stage from 7.20pm to 7.40pm.
Trumpet player Byron Wallen: Raising the Black Flag at the NCEM on October 24
“Our autumn season welcomes a host of artists from across the world, bringing the highest-quality music-making to the city and continuing to share opportunities for the young, and the not so young, to get involved,” says NCEM director Delma Tomlin.
Pianist Jonny Best will be joined by violinist Susannah Simmons, cellist Liz Hanks and percussionist Trevor Bartlett for Frame Ensemble’s live accompaniment of Northern Silents’ presentation of Julien Duvivier’s 1929 French silent film The Divine Voyage on October 6.
As with Northern Silents’ sold-out performance of South in 2023, Frame Ensemble’s improvised score will capture the atmosphere of Duvivier’s lushly photographed tale of faith and hope about rapacious businessman Claude Ferjac sending his ship, La Cordillere, on a long trading journey, knowing it has been repaired poorly and is likely to sink. An entire village of sailors, desperate to support their families, has no choice but to set sail.
Virtuoso guitarists Gordon Giltrap & John Etheridge team up for 2 Parts Guitar on October 14; Damien O’Kane’s Irish tenor banjo and Ron Block’s five-string bluegrass banjo link up the following night to showcase their third joyously innovative album in seven years, Banjovial, the sequel to the ground-breaking Banjophony and Banjophonics.
Heidi Talbot: Previewing November 21 album Grace Untold at NCEM on October 23
On October 23, Irish singer-songwriter Heidi Talbot returns to the NCEM ahead of the November 21 release of her new album, Grace Untold, a collection of songs based around Irish goddesses and inspirational women, performed in York with Toby Shaer on fiddle and flute and Innes White on guitar.
Byron Wallen, London-born composer, traveller, educator and trumpet and flugelhorn player, heads back to the NCEM on November 24 with a very personal project: an exploration of childhood memories and the emotional strains between a mother and her son, separated by the Atlantic Ocean.
Performed with pianist and keyboard player Nick Ramm, Black Flag is in part a response to the photographic work of Annabel Elgar, whose images will be shared on screen. Emotional, searing, poignant and tough, this will be an evening to reflect and explore the shifting balance of power between the urban and the rural, together with the toxicity of colonialism, but with a glimpse of light before the sun.
“As our 25th year draws to a close, we are particularly pleased to welcome trumpeter and composer Byron Wallen as he shares his very personal exploration of childhood in Black Flag,” says Delma. “Likewise to invite you to enjoy an extraordinarily upbeat show of rhythms in the company of N’Faly Kouyaté and to share the haunting tapestry of sounds from Armenia and Iran with duduk player Arsen Petrosyan.”
N’Faly Kouyaté : Showcasing new album Finishing on November 12
Booked in for November 12, Songlines Music Awards winner N’Faly Kouyaté and Afro Celt Sound System leader N’Faly Kouyaté is a living bridge between ancestral heritage and future sounds, inviting you to a musical odyssey of songs that stir the soul, inspire reflection, elicit smiles and set bodies moving.
Playing balafon, kora, n’gonin, djeli doundoun, djeli tamamba and the toumba (congas), Guinean musician Kouyaté will be showcasing music from his September 12 album Finishing, with his wife Muriel Kouyaté, on djembe and Roland HandSonic, and Jay Chitula on electronic drums and Roland HandSonic.
On November 17, Arsen Petroysan will be joined by Mehdi Rostami, on setar, and Adib Rostami, on kamancheh, to perform haunting melodies and intricate improvisations in a meditative and emotional journey through the ancient Armenian and Iranian cultures.
On November 16, at 6.30pm, wry Kent folk musician Chris Wood – a six-time BBC Folk Award winner and key member of The Imagined Village alongside North Yorkshire’s Martin and Eliza Carthy – offers reflections on minor league football, empty nest syndrome, learning to swim, Cook-in-Sauce and the Gecko as a metaphor for contemporary society in celebration of “the sheer one-thing-after-anotherness of life”.
The folk focus next falls on The Jeremiahs, the Irish band of Joe Gibney, vocals, Matt Mancuso, fiddle and vocals, Conor Crimmins, flute, and James Ryan, guitar, in their NCEM debut on December 3.
Chris Wood: Celebrating “the sheer one-thing-after-anotherness of life” on November 16
The NCEM teams up with Explore York library service and Mayfield Valley Arts Trust for Baroque Around The Books on December 8 and 9, when Dowland’s Foundry, with tenor Daniel Thompson and lutenist Sam Brown, presents Facets Of Time in various York libraries to explore the meaning of time through music and poetry. Full details can be found at ncem.co.uk/baroque-around–the-books.
York Early Music Christmas Festival 2025 will run from December 5 to 14, featuring Fieri Consort& Camerta Oresund, Consone & Chiaroscuo Quartets, Marian Consort & ECSE, Apollo’s Cabinet, Helen Charlston, Joglaresa and Apollo5. A full preview will follow in The York Press soon.
Festive folk fixtures Green Matthews – modern-day balladeers Chris Green and Sophie Green – will see out the old year at the NCEM with their Midwinter Revels concert of Christmas carols and winter folk songs on ancient and modern instruments on December 16.
“Our autumn season is creative, engaging and will be hugely rewarding,” says Delma. “We look forward to welcoming you.”
Concerts start at 7.30pm unless stated otherwise. Box office: 01904 658338 or ncem.co.uk.
Catherine Bott: Soprano, broadcaster, presenter, festival artistic advisor and now recipient of the York Early Musical Festival Lifetime Achievement Award
SOPRANO singer, broadcaster and presenter Catherine Bott will be awarded the Lifetime Achievement Award at the 2025 York Early Music Festival.
The award will be presented by broadcaster, writer and artistic advisor Lindsay Kemp at the National Centre for Early Music, St Margaret’s Church, Walmgate, on Sunday immediately before the 4.45pm live edition of BBC Radio 3’s Early Music Show.
Catherine, 72, will then return as a guest to the Early Music Show alongside mezzo-soprano Helen Charlston and instrumentalists Ensemble Hesperi. Free tickets to attend the show’s recording have sold out.
Throughout her career, Catherine has been involved with the annual festival, as a performer, jury member, presenter and artistic advisor. “I’m honoured to receive a Lifetime Achievement Award from the pioneering York Early Music Festival, following in the footsteps of so many distinguished friends and colleagues from whom I’ve learnt so much,” she says. “And I’m looking forward to returning to York for a lively weekend of music and conversation.”
She joins the esteemed list of past recipients of an award that honours major figures who have made a significant difference to the world of early music: Belgian flautist Barthold Kuijken; soprano Dame Emma Kirkby; countertenor James Bowman; Spanish conductor and composer Jordi Savall; conductor Andrew Parrott; lutenist Anthony Rooley; harpsichordist and conductor Trevor Pinnock; violinist Catherine Mackintosh and trumpeter Crispian Steele-Perkins.
This year Catherine will be appearing at the festival with the French instrumental ensemble Le Consort, reading poems that accompany Vivaldi’s Four Seasons concertos at the Sir Jack Lyons Concert Hall, University of York, on Sunday at 7.30pm.
In this celebration of the 300th anniversary of the first publication of Vivaldi’s concertos, directed by baroque violinist Théotime Langlois de Swarte, the four vividly pictorial and virtuosic violin concertos will be interlaid with other works by Vivaldi, and preceded by Catherine’s readings of the sonnets (perhaps written by the composer himself) that set out the scenes he evoked in music with flair, brilliance and humour.
Catherine recalls first singing in North Yorkshire at Beningbrough Hall in 1981. “Don’t ask me exactly what I did, but I can remember signing some medieval songs,” she says. “I think it was outdoors and I don’t think it was raining!”
Through the years, she has performed with the Yorkshire Baroque Soloists under conductor Peter Seymour and the Royal Northern Sinfonia at the Sir Jack Lyons Concert Hall.
She is full of praise for York Early Music Festival, the National Centre of Early Music and, in particular, director Delma Tomlin. “Delma is a force of nature and a force for good. She and the festival have always championed early music and repertoire that’s lesser known than it should be,” says Catherine. “Thanks to Delma, the York Early Music Festival continues to go from strength to strength.”
From 2003, her role as presenter of BBC Radio 3’s Early Music Show brought her to the festival each year for a live show. “So I’m really tickled to be a guest on the show I used to present straight after receiving the award on Sunday, when I’ll be meeting presenter Hannah French for the first time,” says Catherine.
Le Consort: French ensemble’s performance of Vivaldi’s Four Seasons on Sunday will be accompanied by Catherine Bott’s readings
“It’s a lovely award to receive. I do remember in my broadcasting past presenting the award to Jamie Bowman, who said, ‘I’m not sure I want to receive this as it’s suggests it’s all over!’, but I’m happy that I’ve been able to sing with just about every musician I wanted to work with or talk to the musicians I wanted to interview.
“Now I’m joining some very esteemed company, all of whom I’ve performed with except Jordi Savall, who I interviewed!”
Catherine continues: “This award is a wonderful excuse to go back and spend time in this beautiful city crammed with characterful, beautiful concert venues. York is the natural home for this kind of festival because it’s such an historic place.
“I’ve always tried to maximise any visit to York, walking the City Walls, going to the National Railway Museum, making sure I go to Evensong at the Minster. Thi time I shall be arriving Saturday lunchtime and then going to see the evening concert by the Tallis at York Minster.”
Catherine studied at the Guildhall School of Music and Drama in London, then spent two years from the age of 22 singing everything from Bach to Berio with Swingle II, successors to the baroque-jazz crossover group The Swingle Singers, before beginning a distinguished solo career specialising in baroque music.
Among her many recordings are Bach’s St John Passion and Purcell’s Dido and Aeneas and she has premiered and recorded works by contemporary composers Craig Armstrong, Jonathan Dove and Michael Nyman.
She is a Fellow of the Guildhall School and an Honorary Fellow of Trinity Laban Conservatoire of Music and Dance. For ten years from 2003, she combined singing with regular presenting for BBC Radio, scripting and introducing more than 300 editions of The Early Music Show on BBC Radio 3, as well as hosting live evening concerts and the BBC Proms.
She has worked with BBC Radio 4 and has made documentaries on subjects ranging from Auto-Tune to Mantovani and has presented numerous editions of Pick Of The Week.
In 2013, Classic FM invited Catherine to make the move to a more informal style of music broadcasting. She stayed for a decade, with her series Everything You Ever Wanted To Know About Classical Music running for seven years. She also co-hosted The Full Works Concert and presented a live Sunday lunchtime show.
New ways of sharing her love of music continue to evolve and since 2020 Catherine has introduced live-streamed recitals from London’s Wigmore Hall and digital concerts with the Bournemouth Symphony Orchestra, viewed by many thousands worldwide.
York Early Music Festival runs from today (4/7/2025) to July 11. For full details and tickets, head to: ncem.co.uk/whats-on/yemf/.
National Centre for Early Music Young Composers Award winners Avram Harris, left and Kit McCarthy at the NCEM on the awards day. Picture: Charlie Kirkpatrick
First published on May 17 2025
KIT McCarthy and Avram Harris have won the 2025 National Centre for Early Music Young Composers Awards.
Kit received the prize for the 19 to 25 age group with his composition Molten Kaleidoscope; Avram triumphed in the 18 years and under category with Transient Variations.
The final of the 18th Young Composers Award was held at the NCEM, St Margaret’s Church, Walmgate, York, presented in partnership with BBC Radio 3, on May 15.
This year, the organisers invited aspiring young composers to compose a new trio sonata movement for two violins, cello, and harpsichord. Composers were asked to explore a particular musical world and character in their piece lasting three to four minutes, focusing especially on the interplay between the instruments, and could take a movement from Handel’s Opus 5 Trio Sonatas as a reference point.
Compositions by the eight young finalists were workshopped during the day by composer Professor Christopher Fox and The Brook Street Band, led by cellist Tatty Theo. In the evening, the pieces were performed by The Brook Street Band in a public performance at the NCEM, from where the performance was live streamed to ensure that friends and families were able to join in.
The streamed performance is available on the NCEM Young Composers Award website at youngcomposersaward.co.uk.
Kit McCarthy: Winner of the 19 to 25 age category. Picture: Charlie Kirkpatrick
The shortlisted composers and pieces:
19 to 25 category:
Kit McCarthy, Molten Kaleidoscope
Parmida Eslaminazari, Celestial Reverie
Brandon Craig, Petit Matin
18 and under category:
Avram Harris, Transient Variations
Pol Macip Porter, Fugue (Tristesa)
Laura Kesiak, A Vintage Television
Ben Greenwood, Drowsiness Changes
Edward Harris-Brown, Sir Trip-a-lot’s Merriment
The 2025 panel of judges comprised BBC Radio 3 producer Les Pratt, NCEM director Delma Tomlin and The Brook Street Band cellist Tatty Theo.
Molten Kaleidoscope and Transient Variations will be premiered on October 3 at the love:Handel festival, run by The Brook Street Band in and around Norwich. The performance will be recorded for broadcast on BBC Radio 3’s Early Music Show.
Avram Harris: winner of the 18 and under category. Picture: Charlie Kirkpatrick
Delma Tomlin said: “The Young Composers Award is one of the highlights on the NCEM’s calendar and it’s always a joy to discover these young people’s extraordinary wealth of talent, and, of course, enjoy their fabulous new compositions.
“This year we’ve been working with the all-female group The Brook Street Band in an exciting new partnership. Our composers spent an inspiring day working on their compositions with the band and our esteemed colleague, composer, musician and teacher Dr Christopher Fox.
“The Young Composers Award continues to be recognised as an important landmark in the careers of young musicians and it was a privilege to welcome these talented young people to York for an inspiring day sharing music and ideas at the NCEM’s home, St Margaret’s Church.
“I’d like to say a special thank-you to Dr Christopher Fox, BBC Radio 3 and, of course, my fellow judges.”
Les Pratt, lead producer of The Early Music Show, said: “BBC Radio 3 has been partnering with the colleagues at NCEM for 18 years, supporting this award and nurturing young talent – which is one of our core missions, as the home of classical music and a place where audiences can discover the latest trends and creations.
Tatty Theo, left, and fellow members of The Brook Street Band at the National Centre for Early Music. Picture: Charlie Kirkpatrick
“Providing a platform for young composers is key in order for classical music to always keep fresh, reflect the present and look to the future. That’s why we can’t wait to share these wonderful new compositions with listeners at home on the Early Music Show and on BBC Sounds.”
Tatty Theo said: “It’s been a real privilege for The Brook Street Band to get to know these eight shortlisted compositions, and we’ve enjoyed exploring the wonderfully engaging and creative sound worlds these young composers have conjured up for our period instruments.
“The repertoire has been thought-provoking and technically demanding in very different ways to the music that inspired it, Handel’s opus 5 trio sonatas, and we’ve loved finding the links between the Handel of the 1730s and these fresh pieces of 2025.
“There’s been humour, surprise, some crazy counting and lots of questions, but we’ve relished the challenge of doing this music justice and look forward to performing the two winning compositions in October at our love: Handel festival, and hopefully incorporating them into Handel programmes in the years to come.”
The Young Composers Award is open to young composers resident in the UK up to and including the age of 25 for the aforementioned age categories. The 2026 edition of the award will be announced in late autumn.
Festival commission: BBC New Generation artist and mezzo soprano Helen Charlston will perform a new Anna Disley-Simpson work with theorbo player Toby Carr in In Heaven & Hell…Yours To Choose on July 9 at Merchant Adventurers’ Hall, York, at 6.30pm. Picture: Julien Gazeau
HEAVEN & Hell will be the theme of the 2025 York Early Music Festival, a summer fiesta of 19 concerts in eight days featuring international artists from July 4 to 11.
The Sixteen, the Tallis Scholars and Academy of Ancient Music will be taking part, as will French orchestral ensemble Le Consort, led by rising-star violinist Théotime Langlois de Swarte, in their York debut with an “exceptional rendition of exceptional of Vivaldi’s Four Seasons – but not quite as you know it”.
The festival will intertwine three very different themes: firstly, the music of Renaissance composer Orlando Gibbons, opening with viol consort Fretwork (Friday, July 4); secondly, the genius of the Baroque, focusing on Vivaldi’s Four Seasons (Sunday, July 6).
Thirdly, the strand that lends itself to the 2025 title: a reflection on Man’s fall from grace – from Heaven to Hell – in biblical times with YEMF artistic advisor and BBC New Generation artist Helen Charlston and her fellow Gramophone Award-winner, lutenist and theorbo player Toby Carr (Wednesday, July 9) in the medieval Guildhall of the Merchant Adventurers’ Hall.
Fretwork: Viol consort will open York Early Music Festival with Renaissance music of Orlando Gibbons in My Days: Songs and Fantasias with mezzo soprano Helen Charlston on July 4 at 7.30pm at Sir Jack Lyons Concert Hall, University of York
The Tallis Scholars (Saturday, July 5) and The Sixteen (Monday, July 7) will share their programmes in the glorious surroundings of York Minster; the Spanish ensemble Cantoria (Tuesday, July 8) will present a sizzling array of ensaladas and villancicos in their A La Fiesta programme and Swiss- based medievalists Sollazzo (Thursday, July 10) will return to York for the first time since winning a prestigious Diapason d’Or award.
Thefestival will finish with a flourish in the company of the Academy of Ancient Music and their leader, violinist Bojan Čičić (Friday, July 11) in a celebration of Bach’s violin concertos.
York Early Music Festival continues to support emerging musicians with invitations to two 2024 York Early Music Festival Young Artists Competition winners, Ayres Extemporae and Ensemble Bastion.
Once again, the festival will showcase a variety of York’s beautiful historic buildings, such as the Minster, the medieval Merchant Adventurers’ Hall and the intriguing hidden architectural gem Bedern Hall.
The Sixteen: Returning to York Minster to present Angel Of Peace on July 7at 7.30pm
In an open call for the York Early Music Festival Special Commission, NCEM Young Composers Award alumni were invited to respond to the Heaven & Hell theme by writing a piece to be performed by Charlston and Carr as part of their In Heaven & Hell…Yours To Choose programme featuring Purcell, Strozzi, Monteverdi, Charpentier and Humfrey works on July 9.
Anna Disley-Simpson has been awarded the commission from a competitive field of 24 applications for her piece Heaven Or Hell, for which she will collaborate with librettist Olivia Bell, drawing inspiration from Kurt Weill. Expect her composition to be “deliberately subversive and unexpected in several ways,” Anna promises.
Supported by the Hinrichsen Foundation and an anonymous donor, Anna will receive a commission fee of £2,000, plus travel and accommodation expenses within the United Kingdom to attend a workshop with the musicians in London and the York premiere.
Looking forward to the July event, festival director Dr Delma Tomlin says: “We are thrilled to welcome friends old and new to what promises to be a fantastic celebration of music from an outstanding array of artists.
Le Consort: French orchestral ensemble will make York Early Music Festival debut on July 6, performing Vivaldi’s Four Seasons at Sir Jack Lyons Concert Hall, University of York, at 7.30pm
“Celebrating over 500 years of music from across Europe, we are particularly delighted to be able to welcome ensembles from France, Switzerland, Poland, Spain and the Netherlands to our wonderful city. We look forward to welcoming visitors and residents alike to eight wonderful days of music-making.”
The full programme and booking details can be found at ncem.co.uk/whats-on/yemf/. Bookings also can be made on 01904 658338, via boxoffice@ncem.co.uk and in person at the NCEM, Margaret’s Church, Walmgate, York.
York Early Music Festival: the back story
ESTABLISHED in 1977, the festival is designed to celebrate York’s myriad of medieval churches, guildhalls and historic houses through historically informed music-making of the highest international standard.
The annual event is the “jewel in the crown” of the National Centre for Early Music’s annual programme, enjoyed by York residents and visitors from all over the UK and across the world.
The Tallis Scholars: Performing Glorious Creatures programme at York Minster on July 5 at 7.30pm. Picture: Hugo Glendinning
